Department of Music Programs 1984 - 1985

Transcription

Olivet Nazarene University
Digital Commons @ Olivet
Programs
Music
1985
Department of Music Programs 1984 - 1985
Department of Music
Olivet Nazarene University
Follow this and additional works at: http://digitalcommons.olivet.edu/musi_prog
Part of the Fine Arts Commons, and the Music Performance Commons
Recommended Citation
Department of Music, "Department of Music Programs 1984 - 1985" (1985). Programs. Book 18.
http://digitalcommons.olivet.edu/musi_prog/18
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Ofavot
EDUCATION
WITH
A CHRISTIAN
Departm ent of Music
Programs
1984-1985
Olivet Hozarene College
Kankakee, Illinois 60901
Telephone 815-939-5011
PURPOSE
Ohêt
EDUCATION WITH A CHRISTIAN PU R PO SE
Orpheus Choir
1984-1985
D. G eorge D unbar, Conductor
Rodney Loren, Accompanist
“A Ministry in M usic”
Olivet Nazarene College
Dr. Leslie Parrott, President
Program selected from:
John Ness Beck................................................................. Song of Exaltation
Hank B e e b e ............................................................. In These Things We Live
Jean B erger................................................The Eyes of All Wait Upon Thee
Rene Clausen............................................................................Hymn of Praise
Thank the Lord
Emma Lou Diemer........................................................... Praise Ye the Lord
Tom Fettke....................................... The Majesty and Glory of Your Name
Mark Hayse............................................... Praise Ye the Lord, the Almighty
Ronald M. Huntington
Joshua Fit the Battle of Jericho
Peter C. Lutkin.....................................The Lord Bless You and Keep You
J . H. Maunder............................................................................ Just As I Am
Felix Mendelssohn.......................................................................................Holy
Jeffrey Rickard........................................................................................... Gloria
John W. W ork.........................................................This Little Light O’Mine
Ovid Y ou n g................................................................. Arise, My Soul, Arise
Holy Spirit, Be My Guide
The Comforter Has Come
Robert H. Young..........................................................................All For Love
Ovid Young has created special arrangements o f hymns to em phasize the
baccalaureate serm ons o f ONC President Leslie Parrott from 1976 to 1985.
O rpheus Choir sang these arrangem ents at the conclusion o f the sermons, and
have just m ad e a recording. This recording, available by early sum m er will cost
$1 0 .0 0 , all o f which will g o fo r scholarships fo r Olivet Students. If you wish to
order a recording, write a ch eck to Olivet N azarene C ollege an d mail it to the
Music D epartm ent or the President’s Office.
Orpheus Choir Itinerary 1 9 8 4 -1 9 8 5
President’s Dinner ONC
Chapel ONC
Crown Point, IN 150th Celebration
Board of Trustees Dinner ONC
Praise Gathering, Indianapolis, IN
First Church of the Nazarene, Martinsville, IN (A.M.)
First Church of the Nazarene, Anderson, IN (P.M.)
12
Homecoming ONC
14
First Church of the Nazarene, Kankakee, IL
N ovem ber 2 0
ONC Chapel
Jan u ary
1-7
Washington D C. Tour
February
1 2 -1 4 Choral Workshop ONC
21
ONC Revival
March
1-2
Recording Sessions, Alexandria, IN
3
Church of the Nazarene, Alexandria, IN (A.M.)
Church of the Nazarene, Winchester, IN (P.M.)
29
Spring Concert ONC
April
12
13
Trinity Wesleyan Church, Lansing, MI
14
Central Church of the Nazarene, Flint, MI (A.M.)
First Church of the Nazarene, Mason, MI (P.M.)
28
College Church of the Nazarene, ONC
May
12
Baccalaureate
August
20
23
S eptem b er 2 5
O ctob er
2
3 -6
7
Orpheus Choir 1 9 8 4 -1 9 8 5
Soprano
Alto
Michelle Brian - Davison, MI
Kay Buker - Bedford, IN
Pam Degner - Oak Creek, WI
Robin Foster - Bluefield, WV
Laura Henderson - St. Louis, MO
Janice Janes - Trilla, IL
Bonnie Kingston - Greenfield, IN
Kelli Lobb - Glendale. OH
Lori Lynn - Portage, In
Cynthia Oney - Louisville, KY
Lee Ann Pence - Lansing, Ml
Donna Pierce - Champaign, IL
Amy Ransom - Coshocton, OH
Lisa Robison - Indianapolis, IN
Jo y Sharpe - Racine, Wl
Jann Stice - Dearborn, MI
Fay Young - St. Cloud, FL
Karen Abbott - Owasso, MI
Sharon Barr - Ridgeville, IN
Dawn Bateman - Granger, IN
Tammi Brooks - Bourbonnais, IL
Cindy Crawford - Pekin, IL
Elizabeth DiPietro - Mt. Prospect, IL
Marty Erickson - Bourbonnais, IL
Pam Gooden - Virden, IL
Gretchen Guyer - Munster, IN
Julie Hampton - Galesburg, IL
Kyra Kirkpatrick - Huntington, IN
Cyndi Larson - Birnamwood, WI
Pam Learned • Washington, IL
JoAnn Lichte - Tampa, FL
Rebecca Milburn - Hoopeston, IL
Kelly Shadrick - Escondido, CA
Teresa LHmet - New Castle. IN
Tenor
B ass
Mark Brown - Farmington Hills, MI
Jay Daughtry - Loves Park, IL
Kevin Kirkpatrick Huntington, IN
Jon Lee - North Vernon, IN
John Lynn - Portage, IN
Chip Mattax - Racine, WI
Kent Meyer - Kendallville, IN
Robert North - Shawnee, KS
Ray Parpart - Merrillville, IN
Rick Parks - Pittsfield, IL
Jim Pence - Holt, MI
David Rees - Winchester, IN
Jim Springer - Bourbonnais, IL
Burt Webb - Montrose, MI
Scott Apple - Oaklandon, IN
Phil Atkins - Findlay, OH
John Brewer - Muncie, IN
Steve Carlson - Lockport, IL
Jim Fitzgerald - Lexington, KY
Mark Fryar - Woodridge, IL
Brad Garvin - River Forest, IL
Kent Glendening - Chillicothe, OH
Randy Gooden - Virden, IL
Rod Green - Anderson, IN
Andy Hurles - Kokomo, IN
Dennis John - Dixon, IL
Brian Kennedy - Saginaw, MI
Rodney Loren - Cory, IN
Jeff Myers - Alliance, OH
Mark Parker - Cincinnati, OH
Monte Parsons - Sterling, IL
Troy Pence - Lansing, MI
Randy Stegemoller - Indianapolis, IN
C on d u ctor - D. George Dunbar
A ccom p an ist
O rpheus Officers
Rodney Loren - President
Brad Garvin - First Vice-President
Lori Lynn - Second Vice-President
Julie Hampton - Secretary
Randy Stegemoller
Jim Fitzgerald - Chaplain
Kay Buker - Robarian
Jim Springer - Historian
Pam Gooden - Librarian
-Business Manager
Larsen Fine Arts Center
The Larsen Fine Arts Center was opened October 5, 1982 and dedicated February 17,
1983 at a cost of $3.5 million. It is named in honor of Mrs. Naomi Larsen, who taught in
Olivet's Music Department 40 years until her retirement in 1975, and in memory of her late
husband, Dr. Walter Burdick Larsen, who taught music at Olivet from 1930 to 1957 when
his life was taken in a tragic automobile accident.
The Larsens have given sterling leadership to the College, and left a dynamic Christian
impact on the lives of hundreds of students through their musical, spiritual and personal
influence.
The Center houses the Division of Fine Arts which offers academic and activity pro
grams in Music and Art. Music majors have choices of concentrations in Music Education,
Musical Performance, Church Music, and a combination of Church Music and Christian
Education. The Art major emphasizes painting, drawing, ceramics, graphics and photog
raphy. Students may also earn minors in Music or Art.
The Kresge Auditorium, seating 540, is an important feature of the Larsen Fine Arts
Center. It is named in honor of Mr. and Mrs. Stanley S. Kresge. The Kresge Foundation of
Troy, Michigan, made a gift of $200,000 to Olivet for this building, marking the third time
the Foundation has contributed to building programs at Olivet. The Kresge Auditorium will
be the site of dramatic productions, lectures and classes in addition to music recitals and
concerts.
The Department of Music occupies classrooms and offices on the middle and upper
levels of the Center. The Department of Art has classrooms and studios on the lower level.
The Music Department has 12 music studios/offices, 22 practice rooms, two ensemble
rehearsal rooms, three classrooms, a reception/conference room, secretarial offices and
workrooms. The Art Department has four classrooms, three studio/offices, a secretarial
office, three photolabs and the Brandenburg Art Gallery.
The Music Department has 11 full time and 5 part time faculty members. The Art
Department has two full time faculty members.
Performing groups of the Music Department include the Brass Consort, Concert Band,
Stage Band, College Orchestra, Choral Union, Concert Singers, Orpheus Choir, Treble Clef
Choir and Viking Male Chorus.
Dr. Harlow Hopkins is Chairman of the Division of Fine Arts and the Department of
Music. Dr. Harvey Collins is Chairman of the Department of Art. Inquiries about academic
programs, scholarships, concerts, recitals, displays or other special events may be
addressed to these men.
Olivet Nazarene College is a four-year liberal arts college and is affiliated with the
Church of the Nazarene. Its 1800 students come primarily from the four Midwestern states
of Illinois, Indiana, Michigan and Wisconsin to take courses in 43 departments of study.
The 160-acre campus is located 60 miles south of Chicago in the village of Bourbonnais,
Illinois, on the northern edge of the city of Kankakee.
O livet Nazarene College
Department of Music
presents
F A C U L T Y R EC IT A L
c f lt L e e .
(E d u jc L x d jS .,
t P ia n o
S e p t e m b e r 13, 198k
7 : 3 0 p.m.
Kresge A ud itorium
Rondo
in D Major.
K.
L85
.............................................M o z a r t
The R o n d o in D m a j o r w a s c o m p o s e d in V i e n n a in J a n u a r y of
1786.
It is a g r a c i o u s , u n c o m p l i c a t e d w o r k t h a t is r e a l l y in
a s o n a t a a l l e g r o f o r m r a t h e r t h a n a r o n d o form.
P erha ps the
t i t l e r e f l e c t s ' t h e r e p e a t e d a p p e a r a n c e s of the o p e n i n g m e l o d y
in a v a r i e t y of keys, r e g i s t e r s , and text u r e s .
S o n a t a in E - f l a t majo r. Op. 8la " Das L e b e w o h l " ............... B e e t h o v e n
Das Lebewohl:
Adagio— Allegro
Abwesenheit:
A nd ante e s p r e s s i v e — Wiedersehen:
Vivacissimamente
In 1809, N a p o l e o n a t t a c k e d V i e n n a f o r c i n g t h e i m p e r i a l
f a m i l y to flee.
B e e t h o v e n and the A r c h d u k e w e r e g r e a t f r i e n d s .
T h e A r c h d u k e had s t u d i e d p i a n o an d c o m p o s i t i o n w i t h B e e t h o v e n ;
there was m u tual re spect and admiration.
D u ri n g the two m o n t h
F r e n c h o c c u p a t i o n , B e e t h o v e n c o m p o s e d the S o n a t a in E - f l a t
M a j o r a s an e x p r e s s i o n of t h e s t r o n g e m o t i o n s a r o u s e d by t h e
f o r c e d e x i l e of the A r c h d u k e .
Beethoven h imse lf a s s ig ne d the
p r o g r a m m a t i c s u b t i t l e s to e a c h m o v e m e n t : D a s L e b e w o h l -t h e
F a r e w e l l ; A b w e s e n h e j t - A b s e n c e ; and D a s Wi e d e r s e h e n - t h e R e t u r n .
Nocturne
Nocturne
in D - f l a t majo r . Op. 27, No. 2 ........................
Chopin
in A-f l a t , Op. 33 .......................................... B a r b e r
T h e t e r m " n o c t u r n e " w a s f i r s t used in the 1 9 t h c e n t u r y f o r
s h o r t e x p r e s s i v e p i e c e s f o r piano.
The t i t l e s u g g e s t s n i g h t .
T h e s t y l e is u s u a l l y s u b d u e d and m e l a n c h o l y w i t h a l y r i c a l
m e l o d y set a b o v e a r o l l i n g c h o r d a c c o m p a n i m e n t .
A l t h o u g h the
I r i s h m a n J o h n F i e l d is c r e d i t e d w i t h b e i n g the f i r s t to c o m p o s e
n o c t u r n e s , it w a s F r e d e r i c C h o p i n w h o b r o u g h t t h e m to m u s i c a l
prominence.
It is i n t e r e s t i n g t o c o m p a r e C h o p i n ’s n o c t u r n e ,
c o m p o s e d e a r l y in the 1 9t h cent u r y , w i t h S a m u e l B a r b e r ' s
n o c t u r n e , p u b l i s h e d in 1959.
Barber's work retains some 19th
c e n t u r y c h a r a c t e r i s t i c s but c l o t h e s t h e m in 20th c e n t u r y
harmoni e s .
(o v e r )
Carnaval, Op. 9 ................
1.
PrAambule
2.
Pierrot
Arlequin
3.
V a l s e nobl e
U.
Eusebius
5.
6.
Florestan
Coquette
7.
8.
RAplique
Papillons
9.
10.
A.S.C.H.-S.C.H.A.
(Lettres dansantes)
Chiarina
11.
12.
13.
U.
15.
16.
17.
18.
19.
20.
21.
Chopin
E st rella
Reconnaissance
P a n t a l o n et C o l o m b i n e
Valse al lemande
P a g a n i n i ( In t e r m e z z o )
Valse allemande
A ve u
Promenade
Paus e
M a r c h e des "Davidsbiindler"
c o n t r e les P h i l i s t i n e s
C a r n a v a l la a c o l l e c t i o n of s h o r t p i e c e s b a s e d on a c ore
of f o u r notes :
A, 3 ( G e r m a n f o r E - f l a t ) , C, and H (German
f o r B natu r a l ) .
S c h u m a n n , w h o lo v e d to p l a y on the s i g n i f i c a n c e
of s p e c i a l w o r ds, d e r i v e d t h e s e n o t e s f r o m the n a m e Asch, h o m e
town of a girlfriend.
T h e y a l s o h a p p e n t o be the o n l y m u s i c a l
l e t t e r s in hia o w n name.
S c h u m a n n d e s c r i b e d C a r n a v a l as a " h u m o r i s t i c m a s k e d r o m a n c e . "
T h e w o r k is ful l of m u s i c a l p o r t r a i t s .
S c h u m a n n h i m s e l f is
r e p r e s e n t e d by F l o r e s t a n a n d E y s e b u y s , p e n n a m e s he use d to
r e p r e s e n t the e x t r o v e r t and i n t r o v e r t a s p e c t s of h i s p e r s o n a l i t j
C h i a r i n a is C l a r a W i e ck, w h o m S c h u m a n n l a t e r m a r rie d.
Estrella
is the g i r l f r i e n d f r o m Asch; she s o u n d s m o s t d o m i n e e r i n g .
T w o o t h e r m u s i c i a n s a r e r e p r e s e n t e d in C h o p i n a n d P a g a n i n i .
C l o w n s f r o m t h e o l d I t a l i a n C o m m e d i a d e l 1 - A r t e a p p e a r in
P i e r r o t , the r e f l e c t i v e , in A r l e q u i n , the r a m b u n c t i o u s , and
in P a n t a l o n and C o l o m b i n e , w h o a l w a y s s e e m to be q u a r r e l i n g .
T h e a d v e n t u r e c o n c l u d e s w i t h t h e d r a m a t i c M o r r h of the B a n d
of D a v i d a gainst the Phi 1 i st ines, a t r i b u t e to an i m a g i n a r y
s o c i e t y of c o m p o s e r s f o r m e d t o d o b a t t l e a g a i n s t c u l t u r a l
P h i l i s t i n e s , t h o s e w h o f a v o r t h e s u p e r f i c i a l a n d trite.
OLIVET NAZARENE COLLEGE
Department
of M u si c
presents
STUDENT R E C I T A L
Lasciatemi
morire
Cyndi
............... C l a u d i o
Larson,
Robin
Vergin
tutto
amor
Dawn
sole
dal
Norma
in
E
piano
................. F r a n c e s c o
Noble,
Romey,
piano
piano
H o b . X V I / 3 4 ......... J o s e p h
Presto
Adagio
Vivace
molto
■i
Kresge
Carla
Auditorium
September
11:30
a.m.
21,
1984
Scarlatti
mezzo-soprano
Montgomery,
minor,
Durante
mezzo-soprano
G a n g e ........ A l e s s a n d r o
Dawn
Sonata
Foster,
Bateman,
Joe
Gia'il
Monteverde
mezzo-soprano
Surface,
piano
Haydn
OLIVET
NAZARENE
Department
of
COLLEGE
Music
present s
A N I T A
S H A R O N
[lie
Les
a
fui
( L es
olseaux
dans
Contes
d'
B A R R , mezzo-soprano
Hoffman)
la c h a r m i l l e ( L e s C o n t e s d' H o f f m a n
A n ita Beck, s o p rano
Cindy
S t a n d e h e n Op. 106,
Wie M e l o d i e n zieht
De r F r u h l i n g
Op.
6,
c h ’a d o r i
Entziehe
Spring,
Offenbach
Jacques
Offenbach
piano
No.
2
................... ^ ...........
Sh a r o n Barr, m e i x o - s c p r a n o
Surface,
eilends,
mein
Anita
Herze
Beck
Cindy
oder
and
Brahms
Brahms
Johannes
Brahms
Marco
Welt
Sharon
Spring,
Theresa
Johannes
Johannes
piano
...................................
dlch
Jacques
No. 1 .................................
e s m l r Op. 105, N o . 1 ............
Carla
Pria
B E C K , soprano
Antonio
.........
Barr,
J.S.
Cestl
Bach
duet
harpsichord
Woodruff,
cello
/
F r a u e n 1 iebe
und
Leben
.................................................
S e i t ich ih n g e s e h e n
Ich k a n n ’s n l c h t fa s s e n ,
nlcht
Du R i n g an m e i n e m F i nger
Nun hast du mlr den e r s t e n
Bergerettes
(Pastoral
C h a n t o n s les a m o u r
J u e n e FiI let te
B e r g e r e legere
Venez, agreable
Schmerz
"The
The
Bad
Lion;
Cindy
Spring,
The
Frog
The
Microbe
soprano
piano
....................
harmonized
by
J.B.
Weckerlln
Jean
prlntemps
Sharon
Child's
T he
getan
Beck,
Barr,
Carla
From
Schumann
glauben
Anita
Diddles)
de
Robert
Book
of
mezzo-soprano
Surface,
Beasts"
piano
..............................
Donald Martino
Tiger
Anita
Beck,
Cindy
Spring,
soprano
piano
(over)
Songs
From Moravia,
Op.
32
....
•
................................
arranged
Don't
Fly O n
Quick
Think
1 Will
Sheryl
Antonin
Bi t n e r / R u t h m a r ic
Dvorak
Eirr.er
Stay
Swallow
Before
Brooklet
The
That
by
We're
Parted
and Tears
Consolation
Anita
Beck
and
Lisa
Pam
Mary
Sharon
Boss,
Degner,
Barwegan,
Barr,
duet
flute
violin
violir
1
II
Jewell
Grothaus,
vicla
Teresa
Woodruff,
cello
T h is
r e c i t a l i s b e in g p r e s e n t e d i n p a r t i a l f u l f i 1 Im ent o f th e r e q u i rcm ent s
f o r t h e B a c h e l o r o f S c ie n c e D e g re e w i t h c o n c e n t r a t l on i n M u s ic E d u c a t i on
a n d B a c h e l o r o f S c ie n c e D e g re e w i t h c o n c e n t r a t i on i n C h u rc h M u s ic ,
K r e s g e A u d it o r iu m
S e p t e n b e r l b , 198b
7 :3 0 p .m .
D e p a r t m e n t of M u s i c
SENIOR
C A R L A
Sonata
in
E
minor
RECITAL
S U R F A C E ,
Hob.
p ia n o
X V I / 3 4 ................... J.
Haydn
Presto
Adagio
Vivace
molto
Impromptus,
Allegro
3.
Theme
Concerto
No.
Andante
Variations
Vol.
Dances
in
2
Schubert
moderato
and
Mikrokosmos,
Six
1 4 2 .............................F.
Op.
1.
VI
B.
Bulgarian
in
G
minor,
Bartok
Rhythms
Op.
2 2 . . . . C.
Saint-Saens
sostenuto
Cindy
Spring,
piano
T h i s r e c i t a l i s b e in g p r e s e n t e d in p a r t i a l f u l f i l l
ment o f th e requ irem en ts f o r th e B a c h e lo r o f A r t s
Degree in P ia n o Perform ance.
Kresge
October
7:30
Auditorium
16,
p.m.
1984
Department
of M u s i c
presents
CHORAL
Joe
Tim
With
Sonata
in
F Major
Allegro
100
piano
Soloists
.............................
F. M e n d e l s s o h n
Vivace
Lolita
Motet
Director
Smith,
Featured
Gerald
Psalm
UNI ON
Noble,
Phelps,
violin
Anderson,
piano
..............................................
for
(Sung
double
in
H.
Schiitz
choir
German)
Choral
Union
Nocturne
in D - f l a t ,
Op. 27,
no.
.............
F.
Chopin
Nocturne
in A - f l a t ,
Op. 33
.....................
S.
Barber
T.
Morley
Alice
Sing
we
April
My
and
is
chant
in m y
Bonnie
lass
it
Edwards,
smileth
Choral
Jeux
...................
......................
T.
Morley
T.
Morley
Union
............... ............................... .......
I.
J*
Ibert
Anime
11.
Tendre
Cantate
Domino
Motet
for
(Sung
Estlund,
flute
Edwards,
piano
.................................
five
in
Becky
Alice
voices
Latin)
Choral
October
7:30
piano
.............................
M i s t r e s s face
she
2
18,
1984
P.M.
Kresge
Auditorium
Union
J.P. S w e e l i n c k
Psalm
English
Shout
and
Joyfully
Serve
Come
For
Him
ye
are
Enter
And
Sing
For
ye
the
Lord,
the
Lord
ye
that
made
us
ye
the
gates
in
to
God
loving
truth
Glory
to
As
the
we
quiet
give
His
is
thanks
praise
name
kindness
endureth
the
grazing.
with
Thanksgiving,
Him.
and
bless
it,
everlasting.
evermore.
Father
and
the
Son
beginning
now
and
evermore
and
to
the
shall
Holy
Spiriir.
be.
Amen!
sing
ye
Joyfully
sing
to
sing
the
praise
ye
ye
to
Domino
Translation
ye
to
the
Lord
Lord,
Him,
the
Lord,
people,
sing
ye
bless
Declare
Great
pastures
gracious,
0
We
singing,
God,
ourselves,
Him
to
Cantate
0
our
not
English
All
with
is
His
presence
praise
Lord
Ilis
0
gladness.
Him.
Ilis
0
lands.
with
Lord
all,
flock,
His
and
Amen,
all
before
His
in
God
and
His
the
to
joy
into
Thank
joyful,
with
know
lie h a t h
We
be
sing
100
Translation
is
to
to
all
His
Declare
to
So
the
that
the
Jehovah
Lord.
and
men,
make
both
His
now
name
and
holy.
forever,
Salvation;
all
them
people
who
will
are
know
heathen
God
of
God's
wondrous
creation.
gi
ry
Department of Music
presents
STUDENT RECITAL
Come
Saturday
Morning
......................................................
Feelings
Moon River
Johnny
Instrumental
Denise
Sell
Paula
Jayne
Pickering
Janet
Moutray
for V i o l i n &
Viola
Mercer
&
Debbie
Devidal
Sebben
Debbie
Marsh
Eiraor,
Karlin
Class
Garrett
Pamela
Ruthmarie
Duet
Activities
Fred
Morris Albert
H e n r y M a n e in:
piano
in G
W.A.
Mozart
G.F.
Hande*
Allegro
Pam
Degner,
Carrie
violin
Childers,
viola
Standchen
Cyndi Larson, mezzo-soprano
Cindy Spring, piano
Vado
ben
Sonata
s p e s s o ...................................................................
Ric Par k s , b a r i t o n e
Rod Loren, piano
In Bb
major,
500..... .............................................
L.
Diana
Now
Is
When To
My
Her
Lovely
Sonata
The
the M o n t h
of
in F m a j o r ,
La
Maying
Calma
Hob.
Scarlatti
T.
.......................................
J o h n A. B r e w e r , b a r i t o n e
D awn Montgomery, piano
L o r d ’s P r a y e r
Ridente
0.
piano
C o r i n n a S i n g s ............................................
Kelly Shadrick, mezzo-soprano
C i n d y Spring, piano
Lute
Celia
Miller,
S. R o s a
X V I : 2 3 ...........................
Diana Williams, piano
..........................................................
Ro d Loren, baritone
Ci ndy Spring, piano
Morley
T. C a m p i o n
G.
Monro
J.
Haydn
Michael
Head
.........................................
W.A
K a y Buker, soprano
Dawn Montgomery, piano
Se
nel
ben
sempre
....................................................
Bruce Yates, tenor
Joe Noble, piano
Kresgt*
Auditorium
O c t o b e r 19.
1 1 :30 A.M.
1986
A.
Stradello
Treble Clef Choir
Voices in Praise
1984 Fall Tour
Linda L. Dunbar
Conductor
Diana Miller
Cynthia Payne
Accompanists
Kankakee, Illinois
Treble Clef Program
Handbell Prelude
The Master's Musicians
Director, Sharon Barr
Congregational Hymn
Festival A lleluia................................................................. Allen Pote
Sing Praises............................................................ L. Stanley Glarum
Day by D a y ..................................................................... Martin How
Treble Clef Choir
PRAYER..................................................................................... Pastor
Sing Unto the Lord.......................................................... Julie Knowles
Soloists: Cheryl Dilts or Angela McCord
Empty H an d s................................................................... Tom Fettke
Violinist: Lisa Chambers
I Am Thine O Lord................................................... Crosby-Arr. J. Linn
Master's Musicians
RAGGEDY ANN & ANDY
OFFERTORY Soloist (s) - Lisa Foster, piano
Marla Grasmeyer, saxophone
ONC PROMOTION
Gotta Have Religion.......................................................... Noble Cain
Steal A w a y ................................................... Spiritual, Arr. Mickelson
Standin' on the Walls of Z io n ....................... Spiritual - Maurice Gardner
Treble Clef with joyce Dean, soloist
I Have Decided To Follow Jesus..................................... Arr. Mickelson
How Excellent Is Thy N am e
Eugene Butler
BENEDICTION
The conductor of the group is Linda Dunbar, who holds a Bachelor's Degree
from ONC. She has taught part-time and is presently teaching full-time in class
and private voice at ONC since returning to ONC with her husband in 1970.
The Treble Clef Choir has inspired the hearts of people with its singing about the Christian
faith. Besides singing in several of the United States, the Choir has made three trips to
Europe and the British Isles to sing in the European Nazarene churches.
The 42 young women represent the full range of academic majors and interests at the
College. A ten-member Handbell Choir w ill also present selections.
Personnel
Soprano
Alto
I
I
Joycelyn Dean - Homewood, IL
Cheryl Dilts - Plymouth, Ml
Vickie Kidd - Richmond, IN
Connie Lafquist - Springfield, IL
Angie Mayfield - Ellettsville, IN
Andrea Ray - Troy, Ml
Cheryl Shira - Newark, DE
Nadene Smith - St. Anne, IL
Lisa Chambers - Terre Haute, IN
Janet Davis - Bloomington, IL
Martha Davis - Round Lake, IL
Leanne Empie - Ravenna, Ml
Lisa Foster - Peoria, IL
Marla Grasmeyer - Muskegon, Ml
Jenny Moore - Fort Wayne, IN
Pam Sebben - Rock Island, IL
Dawn Singell - Edmore, Ml
Jeanette Westenberger Davenport, IA
Lisa Zechinato - Dimondale, Ml
II
Lisa Bogue - Tipton, IN
Melody DeArmond - Decatur, IN
Penny Falkenburg - Belleville, IL
Cheryl Lawton - Chesaning, Ml
Kathleen Leeney - Munster, IN
Marsha Lohry - Buchanan, Ml
Carolyn Matson - Bensenville, IL
Susan Meek - Spencer, IN
Debra Meyer - Kankakee, IL
Diana Miller - Lynnville, IN
Angela McCord - Fenton, II
Dawn Schoenwetter-Waterloo, W I
Susan Sebben - Rock Island, IL
Jean Watkins - Portland, IN
II
Kandra Dilts - Plymouth, Ml
Pam Fulton - South Lyon, Ml
Tina Miser - Morton, IL
Anna Moore - Holland, Ml
Diane Nelson - Rockford, IL
Cynthia Payne - Muncie, IN
Amy Rutherford - Holly, Ml
Robin Starling - Newark, IL
Melinda Wedmore - Muncie, IN
Officers
President - Tina Miser
Vice-President - Angela Mayfield
Secretary - Janet Davis
Treasurer - Robin Starling
Chaplain - Jeanette Westenberger
Itinerary
October 14 - Bradley Church of the Nazarene
Homecoming Sunday, Bradley, IL
October 26 - Lowell Church of the Nazarene
Lowell, IN
November 10-7 p.m. - Rantoul Church of the Nazarene
Rantoul, IL
November 11 - 11 a.m. - Bloomington First Church of the Nazarene
Bloomington, IL
6 p.m. - Rock Island First Church of the Nazarene
Rock Island, IL
December 4 - ONC Chapel
influence.
Education. The Art major emphasizes painting, drawing, ceramics,graphics and photog
concerts.
*O ltvct'jfazarcH £
‘O rchestra
co/fituctccZ 'iy £ p lita JP /u lp s
PERFORMING :
^Sack,, O rchestra/ Suite Jfp 1
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dffpalacta*' S p r / n y
Saturday, Octeher 20, 19&H at-*
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^ ^ .rtS ife
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-/jtrse tt SJiH P jSfrts C a ttcrtBt>ur7>onna/s, '&Z/'ru>is
Program
Orchestral Suite No. 1 in C .,
Ouverture
Courante
Gavotte
J. S. Bach (1685-1750)
Forlane
Bouree
Passepied
Johann Sebastian Bach came from a family that from the 16th to the early 19th
centuries produced musicians of every kind in number beyond parallel — from
fiddlers and town musicians to organists, Kanters, court musicians, and Kapell
meisters. Johann Sebastian was the greatest among them.
The four orchestral suites are festive compositions which were generally
performed at ceremonial occasions during Bach's time. The work is in seven
movements. The overture is in typical French Ouverture form, having similar
opening and closing A dagio sections that are characterized by p om poso dotted
figures. The middle section, approximately twice as fast as the Adagio, is a fourvoice fughetta. The fughetta is interspersed with short episodes, usually played by
the oboes and bassoon.
T he French Courante is an elegant courtly dance, in contrast to the quick, folkoriented Italian Corrente.
The G avotte was a French dance of the 17th century, coming into vogue when
Lully introduced it into his ballets and operas.
An energetic dance of courtship, the Forlane had its origins in northern Italy in
the 16th century. This is the only instance in which Bach used this dance form.
The Bouree, originally a folk-dance in quick duple meter with a single upbeat,
became a courtly dance in France in the 17th century.
The suite ends with a Passepied, a spirited dance in a quick 3/8 that was very
popular during the reigns of Louis XIV and Louis XV. It is said to have come from
Brittany.
Symphony No. 3 in D
Adagio Maestoso
Allegro con brio
Allegretto
Franz Schubert (1797-1828)
Menuetto (vivace)
Presto (vivace)
The 3rd Symphony — the most popular of his six early sym phonies— was com
posed when Schubert was 19 years old. It is a classically-conceived work, and as
such, does not show the introspectiveness and maturity of Schubert's later, more
forward-looking works. However, Schubert's penchant for spinning off beautiful
melodies is clearly evident here, and the music never lacks for charm.
INTERMISSION
A ppalachian S p rin g ............................................ Aaron Copland (b. 1900)
Suite for thirteen instruments
Appalachian Spring was composed for thirteen instruments in 1944 as a ballet for
Martha Graham — who chose the title from a poem by Hart Crane — on a
commission from the Elizabeth Sprague Coolidge Foundation. It was first performed
by Miss Graham and her company at the Library of Congress, Washington, D .C ., in
1944. The work was later re-scored for full orchestra by the composer.
The work is a folk-like pastoral, built around declam ations— brief statements
and counterstatem ents— with angular as well as gracefully arched melodies.
Alternately proclaiming and withdrawing, the music dramatizes the conflict between
the vernacular and the personal — between the great public and the isolated
individual. The balance between public declamation and elegiac meditation is
reflected in the "them e" of the ballet (and in much of Copland's music): T o be left
quiet and strong and separate— yet to be defined in a community and to contribute
to a tradition.
Concerning Copland's compositional tools, the rhythmic structure of his
orchestral works relies for long stretches on traditional patterns of dance and march,
with steady tempos enlivened by odd accents and phrases. He displays a fondness
for wide, empty intervals — tenths, bare fifths and sixths. A ppalachian Spring is kept
moving by melodic expectation, as well as the ever-changing details of sound which
are planned to express the emotional development of the whole work.
The work builds up to the Shaker tune (which is stated unmodified) and enroute
moves readily from a playful, dancing, jubilant mood, to reflectiveness, to tenuous
ness, with the melodic material derived motivically from the Shaker tune. After the
Shaker variations, the final form of the melody which opened the work appears, not
as a mere coda after the glorified variations, but as a fulfillment to which all the
variations and the intervening hesitant prayer have led.
Copland points out that the work was primarily created for M artha Graham, his
stated goal being that of reflecting the unique quality of a human being, an
American landscape, and a way of feeling. He also provides this program note:
The action of the ballet concerns "a pioneer celebration in spring around a
newly-built farmhouse in the Pennsylvania hills in the early part of the last
century. The bride-to-be and the young farmer-husband enact the emotions,
joyful and apprehensive, their new domestic partnership invites. An older
neighbor suggests now and then the rocky confidence of experience. A
revivalist and his followers remind the new householders of the strange and
terrible aspects of human fate. At the end the couple are left quiet and strong
in their new house."
Personnel
Flute
H arpsichord and Piano
‘ Cindy Fouser
Pam Whetsell
Sara Reed
Violin I
O boe
‘ Darrel Hoffman
Robert Folsom
C larinet
‘ Bonnie Agner
Graham Bryan
Bassoon
‘ JoAnn Lichte
Susan Johnson
H orn
‘ Lori McRoberts
Steve Bell
T rum pet
‘ John Brewer
Roland Kirkwood
Tim pani
Brenda Hanson
“ Pam Degner
Laurie Koehn
Michelle Zanky
Patty Lane
Julie Tomisek
Violin II
Jennifer Wilkins
Mary Barwegen
Marion Etzel
George Shutak
Viola
‘ Carrie M. Childers
Carolyn Borner
Janis Koehn
Jewell Grothaus
Cello
‘ Dave Forsner
Susan Sieben
Teresa Woodruff
Greta Kettleson
D ouble Bass
Fred Kuester
‘ Denotes section principal
“ Denotes Concertmistress
Ofc&gt
Viking Male Chorus
"Fo r Thee We Sing"
1984 Fall Tour
JOE M. NOBLE
CONDUCTOR
Kankakee, Illinois
W o rsh ip Service
I
Alma Mater.......................................................................Byron Carmony
Invocation.............................................................................. ThePastor
Rise Up, O Men of God.................................................. Kenneth Jennings
The New 23rd...............................................................Ralph Carmichael
Ev'ry Time I Feel the Spirit................................................ arr. R. Carmichael
Charles Taylor, Baritone
Selections from Viking Members
II
A Mighty Fortress Is Our God............................................. Luther/Mueller
I Want To Be There.........................................................Peterson/Anthony
The Lord's Prayer...............................................................Albert Malotte
Bruce Yates, Tenor
Prayers of His People
I Will Arise and Go to Jesus....................................... arr. Dick Anthony
Season of the Long Rains......................................... Ralph Carmichael
My Prayer................................................................... Larry Mayfield
O Father in Heaven........................................................... Larry Mayfield
III
Offering................................................................................. ThePastor
Selections from Viking members
Amazing Grace
In Tenderness He Sought M e............................................. Gordon/Anthony
Kevin Willis, tenor
Testimonies of Praise
Rise Up, O Church of God.......................................................Otis Skillings
The Church's One Foundation
How Firm a Foundation
Glorious Things of Thee Are Spoken
O Breath of Life
Randy Bateman, Narrator
Benediction............................................................................. The Pastor
The 24-voice Viking Male Chorus is carefully selected by audition from the students of
O livet Nazarene College, and represents the full range of academic majors and interests.
They combine the traditionally popular sound of men's voices with the highest standards of
musicianship, creating a listening experience which is truly unique.
The Vikings are in regular demand for concerts, church services, service clubs, conventions,
and television appearances. They participated in the Inaugural Activities during the
Inauguration of President Jimmy Carter. The 1977-78 concert season included appearances
in Nassau in the Bahamas and at Walt Disney World, Florida.
The conductor of the group is Joe M. Noble, who holds a bachelor's degree from Luther
College, Decorah, Iowa, and holds a master's degree from the University of Iowa. He has
completed all work and prelims for a doctoral degree from the University of Iowa. Mr.
Noble conducts Choral Union and teaches voice and music education courses at Olivet.
Personnel
TENOR I
Kevin Bodine, Chicago Heights, IL
Senior, Elementary Education
Nicky Henderson, Omaha, IL ............................ Junior, Christian Education
Mark Smith, Chelsea, M l...................................... Sophomore, Engineering
Kevin Willis, Nachusa, IL ....................................... Junior, Music Education
TENOR II
Randy Bateman, Granger, IL ................. Junior, Sociology and Communication
Chris Bentfield, Pontiac, M l......................... Junior, Business Administration
Tony Beville, Sullivan, IN
Junior, Romance Languages
Harry Brown, Otsego, M l......................... Freshman, Religion and Psychology
Bruce Yates, Shelbyville, IL ....................................Sophomore, Psychology
BARITONE
Larry Brincefield, Selma, IN .................................. Senior, Biblical Literature
Brett Frankhauser, Lemont, IL ...................................Sophomore, Journalsim
James High, Havanna, IL ............................................ Sophomore, Religion
David Rant?, Otsego, M l..............................Sophomore, Computer Science
Charles Taylor II, Fort Wayne, IN ..............................Junior, Music Education
Greg Taylor, Bloomington, IL ............................... Sophomore, Architecture
Michael Taylor, Bloomington, IL .......................................... Junior, Religion
William Yergler, Matteson, IL
Junior, Accounting & Computer Science
BASS
Ted Dorsey, Watseka, IL ......................................... Freshman, Engineering
Ben Forsythe, Marshall, IL ....................................... Freshman, Accounting
Mark Howard, Bradley, IL ............................................ Sophomore, Physics
Joseph Ireland, Rockford, IL ........................................................ Religion
Warren Johnson, Dassel, IL ..............................Sophomore, Music Education
David White, Danville, IL .................................................... Senior, History
IN STRU M EN TA LISTS
O FFIC E R S
Warren Johnson, piano
David Rantz, piano
Greg Taylor, piano
Randy Bateman, trumpet
Kevin Bodine, trumpet
Nicky Henderson, trumpet
Mark Chapman, electric bass guitar
Randy Bateman, President
Warren Johnson, Vice-President
David Rantz, Secretary
David White, Treasurer
Michael Taylor, Chaplain
Tony Beville, Variety Show Chairman
Larry Brincefield, Historian
Chris Bentfield, Robarian/Librarian
Itinerary
Fall, 1984
O ctober 21
P.M .
November 11
P.M.
Westbrook Church of the Nazarene
Kankakee, Illinois
Mattoon Church of the Nazarene
Mattoon, Illinois
November 10
November 30 and
Decem ber 2 P.M .
P.M.
Clinton Church of the Nazarene
Clinton, Illinois
November 11
A.M .
Faries Parkway Church of the Nazarene
Decatur, Illinois
College Church of the Nazarene
Bourbonnais, Illinois
Messiah, by George F. Handel
influence.
concerts.
Department of Music
presents
STUDENT RECITAL
T he W a t e r Mill
Die Taubenpost
Che faro senza
R. V a u g h a n W i l l i a m s
.......................................... F. S c h u b e r t
C.W. Vor. G l u c k
E u r i d i c e ..........................
J o A n n Lichte, m e z z o - s o p r a n o
B r i g h t is t h e r i n g o f w o r d s ............... R. V a u g h n W i l l i a m s
Beau Soir
C. D e b u s s y
" I n f e l i c e ! e t u o c r e d e v i " f r o m E r n a n i ................. G. V e r d i
B r a d l e y G a r v i n , Ba s s
S t S n d c h e n .................................................. J. Erahm.s
F r o m T h e M e s s i a h ...................................... G.F . Har.de 1
Behold1 A virg in shall conceive
0 T h o u t h a t t e l l e s t g o o d t i d i n g s to Z i o n
L a s c i a t e m i m o r i r e ..................................
C. M o n t e v e r d e
N o w S l e e p s t h e C r i m s o n P e t a l ....................
Roger Quiiter
Cyndi Larson, mezz o-s op ra nc
T h e C l o t h s of H e a v e n .............................. T h o m a s D u n h i l i
L e s B e r c e a u x ............................................... G. F a u r e
D e h v i e n i , no t a r d a r .................................. W.A . M o z a r t
Bonnie Kingston, so prano
0 M i s t r e s s M i n e .....................................
1 a t t e m p t f r o m l o v e ' s s i c k n e s s to f l y
Lasciatemi morire
Patrick Skelly, baritone
Roger Quiiter
H. P u r c e l l
C. M o n t e v e r d e
M e i n H e r r M a r q u i s " D i e F l e d e r m a u s " ............ J . S t r a u s s
A S i m p l e S o n g ......................................... L. B e r n s t e i n
R i d e n t e la c a l m a ....................................... W.A . M o z a r t
K a y Bu ke r , s o p r a n o
My L o v e l y C e l i a ....................................... G e o r g e M o n r o
D i e b e i d e n G r e n a d i e r e ............................ R o b e r t S c h u m a n n
F r o m T h e M e s s i a h ....................................... G . F . H a n d e l
T h u s S a i t h t h e Lor d
But w h o m a y a b i d e t h e d a y
J o h n A. B r e w e r , b a r i t o n e
T h i s r e c i t a l is b e i n g p r e s e n t e d b y s t u d e n t s p a r t i c i p a t i n g
in t h e N a t i o n a l A s s o c i a t i o n o f T e a c h e r s o f S i n g i n g contest.
Sheryl White-Ford, ac co mp ani st
Cindy Spring, a cc om pa nis t
N o v e m b e r 1, 1 9 8A
7 : 3 0 p.m.
Kresge Auditorium
OLIVET
NAZARENE
Department
COLLEGE
of
Music
presents
STUDENT
Sonata
in
C
major,
L.
RECITAL
..............
104
Carla
Henry,
D.
Minstrels
Brenda
1 Know
Where
I'm
Hanson,
Going
Robin
Fantasia
and
Fantasia
Rondo
......
Dawn
E
Lynn,
Minor,
op.
the
7
Movement
Petal
Lee,
Grieg
Roger
Quilter
Robert
Cundick
tenor
piano
Sabelfeldt,
Cynthia
the
et
Shady
clarinet
Payne,
Woods
piano
................
G.F.
Handel
Georges
Enesco
Connie
Lofquist.
soprano
Dawn
Montgomery,
piano
Presto
....................
Presto
Cindy
Jennifer
Kresge
E.
piano
4
Sharon
2,
G.F. Handel
2
Movement
November
Weber
piano
Turnabouts
Cantabile
von
.....................
Pence,
Jon
Amid
C.M.
tenor
Wiikens,
Crimson
Jim
Here
Christy
piano
Montgomery,
Jennifer
Sleeps
A.
clarinet
Agner,
John
Now
op.34
......................................
Ye
in
piano
Zinkann,
Bonnie
Sonata
arr. V a n
Movement
Todd
Comfort
Debussy
soprano
Payne,
from
C.
piano
..........
Foster,
Cynthia
Scarlatti
piano
1984
Auditorium
Fouser,
flute
Wiikens,
piano
Department of Music
S T U D E N T
Komm,
R E C I T A L
h e i l i g e r G e i s t , H e r r e G o t t B W V 6 5 1 . ...J.S.
R o d n e y L ore n , o r g a n
The L a k e o f W a l l e n s t a d t ......................... F.
Bach
Liszt
F a n t a s i a ft R o n d o ...................................... We b e r
Rondo
Todd Zinkann, clarinet
Selve a m l c h e
Antonio
C h a r l e s Taylor, b a r i t o n e
C y n t h i a Payne, p i a n o
Caldara
S o n a t a III, ” A c h G o t t ,
w e m s o l i i c h ' s k l a g e n " .................... H i n d e m i t h
S e c o n d S o n a t a , A l l e g r o m a e s t o s o v i v a c e ... . M e n d e l s s o h n
G r e g Taylor, o r g a n
"Beau So i r"
.......................................... D e b u s s y
Pam Degner, vio li n
arr. J. H e i f i t z
Cind y Spring, piano
T w o s k e t c h e s f r o m Op. 22 ...........
No. 10, R i d i c o l o s a m e n t e
No. 11, C o n v i v a c i t a
J e f f Webb, p i a n o
Suite I
Sarabande
Gigue
......................... ......... J.S.
Bonnie
Papillons
Tu e s
Sergei Prokcfieff
A g ner,
Bach
clarinet
...................................... R.
C i n d y Spring, pi a no
Schumann
P e t r a ............................................. Jlilet
Rod Loren, organ
N o v e m b e r 16, 1984
1 1 : 3 0 a.m.
C oll ege C h u r c h of the
Nazarene
Ohfct
EDUCATION WITH A CH RISTIAN PU R PO SE
Concert Band
"Instruments o f Praise"
1984 Fall Tour
Paul A . G erm ano, Conductor
K ankakee, Illinois
D r. Leslie P arrott, President
Program
In v ocatio n .......................................................................................... The Pastor
Hymn Fantasy for B a n d .........................................................James D. Ployhar
Colonel Bogey M a rc h ...........................................................................K. Alford
C anzona
Peter Mennin
Words About Olivet
Intrada: Adoration and P ra ise
Claude T . Smith
My Jesus, Oh, What Anguish..................................... J.SBach/Alfred Reed
Words About Christ
Offering
God of Our Fathers
Claude T. Smith
Chorale and Shaker D a n c e
John Zdechlik
Benediction........................................................................................ The Pastor
The C oncert Band is Olivet's oldest m usical organization, now in its 68th
season. M em bers are selected from the student b o d y through audition at
the beginning o f the sch o o l year.
Mr. Paul A. Germano graduated from Millikin University in 1977 with a Bache
lor's Degree in Music Education, and is employed by the Herscher School District
where he teaches Instrumental Music in Grades 5-8 at Limestone School. Mr.
Germano has conducted the Stage Band at Olivet for the past 3 years and is cur
rently conducting the Concert Band in the absence of Dr. Harlow Hopkins, who
is on sabbatical leave this semester.
Officers
President - Jill Ferree
Vice-President - Bonnie Agner
Secretary - Sheila McDonald
Treasurer - Brenda Ousley
Chaplain - Howard Newcomb
Historian - Dave Rees
Librarian - Becky Allen
Publicity - Jo Ann Lichte
Kelly Bryant
Personnel
Flute
Becky Allen - Lisle, IL
Jill Ferree - Pontiac, MI
Nanci Aylor - Shawnee Mission, KS
Brenda Ousley - Columbia City, IN
Cynthia Crawford - Pekin, IL
Cindy Fouser - Kewanee, IL
Danis Yocum - Leaf River, IL
Michelle King - Dayton, OH
Beth Riley - Rockford, IL
O boe
Darrel Hoffman - Flint, MI
C larinet
Bonnie Agner - Nashville, GA
Kevin Webster - Benton, IL
Eileen Corbus - Ottawa, IL
Robin Snyder - Wyoming, MI
Kelly Bryant - Marshalltown, IA
Todd Zinkann - Kankakee, IL
Sharon Sabelfeldt - Centralia, IL
Kathy Matson - Milwaukee, WI
Dawn Singell - Edmore, MI
Bass C larinet
Kim Unger - Greenville, IL
Tammy Whetsell - Havana, IL
A lto Saxophone
Beth Meyers - Union Grove, WI
Trum pet
Lori Stanley - Bourbonnais, IL
Sheila McDonald - Elkhart Lake, WI
Dave Allen - Somerset, KY
Ellen Fewell - Rockford, IL
H orn
Mike Turnbull - Hale, MI
Lori McRoberts - Danville, IN
Phill Davisson - Liberty, IN
Anna Moore - Owosso, MI
T rom b on e
Bert Ackerman - Oak Lawn, IL
Dan Cox - Ridgeville, IN
Regina Rowe - Kendailville, IN
T uba
Cindy Payne - Muncie, IN
Percussion
Howard Newcomb - Arlington, OH
Scott Peace - Hillsville, PA
Dave Rees - Winchester, IN
Brenda Hanson - Amegard, ND
B assoon
Susan Johnson - Elgin, IL
Schedule
Fall 1984
S atu rd ay , O cto b er 13
Homecoming Performance
S unday, N ovem ber 4
6 P .M .
College Church of the Nazarene
Bourbonnais, IL
S atu rd ay , N ovem ber 17
7 P .M .
St. John's Church of the Nazarene
St. John's, MI
Sun d ay, N ovem ber 18
11 A .M .
Lansing South Church of the Nazarene
Lansing, MI
6 P .M .
Three Rivers Church of the Nazarene
Three Rivers, MI
influence.
concerts.
Department of Music
Presents
George F. Handel's
Joe M . Noble, Conductor
College Church of the N azarene
John Bow ling, P astor
Friday, Novem ber 30, 1984 at 7:3 0 p.m .
Sunday, December 2, 1984 at 6 :0 0 p.m .
Harlow Hopkins, Chairman, Division of Fine Arts
Leslie Parrott, President
Friday, November 30, 1984
Inv ocation .................................................................... Dr. Willis Snowbarger
Soloists
AMY RANSOM
CYNDI LARSON
JOHN LYNN . . .
JOHN BREWER .
Soprano
. . . Alto
. Tenor
. . . Bass
Sunday, December 2, 1984
Invocation
Dr. Leslie Parrott
Soloists
KELLI MILLAGE A R M E N TR O U T ................................................. Soprano
JOANN L IC H T E .......................................................................................... Alto
JOHN L Y N N .............................................................................................. Tenor
SC O TT A P P L E ............................................................................................ Bass
H arpsichord
Rodney Loren
O rg an
Mary Jane Holstein
Master's Musicians D irecto r....................................................... Sharon Barr
Olivet Orchestra D ire c to r
Lolita Phelps
Choral Union D irector
Joe Noble
Student A ssistant.......................................................................Randy Bateman
Janet Davis
Martha Davis
Angela McCord
Leanne Empie
M aster's M usicians
Cheryl Lawton
Annamarie Moore
Dawn Singell
Jeannette Westenberger
Program
Prelude, Master's Musicians
Invocation
PART I
Overture
R ecitative (Tenor) Comfort ye my people
A ir (Tenor) Ev'ry valley shall be exalted
Chorus And the glory of the Lord
Isaiah 40:1-3
Isaiah 40:4
Isaiah 40:5
R ecitative (Bass) Thus saith the Lord
Haggai 2:6, 7 - Malachi 3:1
A ir (Bass) But who may abide the day of His coming7
Malachi 3:2
R ecitative (Alto) Behold! A virgin shall conceive
A ir (Alto and Chorus) O Thou that tellest good tidings
Isaiah 7:14 Matthew 1:23
Isaiah 40:9
R ecitative (Bass) For behold! Darkness shall cover the earth Isaiah 60:2,3
A ir (Bass) The people that walked in darkness
Isaiah 9:2
C horus For unto us a child is born
Isaiah 9:6
Pastoral Symphony
Offering
Recitatives (Soprano) There were shepherds
Luke 2:8
And lo! the Angel of the Lord
Luke 2:9
And the Angel said unto them
Luke 2:10-11
And suddenly there was with Angel
Luke 2:13
C horus
Glory to God
Luke 2:14
A ir (Soprano) Rejoice greatly, O daughter of Zion
Zechariah 9:9 ,1 0
Recitative (Alto) Then shall the eyes of the blind be opened Isaiah 34:5,6
Air (Alto) He shall feed His flock
Isaiah 40:11
Air (Soprano) Come unto Him
Matthew 11:28,29
P A R T II
Air (Alto) He was despised
Isaiah 53:3
C horus Surely He hath borne our griefs
Isaiah 53:4,5
R ecitative (Tenor) Thy rebuke hath broken His heart
Psalm 69:20
Air (Tenor) Behold, and see
Lamentations 1:12
Chorus Lift up your heads, O ye gates
Chorus Hallelujah
Psalm 24:7-10
Revelation 19:6; 11:15; 19:16
P A R T II
Air (Soprano) I know that my redeemer liveth
Chorus Worthy is the Lamb that was slain
Chorus Amen
Job 19:25,26
I Corinthians 25:20
Revelation 5:12,13
Choral Union Members
Soprano
Alto
Bass
Kelli Armentrout
Connie Brunner
Kay Buker
Kim Collins
Jocelyn Dean
Vernetta Drake
Ruth Marie Eimer
Leanne Empie
Penny Falkenberry
Cindy Fouser
Robin Foster
Bonnie Kingston
Kathy Leerey
Kelli Lobb
Connie Loftquist
G race Massey
Angela Mayfield
Brenda Mecklenburg
Veronica Morrau
Laurie Myers
Beth Parnell
Lee Ann Pence
Amy Ransom
Carol Rittenhouse
Lisa Robison
Cindy Spaulding
Connie Stanley
Jann Stice
Jeanie W atkins
Dorothy Weber
Beth Wells
Bonnie Agner
Sharon Barr
Dawn Bateman
Lisa Bogue
Jean Brunner
Judy Caldwell
Cindy Crawford
Kim Dannenberg
Patty Davidson
Ellen Gipple
Carla Henry
Eulene Hilgendorf
Karen Lamb
Cyndi Larson
JoAnn Lichte
Betty Linton
Barbara Lohrbach
Tammy Lowele
Diana Miller
Dawn Montgomery
Janet M outray
Coletta Nichols
Cindy Payne
Betty Reynolds
Judy Rich
Norma Romey
Regina Rowe
Sharon Sabelfeldt
Kelly Shadrick
Laura Siemsen
Erin Smith
Jenny Wilkens
Teresa Willson
Scott Apple
Mark Arni
Tony Beville
Tom Bridgeman
Larry Brincefield
Harry Brown
Dan Cox
Ted Dorsey
Charles Eason, Jr.
Ben Forsythe
Brett Frankhauser
M ark Fryar
Brad Garvin
Michael Gregerson
John Gwin
James High
M ark Howard
Grieg Hutchen
Joe Ireland
Warren Johnson
Stephen Leigh
Leo Lewis, Jr.
M ark Parker
David Rantz
Ray Rapier
Charles T aylor II
Greg Taylor
Michael Taylor
Glenn Tucker
David Walters
Jeff Webb
Nat Wells
David White
William Yergler
Tenor
Randy Bateman
Chris Bentfield
Kevin Bodine
John Brewer
Nicky Henderson
Darrel Hoffman
Robert Justice
Kevin Kirkpatrick
Dean Lorhbach
John Lynn
David Rees
Mark Smith
James Springer
Burton Webb
Jerry Wilkens
Kevin Willis
Bruce Yates
Orchestra
*Pam D e g n e r.........................................Violin I
Lolita P h elp s
Violin I
Bethe H ag en s
Violin I
George S h u ta k
Violin I
M ary B arw egan
Violin I
Jennifer W ilk e n s
Violin II
Marcus Van A m eringen
Violin II
Laurie K o e h n
Violin II
Anita T u rn e r
Violin II
Janet R ic e
Violin II
Andrea C a m p e
Violin II
Carrie C h ild e rs.................................... Viola
Janis K o e h n ........................................... Viola
*Concertmaster
Carolyn B o m e r ......................................... Viola
Jewell G ro u thau s.......................................Viola
David F o rsn e r......................................... Cello
Teresa W o o d ru ff....................................... Cello
Susan S ie b e n ........................................... Cello
Fred K u ester..................................................Bass
Larry B an n ister......................................... Bass
Robert F o lso m ........................................... Oboe
Julie H in d sley ......................................... Oboe
Susan Jo h n s o n .................................. Bassoon
Eric P en ro d ...........................................Trumpet
Brian K enn ed y.................................... Trumpet
Brenda H a n se n .................................. Tympani
O LIVET NAZARENE COLLEGE
PRESENTS
O l i v e t Nazarene C o lle g e Sta g e
P a u l A, G e r m a n o - C o n d u c t o r
M ike Venn - G u e s t S o l o i s t
Kresge A ud itorium
Larsen F in e A rts Center
T u e s d a y , D e c e m b e r A t h , 198A
7 : 3 0 p. m.
Band
PROGRAM
J
ust
Wa y
the
Lea p
F rog
Sp r in g
You
Ar
e
. . .
. . . b o . . . . . . . .
-Mi k e
Ge o r g i a
' R ound
J
Mi d n i g h t
Burner
in g le
Co u n c i l
. P emberton
. . . . . . . . . Ar
r
r
. Ma n t o o t h
r
Gr o v e
.
Ne s t i c o
Venn-
............................... Ar
r
. Mc Do u g a l l
............................................ S a m m y
Be l l s
. Ga r l a n d
Venn-
B r o w n . . . . . . . . . . . . . Ar
-Mi k e
Ha y
r
C a n R e a l l y Ha n g Y ou U p
Mo s t . , . . . . . . . . . . . . . . . . . Ar
the
Sw e e t
Ar
R o c k .......................... Ar
r
Ne s t i c o
. Ar m e n t r o u t
Gr o o v e . . . . . . . . . . F r a n k
Ma n t o o t h
S tage
Al t o
Tr u m p e t s
S ax
Gr a h a m
Bryan
Bran so n
Sh a r i
Ro b e r t s
Fluharty
Te n o r
B and P e r s o n e l
J
Brewer
ohn
Da v e
Al l e n
Kirt
He n d r i c k
Er ic
P enrod
S ax
Tr o m b o n e s
To d d Z
in kan n
Don O e s c h
Be r t
Da n
Ba r i
S ax
Ac k e r m a n
Co x
Cin d y
Pa u l
R ick
Payne
B
isc h o ff
Parks
Ba s s
P
iano
Gr
eig
Hu t c h e n s
J
ohn
Pa u l a
Dr u m s
Da v e
Re e s
S traw
Mi t c h e l l
f)l. IV KT NA7.AUENE C O L L E G E
presents
.STUDENT R E D IT At.
Bonjour,
S u z o n ............................................ D e l i b e s
Angela Mayfield, soprano
Robin Foster, piano
S u i t e .................................................. Paul
Past ora 1e
Scherzoso
Kevin Webster, clarinet
R o d Loren. p i a n o
Creston
Zueig nurig.................................................... Str a u s s
D o r m a Pierce , m e z z o - s o p r a n o
Scott, Apple, p i a n o
An d i e
haute
...........................................F.
B r u c e Yates, b a r i t o n e
J o e No bl e , p i a n o
A Lute C ar ole
Mary
E.
Schubert
Caldwell
Ang ela McCord, s op r an o
Ciridy Payne, p i a n o
R e b e c c a Allen, flute
Trauermusik
" M u s i c o f M o u r n i n g " ............... Paul
I l.angsnm
I I Rulig bewogt
C a r r i e C h i l d e r s , vi o l a
C a r l a H e nry , p i a n o
Then
Shall
H a v e G r e a t P e a c e ........................
K a y Buke r, s o p r a n o
Fantasia and
Rondo
Farvule
Divertimento
A Llegro
Adagi o
Rondo
Kurt Kaiser
R o n d o ..........................................
Todd
Jesu
Hindemith
Zinkann,
clarinet
........................................... A l f r e d
R o d n e y Loren, b a r i t o n e
C i n d y Spr i n g , pi a n o
No.
Weber
Burt
1
W.A. M o
.foAnn Lic h t e , b a s s o o n
B o n n i e Agne r, c l a r i n e t
C i n d y E ouser , flute
S o u t h e r n Rose:
G y p s y Sweetheart.......................................... F re d W e b e r
One , Two, Three, O o m - p a h - p a h ........... arr. J a m e s D. P l o g h a r
Brass Instruments Class
K r e s g e Audi tori urn
D e c e m b e r 7, 1 o8/«
F re
< ys
Orpheus Choir
in
Washington, D.C.
January 1 9 8 5
v
Itinerary
January
January
January
January
2
3
5
6
Faith Memorial Church, Lancaster, OH
First Church of the Nazarene, York, PA
The Base Chapel, USAECFB, Ft. Belvoir, VA
The Washington Cathedral (morning)
First Church of the Nazarene, Washington, D.C.
(afternoon)
O rpheus Choir
Jan u ary 1 9 8 5
Soprano
Alto
Michelle Brian - Davison, MI
Kay Buker - Bedford, IN
Pamela Degner - Oak Creek, WI
Janice Janes - Trilla, IL
Bonnie Kingston - Greenfield, IN
Lori Lynn - Portage, IN
Donna Pierce - Champaign, IL
Lisa Robison, Indianapolis, IN
Joy Sharpe - Racine, WI
Jann Stice - Dearborn, MI
Karen Abbott - Owasso, MI
Dawn Bateman - Granger, IN
Tammi Brooks - Bourbonnais, IL
Cindy Crawford - Pekin, IL
Marty Erickson - Bourbonnais, IL
Julie Hampton - Galesburg, IL
Kyra Kirkpatrick - Huntington, IN
Cyndi Larson - Birnamwood, WI
Pam Learned - Washington, IL
Rebecca Milburn - Hoopeston, IL
Kelly Shadrick - Escondido, CA
B ass
Scott Apple - Oaklandon, IN
Phil Atkins - Findlay, OH
Jim Fitzgerald ■ Lexington, KY
Mark Fryar - Woodridge, IL
Brad Garvin - River Forest, IL
Rod Green - Anderson, IN
Dennis John - Dixon, IL
Brian Kennedy - Saginaw, MI
Jeffrey Myers - Alliance, OH
Mark Parker - Cincinnati, OH
Monte Parsons - Sterling, IL
Troy Pence - Lansing, MI
Randy Stegemoller - Indianapolis. IN
C o n d u cto r - D. George Dunbar
T en o r
Mark Brown - Farmington Hills, MI
Jay Daughtry - Loves Park, IL
Kevin Kendall - Winchester, OH
Jonathan Lee - North Vernon, IN
John Lynn - Portage, IN
Chip Mattax - Racine, WI
Kent Meyer - Kendallville, IN
Rick Parks - Pittsfield, IL
Jam es Springer - Bourbonnais, IL
Burton Webb - Montrose, MI
A cco m p a n ist
Orpheus Officers
Rodney Loren - President
Brad Garvin - First Vice-President
Lori Lynn - Second Vice-President
Julie Hampton - Secretary
Randy Stegemoller
Jim Fitzgerald - Chaplain
Kay Buker - Robarian
Jim Springer - Historian
Pam Gooden - Librarian
- Business Manager
P ro g ram selected from :
John Ness B e c k ...........................................................................Song of Exaltation
Hank B e e b e ...................................................................... In These Things We Live
Jean B erg er.........................................................The Eyes of All Wait Upon Thee
Rene C lau sen................................................................................... Hymn of Praise
Thank The Lord
Emma Lou D iem er
Praise Ye The Lord
Tom Fettke................................................ The Majesty and Glory of Your Name
Mark H ay se
Praise Ye The Lord, The Almighty
Ronald M. Huntington..................................... Joshua Fit the Battle of Jericho
Peter C. Lutkin......................................... The Lord Bless You And Keep You
J . H . M aunder....................................................................................... Just As 1 Am
Felix M endelssohn............................................................................................ Holy
Jeffrey R ickard ................................................................................................ Gloria
John W. W o rk .................................................................. This Little Light O’ Mine
Ovid Y o u n g .......................................................................... Arise, My Soul, Arise
Holy Spirit, Be My Guide
The Comforter Has Come
Robert H. Y o u n g .................................................................................All For Love
Department of Music
presents
cParer\t Weekend
(oi\cert
Viking Male Chorus
Treble Clef Choir
Orpheus Choir
Concert Singers
Concert Band
7 :3 0 p.m.
Saturday, February 9, 1985
Kresge Auditorium
P ro g ra m
Rise Up O Men of God.......................................
Jennings
I Want To Be There................................................................... John W. Peterson
arr. Dick Anthony
The New 23rd.............................................................................Ralph Carmichael
Ain A That Good News.............................................................................Dawson
Viking Male Chorus
Joe Noble, Conductor
Greg Taylor, Piano
Festival Alleluia..................................................................................... Allen Pote
Sing Unto the Lord..........................................................................Julie Knowles
How Excellent Is Thy N am e......................................................... Eugene Butler
Standin’ on the Walls of Zion........................................................... M. Gardner
Treble Clef Choir
Linda Dunbar, Conductor
Diana Miller, Piano
Cindy Payne, Piano
Hymn of Praise................................................................................. Rene Clausen
Joshua.................................................................................. •Ronald Huntington
Holy Spirit, Be My Guide......................................................... arr. Ovid Young
The Majesty and Glory of Your Name............................................ Tom Fettke
Orpheus Choir
George Dunbar, Conductor
Rod Loren, Piano
The Reluctant Dragon.........................................................................John Rutter
Concert Singers
George Dunbar, Conductor
Cindy Spring, Piano
Our Director................................................ .......................................F. E. Bigelow
Fanfare and Variations on Amazing Grace............................arr. Larry Norred
Canticle: All Creatures of Our God and King...................... Claude T. Smith
Concert Band
Harlow Hopkins, Conductor
Department of Music
presents
CHORAL WORKSHOP
H A P E L
C O N C E R
Dr. Milburn Price,
Conductor
February 14, 1985
Chalfant Hall
9:30 AM
CHORAL
Ain'
The
A
That
Last
Good
Words
WORKSHOP
CHAPEL
PROGRAM
News
of
D a v i d ...
MEN
Scott
Lift
He
Thine
is
the
piano
Apple,
Eyes.
Shepherd,
Tender
arr.
Serve
the
Lord
with
by
Walter
G l a d n e s s ................ G e o r g e
arr.
by
Jerry
Barrie
F.
Handel
Wesley
Harris
LADIES
Diana
Festival
Te
Miller,
Cindy
Payne,
D e u m .............................. M u s i c
Text
Hodie,
The
Emmanuel,
Old
piano
Price
Tune...arr.
MIXED
Rod
We
welcome
Price
of
Dr.
Milburn
rehearsing
received
with
his
Mississippi,
University,
Southern
by
Ralph
of
Seminary
in
Price
to
choirs
his
master's
his
doctorate
South
Church
Loren,
our
He
has
Carolina,
Music
Louisville,
at
by
V.
Williams
Roy
Douglas
VOICES
bachelor's
California.
Greenville,
School
and
Bock
G l o r i a ! .......................... M i l b u r n
rescored
been
Fred
Leech
Psalm
Bryan
by
Jeffery
Hundredth
by
piano
Chapel
the
degree
degree
from
taught
and
today.
past
two
from
from
the
at
the
Kentucky.
has
Dr.
University
Baylor
University
Furman
currently
Southern
He
days.
Baptist
is
of
University,
Dean
of
the
Theological
FESTIVAL TE DEUM
Music by Fred Bock
Text by Bryan Jeffery Leech
U p o n cue from Director, stand and sing::
Full, broad, and majestic
uniton
§§=
All
we
do
our
whole life through is
use
the gifts Y o u have
nobreath
,Ji
giv - en
for
prais -
ing
You,
for
prais ■
ing
You!
(P ra y e rfu lly /
w
A
-
Sing " A m , n “ ttpratcdly, not in tempo. creating a loft blur of round.
C h o ir w ill ting lour Ament. Stop tinging u po n cue from Director.
w
w
men,
A
w
-W
- men.
A
~w
~w
• men.
A
-
ar
W
men,
A
V
•
m e n ....
Congregalion:
Choir
"1
—2 —
P
O
..
men )
A
...
•
n
m en.
© Copyright 1984 hy Gentry Publications.
All rights reserved.
Reprinted with the permission of the publisher.
N ote: T h e publisher grants free perm ission for printing this congregatio n co p y in
your c h u rc h bulletin w hen used in conjunction with the singing o f this anthem .
Please be sure the copyrig ht notice and perm ission notice are on e v e ry copy.
TRUMPETS
John Brewer
D avid A llen
T h e r e s a Ulmet
TROMBONES
Albert Ackerman
Dan Cox
Regina Rowe
T I M P A N I & CHIMES
D avid Rees
The Old Hundredth Psalm Tune
Choir and Congregation
dwall,3lnf
U tba Lord with «b«ar - ful
ild u• inah#i W>
for hi« thcep ha
art his folk, ha
doth as
falaa; Ilia
doth as
fasd, Aar*
taka.
In verses 3 and 4 the people are silent
ri t
, -
r.-lK.r,3=.,.n4 H. . if
r
M
1 ...
I______
ak..i.
••rth
l]oJ
Tit*
I
dura,
whoa kaavaa tad
froaa
OLIVET
NAZARENE COLLEGE
Department
OLIVET
SYMPHONY ORCHESTRA
Lolita
Tannhauser
94
"Surprise"
1.
Adagio
Plink,
Phelps,
conductor
Richard
- March
S y m p h o n y No.
2.
3.
4.
of Music
Joseph
in G m a j o r
Cantabile-vivace
Wagner
Haydn
a ss ai
Andate
M e n u e t t o a n d Tr i o
A l l e g r o di m o l t o
Plank,
Rondalla
Plunk!
Aragonesa
D a n c e No.
Leroy
( J O T A ) .............. E n r i q u e
6
F e b r u a r y 15, 1985
7: 3 0 p.m.
Kresge Auditorium
L a r s e n Fine Arts Ce n t e r
Anderson
Granados
Ohflet
Concert Band
"Instruments o f Praise"
1985 Spring Tour
Harlow Hopkins, Conductor
K ankakee, Illinois
D r. Leslie Parrott, President
Program
INVOCATION ................................................................................ The Pastor
C anzona
Peter Mennin
Fantasies on a Theme by H aydn...................................Norman Dello Joio
Our D irector................................................................................. F. E. Bigelow
Arr. by R. E. Hildreth
Manhattan B each
John Philip Sousa
W ORDS ABOUT OLIVET
Fanfare and Fariation on Amazing G ra c e ............... Arr. Larry Norred
Canticle: All Creatures of Our God and King..................... Claude Smith
When the Roll Is Called Up Y onder................................... James M. Black
Arr. Phil Norris
W ORDS ABOUT CHRIST
Hymn Fantasy for Band................................................ Sir Arthur Sullivan
Arr. James D. Ployhar
It's the G ospel
Arr. Bob Lowden
Just a Closer Walk With Thee
Put Your Hand in the Hand
He's Got the Whole World
in His Hands
OFFERING
Intrada: Adoration and Praise........................................... Claude T . Smith
BENEDICTION
The Pastor
The Concert Band is Olivet's oldest musical organization and is now in its 68th
season. Members are selected from the student body through audition at the
beginning of the school year.
Dr. Harlow Hopkins, Chairman of the Division of Fine Arts and Department
of Music, has conducted the Concert Band since 1957. He is a 1953 graduate of
Olivet, received a Master's Degree in Music Education in 1956 from the Amer
ican Conservatory of Music in Chicago, and was granted a Doctor of Music
degree in 1974 from Indiana University, Bloomington. He began his teaching
career at Olivet in 1954.
President — Jill Ferree
Vice President — Bonnie Agner
Secretary — Sheila McDonald
Treasurer — Brenda Ousley
Officers
Chaplain
Historian
Librarian
Publicity
— Howard Newcomb
— David Rees
— Becky Allen
— JoAnn Lichte
Kelly Bryant
Personnel
Flute
Nanci Aylor - Shawnee Mission, KS
Brenda Ousley - Columbia City, IN
Cindy Fauser - Kewanee, IL
Trumpet
Lori Standley - Bourbonnais, IL
David Allen - Somerset, KY
Larry Mace - Kokomo, IN
Horn
Michael Turnbull - Hale, MI
Phil Davisson - Liberty, IN
Oboe
Darrel Hoffman - Flint, MI
Clarinet
Clarinet
Bassoon
Jo Ann Lichte - Tampa, FL
Alto Saxophone
Jeff Webb - Kankakee, IL
Trombone
Bert Ackerman - Oak Lawn, IL
Regina Rowe - Kendallville, IN
Tuba
Percussion
Howard Newcomb - Arlington OH
Brenda Hanson - Amegard, ND
Sue Polaskey - South Holland, IL
Schedule
Spring, 1985
Saturday, February 16
7:30 PM
Church of the Nazarene
Logansport, Indiana
Sunday, February 17
10:15 AM
First Church of the Nazarene
Kokomo, Indiana
6:00 PM
First Church of the Nazarene
Lafayette, Indiana
Friday, March 22
Concert for the Christian
Instrumental Directors Association,
Campus
Friday, April 26
7:30 PM
Spring Concert, Campus
Mark Hindsley, Guest Conductor
Director of Bands Emeritus
University of Illinois
Sunday, May 12
Baccalaureate Service, Campus
Monday, May 13
Commencement, Campus
influence.
concerts.
Department of Music
presents
STUDENT RECITAL
Mon coeur s'ouvre a ta voix ............. Camille Saint-Saens
from "Samson et Dalila"
Sharon Barr, mezzo-soprano
Cindy Spring, piano
I Saw a Child.................................. Marjorie Jones
Rodney Loren, baritone
Cindy Spring, piano
Roumanian Dance Op. 8a, No. 1 ..........................Bartok
Suite for Trumpet
I Adagio-Andante
II Adagio-Allegro
III Allegro Vivo
William Presser
Andrea Campe, trumpet
Long Time A g o .................... 1
I Bought Me a C a t
John A. Brewer, baritone
Aaron Copland
Aaron Copland
Sonata in C Minor, Op. 65, No. 2 ............. F. Mendelssohn
Grave
Adagio
Allegro maestoso vivace
Fuga, allegro moderato
Greg Taylor, organ
Fragments.................................... Robert Muczynski
I Waltz
IV Reverie
II Solitude
V Exit
III Holiday
Woodwind Trio
Cindy Fouser, flute
Bonnie Agner B clarinet
JoAnn Lichte, bassoon
Sonatina, Op. 157, No. 4 .............................Spindler
Allegro
Presto
Randy Calhoun, piano
Non piu andrai.................................... W.A. Mozart
from "Le Nozze di Figaro"
Stephen Carlson, baritone
Rodney Loren, piano
C o l l e g e C h u r c h of the Nazarene
Febr u a r y 22, 1985
11:30 A.M.
OLIVET
NAZARENE
Department
COLLEGE
of
Music
presents
COMMENCEMENT
CONCERT
AUDITIONS
Vocal
Porgi,
amor,
from
Oh!
had
I
r i s t o r o ...................... W . A .
qualche
Marriage
of
Jubal's
lyre
from
Amy
Dawn
Una
furtiva
Oh!
ne
lagrima
t'eveille
from
pas
from
Pres
et
A.
Boatmen's
The
Dodger
Time
Simple
I
de
Seville
E.
pace,
La
a
A.
mio
Brewer,
tu
del
Mimi
Palermo
from
from
from
La
Le
7:30
26,
1085
Auditorium
p.m.
Boheme
Kingston,
Spring,
Nozze
1^ V e s p r i
Pi
Soprano
Piano
Figaro
W.A.
S i c i l i a n i ............... G .
Carlson,
Rodney
February
Verdi
Destino
Steve
Kresge
Piano
D i o ........................................ G .
Foiza
andrai
Baritone
Montgomery,
Cindy
0,
Copland
Cat
Bonnie
piu
Piano
Ago
Me
chiamano
Non
Ford,
Aaron
Dawn
Mi
Bizet
Mezzo-Soprano
Dance
John
from
S e g u i d i l l a ............ G .
Lichte,
Gifts
Bought
Pace,
Godard
Piano
Songs
The
Long
B.
Tenor
Montgomery,
Sheryl
American
Lynn,
D a l i la
remparts
JoAnn
Old
d 1a m o r e . . . G . D o n i z e t t i
Jocelyn
c o m m e n c e ............................... S a i n t - S a e n s
Samson
des
Piano
L'Elisir
from
Handel
Soprano
Montgomery,
Dawn
qui
J o s h u a .............. G . F .
Ransom,
John
Printeraps
Mozart
Figaro
Loren,
Baritone
Piano
Mozart
Verdi
Chanson
The
du
Toreador
People
from
That
from
Walked
C a r m e n ....................... G .
in
Taylor,
Cindy
a
fui,
from
Mein
Les
Herr
la
Marquis
piu
etvo
andrai
from
Die
Fledermaus
credevi
from
from
Nozze
Printemps
qui
Mon
s'ouvre
Le
commence
Samson
et
a
is
Enough
du
from
Barr,
Figaro
G.
W.A.
Bass
Piano
Piano
E l i j a h .........................F.
Toredador
from
Mendelssohn
C a r m e n ...................... G. B i z e t
Apple,
Baritone
Lee,
Piano
2 3 ................................................. P a u l
la
vampa
Arm
Ye
Provenza
from
Brave
if
mar
Verdi
Mozart
Mezzo-Soprano
Spring,
Creston
11^ T r o v a t o r e ..................... G . V e r d i
Pierce,
Scott
Arm,
Piano
Dalila
Donna
Di
di
Ford,
Jonathon
Stride
Strauss
v o i x ......................... S a i n t - S a e n s
Scott
Psalm
J.
E r n a n i ...........
Garvin,
Cindy
It
Offenbach
...............................S a i n t - S a e n s
ta
Sharon
Chanson
Piano
Montgomery,
Brad
coeur
Baritone
B u k e r , Soprano
Sheryl
from
Bizet
Handel
d 1H o f f m a n
Dawn
Infelice!
Payne,
t o u r t e r e l l e ! ....................... J.
Contes
Kay
Non
G.F.
Messiah
Charles
Elle
Darkness
from
from
Phil
Mezzo-Soprano
Apple,
Judas
La
M a c c o b e u s .......... G . F . H a n d e l
T r a v i a t a ........... . . . . . G .
Atkins,
Sheryl
Piano
Ford,
Baritone
Piano
Verdi
OLIVET
NAZARENE
Department
of
COLLEGE
Music
presents
COMMENCEMENT
CONCERT
AUDITIONS
Instrumental
Concerto
in
M i n o r ............................... F r a n c i s
G
Rodney
Concerto
in
Prelude:
D
Allegro
James
Ill
No.
2
in
Allegro
C
Kaye
Cello
Accompanist
M i n o r ......................... .R a c h m a n i n o f f
scherzando
Cindy
for
Maestoso
Woodruff,
Stevens,
Kelly
Concerto
Spring,
Bryant,
Clarinet
and
Piano
Accompanist
P i a n o ................
Rondo
Bonnie
Diana
Concerto
II
in
D
Agner,
Miller,
Clarinet
Accompanist
M a j o r .................................
Larghetto
Kevin
Bonnie
Danse
Kirkpatrick,
Agner,
Piano
Accompanist
M a c a b r e ..........................................
Pam
Dawn
Concerto
in
D
Degner,
Violin
Montgomery,
Accompanist
M a j o r .................................
Vivace
Diana
Bonnie
February
26,
Poulenc
Organ
M i n o r .................................
Lento;
Teresa
Concerto
Loren,
1985
Tuesday
6:00
-
College
6:30
-
Kresge
Miller,
Agner,
Church
Auditorium
Piano
Accompanist
presents
COMMENCEMENT
FINAL
Concerto
in
G
Minor
Francis
Poulenc
S o n g s .................................... A a r o n
Copland
Rodney
Old
American
The
Time
Simple
Bought
Ago
Me
A
Cat
Dawn
Printemps
from
qui
Samson
des
A.
et
de
Seville
E.
S e g u i d i l l a ............. G .
Lichte,
Bizet
Mezzo-Soprano
F o r d , Accompanist
M a c a b r e .............................................. S a i n t - S a e n s
Pam
Dawn
a
from
Mein
Baritone
Accompanist
Dalila
remparts
Sheryl
Elle
Brewer,
Montgomery,
c o m m e n c e ..................................S a i n t - S a e n s
JoAnn
Danse
Organ
Gifts
John
Pres
Loren,
Dodger
Long
I
CONCERT
AUDITIONS
fui,
Les
Herr
la
D e g n e r , Violin
Montgomery,
Accompanist
t o u r t e r e l l e ! ......................... J .
Contes
Marquis
Offenbach
d'Hoffman
from
Kay
Dawn
Die
Fledermaus
B u k e r , Soprano
Montgomery,
M a r c h 5, 1 9 8 5
7:00 p.m. College Church
7:30 p.m. Kre s g e A u d i t o r i u m
Accompanist
J.
Strauss
Concerto
No.
III
2
in
Allegro
C
M i n o r ............................ R a c h m a n i n o f f
scherzando
Cindy
Kelly
Infelice!
Non
piu
etvo
andrai
credevi
from
from
Nozze
Le
Brad
Sheryl
Pace,
pace,
from
Mi
mio
Mirai
del
D
di
Fiagro
Garvin,
G.
W.A.
Verdi
Mozart
Bass
Accompanist
Destino
from
La
Boheme
Kingston,
Cindy
in
Ernani
Ford,
Bonnie
Concerto
Piano
Accompanist
D i o .......................................... G . V e r d i
Lâ F o i z a
chiamano
Spring,
Bryant,
Spring,
Soprano
Piano
M a j o r ........................................... J. H a y d n
Vivace
Diana
Bonnie
Siride
Psalm
la
vampa
Miller,
Agner,
Piano
Accompanist
f r o m _I1_ T r o v a t o r e ....................... G . V e r d i
2 3 ....... '........................................... P a u l
Donna
Pierce,
Scott
Apple,
Mezzo-Soprano
Accompanist
Creston
Treble Clef Choir
Voices in Praise
1985 Spring Tour
Linda L. Dunbar
Conductor
Diana Miller
Cynthia Payne
Accom panists
Kankakee, Illinois
Treble Clef Program
Handbell Prelude
Diana Miller, Director
Congregational Hymn
This Is the D ay............................................................... Bob Burroughs
Festival Alleluia......................................................................Allen Pote
Day by D ay........................................................................ Martin How
Treble Clef Choir
PRAYER.................................................................................... Pastor
Serve the Lord With Gladness.....................................................Handel
Arr. Harris
Come Unto M e ................................................................. Blankenship
Arr. J. Martin
How Excellent Is Thy Name............................................. Eugene Butler
Empty Hands....................................................................... Tom Fettke
Clarinet Soloist: Dawn Singell
Sing Unto the Lord........................................................... Julie Knowles
Soloist: Cheryl Dilts or Angla McCord
RAGGEDY ANN and ANDY
ONC PROMOTION
OFFERTORY Soloist(s): Lisa Foster, Piano or The Master's Musicians
Spring Bursts Today
Sam Owens
Treble Clef Choir and The Master's Musicians
Ladies Trio
Sing Praises
Stanley Glarum
I Am Thine O Lord......................................................................Crosby
Arr. J. Linn
Standin' on the Walls of Zion
Maurice Gardner
BENEDICTION
from O N C . She has taught part-time and is presently teaching full-time in class
and private voice at O N C since returning to O N C with her husband in 1970.
Personnel
Alto
Soprano
I
I
Joycelyn Dean - Homewood, IL
Lori DeLong - Bristol, IN
Lanette Henley - Decatur, IL
Deanna Lake - East Rockaway, NY
Connie Lofquist - Springfield, IL
Angela Mayfield - Ellittsville, IN
Andrea Ray - Rochester, Ml
Lisa Reedy - Bourbonnais, IL
Jennifer Singer - Gaithersburg, MD
Melissa Smith - Holland, IN
Debbi Stimson - Lake Orion, Ml
Gailynn Culp - Bloomingdale, IL
Dana Preusch - Middletown, OH
Beth Traver - Lansing, Ml
II
II
Penny Falkenbury - Belleville, IL
Carol Johnson - Oak Forest, IL
Angela McCord - Fenton, IL
Dawn Montgomery - Marion, OH
Dawn Schoenwetter-Waterlook W I
Tina Miser - Columbia, SC
Janet Moutray - Mt. Carmel, IL
Denise Replogle - Yorkstown, IN
O F F IC E R S
ITIN ER A R Y
- Auburn Road Church of the Nazarene - Rockford, IL
M a r c h 3 a . m . - Parkside Church of the Nazarene - Rockford, IL
M a r c h 3 p . m . - Mundelein Church of the Nazarene - Mundelein, IL
M arch 2
influence.
concerts.
Ofcfet
Viking Male Chorus
"For Thee We Sing"
1985 Spring Break Tour
JOE M. NOBLE
CONDUCTOR
Kankakee, Illinois
D r. Leslie Parrott, President
Worship Service
Alma Mater
Byron Carmony
Invocation..................................................................... Choir Member
Rise Up O Men of G od............................................... Kenneth Jennings
W elcom e........................................................................... The Pastor
Music for the service will be chosen from
the following selections.
Hymns
A Mighty Fortress Is Our God..........................................Luther/Mueller
Rise Up O Church.............................................................Otis Skillings
The Church's One Foundation
Flow Firm a Foundation
Glorious Things of Thee Are Spoken
O Breath of Life
Gospel Songs
I Want To Be There...................................................Peterson/Anthony
Amazing G race............................................. An Early American Hymn
Tenderness He Sought M e ..........................................Gordon/Anthony
Kevin Willis, Tenor
All My Life.................................................................Ralph Carmichael
Spirituals
Ev'ry Time I Feel the Spirit............................................. Arr. Carmichael
Ain'a That Good N ew s.......................................................... Spiritual
Anthems
The New 23rd........................................................... Ralph Carmichael
The Last Words of David.......................................... Randall Thompson
O Father in Heaven........................................................ Larry Mayfield
Selections from Viking Male Chorus Members
Testimonies of Praise
Offering
Benediction......................................................................... The Pastor
Savior Like a Sheperd Lead Us...................................Bradbury/Anthony
Itinerary
Spring 1985
March 8 PM
Marion, Illinois
March 15 PM
Birmingham, Alabama (1st)
March 9 PM
Omaha, Illinois
March 16 PM
Sullivan, Illinois
March 10 A M
Evansville, Indiana (Grace)
March 17 AM
Terre Haute, Indiana (1st)
March 10 PM
Evansville, Indiana (1st)
March 17 PM
Casey, Illinois
March 11-14
Orlando, Florida (Central)
Personnel
TENOR I
Kevin Bodine, Chicago Heights, IL ................Sr., Elementary Education
Nick Henderson, Omaha, I L ............................Jr., Christian Education
Brent Mitchell, Milton, W I ................................. Jr., Computer Science
Mark Smith, Chelsea, M l........................................ Soph., Engineering
Kevin Willis, Nachusa, IL ..............Jr. Church Music/Christian Education
TENOR II
Randy Bateman, Granger, IL............ Jr., Sociology and Communication
Chris Bentfield, Pontiac, IL .......................... Jr., Business Administration
Tony Beville, Sullivan, I N
Jr., Romance Languages
Harry Brown, Otsego, M l
Fr., Religion and Psychology
Bruce Yates, Shelbyville, IL...................................... Soph., Psychology
BARITONE
Brett Frankhauser, Lemont, IL
Soph., Journalism
Michael Click, Springfield, I L
Fr., Food Service Management
Doug Stutzman, Iowa City, IA ..................... Fr., Business Management
Charles Taylor II, Fort Wayne, IN .......................... Jr., Music Education
Creg Taylor, Bloomington, IL................................. Soph., Architecture
Mike Taylor, Bloomington, IL............................................. Jr., Religion
Glenn Tucker, Valparaiso, I N. ... Fr., Church Music/Christian Education
BASS
Ted Dorsey, Watseka, IL ............................................. Fr., Engineering
Rob Hale, Aledo, IL........................................... Fr., Business-Marketing
Mark Howard, Bradley, IL ............................................Soph., Religion
Rob Rodewald, Rochester, IN ..........................Soph., English Education
David White, Danville, IL ................................................... Sr., History
IN ST R U M EN T A LIST S
O FFIC E R S
Creig Hutchins, Piano
Greg Taylor, Piano
Randy Bateman, Trumpet
Kevin Bodine, Trumpet
Nick Henderson, Trumpet
Kevin Willis, Electric Bass
Randy Bateman, President
Mark Howard, Vice President
Creg Taylor, Secretary
David White, Treasurer
Mike Taylor, Chaplain
Tony Beville, Variety Show Chairman
Chris Bentfield, Robarian/Librarian
Brett Frankhauser, Historian
influence.
concerts.
OLIVET
NAZARENE
Department
of
COLLEGE
Music
presents
S P R I N G ,
C I N D Y
Papillons,
O p.
piano
2 ................................ .R.
Liebeslieder Walzer,
O p.
Schumann
5 2 ............... .......J . B r a h m s
(Lovesong Waltzes)
1. Rede, M a d c h e n ( A n s w e r , m a i d e n )
2. A m G e s t e i n e r a u s c h t di e F l u t ( D e e p in
t h u n d e r r o a r s the tide)
6. E i n K l e i n e r , h u b s c h e r V o g e l ( T h e r e w a s
9.
10.
11.
13.
14.
18.
a
tiny, p r e t t y b i r d )
Am D o n a u s t r a n d e (On Danub e ' s border)
0 w i e s a n f t d i e Q u e l l e (Oh, h o w c a l m the
river flows)
Nein, es ist n i c h t a u s z u k o m m e n (No, I w i l l
not l i s t e n to t h e m)
V o g e l e i n d u r c h r a u s c h t d i e Lu f t ( E v e r y b i r d
that s o a r s the sky)
Sien, w i e ist di e W e l l e K l a r (See h o w b r i g h t
the f o u n t a i n g l e a m s )
Es b e b e t d a s G e s t r a u c h e ( E a c h te n d e r leaf
is t r e m b l i n g )
Assisted by
S arah
Reed,
piano
Concert
Singers
C o n c e r t o No. 2 in C m i n o r - O p . 1 8 ......... R a c h m a n i n o f f
Moderato
Adagio Sostenuto
Allegro Scherzando
Kelly Bryant, piano
C i n d y C r a w f o r d , fl ute
M a r c h 23, 1985
7:30 p.m.
Kresge Auditorium
L a r s e n Fine A r t s C e n t e r
CONCERT
SINGERS
S O P R AN O
ALTO
Kay Buker
K e l l i Lobb
L ee A n n P e n c e
Donna Pierce
Dawn Bateman
Julie Hampton
Cyndi Larson
TENOR
BASS
Ja y D a u g h t r y
John Lynn
Phil Atkins
Dennis John
Brad G a r v i n
Rob N o r t h
Jim Springer
Dr.
D.' G e o r g e D u n b a r ,
Rodney Loren
Director
T h i s r e c i t a l is b e i n g p r e s e n t e d
f u l f i l l m e n t o f the r e q u i r e m e n t s
Bachelor of Science Degree with
in P i a n o
Performance.
in p a r t i a l
for the
concentration
Depart me nt of Music
presents
STUDENT
S o l v e i g 18
S o n g ................................. E .
Janice
Stice,
Diana
Concertino,
Miller,
C.M.
in A m i n o r ,
Allegro
Sweet
Op.
Ring
Op.
an
meinem
164
und
Schubert
piano
Pillsington
tenor
piano
Schumann
Leben,
Nr.4
Degner,
Paul
Antonio
Litten,
Joe
1985
1 1:30 a.m.
Kresge Auditorium
alto
A g n e r , piano
crudele....
29,
F.
F i n g e r ............... R.
Pam
March
piano
Schaper,
Bonnie
Sebben
Lee,
Springer,
Frauenliebe
42,
Quilter
tenor
Montgomery,
Julie
from
piano
N y m p h s ............. F r a n c i s
Jim
Du
Weber
vivace
Dawn
Rest
Lee,
Daughtry,
Jonathan
III
von
clarinet
P e t a l ............................ R o g e r
Jay
Sonata
piano
Sabelfeldt,
Jonathan
Grieg
soprano
26
Op.
Sharon
Crimson
RECITAL
Noble,
baritone
piano
Caldara
OLIVET
NAZARENE
Department
COLLEGE
of Music
presents
Senior
D I A N A
Recital
W I L L I A M S ,
Assisted
piano
by
Donna Pierce, mezzo-soprano
Bonnie Agner, clarinet
Sonata
in
F major,
Op . X V l / 2 3 . . ^ .................... H a y d n
Moderato
Adagio
Presto
Diana Williams,
Stride
Psalm
la
vampa
piano
f r o m II T r o v a t o r e
..................V e r d i
23
Paul
Donna
Au Lac de
W a l l e n s t a d t ................................ L i s z t
V a l s e O u b l i e e No.
1 .................
Diana Williams,
Concerto
Creston
Pierce, mezzo-soprano
S cott A p p l e , p i a n o
for C l a r i n e t
Liszt
p ia no ,
an d P i a n o ............. W.A.
Mozart
R ondo
Bonnie Agner, clarinet
Diana Miller, piano
Two
Roumanian Dances,
Op .
8a
.B e l a
Bartok
Allegro vivace
Poco Allegro
Diana Williams,
p ia no
Th i s r e c i t a l is b e i n g p r e s e n t e d in p a r t i a l
f u l f i l l m e n t o f the r e q u i r e m e n t s for the B a c h e l o r of
A r t s D e g r e e w i t h c o n c e n t r a t i o n in M u s i c E d u c a t i o n .
M a r c h 26, 1985
7: 3 0 p.m.
Kresge Auditorium
Ohfet
Concert Singers
Spring 1985
D . G eorge D u nb ar, Conductor
C in d y Spring, Accompanist
Kankakee, Illinois
D r. Leslie P arro tt, President
T h e P ro g ra m
Go Out With Joy...................................................................................Hank Beebe
Invocation - The Pastor
How Can I Keep From Singing?
Donald Hustad
Rejoice, Ye Pure In H eart....................................................................Mark Hayse
Prayers From The A rk .......................................................................... Ivor Davies
The Prayer of the Cat
The Prayer of the Mouse
Footsteps Of Jesus......................................................................arr. James Buffaloe
Come We That Love The Lord
arr. Claude Bass
It Was His Love........................................................................................Buryi Red
Kay Buker and Donna Pierce
For The Beauty Of The Earth.............................................................John Rutter
The Eyes Of A ll..................................................................................... Jean Berger
Now Sing We Joyfully Unto G o d ................................................ Gordon Young
Offering - The Pastor
Offertory - A Quiet Place
Ralph Carmichael
Pam Degner, Violin
Pastorale...................................................................... Richard Purvis
Rodney Loren, Organ
Who Shall Ascend?.............................................................................. Hank Beebe
Just As I Am .......................................................................................J.H . Maunder
Abide In Me..................................................William J. Gaither/Chris Christian
Moses - (A Ken Medema Story-Song)
Ken Medema
Benediction - The Pastor
Thou Hast A Work For Me To D o............................................. Walker Robson
(Choral Benediction)
C o n c e r t Singers
Soprano
Kay Buker, Junior.................. . . Voice Performance...........
Pam Degner, Junior............... . Music Education............. . . Oak Creek, WI
Librarian
. . . Glendale, OH
Kelli Lobb, Junior............. Speech Communications
Lee Ann Pence, Junior........... . . Elementary Education. . . .........Lansing, MI
Al t o
Dawn Bateman, Sophomore. .........Music Education.. . . .........Granger, IN
Julie Hampton, Junior........... . Elementary Education. . . . . . . Galesburg, IL
Cyndi Larson, Sophomore. . . . . Voice Performance. . . . . Birnamwood, WI
Donna Pierce, Senior............. . . . Christian Ed/...............
Church Music.............
President
Cindy Spring, Senior............. . Piano Performance........... . . Port Huron, MI
Accompanist
Tenor
Jay Daughtry, Junior............. . Religion/Philosophy......... . . . Loves, Park, IL
John Lynn, Freshman........... . Business Administration. ........... Portage, IN
Rob North, Sophomore. . . .
. . . . Shawnee, KS
Jim Springer, Senior...............
. . Bourbonnais, IL
Bas s
Phil Atkins, Junior.................. ...........English......................
Brad Garvin, Sophomore. . . . . . Vocal Performance. . . . . . River Forest, IL
Chaplain
Dennis John, Junior............. . Business Administration . ............. Dixon, IL
Rodney Loren, Senior......................Church Music/
............. Cory, IN
Business Manager
Music Education
C o n c e r t Singers Spring Itin e ra ry
M arch 31
Lake A venue C h u rch o f th e N azarene, Fort W ayne, IN (A .M )
W awasee C om m u n ity C h u rch o f th e N azarene, Syracuse, IN (P.M .)
A pril 21
C h u rch o f the N azarene, C o ry , IN (A .M .)
First C h u rch o f th e N azarene, C h am paign , IL (P.M .)
During the year, C oncert Singers has perform ed on cam pus an d in
K a n k a k ee area churches. T h e en sem ble is a v a ila b le fo r chu rch, school,
an d service club program s. C on tact the M usic D epartm ent.
influence.
concerts.
Dr. Flarlow Hopkins is Chairman of the Division of Fine Arts and the Department of
ARTIST/LECTURE SERIES
presents
THE BRYAN AND KEYS DUO
Keith Bryan, flute
Karen Keys, piano
Introduction and Allegro
G. Donizetti
Serenade, Opus 4 1 ............................. L. van Beethoven
Entrata
Menuetto
Allegro molto
Andante con variazioni
Scherzando
Adagio-Allegro vivace
Duo for Flute and Piano................
Flowing
Poetic, somewhat mournful
Lively, with bounce
Aaron Copland
(INTERMISSION)
Three Preludes, Book I
C. Debussy
1. "Les sons et les parfums tournent
dans l'air du soir" Baudelaire
(Evening sounds and scents swirling in the air)
2. La serenade interrompue
(The interrupted serenade)
3.
Ce qu'a vu le vent d'Ouest
(What the West Wind saw)
L'Isle Joyeuse
(The Island of Joy)
C. Debussy
**Karen Keys**
Sonata for Flute and Piano..................... Francis Poulenc
Allegro malinconico
Cantilena
Presto giocoso
April 9, 1985
7:30 p.m.
Kresge Auditorium
TIUi pdogAam i i p a n lia lty iuppoa.ted by a gfiant 6'iom the. l t l i n o i i AaXa
Co u n c il, a S t a le agency.
NOTES ON THE PROGRAM
Provided by
the p e r f o r m e r s
Donizetti:
Introduction and Allegro
T h i s p i e c e r e t a i n s th e c h a r a c t e r i s t i c s
of a v o c a l -
instrumental relationship.
T h e a t t r a c t i v e q u a l i t y of
t h e w o r k s t e m s f r o m th e s i n g i n g q u a l i t i e s of the s e v e n
t e e n t h a n d e i g h t e e n t h c e n t u r i e s , k n o w n c o l l e c t i v e l y as
bet canto , as m u c h as it d o e s f r o m the t a l e n t s of the
c o m p o s e r , w h o w a s p r o b a b l y o n l y m i l d l y i n t e r e s t e d in
w r i t i n g fo r f l u t e a n d p i a n o .
A l t h o u g h this w o r k , c o m
p o s e d in 1819, w a s d e d i c a t e d to " S i g n o r a M a r i a n n a P e z z o l i - G r a t t a r o l i , " i ts b r e v i t y m a y i n d i c a t e that it
g a v e the y o u n g c o m p o s e r a n o p p o r t u n i t y to p r a c t i c e i n
s t r u m e n t a l w r i t i n g f o r u s e i n the l a r g e r c o n t e x t of
h i s b e s t - k n o w n g e n r e , t he op e r a .
Beethoven:
S e r e n a d e , Op. 4 1
T h e f i r s t e d i t i o n o f t h i s w o r k is d a t e d 1803, b u t
t h e m u s i c i t s e l f is m o r e y o u t h f u l t h a n the d a t e i n d i
cates.
It b e g a n l i f e a s t h e S e r e n a d e f or flute, v i o l i n ,
a n d v i o l a , Op. 25, c o m p o s e d a r o u n d 1 795, j u s t a f e w y e a r s
a f t e r the p r o m i s i n g y o u n g c o m p o s e r c a m e to V i e n n a to
s t u d y w i t h H a y d n , t h e h e a d y e n c o u r a g e m e n t of C o u nt W a l d S t e i n still fresh in his memory.
T h e b r i g h t l i t t l e E n t r a t a is b e g u n b y the s o l o f lute,
s k i p p i n g d o w n th e D - m a j o r t r i a d in s t a c c a t o , t w o - n o t e
p h r a s e s , s e t t i n g th e p a c e a n d m o o d fo r the m o v e m e n t .
E v e n the G - m a j o r m i d d l e s e c t i o n is o n l y s l i g h t l y m e l l o w e d
b y an o c c a s i o n a l l e g a t o phrase.
B o t h this m o v e m e n t an d
t h e f l o w i n g M e n u e t t o ( w i t h t wo trios) a r e p u r e p r o d u c t s
of the e i g h t e e n t h century.
Perhaps, however, there are
h i n t s o f the B e e t h o v e n to c o m e i n the f u r i o u s A l l e g r o
m o l t o ' s s m a l l t o r r e n t i a l c o d a a n d in the c o n t e m p l a t i v e
b e a u t y o f the e n s u i n g A n d a n t e .
Th e t h r e e v a r i a t i o n s
o n th a t l o v e l y th eme , o n t h e o t h e r h a n d , s e e m too f a c i l e
to h i n t a t the c o m p o s e r ' s l a t e r p r o f o u n d m a s t e r y of the
f o r m.
M a k i n g t he f i f t h m o v e m e n t a g a l l o p i n g S ch e r z o ,
r a t h e r t h a n a s e c o n d m i n u e t is, o f c o u r s e , a n o t h e r d e
p a r t u r e f r o m the t y p i c a l e i g h t e e n t h - c e n t u r y s e r e n a d e or
divertimento.
T h e f i n a l e is a r o l l i c k i n g Rondo, i n t r o
d u c e d by a p a s t o r a l A d a g i o .
W h i l e Op.
41
is in the B e e t h o v e n
catalogue,
th e
ac
tual a r r a n g e m e n t is p r o b a b l y the w o r k o f o n e F. X. Klein,
henz, who, l i k e B e e t h o v e n * s t u d i e d w i t h A l b r e c h t s b e r g e r .
B e e t h o v e n h i m s e l f a t t e s t e d to t h i s f a c t — a n d to the fact
that h e r e v i e w e d and r e v i s e d
Kleinhenz's work—
in a
characteristically
b l u nt l e t t e r i n S e p t e m b e r
the L e i p i z g p u b l i s h e r s H o f f m e i s t e r § K u h n e l :
1803
to
The a r r a n g e m e n t s w e r e n o t m a d e b y m e , b u t
I have gone through them a n d m a d e d r a s t i c
c o r r e c t i o n s in so m e p a s s a g e s .
So do not
dare to s t at e in w r i t i n g t h a t I h a v e a r
r a n g e d them.
If y o u do, y o u w i l l b e t e l l
ing
a lie, s e e i n g that, m o r e o v e r , I c o u l d
n e v er h a v e f o u nd the ti me, o r e v e n h a d the
p a t i e n c e to do tha t k i n d o f w o r k — A r e y o u
satisfied?
but
T he e x t e n t
the r e s u l t
of B e e t h o v e n ' s r e v i s i o n s is n o t k n o w n ,
is s k i l l f u l a n d e m i n e n t l y p i a n i s t i c .
The cha ng es in the f lu te p a r t ar e , o f c o u r s e , r e l a
t i v e l y few.
A t a n y rate, the t i t l e p a g e o f t h e f i r s t
e d i t i o n sh ows that H o f f m e i s t e r ^ K u h n e l f o l l o w e d the
composer's a dmonition scrupulously.
Copland:
Duo
C o p l a n d ' s Duo, d e d i c a t e d to t h e m e m o r y o f t h e
f amous flu ti st W i l l i a m K i n c a i d , w a s c o m p l e t e d in 1971.
A s o l i l o q u y for the f lu te is h e a r d a t t h e b e g i n n i n g
and e nd of the f i r st m o v e m e n t ; i n t h e m i d d l e t h e r e is
an i n t e r p l a y of c h a n g i n g t e m p o s a n d r u n n i n g p a s s a g e s
b e t w e e n the f l u t e and the p i a n o .
The second movement
b u i l d s to a cli ma x, l e a d i n g u p to o n e o f C o p l a n d ' s
most poignant moments, w h i c h he g i v e s to the p i a n o alone
A s if to i n d i c a t e the d i f f i c u l t y o f e n d i n g t h i s m o o d ,
tw o short c h o r d s s u d d e n l y a n n o u n c e t h e t h i r d m o v e m e n t ,
w h i c h is f i l l e d w i t h a l i v e l y e n e r g y a n d e n d s w i t h a
f e e l i n g of jo y and triumph.
Debussy:
Three Preludes, Book I
The Th ree Preludes w e r e w r it te n in 1910
by one of the most potent influe nc es on the
co ur s e of m us ic in the tw e n t i e t h century,
C l a u d e - A c h i l l e Debussy (1862-1918).
One
a s pe ct of his style is sum me d up in the term
"im pre ss io ni sm ."
This w o r d was first
a p p l i e d to a school of Fren ch painting which
f l o u r i s h e d from about 1880 to the end of the
century; its chief r e p r e s e n t a i o n is Claude
Mo net (1840— 1926).
In r e l a t i o n to music,
the wo r d is thus de fi ne d in We bs te r's
Dictionary:
"A style of c o m p o s i t i o n
d e s i g n e d to create d e s c r i p t i v e impressions
by ev ok i n g moods through rich and varied
h a r m on ie s and timbres."
I m p r e s s i o n i s m is
thus a kind of progra m mus ic.
It differs
from mo st Romantic p r o g r a m m u s i c in that,
first, it does not seek to expres s feeling
or tell a story, but to e vo ke a mood, an
"a tmo sph ere ," with the he l p of suggestive
title s and o ccasional re m i n i s c e n c e s of
n at ura l sounds, c h a r a c t e r i s t i c bits of
melody , da nce rhythms, and the like; second,
i m p r e s s i o n i s m relies on a l l u s i o n and
u n d e r s t a t e m e n t instead of the more
fo rt h r i g h t or strenuous m e t h o d s of the
Romantics; and third, it em pl oy s melodies,
ha rmo nie s, colors, rhythms, and formal
pr in ci p l e s which, in one w ay and another,
c o n t r i b u t e to mak ing a m us i c a l language
r a d i c a l l y different from that of the German
Ro m a n t i c tradition.
The first prelude (Evening sounds and
scents swi rli ng in the air) is a quo tation
from the French poet Baud ela ire .
The second
(The in te rru pte d serenade) por trays a
g u i t ar is t serena din g his love.
The third
(What the West Wind saw) was ins pired by
D e b u s s y ' s visit to E n g l a n d w h e r e he was
f a s c i n a t e d with the West wi nds which blew
a c ro ss the English c o u n t r y s i d e with great
f r e q ue nc y and energy.
Debussy:
L'Isle Joyeuse
The Island of Joy was wr it te n by
Debussy in 1904 sh or tl y after his elopement
to Emma Bardac.
Poulenc:
Sonata for Flute an d Piano
Com mis si on ed by El iz a be th Spray
Coolidge, Sonata for Flute and Piano was
compl ete d in 1957 and the first per formance
presented in Coo lid ge A u d i t o r i u m by Poulenc
and Jean-Paul Rampal in 1958.
Poulenc was
one of the sponsors for Bryan and Keys in
1961 when they made their Paris debut.
They
had the privi leg e of d i s c u s s i n g the Sonata
with the composer at that time.
OLIVET
NAZARENE COLLEGE
Department
of M u s i c
presents
STUDENT RECITAL
Prelude
Sonata
in C M i n o r , B W V 5 4 8 ................ J.
Greg Taylor, organ
for C l a r i n e t
Sehr
Paul
Hindemith
langsam
Massig
Peace
an d P i a n o
Bach
bewegt
Kevin Webster, clarinet
Cindy Spring, piano
Prayer
of
St. F r a n c i s ........ V a n
J o h n L y nn , t e n or
S c o tt
Apple,
A.C h r i s t y
piano
S o n a t e I I I ...............................Pa u l H i n d e m i t h
I. "Ac h G o t t , w e m soli i c h 1s k l a g e n "
II. " W a c h auf, m e i n H o r t "
III.
"So wiinsch ich ihr "
Greg Taylor,
Sonata
for C l a r i n e t
organ
& Piano
Francis
Poulenc
Romanza
Allegro
c o n f uoco
B o n n i e Ag ner , c l a r i n e t
S c ot t A p p l e , p i a n o
W i d m u n g .................................. R o b e r t
Mark Fryar, baritone
J o h n L y nn , p i a n o
11:30
a.m.
Ap ril
12,
College
1985
Church
of
the N a z a r e n e
Franz
I
V
Treble Clef Choir
Voices in Praise
1985 Spring Tour
Linda L. Dunbar
Conductor
Diana Miller
Cynthia Payne
Accom panists
Kankakee, Illinois
Treble Clef Program
Handbell Prelude
Diana Miller, Director
Congregational Hymn
This Is the D ay
Bob Burroughs
Festival Alleluia..........................
Allen Pote
Day by D ay........................................................................ Martin How
Treble Clef Choir
PRAYER.......................................................................................Pastor
Serve the Lord With Gladness.................................................... Handel
Arr. Harris
Come Unto M e................................................................. Blankenship
Arr. J. Martin
How Excellent Is Thy Name
Empty Hands
Eugene Butler
Tom Fettke
Clarinet Soloist: Dawn Singell
Sing Unto the Lord........................................................... Julie Knowles
Soloist: Cheryl Dilts or Angla McCord
RAGGEDY ANN and ANDY
ONC PROMOTION
OFFERTORY Piano Duet: Dawn Montgomery and Cindy Payne
Spring Bursts Today
Sam Owens
Treble Clef Choir and The Master's Musicians
Ladies Trio
Sing Praises
Stanley Glarum
I Am Thine O Lord......................................................................Crosby
Soloist: Angela Mayfield
Arr. J. Lin n
Standin' on the Walls of Zion...................................... Maurice Gardner
BENEDICTION
from O N C . She has taught part-time and is presently teaching full-time in class
and private voice at O N C since returning to O N C with her husband in 1970.
Personnel
Alto
Soprano
I
I
Lori DeLong - Bristol, IN
Lanette Henley - Decatur, IL
Deanna Lake - East Rockaway, NY
Angela Mayfield - Ellettsville, IN
Andrea Ray - Rochester, Ml
Lisa Reedy - Bourbonnais, IL
Jennifer Singer - Gaithersburg, MD
Melissa Smith - Holland, IN
Debbi Stimson - Lake Orion, Ml
Gailynn Culp - Bloomingdale, IL
Dana Preusch - Middletown, OH
Beth Traver - Lansing, Ml
II
II
Penny Falkenbury - Belleville, IL
Carol Johnson - Oak Forest, IL
Angela McCord - Fenton, IL
Dawn Montgomery - Marion, OH
Dawn Schoenwetter-Waterloo, W I
Tina Miser - Columbia, SC
Janet Moutray - Mt. Carmel, IL
Denise Replogle -Yorktown, IN
OFFICERS
April
April
April
April
ITINERARY
12 - Fairview Heights Church of the Nazarene - Fairview Heights, IL
13 - Evansville First Church of the Nazarene - Evansville, IN
14 a.m. -Oakland City Church of the Nazarene - Oakland City, IN
14 p.m. - Chrisman Church of the Nazarene - Chrisman, IL
1983 at a cost of $3,5 million. It is named in honor of Mrs. Naomi Larsen, who taught in
Olivet’s Music Department 40 years until her retirement in 1975, and in memory of her late
influence.
concerts.
Department of Music
presents
FACULTY RECITAL
Sonata for Clarinet and Piano in G minor
Op. 120, No. 1
1. Allegro appassioneto
2. Andante un poco Adagio
3. Allegretto grazioso
4. Vivace
Harlow Hopkins, clarinet
Gerald Anderson, piano
Johannes Brahms
Brahms is the giant among composers of chamber music in the
nineteenth
century,
the true successor of Beethoven in this
field as
in that of the symphony.
Not only is the quantity
of
his production
impressive— 24 works
in all— but
it
includes at least a half-dozen masterpieces of the first
rank.
A special category of Brahms' chamber music consists
of sonatas
for a single instrument with piano.
Two such
sonatas are those for clarinet and piano, both of which were
composed
in 1894, three years before his death.
They bring
to a close the long series of chamber works.
The sonata you
will
hear tonight contains four movements.
The first
maintains a
prevailing melancholoy throughout its wealth of
the song-like subjects so typical of Brahms.
The second, in
A flat major,
is an intimate piece capitalizing on the
ability of the clarinet to play dreamy arabesques and to
produce an almost
inaudible velvety pianissimo.
The third
movement,
in the same key as the second, has the design and
style of a
scherzo.
Sir Donald Francis Tovey, the most
searching of
Brahms'
critics,
has appropriately remarked
that
it is "the most deliciously Viennese of all Brahms'
works."
The final movement, in F major, is a happy affair
which makes much of the three repeated F's with which it
opens.
Passacaglia in G minor...................... George F. Handel
Arr. Halvorsen
Lolita Phelps, violin
Susan Ross, cello violincello
The Passacaglia was originally a slow Spanish dance in
3/4 meter, popular about 1600; later, an important variation
form.
The word in Spanish means literally a "Street Song".
Performed at a deliberate pace, the passacaglia required
many repetitions of the melody,
usually in eight-measure
phrases.
Musicians,
probably tired of playing the same
notes
over
and over,
began to weave decorations and
embellishment over the
melody, much as jazz musicians
improvise
today.
Eventually the musical
form of the
passacaglia
became that of variations over a ground-bass
melody.
Many composers of the 17th and 18th centuries Handel,
Buxtehude,
Couperin,
Pachelbel,
Bach - wrote
beautiful passacaglias for organ and harpsichord.
This one by Handel
is written in 4/4 meter and was
orginially meant for harpsichord.
It has been arranged by
Halvorsen for stringed instruments.
INTERMISSION
Eight Pieces for Clarinet in B & A,
Viola and Piano, Op. 8 3 ........................... Max Bruch
1.
Andante
2.
Allegro con moto
3.
Andante con moto
4. Allegro agitato
5.
Andante(Rumanische Melodie)
6.
Andante con moto(Nachtgesang)
7. Allegro vivace, ma non troppo
8.
Moderato
Alice Edwards, piano
Harlow Hopkins, clarinet
Lolita Phelps, viola
The
reputation
of Max Bruch
(1838-1920)
rests almost
entirely on the first of his three violin concertos, the
Scottish Fantasy
(also for violin and orchestra) and Kol
Nidrei, for cello and orchestra.
He was most prolific in
the choral
realm,
and more than a few commentators have
assured us that
it is there that his true greatness lies,
but his choral works are never performed.
Bruch's chamber
music is less abundant but is similarly neglected.
He wrote
little of it, and what there is came only at the beginning
and end of his long, creative career.
Following a piano
trio
(Op. 5) and two string quartets (Opp. 9 and 10) written
in his early twenties, Bruch waited some fifty years to make
his only other contribution to the chamber music repertory,
a cycle of eight pieces in contrasting moods— the work to be
performed this afternoon.
It was dedicated to the Princess
Sophie zu Wied and published as Op.
83 in 1910 with an
alternative version for violin, cello and piano.
These are
no mere trifles,
but expressive and eloquent manifestation
of a Romanticism that crested with Schuimann and Brahms:
thespirit was obviously not only still alive but remarkable
fresh
in Bruch. This cycle is aglow with sunset colors and
rich in the melodic inventiveness, solid craftsmanship and
warmth of heart characteristic of all of Bruch's finest
works.
7:30 p.m.
April 16, 1985
Kresge Auditorium
presents
A Faculty
Lecture-Recital
on
HISPANIC
Alice
S o n a t a No.
90
KEYBOARD MUSIC
Edwards
and
Students
in F # m a j o r ............A n t o n i o S o l e r
(1729-1783)
Miss
Edwards
A s t u r i a n a ............................ E n r i q u e G r a n a d o s
( f r o m T w e l v e S p a n i s h D a n c e s , O p . 5) ( 1 8 6 7 - 1 9 1 6 )
Lisa Foster
M o n t a n e s a ............................
(from Pieces Espagnoles)
Miss Edwards
M a n u e l De F a l l a
(1876-1946)
B r a n q u i n h a ........................ H e c t o r V i l l a - L o b o s
(from Prole Do Bebe)
(1887)
Diana Miller
Allegro m a r c a t o
(from Sonata para
Kresge A u d i torium
A p r i l 18, 1985
1 0 : 30 a.m.
Piano)
Alberto Ginastera
(1916)
Department of Music
presents
HALE/WILDER SCHOLARSHIP AUDITIONS
Toreador Song, from Carmen...........................G. Bizet
Still Wie Die Nacht................................. Carl Bohm
It is Enough, from Elijah.................... F. Mendelssohn
Amarilli, mia bella ............................... G. Caccini
Scott Apple, baritone
Jonathon Lee, piano
Deh , vieni..........................................W.A. Mozart
Mein Herr, Marquis......................
Tout est si beau!............................. S. Rachmaninoff
Oh! had I Jubal's lyre.............................G.F. Handel
Lillian Kay Buker. soprano
Du Bist Die R u h ........................................Schubert
Comfort ye, from Messiah...........................G.F. Handel
Dalla Sua Pace, from Don Giovanni..................... Mozart
Oh! Ne t'eveille pas.................................... Godard
John Lynn, tenor
0 Thou That Tellest Good Tidings to Zion,
from Messiah.................................... G.F. Handel
Beau Soir
C. Debussy
Che faro' senza Euidice, from Orfeo........... C.W. von Gluck
Von e w i g e r Liebe Op. 43 , No. 1 ...................... J. B r a h m s
Cyndi Larson, mezzo-soprano
Cindy Spring, piano
In diesen heil'gen Hallen, from Die Zauberflote..W.A. Mozart
Blow, Blow thou Winter Wind
Roger Quiiter
Elegie.......................................... Jules Massenet
Non piu andrai, from Le Nozze di Figaro.......... W.A. Mozart
Brad Garvin, bass
Cindy Spring,piano
7:30 p.m.
April 23, 1985
Kresge Auditorium
J-Stra
Department of Music
presents
Concert Band
Harlow Hopkins
Conductor
Mark H. Hindsley
Guest Conductor
K resge A u d ito riu m
A p ril 26, 1985
7 :3 0 P .M .
Program
Symphonic Celebration & D an ce
Robert E. Foster
T h is is an excitin g w ork w hich w as cop y rig hted in 1 9 8 4 .
It begins w ith an in trod u ctory , fan farish -lik e section
follow ed b y an ad ag io -leg ato C h orale sectio n . T h is
leads very q u ick ly into the D an ce w hich is cast in m eter
w hich alternates betw een 4/4 and 2/4. E ventu ally the
C h o rale returns to conclu d e the w ork .
Suite Francaise........................................................ Darius Milhaud
1.
2.
3.
4.
5.
N orm and ie
B retagne
lie de France
A lsace-L orrain e
P rov en ce
T h e "S u ite F ran caise" w as o rig in ally w ritten fo r b an d .
For a long tim e M ilhaud had the idea of w riting a co m
p osition fo r school m usicians in w hich "m u sic o f their
tim e " w as used, keeping the ch a ra cteristic idiom of the
com p oser. T h e five p arts o f this Su ite are nam ed after
French P rov in ces, the very ones in w hich A m erican and
allied arm ies fought together w ith the French un der
ground fo r the lib eratio n o f Fran ce. M ilh aud used fo lk
tunes of those P rov in ces, w anting A m erican s to h ear the
p opular m elodies of those parts o f France w here their
fath ers, b ro th ers, uncles and grand fath ers fought to
d efeat the G erm an invaders.
Fantasies on a Theme by Haydn..................Norman Dello Joio
"F an tasies" w as com m issioned by the M ich ig an S ch o o l
Band and O rch estra A sso cia tio n and published in 1 9 6 8 .
It is based on a them e fro m a com p ositio n fo r p ian o by
Joseph H ayd n. T h e three m ovem ents are a co n stan tly
varied exam in ation of H ayd n's b asic idea. T h e b u b bling
hu m or of the first and third fan tasies flan k a second
w hich is intensely ly ric. "In the final sense, the w o rk is
m y hom age to a com p oser w ho will alw ay s rem ain c o n
te m p o ra ry ." — N .D .J.
Intermission
Personnel
Flute
Nanci Aylor-Shawnee Mission, KS
Brenda Ousley-Columbia City, IN
Cindy Fouser - Kewanee, IL
Alto Saxophone
Jeff Webb - Kankakee, IL
Trumpet
Lori Standley - Bourbonnais, IL
Sheila McDonald-Elkhart Lake, WI
David Allen - Somerset, KY
Larry Mace - Kokomo, IN
Horn
Michael Turnbull - Hale, MI
Phil Davisson - Liberty, IN
C la rin et
B^ C la rin et
Bassoon
Trombone
Albert Ackerman-OakLawn, IL
Regina Rowe - Kendallville, IN
Tuba
Percussion
Howard Newcomb-Arlington, OH
Brenda Hanson - Arnegard, ND
Sue Polaskey - South Holland, IL
O ffic e rs
President - Jill Ferree
Vice President - Bonnie Agner
Secretary - Sheila McDonald
Treasurer - Brenda Ousley
Chaplain - Howard Newcomb
Historian - David Rees
Transportation Manager Albert Ackerman
Librarians - Becky Allen
Cindy Fouser
Publicity - JoAnn Lichte
Kelly Bryant
Elsa's Procession to the Cathedral ..................... Richard Wagner
from Lohengrin
Transcribed, Lucien Cailliet
Elsa's P rocession to the C ath ed ral, w ith its m edieval
co lo r and p agean try , prefaces her b etro th al to L o h en
grin, m ystic K night o f the H oly G rail, com e to deliver
the people o f B rab an t (A ntw erp ) from the H ungarian
invad ers. In the op eratic p resen tation , a large double
chorus adds its song o f solem n praise to that o f the
orch estra. It is in this m usic, m ystic yet pow erfu l, that
we find W ag n er strik ing out w ith those new and intense
m usical thoughts w hich w ere to cu lm inate in T rista n ,
the R ing, and P arsifal.
In his tran scrip tion fo r b an d , Lucien C ailliet has suc
ceeded in building in to the instrum ental fram ew ork o f
the m odern band a true and d elicate represen tation o f
all th at W ag n er so elo qu en tly describes w ith orch estra
and choru s.
The Black Horse T ro o p ..................................... John Philip Sousa
Edited, Frederick Fennell
T h is m arch w as com pleted D ecem b er 3 0 , 1 9 2 4 at
S o u sa ’s Sand s P o in t, Long Island, estate. It w as played
fo r the first tim e a b o u t ten m onths later on O c to b e r 17,
1925, at a co n cert of the Sou sa Band in the P u b lic A u d i
toriu m , C leveland , O h io . A m erica's leading Sou sa
sch olar, Paul E. Bierley, w rites in his b o o k : Jo h n P h ilip
S o u sa , A D e s c r ip tiv e C a t a lo g o f H is W o r k s , that the
M arch K ing en jo y ed a long relationsh ip to the men and
horses of C levelan d 's O h io N ation al G u ard C a v a lry ,
know n as T ro o p A . Sou sa w as, him self, a devoted
horsem an . O n ce again he drew upon som e special
rhythm ic resource w hen the m arch w as fo r horses and
riders; once again his special com preh en sion o f the
thrilling sp ectacle o f regim ental m ovem ent produced a
com pelling m usical experien ce fo r b oth the p lay er and
the listener, com m and ing ou r p articu lar aw areness of
his use o f the trum pets and drum s at vario u s d ynam ic
levels. D uring the h alf-cen tu ry of his career as the m ost
successful ban d m aster w ho ever lived, there w as b oth
reason and necessity fo r his creating these w onderful
m arches — and am ong them all T h e B la c k H o r s e T r o o p
is a p ositive stan d ou t. — Frederick Fennell
T o cca ta
G irolam o Frescobaldi
T o c c a ta w as w ritten o rig in ally fo r pipe org an . T h e co m
poser w as organist and ch o irm a ster a t S t. P eter's in
R om e fro m 1608 until his death in 1643, though he did
leave R o m e fo r a period o f tim e to b eco m e the co u rt
org anist at Florence. A s a com p oser Frescobald i o ccu
pies a v ery p rom in ent p lace in m usic h isto ry . O n e can
im agine the m ajesty o f the pipe org an in the opening
m easures o f the w o rk . A n im itatio n section ensues
w hich u ltim ately leads to a rath er rh ap so d ic sectio n in
w hich so lo clarien ts and so lo flutes are p ro m in en t. A
short "a lleg ro g u isto " sectio n con clu d es the w o rk .
Lustspiel Overture, Op. 7 3 ................................................... Keler-Bela
K eler-B ela (real nam e A lb ert vo n K eler) w as a H u n
garian vio lin ist, co n d u cto r, and com p oser of light m usic
w h o w as b o rn in 1820 and died in 1882. He w as a law
student, then becam e a farm er, and finally to o k up
m usic in 1845, studying in V ien n a. He played violin at
the T h eater-an d er-W ien , w here he developed his spe
c ia lity — the com p ositio n of d ance m u sic. He cond u cted
several o rch estra s and a band in V ien n a bu t w as forced
to w ithd raw fro m such duties in 1873 due to ill h ealth .
He w rote a great nu m ber o f d ances and oth er light
p ieces, som e of w hich attained en orm ou s p o p u larity ,
p articu larly the o v ertu re to be played tonight.
Second Suite in F for Military Band........................Gustav Holst
Opus 28, No. 2
1. A llergo
2 . Song W ith ou t W ords
3 . Son g of the B lack sm ith
4. Fantasia on the "D argason"
G u stav H olst w as b o rn in C h elten h am , E ngland, in
1874, and died in London in 1934. T h e "S e co n d S u ite "
w as com posed in 1911. A t the R o y a l C ollege of M u sic in
L ond on he studied co m p o sitio n w ith S ta n fo rd . H e also
to o k up the tro m b on e and acqu ired such p ro ficien cy
th at he w as ab le to earn his living as tro m b on ist w ith an
op era co m p an y and in vario u s sy m p h o n y o rch estra s. In
1919 he to o k a post a t the R o y a l C ollege o f M u sic teach
ing co m p o sitio n . In 1923 he u n d erto ok a jo u rn ey to the
United States w here he lectured and perform ed his w orks
at H arvard U niversity and at the U niversity o f M ichigan.
His last y ears w ere d evoted entirely to co m p o sitio n .
Guest Conductor. . .
A graduate of Indiana University "with high distinction" in 192S, Mark
Hindsley served as band director and music instructor at Indiana until 1929.
From 1929 to 1934 he was Director of Instrumental Music in the schools of
Cleveland Heights, O hio, conducting the high school bands and orchestras,
with first divisions in concert and marching at national band contests. From
1934 to 1948 he was Assistant Director of Bands at the University of Illinois,
director of the Marching Mini and conductor of the First Regimental Band,
with wind instrument teaching in the School of Music; this period was inter
rupted by military service from 1942 to 1946, as staff music officer of the
Army Air Forces Training Command, and for the last six months band and
orchestra conductor and teacher of conducting at the Biarritz American Uni
versity in France, attaining the rank of lieutenant colonel and earning the
Army Commendation Medal. Succeeding Albert Austin Harding as Director
of Bands at Illinois in 1948, he was active in that position and as Professor of
Music until his retirement in 1970.
A past president of both the College Band Directors National Association
(1947) and the American Bandmasters Association (1957-58), Hindsley has
appeared throughout the nation and in other countries as guest conductor,
clinician and adjudicator, and on the summer staffs of many other colleges
and universities. His recordings of the University of Illinois Concert Band
and his transcriptions of historical masterpieces are highly acclaimed at home
and abroad. He is the author of eight books and some 45 magazine articles on
instrumental music. He was awarded the honorary degree D octor of Music
by his alma mater, Indiana University. Among his many other honors are
election to the International Institute of Arts and Letters; a Citation of Merit
from the University of Illinois Foundation; the Meritorious Service Award of
the Illinois Music Educators Association; the Outstanding Bandmaster
Award of Phi Beta Mu; the Edwin Franko Goldman Award of the American
School Band Directors Association; the Distinguished Service to Music
Award of Kappa Kappa Psi; election to the Academy of Wind and Percussion
Arts, with the "O scar" of the National Band Association; the Illinois - Phi
Beta Mu Bandmasters Hall of Fame; and the National Hall of Fame of Dis
tinguished Band Conductors.
After a forty-five year formal career and several years of "retirem ent,"
Dr. Hindsley continues to serve as guest conductor, adjudicator, clinician,
writer, arranger and publisher of many of his concert band transcriptions in
manuscript and his latest books, HINDSLEY ON BANDS (The Gospel
According to M ark), and M Y BANDS AND I (A Love Story).
Permanent Conductor. . .
Harlow Hopkins began teaching at his alma mater in 1954. He is currently
Professor of Music and teaches woodwind instruments and conducting as
well as serving as director of the Concert Band since 1957. He holds degrees
from Olivet Nazarene College, the American Conservatory of Music, Chi
cago, Illinois, and Indiana University, Bloomington. The D.M us. in W ood
winds, Literature and Performance, was awarded by the latter institution in
1974.
The first half of the program will be conducted by Mr. Hopkins.
Sponsor and Friends . . .
Mr. and Mrs. Curtis K. Brady have provided the funds to bring Mr.
Hindsley to campus this evening. Both are alumni of the College as are two of
their four children. M r. Brady served Olivet for nineteen years — as Chair
man of the Division of Fine Arts and Department of Music, as Dean of Men,
as Dean of Students, and as Chairman of the Division of Continuing Educa
tion. The Department of Music wishes to express sincere thanks for their
thoughtfulness, generosity, and continuing friendship.
Department of Music
presents
JUNIOR RECITAL
L I L L I A N
K A Y
B U K E R ,
soprano
Porgi , amor, qualche ristoro............... W.A. Mozart
from Le Nozze de Figaro
Deh veini, non tardar .......................W.A. Mozart
from Le Nozze de Figaro
The Jewel S o n g................................. C. Gounod
(Rect. and aria) from Faust
Oh! had I J u b a l ’s lyre, from Joshua....... G.F. Handel
With verdure clad the fields appear........... J. Haydn
from The Creation
Alleluja, from Exsultate, jubilate........ W.A. Mozart
Gretchen am Spinnrade.......................F. Schubert
Der Nussbaum.................................R. Schumann
Ce que je suis sans t o i ....................... C. Gounod
Tout est si beau!......
S. Rachmaninoff
INTERMISSION
Let the Lord Be Magnified..............
KurtKaiser
They Shall Have Great Peace................. Kurt Kaiser
Sing and Bless the Lord..................... Kurt Kaiser
New Born..............................Norman Dello Joio
The Singer.................................. Michael Head
I Hate Music!......................... Leonard Bernstein
My Name Is Barbara
Jupiter Has Seven Moons
I Hate Music - But I like to Sing
The Riddle
I'm a Person Too!
2:30 p.m.
April 28, 1985
Kresge Auditorium
PROGRAM NOTES
Porg l , amor, qualche ristoro
In Le Nozze di Figaro, the countess sings in sorrow for
the lost affection of her husband:
Pour, 0 love, sweet consolation on my lonely, my broken
heart.
Give me back his lost affection, or, I beg you, let me
die.
Bring me comfort in my suffering; hear my brokenhearted
sigh.
Give me back my love, my husband, or, I beg you, let me
die.
Deh vieni, non tardar
Susanna, in pretense of singing to the Count, reaffirms
her love for Figaro
Beloved, don't delay, the night is falling. Hasten wher
love’s delight is sweetly calling.
Until the stars grow pale, and night is waning, while
the world is still and calm is reigning.
The stream rustles on, the breeze is blowing, and the
timid heart with hope is glowing.
The flowers all with shining dew are gleaming, while
the world is long asleep and dreaming.
Come, my beloved, the starry sky's above you.
Come,
my beloved, with all my heart, I love you.
The Jewel Song
Marguerite, a servant to the King, has discovered a bo»
of jewels and is imagining herself to be the King's
daughter.
If I dare, only dare for a moment to try this lovely
pair of earringsl
Ah I And here inside this little
basket is a mirror 1 Who could resist it any longer?
Ah, the joy pact compare, these bright jewels to wearl
Is it I, Marguerite?
Now reply 1 Tell me, truly 1
No, this is not I! Some enchantment is over me.
Some King's daughter I spy!
Here are more ready to adore mel
I can hardly wait to
try on this bracelet here and that necklace there.
Ah!
It is lake a hand laid on my arm to oppress me!
Oh!
the joy past compare, these bright jewels to wear.
Gretchen am Spinnrade
My peace is gone, my heart is sore.
No rest can be mir“
forever more.
Where he is not, dark fears appal.
And every thought i_
turned to gall.
My mind distraught, my aching head can bear no more.
The thoughts I dread.
I watch for him all along the street, and him alone I
go to meet.
The way he walks when he passes by, and the way he
talks; the light in his eye.
The sound of his voice like a soft caress.
His hand in
mine, and oh! His kiss!
The heart within me is all his own.
I long to be with
him alone.
When his arm enfolds me and I am his.
To have and to
hold him and die on a kiss.
Per Nussbaum
The third in the Myrtenlieder cycle, written in 1840 as
a bridal gift to Clara;
A flowering chestnut green and fair lifted leafy
branches, and scented the lustrous air.
His myriad blossoms interlace; kindly the wind caresses
and laps them in soft embrace.
They gather and whisper soft and low, drooping, daintily
binding their heads for a kiss or so.
Of a maiden it is they whisper, that dreaming by night
and day, fancies and knows not what.
T h e y w h i s p e r e d ; t h e y t o s s t h e m y s t e r y t o a n d froWhisper
of
happiness
soon
to
be .
The maiden listened - perchance they knew - smiled and
sank in slumber, dreaming the tale was true.
Ce que je suis sans toi
This piece is a typical example of Gounod's easy, suave
melodic line which exists in most of his compositions:
As droops the ivy, rudely
torn from yonder oak where-to
'twas clinging. Lowly
now, frail and forlorn, with
every zephyr still swinging.
So droops my soul in loss of thee.
Oh my love go no
more from me!
Like
some
poor
bird whom
daylight
calls
to
soar
with
song to heaven's dawns.
Even as he flies, wounded he
falls; mourning,
alas 1his broken bonds.
Born on a dark and angry tide, with wind and wave in
fierce commotion.
Some lonely bark no hand to guide
aimlessly drifts upon the ocean.
Tout est si beau!
Thi s c o m p o s i t i o n , b e l o n g i n g t o a s e t of t w e l v e songs,
r e p r e s e n t s t h e c o m p l e x i t y of i n t e r t w i n i n g G o d ' s c r e a t i o n o f
n a t u r e w i t h mans
How fair this spot, I gaze to where the golden brook
runs by. The fields are all inlaid with flowers;
white clouds sail on high.
No step draws near; such silence .reigns, alone with God
1 seem.
With him and with
dream.
the m any
pines;
and
Thee
my
only
I Hate Musicl
Leonard Bernstein's talents are formidable, to say the
least.
As a composer, pianist and conductor he has moved ii
the diverse worlds of Broadway and the Concert halls, and
has left his distinct mark on both.
I Hate Music! is a cycle of five childrens songs for
soprano.
It is written from the perspective of a 10 year
old child as she views the everchanging world about her.
I'
is best understood to imagine the singer as that 10 year old
girl.
OLIVET NAZARENE
Department
COLLEGE
of M u s i c
presents
NIELSON/YOUNG SCHOLARSHIP
PIANO AUDITIONS
B a l l a d e in G m i n o r , Op. 1 1 8 .............. B r a h m s
S o n a t a in B * M a j o r , No. 5 2 ...........S c a r l a t t i
C o n c e r t o in D M a j o r ......................... H a y d n
B r a n q u i n h a (The P o r c e l a i n D o l l ) . . . V i l l a - L o b o s
f r o m T he B a b y ' s F a m i l y
Miss Diana Miller
French
Air
Sonata
Suite
II
for P i a n o ................... B a c h
in A m i n o r ........................ S c h u b e r t
I
III
S u i te
for P i a n o ............... N o r m a n
Dello
Joio
III
IV
Miss
Nocturne
French
Dawn Montgomery
in E m i n o r .
Suite
VI
Op.
72,
no.
1
Chopin
for P i a n o ................... B a c h
Courante
Gavotte
S o n a t e P a t h e t i q u e , Op. 1 3 ............. B e e t h o v e n
F r o m Six P r e l u d e s , Op. IV & V I ...... M u c z y n s k i
Miss Carla Henry
7:30
p.m.
Ap ril 30, 1985
Kresge Auditorium
O L I V ET NA ZA RE NE C OL LE GE
Depart men t of Music
p resents
SE N I O R RECITAL
A N D R E A
C A M P E ,
trum p e t
Jennifer Wilkens, piano
A s s i s t e d by
DAWN MONTGOMERY,
piano
C o n c e r t o .....................................Haydn
I
II
III
Miss Campe
S uite for P i a n o ..............Nor m a n
III
IV
Miss M o n t g o m e r y
Sonata
for Trum p e t
& P i a n o ........Kent Kennan
I
II
III
Miss Campe
7:30 p.m.
May 2, 1985
Kresge A u d i t o r i u m
Dello Joio
OLIVET
NAZARENE
Department
COLLEGE
of
Music
presents
STUDENT
Sonatina
for
Clarinet
RECITIAL
and
Piano...Malcolm
Arnold
Andantino
Todd
Zinkann,
Bonnie
Prayer
of
Foster,
Cindy
lo
Payne,
Jonathan
Bourees
Zinkann,
Jeff
Majo
Amor
y
Lee,
piano
tenor
Webb,
Bach
saxohone
piano
T i m i d o ........................ E n r i q u e
Granados
o d i b ............................ E n r i q u e
Granados
Angel
McCord,
Carla
Sonata
Torelli
tenor
..................... . . . . . . . . . J . S .
Todd
El
piano
G.
Pence,
Banks
soprano
Sai
Jim
Two
piano
F r a n c i s ......................H a r r y
St.
Robin
Tu
clarinet
Agner,
IV
in
D
Henry,
soprano
piano
M a j o r ....................... G . F .
Handel
A1 l e g r o
Tim
Hofflander,
Carla
I Have
Twelve
Henry,
violin
piano
O x e n .......................... J o h n
Jennifer
Dawn
11:30 a.m.
May 3, 1985
Kresge A u d i t o r i u m
Singer,
Montgomery,
soprano
piano
Ireland
Sonata
for
Clarinet
and
Andante
un
poco
Allegro
appassionato
Bonnie
Dawn
The
Lord's
Agner,
Stanley,
Foster,
Brahms
piano
S y m p h o n y ................... J.
String
Degner,
Carla
Henry,
Instruments
viola
cello
Scott
Apple,
Head
soprano
W a l t z .................................... J.
from
Pam
piano
P r a y e r ...................... . . . . M i c h a e l
Robin
Theme
Brahms
clarinet
Montgomery,
Connie
Emperor
P i a n o ............... J.
adagio
Brahms
Class
Angela
Charles
string
Strauss
Mayfield,
Taylor,
bass
cello
violin
Department of Music
Tlic Seventv-Second
Annual
rommcncemcnt Concert
w
Student Soloists
and the
College O rchestra
Lolita Phelps
Conductor
E ig h t o’clock
M ay 1 1 , 1 9 8 5
C ollege C h u rch of th e N azaren e
B ou rb on n ais, Illinois
c;e 5 £ < £ ? >
Department of Music
Program
Printemps qui C om m ence................................ Camille Saint-Saens
(Samson et Dalila)
Segiudilla.......................................................................... Georges Bizet
(Carmen)
JoAnn Lichte, mezzo-soprano
Concerto in G minor
Francis Poulenc
Rodney Loren, organ
Presen tation of th e W alter B . Larsen Award
for M usical E xcellen ce for 1 9 8 5 -1 9 8 6
JoA n n L ich te, R ecipient
Si mi Chiamino
(La Boheme)
Pace, pace, mio D io
(La Forza del Destino)
Bonnie Kingston, soprano
Giacomo Puccini
Giuseppe Verdi
Ella a fui, la Tourterelle.......................................Jacques Offenbach
(Tales of Hoffman)
Mein Herr, Marquis....................................................Johann Strauss
(Die Fledermaus)
Kay Buker, soprano
Piano Concerto No. 2 in C m inor................. Serge Rachmaninoff
Allegro Scherzando
Cindy Spring, piano
Scholarship Recipients
1 9 8 5 -1 9 8 6
Mayme Carmichael Music Scholarship..............................Jeff Webb
Robert Hale/Dean Wilder Voice Scholarship
Cyndi Larson
Russel G. Hopkins Instrumental Scholarship
Bonnie Agner
Brad Kelley Arranging Scholarship.................................... Jeff Webb
Wanda Kranich Keyboard Scholarship
Dawn Montgomery
Naomi Larsen Music Scholarship................................ JoAnn Lichte
Mardell Lemenager Keyboard Scholarship
Jeff Webb
Stephen Nielson/Ovid Young Piano Scholarship. . . Carla Henry
Elmer Williams String Scholarship
Pan Degner
Baccalaureate Degrees
1 9 8 4 -1 9 8 5
Sharon Barr
Church Music/Christian Education
(Voice)
Anita Beck
Music Education (Voice)
Elisa Ellis
Music Education (Flute)
Rodney Loren
Church Music/Music Education
(Organ)
Donna Pierce
(Voice)
Cindy Spring
Music Performance (Piano)
Kim Unger
(Voice)
Diana Williams
Music Education (Piano)
LutherCollqjeNmrtic
CONCERT PROGRAM
Come, come, I will give myself to Thee,
Thou art the right way,
the truth and the life.
Therefore I place myself in Thy hands
and bid farewell to this world.
My life is moving to its close,
and now is come the time of the spirit.
My soul shall hover by its creator,
since Je su s is now and forever
the true way to life.
PART ONE
Psalm 100 (Echo)
H e in r ic h S c h u tz ( 1 5 8 5 - 1 6 7 2 )
(double chorus fo r m ixed voices)
(sung in German)
Make a joyful noise to the Lord,
all the lands I
Serve the Lord with gladness!
Come into his presence with singing!
Sung in hon o r o f the te rce n te na ry o f B ach
PART TWO
Know that the Lord is God!
It is he that made us, and we are his;
we are his people, and the sheep
of his pasture.
Our Father
A le x a n d e r G r e t c h a n in o f f ( 1 8 6 4 - 1 9 5 6 )
Enter his gates with thanksgiving,
and his courts with praise!
Give thanks to him, bless his name!
For the Lord is good;
his steadfast love endures forever,
and his faithfulness to all generations.
— Psalm 100
Sung in honor o f the q ua d ricen te n n ia l o f Schutz
Adoramus Te
Q u irin o G a s p a rin i ( 1 7 4 9 - 1 7 7 0 )
(sung in Latin)
Holy, holy, holy, Lord of Sabbath,
Heaven and earth are full of Thy glory.
Thine are kingdoms, thrones, dominions,
might and majesty.
Thy name be hallowed in heaven.
Thou givest strength to the weak;
Thou rememb'rest the poor and the distressed.
And upon them that fear Thy name
Showers of blessings unnumbered shall fall;
Peace shall follow them;
B y still waters their path shall be.
Sing then of mercy, of judgment, of kingdoms,
Of thrones, dominions and power forevermore.
Holy, holy, holy, O Lord, in splendor bright;
Fill our hearts with everlasting light.
W e adore you, Christ,
and we bless you.
Because through your Holy Cross
you redeemed the world.
Christus Factus Est (Christ Was Made Obedient)
Kyrie
Christ w as made obedient for us,
e v’n unto death on the c ross!
Wherefore hath the Lord exalted Him,
and giv’n to Him a great name.
That is higher than all great names.
K n u t N y stc d t
(from “ A Thanksgiving M a s s ")
(sung in Latin)
Lord have mercy,
Christ have mercy,
Lord have mercy.
Come, Jesus, Come (Komm, Jesu, Komm)
J o h a n n S e b a s tia n B a c h ( 1 6 9 5 - 1 7 5 0 )
(m otet for m ixed voices)
(sung in G erman)
Come, Jesus, come, my flesh is weary;
my strength fails ever more and more.
I long for Thy peace; this thorny path
becomes too steep!
A n to n B r u c k n e r ( 1 8 2 4 - 1 8 9 6 )
(sung in Latin)
Gloria
L ars E d lu n d ( 1 9 2 2 -
)
(sung in Latin)
(solo voice and choir)
Gloria in excelsis Deo
G lory be to G od on h ig h !
Et in terra pax
A nd on earth peace,
hominibus bonae voluntatis
to m en o f g ood will.
Laudamus te
W o n ra is e fh oo
benedicimus te,
we bless thee,
adoramus te,
we ado re thee,
glorificamuste,
we g lo rify thee
magnam gloriam tuam.
fo r Ih v g re a t n ln rv
Domine Deus, Rex coelistis,
0 L ord God, heavenly King.
Deus Pater omnipotens.
God the Fa th e r Alm ighty.
Domine Fili unigenite,
0 Lord, the only begotten son.
Je su Christe.
Jesus Christ.
Domine Deus, Agnus Dei,
0 Lord God, Lam b o f God,
Filius Patris,
Son o f the Father,
Qui tollis peccata mundi,
that ta ke st aw ay the sin o f the world,
suscipe deprecationem nostram.
hear o u r prayer.
Qui tollis peccata mundi,
th a t ta ke st a w a y the sin o f the world,
suscipe deprecationem nostram.
h e a r o u r prayer.
Qui sedes ad dexteram Patris,
Thou th a t s ltte s t a t the rig h t hand
o f the Father
misere nobis.
have m e rcy upon us.
Quoniam tu solus Sanctus,
Thou only a rt holy,
tu solus Dominus,
Thou only a rt the Lord,
tu solus Altissimus,
Thou only a rt m o st high,
Je s u Christe.
Je sus C h ris t
Amen
The dance confronts the Christ story in a series of abstract images . . .
humankind struggling to find a connection with the Creator/Father . . . the
Father's lament and response in the gift of the Christ . . . the walk on Earth
with humankind . . . the eventual human denial, crucifixion, and resurrection.
Humankind is represented by the figure on the lower platform and the
Creater/Father by the "form less” dancers on the upper platforms. Later in the
piece Christ emerges, represented by the "defined” figures on the upper plat
forms.
IN TER M ISSIO N
PA RT TH REE
Faire Is the Heaven
W illia m H a rris ( 1 8 8 3 - 1 9 7 3 )
For centuries composers have set the text of the Gloria from the M ass to
music. One of the most unique settings is that of the contemporary Swedish
composer, Lars Edlund. By employing quarter tones as well as the conven
tional whole and half steps, Mr. Edlund has seemingly embraced more than
the traditional W estern world, but the Far East and India as well. It is as if to
say, “ Everyone is to glorify God.”
A tenor soloist makes the opening statement, a ringing affirmation of the text
supported by the choir as sung by the angels at the birth of Christ. Large intervallic skips with melismas which are highly chromatic plus the use of the
quarter tone seemingly embrace the entire world. The choir assumes the
dominant role on the words, " W e praise you, we bless you, we worship you,"
sung in both a stark contemporary manner and one reflective of a chant, but
with the quarter tone interjected in this century-old mode of worship.
Continuing in the stark manner, the choir reaches the words, “ Je s u Christi.”
The tradition of rhythmic elongation of these words to allow the priest and
congregation to genuflect is also observed by Edlund, but in the manner of
great warmth as opposed to the general starkness of the composition. It is as
if to say, “ Christ is truly the only Source of warmth and beauty in an other
wise cold and objective world."
A narrator introduces the words, "Lam b of God who takest away the sins of
the world,” with the choir intoning in the background. It is the Priest who is to
introduce these solemn Communion words. A most vivid compositional techni
que sets forth the words, "re ce ive our prayer.” By employing a tone cluster
utilizing every note in the scale, the statement that Christ took upon Him
e v e ry sin of mankind is graphically made.
How starkly the words, “ who sitteth at the Right Hand of the Father," are por
trayed by the tenors as they scramble chromatically over each other to
ultimately reach a unison high g, the very opening note on which the tenor
soloist began, Christ again had returned to the Father after having left Heaven
to be born of Mary.
The G loria concludes with the words, "Thou alone art holy, thou only art the
Lord, Thou only art most high.” Two separate keys are present in the choral
parts, signifying our lack of wholeness on this earth. How wonderful the con
trast is in the setting of the following words, “ Je s u Christi," not only in one
key, but with such a splendid major tonality.
The final A m e n is not fully resolved. This earthly sojourn is a constant praise
of God from incomplete people.
(m o te t fo r d ouble choir)
Fair is the heav'n
Where happy soules have place.
In full enjoyment of felicitie;
W hence they doe still behold the
glorious face of the Divine,
Eternall Majestie;
Yet tarre more faire be those
bright Cherubins
W hich all with golden wings are
over dight.
And those eternall burning Seraphins,
Which from their faces dart out
fiery light;
Yet fairer than they both
and much more bright,
Be th' Angels and Archangels,
W hich attend on G od’s owne
person without rest or end.
These then in faire each other
farre excelling
As to the highest they approach
more neare.
Yet is that highest farre beyond
all telling.
Fairer than all the rest which
their appear.
Though all their beauties joynd
together were;
How then can mortall tongue hope
toexpresse
The image of such endlesse
perfectnesse?
Psalm 121
H ein z W e r n e r Z im m e r m a n n ( 1 9 7 3 )
I lift up my eyes to the hills.
From whence does my help com e?
My help comes from the Lord
who made heaven and earth.
He will not let your foot be moved.
He who keeps you will not slumber.
Behold, He who keeps Israel
will neither slumber nor sleep.
The Lord is your keeper.
The Lord is your shade on your right hand.
The sun shall not smite you by day,
nor the moon by night.
The Lord will keep you from all evil.
He will keep your life and soul.
The Lord will keep ypur gping put
and your coming in from this time forth
and forever more. Amen.
0 Lord, won’t you hide me on
that day?
And then the Lord said, "Sinner
man, You should a-been pray-in1
all on that d ay."
Prayer to the C hildjesus
Thy Little Ones, Dear Lord
J o h n S ea g a rd
Dearest Jesus, Holy Child,
make a bed in my heart.
Star in heaven, shining o'er thee,
guiding kings to thee.
Now they bow to thee.
J . S c h u lz (A rr. Je n n in g s )
Angels singing gloria in
excelsis Deo.
Angels guard thee, Mary hold thee,
Love immortal ever with thee,
Gloria. Amen.
Now, Shout!
G e ra ld K e m n e r
God has gone up with a shout.
Sing praises to God, sing praises!
0 sing to the Lord a new song.
Let the sea roar, let the floods
clap their hands;
Let the hills sing for joy together.
The Lord is terrible,
A great King over all the earth.
Tremble, earth.
At the presence of the Lord,
Which turned the rock into
a standing water,
The tlint into a fountain of waters.
Bless the Lord, my soul.
Be thankful, bless his Name.
Bless the Lord, his angels,
Bless the Lord, his ministers,
Bless the Lord, his dominion,
Bless the Lord, 0 my soul,
Bless his holy Name.
Who forgives, who heals,
loving and tender,
merciful and kind.
His mercy is everlasting,
Bless his holy Name.
Thou art clothed with honor
and rrtajesty,
W ho coverest thyself with light
as with a garment,
W ho makest the clouds thy chariot,
Who makest the winds thy messengers.
Thou makest springs gush forth
in the valleys
Thou hast made the moon to mark
the seasons;
The sun knows its time for setting
Thou makest darkness, and it is night.
Clap your hands, all people.
Let the floods clap their hands.
Make a joyful noise, Shout!
— from Psalms 47, 98,
100,103,104, and 114
Thy little ones, dear Lord are we
And come Thy lowly bed to see;
Enlighten every soul and mind,
That we the way to Thee may find.
Sinner Man
S p iritu a l (A rr. R o b e r ts )
(c h o ir w ith soprano, tenor
a nd percu ssio n solos)
Run to the sea. Sea, won't you
hide me all on that day?
The Lord said: "Sin ner man,
the sea will be a-boilin’
all on that day."
Until at last we too proclaim
With all Thy saints Thy glorious name:
In paradise our songs renew,
And praise Thee as the angels do.
0 draw us wholly to Thee, Lord,
Do Thou to us Thy grace accord,
True faith and love to us impart
That we may hold Thee in our heart.
O Lord God
Pau l T s c h e s n o k o f f ( 1 8 7 7 - 1 9 2 1 )
O Lord God, hearThou my pray'r.
Help Thou me, and give ear to
my prayer.
Daily do I worship Thy great name
andThypow'r.
Thou alone canst help me.
O send me Thy peace and Love.
O protect me, my God.
Let me never stray, O my Savior.
Leave me not, 0 God of my salvation.
I will sing to the Lord as long as
I live.
And praise Thy great name while I
have my being.
Hear my pray'r, help Thou me and
give ear to my pray’r.
Glory to God.
OPTIONAL SELECTION
W hen I Survey the W ondrous Cross
A rr. G ilb e r t M a rtin
PART FO U R
O sinner man, where you gonna run
to all on that day?
Run to the rock! Rock, won't you
hide me all on that day?
The Lord said, "Sinner man, the
rock'll bea-meltin'
all on that day."
Satan, Satan, won't you hide
me now?
Satan said: "Ste p right in !"
All on that day!
— Psalm 104: 33
THE NORDIC CHOIR 1985 CONCERT TOUR
The Luther College Nordic Choir, now in its thirty-ninth season, tours an
nually throughout the United States. Four concert tours of Europe, two
tours ot the Caribbean, and two tours of Mexico have been included in its
itinerary as well. Appearances have been made at the Lincoln Center, New
York; Kennedy Center, Washington, D.C.; Orchestra Hall, Chicago; Or
chestra Hall, Minneapolis; and the Crystal Cathedral, Los Angeles. An
estimated 18 million people in South America, Mexico, United States,
South Korea, Australia, and Europe saw the Nordic Choir on television last
year alone.
The Nordic Choir has appeared at the National Convention of the
American Choral Directors Association in Kansas City, at five North Cen
tral Division Conventions of the ACDA, and in March of this year they will
appear in the closing session of the National Convention of the ACDA
along with the Mormon Tabernacle Choir. This appearance will be in the
Mormon Tabernacle in Salt Lake City, Utah.
The choir performed a feature role in the National Public Television film,
The J o y o f Bach. On the occasion of the Second International Choral
Festival held at Lincoln Center, New York City, the Nordic Choir w as one
of three choirs chosen to represent the United States. In 1976 the choir
represented the state of Iowa in the Bicentennial Center of the Performing
Arts in Washington, D.C.
Weston Noble, Director of Music Activities at Luther College, is an interna
tionally known conductor and clinician. He has served as guest director
for music festivals in forty-three states (including Washington, D.C., Alaska
and Hawaii), Canada and Europe. It is believed that he is the only director
asked to conduct all-state groups in all three of the media — band, choir
and orchestra. He annually makes twenty-five to thirty appearances from
coast to coast as a festival director, clinician or adjudicator. In 1983, he
was a guest conductor for the Mormon Tabernacle Choir.
A charter member of the American Choral Directors Association and an
elected member of the American Bandmasters Association, Mr. Noble is
listed in "T he World W ho's W ho of M usicians." He has adjudicated at the
International Festival of Three Cities (Vienna, Budapest and Prague), serv
ed as the Band Consultant and Guest Director for the Association for In
ternational Cultural Exchange, Vienna. In the summer of 1985 he will par
ticipate in A C elebration o f the Baroque in C en tra l Europe: N orthe rn Italy.
A ustria and Yugoslavia with members of the Belgrade Symphony Or
chestra and a choir of 150 from the United States.
THE COLLEGE
Luther College, founded in 1861, is a college of the American Lutheran
church with a student body of 2100. The campus is located in Decorah,
Iowa, on the bluffs of the scenic Upper Iowa River. Most of the buildings
and facilities have been constructed in the last two decades.
The Preus Library opened in 1969 and is considered to be a model of
aesthetic and functional library design. An addition to the College Union
opened in May, 1973. Opening in 1977, the Center for Faith and Life in
cludes a 1600-seat auditorium, and a 200-seat recital hall. The Jenson Hall
of Music, the music teaching facility completed in August of 1982, in
cludes rehearsal rooms, teaching studios, classrooms, and practice
facilities.
Luther's liberal arts curriculum offers 38 majors toward the bachelor of
arts degree. Many programs for specific professional training, such as in
ternships and professional semesters, are available in the strong program
of general education. The 4-1-4 calendar provides additional opportunities
to explore special interests in depth both on and off campus. During the
January Term, opportunities include independent study, research, special
seminars and selected lectures, off-campus programs, on-the-job ex
periences, and foreign study-travel programs.
The academic program at Luther is a total experience, intricately combin
ing courses and personal relationships, classroom instruction and selflearning.
Jenson H all o f M u sic
N O R D IC C H O IR PERSO NN EL
W eston H. Noble, conductor
Curtis Reiso, tour manager
SOPRANO I
TENOR I
Tracie Bjugan, '86, Jasper, M N
Laura Dotseth, '86, C edar Falls, IA
Jill Evans, '87, M arion, IA
Anne Karsten, ’85, C olumbus, OH
Rebecca Morton, ’87, Bralnerd, M N
Khara Peterson, ’86, N orthlield, M N
Thea Phelps, ’85, Tipton, IA
Janet Sandquist, '85, G ranite Falls, M N
Mark G. Anderson, '86, P o rt Washington, WI
Ross Aseron, '85, H offm a n Estates, IL
Rodney Caldwell, '85, Edina, M N
Mark Hamman, '87, K ingsley, IA
Michael Hathaway, '86, Nevada, IA
Charles Peterson, '86, Sheldon, IA
Robert Sinclair, '86, W est Branch, IA
TENOR II
SOPRANO II
Juanita Gilbert, '87, Hanska, M N
Holly Greedy, '87, D ecorah, IA
Kristi Hanson, '87, Belvidere, IL
Dawn Jacobsen, '86, M arshellield, WI
Mary Lynch, '87, D ecorah, IA
Dana McConnell, '87, M adison, WI
Gayle Shay, '86, Ankeny, IA
Jod y Stein, '85, LaCrosse, WI
Mary Vaaler, '87, Woodbury. M N
ALTO I
Hope Broman, '85, M aquoketa, IA
Roberta Drewes, '85, D ecorah, IA
Kris Horeis, '87, Delano, M N
Anne Hustad, '85, Seattle, WA
N ancy Otteson, '87, O w atonna, M N
Lynne Rothrock, '85, C edar Rapids, IA
Kim Torrey, '85, S cituate, MA
Lisa Vanbinsbergen, ’85, M ontevideo, M N
Kris Wolander, '87, Burnsville, M N
Dean Beckman, '85, Mt. Pleasant, IA
Carlyle Dalen, '85, Lake M ills, IA
Charles Ellingson, '87, Beloit, WI
Dale Kruse, '86, M echanicsville, IA
Philip Kuhlman, '85, Edina, M N
Jonathan Larson, '85, D uluth, MN
Scott Meyer, '85, St. A nsgar, IA
Jeffrey Mundt, '87, C edar Falls, IA
William Vollman, '85, Akeley, M N
BASS I
Darren Anderson, '87, LeM ars, IA
Scott Cheffer, '86, E lm hurst, IL
Erik Dovre, '85, M oorhead, M N
Kent Lee, '87, Cresco, IA
Timothy Mitchell, '87, C harles City, IA
Timothy Peter, '86, Elm ore, M N
Bruce Peterson, '85, W anamingo, M N
Todd Saboe, '86, Fort Dodge, IA
Timothy Watson, '86, Ft. M adison, WI
BASS II
ALTO II
Diane Bierbaum, '85, N ew Ulm, M N
Jennifer Ellens, '85, Dundas, M N
Lisa Fredenburgh, ’86, Elm hurst, IL
Ann Harrington, '87, D eW itt, IA
Laura Imsland, '87, M arshalltow n, IA
Laurel Kallio, '87. M arshfield, WI
Elaine Kennedy, '86, W aterloo, IA
Anne Knutson, '86, D ecorah, IA
Sharon Sasse, '86, St. Louis, MO
John Baumgartner, '86, St. Peter, MN
Brett Darrington, '85, Palm dale, CA
Paul Ellens, '85, Dundas, M N
Daniel Hampton, '87, Waverly, IA
Jo n Harkness, '85, Wausau, WI
Timothy Kunau, '86, Preston, IA
Scott E. Nelson, '85, C resco, IA
Paul Pena, '86, A pple Valley, M N
John Toomey, '86, D ubuque, IA
Derrick Torkelson, '85, Elgin, IA
DANCE ENSEM BLE
Vicki Blake, a rtis tic d ire c to r
Mary Vaaler
Craig Nelson
Mary Stadem
Eric Johnson
THE LUTHER COLLEGE MUSIC FACULTY
Amy Anderson, M.M., North Texas State University. Double reeds, theory.
Mary Beckman, M.M., Cleveland Institute of Music. Harp.
Bartlett Butler, Ph.D., University of Illinois. Musicology, Collegium Musicum.
Kathleen Cook, M.M., University of Wisconsin. Flute.
Dennis Darling, Ed.D., University of Illinois. Music Education, Cathedral Choir.
Gary Davis, D.M.A., University of Iowa. Clarinet, saxophone, Jazz Lab Band.
Dan H. Dykema, M.A., University of Iowa, D.M.A. candidate, University of Oklahoma. Piano.
Ronald Fox, D.M.A., Indiana University. Brass.
Beverly Fuller, M.M., University of Southern California. Voice, Music Education.
Steven Fuller, D.M.A., University of Southern California. Voice, Collegiate Chorale, Norsemen.
David Greedy, M.M., Eastman School of Music. Voice, Opera Workshop.
Conrad Hoffsommer, Western Iowa Technical Community College. Piano Tuning and Technology.
Helen Isenberger, M.S., Juilliard School of Music. Voice, Valley Singers.
David Judisch, D.M.A., University of Iowa. Voice.
William Kuhlman, M.M., Syracuse University. Organ.
Peter Lingen, B.F.A., University of Minnesota. Guitar.
Brenda Lualdi, M.M., Southern Illinois University. D.M.A. candidate, Cleveland Institute of Music.
Richard Mattson, M.M., Michigan State University. Low strings, theory.
Douglas Meyer, D.M.A., University of Cincinnati. Conducting, Symphony Orchestra.
Maurice Monhardt, Ph.D., University of Iowa. Department Head, theory, composition, music literature.
Ruth Monhardt, B.A., St. Olaf College. Ear training.
Weston Noble, M.M., University of Michigan. Choral methods, Nordic Choir.
Frederick Nyline, M.A., University of Minnesota. Low brass, Concert Band, Varsity Band.
Richard Patterson, M.A., Northwestern University. Percussion.
John Strauss, D.M.A., University of Texas. Piano.
Virginia Strauss, D.M.A., University of Texas. Strings, theory.
Marjorie Wharton, M.A.,Tulane University. Piano.
Luther College provides equal opportunity for all qualified persons in the educational opportunities and activities which it operates. The College does not
discriminate on the basis of race, creed, handicap, color, national origin, age or sex.
LU TH ER CO LLEG E
. D E C O R A H , IO W A
-52101
Christian
Instrumental
Directors
Association
Midwest Regional Conference
K ankakee, Illinois
M arch 22, 23, 1985
Ohflet
E D U C A T I O N WI T H A C H R I S T I A N P U R P O S E
March
22,
1985
Welcome
to
Midwest
Regional
the
campus
of
Olivet
Christian
Nazarene
Instrumental
College
and
to
Directors
the
1985
Association
Conference.
Your
arrival
that
all
has
been
details
arrival.
Feel
anticipated
have
free
been
to
for
several
foreseen
ask
and
about
months.
cared
for
anything
We
hope
prior
which
to
has
your
been
overlooked.
CIDA
is
growing!
life
of
the
will
assist
leave
Olivet
is
Organization.
CIDA
campus
to
with
make
an
renewed
happy
it
to
is
impact
play
our
on
interest
a
part
in
hope
that
this
the
on-going
Conference
your
life
and
in
your
profession
that
you
will
and
in
CIDA.
We
also
hope
that
your
short
stay
on
campus
will
be
most
enjoyable.
Harlow
Midwest
Hopkins,
Regional
Host
Conference
Olivet nazarene College
Kankakee, Illinois 60901
Telephone 815-939-5011
CONFERENCE
FRIDA
I i
11:30
MARCH
22
SESSION
ONE
Greetings,
Noon
1:30
2: 3 0
3:00
--
140
Introductions,
SESSION
TWO
What
to
Look
John
Wilson
Visit
--
Music
SESSION
—
Music
BANQUET
—
Special
concert
Bill
S A T U R D A Y,
SESSION
1 1: 0 0
FOUR
1:30
Lounge
Diversi-Five, a
Brass
Quintet
Ohio
Auditorium
Harlow
Hopkins,
Conductor
142
Reading
Displays
FIVE
—
Clinic
—
Coffee
in
Lounge
142
—
Trumpet
Quartet,
Cuyahoga
Falls,
Ohio
LUNCH
SESSION
SIX
--
142
Presentation
of
Instrumental
Method"
Mike
3:00
with
Strombeck
Pearce
Brass
Band,
—
Concert-Clinic
12: 15
Norris,
23
Music
SESSION
Phil
George
Trombone
Instrumental
Visit
in
—
and
Center
Falls,
Concert
MARCH
Coffee
Bill
by
Kresge
Pearce,
Olivet
—
Ludwig
—
—
Co.)
Displays
Cuyahoga
CONCERT
Arranging
140
Clinic
5:30
from
Good
Publishing
Displays
THREE
Brass
in
(Hope
Visit
10:30
Overview
140
for
4:00
9:00
CIDA
LUNCH
Low
7:30
SCHEDULE
new
—
"Christian
Beginners
Jim
(Singspiration)
Loucks
and
DiCuirci
CONCERT
CIDA
the
—
High
William
Kresge
School
Himes,
Auditorium
Honor
Band,
Euphonium
Robert
Soloist
4
Evenden,
Conductor
GUEST
BILL
PEARCE
is
and
technique
his
listeners.
Bill
is
a
trombonist
and
awesome
He
International
Company,
a
performing
Ministries
is
Wheaton/Glen
has
dramatic
Illinois
interpretation
Version)
in
ROBERT
cassette
EVENDEN
degrees
from
received
the
of
Fellowship
and
spent
conducting
and
French
Vienna
Professor
Emeritus
Visiting
where
Marching
WILLIAM
he
and
HIMES
in
He
head
addition
to
maintain
Euphonium
to
a
of
very
is
—
Cuyahoga
B.M.
at
from
University.
and
trumpet,
is
School.
Ron
State
has
with
in
of
has
a
with
the
Horn,
holds
Music
and
the
a
has
Medicine.
a
Music
the
Bill
and
as
an
(New
International
and
graduate
Prior
received
Europe
Robert
at
the
as
with
with
many
and
currently
University
and
a
the
Reynolds
is
the
II
to
Rotary
enrolled
conducting
Band
a
program
Evenden
Department
the
officer
Staff
in
and
assists
of
the
as
the
Band,
of
with
Salvation
a
remarkably
Salvation
conducting
schedule
an
Army,
duties
and
continues
arranger
in
has
Humbard
from
from
West
and
student
played
M.M.
amd
as
a
with
College.
5
with
a
(Ohio).
in
Kent
Indiana
at
the
Kent
Wallace
Army
SCOTT
SCHAUS,
the
Degree
Lab
Band,
Northeast
Dimensions
in
and
and
KEGG,
was
on
JONES, French
Conservatory
Akron
tuba,
Marion
from
Band
STEVE
University
TOM
Grace
IOSIK,
Green Middle
staff.
Orchestra.
from
RON
He
State
Brass,
Masters
recording
Baldwin
at
instrumental
from
music
and
Point
Chemistry
an
Philharmonic.
played
Orchestra.
medical
He
has
is
Academy
Dimensions
Degree
Miller
the
an
instrumental
degree
played
and
with
degree
Glenn
Biology
a
Rex
trumpet,
Christian
Wayne
of
He
music
B.M.
BECHTEL,
Valley
Bachelors
the
Cleveland
in
currently
an
Fort
University.
the
degree
the
played
charge
trombone,
and
in
Bands
College
the
holds
member
road
in
unprecedented
Arbor.
H.
Symphonic
conducts
DON
Grace
He
College,
a
strips
extension
Green.
of
active
instructor
was
the
Nightsounds
soloist.
DIVERSI-FIVE
Kent
an
studied
administrative
music
a
Yamaha
for
Bands.
BRASS
has
the
host
an
Evenden
Professor
the
also
He
his
Ann
study
in
has
Director
and
Mr.
of
Elizabeth
organization.
in
annual
Chicago.
undergraduate
Degree,
major
Basketbell
is
of
film
Bible
Michigan,
year
directs
Chicago
and
the
located
west
recorded
entire
his
of
including
Assistant
Illinois
fine
a
Horn
Conservatory.
artists
Army
both
Master's
well-known
miles
cantatas
the
University
his
25
excite
Tennessee.
for
the
" N i g h t s o u n d s ."
prayerfully
of
is
tone
and
form.
completion
the
have
clinician
corporation
area
musical
soon
at
Nashville,
Pearce
program,
marvelous
inspire
times
in
trombone
The
to
several
held
not-for-profit
numerous
will
and
fail
Michigan.
radio
Ellyn,
narrated
individual
soloed
artist
a
never
Workshop
Rapids,
nationally-syndicated
extraordinaire.
range
has
Trombone
Grand
PERFORMERS
holds
College
Ohio
Brass
of
Symphony,
a
B.S.
and
is
College
of
at M a r i o n
FRIDAY
Bill
EVENING
Pearce,
Gerald
Olivet
*
*
*
*
*
*
*
*
Soloist
Pianist
Concert
Hopkins,
*
PROGRAM
Trombone
Anderson,
Harlow
*
CONCERT
Band
Conductor
*
*
*
*
*
*
*
Invocation
Fanfare
and
Canticle:
All
Hymn
Fantasy
BILL
PEARCE.
Hyfrodol
Variation
on
Creatures
for
Amazing
of
Our
G r a c e .............. A r r .
God
and
King.
.
.
Larry
. Claude
B a n d ................................. A r r .
James
Norred
T.
D.
Ployhar
Selected
.................................................
Concert
Band
and
Bill
Pearce,
Arr. George
Smith
Solos
Strombeck
Soloist
Intermission
Intrada:
It's
Adoration
the
a
Closer
it Y o u r
le's
Go
Got
PEARCE
Down
Praise
..........................
Claude
G o s p e l ................................................ A r r .
ist
BILL
and
Hand
the
Walk
in
Moses.
.
the
Whole
. . . . . .
With
Lowden
Hand
World
in
His
Hands
.....................................
Band
and
Bill
Pearce,
Selected
George
...........................................................
How
Thou
Strombeck
Jared
A r t ............................................. S t u a r t
Arr.
6
Solos
Soloist
Alleluias
Great
Bob
Smith
Thee
.................................. A r r .
Concert
T.
Spears
K.
Ralph
Hine
Harmann
CONCERT
BAND
FLUTE
Becky
Jill
Allen
-
Lisle,
Ferree
-
Pontiac,
Aylor
-
Nanci
Brenda
-
Fauser
Danis
Yocum
Michelle
-
-
-
Mission,
Kewanee,
-
City,
Pekin,
Leaf
King
Riley
MI
Columbia
Crawford
Cindy
Beth
Shawnee
Ousley
Cynthia
IL
SAXOPHONE
Beth
Meyers
-
Jeff
Webb
Kankakee,
IL
-
IN
IL
OH
John
Brewer
Lori
Standley
David
Allen
Larry
Mace
FRENCH
-
Flint,
Lori
MI
WI
-
-
Bourbonnais,
Somerset,
IL
KY
K o k o m o , IN
Turnbull
-
Hale,
MI
-
Danville,
Davisson
-
Liberty,
IN
IN
CLARINET
Eileen
Corbuss
- Ottawa,
TROMBONE
IL
Albert
Bb
Muncie,
McRoberts
Phill
Eb
Grove,
HORN
Michael
Hoffman
Union
IL
OBOE
Darrel
-
TRUMPET
IN
IL
Dayton,
Rockford,
ALTO
KS
IL
River,
PERSONNEL
Dan
CLARINET
Bonnie
Kevin
Todd
Agner
-
Webster
Zinkann
Nashville,
-
Benton,
K a n k a k e e , IL
Snyder
-
Wyoming,
Bryant
-
Marshalltown,
Dawn
Sabelfeldt
-
MI
-
Milwaukee,
Singell
-
Edmore,
Lichte
Johnson
Howard
MI
Tampa,
-
Elgin,
IL
IN
Rowe
-
K e n d a l l v i l l e , IN
Payne
-
Muncie,
Peace
David
Rees
Sue
FL
IL
7
Newcomb
Scott
Brenda
-
Lawn,
IN
PERCUSSION
IL
WI
BASSOON
Susan
Oak
IA
Centralia,
Matson
JoAnn
-
Ridgeville,
TUBA
Cindy
Robin
Sharon
-
IL
-
Kelly
Kathy
Regina
GA
Ackerman
Cox
-
Arlington,
Winchester,
Hanson
Polaskey
-
Hillsville,
-
OH
PA
IN
A r n e g a r d , ND
South
Holland,
IL
MIDWEST
REGIONAL HONOR BAND
Robert
William
Evenden,
Himes,
Conductor
Euphonium
Soloist
P R O G R A M
• k - k ' k ' k ' k ' k ' k ' k * ' k ' k - k - k ' k * - k - k - k - k ' k
Works
selected
to
for
Sweet
Pentland
Euphonium
Death
Hills
entral
CL
LaMaire,
Christian
Life
William
CC
ovenant
Andy
CV
WS
est
E.
SCHOOLS
High
School,
II,
AND
Reed
J.W.
Howe
DIRECTORS
School,
Waupun,
Wisconsin
Rockford,
Illinois
Director
High
School,
Christian
Bechtel,
High
Achterberg,
Christian
Walker,
Shore
Alan
High
Lutheran
aukegan
Dave
Curnow
Alfred
Major
Christian
Bird
Valley
Robert
WC
Curnow
James
Director
Christian
uyahoga
/alley
. . . .
Grand
Rapids,
Michigan
K a m p e r , Director
Donald
VL
E.
Band
March
Wisconsin
Paul
&
Grundman
James
............................
PARTICIPATING
CW
following:
J o y .............................. A r r .
Rhapsody
Come
the
S u i t e ................................C l a r e
Hebrides
Ode
from
Cuyahoga
Falls,
School,
St.
Charles,
Illinois
Director
School,
Zion,
Illinois
Director
Christian
Jacobus,
Academy,
Director
Academy,
Director
8
Muskegon,
Michigan
Ohio
MIDWEST
REGIONAL HONOR BAND
TRUMPET
PICCOLO
Janet
Pierson
-
CV
Keith
Eric
Brian
FLUTE
Linda
Kemink
Janet
Pierson
Michelle
Debbie
Jean
Koehlert
Schaus
-
-
Sharon
Diane
-
-
Siener
Waterson
-
-
Kyle
WC
Alsum
Homan
Kristen
VL
OBOE
Cheryl
Leah
Bartel
-
-
CL
CW
-
-
-
CC
-
CV
CW
CW
Soodsma
-
CW
CL
Jenni
Stohs
-
Pendergast
FRENCH
Vikki
VL
-
Ondersma
Denise
CW
-
Huizenga
Sarah
CL
Bret
Salveson
Sprick
Jeff
CV
VL
Heeringa
Meribeth
CV
CW
Shumway
Zell
-
CL
HORN
Johnson
Kamps
Derrick
VL
Karen
-
CL
CC
Christie
Kuiper
Jenny
Lisa
-
Gibbs
-
-
CV
CC
WC
Kirchoff
-
VL
CLARINET
Kristie
Rollston
Christine
Ellen
Wiersma
Deneen
-
-
TROMBONE
WS
Dave
CV
Dan
CW
Haacker
-
VL
Salveson
-
WC
Velthouse
-
CC
Peter
Dawn
Stein
Bartel
Smith
Eric
Smith
Tammy
Amy
Devries
Karen
Hauck
-
CW
-
CC
BASS
CLARINET
Mark
Faga
Shelly
Nancy
-
Van
-
CONTRABASS
Nicole
-
CC
-
CV
-
CL
-
Kok
White
Paul
Vink
Vince
CV
Sue
SAXOPHONE
Buffi
Hofman
Carla
Christof
TENOR
SAXOPHONE
Rachel
Buteyn
BARITONE
Brad
-
-
Mark
CL
CW
SAXOPHONE
Homan
-
-
-
CV
CV
CC
Crescenzo
CW
9
-
Hoekstra
Saari
Jason
CW
-
CW
Vidler
Jodi
Rachelle
ALTO
-
PERCUSSION
CLARINET
Hayes
Cross
TUBA
CC
CLARINET
Dyke
WC
CW
Keith
Dan
-
Lapham
Stuart
-
Baren
CONTRAALTO
CL
CV
EUPHONIUM
VL
Hofman
Van
Mike
-
-
Vogt
-
WS
-
Whitmore
CL
-
WC
(Aux)
(Snare)
VL
-
CV
(Mallets)
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J im S
Y esteryear
O livet N a z arene College
D e p a r t m e n t of M usic
F acu l t y 1984-1985
H a r l o w Hopkins, P r ofessor of Music:
Chairman, D i v i s i o n of Fine
Arts a n d Depa r t m e n t of Music
B.S. Mus.Ed. - Olivet N a z a r e n e Coll e g e
M.S. Mus.Ed. - A m e r i c a n C o n s e r v a t o r y of Music - stud e n t of
J erome Stowell
M u s . D. - Indiana U n i v e r s i t y - student of Earl Bates,
Robert M c G innis
Gradua'te w o r k - U n i v e r s i t y of Illinois
Teaches w o o d w i n d instruments, inst r u m e n t a l c onducting, and
c onducts the Olivet Conc e r t Band
H. G e r a l d A n derson, A s s i s t a n t Pro f e s s o r of M usic
B.S. - Bethany N a z a r e n e Coll e g e
B.Mus. - Texas Tech U n i v e r s i t y
M.Mus. - Texas Tech U n i v e r s i t y
D.M.A. - A m e r i c a n C o n s e r v a t o r y of Music
T eaches class and priv a t e piano
D. George Dunbar, Pr o f e s s o r of Music
B.S. Ch.Mus. and Chr.Ed. - Ol i v e t N a z a r e n e College
M.Mus.
- U n i v e r s i t y of Illinois
D.M.A.
- U n i v e r s i t y of S o u t h e r n C a l i f o r n i a - student of
Dr. Charles, C. Hirt and Ha l s e y Stevens
Teaches choral conducting, voice, church m u s i c courses,
and directs Orpheus Choir and C o n c e r t Singers
Linda
Dunbar, A d j u n c t Instructor
B.S. Mus. Ed. Ol i v e t N a z a r e n e College
Teaches class a n d priv a t e voice, directs Tr e b l e Clef
Choir
A li ce Edwards, A s s o c i a t e Pro f e s s o r of Music
B.Mus. - U n i v e r s i t y of O k l a h o m a
M.Mus. - U n i v e r i s t y of M i c h i g a n
A d d i t i o n a l g r a d u a t e wor k taken be y o n d the M a s t e r ' s at the
U n i v e r s i t y of M i c h i g a n
T eaches class and private piano
R u t h m a r i e Eimer,
A s s i s t a n t Professor of M usic
B .S.Mus.Ed. - Ol i v e t N a z a r e n e College
M .Mus.Ed. - U n i v e r s i t y of Illinois
A d v a n c e d C e r t i f i c a t e in M u s i c E d u c a t i o n - U n i v e r s i t y of
Illinois
A d d i t i o n a l graduate, w o r k - W e s t m i n s t e r Choir School,
Princeton, New Jersey
Teaches e l e m e n t a r y m u s i c m e t hods, voice, an d supervises
student t e a c h i n g
Mary Jane Holstein, V i s i t i n g Instructor
B.S.Mus.Ed. - Olivet N a z a r e n e College
M.M. Organ P e r f . - U n i v e r s i t y of Kansas
A d d i t i o n a l g r a d u a t e w o r k beyond M a s t e r ' s
Northwestern University
T eaches organ and m u s i c theory
at
Timothy Nelson, A s s i s t a n t Professor of Music
B.A. - Taylor U n i v e r s i t y
M.Mus. - U n i v e r s i t y of Illinois; also w o r k beyond the
M a s t e r 's
G r a d u a t e w ork beyond the M a s t e r ' s taken at N o r t h w e s t e r n
University
A s s o c i a t e C e r t i f i c a t e - A m e r i c a n G u i l d of Org a n i s t s
Teaches organ an d piano, m u s i c theory, and i n s t r u m e n t a t i o n
C u r r e n t l y on a c a d e m i c leave
Joe Noble, A s s i s t a n t P r o fessor of M usic
B.A. - Luther College
M.A. - U n i v e r s i t y of Iowa .
Has c o m p l e t e d all r e q u i r e m e n t s except d i s s e r t a t i o n for
Ph.D. - U n i v e r s i t y of Iowa
T eaches voice, sec o n d a r y school m u s i c m e t hods, supervises
student teaching, and conducts V i k i n g M a l e Chorus and
Choral Union
Lolita Phelps, V i s i t i n g Instructor
B.A. V i o l i n P e r f o r m a n c e - Geor g i a State U n i v e r s i t y
M.M. V i o l i n P e r f o r m a n c e - R o o s e v e l t U n i v e r s i t y
Teaches string instruments, Intro to M u s i c Literature,
m u s i c history and literature, i n s t r u m e n t a t i o n
Marcus Va n Ameri n g e n , A s s i s t a n t P r o fessor of Music
B.A. - U n i v e r s i t y of Auckland, New Zealand
M.Rel.Ed. - N a z a r e n e T h e o l o g i c a l S e m inary
M.M. - U n i v e r s i t y of M i s souri at Kansas City
G r a d u a t e Work - U n i v e r s i t y of Illinois
Teaches string i n s t r u m e n t s , m u s i c hist o r y and literature,
Intr o d u c t i o n to M u s i c L i t e r a t u r e
C u r r e n t l y on a c a d e m i c leave
- 2 -
P a r t - t i m e Faculty
Steven Betz
B.M.Ed. - V a n d e r Coo k Coll e g e Of Music
M. M.Ed. - V a n d e r Cook Coll e g e of Music
Teaches p e r c u s s i o n
Becky E s t l h n d
B.S.Mus.Ed. - Illinois W e s l e y a n
M.S. - U n i v e r s i t y of Illinois
T eaches priv a t e flute
R obert Folsom
B.S. Mus.Ed. - R o o sevelt
M.Mus.Ed. - N o r t h w e s t e r n
Teaches oboe
University
University
Illinois U n i v e r s i t y
Paul Germano
B.S. - M i l l i k a n U n i v e r s i t y
D i r e c t e d Conc e r t Band Fall
teaches t r o m b o n e
semester,
directs
Stage
Band,
Irving Kranich, A s s i s t a n t P r ofessor of M usic
B.S. Mus.Ed. - Olivet N a z a r e n e Coll e g e
M.Mus. - A m e r i c a n C o n s e r v a t o r y of M usic - student of
B. Fred Wise a n d Grace Grund
A d v a n c e d C e r t i f i c a t e in M u s i c E d u c a t i o n - U n i v e r s i t y of
Illinois
Director of A c a d e m i c C o u n s e l i n g and Retention; teaches
elementary conducting
Robert Snow
B.S. Mus.Ed. - East e r n Illinois
Teaches Brass I nstruments class
-3 -
University

Department of Music Programs 1984 - 1985

Transcription

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