Alejandro de la Sota

Transcription

HOME COMMUNICATION
DOMÍNGUEZ HOUSE. ALEJANDRO DE LA SOTA.
GROUP 1
LUQUE HOUSE. JOSE ANTONIO CODERCH.
PROYECTOS 2. ESCUELA TÉCNICA SUPERIOR DE ARQUITECTURA
UNIVERSIDAD POLITÉCNICA VALENCIA 2015/16
BURDEOS HOUSE. REM KOOLHASS,OMA.
AUTHORS: NATALIA SERRA ALBERT, CARMEN PLANELLS ORTI, SANTIAGO QUINTANILLA VÁZQUEZ Y PABLO LÓPEZ SÁNCHEZ. TEACHER: CARLA SENTIERI OMARREMENTERIA.
INDEX
GROUP 1
-
-
-
OBJECTIVES
CONTEXTU
CONTEXTUALIZE A
ALIZEIN AITS
HOME
HISTORICAL CONTEXT
HOME IN
PLACE HOME IN THE CITY
AND TO STUDY THEIR
URBAN ENVIRONMENT
DOMÍNGUEZ HOUSE ALEJANDRO DE LA SOTA
STUDY THE FUNCTION
AND THE FORM OF
THE BUILDING
ANALYZING
CONSTRUCTION AND
STRUCTURE SURVEY
CONCLUSIONS AND
QUESTIONS
OBJECTIVES CONTEXT LOCATION ENVIRONMENT FORM FUNCTION LIGHT CONSTRUCTION SCHEME CONCLUSIONS
CONTEXT
&
ARCHITECT
ALEJANDRO DE LA SOTA USE TWO MAIN MECHANISMS: A
GROUP OF FUNCTIONAL PARTS AND THE VERTICAL SEPARATION
OF THESE SPACES.
1973-1978
IT RECEIVES INFLUENCES OF LE CORBUSIER
(THE FIRST HOUSES ON PILES) AND MIES VAN
DER ROHE (ITS VOLUME REMEMBER TO THE
FANSWORTH HOUSE).
LOCATION
RÍO MIÑO STREET, PONTEVEDRA (GALICIA)
N
RESIDENTIAL AREA
N
ENVIRONMENT
FORM
SLEEPING AREA IS SEPARATED FROM DAY AREA THANKS TO HOUSE´S HALL.
IN SOME FLOORS THERE ARE DIFFERENCE HEIGHTS BETWEEN 50 AND 30 CM.
VERTICAL COMMUNICATION
NIGHT AREA
DAY AREA
ENTRANCE
SERVICE AREA
WET AREA
BEDROOMS
CELLAR
LIVING ROOM
HALL
ENTRANCE
TERRACE
FUNCTION
WET AREA
UNDERGROUND LEVELS, TAKING ADVANTAGE OF THE SURROUNDING NATURAL INSULATION.
FLOOR -2
FLOOR -1
FUNCTION
WET AREA
USE OF GARDEN ROOF.
FLOOR 0
FLOOR 1
LIGHT
LOCATED ON THE NORTH, TAKE ADVANTAGE AS MANY LIGHT
WINTER
MORNING
SPRING
NOON
NIGHT
MORNING
NOON
NIGHT
N
LIGHT
AUGUST
MORNING
AUTUNM
NOON
NIGHT
MORNING
NOON
NIGHT
N
CONSTRUCTION SCHEME
STRUCTURE:
BASEMENT WALLS
STEEL GIRDERS
-HIGHLIGHTS ITS WEIGHTLESSNESS.
-SUPPORTING STRUCTURE HIDDEN IN WALLS.
ENCLOSURE:
MATERIALITY:
ENCLOSURE CHARACTERISTICS:
MATERIALITY CHARACTERISTIC:
-THINNESS,
-INMATERIALITY,
- LIGHTNESS.
- UPPER – WHITE SHEET OF PREFABRICATED PANELS.
- INTERMEDIATE ZONE – STEEL AND GLASS.
- BURIED ZONE – CONCRETE AND LAYERS OF SOIL FROM THE GARDEN.
MATERIALITY:
SHEET METAL
CERAMIC
WOOD
GLASS
EXPOSED CONCRETE
CONCLUSIONS
- In this house are mirror the five points of Le Corbusier and we can see a similarity with La Ville Savoye.
- The house’s central nucleus is the vertical communication which connects the night’s area with the day’s area.
- The different materials favor the relation with house’s environment.
OBJECTIVES
CONTEXTUALIZE A
HOME IN ITS
HISTORICAL CONTEXT
AND TO STUDY THEIR
URBAN ENVIRONMENT
LUQUE HOUSE JOSE ANTONIO CODERCH
STUDY THE FUNCTION
AND THE FORM OF
THE BUILDING
ANALYZING
CONSTRUCTION AND
STRUCTURE SURVEY
CONCLUSIONS AND
QUESTIONS
CONTEXT
&
ARCHITECT
THE HOUSE FOLLOWS A FUNCTIONAL SKETCH, IT
CONSISTS OF MAKE A COMPOSITION OF THREE
ARMS WITH A DIFFERENT FUNCTION EACH ONE.
1964-1966
PREVIOUSLY, JOSÉ ANTONIO CODERCH HAS ALREADY INTRODUCED
THIS PLAN IN SOME OF HIS WORKS. THEY APPEARED ON FIRST
TIME AT THE CATASÚS HOUSE (1956).
LOCATION
CASA LUQUE, SANT CUGAT DEL VALLÈS (BARCELONA)
N
ENVIRONMENT
IT’S NEXT TO THE MOUNTAIN RANGE WHICH DEFINES BARCELONA, IN A WIDE PLOT
TO RUNS DOWN AT THE NORTH-EAST AND OPENS THE VIEW TO A GOLF COURSE.
N
PHOTOS
N
PHOTO
N
FORM
THIS HOUSE IS DIVIDED INTO TWO STAYS A DIFFERENT HEIGHT.
FORM
SERVICE AREA
NIGHT ZONE
LIVING ROOM
SKYLIGHT
SWIMMING POOL
GARAGE
N
FORM
WET AREA
N
FUNCTION
CORRIDORS
FLUENCY IN THE CORRIDORS AND ROOMS CONNECTIONS.
N
FUNCTION
VEGETATION AND POOL FRESHENS AND BREADTH HOME.
N
LIGHT
THE LIGHT GIVES THE HOUSE A LARGE LIGHTING WHICH GOES DIRECTLY TO THE ROOMS.
CONSTRUCTION SCHEME
STRUCTURE:
LOADBEARING
N
CONCRETE SLAB
MATERIALITY:
MORTAR
CERAMIC
WOOD
CONCLUSIONS
-
IT WAS INSPIRED IN FANSWORTH HOUSE.
-
THE HOUSE’S FORM MAKES THAT THE SKYLIGHT BEEN THE CENTRAL AXIS, SEPARATING THE SERVICES
AREA TO THE REST OF THE HOUSE.
-
IT’S BUILD WITH LOAD-BEARING WALL.
OBJECTIVES
CONTEXTUALIZE A
HOME IN ITS
HISTORICAL CONTEXT
AND TO STUDY THEIR
URBAN ENVIRONMENT
BURDEOS HOUSE REM KOOLHASS, OMA
STUDY THE FUNCTION
AND THE FORM OF
THE BUILDING
ANALYZING
CONSTRUCTION AND
STRUCTURE SURVEY
CONCLUSIONS AND
QUESTIONS
CONTEXT
&
ARCHITECT
“En 1972, Rem Koolhaas made
Exodus or the voluntary prisoners
of architecture like a final career
project at the AA School of
London”
1994-1998
KOOLHAAS SUGGESTS TO PRODUCE A NEW REALITY, AN ARTIFICIAL
WORLD MORE INTERESTING AND INSPIRING THAT THE EXTERIOR
WORLD. HE PROPOSES ON 1972(EXODUS) AND THAT HE THINK IT
ONLY CAN BE LED TO THE PRACTICE AT THE LITTLE SCALE FROM A
SINGLE FAMILY HOUSING.
LOCATION
LOCATION
ENVIRONMENT
IT’S ON A ENGLAND
GARDEN OF AN
ANCIENT MANSION
AND NEXT TO AN
ABANDONED ROAD.
N
PHOTOS
N
PHOTOS
N
PHOTOS
N
PHOTOS
FORM
THIS HOUSE HAS THREE DIFFERENT LEVELS, WITH DIFFERENT UTILITIES
GUEST AREA
NIGHT AREA
DAY AREA
ENTRACE
FORM
FUNCTION
THIS HOUSE HAS A CENTRAL CORE WHICH HELPS COMMUNICATION, IT’S A ELEVATOR
ELEVATOR
STAIRS
FUNCTION
THIS HOUSE HAS A CENTRAL CORE WHICH HELPS COMMUNICATION, IT’S A ELEVATOR
CORRIDORS
FUNCTION
WET AREA
FUNCTION
NIGHT AREA
LIGHT
TAKE ADVANTAGE OF LIGHT IN THE MIDDLE GROUND AS DAY AREA.
CONSTRUCTION SCHEME
:
CANTILEVERED FLOOR , PRINCIPAL STRUCTURE
MAJOR PARTS THAT SUPPORT THE STRUCTURE:
METAL BEAM ON THE EXTERIOR WALL.
STEEL COATED CYLINDER THAT ENCLOSES THE STAIRS.
STEEL PORTICO.
MATERIALITY:
DUALITY: CEMENT IN CONTRAST TO GLASS AND ALUMINIUM.
STEEL
GLASS AND ALUMINIUM
CEMENT
CONCLUSIONS
-
THE MOST IMPORTANT ON THIS HOUSE IS THE ELEVATOR PLATFORM.
-
THE THREE FLOORS ARE A LOT OF DIFFERENT THEMSELVES.
-
HE USE A SINGULAR STRUCTURE AT THE UPPER.
BIBLIOGRAPHY
-
GROUP 1
https://atfpa3y4.wordpress.com/2012/11/20/casa-dominguez/
Alejandro de la Sota, Iñaki Abalos, Josep Llinàs, Moisés Puente. Ed. Arquia/temas 28.
Jose Antonio Coderch: Casas=Houses, 2G Libros.
Oma Rem Koolhaas (1987-1998) Ed. El croquis.
http://www.urbipedia.org/index.php?title=Jos%C3%A9_Antonio_Coderch
http://www.dpa-etsam.com/prolab/ARCHIVO/Burdeos1998.pdf
HOME COMMUNICATION
GROUP 1

Alejandro de la Sota

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