Austin
Transcription
Austin
-=w Our mother-daughter relationship is a work in progress. WeMami, Sis and l-struggle through newways of being in the world that Femme-lnism: Lessons of MY Mother will help redefine what kind of mothers and daughters we will be in the future, and what kind of sons, daughters and grandchildren we will I Poulo Austin raise. xpecially thank Mami, Melinda, Blanca and for making this WLL (a colledive fur women of color writers) essoy possiDle. about "feminism" even if My mother taught me everything I know She taught me to work hard' to she didn't think she was teaching me' She taught me to fight mean' to fear love (to question love)' be hard, fear, and pain that goes the meaning of honor and retribution and knew' She taught me about desire way back. She taught me what she be How to flirt' be coy and demure' How to and sex and sensuality' How to be looked at' how femme, a high diva, show off my cleavage' to stay alive' She taught me to be invisible and afraid' How to survive' and authority' what she could. About women's powff Reflections brought me and my three older I was four years old when my mother Guiana' a small Caribbean sisters to the United States from British country on the norEhern tip of South America' The United States higher education and the ability offered a different kind of access to play the game' My to change one,s economic class, if you could British Guiana during the mother, Ena, had Srown up in colonial 757 756 \,t coveted her' and had always been men who "boyfriends." There where darkat a time and in a country used this to her advantage outside of teleIike her had few opportunities skinned, poor women to make money' Colonialism' operator, secretary or teacher she Black poor and in rural Bartica' where people were My grandmother washed the and struggled to feed their children' people seven days a week' She dirty laundry of rich, white English 1930s. She lived the ironand basin and then later at stood all day at the washer board left his family when my mother was ing board. My grandfather had her mother scrubbed floors to help ten years old. As a child' my says she ended at the sixth grade' She mother. My mother's education keep any or book-learning'" She couldn't "never had a head for school she had already had wo got. By the time she was sixteen' iob that she family' My been raped by a friend of the nervous breakdowns and had also self-medicate with alcohol' She mother eventually learned to work' learned to do hair and sex the power of her sexuality' Looking Ena's idea of strength lay in On her limited budget she was good and getting what you needed' wide hips sexy' Heaving breasts' round always clean, well groomed' on and girdle' Her hair wound up hugged in by a long-line brassiere knew shining with hair grease' She the top of her head, pressed and and food for kerosene to light the lamps how to "get" things-money' to survive and keep her girls alive' her children. This was her work, other years her senior-supported his while her husband-twenty familY across toYtT * Through - accommother found reason to feel Lucille' to her family' sending her sister' found a as well as her own' Ena t.i sti *"t) *' plished, adequate, oi u'/to children school and feeding Lucille's body' Even control both her life and her means by which she could she continued to have several after my mother married at twenty-one' i n 158 phone economic separation supremacy created an imperialism and white women as smart Black women and white between light-skinned Black women as thick-headed women of leisure and dark-skinned laborers. a In 1984 I was sixteen' I was iunior This is the same my best friend, Jennifer' published her book Eemininity' l in high school' in love with year that Susan Brownmiller did not read it until two years later college course at my liberal arts a women's studies taking was I when go away to collegeunheard of that I would in New York City' (lt was with my mother in Flatbush' So I lived only white kids did that' work each day') subway to school and Brookllm, and took the heterosexuality and aJ a femininity rooted in Brownmiller discussed abouti for male attention' She talked female-to-female competition in the armor"' not a suit of metal femininity as a t]'?e of "feminine display of] an overstated and distorted rather but sense Eaditional and safe to men' weakness that was comforting She would my mother from the bed' As a child, I often watched pressed black hair her hair and rings of long' take out each clip from and back' and head' She brushed it hard' her down unravel would in a French Then she twisted the back pinned it up and to the side' it there' She behind her ear and pinned bang little a brushed roll and thighs and panty hose over her shapely pulled on her control-fitted I 759 + ass. Over her hose she brassiere. Sometimes put on her girdle and fastened her long-line I would have to help pull the hook and eyes together behind her. I often watched her do her makeup in front of the small mirror that sat on a tiny square table across from the bed I slept on, in the bedroom I shared with my mother and sister. She would dab some foundation from the bottle into her hand and smear it evenly across Somewhere between the apartment door and the building's front door down five flights of stairs, I would hurriedly apply the makeup, lining my eyes with the blue pencil and combing on the black mascara I had stolen from woolworth's. I was never delicate enough. I was rough, rushed and heavy-handed. once applied, as hideously as looked, I stepped out from that apartment building. Avenue it may have out onto ocean in Flatbush, where I was a poor Black girl, living in someone a pencil. She wore eye shadow and mas- in an all-white neighborhood, where my family was ,,the help.,' And at eight in the morning, on that street with seen as all of its white faces staring down at me or not seeing me at all, I cara. Lastly, she lined her lips, using some shade of burgundy. When walked with my head high and made it to the bus stop without flinch- she finished dressing, her shoes and pocketbook always matching, the ing. It was mY armor, too. and around her face. She used concealer around her eyes and covered that with powder. She wore black eyeliner, above and below her lid, which she administered with else,s apartment room smelled like her expensive perfume long after she had gone. This was her ritual each day, the donning of her costume. This was her feminine armor, her feminist attire. This was the very thing that brought her strength and power. I could tell this by the way stepped she out onto the street in her blue polyester floral dress that hugged her hips and thighs, her strong calves shaping down into her white pumps, her ass and pocketbook both swaying. Her sory gait was evidence of her prowess, and both she and I were proud. She was My introduction to what "feminism" was and what it could mean for me as a woman of color came when I was twenty. At my private'-,, predominately white college, we read many things, including This the B,ridge called My Back: Radical wntings by womm of Color.It was first time I saw in print something I could identifu with, the intersection of history culture, oppression and identity. It was a rite of passage for me. That year I came out as lesbian, as visible in terms of my unknowingly modeling for me. When I was eleven or twelve, I was punished for wearing makeup. Caribbean culture and heritage, as an abused daughter of a wounded, until this point my existence as a chunky, curly- I would wait until my mother was out of the room at bedtime and I alcoholic mother. would sneak an eyeliner pencil from the makeup drawer to under the bed. In the morning I would pretend I was looking for my shoes and haired, brown-skinned, large-chested girl had been very much about how to remain unseen. I felt ugly, undesirable, unlovable. During sum- it out of the house. mers as a teenater, in the heat of my Brooklyn neighborhood-which slip the eyeliner into my pants pocket, sneaking 160 U) My Radicalism 767 was changing from lewish affluent to Puerto Rican/west Indian work- ing class-l had felt large and uncomfortable in my T-shirt and shorts and the as well as in my own skin. Now in college I began to see myself organized I worked with five white women in a student group' We around "diversity" issues on our campus. I learned about leadership, voice and coalition-building as we worked on racism, sex- ism and homophobia at our school. we read and wrote together, staged actions, hung up signs and held caucuses, panel discussions and consciousness-raising groups. I learned about internalized oppression, not so much about racism as about sexism, and under- it to be at the heart of my desires for invisibility during those summers. Understood it to be at the heart of my sense of myself stood teen ( \ mother's apartment, which was downstairs from my mother's employer's apartment. It was this life, after school, where I would face my reality without the world differentlY' There and I needed to support myself. I wanted to move out of my grand- built-in support of women from college, with whom I had become accountable for fighting against iniustice. There were mornings on the subway, being felt up and doing nothing except enduring it. Sexual harassment at the gym, and being too ashamed to even feel my indignation until much later. Without the anger and righteousness of my women friends, how could I remember that I had a right to my own body, a right to say no? What a priv- ilege it had been to be able to sit and talk about these things, to scream our rage, to write essays. 'yvhat would I do with this new sen- sibility? Out here, alone. (At as ugly and undesirable-and simultaneously sexually perverted. My mother had known racism. She understood its existence as a fact this time I was being unhappily sexual with random men at my iob') of life, a given. It wasn't something changeable, moveable. It was some- This internalization of all the destructive messages over the years-which I I had gotten continued to receive-about brown, round thing to be maneuvered around, waded through like muck and mire. It wasn,t even something necessarily to be talked about. And she moved it slowly, her pace crippled by clinical depression, little women was at the heart of my short stint of trying to deny my femme (after I had come out) for a more politically correct (and through of accepted, by my white lesbian friends) androgynous presentation myself. Still, in manyways this was an idyllic time: social actMsm and strength in doing hair and sex work. she always said to her daughters, ,,you have two things against you: you're Black and you're a woman. I wouldn't know the Nothing is going to be easy." She would urge us to get our education so that we would not have to "depend on a man." My sister and I would self diversity work in a relatively safe environment. real impact of patriarchy and its intersection with racism, sexism and homophobia until I left school' in New York and found a fob working I wanted to teach but wasn't quite sure how to do it After graduation as a secretary. I stayed education and hard work from an early age. I think she found some cringe at hearing ourselves referred to as "Black," certain that it wasn't a good thing. often in the same breath my mother would urge us to marry white men, so that we would have babies with "good hair"' 763 (- 762 be raped or lynched? MyArmor I always admired my mother's sense of what was powerful about they realize the person I am with is not a boy? Even with alt my fear, there is no question between us that my femme affect is the safest bet here. I ask to use the phone, saying we seemed a My girlfriend nods, smiles, stands idly by' The man directs me to the phone and I call Alil{. I tell them I have a flat completely natural way of interaction. What I learned, listening to my tire. "l can't seem to get those screwy things off, you know, they hold mother's sultry voice-placating, or asking questions like a little girl, the tire in place?" I say. The tone in my voice is of distress and silli- giggling, sighing, her eyes wide and suggestive-was that women who ness. herself: flirting. I remember hearing my mother on the phone or watching her with company. She flirted with everyone. It had this skill had power. Did the men, and women' she used this on know what she was doing? Did they allow themselves to be manipuIated, or distracted from the task at hand? now when I use my powers of flirt I don't know-not even have broken down. I shift my weight from hip to hip, smiling at the greasy man I wait for them to dispatch a truck. My girlfriend does not speak. There is no real reason for me to maintain my femme performance on the phone with the AAA customer assistant. I am not really being paid attention to by the garage attendant' Still, and distract. as I am deep in It is moments like being stranded on the highway with a flat tire character, and it brings me a sense of control in the midst of this dan- that what I have learned from my mother becomes necessary. I am on my way back from the beach with a white lover who looks like a and my lipstick. ter, as does the two-inch elevation from my shoes boy. I am in a long cotton dress, slits up both sides, flip-flop high heels, hair in a curly pom-pom on the top of my head. We are some- where between Durham and Wilmington, North Carolina' I am a Thedonningofmyarmorhelpstoholdatbaytheanxietyandpanic until it can be safely expressed later in the arms of my lover or with my friends. off the phone I talk more with the greasy man about the "screwy all of which come into play when I am stranded on the side of the things,' that we could not seem to remove and the iack, which we couldn,t get to work. When the tow truck arrives, we squeeze into the road at dusk. front Northerner with all kinds of frightening stereotypes about the South, seat with me next to the driver, a white man with a thick drawl We trudge across the highway to what looks like a road toward in and the smell of stale coke and cigarettes permeating everything town or houses, at the very least. We end up at a bus repair shop' A man with a deep southern drawl and geasy overalls emerSes from the the truck. He has had to move aside several girly magazines to make back ofthe shop to greet us. My lover is concerned about her baseball cap and butch appearance. I am concerned about being Black. 764 + will will I room for us. we drive ten miles before we can get back to the highway. In an effort to distract him from too much observation about the Black woman and white woman in his truck, one of whom looks 765 suspiciously like a boy, I chatter. More conversation about the "screwy things." "Lug nuts," he my femme saYs. "Oh, is that what they call them?" I giggle' "I just don't know a thing about changing a tire. And what is that?" I point toward the fields of crops we whiz it looks like?" More giggling' My lover's leg is anxiously pressed up against mine' it back to my stranded car' The tow truck guy my car' hoists a large iack from his truck, upon which he begins lifting around him. "Man size," I say, referring to the iack suggestively. is I am aware of my play-acting, feeling powerful in the skill of it. He the part, like responding to it. I think it brings comfort to him. I look flit my Mama taught me. / fft. if only for a moment' Sometimes I hate that part of me. Femme-Inism "Ohhh, really, is that what I away from her partner, bY. "T'bacca." We finally make with a woman who already had Hoochie Mama after having an affair particular relationship was damaging' a wife. And even though this to steal this woman self finds pride in having been able fine is thin between empowerment of "femme" and its poten- i tial self-destructiveness. I wonder if it was like this for my mother' she to turned to sex work out of necessity' This is not something I have do. Femme brings with it what we have learned about what it means to be female and woman in this country and culture. As many times power of my as I have felt empowered by it, I have also found the femme affect slipping away' leaving instead the ways I feel defeated' inept,unabletohandledifficultsituations.Rationally,Iknowthese tobethemessagesoftheoppressorsandcolonizers.Still,Ihave and transcompeted with other femmes for the attention of butches and gender men. I have both claimed and loathed the titles of Jezebel because it leaves out women who I have felt left out of feminism mostly feminine' of color' poor' powerlooked like my mother-Eaditionalty on her psyche' It leaves no room ful despite the impacts of oppression forwomenwhofindtheirpowerthroughaperceivedpowerlessness. ex-hooker' gypsy-says that it is Amber Hollibaugh-lesbian sex radical' femmes with a history of sex work' no accident that there are so many other moving in the world differently than She talks about sex workers Men looked at my mother when women, with their heads held high' down or away' This down the street, and she never looked she walked in the face of what we are taught as display of blatant subiectivity flies little girls, how to be a "good girl'" power' art' But there is also My femme dance is reassuring to men' mother and myself' colonization and objective, resistance in it' For my the battle against deeper survivals. H*story Atchives it and poses a contradiction between appearances of the ksbian loan Nestle' author and founder "There is a need to and general femme hero' has said' at him yet at the same time to keep reflect the colonizer's image back culture' even if it is misunderstood by alive what is a deep part of one's he knows what he is seeing"'1 the oppressor, who omnipotently thinks 757 766 l'qr ttte atul trty rrrgllter tttlt lctltttc cxlrlCttCe utrtl ottr lctlttrte pcrformance have been the ways in which we have found pleasure in our wonlcll who have strttgglccl to support thctnsclvcs, atrd thclr tarnlllcs, bodies, wide-assed, round and brown. Bodies that society teaches us manifestations of oppression and colonization. The stories my mother to scorn. To ignore the way in which femme reclaims ourselves is to seriously diminish our resistance. It is this resistance that is at the has told me about herself-of an ouffageous girl washing her naked heart of my "femme-inism." My mother's feminism was limited, mixed in with very traditional West Indian and Catholic views of for herself and her children in a different country and culture at the who have struggled to be strong through the physical and emotional self on the back steps in the twilight, of a mother starting a new life age of forty-two, of a woman whose empowerment knew many bounds, who did what she had to for her children to survive, a woman gender and sexualitY. There is no language that can create an understanding of how my who somehow in the midst of her own internalized oppression trans- femme identity and "feminism" function in me as one, with no space ferred racial and gender pride, as well as she could, to her daughters- between them. The same way race, gender, sexuality and class exist these stories simultaneously in me, and how who I am is the filter through which the women in my family. I see everything. The same how I is true for my femme-inism. Maybe it is can reclaim my mother's high-femme practice in a more empowered way. To survive, I had to allow myself to be who I am, con- strained for a while by the lesbian feminism of the 7970s, which rejected both butch and femme as a "heterosexist imitation of the oppressive gender roles of patriarchy." Even though I came out as les- bian femme in the separation of 799Os, when I keep alive and recount as evidence of the strength of These stories are the context of my femme-inism. The monster of colonization, acculturation, prejudice, discrimination, poverty, misogyny takes shape in me as I struggle here to bring together, in myself, these two aspects of my mother, which her life only hints at-' her true and deep passion and sexuality and her strength to proac;,' tively address the limitations of her situation. folks had begun to write about the sex and gender, making room for the possibilities of gender play as itself a political and erotic option, there was still a very large community of lesbians, young and old, primarily middle class and white, who continued to subscribe to the lesbian feminism of the early women's movement. I have only to look at my mother to see it is possible to be both femme and feminist. For me and for many poor and working-class 168 \) 769