Phyllis Canupp
Transcription
Phyllis Canupp
www.cdava.com April 2009 Officers President Debra Chako 496-2108 [email protected] Vice President Suzanne Baur 484-7927 [email protected] Secretary Beverley Mayfield 397-5038 [email protected] Treasurer Chuck Wolfe 635-4967 [email protected] Committee Chairpersons Workshops Susan Yager 595-3185 [email protected] Membership Dede Schmidt 481-7898 [email protected] Newsletter Genez Malebranche 721-9465 [email protected] Hospitality Robyn Bailey 464-6335 [email protected] Message from the Empty Bowls Chairman We raised $17,471.60 to feed hungry people. Let me say that again-$17,471.60. All I can say is thank you, thank you, thank you. We made this happen—together—as a team. We made beautiful bowls-over 700 bowls to choose from. My sincere thanks to each of you who donated bowls, donated silent auction pieces, gave of your valuable time to volunteer for the event, hosted bowl rolls, attended bowl rolls, and sold tickets to friends and neighbors. Thank you to the previous chairmen who paved the way and made the ride less bumpy. A special thank you goes out to all committee chairs that were so diligent and worked so much behind the scenes to make Empty Bowls 2009 a success (see page 4 for full story). We were especially honored this year to have visiting guests from Japan. Mr. Harasawa, Mr. Takahashi, and our own Akiko Tanaka traveled half way around the world to support our 11th Annual Empty Bowls. I will leave you with this famous quote from Confucius: “Man who stand on hill with mouth open will wait long time for roast duck to drop in.” So it is with Empty Bowls. It doesn’t just “happen.” It takes hard work, determination, perseverance, and a sense of humor. It takes closing the mouth, leaving that hill, and hunting for that duck. Thank you all for going hunting with me. May your bowls always be full… Phyllis Canupp Debra Chako’s usual letter will return next month. Shows Cathy Peyton 466-8819 [email protected] Upcoming Calendar of Events: April 15 19 25 - 26 New deadline to enter the Peninsula Fine Art Center Spring Show (see Announcements page 3) CDA General Meeting (3 p.m. at Virginia Wesleyan College, Hoffheimer Building) Mary Kay Botkins Workshop (see page 2) Librarian May 2 - 3 17 Carol Gellner Levin Workshop (see page 2) CDA General Meeting (see April 19 details above) Empty Bowls June (Date TBA) 14 Website Lesley Hildreth 481-9279 [email protected] Marion Adams 431-9569 Phyllis Canupp 496-0808 [email protected] CDA Picnic Ginger Jenkot’s house in Pungo, VB Art Show at PFAC www.cdava.com April 2009 Page 2 Upcoming Workshops 2009 dues must be current to qualify for the lower-cost, member workshop registration fees. Mary Kay Botkins Lidded Slab Containers Saturday, April 25th, 10 to 4 Sunday, April 26th, 9 to 3 $75 per member $105 per nonmember Lynnhaven Studio 2289 Lynnhaven Parkway, Virginia Beach Mary Kay Botkins has a BFA from Kansas City Art Institute and an MFA from Southern Illinois University at Carbondale. She has taught classes at Arrowmont School of Arts and Crafts, John C. Campbell Folk School, and Odyssey Center for the Ceramic Arts. Her work has been published and exhibited nationally. Watch for her work in an upcoming “Ceramics Monthly.” This two-day hands-on workshop will focus on two types of slab-built pots using various lidded styles. We will use soft slabs to create organic forms that will have a slumped lid and hollow handle and an architectural form that can be a single or double stacked pot. A variety of handles and lidded methods will be discussed and demonstrated. There will be a pot-luck dinner party Friday evening to meet and welcome our visiting artist, and Mary Kay will show slides of her work. Please bring a dish to share. BRING ALONG COMPLETE LIST: 25-50 lbs. smooth, no-grog stoneware clay / Carpenter’s angle: L shaped, 24” long / really sharp knife like an Xacto or Dolan DPT220 / soft rubber ribs (Sherrill red/yellow/green ribs or Kemper blue rubber ribs) / Kemper metal ribs (S1 and S10 with serrated edge) / Kemper wooden tool WT12 / Sherrill rasp or Surform / one or two 24” x 24” Drywall Boards for work surfaces / Needle tool / Cut-Off wire / Old brush and small container for magic water / Sponge / Pony roller / Scissors / Wrapping plastic. (If you are already accustomed to working with porcelain, you may use that claybody.) TYPE OF CLAY: It’s important your clay for this workshop not contain grog. Porcelain is not recommended unless you are already familiar with and comfortable using porcelain in slab work. Two locally available ^6 stonewares without grog are Campbell’s Virginia Dogwood and Highwater’s Little Loafers. Highwater’s Loafer’s Glory is a high-fire stoneware without grog. NOTE: This workshop is at Lynnhaven Studio, VB. Carol Gellner Levin www.carollevin.com Sculpture & Patina Finishes Saturday, May 2 - 10am to 4pm Sunday, May 3 - 10am to 3pm $105 per member * $135 per nonmember Space is Limited! Plaza Elementary School 641 Carriage Hill Rd., Virginia Beach The sculpture work of Carol Levin has been exhibited at galleries up and down the east coast as well as at the University of Chicago where she earlier earned her MA. The workshop will begin with images of a variety of Carol’s work and discussion of techniques involved in creating them. She would also like to project 2 or 3 images of work by each workshop participant, so please dig them out. Carol will demonstrate a human form and will address giving energy and movement to your sculpture pieces and individualizing your work. Carol will also bring several types of surface applications to demo patinas, and then participants will be able to apply the materials to their own test tiles. Sculpture-focused handouts will address topics such as achieving optimum firing results and tips that make a difference. Beginners Welcome. BRING ALONG: 25 lbs. of sculpture clay / wooden board on which to work, roughly 15”x15” is good / 2 or 3 brushes, one very stiff, such as a stencil brush / paper towels / soft rags for buffing / thin plastic to wrap unfinished sculpture / 6 to 8 thin clay slabs (roughly 4”x 4”) incised to create texture and fired to maturity (not just bisqued) – these are your test tiles for the patina applications / wire cutting tool / loop tool / potter’s rib / a few basic wooden shaping tools / 2 or 3 slides of your own work, if available. TYPE OF CLAY: If you do not as yet have a preferred sculpture clay, low-fire terra cotta clay with lots of medium grog will work well. NOTE: This workshop is at Plaza Elementary School, VB. www.cdava.com April 2009 Page 3 Workshops Continued ANNOUNCEMENTS : To register for a workshop, make check payable to CDA and mail to: d’ART CENTER 19th ANNUAL MiD-aTLaNTiC art EXHiBITION A National Competition open to all media Currently through APRIL 17, 2009 Susan Yager 121 Terrell Road Newport News, VA 23606 In the Works Rick Erickson www.muddsweatandtears.com Hands-on workshop of thrown platters and large bowls, planned for fall 2009 or spring 2010. Amy Sanders www.theretherepottery.blogspot.com Demo-type workshop of her textured, piece-work, slab-built functional pottery, planned for early November 2009 or late January 2010. Diana Pancioli Author of Extruded Ceramics and Professor of Ceramics at Eastern Michigan University; demotype workshop of functional extrusion projects, planned for late February or early March 2010. A Note on My Term as Workshop Committee Chair I took on the position over the summer of 2007, so I’m coming up on the two-year mark. I have artists and ideas in mind to take me through about another year, so I expect to continue as Workshop Chair through summer 2010. Lynn Bailey has announced her interest in taking on the position at that time. Knowing in advance will allow time for her to ease into the position. As before, I’m open to suggestions. If you know of an artist or technique you’d like in a workshop, please let me know. Sooz Yager Workshop Committee Chair [email protected] 757-595-3185 This year hundreds of Artists from seventeen states submitted artwork for jury - as far west as Washington, North as Maine and south as Florida. The juror, Lennox Campello, selected an amazing body of work including a large array of 3-D work and eclectic 2-D artwork. Includes CDA members: Fred Freeman, Lesley Hildreth & John Tobin More Accolades for John Tobin John Tobin’s teapot was accepted at the A. Houberbocken Annual Teapot Show in Chicago. Way to go, John! FOR SALE Cress Kiln Model LT-3K with some furniture and Kilnsitter About 12 years old but never fired so like new. (exterior size: 20w x 23h) $450 or best offer Education facilities and not for profits, contact for discount Call Linda Bunch 621-5403 or Joy Luther 562-2940 Barbara Kobylinska’s New Website My dear friends, I am really excited, I finally finished my new website: www.kobylinska.com Please visit, enjoy the images of my new work, and I want to know what you think. Thank you for your time and interest in art. - Barbara Please note: PFAC Spring Show application deadline has been changed from May 1st to April 15th! For a copy of the application see your March Newsletter or contact Cathy Peyton at 466-8819. www.cdava.com April 2009 THE EMPTY BOWLS DINNER... WHAT A WONDERFUL NIGHT! As Phyllis Canupp said in her thank you letter from the front page, “We raised $17,471.60 to feed hungry people!!” This is quite an accomplishment under any circumstance, much less with the current economic climate. Here are some of the people and artwork that helped to make this even such a huge success. Right: Phil Guilfoyle works hard to entertain the people standing in line for bowls. Below: the long line for soup. Photo above: Volunteer Coordinator, Pam Gray, Shun Shun Clark and her husband. Above; Mr. Harasawa, Japan’s first Empty Bowls Dinner Chairman. Right: Patrons ponder their difficult decision. Page 4 www.cdava.com April 2009 Page 5 More From the EMPTY BOWLS DINNER... At right: our 2009 EBD Chairman, Phyllis Canupp. At right: Akiko Fields, Akiko Tanaka, and Yoshinobu Takahashi. Above, Mr. Takahashi’s beautiful pottery, featured in the Silent Auction. Silent Auction Chairman, Lesley Hildreth, with one of her magnificent sculptures. A talented harpist was among the evening’s live entertainment. In the Bowl Room, Barbara Bloom gets more bowls ready to put out. Judy Nelligar and Amy Soza serve up some soup in the Kitchen! www.cdava.com April 2009 Page 6 Rick Erickson Throwing Large Workshop Review Testimonials On March 7 and 8, 14 potters assembled at the Old Dominion University pottery studio for a Throwing Large workshop taught by Rick Erickson. For the past 3 nights I have walked into my studio/garage and just stared at the pots I made this weekend. I still can’t believe I threw those monsters!!! What a wonderful 2 days. Rick is so nice and my skills have gone through the roof. At the beginning of the workshop, Rick promised that everyone would take home at least one pot that was larger than we were accustomed to throwing. And, we did. Rick warmed us up with a medium sized pot, using a technique where a clay base (weighing about 2 or 3 lbs.) was centered and flattened and a ball of clay weighing roughly 10 lbs. was centered on top of the base and combined with it. The technique worked very well, although it seemed new to several of us. Afterward, Rick demonstrated his method of making very large pots. He began with 25 lbs. of clay, whacked it with a paddle until the bottom was curved, -- Suzanne Rick demonstrates adding a coil while Chuck Wolfe looks on. Ginger Jenkot adds another coil Thank you so much for the Throwing Large Workshop! My husband was so impressed that he jumped in a couple of the self timed photos. My little Jack Russell even posed with the pots! I am amazed at how much I learned in just two days. Wow! -- Eve Sharon, Pam and Johan take a break. Throwing this much clay is hard work! Each student followed his steps and made some very impressive pieces. I overheard some say they never thought they could make a pot that large. Rick made it simple. -- Pat Radcliffe Butts Eve’s tallest pot gets strapped in for the ride home. Rick Erickson’s laid back teaching style and practical techniques put me at ease and gave me confidence that I could actually throw a twenty-five pound block of clay at one time! And he didn’t just convince me that I could do it, he taught me just how easy it could be! Thanks, Rick! Lots of Big pots from Day-1 dropped it on a bat and paddled it until it was rounded. He shaped it into a cylinder and added rings of clay to increase the height. Baur Harriette used one of her pots as a punching bag! -- Genez Genez even tried one in Porcelain! www.cdava.com April 2009 Pieced Picture Tiles As presented by Suzanne Baur at the February Meeting. 1. Draw design on piece of card stock 2. Lay plastic over design and trace with a black Sharpie marker to make template 3. Roll out slab, let set up a little 4. Lay plastic template over clay 5. Trace design with a ball point pen 6. Cut out design 7. Put a small weight on the slab to make it dry flat (dried beans in an old stocking work well) 8. When the piece is leather hard, sand the edges (all), or smooth them with a barely damp sponge or your finger. 9. When dry, bisque fire 10. Glaze the bisqued pieces and fire again 11. Trace your design on to your base 12. Use tile adhesive to attach each piece, let dry for a few hours 13. Spread grout over spaces and wipe off. Let dry. As it dries, wipe periodically to get rid of film. Page 7 Dr. Robert Hitt Interviewed on WVEC-13 News Sunday night, March 29th, around 9:40 p.m., some of you may have noticed a flash of light in the night sky. It has yet to be definitively explained, but WVEC sought out the expert advice of our very own Robert Hitt, a long time CDA member, to shed some light on the event. If you are viewing this on your computer, click here to see the video clip of his interview. For a link to the extended story, click here. Robert’s knowledge about the night sky is formidable. If you have a question about stargazing, he’s the one to ask! Please let me know if you or someone you know has made the news, won an award, or otherwise has achieved something noteworthy, so that I can put it in the newsletter. Send your stories to [email protected]. This half of the page has been intentionally left blank. Thanks -- Genez