Junior Fashion Editor - Wonderland Stylist
Transcription
Junior Fashion Editor - Wonderland Stylist
Franc e sc a Tu r n e r francesca-turner.com M a r ch 2 0 1 3 - pre se nt Jun io r Fashion Ed i to r - Wo n de rl an d Stylist - Fre e l an c e Febr u a r y 2 0 1 2 - M a rc h 2 013 Assistan t to Creative D i re c to r - Wo n de r l an d C l i ents Ro llac o aste r, F l au n t, Burberry x Bafta, D i do, El l i e Go u l di n g , P ro n ovias Barc elo n a, Dr. Or g an i c , Dian e vo n Furste n b e r g (assi stan t) +44 (0)78 00 79378 8 ulgari. otographer ssie Craig Franc e sc a Tu r n e r The Diva collection, fit for prima donnas of all ages. Wonderland magazine Se pt/ O c t 13 Franc e sc a Tu r n e r Wonderland magazine N o v / D e c 13 Gucci Hair Kota Suizu at Caren using Bumble and Bumble. Makeup Celia Burton at CLM Hair & Makeup using NARS Cosmetics. Photographic Assistance Crusoe Weston. Fashion Assistance Izzy Farmiloe. Production Thanks ProLighting, Film Processing and Development by Labyrinth Photographic and Deerhurst Road. Gucci’s Resort collection is characterised by relaxed, almost pyjama shapes and fabrics, yet still glimmering fabrics, as if one had come straight home from Photographer Felix Cooper Fashion Editor Francesca Turner Studio 54 and changed into an equally fabulous loungewear option. What could be more decadent than looking fabulous when nobody can see you? 000 000 All clothing and accessories Gucci Resort 2014. Seona Taylor-Bell. Production Assistance Sophie Tindall. Model Anastasia Ivanova at Premier Model Management.Retouching GentlemansEdit. Wonderland magazine N o v / D e c 13 000 000 Franc e sc a Tu r n e r 1970s tassel necklace from Susan Caplan Vintage Collection. 1970s haute couture YSL belt from Atelier Mayer. Franc e sc a Tu r n e r Photographer FELIX COOPER Embroidered chiffron dress by Valentino Rollacoaster XHOSA APACHE Se pt 13 Fashion FRANCESCA TURNER Sleeveless embroidered dress by Christopher Kane, burgundy PVC skirt by Burberry Prorsum and silver Celtic necklace by Pebble Franc e sc a Tu r n e r Rollacoaster Se pt 13 Green sheer long dress by Roksanda Ilincic from Browns, cream tartan cashmere jumper by Stella McCartney from Liberty, gold Celtic necklace by Pebble and shoes by Claire Barrow. Photographer’s assistant EWEN Fashion assistants GIULIA ODDI and HANNAH DOWNES Makeup JO.FROST at CLM Hair & Make Up using MAC Cosmetics Model KIERA GREENWOOD at Select Thanks to Bushy Lodge, Firle Cream knit sleeveless top by Rochas, cream knit neck piece by Simone Rocha, cream long skirt by Gareth Pugh and gold brass ring and silver ring by Pebble. Franc e sc a Tu r n e r Flaunt THIS PAGE: GRAFFITI PRINT SHIRT AND TROUSERS BY PAUL SMITH. OPPOSITE: GINGHAM SHIRT BY PRADA. KING KRULE MEET ME AT THE CHIPPY AND I’LL CROON YOU A TUNE Written by Alison King Photographed by Joost Vandebrug N o v 13 Franc e sc a Tu r n e r Flaunt N o v 13 SUIT, COTTON SHIRT WITH ’70S COLLAR, AND SKINNY TIE BY PAUL SMITH. Flaunt PHOTOGRAPHER: JOOST VANDEBRUG AT JOOSTVANDEBRUG.COM. STYLIST: FRANCESCA TURNER. PRODUCER: SEONA TAYLOR-BELL. STYLING ASSISTANTS: GIULIA ODDI AND HANNAH DOWNES. Franc e sc a Tu r n e r OPPOSITE: GINGHAM SHIRT AND TROUSERS BY PRADA. THIS PAGE: WOOL BOXY BLAZER AND WOOL FLAT-FRONT PANTS BY MARGARET HOWELL, COTTON SHIRT WITH ’70S COLLAR BY PAUL SMITH, AND STRIPED TIE BY EMPORIO ARMANI. STYLIST: FRANCESCA TURNER 164 N o v 13 Franc e sc a Tu r n e r Louis Vuitton. Photographer Fanny Latour-Lambert Fashion Editor Francesca Turner Wonderland magazine Pre-fall 2013 is inspired by Francois Truffaut’s 1968 opus The Bride Wore Black . Se pt/ O c t 13 Franc e sc a Tu r n e r Wonderland magazine Se pt/ O c t 13 Franc e sc a Tu r n e r Wonderland magazine Se pt/ O c t 13 Hair Noriko Takayama at Untitled Artists London using Kiehl’s. Makeup Riona O’Sullivan using Urban Decay. Set Design Samara Tompsett. Photographic Assistance Tom Ribot. Fashion Assistance Giulia Oddi and Itunu Oke. Hair Assistance Suze Smethurst. Set Design Assistance Rosie Jenkins. Production Seona Taylor-Bell. Models Rebeca Marcos and Megan both at Models1. Thanks Apiary Studios and Honeyjam. All clothing and accessories Louis Vuitton PF13. Franc e sc a Tu r n e r Wonderland magazine Photographer Fashion Editor Kate Bellm Francesca Turner Miu Miu All clothing and accessories Miu Miu Resort 2014. Hair Roku Roppongi at Saint Luke using Kiehl’s. Makeup Bea Sweet using M.A.C Cosmetics and OPI Nails. Set Design Clementine Keith-Roach. Fashion Assistance Camilla McGregor. Set Design Assistance Elle Palmer Jenkins. Retouching Allegra Pacheco. Model Irma Spies at Iconic Management. Thanks Frederick at Shoot Factory. Tropical flowers by Habitat. For resort, Miu Miu envision a girl in bejeweled denim and blue roses. Imagine if you will a lonely country singer, teetering on her flowery heels and belting out a number about heartbreak, the stage lights glinting off her highly stacked bracelets as she dolefully waves her hands. N o v / D e c 13 Franc e sc a Tu r n e r Wonderland magazine Nov/Dec Franc e sc a Tu r n e r Wonderland magazine N o v / D e c 13 Photographer Fashion Editor Fanny Latour-Lambert Francesca Turner Resort 2014 Left: black leather skirt by French Connection, white short-sleeved shirt and leather and woven jacket both by DSquared2 and pearl necklaces and white and black striped perspex bag all by Chanel. Right: white leather quilted skirt by Balmain, leather and woven jacket by Ports 1961 and sheer zebra print shirt by French Connection, round sunglasses by Sportmax X Cutler and Gross and mini black leather bowling bag and black leather envelope bag (just seen) both by Saint Laurent by Hedi Slimane. Leather and woven jacket by Ports 1961, sheer zebra print shirt by French Connection and round sunglasses by Sportmax X Cutler and Gross. Binoculars by Bentley’s. Franc e sc a Tu r n e r Short-sleeved sweater by Whistles, pink leather jacket by Emilio Pucci, pink cropped trousers by Iceberg, red leather shoulder bag by Saint Laurent by Hedi Slimane, tweed Miss Dior bag by Dior and gold chain necklace by Givenchy by Riccardo Tisci. Wonderland magazine N o v / D e c 13 Embroidered denim jacket by Denim & Supply Ralph Lauren, denim wide-legged jeans by Chanel, chambray shirt by Levi’s, embroidered Miss Dior Orange Riviera bag and Lady Dior in blue and purple calfskin bag both by Dior. Franc e sc a Tu r n e r Wonderland magazine N o v / D e c 13 Hair Noriko Takayama at Untitled Artists London using TIGI Bed Head. Makeup Riona O’Sullivan. Using Chanel Le Weekend and A/W2013. Nail Technician Ami Streets at LMC Worldwide using Chanel A/W2013 and Body Excellence Hand Cream. Fashion Assistance Camilla McGregor. Hair Assistance Yuri Nakajima. Production Seona Taylor-Bell. Models The Bloom Twins. Thanks Amanda Kaiser at Magnum PR. Navy ribbed polo neck and navy lace short-sleeved jacket by Dior. Pinstriped blazer by 3.1 Phillip Lim, sheer blouse with embellished collar by DKNY, pinstriped trousers by River Island and perspex Chanel No.5 bottle by Chanel. Binoculars by Bentley’s. Franc e sc a Tu r n e r Fendi Wonderland magazine The Return of the Bag Bugs Photographer Benedict Morgan Sittings Editor Francesca Turner Set Design Jessica Dance All accessories from the Bag Bug Collection by Fendi. N o v / D e c 13 Franc e sc a Tu r n e r Wonderland magazine N o v / D e c 13 Franc e sc a Tu r n e r Rollacoaster Se pt 12 PhotograPher PAUL PHUNG Fashion editor FRANCESCA TURNER Roll neck £23 by AmericAn AppArel, embellished top £775 by SASS And Bide, large insect brooch £55 from GilliAn HorSup at GrAyS Antique mArketS and purple damask trousers £594 by peter pilotto Left: Roll neck £25 by AmericAn AppArel patterned shirt £380 by mArni and gold and crystal bracelet (worn as necklace) £1,320 by cHAnel Franc e sc a Tu r n e r Rollacoaster Se pt 12 Black and white knitted bra by JAMES LONG, black cotton jacket by SIMONE ROCHA and grey trousers with white bow by J.W. ANDERSON FASHION - FrANcEScA TuRNER Large agate aqua silk scarf by MONICA VINADER and mauve polyester top by ROCHAS PHOtOGrAPHY - NICOle MAriA wINklER Fe b 13 Rollacoaster Franc e sc a Tu r n e r PlAStix Franc e sc a Tu r n e r Rollacoaster Fe b 13 Franc e sc a Tu r n e r Rollacoaster Fe b 13 Franc e sc a Tu r n e r Wonderland magazine int roducing - Fe b/ M a rc h 13 gita HARD AND FAST Young female lYricist moves to new York to start a rap career, builds rapport with some of the biggest hip-hop producers going, seriallY jet-sets, will one daY rule the airwaves completelY with gamechanging debut lp. angel haze, right? wrong. better. Photographer liam warwick Fashion Editor francesca turner Words jack mills g ita – who bowled into her Wonderland shoot with a head of fluoro pink hair (having ditched her emphatically 90s, Lauren Hillesque braids) – rocketed into the world of acid tinged, fringe-y US brat rap late last year with “Hood Rich”, a song so backstraightening and punchy it makes you forget just how saturated the scene has become. Her follow-up release “Lights Out” – produced by regular right-hand man DJ Two $tacks – is a charged, quivering track with a foreboding, gargantuan bass drop, which cemented the status of the Bay Area-born beat keeper as a towering new presence. Gita, born Gabriella Pavel, was raised in Oakland, California by parents heavily involved in the area’s underground hip-hop community. Her father managed a horde of rap-packs and soloists through the 90s, and headed up a series of industry parties with cult hip-hop collective Digital Underground. “Rappers would be at my house all the time,” she says. “From The Luniz, Yukmouth to Numskull and Dru Down. Or I would go to their house and play with their kids. He would host parties, at like fat-ass hotels and shit around the Bay. Like bootylicious bitches and shit.” As a child, Gita’s twin brother Amallio was best friends with a San Franciscan named Natassia Gail Zolot – better known nowadays as Kreayshawn. It was only in her teens (Gita is 22 now) that the pair became friends. “I see her more as a filmmaker than anything else,” says Gita, “but she’s been super-supportive of my music. She’s so sweet – the most non-confrontational person you’ll ever meet.” Jetting between Oakland, Miami and LA to meet beat-makers and discuss collaborations grew tiring – so Gita eventually sought satisfaction in Manhattan’s boundlessly effervescent arts community, moving to Harlem in 2009. Gita’s first gig proper was at the scene-iest of Lower East Side hotspots, vinyl spinner Venus X’s monthly club night GHE20 G0TH1K, supporting the likes of rap enigma Mykki Blanco, Three 6 Mafia founder Gangsta Boo and A$AP Mob producing force, Ferg – artists she now regularly parties with. “I didn’t know anyone in New York when I moved there, so I hit up Venus on the internet,” she says. “‘Yo, want to come attend this night with me to go see Pusha T and Tyler, the Creator at The Bowery?’ I asked her. She was into it. We just hit it off. She was like; ‘I throw these nights, and I saw some of the stuff you do – I like you.’ So we performed, and I had this big-ass mink coat on – I swear everyone gave me tons of kisses for wearing that.” Releasing newest single “Let That” late last year on Fool’s Gold – a Brooklyn label said to have discovered the likes of schizo lyric spitter Danny Brown, stoner rapper Kid Cudi and house pop electro-ist Duck Sauce – was one giant confidence boost for Gita. It was only after a chance encounter with co-founder Nick Catchdubs via mutual contact Two $tacks that saw the track being included on the template’s five year anniversary compilation, Loosies. Breaks like this seem to come Gita’s way regularly. It was only in January that she jetted to London to work on a track – albeit for an undisclosed artist – with Mark Ronson. “Everyone’s been so ‘What?!’ about it, which I totally understand. I tried hitting him up [when I was in London again recently] and he was like, [puts on a salty Received Pronunciation dialect] ‘I’m going to be in Paris, so I’m not going to be here Gita’. Everyone likes to mock him.” In between maintaining her @-tastic Twitter page (she was even seen swapping retweets with elusive New York-via-London dubhead Zomby back in February) and working on a debut EP with experimental grime producer Darq E Freaker, Gita meditates. “I don’t think people know how to use energy,” she says. “But I totally believe in energy and stuff – you can use it for good, it’s powerful. People tend to ignore it.” Energy – and how to siphon it constructively – plays a huge part in Gita’s regular routine; it seems she’s forever darting between studios, meeting producers and talking projects and prospects. But what’s key to her music-making approach – and what has come to define a postTwitter generation of DIY rappers – is that deals are made on her terms alone. “We link, we chill, I meet real producers who work with big people, and we do music. I take it very seriously,” she says, unflinchingly. “I don’t have people sit around and write my music for me.” Navy blue satin dress with black and white flower patch by PRADA Hair AMBER ROSE PEAKE at CAROL HAYES MANAGEMENT using L’ORÉAL PROFESSIONNEL TECHNI ART Makeup BEA SWEET using M.A.C. COSMETICS Nail Technician CLAIRE K using OPI Photographic Assistance ANDRE TITCOMBE Fashion Assistance SAMANTHA GOLD 34 wonderla nd 034_WL.indd 34 - summer 13 25/03/2013 12:40 034_WL.indd 35 25/03/2013 12:40 Franc e sc a Tu r n e r Wonderland magazine So und S - N o v / D e c 12 MIG uEL S ou nd S - MIGu E L PhotograPher Kim JaKobsen to — Fashion editor Francesca turner Jumper by LEVI’S MAdE & CRAftEd at MAtCHES, black tshirt (just seen) and black denim jeans both by LEVI’S, sunglasses by oLIVER GoLdSMItH, socks by fALKE and shoes Miguel’s own WoRdS StuARt BRuMfItt 0 0 0 Dream Lover Wo nd ERLA nd - noV/dEC 12 Haunting, sparse, sexy and soulful, the sounds of transcendental Californian crooner Miguel are giving contemporary R&B the kick in the backside it’s been waiting for. Here, he explains how his new record Kaleidoscope Dream is this winter’s warming, musical nightcap. W hen Miguel opened for usher at his recent London show, it was by no means incidental. the R&B legend is the young gun’s mentor, the two of them brought together by music exec – and one-time notorious B.I.G. manager – Mark Pitts. “Mark was very keen that we become as close creatively as possible,” says Miguel in his LA drawl. “He wanted to put me in with usher so he could show me the ropes and give me advice. I was a nobody kid. usher just trusted Mark, plus he’d already heard some of my music and was a fan.” So Miguel ended up co-writing three songs on usher’s 2010 album Raymond Vs Raymond and supported him on the uS-wide oMG tour. Miguel’s contributions to the album were far removed from the will.i.amproduced anthem that gave the tour its name: “oMG” might have been the danced-up, dumbed-down hit that sold the album, but it was tracks like the spacey, sexual opener “Monstar”, the sparse, slo-mo “Mars Vs. Venus” and the Cali-funk “Pro Lover” that made the record so good when you got it. Miguel’s earlier solo 2010 album All I instrumentals and “Hard Way” was a hip-hop beat softened by the Want Is You was chock-full of the same such swoon of his voice. It went criminally unnoticed in the uK, but hopefully eargasmic R&B. “Sure thing” had an old-school his new work, Kaleidoscope dream, will make a bigger dent in a 2012 fuzz and feel, a haunting choral harmony ran climate where frank ocean’s obscuro-R&B has thrived. through “Girl With the tattoo”, “Quickie” was Like frank, who first made a name for himself through a free a cocky call for a swift shag over clashing mixtape, Miguel was keen to circumnavigate the norms of releasing this time round. Certain tracks on Kaleidoscope dream were initially put out via “Art dealer Chic”, a tripartite (and freely downloadable) EP, perhaps to appeal to the influential music blogs who love a leak or a slow drip. the teased tracks drew attention to the rarity and quality of Miguel. fans on critic-infested forum I Love Music went wild; many of them claiming that lead track, “Adorn”, was the song of the year. Alongside frankie o and the Weeknd, Miguel is one of R&B’s biggest game-changers; all of them switching up the genre, harnessing their love, fear, doubt, horniness and loneliness in a clever, cool new manner, albeit with soul. “You can hear it the moment you hear the voice. there’s a soul, there’s feeling behind it. It’s progressive, it’s not the same sound, not the same topics, not written from the same perspective. People lost sight of the individuality and R&B became so urban,” he says, suggesting that machismo meant male “I think the great part about R&B now is that individuality is starting to be celebrated again. Artists are tired of the bullshit and the same regurgitated, soulless stuff.” Wond E R L And - noV / dE C 12 151