2008 May - Society of Connecticut Sculptors
Transcription
2008 May - Society of Connecticut Sculptors
SCS Newsletter Newsletter of the May, 2008 SPOTLIGHT ON THE ARTIST – FRED RICHMAN Society of Connecticut May, 2008 – Vol. 5, No. 2 SCS, Inc., P.O. Box 415, Essex, CT 06426 FROM THE PRESIDENT’S PEN As I sit here looking out the window at the gray skies and heavy rain, I have to repeat mentally the mantra “This is Spring. This is Spring” – because all the visual data leads to the conclusion that this is the depths of Winter. However, there is a spring-like bright spot even in this gloom. Thanks to a big, individual effort by Robert Swain, husband of the editor of this newsletter, the Society of Connecticut Sculptors now can present itself to the world on our very own impressive website. (www.ctsculptors.org) If this enthusiasm for our website seems excessive, I do not believe it is. When SCS was founded 16 years ago, one of the first things agreed upon by the founders was that our new organization would greatly benefit from a website. Over the years creating one has been a continual topic of discussion, and in fact there have been four serious attempts to negotiate with various organizations to create one. But they have all fallen through largely because of the cost. Bob volunteered to give it a try, and by creating the website – and getting SCS onto the Net – he has moved us into a new era. This is not just another place to show. As one pundit once said, “On the Net everybody looks the same size.” Even though we have only about a hundred members, on the Net we have the same exposure and opportunities for recognition as a major museum. This is the proverbial “Quantum Leap” into the big, International Art World. It seems that Fred Richman was born to sculpt! He started sculpting when he was just a little tot – when he used to carve his own (wooden) toy blocks! He moved on to carving Ivory soap, which he says helped him win a scholarship to college for his first year. Says Fred. “When I graduated from the Music and Art High School in New York I thought I would be a sculptor, but being a child of the Great Depression it sounded safer to go into industrial design.” Fred’s interest in sculpting did not waiver into adulthood. He went for classes at night to the Sculpture Center and the Art Students’ League in New York City after working all day at his job. Fred laughs, “Since all they had to offer was working from live models, I now have a house full of nudes in terra cotta.” At 81, Fred presently works at his Clinton studio in both wood and terra cotta. Working in wood, he says, seems to satisfy a carving instinct he has. Although most of his formal instruction was “Bauhaus” form and abstraction, he tends to go the figurative route now. (See more of Fred’s work on our website, www.ctsculptors.org.) Fred joined the Society of Connecticut Sculptors when he moved to the state fifteen years ago and has participated in many of the Society’s shows. He also has won a number of awards for his sculpture as a participant in Clinton Art Society Shows. STANLEY BLEIFELD’S CIVIL RIGHTS MEMORIAL To be Unveiled in July in Richmond, VA I want to thank Bob publicly for his accomplishment and to encourage the membership of SCS to volunteer to get actively involved with our site. If you already have your own website, mention on it that you are a member of the Society of Connecticut Sculptors and add a link to the SCS site on it. Also notify Bob of your address if we don’t already have a link to yours. Stanley Bleifeld has been an artist in the public eye since the 1950’s. In 1967, the Bridgeport Sunday Post art critic wrote, “The name Stanley Bleifeld and sculpture are synonymous.” His fame is almost legendary. This is only the beginning. There will be more work to be done as we go along. We welcome any volunteers, no matter how inexperienced, to help maintain the site. (Bob Swain will be leading a workshop soon on how to update the site. Contact him directly if you want to participate.) Please consider volunteering. Help put us in the sun. Widespread public recognition came from the 1964 World’s Fair Vatican Pavilion’s commission of a five-part terra cotta relief. Then a Life Magazine picture and article kept him before the public eye. And of course there was the New York gallery – a well established one – Peridot, at 820 Madison Avenue, with its streams of Bleifeld reviews. (You can see more about Stanley Bleifeld on his web site at www.stanleybleifeld.com ) PS: Wendy and Bob can be e-mailed at [email protected] or [email protected]. –John Molloy More recently, Bleifeld was selected from hundreds of American sculptors to create a national 2 SCS Newsletter monument for the U.S. Navy in Washington, D.C. His larger-than-life sculpture “Lone Sailor” sits on a site near the Capitol building and is viewed by thousands of visitors every year. This commission peaked the interest of national media including the Today Show, Newsweek and The Washington Post. A Weston, CT, resident for 35 years, Stanley shares his time between his secluded studio and home here and another one in Pietrasanta, Italy. Former Governor of Virginia Mark Warner commissioned the Civil Rights Memorial in 2005. Stanley, who is a member of the Society of Connecticut Sculptors in addition to his world renown, submitted his proposal to the Governor’s committee for the Capitol Square Civil Rights Memorial Foundation. Stanley’s proposal won and he began work on the project in October of 2006. The total cost is expected to be about $2.6 million, with the money being raised from private donations. Bleifeld did most of the work on this enormous undertaking in Pietrasanta, where he has a big studio and the help of an excellent assistant and other skillful local artisans. Stanley estimates that he worked for about ten to twelve hours daily on this project. May, 2008 SCS Newsletter May, 2008 spend a lot of time in the studio with lots of unsightly plastic covering people’s works, various sculpture stands scattered about and tools laid out all over the studio for the convenience of all the sculptors working there. The beauty which emerges from this seeming chaos inspires my creativity and lights a certain fire in me. For me, there is no weather, no heat, no cold, no sun, nor rain – just a spot to unleash my soul and block out the outside world for a time. For that, I am most grateful.. I hope that you, too, have found your spot for creativity, and, in this world of busy and busier, work that truly fulfills your soul. –Wendy Swain May 2 Field Trip to New York City Above are views of two of four sides of the new Virginia State Civil Rights Memorial by Stanley Bleifeld. See www.vacivilrightsmemorial.org/ memorial/render/ for more views and details. The unveiling of the monument will take place in Richmond on Monday, July 21st . A small group of SCS members are planning to attend. Editor’s Musings One of the amazing things that happens to me when I go to work in the company of other sculptors in a studio not far from my home is that the experience is much more than just the coaxing of the clay into various shapes and forms. It is the uplift, too, and the inspiration I get from bouncing ideas off of others in the studio, plus getting and giving reactions to my work and the work of my colleagues. I love being a part of a group of like-minded individuals who are there to work and support each other. And while I love being surrounded by beauty, I can also 3 Five SCS members took the train together into New York City on a cool, overcast morning to explore the city and some of its sculpture. The first stop was at the National Sculpture Society, at 46th and Park Avenue, to view the 75th Annual Exhibition in the Atrium of its lovely, modern building. The 60 sculptures on view were selected from over 800 Society of CT Sculptors Board of Directors John Molloy, President Harold Wright, Treasurer Susan Zurles, Vice President LeaAnn Cogswell, Secretary Members at Large Ken Bujnowski Steffi Friedman Rosemary Gurpide Helene Johnson Maurice Maultz Fred Richman Fay Stevenson-Smith Wendy Swain Jack Yerkes Individual sculptures at right are from the 75th NSS exhibit – clockwise from top left, by Marsha Tosk, Richard Blake, Jane DeDecker, Joy Beckner and the show winner, “Iron Child” (sculpted in wood) by Stephen Layne. See the NSS site for more. Other shots are at the Lucchesi studio – Bruno with Louise and Pat Wiley and with Patti Law, Ann Rosow-Lucchesi showing Wendy Swain one of Bruno’s books. 4 SCS Newsletter May, 2008 entries by a jury. The variety of sculptures was noteworthy. A separate Awards Jury selected fifteen sculptures for awards totaling more than $12,000. The subject matter of pieces ranged from birds and animals, some lifelike and others whimsical, to human figures in various poses. The materials ranged from terra cotta to bronze and wood. Gwen Pier, Executive Director of the NSS, was kind enough to accompany the group for a short time through the exhibit and to take some photographs of us as well. (The exhibit ends May 30th and will then travel to Brookgreen Gardens, South Carolina, for display from June 28 to August 24.) We enjoyed the walk up Madison Avenue next to visit the Wildenstein and Knoedler Galleries, located on 64th and 70th respectively. The galleries held mostly paintings, some by very well known artists – with price tags into the millions. Then we hopped on a subway to wend our way down to the East Village where we had had an invitation from Ann and Bruno Lucchesi to visit their work studio. That was the true highlight of the day – viewing the wonderful array of completed sculptures by both Bruno and Ann as well as seeing works in progress and getting to interact with them and ask questions about techniques and ideas. The smiles and laughter flowed freely. (You can view slide shows of both Bruno’s and Ann’s sculpture on our website – www.ctsculptors.org.) The promised rain did not materialize, so the day was a special delight – talking about sculpture and art in a small group of friends – “hanging out” for the day, but with a purpose. Opportunities such as this are just one good reason for being a member of a group like the Society of Connecticut Sculptors. Hopefully you may be a part of the group next time. SCS Newsletter May, 2008 “For the more advanced participants we will work with the ‘machinetta’ (pointing device) to reproduce a plaster model in marble using the Italian pointing method for transferring accurate measurements.” (The cost is $525.) For more information, contact Salem Art Works, 19 Cary Lane Salem, New York 12865. Fred X. Brownstein is a Fellow of the National Sculpture Society who was recently featured in their News Bulletin. He is internationally known for his marble work. Fred says that living in Italy from 1975 to 1991 was the foundation for all of his work. SCULPTURE with Paul Lucchesi. This workshop will take place from July 19 to 26 at the Punch Bowl, on the coast of Maine. The cost is around $1,300, which includes 4-6 hours of instruction per day, three meals daily, beautiful rooms with water views and daily instructor critiques on the Northwest Porch. “This five-day workshop will emphasize the individuality and expression of bas-relief sculpture with the Human Figure as the central theme. Paul will discuss different approaches and demonstrate techniques and structure throughout the week, helping students to gain both technical skill and confidence.” He reminds students that “the whole point is to have fun.” (Contact Gar Waterman, 425 West Rock Avenue, New Haven, CT 06515) Paul Lucchesi is an accomplished painter, sculptor and teacher from Brooklyn, NY, and son of Bruno Lucchesi. OTHER LOCAL WORKSHOP LOCATIONS OF POSSIBLE INTEREST: Arts Center at Killingworth, Carriage Barn Arts Center (New Canaan), Creative Arts Workshop (New Haven), Guilford Art Center, Lyme Academy of Fine Arts (Old Lyme), New Haven Paint & Clay Club, Rowayton Arts Center, Silvermine School of Art (Norwalk). Some Possibilities for Summer Fun Mixed with Inspiration ARTS QUESTIONS & ANSWERS (A New Column) Summer Workshops are being offered in many, many locations around the country. For us, there are two of special note— By Louise Wiley George Bernard Shaw said, “If you have an apple and I have an apple and we exchange these apples, then you and I will still each have one apple. But if you have an idea and I have an idea and we exchange these ideas, then each of us will have two ideas.” MARBLE CARVING with Fred Brownstein. This workshop will be taking place from August 4 to 8 in Salem, New York. “This marble carving residency will offer instruction in marble carving for a mixed group of participants from beginners to more experienced sculptors who wish to learn and improve their techniques. We will cover the three main phases of marble sculpture: roughing out, modeling with chisels and finishing. All tools and techniques will be demonstrated. Fred X. Brownstein sculptures above and at right: “The Wall” and “Ricordo di Profumo” (from the 2006 NSS annual exhibit. 5 I would like to begin a new column to appear in our future newsletters which will hopefully exchange ideas and benefit us all. Who among us knows everything about sculpting? Have you ever been trying to complete a project and run into a problem which you may have had difficulty solving? Have you solved a problem and are willing to share your solution with other sculptors? Has a new idea or technique come into your bag of tricks which may be helpful to others? Have you had an interesting experience with a gallery, show place, foundry, a new or different tool? Let’s have a question-and-answer – helpful hints (information) – section. No matter what medium you work in, we all can learn and profit from our fellow artists, but you can’t learn if you don’t ask. 6 SCS Newsletter May, 2008 Others will find it difficult if you won’t share. So… let me hear from you! Tell us all some of your personal, helpful experiences; give your best tips or ask questions about problems or concerns you may have. I’ll start off by telling you something that I found. This is one example of information which is not necessarily easy to find. SCS Newsletter May, 2008 Society of Connecticut Sculptors, Inc. P.O. Box 415 Essex, CT 06426 We all know the importance of the quality of your photos. Some of us can take our own stills or slides but with a new professional innovation, pictures can be obtained which far exceed any up to now. A photographer I know will take great CD’s, slides, prints and also has equipment which gives him the ability to photograph your art pieces while being rotated. This can be particularly great for display on your web site, for submissions to galleries or jurors in competitions and exhibitions who will now be able to see your work from every side. This photographer will come to your studio to take as many pictures as you wish without the hassle of transporting your statues to another location. Contact: Jack Bonura, 631-560-1183. (Contact Louise Wiley at [email protected] with your input for this column.) Return to the Acton Library for a Summer Show We have contacted the Acton Library in Old Saybrook and they are delighted to have our sculpture show there again this summer. The library has a very large influx of people on a daily basis during the months of July and August, and we are fortunate to have this opportunity again to show in their light and airy main room. Watch your mailboxes for the show details—submission of photos, jurying dates, delivery and pickup of accepted works, etc. (We are always on the lookout for venues for shows. Please let John Molloy know if you have any suggestions about possible future places to show – at [email protected].) Thanks for the Support! A special thank-you goes out to those members who have supported the Society of Connecticut Sculptors with a financial contribution above and beyond the basic membership fee this year. (Some of these people have been doing so for years.) The Society wants to recognize their gifts. Kenneth Bruno Jacqueline Lobdell David Millen Gerald Freedman Sylvia Margison Richard Pauler Steffi Friedman Maurice Maultz Wayne Southwick OUR MEMBERS SHINE! Congratulations to Louise Wiley and Corina Alvarezdelugo for their recent successes with their work. On April 22, Louise attended the reception and unveiling of her six-foot-high bronze of an osprey swooping up a fish in its talons. It was commissioned by the owner of the Saybrook Point Inn. The sculpture now adorns the entrance to the inn. The owner has also commissioned two 42”-high terra cotta pieces of Viscount Say and Lord Brook (for whom the town of Saybrook was named) and those pieces will be inside the inn, in the restaurant. Corina Alvarezdelugo is showing her work at the Interlaken Inn and Conference Center in the Northwest corner of the state – in Lakeville, on Route 112. The opening reception was on May 10th. The exhibit will continue until September. Jack Yerkes 7 8 SCS Newsletter May, 2008 SURVEY & MEMBERSHIP APPLICATION Please fill out the survey below and return it to: Harold Wright, 81 Green Hill Road Killingworth, CT 06419. Name_______________________________________________________________________________ _____I have been a member of SCS for ____________ years. _____I would like to become a member of SCS. Benefits include newsletters, venues for exhibiting work, social events with other sculptors, etc. (Individual membership is $45 per year. Please send a check made out to SCS to: Society of Connecticut Sculptors, Inc., P.O. Box 415, Essex, CT 06426) _____I would be interested in writing an article for the newsletter or suggesting a focus for future articles. _____I have the following talent(s) that I would be willing to share with SCS members: __________________________________________________________________________________ __________________________________________________________________________________ _____I would be willing to find paid advertiser(s) for the newsletter. _____I would like to participate in future exhibits. _____I am interested in attending social events—field trips, evening soirees, demonstrations or lectures. Comments: ____________________________________________________________________________________ ____________________________________________________________________________________ ____________________________________________________________________________________ ____________________________________________________________________________________ ____________________________________________________________________________________ 9