Hollywood Reporter - Cry Wolf - tower of babble entertainment
Transcription
Hollywood Reporter - Cry Wolf - tower of babble entertainment
9-16 conv pg 79b 9/15/05 5:16 PM Page 1 convergence SEPTEMBER 16-18, 2005 where entertainment meets technology AOL has co-starring role in ‘Wolf’ Online giant helps promo film with IM plot device By Chris Marlowe MC Lyte hosts broadband “VIP Pass.” VH1 ‘Honors’ hits spot with digital content By Chris Marlowe VH1 is using podcasts, mobile phones and other tools from the digital workshop to promote and extend the experience of its “Hip Hop Honors” event Sept. 26. VH1 general manager Tom Calderone, who is leading the network’s evolution into a multiplatform content provider, said VH1 is using all media for the event. “We are celebrating the pioneers of hip-hop by creating an unprecedented amount of original and exclusive programming that allows music lovers to access what they want, when they want,” he said. This marks the first time VH1 has used podcasting. It will be posting a series of 15-minute programs that package interviews with the honorees, samples of their discographies and commentary from Fab 5 Freddy and Nelson George. Mobile content will include such various personalization products as exclusive tracks from Kanye West and Young Jeezy along with textmessage voting for the best emcee in VH1’s “Freestyle 59” contest. VSpot is at the heart of the action, however. The dedicated broadband channel “VIP Pass” goes live when the linear broadcast ends and features behind-thescenes access hosted by MC Lyte, exclusive music performances and interviews with the artists, presenters and honorees as well as footage from this year’s rehearsals. Other VSpot original content includes special coverage of the film “Boyz N the Hood,” featuring clips from the movie and an interview with director John Singleton. “VH1 Hip Hop Honors” is executive produced by Lee Rolontz for VH1 and Jac Benson for Blackjac Entertainment. ■ The horror in “Cry Wolf” relies on instant messaging and other ways of communicating online that might or might not reflect the sender’s true identity. So it made sense to the filmmakers that America Online would want to lend its support by letting the teen thriller’s characters use its AIM product in the movie, which opens nationwide today. Despite the creepy subject matter, AOL didn’t just agree; the online giant is wholeheartedly involved in promoting the film. Among the options being used are AOL mobile phone instant messaging games, a blog maintained by the filmmakers, an AIM service that lets users get showtimes and the addictive multiplayer “Cry Wolf: The Game” that AOL created in conjunction with Clear Games. “There were some internal battles that were fought, but the movie’s not gory, it’s about mind games,” AOL senior marketing manager Christine Loredo said. “And we saw an energy that we wanted to be part of. It’s a core part of the demographic we’re trying to reach.” The movie, co-written by director Jeff Wadlow and producer Beau Bauman, already had experi- Students’ instant messages lead to suspicion and terror in “Cry Wolf.” ence gathering unusual funding when Bauman approached AOL. Primarily, the project became possible when Wadlow competed in the yearlong 2002 Chrysler Million Dollar Film Festival and won a $1 million film budget grant. “The whole advertising marketing in general is evolving, and we’ve got AOL and Focus Pictures and Chrysler coming up with new ideas to try to make it work in a different way,” Wadlow said. In the finest indie filmmaker tradition, Wadlow and Bauman subsequently tapped many other sources willing to provide the required goods and services without being paid in anything besides gratitude and placement in the finished movie. Among these benefactors are eFilms Inc., Technicolor, Panavision, the University of Richmond and the state of Virginia through the Virginia Film Office. FYE stores get download kiosks By Chris Marlowe Mobile content fans will be able to get instant gratification after a deal announced Thursday between music retailer Trans World Entertainment Corp. and wireless distribution specialist WideRay Corp. The partnership will put new entertainment stations, called Download & Go, in For Your Entertainment retail locations, starting with nine stores in Los Angeles, New York and Boston. Users can get music, video, games, ringtones and wallpapers from EMI Music, 20th Century Fox, Digital Chocolate and other content owners. Some will be free, others will be available on a trial basis before payment is due. TWEC executive vp marketing WideRay beams straight to phones. and merchandising Fred Fox said it was a proactive opportunity for delivering the latest entertainment to consumers. The kiosks also have the appeal of bypassing the carriers, which makes it more viable for studios and labels to give away promotional materials. Customers need a Bluetooth- or infrared-enabled mobile device that supports Windows Mobile, Palm, Symbian, UIQ or Java to use the WideRay in-store hardware. ■ When it comes to creating buzz, however, Wadlow said AOL was the critical partner because it reached young horror fans and moviegoers via the communications and content services they use every day. “Aside from the creative ways we use technology in the film, for the plot and the character development and everything, the cast members really do use instant messaging, not as a hobby but as a way of life,” Bauman said. “Cry Wolf” revolves around a group of students who use AIM to spread rumors about a serial killer, only to find that their invented victims start ending up as real corpses. Embedding AOL in the movie therefore added a layer of authenticity, Wadlow said, since it would have been jarring if the dozens of prominent instant message screens weren’t a familiar brand. “In any brand partnership it’s key to find the right partner who will give you the creative freedom to do what you want to do,” he said. “The second thing is to make sure you’re telling a story that organically uses the product anyway.” Both filmmakers actively peruse their message boards and answer comments, being especially eager to answer questions from movie buffs. “It’s a way to connect on a surprisingly personal level with your audience, and they get invested in the movie,” Bauman said. “Cry Wolf” is distributed by Rogue Pictures, the genre film label formed by Focus Features in March 2004. It stars Julian Morris, Jared Padalecki and Lindy Booth. ■ Convergence appears Monday and Friday. Information may be e-mailed to Chris Marlowe, Editorial Director, Digital Media at: [email protected] w w w. h o l l y wo o d r e p o r t e r . c o m 79