Additional File - Ewbank`s Auctions

Transcription

Additional File - Ewbank`s Auctions
20th Century Art & Design
Thursday 22nd October 2015
£5
Chris Ewbank, FRICS ASFAV
Senior partner
Andrew Ewbank, BA ASFAV
Partner
Andrea Machen,
Decorative Arts Specialist
Alastair McCrea, MA
Partner
Andrew Delve, MA ASFAV
Partner
Tim Duggan, ASFAV
Partner
[email protected]
[email protected]
Front Cover: Lot 592
[email protected]
[email protected]
Inside Front Cover: Lot 556
[email protected]
[email protected]
Inside Back Cover: Lot 520
John Snape, BA ASFAV
Partner
[email protected]
Back Cover: Lot 547
20TH CENTURY ART & DESIGN
Surrey’s premier antique and fine art auction rooms
Celebrating 25 Years
20TH CENTURY ART & DESIGN
Arts & Crafts, Art Nouveau, Art Deco, Modern Design, Contemporary Art
SALE: Thursday 22nd October 2015 at 10.30am
VIEWING:
Monday 19th October 10.00am - 5.00pm
Tuesday 20th October 10.00am - 8.00pm
Wednesday 21st October 10.00am - 5.00pm
Morning of sale
Arts & Crafts: Lot 1 – Page 4
Art Nouveau: Lot 97 – Page 13
Art Deco: Lot 180 – Page 21
Modern Design: Lot 300 – Page 29
Contemporary Art: Lot 462 – Page 39
For the fully illustrated catalogue, to leave commission bids, and to register for Ewbank’s
Live Internet Bidding please visit our new website www.ewbankauctions.co.uk
The Burnt Common Auction Rooms, London Road, Send, Surrey GU23 7LN
Tel +44 (0)1483 223101
E-mail: [email protected]
Buyers Premium 27% inclusive of VAT
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FOUNDER MEMBERS OF THE ASSOCIATION OF ACCREDITED AUCTIONEERS
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INFORMATION FOR BUYERS
1. Introduction.The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our
salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally
accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.
2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally
disclosed. Accordingly if you buy your primary contract is with the seller.
3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular
lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s
Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement
before the sale. They are in no sense definitive.
4. Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium at 27% inclusive of VAT on the hammer price
of each lot purchased.
5. VAT. (†) indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the hammer price as well as being
an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the
European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The
double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these
lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots
which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots
are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable
as input tax.
6. Condition of Lots. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.
Intending buyers have ample opportunity form inspection of goods and neither the seller nor we as the auctioneers accept any
responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However,
in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is
a 2 week limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).
7. Condition Reports.We may be able to assist buyers unable to view by providing a condition report, but these reports are based
solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending buyers are
strongly encouraged to view. (Please see our Conditions of Sale).
8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether
there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as
ivory. Ask us if you need help.
9. Bidding. Bidders may be required to register before the sale commences and lots will be invoiced to the name and address on
the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our
arrangements for telephone bidding.
10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding
buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two
buyers submit identical commission bids the auctioneers may prefer the first bid received. Commission bids should be left with
us before an auction starts. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or
Email.
11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted.
Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). We accept card
payments provided that your registered address is the same as the card address. There is a surcharge of 2.5% plus VAT on credit
cards but no charge on debit cards.
12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are
paid for and collected promptly. Any delay may involve the buyer in paying storage charges which are currently set at £5 plus VAT
per lot per day.
13. Artist Resale Right. Buyers of lots executed by qualifying artists are subject to ARR payments which will be added to the
purchaser’s invoice. Where possible such lots are marked in the catalogue with §. The charge will be applied only where the
hammer price exceeds 1,000 Euros and will be a maximum of 4%, for full details visit www.dacs.org.uk or telephone
+44 (0) 845 410 3410.
2
Arts &
Crafts
Lot 28
Arts & Crafts
3
1
1
Moorcroft for Liberty biscuit barrel, pomegranate
pattern on inky blue ground, the planished pewter
mount stamped Moorcroft Tudric 1328, 13cm
£250 - 350
See Illustration.
3
Cotswold school sideboard after a design by
Peter Waals, open section above three drawers
flanked by two panelled cupboard doors with
carved octagonal handles, the chamfered legs on
chip carved base 96cm x 153cm £200 - 300
See Illustration.
4
Christopher Dresser design for Benham and
Froud Copper kettle of spherical form with
brass mounts and wooden handle, stamped
B & F mark. 22.5cm £100 - 150
5
Group of early 20th century silver and enamel
jewellery, to include a shield form stamped
DM & Co, a turquoise set necklace and two
brooches with enamelled birds £50 - 80
2
2
Arts & Crafts copper. William Soutter of
Birmingham beaten copper coal bin with cover,
39cm high and a Benson copper jug £50 - 80
See Illustration.
6
6
Cast bronze plaque depicting a female figure in
classical dress and carrying the hind quarters of a
deer, 42cm x 22cm £300 - 500
See Illustration.
5
9
Early 20th century brown leather sofa, stud
fastening, on bobbin turned legs and stretcher
155cm wide £150 - 250
10 Arts & Crafts walnut table, rectangular with
curved support, pegged construction £50 - 100
7
7
8
Royal Doulton, an Art Nouveau design biscuit
barrel, height 17cm together with a Doulton
Lambeth blue to green mottle glazed vase
with raised decoration, height 25cm and small
Royal Doulton Titanian ware bowl, height 5cm
£70 - 100
See Illustration.
Pair of early 20th century brown leather arm
chairs, studded fastening, on turned legs
£300 - 500
See Illustration.
11
11 Doulton Lambeth, complimentary pair of
stoneware spirit decanters with stoppers. The
shoulders with moulded foliate decoration over
a square form body. Both with factory mark
and stamp -1881 to the base. Height each 24cm
£50 - 80
See Illustration.
12 Aesthetic walnut inkstand,
with silver plated handle,
two glass inkwells on
rotating platforms above
pen tray. Height 15cm,
width 28.5cm £40 - 80
13 Gothic Revival coromandel
tea caddy, domed top with
ornate, engraved strap
and handles, fitted with
twin locking domed lids,
labelled Black, and Green,
by Tritschler Carlisle
16 x 23 x 12cm £200 - 300
8
6
15
18
14 Early 20th century oak coal bin, with applied
copper repousse work with stylized floral
decoration 50 x 59 x 41cm £60 - 100
15 Gordon Russell console table and coffee table,
comissioned in the 1970s labelled Broadway
Studios, pear wood Gordon Russell, Marin Hall,
cabinet maker S.D. Wilcock, May 1973, coffee
table 70 x 100cm, console table, 90 x 50cm
£300 - 500
See Illustration.
16 Copper jardiniere with Arts and Crafts
decoration, of stylized floral motifs and curved
arrowhead handles C1900, 20.5 x 31.5cm
£100 - 150
17 Gothic reform centre table, octagonal form top
with single drawer, turned legs and cross section
stretcher 106 x 106cm £100 - 200
18 Bruce Talbert a set of four gothic Revival chairs,
in oak inset with roundels of ebony, turned
legs, upholstered in woven green silk, 89cm
£200 - 400
See Illustration.
7
19
19 Rare Wemyss Tulip vase, plum pattern marked Wemyss’, stamp for retailer T. Goode & Co 37cm high
£800 - 1200
See Illustration.
8
20 A.E Jones Arts & Crafts table lighter with
motto, ‘There is no better herb under the canopy
of heaven’ planished surface with applied
handle, Birmingham 1925, 9.5cm and a Georg
Jensen acorn pattern butter knife, length 11cm
£150 - 250
21 American copper wall sconces with two branch
candelabra, early 20th century, 40cm each
£50 - 80
22 Doulton Lambeth stoneware jardinière with
impressed leaf design on a mottled blue/yellow
ground, 20cm £40 - 60
23 Worcester Aesthetic movement teapot and an Old
Hall vase, teapot with blue and white Japanese
style decoration, vase with Chrisopher Dresser
influenced form, handpainted transfer printed
flowers £80 - 120
24 Set of ten arts and crafts style silver tea spoons
with pierced handles Sheffield 1912, makers
mark H W £50 - 100
25 A pair of Doulton Mackinlays Scotch Whisky
jugs. Decorated of applied thistles and seals
£80 - 120
See Illustration.
27
27 An unusual Doulton Art Pottery jug, moulded
with fish and water lilies. 21cm high £60 - 100
See Illustration.
28 Hannah Barlow for Doulton, vase decorated with
sheep in a landscape by Hannah Barlow and
Florence Roberts Inscribed numbers 339 and 625,
30cm £200 - 300
See Illustration.
29 Burmantoft vase, incised decoration of ‘bleeding
Heart’ flowers, impressed monogram 23.5cm
£50 - 80
30 Arts and crafts oak mission chair, with slatted
sides and wide plank arms on square section legs,
two cushions covered in William Morris fabric
£100 - 200
31 Set of six Arts & Crafts chairs, oak with wavy
back splats and square section legs, four chairs
and two carvers, upholstered in William Morris
fabric £300 - 500
26
26 A pair of Royal Doulton bottle vases. Impressed
mark on one base possibly for Olive Dale,
Number 6224 17cm £40 - 60
See Illustration.
32 Early 20th century Art pottery, an unusual Bretby
pottery jug with dolphin spout and cherub in
relief, the body with stencilled Art Nouveau style
decoration 23cm and a Farnham pottery owl jug
10.5cm £40 - 60
33 Pair of late 19th century gothic revival candle
sticks, in brass with pierced base and formal
design of tulip heads, 20cm £30 - 50
9
188
231
7
25
27
111
28
231
230
231
26
7
34 W A S Benson circular copper and brass bowl
on four trefoil feet diameter 20cm and a similar
chamber stick in copper and brass, 11cm
£80 - 120
35 Silver plated Kettle on stand with ebonised
handle, after a design by Christopher Dresser
21cm high £30 - 50
36 Silver plated jug design attributed to Christopher
Dresser, angular form with bands of formal leaf
decoration, 18cm high An almost identical jug in
earthenware was registered by Watcombe in 1872
£40 - 60
37 Christopher Dresser design, unglazed terracotta
crocus pot holder decorated with repeating palm
forms, impressed 8 x, 10 x 26cm £60 - 100
38 William Stephen Coleman 1829-1904 a
stoneware moon vase handpainted with a
mermaid, the reverse a crab, signed with
monogram & dated 1902, 14cm high
W S Coleman was born in Horsham Surrey
director of Minton Art Pottery, establishing it
in 1871, an illustrator and painter he was best
known for his naturalist drawings £50 - 80
39 A group of early 20th century Art pottery,
including an unusual pair Allvervale owl vases,
similar fish vase Longpark pottery twin handled
vase and two others £50 - 80
40 An Arts and Crafts three handled silver bowl,
standing on three raised feet, planished finish,
stamped marks, Chester 1911, 12.5cm wide
£150 - 200
41 Liberty and Co set of 6 planished pewter bowls,
numbered 0899, 12.5cm diameter £80 - 120
12
42
42 A large William Morris style tapestry panel circa
1890, depicting a large flowing and fruiting
vine, worked in shades of olive greens and red,
256cm x 236cm £80 - 120
See Illustration.
43 Jones, Owen, The Grammar of Ornament,
published by Bernard Quaritch, London 1868,
Second edition, hardcover, Moroccan burgundy
leather binding. 112 plates £300 - 400
44 Liberty and Co, oak and leather fire screen,
circa 1900 with pierced top rail and embossed
foliate design applied ‘Leatho’ label, 58cm wide,
77cm high £150 - 250
45 Set of five Early 20th century tiles, framed as
one panel, relief decoration of fish and seaweed,
framed 132cm x 25cm £100 - 200
46 American Arts & crafts silver ring set with
cabochon agate and a pendant with green glass
£50 - 80
Lot 123
Art Nouveau
Art Nouveau
97 Art Nouveau silver bowl by Henry Atkins the circular
body, with decoration of flowers with entwined
stems, crimped rim, raised on a spreading foot.
Sheffield 1905 16 x 25cm £100 - 200
98 Royal Dux figural spill vase modelled as a maiden on
a step, pink triangle to base, 38.5cm high £100 - 150
See Illustration.
99 A set of six silver Art Nouveau buttons, one
decorated with a ladies head the others foliate designs
Birmingham 1902 and 1903 cased £50 - 80
100 Royal Doulton, a rare Art Nouveau design jug, of
tapering form with fluted rim, decorated with heraldic
motifs, scrolling foliate and bearing the motto “Better
Late than Never”, height 23cm, together with a small
Art Nouveau Royal Doulton purple mottle glazed and
enamelled bowl, height 12cm £100 - 150
See Illustration.
101 Pair of Austrian chargers, with relief decoration of
figures and cherubs, early 20th century, stamped
made in Austria 40cm diameter £80 - 120
98
102 Five Tiffany & Co sterling silver grapefruit spoons,
decorative handles with floral patterns in relief
to back and front Pat 1880M length 14.5cm 6oz
£100 - 200
103 Tiffany Favrille glass a miniature two handle
cauldron in gold iridescent glass incised LCT on base
5.7cm diameter and a miniature flared tubular vase
£60 - 100
104 Large French pottery model of a raven perched over a
bunch of grapes, height 27.5cm £50 - 80
105 Art Nouveau bronze cast from a model by
Emmanuel Villanis, bust of a young women entitled
‘Lucrece’ signed on shoulder, foundry mark and
numbered 2373, 37cm £250 - 350
100
106 Art Nouveau pewter mounted claret jug, design of
cherries within a whiplash frame, clear glass with cut
decoration, 30.5cm £150 - 250
107 Large Art Nouveau bust, depicting a lady wearing
laurel leaf band in her hair, plaster with sepia stain,
reverse bears circular mark, and numbered 1667,
39.5 x 37cm £150 - 250
108 Art Nouveau period bronze cast from a model by
Gustave Gurchner, cold painted figural vide poche,
of a maiden with flowing hair, apparently unmarked,
8.2 x 20.2cm £300 - 500
See Illustration.
14
108
114 Art Nouveau wardrobe, walnut with single
mirrored door flanked by carved panels above
drawer 205cm £200 - 300
115 Two handbags with Art Nouveau motifs, a leather
bag with embossed decoration of Pierette, a
silvered clasp bag and cigarette case £30 - 50
109
109 Daum France glass plafonnier, light shade, of
yellow to amber mottled glass, signed Daum
Nancy with cross of Lorraine, 30cm diameter
£300 - 500
See Illustration.
110 WMF wine cooler, brass with Secessionist
decoration of laurel leaves and leaf decorated
handles, stamped on base, 23cm £70 - 100
116
116 A Secessionist casket by Erhard & Sohne,
rosewood inlaid with brass, panels of exotic
birds and flowering branches, on square section
feet, the interior lined with red velvet, C1900
24cm wide £200 - 300
See Illustration.
111
111 Art Nouveau gold brooch, of clover sprigs set
with pearl, French stamp, 2.6 x 3.5cm £100 - 150
See Illustration.
112 A pair of large French spelter figures representing
L’electricite and La Vapeur, gold painted on faux
marble bases, The largest 85cm high £150 - 250
113 Royal Doulton Art Nouveau decorated vase, of
inverted baluster form applied with a stylised
band of flowers on a blue ground. 47cm high
£70 - 100
117
117 Daum Nancy, a cameo glass vase with decoration
of purple flowers on a mottled blue mauve
ground, signed Daum Nancy, 22cm £200 - 300
See Illustration.
118 Royal Doutlon Flambé glazed elephant, red glaze
with ivory coloured tusks, early 20th century
19cm £50 - 100
15
121
119 Art Nouveau silver ladies mesh purse the clasp
embossed with flowers and foliage, import
mark for London 1906 Makers SM 13cm width
£80 - 120
120 Art Nouveau silver plated purse embossed with
two female figures to green embroidered bag,
diameter 5cm, a continental white enamel ladies
purse 11cm wide and Edward VII silver card
holder Birmingham 1905 £50 - 100
121 Arts & Crafts rosewood bookcase cabinet,
pierced decoration, leaded glazed doors, the
central section with bevelled centre and inserts
of slag glass, two leaded glass doors flanked
by open sections 150cm x 156cm x 36cm
£400 - 600
See Illustration.
16
122
122 Three opalescent Art glass vases, a squat vase
with green trailing, another with applied green
foot and a slender vase with crimped neck, early
20th century tallest 24cm £50 - 80
See Illustration.
123
123 Frans Bergman (1861-1936) Vienna, bronze, Art Nouveau watch stand, in the form of a young lady and lily
pads, stamped verso 17cm £600 - 1000
See Illustration.
17
126 Large Austrian ceramic group, modelled as a
young maiden and a swan amongst naturalistic
foliage, impressed 5197 W, to underside,
64cm high £150 - 250
127
124
124 After Paul (Gabriel Jean P.) Moreau-Vauthier,
Bronze figure of a lady, inscribed
P. Moreau-Vauthier on base. 37cm high £400 - 600
See Illustration.
127 Richard Ginori Art Nouveau plate, tube lined
decoration of a young women with winged
headdress and three birds in flight, printed marks,
‘Serpentina’ 21cm diameter £100 - 150
See Illustration.
128
125
125 Societe Parisienne de Ceramique Art Nouveau
bust, modelled as a young women wearing a gilded
necklace, unglazed earthenware, signed H. Jacobs,
Paris- Charenton Le Port, 56cm £350 - 450
See Illustration.
18
128 20th century British School, watercolour and
gouache heightened in silver, a design for wall
paper or fabric, depicting a bird, fruit swag and
pendants, 50 x 70cm £60 - 80
See Illustration.
129 A set of five secessionist style WMF silver plated
cup holders, each with pierced decoration and
impressed factory marks to base 7.5cm high and
an Art Nouveau pewter frame (5) £120 - 160
Art Deco
Lot 219
Art Deco
180 An unusual Maling inkwell, with decoration of
a viking ship on a gilt decorated black ground,
18cm wide £70 - 100
181 Art Deco oak clock, inset with brass, silvered and
black enamelled dial. Height 32cm, width 24cm
£30 - 50
182 Heals Art Deco dressing table, in sycamore
and rosewood, ivorine label 157cm by 97cm
£80 - 120
186 Lalique glass circular dish Actinia pattern, clear
and opalescent glass, acid etched R Lalique
France diameter 29cm £250 - 350
See Illustration.
187 Doulton series ware ‘George and the Dragon’
plate, width 16.5cm, ‘The Falconer’ and a plate
depicting a Norsk scene and five further plates
of differing designs, together with 3 Royal
Doulton wares including a small jug, height
9.5cm, a sugar bowl, height 6cm and lidded dish,
height 5.5cm £80 - 120
183 Heals Art Deco sycamore and rosewood bedside
cabinet. 69cm by 36cm £60 - 100
184 Art Deco cabinet oak in the manner of Ambrose
Heal. in ‘smoked’ and limed oak. With visible
joints and concave moulding, glazed cabinet
flanked by two open bookshelves, on bun feet
123 x 125cm £80 - 120
188
185
185 Betty Joel ‘Sunburst’ Bed, headboard and bed
end, in walnut, 128cm by 134cm £60 - 100
See Illustration.
188 Royal Doulton, a pair of Titanian ware vases,
of tapering form with pierced twin handles
decorated with bird of paradise design,
height 19cm £50 - 80
See Illustration.
189 Gouda pottery and a pair of iridescent glazed
peacock vases, hexagonal form impressed H
23cm high and four items of Gouda pottery to
include a vase, pair of miniature two handled
vases and an ashtray £80 - 120
190 Shelley tea service for six, painted and printed
with yellow flowers Reg No 781613 comprising
teapot, milk jug, sugar bowl, six cups and
saucers, six tea plates, and a bread and butter
plate £70 - 100
191 Group of Art Deco ceramics, Beswick, large twin
handled vase, hand painted in rust, yellow, blue
and purple hues. printed Made in England mark
to base, together with incised 21 and hand painted
774-9, height 30.5cm, together with an Art Deco
Czechoslovakian vase and further drip glaze vase
£40 - 80
186
22
192 Large Art Deco ceramic figure of a stylised
panther, in green glaze, 18.5 x 46cm £70 - 100
193 Art Deco decanter and glasses, in yellow faceted
glass, with four tot glasses £50 - 80
201 Bakelite telephone, Late 1950s made for G.P.O
£50 - 80
194 Art Deco mantle clock, of variegated marble with
green patinated gazelle. 21.5 x 45cm £70 - 100
202 Group of Art Deco ceramics, Wilkinson Ltd fish
cruet, Royal Winton “Gera” sugar sifter, another
sugar sifter, ice cream sunday money box and a
Wedgwood wave jug £50 - 80
203 Group of Moorcroft pottery, pair of Moorcroft
Anemone bowls, 16cm, a similar Ginger
Jar,16cm, Pansy pattern bowl 16cm and a Coral
Hibiscus pattern bowl. 23.5cm £100 - 150
204 Art Deco onyx clock garniture, geometric pattern
with chrome motifs, width 46cm, height 21cm
£100 - 150
195
195 Bronze figure group of two young deer, cold
painted finish, on black variegated marble
stepped plinth, 1930s, 28 x 56cm £200 - 300
See Illustration.
205
196
196 French terracotta figure group, girl feeding
grapes to a goat, marked on reverse RNV terre
cuite d’art grand feu, marque depose, 1930s,
30 x 57cm £120 - 180
See Illustration.
205 Moorcroft pottery magnolia pattern vase
and bowl, the vase of squat form with green
signature, 10cm and a shallow bowl, with green
signature and impressed marks, 17.5cm diameter
£150 - 250
See Illustration.
197 Art Deco enamel stove, marine blue odeon form,
64 x 36cm £150 - 250
198 Wilton Ware hexagonal blue ground vase,
decorated in gilt with boatmen in a formal garden
setting. 35cm £40 - 60
199 Art Deco Walnut tub chair and table, table with
alternating tiers, 54cm high, chair with brode
upholstery £100 - 150
200 Brass and mirrored glass Art Deco electric clock
by Smiths clock, and an acrylic and glass ceiling
light £60 - 100
206
206 Moorcroft clematis pattern vase and bowl, ovoid
form vase on a blue to green ground, impressed
marks, 13cm and a similar bowl with pale flower,
green signature, 18.5cm diameter £150 - 250
See Illustration.
23
207
207 Three Moorcroft bowls, hibiscus, and
magnolia patterns both with paper labels and
a later blackberry bowl with impressed marks
£100 - 150
See Illustration.
211
211 Clarice cliff bizarre pattern vase, painted in
orange, green and blue impressed 268, 20cm high
£150 - 250
See Illustration.
208
208 Three Moorcroft vases, two with anenome pattern
on a blue ground and one lilly on a brown ground
7.5 and 9cm, impressed marks and paper labels
£100 - 150
See Illustration.
212 Ceramic flying ducks, for wall mounting, 1930s
the largest 22cm wide £50 - 100
213 Art Deco style plaster figure of a reclining nude,
late 20th century. Height 60cm £40 - 60
214 Susie Cooper coffee service, porcelain with floral
painting £50 - 80
209 A collection of Morcroft pottery, two pen trays
anenome and hibiscus, two cream ground items
and an anenome dish, various marks and two
with Liberty’s retail labels £100 - 150
210
215
210 Dunhill Aquarium lighter, internal decoration
of fish within a shaped glass form, 8 x 10cm
£500 - 800
See Illustration.
215 Royal Dux pair of porcelain blue and white and
gilt pierrot / clown bookends, one reclining with
legs in the air, height, 27cm £250 - 350
See Illustration.
24
219
216 A Grays pottery hors d’oeuvre set, comprising
five rectangular dishes painted with alternate
green and black line decoration fitted on oak tray.
Solano ware part service comprising 6 cups and
saucers, cream jug and sugar bowl £80 - 120
217 Art Deco heater, by The Gramophone Co Ltd
EMI fan heater model no CRH6B £40 - 60
219 Daisy Makeig-Jones, Wedgwood Fairyland lustre
‘Firbolgs’ pattern vase and cover, decorated with
gilt ‘firbolgs’ frolicking amongst flowering trees
on an iridescent lustre ground. Printed Wedgwood
Portland Vase mark to base, together with painted
pattern number Z5247 and incised shape number
2410. Height 24.8cm £1500 - 2500
See Illustration.
218 Large English pink glass vase with etched design
of a galleon, 38cm £70 - 100
25
220 Daisy Makeig-Jones Wedgwood octagonal
“Hummingbird” pattern lustre bowl, exterior
decorated with gilt and enamelled hummingbirds
against a mottled blue ground. The interior a mottled
orange, with outlined gilt bird motif border and single
gilt hummingbird. Printed Wedgwood Portland Vase
mark to base, together with painted pattern number
Z5294. Height 5cm, Width 8.7cm £50 - 100
221 Clarice Cliff bowl, landscape pattern with red
roof cottage and flowers by a pond, interior
banded with colour, 20cm £70 - 100
222 Andre Fau and Marcel Guillard Boulogne Sur
Seine large Art Deco figure of a lady, with gilt
and grey mottled glazes over a white ground.
Incised marks to base “Boulogne”, “Made in
France” and “Foguy”. Height 32cm £50 - 80
225
225 Modernist glass ‘Ruba Rombic’ ash tray, by the
Consolidated Lamp and Glass Company No. 829
Circa 1930 10cm diameter 5cm high £80 - 120
See Illustration.
226 Art Deco mirror, with peach tinted glass border and
sand blasted floral motif, 75cm x 57cm £50 - 80
227 Royal Doulton “Plaza” breakfast set, for two
decorated with blue flowers, comprising teapot,
a pair of tea cups and saucers, tea plate, jug and
sugar pot 1920s £40 - 60
228 A pair of Clarice Cliff wall plaques, with relief
design of a basket of flowers, the handle tied with
a ribbon, on a cream ground, 34cm diameter,
printed factory marks for Clarice Cliff Newport
Pottery Co and a Clarice Cliff Olde Bristol
Porcelain part teaset, from a design by Duvivier,
5 cups and saucers £80 - 120
229 Moorcroft pottery, shallow dish, in Clematis
design. 16cm and an oval Moorcroft Hibiscus
Pattern bowl 23cm x 13.5cm £80 - 100
223
223 Gio Ponti (attributed) for Richard Ginori Art Deco
vase, with raised leaf decoration picked out in gold.
Marks to base “Richard-Ginori Pittoria di Doccia”
and “Richard Ginori 36-10”, height 28cm. Note:
This vase comes together with a certificate from the
Gio Ponti archives stating that it was produced by
Richard Ginori under the artistic direction of Gio
Ponti in the second half of the 1920s £100 - 200
See Illustration.
224 Clarice Cliff, Indian Tree pattern vase, shape
no 990. Marks to base, height 20cm £50 - 100
26
230
230 A pair of Royal Doulton vases, by Ada Tosen
and Maud Bowden decorated with a band
of anemones on a blue ground. Impressed
mark 8742 £100 - 150
See Illustration.
231 Group of Doulton ceramics, vase by
Francis C Pope, 28cm another of baluster form
by Bessie Newberry and a rectangular vase by
Emily Welch 21cm £100 - 150
See Illustration.
232 J G Morris, Girl with a terrier, water colour
27cm x 25cm, together with a ceramic figure of a
girl with a terrier, 29cm high £40 - 60
233 Four early 20th century pin cushion heads, one
nude torso 8.5cm, one frilled collar 9cm high and
two small with shawls 5cm high each £30 - 50
238 Two French Art Deco mirrored glass stands,
designed by Jean Luce for Crystal de St-Louis,
54cm x33cm and 36 x 24cm £200 - 300
239 A collection of 72 black and white photographs
of 1930s /40s glamour girls, glazed in 3 frames,
50 x 40cm (3) £50 - 80
240 A French Art Deco five branch bronze chandelier,
circa 1930, the raised outstretched arms decorated
with stepped geometric design, with pendant
fittings (lacking shades) 65cm wide £150 - 200
234 Dame Laura Knight, a pair of coronation mugs,
1937, one with original certificate, stamped
marks Laura Knight DBE RA and Myott, 8cm
£50 - 80
241 Just Andersen, Danish (1884-1943) patinated
bronze shallow bowl, with engraved galleon
decoration, stamped marks, 23.5cm diameter,
together with another similar example (2)
£100 - 150
235 Duchess China coffee set, decorated with flowers
and Chinese lanterns, comprising, coffee, cream
jug sugar bowl and six cups and saucers, 1930s
£50 - 80
242 Susie Cooper part tea for two, including a kestral
shape teapot, milk jug, sugar bowl and plate with
hand painted pink flower and green banding,
1930s £40 - 60
236 Clarice Cliff Persian pattern vase, hand painted
design in red and browns, honeyglaze, produced
1929, shape 719, 31cm £60 - 80
243 Susie Cooper Crown Works and Grays, quantity,
including a dish painted with a bird, two tea pots,
lustre jug and cup and saucer, brightly coloured
bowl and an ovoid table lamp and two utensil jars
£80 - 120
244 Art Deco oak sideboard, with two drawers
two cupboard doors with stylized decoration.
98cm x 120 xcm x 43cm £60 - 100
245 Roberto Gatti (Italian b1928) ceramics, ovoid
lustre vase, and a figure of a goat both 32cm
£70 - 100
246 A pair of Italian pottery figures, of peasant girls,
marked Trevir the tallest 38cm high £50 - 80
247 C H France ‘Harva’ Pair of bookends, in the form
of elephants with lustre decoration, 1930s, 18cm
£80 - 120
248 Art Deco ceramics, two Susie cooper plates
diameter, Clarice cliff plate, a Charlotte Rhead
patch jug and a bowl £50 - 100
237
249 Art Deco birds eye maple three piece bedroom
suite, comprising two door wardrobe, gentlemans
compactum and dressing table with circular
raised mirror £80 - 120
237 After René-Paul Marquet. ‘Parasol’,. H. 24.5cm
(incl. base). Gilded and silvered bronze, face and
hands of carved ivory. Green onyx base, Skirt
marked: Marquet, 7941 £300 - 500
See Illustration.
27
Modern
Design
Lot 401
Modern Design
306 Sculptural magazine table in the manner of Ico
Parisi, dark stained wood with glass shelves
£100 - 200
307 Susie Cooper black fruits, set of harlequin cups
and saucers and a Crown Devon vase with gilt
horse on a black ground £40 - 60
308 Ron Hitchins sculptural tiles, various abstract
designs of creatures, fish and plants, in a burr
maple frame £100 - 150
300
300 Rosewood desk with ‘floating’ shaped top, above
open section over four drawers, circa 1960s
73cm x 143cm x 76cm £300 - 500
See Illustration.
309 Group of mid 20th century ceramics, including
a harlequin set of triangular stoneware bowls, an
Italian vase with abstract figures, Copenhagen
Faience chamber stick and other items £50 - 80
301 A pair of Modernist style silver candlesticks
London 1990 14cm high makers JC, a Studio
pottery pot and cover 20cm and a metal figure of
a rabbit 18cm £50 - 70
302 Vigneron a mid 20th century low sideboard
with tiled panel teak with sycamore interior, two
cabinets and four drawers, the tiled panel with
abstract design of wine bottle, glasses and food,
83cm x 248cm x 48cm £400 - 600
303 Pair of MIM Roma chests, rosewood veneer
on teak, five drawers, on a dark stained base
90 x 45cm £500 - 800
310
310 Poole pottery ‘Delphis’ pattern charger, shape
no.5, diameter 36cm together with a ‘Delphis’
pattern shield shaped plate, shape no.91, length
30cm. Both decorated by Jean Millership active
1966-69. with printed factory marks to base
£100 - 150
See Illustration.
304
304 MIM Roma double chest of drawers, rosewood
veneer on teak two columns of five drawers, on
dark stained base, top drawer labelled £400 - 600
See Illustration.
305 MIM Roma shoe chest, rosewood on teak, single
cupboard door enclosing interior with bars, dark
stained base £150 - 250
30
311
311 Vico Magistretti a set of ten Carimate chairs,
red stained with rush seats, designed 1959
£200 - 400
See Illustration.
312 Norwegian silver and enamel bracelets, both with
enamelled panels, one with raised floral motif,
with one case £50 - 80
313 Anton Michelsen two Norwegian silver pendants,
in stylized plant forms, one with enamel, an
enamel necklace and stainless steel ring £50 - 80
314 Bernard Moss rocking figure for Heals, girl with
out stretched arms and metal loop. signed and
dated 1950 Commissioned by Heals and given
to suppliers of fabric, this one addressed to
Mr Comery £50 - 80
324 Modernist circular plaque ring, set with large
yellow amber stone in silver mount £30 - 50
325 Jacob Hill Denmark starburst brooch, silver with
banded agate centre, signed with full signature
£30 - 50
326 Cube booklcase, White painted with square
sections, 145cm h x 105cm w 20cm £100 - 150
315 Susie Cooper design Wedgwood coffee set, boxed
£40 - 60
316 Large model of a seated rabbit Sylvac style,
with matt blue glaze marks unclear height 31cm
£30 - 50
317 Stuart Devlin amethyst and pearl dress ring, set
with two lines of alternating pearl and amethyst
beads to tapered textured shoulders, mounted
in 18ct yellow gold. Signed SD, London 1979
£200 - 300
318
318 Tile top coffee table, the top with multi coloured
tiles, black metal frame £60 - 80
See Illustration.
319 Vintage industrial steel desk, with five drawers
and enamelled top, 76 x 150cm £150 - 250
320 Frem Rojle a set of four chairs, teak, on three
tapering round section legs, 1950s £70 - 100
321 A Gold Abstract ring by Andrew Grima, textured
gold with open work design. Mounted in 18ct
gold, Makers mark AG £200 - 300
322 Cow hide rug, tan and cream, 238 x 178cm
£30 - 50
323 Medina glass, two ovoid vases, three
paperweights and others £40 - 60
327
327 Bjørn Wiinblad Danish,1918-2006 ceramic
sculpture, in the form of a lady wearing a hat,
polychrome painted decoration, signed and
dated 84, height 52cm £300 - 500
See Illustration.
328 Pat Elmore R.B.A, carved pine bust of a young
girl, inscribed to base Pat Elmore number 82,
26cm high, on associated base £60 - 100
329 Group of mid to late 20th century ceramics,
Aquarius Fish plates by Washington pottery,
1970s, eight Living landscapes of Clarice Cliff
plates by Wedgwood, Emetts ‘dog and dogstar’
dishes by Wade £50 - 80
31
332 Sculptural bronze coffee table, in the form of a
seated nude with arms outstretched supporting
an oval plate glass top, Signed on the base.
60cm x 90cm £300 - 500
333 Dyrlund Smith, Denmark, Rosewood two section
bureau bookcase. The top drop down section with
fitted interior £100 - 150
330
330 Carl Fagerlund, Orrefors Sweden set of
wall lights, clear bubbled glass in leaf forms
two single-shade 31 x 13cm and two with
three-shades, 32 x 32cm 1960s £100 - 200
See Illustration.
334 Saporiti Italian design Stainless steel coffee table,
with recessed section to centre, stamped on legs,
33cm x 120cm £400 - 600
335 Pair of Verner Panton style S chairs and a further
white painted metal frame S chair. Height 87cm
£80 - 100
336 Eero Saarinen style tulip dining chairs, one
white and one black armchair, height 85cm and
two white side chairs, height 80cm. Each with
moulded stamp Rudi to underside £150 - 250
337 A pair of Charles and Ray Eames style DSW
chairs, height 84cm each £50 - 80
338 Phillipe Stark, pair of Ghost chairs, clear perspex,
height 93cm, each with moulded Kartell mark to
underside £150 - 250
339 Three Large opaque plastic globe hanging lights,
diameter approx 50cm £50 - 80
340 Low centre table, hardwood veneered with
stitched leatherwork to base, height 46cm, width
120cm, depth 120cm £100 - 150
341 Cube shelf unit, height 180cm, width 180cm,
depth 40cm £40 - 60
342 Multi disc light, of 19 articulated sections in
pendant. 500cm £80 - 120
331
331 Georges Jouve for Marcel Asselbur, mirror on
brass frame with four ceramic coat hooks and
mirror, C1950, 42cm x 22cm overall size 52cm
high £500 - 800
See Illustration.
32
343 Merrow Associates, rosewood and chromium
plated steel coffee table £150 - 250
344 Set of three cubes forming a display shelf,
clear Perspex with ice cube finish. height 40cm
£40 - 60
345 Scandanavian silver, Norwegian silver caddy
spoon by Brodrene Lohne of Bergen, Danish
silver handled bottle opener by Georg Jensen
£50 - 100
346 Moorcroft vase decorated with summer fruit
dated 2000, 20cm high £50 - 100
347 Crown Devon blue ground lustre bowl, decorated
with galleons diameter 8cm and Sylvac rabbit
20cm £50 - 100
351 Group of mid 20th century glass, Whitefrias
smoky glass vase 18cm and a group of
Scandanavian glass, some items signed, glass (6)
£60 - 80
348 Lalique scent bottle, Chevrefeuille pattern,
clear and frosted glass with moulded pattern of
woodbine, late 20th century, 11cm £30 - 50
352
349
349 Lucite Handbag, of oval form with paste studs,
1960s 11 x 25 x 8cm £70 - 100
See Illustration.
352 Group of Murano glass, to include a large
Sommerso glass bowl with faceted sides deep
blue and amber cased glass, similar peach
smoked glass with blue and yellow halo, scent
bottle and an ovoid vase, all mid 20th century (4)
the tallest 31cm £70 - 100
See Illustration.
353 A set of eight chairs, moulded beech plywood on
chrome supports, late 20th century £80 - 120
354 A set of eight contemporary moulded plywood
side chairs on chrome supports, late 20th century
£60 - 100
355 Black lacquered desk, organic form fitted with
shelves and shaped glass top 70cm x 107cm x 57cm
£70 - 100
350
350 Lalique Cactus dressing table set, comprising,
perfume bottle 11cm, perfume bottle 9cm,
atomiser 10cm and box 11cm £200 - 300
See Illustration.
33
356
356 Christian Astuguevieille French born 1946,
sculptural table, black rope on wood, designer
label dated 2000, 79cm x 200cm x 52cm
£800 - 1200
See Illustration.
357 Round wall mirror with black pierced frame from
Becker design USA, diameter 76cm £50 - 100
358 Wall mirror, with aluminium studded frame
diameter 104cm £50 - 100
359 Cube table, with mirrored recess silvered scale
finish late 20th century 55cm x 46cm x 46cm
£40 - 60
360 G H Brannam, Barnstaple green glazed
aspidistra pot on associated column stand with
floral decoration, pot with impressed marks,
stand incised Registered design number 44561,
67cm overall height £50 - 80
34
361 A pair of beaten copper garden containers,
possibly for lights, height 66cm £40 - 60
362 After Bjorn Wiinblad, Danish 1918-2006
- ‘Queen’s’, published by TT seregrafi a.s;
screenprint/gravure screen printed in colours
and in metallic colours, signed within the plate
84 x 60cm £40 - 60
363 After Bernard Buffet, French 1928-1999
lithograph, Building with three turrets, printed
in colours, signed and dated ‘65’ within the plate
63.5cm x 48cm £60 - 80
364 An unusual English silver easel backed photo
frame with part material borders painted with
stars and clouds, hallmarked. 12cm high £50 - 80
367 Chrome framed cheval mirror, on wheels, 152cm
high £60 - 80
368 A pair of side tables, on metal frame bases, each
with single drawer £60 - 80
369 Ray Finch (1914-2012) Winchcombe pottery
cream glazed teapot with bamboo handle
impressed mark to base 24cm high £50 - 100
370 Ray Finch (1914-2012) attributed, Winchcombe
pottery brown glazed teapot, with horizontal band
of decoration, bamboo handle 24cm £50 - 100
371 Studio pottery vase in the form of a pebble
impressed W mark to base, 19cm wide and a
brown glazed teapot impressed A mark to base
13cm high £40 - 60
372 John Davidson (b1936) Cornish school cream
glazed bowl impressed mark, diameter 20cm
£30 - 50
373 Japanese school studio pottery, brown and cream
glazed square shallow bowl, impressed mark to
base 17cm square £40 - 60
365
365 Jean Lurcat ‘Le Tapageur’ (the noisy one),
circa 1960, screen-printed on heavy linen, label
attached to rear COROT, Champs- Elysees, Paris,
163cm x 120cm together with another by Lurcat
(2) £200 - 300
See Illustration.
374
366
366 Fasem International, Italian T/38 dining suite,
studio archirivolto designed for the opening of
The Conran Shop flagship store at the Michelin
Building, London in 1987, comprising a large
glass topped table and six matching chairs, table
200cm long, 85cm wide, 73.5cm high £350 - 450
See Illustration.
374 John Maltby (b 1936) brown glazed square
shallow bowl, with gilt decoration, impressed
marks 19cm square £100 - 200
See Illustration.
375 Unknown artist abstract sculpture, stone and
enamelled on metal base, indistinctly signed
12cm high £80 - 120
376 David leach (1911-2005) green glazed bowl,
impressed mark to base diameter 10cm £40 - 60
35
377 Studio pottery, Berger, brown glazed vase signed
on the base 20cm, green glazed vase 14cm
high and stone ware jug with glazed neck 23cm
£50 - 100
385 Michael Casson brown glazed jug, impressed
mark to base 36cm high £150 - 250
386 Nelson pottery vase, impressed marks to base
reading Nelson D6 NZ 13cm and brown a cream
glazed stand with abstract design signature in
distinct 22cm by 22cm £40 - 60
387 David Leach (1911-2005) green glazed cup
10cm, Mary Rich slim necked porcelain vase
with floral stopper, and a squat vase marked W70
5cm £50 - 100
388 Peter and Jill Dick Coxwold pottery, brown
glazed plate 20cm Harry Horlock Stringer
(1927-2014) cream glazed jar and cover 6cm and
round jar and cover with impressed mark to lid
7cm Coxwold £40 - 60
389 Ray Finch (1914-2012) Winchcombe pottery
brown glazed charger, impressed mark to base
diameter 31cm £80 - 120
390 Ray Finch (1914-2012) Winchcombe pottery
cream glazed charger, impressed mark to base
diameter 31cm £80 - 120
378
378 David Leach (1911-2005) brown glazed vase,
impressed mark 23cm high £150 - 250
See Illustration.
379 Toff Milway brown glazed jug, monogramed
on base 26cm, and brown glazed vase stamped,
made in Cley 20cm £50 - 100
380 Studio pottery brown and green glazed teapot,
makers mark M 14cm high blue glazed teapot
monogrammed FP, 13cm and a grey glazed teapot
unmarked 14cm £50 - 100
381 Harry Horlock Stringer (1927-2014), cream and
brown glazed teapot, stamp to base of handle
18cm £40 - 60
382 David Leach (1911-2005) teapot, cream glazed
with bamboo handle impressed mark to base
20cm £40 - 60
383 Mary Rich (b1940) saltglaze teapot, with bamboo
handle 20cm and studio pottery brown glazed
teapot unmarked 25cm £50 - 100
384 Two studio pottery teapots, brown glazed teapot
signed on base, possibly G Aultner, dated 97
26cm and a brown glazed teapot unmarked 14cm
£50 - 100
36
391 Ray Finch (1914-2012) Winchcombe pottery
brown glazed bowl impressed mark to base
diameter 30cm £80 - 120
392 A studio pottery red glazed bowl, unmarked
diameter 33cm £30 - 50
393 Ray Finch (1914-2012) Winchcombe pottery
green and brown glazed bowl impressed mark to
base diameter 25cm £80 - 120
394 Studio pottery bowl in brown and red glazes
monogramed AI on base, diameter 21cm, bowl
with crackled glaze lustre finish to the inside,
incised mark to base, diameter 12cm and a brown
and cream glazed bowl impressed mark to base
13cm £50 - 80
395 Studio pottery brown glazed twin handled bowl
monogrammed FP on base 24cm, brown glazed
cup impressed mark to base 12cm and brown
glazed bowl monogrammed CG, diameter 25cm
£50 - 80
396 John Dunn large raku glazed bowl,
monogrammed JD diameter 45cm £50 - 80
397 Studio pottery white glazed bowl, with textured
rim, impressed star mark to base, diameter 27cm
£60 - 100
398 Studio pottery, red and black glazed plate
impressed mark to base diameter 45cm £50 - 80
399 Studio pottery, green glazed vase, impressed
mark on base Made in Cley 20cm and a
Muchelney stoneware jug with brown glazed rim
24cm £50 - 100
405 Vintage Christian Dior Train Case, with Dior
monogrammed fabric leather trim and brass
fittings, with key, labelled Paris, made in France
£100 - 150
406 Nick Munro pewter tea service, spherical tea pot
with caned handle £50 - 80
400 Pair of studio pottery vases, in black and white
matt glaze, impressed monogram KG possibly for
Kerstin Gren tallest 47cm £40 - 60
407 Bronze Hares, pair of bronze hairs the bodies
with cold painted finish, unmarked, tallest 9cm
£100 - 150
401 Jan Beeny ceramic sculpture of a sheep, applied
mark to base 46cm £100 - 200
408 Hermes ashtray and a Versace plate, ashtray
with design of a formal garden with statues,
plate 19.5 x 16cm with Medusa design, 18cm
£80 - 120
402 Group of Studio pottery, Ray Marshall studio
pottery, a large stoneware charger with incised
basketweave decoration, signed and dated 1963,
36cm diameter £50 - 80
409
409 Asprey-Garrard Art Deco style clock, with black
enamel on silvered metal, marked Swiss made,
11 x 12.5cm £200 - 300
See Illustration.
410 BjørnWiinblad for Rosenthal vase, abstract swirl
design, signed 22cm £50 - 100
403
411 European ceramics, pair of Bjorn Wiinblad for
Nymolle plates, diameter 20cm, two other plates
from the same designer, a Danish vase and Dutch
Vase marked Liberty & Co 10cm high £50 - 100
403 Poh chap Yeap born 1927, large vase, ovoid with
flat sides and speckled, rust and violet, incised
Yeap to base £100 - 150
See Illustration.
412 Orrefors glass vase by Edvard Hald, decorated
in green with fish and seaweed, marked to the
base ‘Orrefors Graal Nr. 363-E6 Edvard Hald’,
19.5cm high £300 - 500
404 Susie Cooper porcelain, harlequin coffee service
and a ‘Glen Mist’ jug and bowl £40 - 60
413 Philip & Kelvin Laverne, modern circular dining
table, the textured top decorated in colours with
scenes of everyday Chinese life, the top, column
and base bound with bronzed metal, signed to the
top, 119.5cm diameter, 71cm high £2000 - 3000
37
Lot 597
Contemporary
Art
39
Contemporary Art
Artist Resale Right. Buyers of lots executed by qualifying artists are subject to ARR payments which will be added to the purchaser’s
invoice. Where possible such lots are marked in the catalogue with §. The charge will be applied only where the hammer price exceeds
1,000 Euros and will be a maximum of 4%, for full details visit www.dacs.org.uk or telephone +44 (0) 845 410 3410.
462
462 § Visual aid for Band Aid 1985, 181/500,
104 images signed by artists including Patrick
Hughes, Ken Kiff, Terry Frost, Coriander
Studios, framed ARR (Artist Resale Right) is
additionally payable on this lot. Please visit
the DACS website (http://www.dacs.org.uk/
home) or contact the auctioneer for more details,
127cm x 98cm £700 - 900
See Illustration.
465
463 A P Power ‘Fast Food’, signed in pencil, print,
48cm x 60cm £40 - 60
464 Two contemporary prints of Venice, signature
indistinct, 9/15 and 13/25, each 48cm x 22cm
£40 - 60
465 Dame Elizabeth Frink (1930-1993) limited
edition lithograph, “The Great Bow” 13/30 ,
1974 signed in pencil by the artist, in aluminium
frame, not glazed, with certificate from RA,
25cm x 15cm £150 - 200
See Illustration.
466
40
466 § Dame Elizabeth Frink
(1930-1993) limited edition etching
‘Antony and Cleopatra’ 29/175
signed in pencil lower right,
with certificate, 76cm x 56cm
£300 - 400
See Illustration.
467 § Victor Pasmore (1908-1998)
limited edition print 54/55 ‘Linear
Motif 8’, signed with monogram
VP lower right, 41cm x 44cm
£200 - 400
See Illustration.
467
472 ‘Deck chairs III’, signed limited edition print,
signature indistinct, 74cm x 56cm £50 - 100
473 Sue Macartney Snape ‘Royal Ascot’ 735/750
signed in pencil 59cm x 48xm £40 - 60
468
468 Large woodcut coastal scene, with sailing
boats, marked Pila within the image, signed and
titled, in silk mount and gilt frame, 48 x 72cm
£100 - 150
See Illustration.
469 Alvar Suñol Muñoz Ramos (French/Spanish,
1935) pair of limited edition aquatints, signed
in pencil and numbered 160/250 54cm x 41cm
and another from the same series, 43cm x 64cm
£100 - 150
470 Linda le Kinff, French b.1949, two limited
edition prints, signed, 13cm x 17cm and
19cm x 15cm £80 - 120
474
474 Bruce McLean (Scottish b.1944) ‘Hot Slick’
limited edition screenprint, 1989, signed and
numbered 227/250 by the artist, 121cm x 150cm
£200 - 300
See Illustration.
471 Anatole Krasnyansky (1930 Russian), abstract
print, signed in pencil, 53cm x 41cm £80 - 120
41
481 Anne Magill (b.1962), ‘Ours, 119/175’, ‘Late
Evening, AP’, ‘Saturday Evening, 129/175’, ‘By
the River, AP’, ‘A Journey’s End, AP’, ‘To Your
Door, AP’, ‘Storm, AP’, ‘Journeys, 35/175’ and
‘A Break in the Clouds, AP’, each signed, titled
and numbered in pencil, unframed, various sizes
£80 - 120
482 Maxwell Doig (b.1966), three limited edition
prints, ‘Figure on Floorboards II’, ‘Figure
reading on Black & White tiles’ and ‘Centered
Figure with Paper Boats’, each signed, titled
and numbered in pencil, unframed, various sizes
£80 - 120
483 Mark Demsteader (b.1963), four limited edition
prints, ‘Vicky I’, ‘Georgina III’, ‘Georgina
Kneeling’ and ‘Georgina Turning’, all artist’s
proofs, each signed and titled in pencil,
unframed, various sizes £80 - 120
475
475 § Bruce McLean (Scottish b.1944) ‘Lobster
Factor 10 Days’ limited edition screenprint,
1989, signed and numbered 37/75 by the artist,
122cm x 93cm £200 - 300
See Illustration.
476 Glynn Boyd Harte (1948-2003), two artist’s
proof lithographs, ‘Early Morning, Charlecote’
and ‘Early Evening Charlecote’, each signed in
pencil, unframed 72cm x 53cm £100 - 200
477 Craig Wylie (b.1973), two limited edition prints,
‘Still life with Oranges’ (framed) and ‘Still life
with Apples’ (unframed), each signed and titled
in pencil, each 87cm x 71cm £80 - 120
478 Craig Wylie (b.1973), two limited edition
prints, ‘Still life with Oranges’ and ‘Still life
with Lemons, each signed and titled in pencil,
unframed, each 87cm x 71cm £60 - 100
479 Kirsty Wither (b.1968), six limited edition
prints, ‘Wee White Waltzers, 74/100’, ‘Creamy
Light, 82/100’, ‘Tight White Buds, AP VIII/X’,
‘Standing Room Only, 74/100’, ‘Fair Few
Flowers, AP VIII/X’ and ‘Big Patch of Sun,
153/175’, each signed, titled and numbered, all
unframed, various sizes £60 - 100
480 Deborah Schenck (b.1985), three limited edition
floral prints, ‘Beaulieu Orchid’, ‘Beaulieu Calla
Lilies’ and ‘Beaulieu Magnolia’ each signed,
titled and numbered in pencil, unframed, each
88cm x 70cm £50 - 80
42
484
484 § John Hoyland RA (1934-2011) ‘La Manga’
etching and aquatint in colours, 1989, signed
and dated in pencil, numbered 7/10, an artist
proof aside from the standard edition of 30,
74cm x 56cm £300 - 500
See Illustration.
485 Christopher Penny (1947), ‘Reed Landscape’,
82/50, signed print, 38cm x 45cm £50 - 100
486
486 Edmund BLAMPIED (1886-1966) dry point
etching, horse cart and figures, signed in pencil,
64/100, 18cm x 24cm £100 - 200
See Illustration.
489
489 Edmund BLAMPIED (1886-1966) dry point
etching, horse cart and figure, signed in pencil,
19cm x 22cm £100 - 200
See Illustration.
487
487 Edmund BLAMPIED (1886-1966) dry
point etching, horse with figures, unsigned,
17cm x 25cm £100 - 200
See Illustration.
490
490 Edmund BLAMPIED (1886-1966) dry point
etching, ladies at lunch, unsigned, 20cm x 23cm
£100 - 200
See Illustration.
488
488 Edmund BLAMPIED (1886-1966) dry point
etching, horse and cart, signed in pencil, 49/100,
20cm x 29cm £100 - 200
See Illustration.
43
500 Michael English, ‘Coke’, poster, published 1980
by Sheneal 90cm x 60cm £50 - 100
501 Six reproduction Shell posters, the largest
63cm x 86cm £40 - 60
502 Leon Piesowcki, ‘Blue Planet’, screen print,
1971, 28/75, 94cm x 63cm £100 - 200
See Illustration.
503 Jacqueline Watt, three prints, signed and
inscribed in pencil, each 27cm x 30cm £40 - 60
504 Chenin, ‘untitled II’ abstract in black and white,
signed in pencil, 41cm x 41cm Bloomingdales
label verso £50 - 100
491
491 Edmund BLAMPIED (1886-1966) dry
point etching, three figures, signed in pencil,
22cm x 30cm £100 - 200
See Illustration.
492 Enfys Jones ‘Twenty Six Years’, oil on
canvas, signed, titled and dated on stretcher,
226cm x 150cm £100 - 200
493 Exhibition poster, David Hockney 11th October
9th December 1974 at the Musee des Arts
Decoratifs, 63cm x 49cm £50 - 100
494 1970s Biba poster 50cm x 76cm 505 After Marc Chagall, three prints, the largest,
26cm x 23cm £40 - 60
506 Nino Finamore, Pompei, a series of six woodcuts
in a folio, signed and inscribed in pencil, another
folio of 12 woodcuts, and four loose woodcuts
£200 - 400
507 Fritz Husmann (1896-1982) lithograph of
Mary Wigman in ‘The Elegy’, signed in pencil,
31cm x 22cm £40 - 60
£50 - 80
495 Exhibition poster, Edward Hopper 11th February
- 29th March 1981, at the Hayward Gallery,
75cm x 50cm £50 - 100
496 1980s L S Lowry print, 64cm x 55cm and 1980s
Picasso Print Published Braun & Cie Paris, with
embossed stamp, 57cm x 18cm £50 - 100
497 Marino Marini (1901-1980 Italian) ‘Le Cavalier’
1955, colour lithograph published Braun & Cie,
signed in the plate, 61cm x 49cm £50 - 100
498 Exhibition poster, David Hockney prints
1954-1977, Scottish Arts Council touring
exhibition, 74cm x 49cm £50 - 100
499 Exhibition poster, L S Lowry 4th September to
14th November 1976, at the Royal Academy of
Arts, his last Exhibition before the artist’s death,
74cm x 51cm £50 - 100
44
508
508 Margaret Barnard, British 1900-1992, Grosvenor
school, ‘The Cove’, linocut in colours, Michael
Parkin Fine Art Ltd., label verso, 21cm x 30cm
£250 - 350
See Illustration.
510 Isabel de Bohun Lockyer, British 1895-1980,
‘Chateau de la tour Vevey’, linocut in colours,
signed and numbered, dated 1925 in pencil,
18cm x 21cm, Michael Parkin Fine Art label
verso £200 - 300
See Illustration.
511
511 Isabel de Bohun Lockyer, British 1895-1980,
‘Afterglow Bordigliera’, linocut in colours,
numbered and dated 1925 in pencil, Michael
Parkin Gallery label verso, 27cm x 12cm
£150 - 250
See Illustration.
509
509 Margaret Barnard 1900-1992, Grosvenor, ‘The
Lion Slayer’ linocut in colours, 11.5cm x 16cm,
Michael Parkin Fine Art label verso £250 - 350
See Illustration.
512 Victor Manuel, Cuban 1897-1969, portrait of
a young woman, limited edition print, 21/40
signed, titled and dated 1964 £60 - 80
513 Georges Redon (1869-1943) French, ‘Ce que
c’est pratique!’ lithograph printed in colours,
40cm x 26.5cm £60 - 80
514 Ernst Fuchs, Austrian, b.1930- ‘Venus Kentaura’,
1967, etching and aquatint, signed and
numbered XVII/XX and inscribed EA in pencil,
29cm x 25.5cm £100 - 200
515
510
515 Francis Rudolph, Latvian (1921-2005),
half-length portraits of a man and a woman
facing away, both signed and dated, oil on boards,
44cm x 62cm and 38cm x 49cm (2) £80 - 100
See Illustration.
45
520
516 Christian Mischke, German, b.1944 - ‘Korea’,
aquatint, signed, titled and numbered 66/80
and dated ‘87, 27cm x 19cm image, together
with two further aquatints by the same hand (3)
£100 - 150
517 Egon Schiele, Austrian (1890-1918), Grunes
Madchen, print, nude subject, signed and dated
1913, 30cm x 47cm £40 - 60
518 Terence Donovan, British 1936-1996, abstract
screen print signed in pencil 103cm x 100cm,
Terence Donovan is best known for his celebrated
and iconic photographic work in the 1960s/1970s.
He took up painting towards the end of his life
and held a highly successful exhibition of his
paintings at the Albemarle Gallery in 1990,
Exhibition No. 18 verso £50 - 100
46
519 Alexandra Hughes, enlarged photograph on panel
of a swimmer, signed verso and dated 2006,
77cm x 96cm £40 - 60
520 Peter Lik (Australian b.1959), ‘Harmony’ limited
edition photograph silver halide Fuji crystal
archive print, number 448 of 950. 48cm x 150cm,
with certificate and original paperwork. Framed
and glazed £800 - 1200
See Illustration.
521 Mark Demsteader (British b.1963). ‘Emma III’
number 74/150, signed in pencil, certificate verso.
75cm x 57cm £60 - 100
522 Martin Procter (English b.1942), ‘Sea Wall 6’,
limited edition print number 72/150, signed in
pencil. 37cm x 38cm £50 - 80
523 Graham Hardy, study of a nude, signed pastel.
56cm x 26cm £50 - 100
524 § David Nash (b.1945) limited edition lithograph,
Composition, 7/100, framed and glazed, signed
and numbered in pencil, 20cm x 14cm,
Provenance: Gifted from the artist to the vendors
family, in the last five years £100 - 200
See Illustration.
524
47
Contempory Sculpture
545
545 Yumi Nozaki, glass abstract clear and
coloured glass sculpture, signed, 24cm x 25cm
£1500 - 2500
See Illustration.
48
546 Jean-Yves Gosti (b.1960, French), carved slate
and painted sculpture, signed and dated 1999 on
base, 34cm high £100 - 200
547
547 Richard MacDonald (American, b.1946), ‘Caruso Study III’, 2003, bronze raised on chrome pole to polished
black marble base, 27/75, 77cm high x 49cm wide, sold with certificate, original paperwork, accompanying
book and DVD £2000 - 3000
See Illustration.
49
548
548 Brian Lewis, life-size pine sculpture of a man and a women, signed on the base, 2006.
170cm high £1500 - 2500
See Illustration.
50
549 Cocomir (b.1931). Tulip lamp, ash carved wood
head on bronze base. 176cm x 27cm £500 - 1000
See Illustration.
549
51
Contemporary Artworks
550
550 Guan Ze Ju oil on canvas signed, Titled verso “JING QIAN”, (In Front of the Mirror) and signed
Provenance: Bought direct from the artist, private sale Guangzhou (Old Canton) 1986 private estate
£4000 - 6000
See Illustration.
52
551
551 § Michel Kikoine (1892-1968) oil on canvas,
portrait of a seated man dressed in grey and
blue with a lady beyond, signed lower left
70cm x 50cm, ARTIST RESALE RIGHT
MAYBE PAYABLE ON THE HAMMER
PRICE OF THIS LOT AT A MAXIMUM OF 4%
£2000 - 3000
See Illustration.
552 Three abstract compositions, unsigned,
watercolours, each 27cm x 40cm £50 - 100
553 Floyd, study of a horses head, signed, acrylic,
30cm x 26cm £50 - 100
554 Margaret E L Levinson ‘Lobsterpots at
Mudeford’, 2/15 signed in pencil, 33cm x 24cm
and an impressionist style landscape, signature
indistinct, 26cm x 22cm £50 - 100
555 Anna Blume ‘On the thine hands thou
wanderest’, 5/20, signed and titled in pencil,
23cm x 15cm £40 - 60
53
556
556 Henry Scott Tuke, RA, RWS (British, 1858-1929). Two studies of a young man on the beach. Oil on board,
unsigned. Early 20th Century. Both studies are painted on the either side of the same board. One a study of
a young boy seated on rocks showing his head and torso, also painted verso with a sketch of a boy bending
forwards on the beach. 33cm x 24cm. These studies are believed to have been painted as studies for Tuke’s
works depicting young boys bathing in the open air around Falmouth Harbour in Cornwall in the early 20th
century. Tuke’s works are held in major collections worldwide and similar works include ‘Head of T .C.
Tiddy’, ‘Aquamarine (study)’, and ‘August Blue (study)’ housed at the Royal Cornwall Polytechnic Society.
Tuke was educated at the Slade School of Fine Art and was considered a founder member of the Newlyn
School.
Provenance: purchased amongst a large group of paintings at a car boot sale by the vendor within the last five
years £1000 - 2000
See Illustration.
54
557
562
557 Michael Steinpichler, ‘Autumn Harvest’, signed
with initials, and dated 2014, oil on board,
68cm x 99cm £1000 - 1500
See Illustration.
558 G. Canova, abstract, female nude beneath tree,
signed and dated ‘72, oil on canvas, framed,
100cm x 60cm £100 - 200
559 G. Canova, abstract, study of vegetables,
signed and dated ‘71, oil on canvas, framed,
49cm x 35cm £60 - 100
560 Oliver Heywood (1920-1992) ‘Peppers’ oil on
canvas, signed and dated 1972, 35cm x 55cm
£50 - 80
561 Jean Lurcat, ceramic tile, ‘Bird Man’ inscribed
verso, 20cm x 20cm £50 - 80
562 § Tessa Newcomb (b.1955), ‘Out Riding’ oil on
board, initialled and dated ‘91. 14cm x 57cm
£500 - 800
See Illustration.
55
563
563 Leszek Muszynski ‘After the swim’ crayon
8cm x 15cm £300 - 500
See Illustration.
566
566 Marion Wilcocks - ‘Katerina’, oil on canvas, with
monogram, 45cm x 60cm £100 - 200
See Illustration.
567 Tim Pryke , Hazy Sunshine, signed, oil on board,
29cm x 38cm and another of a woodland scene,
13cm x 39.5cm £40 - 60
564
564 Leszek Muszynski ‘Study from Ibiza’ oil on
board 20cm x 20cm £300 - 500
See Illustration.
565 Head and shoulders portrait of a woman,
unsigned, watercolour, 12cm x 10cm £50 - 80
568
568 Dave Archer, acrylic, cosmic study, gallery label
verso for Swanson Art Galleries, San Francisco
signed and dated ‘83, 33cm x 25cm £300 - 500
See Illustration.
569 Dave Archer ‘Red Wine Space’ acrylic, gallery
verso label for Swanson Art Galleries, San
Francisco, 50cm x 40cm £400 - 600
56
570 M Campbell, still-life of leaves, gouache, signed
and dated ‘73, 50cm x 37cm £50 - 100
571 Early 20th century portrait of a young lady with
red hair reading a book, unsigned, oil on board,
44cm x 34cm £150 - 250
572 Pamela Drew SMA SAVA 1910-1989 (Lady
Rathdonell) African village with flag post, oil on
aluminium sheet, 59cm x 74cm £60 - 100
573 Michael Bentine, Two original cartoons, ‘Final
dogfight in wheelchairs’ signed and inscribed
verso, 21cm x 29cm and ‘The old Peruvian
Templar’ £40 - 60
574 Asian school, city scene with figure, signature
indistinct, oil on canvas, 74cm x 47cm £60 - 100
575 George Hooper, 1910-1994, ‘Castle Acre,
Norfolk’, watercolour with pen and ink,
61cm x 47cm £300 - 400
See Illustration.
576 Deanna Petherbridge CBE, Study in the
Pedimental, pen and ink on paper, 99cm x 73.5cm,
Note: Study for a broken set of rules £150 - 200
578
577 Alberto Vazquez, ‘Naked couple’, pencil sketch,
signed 35cm x 45cm £80 - 120
578 James Elder Christie 1847-1914 Scottish, oil on
board, lady at a piano, signed, another picture
painted verso £200 - 400
See Illustration.
575
57
579
579 § John Plumb (British, 1927-2008) Man drinking tea, Oil on canvas. Exhibition label verso: Herbert Art
Gallery, Coventry, Metamorphosis 1966. Cat No 53. 90cm x 70cm.
For more information visit www.dacs.org.uk £2000 - 3000
See Illustration.
58
580
580 Robert Hill (British, 20th century), townscape with bell tower, oil on canvas, 61cm x 75cm £600 - 1000
See Illustration.
59
581
582
581 AW Jardine, ‘Mayfly Time’, signed and
dated ‘67, oil on canvas, gallery label verso,
60cm x 90cm £400 - 600
See Illustration.
60
582 Continental School, abstract townscape, oil on
board, signed indistinctly bottom left corner,
69cm x 80cm £500 - 1000
See Illustration.
583
583 Hannah Weil, Dinner Table with Roast Chicken,
oil on board, signed and dated ‘60, 49cm x 84cm
£200 - 400
See Illustration.
588 Jill Uht, two watercolour sketches of a vicar, each
9cm x 14cm, with original sale receipt £40 - 60
584 Peter Miller, ‘March Window’, signed, oil on
canvas, 62cm x 54cm £80 - 120
585
585 Edmund BLAMPIED (1886-1966) charcoal
sketch, backing a horse and cart, signed,
21cm x 27cm £200 - 400
See Illustration.
586 John Uht, clown marching band, signed,
watercolour, 43cm x 60cm and three watercolour
sketches by the same artist, with two original sale
receipts £50 - 100
587 Jill Bays, red carnations and tulips, signed,
watercolour, 35cm x 50cm and another of
pansies, monogrammed, 12cm x 12cm £50 - 80
589
589 Mike Bernard (b.1957) ‘Sunlit Piazza, Sicily’
mixed media signed 50cm by 48cm with original
sale receipt £200 - 400
See Illustration.
590 Roy Petit ‘Wiltshire Kitchen’ signed, oil on
card, 19cm x 24cm, C Hollick ‘Mudeford Quay’
signed watercolour 10cm x 17cm and John Dyer
Limited edition Print Agalanthus Blue 149/250
28cm x 34cm £40 - 60
591 A Pearce, ‘Bamburgh Castle’, signed,
watercolour, 26cm x 36cm, and ‘Christchurch
Priory’, 20cm x 32cm, with original sales receipts
£50 - 100
61
592
592 § Eileen Agar (British, 1904-1991) ‘Seated
Figure’ signed, acrylic on canvas. With New
Arts Centre London and John Moores Exhibition
(Liverpool 1957) labels verso. 180cm x 150cm.
Provenance: bought directly from the artist
in 1950s has been in the same family since
£6000 - 10000
See Illustration.
593 Father Robert Zeller, Hong Kong School, oil on
board of moored junks, 37cm x 52cm £30 - 50
62
594 Father Robert Zeller, Hong Kong School, oil
on board of Hong Kong Harbour, 44cm x 75cm
£30 - 50
595 Contemporary appliqué of Steve Jobs in an
industrial style, 100cm x 100cm £150 - 250
596 Norma Jameson (b.1933), ‘Anemones 2’, signed,
oil on board, framed, 25cm x 21cm £50 - 80
597
597 § Annie French (Scottish 1872-1965) ‘Reading the Cup’, pen, ink and watercolour, signed, mounted and
annotated ‘Exhibitor Paris Salon and Royal Academy 1919’. 19cm x 20cm.
Provenance: Been in the same family for well over 50 years, the picture was inherited from current vendor’s
grandmother who worked in service in a local house and it is presumed that the picture was gifted during this
time £3000 - 5000
See Illustration.
63
598 Robert Hill, British, Mevagissey Cornwall,
Oil on board. Partial original label attached.
117cm x 88cm £500 - 1000
See Illustration.
599 Irene Rice Pereira, American, 1907-1971, Female
nude, coloured ink on paper, signed and dated
1956, 66cm x 51cm £150 - 200
600 Halima Nalecz, British, 1917, Evening Song,
gouache, signed and dated ‘70, 75cm x 54cm
£200 - 300
See Illustration.
601 Dick (Richard) Bixby, born 1935, ‘Mayas
Diwali’, watercolour signed and dated ‘96,
55cm x 80cm £50 - 100
602 Carlos Bayod Serafini, Spanish, 1943, space time
all illusions, coloured ink on paper, signed dated
and inscribed ‘80, 29.5cm x 20.5cm £60 - 100
603 Julian Gordon Mitchell (1968), study of a man
with a bottle, signed, oil on canvas, 92cm x 92cm
£60 - 100
598
604 Julian Gordon Mitchell (1968), composition
with ball, oil on canvas board, signed verso,
29cm x 38cm £50 - 80
605 Julian Gordon Mitchell (1968), still life of a
sculpture, signed verso, oil on canvas board,
23cm x 16cm £40 - 60
606 Julian Gordon Mitchell (1968), court jester,
signed verso, oil on canvas board, 25cm x 18cm
£40 - 60
607 Julian Gordon Mitchell (1968), portrait of a lady,
signed, oil on canvas, 60cm x 46cm £30 - 50
608 Julian Gordon Mitchell (1968), still life of a box,
signed verso, oil on canvas board, 50cm x 59cm
£60 - 100
609 Julian Gordon Mitchell (1968), still-life of a
child’s toy, oil on canvas board, signed verso,
50cm x 60cm £60 - 80
600
64
610
610 Neil Loeb (American 1950) abstract mixed media
signed 195cm x 49cm £300 - 500
See Illustration.
612 Chenin, ‘untitled I’ abstract in black and white,
signed in pencil, 41cm x 41cm £50 - 100
See Illustration.
613 Joel Rougie, lady with flowers, signed, acrylic,
53cm x 43cm £40 - 60
614 Japanese character, signed in pencil,
90cm x 46cm £50 - 100
611
611 Neil Loeb (American 1950), abstract, mixed
media, unsigned, 56cm x 76cm £150 - 250
See Illustration.
615
615 § Salvador Dali (1904-1989), two figures,
coloured print, signed in pencil, 26cm x 18cm
£300 - 500
See Illustration.
612
65
616 § Salvador Dali (1904-1989), nude, coloured
print, signed in pencil, 26cm x 18cm £300 - 500
See Illustration.
617 Wright, watercolour street scene, signed,
22cm x 28cm, and Gillian Lawson ‘Flask
walk Hampstead’ 251/500, signed in pencil,
36cm x 45cm £50 - 100
618 W Barrientos two figures on a bike signed
watercolour 18cm x 13cm £50 - 100
619 W Barrientos, abstract figures, signed,
watercolour, 48cm x 19cm £50 - 100
620 Abstract mixed media, signature indistinct,
19cm x 19cm and ‘Dance II’, signature indistinct,
print, 20cm x 22cm £40 - 60
621 Study of a man and a woman, monogrammed
‘OR’, watercolour, 30cm x 36cm £50 - 100
622 Victor Lin? abstract mixed media, signature
indistinct, 40cm x 29cm £50 - 100
616
623 In the manner of Terrance Donovan, Abstract,
black acrylic on canvas. 122cm x 160cm
£100 - 200
624 Terence Donovan, British 1936-1996
Chusin XVIII, Acrylic on stiff paper, Albemarle
Gallery label Verso Exhibition No. 18 Terence
Donovan is best known for his celebrated and
iconic photographic work in the 1960s/1970s.
He took up painting towards the end of his
life and held a highly successful exhibition of
his paintings at the Albemarle Gallery in 1990
£150 - 250
See Illustration.
625 May Fair, oil on canvas, cut and relayed on a new
canvas, 68cm x 90cm £50 - 100
626 Robin Mullen (British b.1962). Three abstract
panels, acrylic on canvas, unsigned, each
30cm x 50cm £60 - 100
624
66
627 Robin Mullen (British b.1962),
abstract mixed media
on canvas, signed verso.
77cm x 77cm £100 - 200
See Illustration.
628 Melinda Chantler, ‘Women’
signed mixed media.
70cm x 48cm £50 - 80
629 Portrait of man, oil on canvas,
unsigned. 120cm x 88cm
£50 - 100
630 Melinda Chantler, study of
women in red, oil on canvas.
With monogrammed MJC
signature and dated 2009,
106cm x 106cm £80 - 120
See Illustration.
631 § David Nash (b.1945) ‘Yellow’
original watercolour from the
Pyramid series, dated 2011,
framed and glazed, signed,
dated and titled in pencil,
17cm x 13cm,
Provenance: Gifted from the
artist to the vendors family, in
the last five years £500 - 800
See Illustration.
631
627
630
67
632 Bronze abstract figural sculpture with partial
coloured enamel decoration, signed del Campo
and dated ‘78 to rectangular base, 49.5cm high
£600 - 1000
See Illustration.
633 Modern bronze square with enamelled centre
and textured surround, signed faintly verso
‘del Campo Italy’, 32.5cm square £250 - 350
634 Thetis Blacker (1927-2006) batik of a Phoenix,
50cm x 40cm, framed and glazed, 86cm x 65cm
£40 - 60
635 Heidi Konig ‘Train to Konya’ etching, Hors
de Commerce, HC III, 39cm x 44cm, signed,
numbered and titled in pencil, framed and glazed
62cm x 68cm £30 - 50
636 Heidi Konig, limited edition woodcut etching,
‘Out of the blue’ 35/75, 49cm x 49cm, signed,
numbered and titled in pencil, framed and glazed,
63cm x 62cm £30 - 50
632
Provenance applying to the following lots 652-689
Collection consigned directly from the artist. John Rosser: Rosser trained at the Watford School of Art and went
on to paint in London with the Francis Bacon as his mentor. As a distinguished member of the Royal Institute of
Oil Painters, he has exhibited widely at the Royal Academy and Paris Salons. Rosser has a national following of
collectors and is widely known for his en plein air style of painting outdoors. He works in a variety of mediums
from pen and ink to oil, acrylic, gouache and watercolour, varying from landscapes to seascapes and figurative.
This collection features a wide variety of his works spanning his lifetime including the darker more abstract
works of the 1940s and 1950s, as well as the later and brighter more Impressionistic works and seascapes from his
current home in Poole. His work was exhibited in the recent retrospective ‘John Rosser - Sleeping With Francis
Bacon’ held at the Ebury Galleries in London in 2009.
652 John Rosser, ‘One afternoon towards banks road
Sandbanks’, unsigned gouache. 36cm x 50cm
£200 - 300
See Illustration.
653 John Rosser, ‘Bandstand a pier Brighton’ signed
gouache 20cm x 26cm £100 - 150
654 John Rosser, ‘Garden Pathway New Zealand’,
unsigned gouache 11cm x 15cm £70 - 100
655 John Rosser, ‘Sea Sand and Wind’, unsigned
acrylic, 29cm x 39cm £100 - 150
652
68
656 John Rosser, ‘Just a Moment at Sea’, unsigned
gouache 19cm x 25cm £80 - 120
659 John Rosser, ‘One Sunny Day with Children’
unsigned gouache 15cm x 18cm £200 - 3200
See Illustration.
657
657 John Rosser, ‘Across the beach before
Bournemouth’, signed gouache, 50cm x 60cm
£250 - 350
See Illustration.
660
660 John Rosser, ‘Early Summer in the Museum
Garden’ signed gouache, 25cm x 30cm
£200 - 300
See Illustration.
661 John Rosser, ‘From the Shaw Nearby’, unsigned
gouache, 20cm by 30cm £70 - 100
658
658 John Rosser, ‘Art School Common Room’, signed
and dated 49’, gouache. 27cm x 35cm £300 - 500
See Illustration.
662
662 John Rosser, ‘Distant View towards House
and Shops Sandbanks’ unsigned gouache,
28cm by 37cm £200 - 300
See Illustration.
663 John Rosser, ‘Interior with figure and the Edge
with Roses’, signed and dated 2015, gouache,
19cm by 26cm £200 - 300
659
69
664
667
664 John Rosser, ‘Early Morning Light, St Marks
Square, Venice’ signed, dated 14 gouache,
65cm x 80cm £300 - 500
See Illustration.
667 John Rosser, ‘Windy Day, Sandbanks’, signed
dated 2014, gouache, 49cm x 60cm £70 - 100
See Illustration.
668 John Rosser, ‘London Eye with figures nearby’,
signed and dated 2013, gouache, 26cm x 20cm
£200 - 300
665
665 John Rosser, ‘Figures In Enchanted Garden’,
unsigned, gouache, 27cm x 37cm £200 - 300
See Illustration.
666 John Rosser, ‘Summer Garden Early Sunshine’,
unsigned gouache, 10cm x 16cm £70 - 100
669
669 John Rosser, ‘Just Sandbanks This Year’, signed
gouache, 32cm x 42cm £70 - 100
See Illustration.
670 John Rosser, ‘Shaw line from a Window,
Sandbanks’, signed gouache, 50cm x 39cm
£200 - 300
671 John Rosser, ‘House with a Pool’, unsigned,
gouache, 53cm x 72cm £70 - 100
70
674 John Rosser, ‘Abstract’, unsigned, circa 1949,
gouache 35cm x 46cm £200 - 300
See Illustration.
675 John Rosser, Five signed limited edition prints,
the largest 53cm x 64cm £200 - 300
672
672 John Rosser, ‘Studio Interior’, signed and dated
1955, gouache, 35cm x 46cm £70 - 100
See Illustration.
676
676 John Rosser, ‘Table in Cafe Shore’, signed and
dated 2015, gouache, 17cm x 23cm £70 - 100
See Illustration.
673
673 John Rosser, ‘Abstract’ unsigned circa 1949,
gouache, 52cm x 72cm £200 - 300
See Illustration.
677
677 John Rosser, ‘Beach , Sandbanks’, signed and
dated 2015, gouache, 50cm x 73cm £200 - 300
See Illustration.
678 John Rosser, ‘The Bathers’, unsigned gouache,
circa 1949/50. 30cm x 42cm £200 - 300
674
71
679
679 John Rosser, ‘figures’ unsigned gouache, circa
1949/50, 33cm x 53cm £70 - 100
See Illustration.
680 John Rosser, ‘Church’, signed and dated
1951/1952, gouache, 20cm x 28cm £200 - 300
687
686 John Rosser, Five life studies all circa 1950,
gouaches, the largest 55cm x 35cm £70 - 100
687 John Rosser, a collection or late 1940s / early
1950s sketches and drawings in original portfolio
£250 - 350
See Illustration.
688 John Rosser, ‘Dancing On The Bridge’, signed
and dated 2015, gouache. 17cm x 25cm
£70 - 100
689 John Rosser, ‘Beach Polo’, signed and dated 14’,
gouache, 39cm x 38cm £70 - 100
681
681 John Rosser, ‘Two figures’ unsigned gouache
circa 1949/50, 50cm x 70cm £50 - 80
See Illustration.
682 John Rosser, Abstract, signed and dated 1949,
gouache 42cm by 33cm £250 - 350
683 John Rosser, ‘The Bathers’, signed and dated
1949, gouache, 30cm x 42cm £70 - 100
684 John Rosser, ‘Mediterranean Waterfront From
The Rails’, signed and dated 2013, gouache,
30cm x 38cm £70 - 100
685 John Rosser, ‘Abstract’, signed and dated, 1950s
gouache, 30cm x 40cm £70 - 100
72
73
74
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1.
Interpretation. In these Terms the words ‘you’, ‘yours’,
etc. refer to the Seller and if the consignment of goods
to us is made by an agent we assume that the Seller has
authorised the consignment and that the consignor has
the Seller’s authority to contract. Similarly the words
‘we’, ‘us’, etc. refer to the Auctioneers.
7.
Reserves.
(a)You are entitled to place prior to the auction a reserve
on any lot consigned, being the minimum hammer
price at which that lot may be sold. Reserves must be
reasonable and we may decline to offer goods which
in our opinion would be subject to an unreasonably
high reserve (in which case goods carry the storage
and Loss and Damage Warranty charges stipulated in
these Terms of Consignment).
(b)A reserve once set cannot be changed except with
our consent.
(c) Where a reserve has been placed only we may bid on
your behalf and only up to the reserve (if any) and
you may in no circumstances bid personally.
2
Commission. Commission is charged to sellers
calculated per lot, as follows:
15%
Entry Fee £10 per lot
Catalogue Illustration Fee £10 per lot (discretionary)
Loss and damage warranty 1.5%.
All the above are subject to VAT at current rates
Commission and fees are negotiable for important or large collections and consignments.
3.
Removal costs. Items for sale must be consigned to the
sale room by any stated deadline and at your expense.
We may be able to assist you with this process but any
liability incurred to a carrier for haulage charges is
solely your responsibility.
8.
Electrical items. These are subject to detailed statutory
safety controls. Where such items are accepted for
sale you accept responsibility for the cost of testing by
external contractors. Goods not certified as safe by an
electrician (unless antiques) will not be accepted for
sale. They must be removed at your expense on your
being notified. We reserve the right to dispose of unsafe
goods as refuse, at your expense .
4.
Loss and damage warranty. All goods on our premises
are warranted against fire, theft or accidental damage
while on our premises and sellers are charged at the
rate of 1.5% of the hammer price plus VAT on our best
estimate of what the hammer price would have been had
the goods sold.
9.
Soft furnishings. The sale of soft furnishings is strictly
regulated by statute law in the interests of fire safety.
Goods found to infringe safety regulations will not
be offered and must be removed at your expense. We
reserve the right to dispose of unsafe goods as refuse, at
your expense.
5.
Illustrations. Almost all lots in our sales are illustrated
on the internet. There are is a £10 plus VAT marketing
and internet listing charge. Many lots in our Quarterly
Fine and Specialist sales have an illustration in a
physical catalogue. Where this is the case, or where a lot
is entered for sale after the published catalogue closing
date, then there is a £10 plus VAT catalogue illustration
charge. The copyright in respect of such illustrations
shall be the property of us, the auctioneers, as is the text
of the catalogue.
10. Descriptions. Please assist us with accurate information
as to the provenance etc. of goods where this is
relevant. There is strict liability for the accuracy of
descriptions under modern consumer legislation and
in some circumstances responsibility lies with sellers
if inaccuracies occur. We will assume that you have
approved the catalogue description of your lots unless
informed to the contrary.
6.
Minimum bids and our discretion. Goods will
normally be offered subject to a reserve agreed between
us before the sale in accordance with clause 7. We
may sell Lots below the reserve provided we account
to you for the same sale proceeds as you would have
received had the reserve been the hammer price. If you
specifically give us “discretion” we may accept a bid of
up to 20% below the formal reserve.
11. Unsold lots and withdrawn items If an item is unsold
it may with your consent be re-offered at a future sale
(see point 14b relating to authority to sell below). Where
in our opinion an item is unsaleable, you must re-collect
such items from the saleroom promptly on being so
informed. Otherwise, storage charged may be incurred.
We reserve the right to charge for storage in these
circumstances at a reasonable daily rate.
12. Withdrawn and bought in items. These are liable to
incur a charge of 10% of the mid sale estimate plus VAT
on being bought in or withdrawn after being catalogued.
75
TERMS FOR SELLERS continued
13. Conditions of Sale. You agree that all goods will be sold
on our Conditions of Sale. In particular you undertake
that you have the right to sell the goods either as owner
or agent for the owner. You undertake to indemnify us
and any buyer or third party in respect of breach of this
undertaking.
14. Authority to sell, deduct commission and expenses
and retain premium and interest.
(a)You authorise us to deduct commission and
applicable charges at the stated rate and all expenses
incurred for your account from the hammer price
and consent to our right and retain beneficially the
premium paid by the buyer in accordance with our
Conditions of Sale and any interest earned on the
sale proceeds until the date of settlement.
b)In the case of lots unsold at auction, you authorise
us at our discretion to negotiate a sale by private
treaty not later than 21 days after the day of the sale
at a price no less than 50% of the reserve that would
have applied during the previous auction, unless you
inform us in writing of your intention to collect the
goods. In the case of a sale within this period the
same charges will be payable as if such lots had been
sold at auction and so far as appropriate these Terms
apply.
16. Settlement. After sale settlement of the net sum due to
you normally takes place within 28 days of the sale (by
crossed cheque to the seller) unless the buyer has not
paid for the goods. In this case, no settlement will then
be made but we will take your instructions in the light of
our Conditions of Sale. You authorise any sums owned
by you to us on other transactions to be deducted from
the sale proceeds.
The rights of disposal referred to in clause 8 and 9 are
subject to the provisions of The Torts (Interference
with Goods) Act 1977, Schedule 1, a copy of which is
available for inspection on request
UNSOLD LOTS: YOUR ATTENTION IS DRAWN TO
ITEM 11 ABOVE
Unsold items which you wish to keep must be collected
within five working days otherwise storage charges will
apply. Please discuss with us as soon as possible the
re-offering of unsold lots. If unsold lots remain with us
after a period of one week, without instructions from
you, we reserve the right to offer them to a local charity
shop or arrange for their disposal at a charge of £10 plus
VAT per lot.
15. Warehousing. We disclaim all liability for goods
delivered to our saleroom without sufficient sale
instructions and reserve the right to make minimum
warehousing charge of £5 per lot per day. Unsold lots
are subject to the same charges if you do not remove
them within a reasonable time of notification. If not
removed within one week, we reserve the right to sell
them and defray charges from any net proceeds of sale
or at your expense to consign them to the local authority
for disposal.
Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of
opinion and is not to be taken as a statement of representation of fact. The Auctioneers reserve the right, in
forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.
The forename(s) and surname of the artist: In our opinion a work by the artist.
The initials of the forename(s) and the surname of the artist: In our opinion a work of the period of the
artist which may be wholly or in part his work.
The surname only of the artist: In our opinion a work of the school or by one of the followers of the artist
or in his style and of uncertain date.
‘English School’, ‘Italian School’ etc: In our opinion a work executed at a later date that the style may
suggest.
Signed: Has a signature which in our opinion is a recognised signature.
Dated: Is so dated and in our opinion was executed at that date.
The term ‘bears’ a signature and/or date and/or an inscription: Means that in our opinion the artist’s
name and /or date and/or inscription have been added by another hand.
Measurements: Height precedes width.
76
CONDITIONS OF SALE
Ewbank’s carries on business with bidders, buyers and all those present in the auction room prior to or
in connection with a sale on the following General Conditions and on such other terms, conditions and
notices as may be referred to herein.
1.
Definitions
In these Conditions:
(a)“auctioneer” means the firm of Ewbank’s or its
authorised auctioneer, as appropriate;
(b)“deliberate forgery” means an imitation made with
the intention of deceiving as to authorship, origin,
date, age, period, culture or source but which is
unequivocally described in the catalogue as being
the work of a particular creator and which at the
date of the sale had a value materially less than it
would have had if it had been in accordance with the
description;
(c)“hammer price” means the level of bidding reached
(at or above any reserve) when the auctioneer brings
down the hammer;
(d)“terms of consignment” means the stipulated terms
and rates of commission on which Ewbank’s accepts
instructions from sellers or their agents;
(e)“total amount due” means the hammer price in
respect of the lot sold together with any premium,
Value Added Tax chargeable and any additional
charges payable by a defaulting buyer under these
Conditions;
(f)“sale proceeds” means the net amount due to the
seller, being the hammer price of the lot sold less
commission at the stated rate, Value Added Tax
chargeable and any other amounts due to us by the
seller in whatever capacity and however arising;
(g)“You”, “Your”, etc. refer to the buyer as identified in
Condition 2
(h)The singular includes the plural and vice versa as
appropriate.
2. Bidding Procedures and the Buyer
(a)Bidders are required to register their particulars
before bidding and to satisfy any security
arrangements before entering the auction room to
view or bid;
(b)the maker of the highest bid accepted by the
auctioneer conducting the sale shall be the buyer at
the hammer price and any dispute about a bid shall
be settled at the auctioneer’s absolute discretion by
reoffering the Lot during the course of the auction
or otherwise. The auctioneer shall act reasonably in
exercising this discretion.
(c)Bidders shall be deemed to act as principals.
(d)Our right to bid on behalf of the seller is expressly
reserved up to the amount of any reserve and the
right to refuse any bid is also reserved.
3. Increments
Bidding increments shall be at the auctioneer’s sole
discretion.
4. The Purchase Price
The buyer shall pay the hammer price together with
a premium thereon of 27% inclusive of VAT [or
incremental] at the rate imposed by law.
5. Value Added Tax
Value Added Tax on the hammer price is imposed by law
on all items affixed with a ‘†’ or double asterisk.
Value Added Tax is charged at the appropriate rate
prevailing by law at the date of sale and is payable by
buyers of relevant Lots. (Please refer to “Information for
Buyers” for a brief explanation of the VAT position).
6. Payment
(1)Immediately a Lot is sold you will:
(a)give to us, if requested, proof of identity, and
(b)pay to us the total amount due in cash or in such
other way as is agreed by us.
(c)Any payments by you to us may be applied by us
towards any sums owing from you to us on any
account whatever without regard to any directions of
you or your agent, whether express or implied.
7. Title and Collection of Purchases
(1)The ownership of any Lots purchased shall not pass to
you until you have made payment in full to us of the
total amount due.
(2)You shall at your own risk and expense take away any
lots that you have purchased and paid for not later than
3 working days following the day of the auction or upon
the clearance of any cheque used for payment after
which you shall be responsible for any removal, storage
and Loss and Damage Warranty charges.
(3)No purchase can be claimed or removed until it has been
paid for.
77
CONDITIONS OF SALE continued
8. Remedies for Non-Payment or Failure
to Collect Purchases
(1)If any Lot is not paid for in full and taken away in
accordance with these Conditions or if there is any other
breach of these Conditions, we, as agent for the seller
and on our own behalf, shall at our absolute discretion
and without prejudice to any other rights we may have,
be entitled to exercise one or more of the following
rights and remedies:
(a)to proceed against you for damages for breach of
contract;
(b)to rescind the sale of that Lot and/or any other Lots
sold by us to you;
(c)to resell the Lot (by auction or private treaty) in
which case you shall be responsible for any resulting
deficiency in the total amount due (after crediting
any part payment and adding any resale costs). Any
surplus so arising shall belong to the seller;
(d)to remove, store and insure the Lot at your expense
and, in the case of storage, either at our premises or
elsewhere;
(e)to charge interest at a rate not exceeding 1.5%
per month on the total amount due to the extent it
remains unpaid for more than 3 working days after
the sale;
(f)to retain that or any other Lot sold to you until you
pay the total amount due;
(g)to reject or ignore bids from you or your agent at
future auctions or to impose conditions before any
such bids shall be accepted;
(h)to apply any proceeds of sale of other Lots due or in
future becoming due to you towards the settlement of
the total amount due and to exercise a lien (that is a
right to retain possession of) any of your property in
our possession for any purpose until the debt due is
satisfied.
(2)We shall, as agent for the seller and on our own behalf
pursue these rights and remedies only so far as is
reasonable to make appropriate recovery in respect of
breach of these conditions
78
9. T
hird Party Liability
All members of the public on our premises are there
at their own risk and must note the lay-out of the
accommodation and security arrangements. Accordingly
neither the auctioneer nor our employees or agents shall
incur liability for death or personal injury (except as
required by law by reason of our negligence) or similarly
for the safety of the property of persons visiting prior to
or at a sale.
10. Commission Bids
Whilst prospective buyers are strongly advised to attend
the auction and are always responsible for any decision
to bid for a particular Lot and shall be assumed to have
carefully inspected and satisfied themselves as to its
condition we will if so instructed clearly and in writing
execute bids on their behalf. Neither the auctioneer nor
our employees or agents shall be responsible for any
failure to do so save where such failure is unreasonable.
Where two or more commission bids at the same
level are recorded we reserve the right in our absolute
discretion to prefer the first bid so made.
11. W
arranty of Title and Availability
The seller warrants to the auctioneer and you that the
seller is the true owner of the property consigned or is
properly authorised by the true owner to consign it for
sale and is able to transfer good and marketable title to
the property free from any third party claims.
12. Agency
The auctioneer normally acts as agent only and disclaims
any responsibility for default by sellers or buyers.
13. T
erms of Sale
The seller acknowledges that Lots are sold subject to the
stipulations of these Conditions in their entirety and on
the Terms of Consignment as notified to the consignor at
the time of the entry of the Lot.
CONDITIONS OF SALE continued
14. Descriptions and Condition
(1)Whilst we seek to describe Lots accurately, it may be
impractical for us to carry out exhaustive due diligence
on each lot. Prospective buyers are given ample
opportunities to view and inspect before any sale and
they (and any independent experts on their behalf)
must satisfy themselves as to the accuracy of any
description applied to a lot. Prospective buyers also bid
on the understanding that, inevitably, representations or
statements by us as to authorship, genuineness, origin,
date, age, provenance, condition or estimated selling
price involve matters of opinion. We undertake that
any such opinion shall be honestly and reasonably held
and accept liability for opinions given negligently or
fraudulently. Subject to the foregoing neither we the
auctioneer nor our employees or agents nor the seller
accept liability for the correctness of such opinions
and all conditions and warranties, whether relating to
description, condition or quality of lots, express, implied
or statutory, are hereby excluded. This Condition is
subject to the next following Condition concerning
deliberate forgeries and applies save as provided for in
paragraph 6 ‘information to buyers’.
(2)Private treaty sales made under these Conditions are
deemed to be sales by auction for purposes of consumer
legislation.
15. Forgeries
Notwithstanding the preceding Condition, any Lot which
proves to be a deliberate forgery (as defined) may be returned
to us by you within 21 days of the auction provided it is in
the same condition as when bought, and is accompanied
by particulars identifying it from the relevant catalogue
description and a written statement of defects. If we are
satisfied from the evidence presented that the Lot is a
deliberate forgery we shall refund the money paid by you for
the Lot including any buyer’s premium provided that-
GENERAL
16.
We shall have the right at our discretion, to refuse
admission to our premises or attendance at our auctions
by any person.
17. (1)any right to compensation for losses liabilities and
expenses incurred in respect of and as a result of
any breach of these Conditions and any exclusions
provided by them shall be available to the seller and/
or the auctioneer as appropriate.
(2)Such rights and exclusions shall extend to and be
deemed to be for the benefit of employees and
agents of the seller and/or the auctioneer who may
themselves enforce them.
18.
Any notice to any buyer, seller, bidder or viewer may
be given by first class mail or Swiftmail in which case it
shall be deemed to have been received by the addressee
48 hours after posting.
19.Special terms may be used in catalogue descriptions of
particular classes of items in which case the descriptions
must be interpreted in accordance with any glossary
appearing at the commencement of the catalogue.
20.
Any indulgence extended to bidders buyers or sellers by
us notwithstanding the strict terms of these Conditions
or of the Terms of Consignment shall affect the position
at the relevant time only and in respect of that particular
concession only; in all other respects these Conditions
shall be construed as having full force and effect.
21.
English law applies to the interpretation of these
Conditions
(1)if the catalogue description reflected the accepted view
of scholars and experts as at the date of sale or
(2)you personally are not able to transfer a good and
marketable title to us, you shall have no rights under this
condition.
The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.
79
HOW TO FIND US
Ewbank Auctioneers is situated between the A3 and B2215
South of Burnt Common Roundabout.
A257
One Way
Heading South turn off the A3 11⁄2 miles after the M25
junction and proceed through Ripley to the Burnt Common
roundabout as above. If you miss the Ripley turning go South,
proceed to the Merrow & Burpham slip road and join the A3
Northbound.
Burnt Common
Roundabout
A3
Heading North on the A3 take the Ripley turning to the Burnt
Common roundabout and follow the Woodhill signs.
Please note: if using Sat Nav to navigate to us then do not
use our postcode as this will direct you to the A3. Please
use postcode GU23 7JY, this will take you to the Burnt
Common roundabout then follow directions as above.
EWBANK AUCTIONEERS
In 1994 we acquired the Burnt Common Auction Rooms, which are situated just off the A3, under ten minutes away from
junction 10 on the M25. It is a very prominent site in an out of town location giving easy access and acres of parking. Woking
main line station is 4 miles with trains to Waterloo (25 minutes). Throughout our time in Guildford, we have had the privilege of
advising thousands of clients on the valuation and sale of Antiques and Fine Art and have conducted well in excess of a hundred
Antiques and Fine Arts auctions and over three hundred General Sales. When we started in 1990 we held six auctions a year and
we are now expecting to hold up to 24 in the next twelve months.
If they are to succeed, businesses like ours must give clients and buyers an efficient and friendly service and, over the years, we
have always tried to maintain the highest standards, adhering to the principles of probity and ethics of the Royal Institution of
Chartered Surveyors and the Society of Fine Art Auctioneers and Valuers, of which we are Members. Most of our new clients
come to us on recommendation, from professional advisers or existing clients. As the costs of selling by auction in Central
London have rocketed we have benefited from the general trend in recent years for more important items to be sold outside the
capital. Catalogues are produced and circulated to prospective purchasers by post and E-mail and full details, including digital
illustrations of almost all lots in our quarterly Antique and Fine Art auctions, are included on the internet. Buyers are attracted
from all over the world.
We have an agreement with artfact.com, who list our antique sales on Ebay, take commission bids from prospective buyers and
facilitate active participation in the auction from a PC anywhere in the world at the time that the sale is actually in progress.
This gives a far greater global marketing ability. We are trail-blazing in this field as there are only a handful of other Antique and
Fine Art salerooms in the UK who also list on Ebay. We see this as being the way forward for the future and it will maximise
our ability to achieve the best possible prices for our clients. In our first internet linked auction in 2005 there were nearly 20,000
visits to our online catalogue generating over 500 specific enquiries and the figures have risen markedly since then.
Ewbank Auctioneers has grown from humble beginnings holding six sales a year, to the position that we hold today, with our
own salerooms and some twenty sales a year. Turnover since 1990 has increased by over 800%. Building refurbishment works
have just been completed, which include a new mezzanine floor doubling our existing floor space, a new entrance, offices, a new
heating system and external face-lift.
Chris Ewbank has taken a very active part in the leadership of the profession within the UK. He has been a member of the Fine
Arts Advisory Panel of the Royal Institution of Chartered Surveyors and Chairman of its Art and Antiques Professional Group.
He is also an elected Member of its International Governing Council (the highest decision making body in the Institution). He
joined the Committee of the Society of Fine Art Auctioneers & Valuers in 1994 (he first became a member in 1982), and was
Chairman from 2000-2007. He has also in recent years been on the Executive Committee of the British Art Market Federation
and was one of the first to join the new City of London Guild of Arts Scholars.
Chris Ewbank FRICS ASFAV
80
EWBANK’S AUCTION SALE DATES 2015
Viewing days/times vary, please contact the auctioneer for details.
November
December
4th Antique & Collectors’
2nd
Antique & Collectors’
5th
Asian & Eastern Art
3rd
Music & Sporting Memorabilia
18th Fine Jewellery & Silver
19th
Fine Art
4thFilm / TV & Entertainment
Memorabilia
20th Antique Furniture & Works
of Art
9th
Fine Wine
9th
Toys, Textiles & Collectables
Fully illustrated catalogues with multiple images are published on our website approximately two weeks
before the sale. For Monthly sales they go online approximately one week before the sale.
Dates are published on our website and are subject to change without notice.