English - The Arkitecht
Transcription
English - The Arkitecht
KIT PRESS CONTACT Genaro Ochoa (52)5511078230 [email protected] www.thearkitech.com B biography “The Arkitecht is one of those bands that proudly wears its influences on its sleeve, yet the way its all interwoven and mixed up manages to imbue the music with a rather unique sound.” -The Metal Observer September 2009. Lineup Omar Kempkes /Vocals César Huesca /Guitar Genaro Ochoa /Keyboard & Guitar Armando Támez /Bass Rodrigo Uribe /Drums The Arkitecht is a progressive metal band from Mexico City. Their music blends typically aggressive genres like thrash and death metal with progressive passages, grunge choruses and film like soundscapes. The band started out as a one-man-band type of project created by Genaro Ochoa where he wrote, performed and programmed most of the music, and guest musicians contributed with vocals, solos and some lyrics. www.thearkitecht.com With the release of ‘Hyperstructure’ in 2008, the project quickly escalated to a full sized band, having Genaro hand pick each member among some of the best musicians in the country. The band hit the stage for the first time on June 2010, and played extensively at local venues for the next couple of years. They were invited to perform at Wild Metal Fest PRESS KIT THE ARKITECHT 2 2011 (Cancún) sharing the stage with bands like Marduk, Enslaved, D.R.I., Dead Trooper, Tristania, etc. Openers for The Gathering in July 2011 (Mexico City). One of the Top Ten bands nationwide on Road to Wacken Open Air on May, 2011. Voted Best Progressive Metal Band at Kalani Metal Awards, 2014. On May 2012 the band recorded an unplugged album called ‘Acústico’ where they re-imagined some of the music from Hyperstructure into acoustic rock tunes. This album was released in 2015 as a free download, the concert is also available for free on YouTube. The band is currently working on their second studio album which will be finished during 2015. M music The production for Hyperstructure took over a year, from October 2007 to November 2008. Hyperstructure houses two concepts that quite literally cut the album in half. The first one (tracks 1 - 6) was somehow influenced by Peter Joseph’s documentary “Zeitgeist”. It tells the story of a man who, moved by such issues, seeks redemption through a mental journey that will lastly grant him an unforeseen state of illumination. The music might have more of a prog-rock feel than a metal feel for moments, but it builds from the first song up and little by little, heavier passages are drawn in until we find ourselves immersed in actual progressive death metal sections (tracks 5 and 6). Hyperstructure (2008) A l l M u s i c / Ly r i c s G e n a ro O c h o a Guest Artists D a n t e D í a z Vo c a l s Á l v a ro L a m a d r i d Vo c a l s César Huesca Guitar Solos L i l a N i e t o Ly r i c s running time 64:47 release date Nov. 2008 Hyperstructre was recorded at Genaro Ochoa’s homestudio between January and April 2008. It was later sent to Montpellier, France, to be mixed and mastered by Brett Caldas-Lima at Towerstudio (Devin Townsend, Cynic, To-Mera, Kalisia, Xerath) during April and May 2008. i. Blackout Erik Schumacher (Germany) ii. Face Thief Mauricio Javier González (Chile) The artwork for Hyperstructure was made by two graphic artists during the fall of 2008. www.thearkitecht.com PRESS KIT THE ARKITECHT i. The second half, Face Thief (track 7), is a Symphonic Death Metal Epic lasting a little over thirty minutes. This piece took nearly 3 years in the making. The story tells of a serial killer who surgically removes the faces of his victims for the sake of art rather than torture. The music resembles a contemporary film score combined with a metal band. It is by far the most complex set of music presented in the album and thus is recommended to follow along with the booklet and to give it more than one full listening to grasp the depth of the work. 3 ii. P press Hyperstructure has been praised by several publications as one of the best metal albums crafted in Latin America. Hyperstructure has been very well received by music reviewers and metal press in general since its release in 2008. Digital publications and critics from Germany, France, Holland, USA, Canada, Mexico and other countries agree that the album is one of the best works made in Mexico in the past years. R&R Magazine April, 2009 Fig. 2 - Sin Magazine Interview (May, 2009) Written press, such as Nocturna Magazine (Fig. 1) and Sin Magazine (Fig. 2), published interviews with Genaro Ochoa in April and May, respectively. Both publications dedicated a two page spread to the article. Webzines like Search & Destroy (Fig. 3) and 36Zero Magazine (Fig. 4) made The Arkitecht cover of the month. Fig. 3 - Search&Destroy Cover and Interview (May, 2009) Fig. 1 - Nocturna Interview (April, 2009) Internet radio stations like Máximo Voltaje (Colombia), Oídos Sordos (México), Ragnarockradio.net, Código DF, among others, include the album on their programming and they all have featured interviews with the band. www.thearkitecht.com According to Search & Destroy webzine, Hyperstructure was the second best national metal album released in 2008. Ragnarock Radio included Hyperstructure as one of the top 50 national metal albums of the decade 2000 – 2010. Several metal compilations, like Metal 100% Colombo-Mexicano, produced by Máximo Voltaje and Antares TV, have featured at least one track from Hyperstructure in their releases. Reviews Magic Fire Music Sea of Tranquility Metal Storm Melodic.net Tartarean Desire Dagheisha Search & Destroy Lords of Metal The Metal Observer Helldriver Fig. 4 - 36Zero Cover and Interview (May, 2009) Metal Underground MuzikReviews PowerMetal.de PRESS KIT THE ARKITECHT 4