CN_guide_without_del..

Transcription

R AT
E *
* SMA
RT
all the colours
of your music
N
E
E
UN
15 J 012
2
I
D
EA DL
World & Jazz Networking
Trade Fair
Showcase Festival
Conference
Networking
Film Market
Awards
virtualWOMEX
every day
mediapool Veranstaltungsservice GmbH
Tempelhofer Ufer 17a
D-10963 Berlin
Fon +49 30 236 362 0
Fax +49 30 236 362 71
www.mediapool-berlin.de
1992
Expo Sevilla
1997
Potsdamer Platz
1992 – 2012
Two decades in the service of culture
1999
Japan in Germany
2000
10 years of German unity
SUBSCRIPTIONS print edition eu 62 € | extra eu 77 €
2009
Giants in Berlin
PDF edition 14 €
Thessaloniki, Greece
17–21 October 2012
www.womex.com
app iPad
ULTIMA KIOSK 2,39 €
THE FIRST ITALIAN MUSIC MAGAZINE
www.giornaledellamusica.it | [email protected]
classical_cover_11mm.indd 1
2011
60 years of
German Federal Police
02.05.12 12:44
Gasteig
Kellerstraße
Bob Beaman
Classical Next Level : Bob Beaman
Thursday 21:00 – 23:30
Gast
eig
Carl Oesterhelt in a Quartet (Germany)
Minas Borboudakis (Greece/Germany)
DJ Dan-Thanh (Germany)
Visuals: Philipp Stegmüller (Germany)
Am
Bob Beaman
Gabelsbergerstr. 4/on the corner Amalienstr., 80333 München/Maxvorstadt
Phone: +49 177 254 74 76
Carl-Orff-Saal
Live Showcases
ie
er
Fo y armon
h
Phil
To get to the Bob Beaman club from the main station, take the subway line U5 to “Odeonsplatz“.
To get to the club from Gasteig, take the S-Bahn lines S1-S8 to “Marienplatz/city centre“ and
continue one stop on the subway line U3 or U6 to “Odeonsplatz“. The Bob Beaman club can also
be reached by bus line 100 to “Odeonsplatz“, departing from Munich‘s main station.
Foyer Carl-Orff-Saal Gallery
Mentoring Sessions
Meet the Artists Receptions
Black Box
Conference
Presen- EG 0117
tations
VHS Vortragssaal
Networking Meetings
Restaurant ”Gast“
Rose
nhei
mer
Straß
e
Ground Floor
1st Floor
2nd Floor
Expo (1st Floor)
<
Meeting Area
Classical:NEXT Entrance
Registration
Media Counter
Bistro
Ground Floor
Internet
Corner
Cloakroom
1st Floor
Vortragssaal
der Bibliothek
IMZ Film Screenings
Video Showcases
Harry Klein
Classical Next Level : Harry Klein
Friday 21:00 – 23:30
Musicians of MKO (Germany)
Double Drums (Germany)
Visuals: Jandoon & Proximal (Germany)
Harry Klein
Sonnenstr. 8, close to Karlsplatz, 80331 München
[email protected] | Phone: +49 894 028 74 00
To get to the Harry Klein club from the main station, take the subway line U8 or the S-Bahn
(city train) lines S1-S8 to “Karlsplatz“ which only takes a few minutes. The S-Bahn lines S1-S8
also depart from “Rosenheimer Platz“ close to Gasteig.
Rosenheimer
Platz
Delegates must show their badges and wristbands to get free access to the
Classical Next Level concerts – subject to capacity.
> Showcases/Club Showcases A – Z
For Directions to the Clubs
> Back Flap Inside
02.05.12 12:44
Index
Program
5 Overview
6 Schedule
13
15
17
First Word
Greeting Dr. Hans-Georg Küppers,
Director of the Department of Arts and Culture, City of Munich
Greeting Dr. Rainer Kahleyss and
Werner Dabringhaus, CLASS Association
of Classical Independents in Germany
Greeting Jennifer Dautermann,
Project Director, Classical:NEXT
21
22
24
26
27
Network
Advisory Board
Jury Members
Partners
Photographer
Advertisers A – Z
Classical:NEXT A – Z
30 From Badges to ”Who is Coming“
34
34
37
39
Destination Munich
Getting Around
Places to Eat
Things to See
Service
42
43
70
Expo
Umbrella Stands A – Z
Exhibitor Presentation/Expo Map
Exhibitors A – Z
76
83
84
86
Conference
Conference Sessions
Mentoring Sessions A – Z
Networking Meetings and Presentations
Biographies A – Z
IMZ Film Screenings
92 IMZ Film Screenings
102
104
123
131
Showcases
Opening and Closing
Live Showcases A – Z
Video Showcases A – Z
Classical Next Level – Club Showcases A – Z
Delegates
138 Companies A – Z
165 Individuals A – Z
Credits
178 Imprint
179 Team
Front Flap Inside Plant Layout Gasteig
Back Flap Inside Directions to Clubs
SIE HABEN ES IN DER HAND
MusikWoche – Das Fachmagazin für die Musikbranche bietet
Ihnen eine einzigartige Servicewelt, genau abgestimmt auf
Ihre individuellen Bedürfnisse.
Overview
Wednesday 30 May
15:00 – 18:00 Registration and Badge Pick-Up, Foyer first floor
15:00 – 18:00 Expo Set-Up, Foyer first floor
19:00 – 22:00 Opening, Carl-Orff-Saal
Thursday 31 May
09:00 – 18:00 All-Day Registration and Badge Pick-Up, Foyer first floor
09:00 – 18:00 Expo, Foyer first floor
10:00 – 11:45 Conference Sessions 1 + 2, Black Box
11:00 – 15:00 Video Showcases, Vortragssaal der Bibliothek
12:00 – 17:30 Live Showcases, Carl-Orff-Saal
13:00 – 14:00 Presentation, Black Box
13:30 – 15:00 Mentoring Sessions, Foyer Carl-Orff-Saal Gallery
15:00 – 18:00 Networking Meetings, VHS Vortragssaal (EG 0117)
16:00 – 22:15 IMZ Film Screenings, Vortragssaal der Bibliothek
17:30 – 18:00 Meet the Artists Reception, Foyer Carl-Orff-Saal Gallery
21:00 – 23:30 Classical Next Level – Club Showcases, Bob Beaman (Club)
Friday 01 June
09:00 – 18:00 All-Day Registration and Badge Pick-Up, Foyer Carl-Orff-Saal
11:00 – 15:00 Video Showcases, Vortragssaal der Bibliothek
12:00 – 21:45 Live Showcases, Carl-Orff-Saal
13:00 – 14:00 Presentation, Black Box
16:00 – 22:05 IMZ Film Sreenings, Vortragssaal der Bibliothek
16:45 – 17:15 Special Presentation (Live Showcase), Carl-Orff-Saal
17:30 – 18:00 Meet the Artists Reception, Foyer Carl-Orff-Saal Gallery
21:00 – 23:30 Classical Next Level – Club Showcases, Harry Klein (Club)
Saturday 02 June
12:00 – 14:00 Closing, Black Box
For catering times and information check > Classical:Next A – Z
Die Musikindustrie in Ihren Händen – immer und überall:
www.musikwoche.de/servicewelt
DER BEAT DER BRANCHE
5
P r o g r am / O v e r v iew
Die Informations- und Planungshilfe jede Woche auf dem Schreibtisch
Schedule
including Conference Sessions, Mentoring Sessions, Networking Meetings & Presentations, IMZ Film
Screenings, Opening & Closing, Live & Video Showcases, Meet the Artists Receptions, Club Showcases
Carl-Orff-Saal (COS)
Black Box (BB)
Vortragssaal der Bibliothek (VSB)
VHS Vortragssaal (EG 0117)
Clubs (Bob Beaman/Harry Klein)
Opening, Live Showcases
Conference Sessions, Presentations, Closing
Video Showcases, IMZ Film Screenings
Networking Meetings
Mentoring Sessions, Meet the Artists Receptions
Classical Next Level – Club Showcases
10:00 – 10:45 Conference Session 1
The Other Europeans
Renewal through folk and popular music
Dr. Bern
11:00 – 11:20 Video Showcase
Israeli Chamber Project (Israel/USA)
15:00 – 16:00
Networking Meeting
International Association of Music
Information Centers (IAMIC)
Network presentation and
concrete project examples
De Greef (Belgium)
13:30 – 15:00
Mentoring Sessions
21:00 – 23:30
19:00 – 22:00 Opening
Eldar Nebolsin (Uzbekistan/Spain)
Tianwa Yang (China/Germany)
Barbara Kozelj (Slovenia /The Netherlands) and
Jan Schultsz (The Netherlands/Switzerland)
Florian Uhlig (Germany)
thu 31 MAY
12:00 – 12:30 Live Showcase
Carion (Denmark)
Le Jardin Secret (Belgium)
Sjælland String Quartet (Denmark)
Perspectives on Music Journalism Today
The present and future of classical music
journalism and media
Dürer (Chair), Condy, Duchen
13:00 – 14:00 Presentation
Break Through into a New Dimension
Dabringhaus, Schmidt-Lucas
Film Music as an Ear-Opener to
Contemporary Music
Exploring the variety of modern music
genres in the context of film
Keller (Chair), Berman, Heyne
Ensemble Capilla Flamenca (Belgium)
Ring Ensemble (Germany)
17:00 – 18:00
Networking Meeting
Austrian Networking Session
Schläfer (Austria)
Red Note Ensemble (UK)
16:00 – 17:40 IMZ Film Screening
Night of Love – Waldbühne Berlin 2010
Operavox – Animated Operas
La Traviata at Zurich Main Station
What is Better, a Community or a Crowd?
Funding your next music project in the 21st century
Walter (Chair), Douglass
6
7
17:30 – 18:00
Meet the Artists Reception
P r o g r am / W E D nesday & T H U r sday
P r o g r am / W E D nesday & T H U r sday
WED 30 MAY
Carl-Orff-Saal (COS)
Black Box (BB)
Vortragssaal der Bibliothek (VSB)
Clubs (Bob Beaman/Harry Klein)
Opening, Live Showcases
Conference Sessions, Presentations, Closing
Video Showcases, IMZ Film Screenings
Networking Meetings
Mentoring Sessions, Meet the Artists Receptions
Classical Next Level – Club Showcases
Designing for Changing Audiences
What is the future for music venues?
Harris
Composer Portraits (Germany)
17:30 – 18:00
Meet the Artists Reception
21:00 – 23:30
Musicians of MKO
(Munich Chamber Orchestra) (Germany)
P r o g r am / F r iday & S atu r day
taste (Germany)
Daria van den Bercken
(The Netherlands)
Seda Röder (Turkey/Austria)
16:45 – 17:15 Special Presentation
Open Goldberg Variations
(Japan/Belgium/Germany/USA)
Salzburger Hofmusik (Austria)
Ensemble Variances (France)
Sax Allemande (Germany)
A Filetta (France)
Copyright Extension for Phonograms
The consequences for performers and
record companies
Prof. Dr. Pennartz (Chair), Wunderlich, Janse
13:00 – 14:00 Presentation
Break Through into a New Dimension
Dabringhaus, Schmidt-Lucas
Promoting Arts in the Age
of Digital Reproduction
Leveraging Internet and social media to engage
new audiences for cultural institutions
Dr. Dehli (Chair), Gruits, Kleeblatt
Classical Club Culture
Two musical worlds exchange influence
and inspiration
Schneider (Chair), Hartig, Kellersmann
Augustin Maurs (France/Germany)
Max Richter (Germany/UK)
Concert for Europe
Place
The Neighbour
A Little Nightmare Music
La Clemenza di Tito
Sat 2 Jun
12:00 – 12:30 Keynote
A Game of Two Halves
Where big is not necessarily better
James Jolly (UK)
12:30 – 14:00 Closing
Moritz Eggert (Germany)
Orchester Jakobsplatz München (Germany)
QNG – Quartet New Generation (Germany)
Updated 02 May 2012, program subject to change.
Please check www.twitter.com/ClassicalNEXT or the notice-board close to the media counter for the latest updates.
8
9
P r o g r am / F r iday & S atu r day
Fri 1 Jun
INTERPRETEN
Immer hautnah dabei: Ob Anne-Sophie Mutter, Alfred Brendel,
Cecilia Bartoli oder Anna Netrebko – in FONO FORUM sprechen
große Interpreten in aller Offenheit.
Klassik und
Jazz hautnah
erleben
JAZZ
Sie wollen mehr als Klassik und lieben anspruchsvolle Musik?
Jeden Monat entführen wir Sie auch in die Welt des Jazz –
vom Standard bis zum Freejazz und empfehlen die besten CDs.
ENTDECKUNGEN
Stets ein bisschen früher informiert: In FONO FORUM kommen
nicht nur die Stars der Szene zu Wort, sondern wir stellen
Ihnen auch Newcomer und unbekannte Talente vor.
CD-KRITIKEN
Jeden Monat im gut sortierten Zeitschriftenhandel.
Oder nutzen Sie die vielen Vorteile eines Abonnements.
Infos unter:
Nicht den Überblick verlieren: Jeden Monat bespricht ein
Team von qualifizierten Autoren für Sie die aktuellen CDs
und empfiehlt die besten Aufnahmen.
www.fonoforum.de
www.nitschke-verlag.de
Dr. Hans-Georg Küppers
There are several music conferences in German-speaking countries; however, up
until now there has not been a forum devoted especially to classical music in all
of its manifestations, from the traditional forms of past centuries to contemporary
and experimental forms. As the director of the Department of Arts and Culture
of the City of Munich, I appreciate, naturally, that a new music conference called
Classical:NEXT has been initiated here in our city.
Many renowned participants contribute to Munich‘s reputation as a metropolis
of first-class classical music: of the seven professional orchestras in our city, four
are internationally ranked among the best – from the Münchner Philharmoniker
to the Symphonieorchester des Bayerischen Rundfunks and the Bayerische
Staatsorchester to the Münchener Kammerorchester. The Staatsoper and the
ARD International Music Competition are famous across the globe. The top-class
spectrum of concerts is supplemented by, among others, private organizations
and the Bayerischer Rundfunk. Special mention in the area of contemporary
classical music should be given in particular to the international music theater
festival Munich Biennale and the musica viva. The Hochschule für Musik und
Theater is one of the most venerable educational institutions, and the music
library at the Gasteig Cultural Center is the largest public institute of its kind in
Germany. And the more than 70 labels with offices in Munich and the surrounding
area make an essential contribution with their publications to the development
and presence of new musical trends here.
Dear visitors to the music conference, perhaps you will also find the time, in
addition to your networking activities, to enjoy the multifaceted cultural life in
our city. I would especially recommend the two evening events Classical Next Level
in the clubs Harry Klein and Bob Beaman.
To find out more and to discuss advertising opportunities, contact Tom Drew
[email protected]
*
Jan-Dec 2011 42,735
+44 1179 338043
I wish all of the participants as well as the organizers of Classical:NEXT
a successful conference.
13
F I R S T W OR D / GR E E T I N G S
Over 42,000 copies sold every issue*
Dr. Hans-Georg Küppers,
Director of the Department of Arts and Culture, City of Munich
© Alessandra Schellnegger
The world’s
best-selling classical
music magazine
Foreword
“New Brooms Sweep Best”
We proudly present three
new productions starring
CECILIA BARTOLI
”New brooms sweep best“ an old proverb says. And no doubt about it: against the
background of dramatically changing markets, rapid technological development,
ever-changing production conditions and shifting reception of classical music,
there is a clear need for us to do our own tidying up and renovation work, despite
the “spring cleaning” already taking place throughout the industry.
Dr. Rainer Kahleyss
Editor and distributor
www.class-germany.de
Classical labels, producers, sound engineers, distributors and technology
partners have teamed up to form CLASS – the Association for Classical
Independents. Together with artists, journalists, agencies and classical enthusiasts,
we‘ve recognised this need. We‘ve long been on the lookout for new tools to
complete the task.
We are therefore very pleased to have found the tireless team of WOMEX and
the interested partners from the city of Munich that provide not only new brooms,
but also the rooms. The cultural spaces of Gasteig are a most appropriate location
for sweeping and tending to even the most isolated and hard-to-reach niches of
classical‘s varied structure.
Händel GIULIO CESARE IN EGITTO
Recorded at Salzburg Whitsun Festival 2012 in
cooperation with Bel Air Media, ARTE France and ORF
Rossini
LE COMTE ORY
Rossini
OTELLO OSSIA IL
MORO DI VENEZIA
Zurich Opera House, 2012
Zurich Opera House, 2012
Werner Dabringhaus
Diplom Tonmeister
It‘s not simply our business - it‘s our passion.
15
Within these few days we will know exactly how much this new model is
already motivating international dialogue. Classical:NEXT is young, brisk, unused –
the new design is malleable and versatile. Promised!
CLASS e. V. wishes Classical:NEXT all the very best on the way to a richlydeserved success – as a meeting place, a marketplace of ideas, as a powerful
forum, as an experimental showcase. And we have no doubt: Classical:NEXT
will be the force which will stir up plenty of dust on the exciting path to the
classical music market of the future.
Foreword by Classical:NEXT initiating partner CLASS – Association of
Classical Independents in Germany
Necessity Unites
SUBSCRIBE TO CLASSICAL MUSIC
TODAY AND SAVE €27!*
Classical Music is the authoritative voice of the classical music profession,
offering a behind-the-scenes approach to a fast changing industry. Encounter the
biggest movers and shakers in the business
and read their expert views on the latest news
and developments – as they happen.
A subscription to Classical Music
gives you:
» 24 issues of Classical Music
» Seven FREE annual supplements
» FREE delivery, direct to your door
» FREE monthly e-news
© Michael Mann
Jennifer Dautermann
Project Director Classical:NEXT
www.classicalnext.com
FREE
Remember that this first edition in 2012 is just the beginning, the start-up
version. In the coming years we will develop Classical:NEXT together with you.
It is an open platform – a forum for your needs, your wishes, your content. It‘s
your place to meet, greet, expand your networks and horizons, to inform and be
informed. We invite you, international professionals from all geographical regions
and musical niches, to continue your engagement and to help spread the word.
ORDER ONLINE @ WWW.RHINEGOLD.CO.UK/CMNEXT
OR BY PHONE ON +44 1371 851892. QUOTE ‘CMNEXT’
RHINEGOLD
PUBLISHING
www.rhinegold.co.uk
To bring these diverse scenes together, the CLASS Association of Classical
Independents in Germany approached piranha womex, for over 17 years a music
industry networking facilitator and producer of WOMEX – the world music expo,
one of the leading music trade fairs in Europe. The Department of Arts and Culture
of the City of Munich was enthusiastic and supportive of the concept from the
very start. To our initiating partner CLASS, the Department of Arts and Culture
of the City of Munich, as well as to our host venue, Gasteig, we express our
gratitude. Thank you for your support and guidance. Classical:NEXT could not
have happened without you!
The aim of Classical:NEXT is to gather all elements of the wide, multifarious
world of classical together under one roof. All sectors, all epochs, all approaches.
These combined forces have boundless potential to create powerful synergy.
SUBSCRIBE BY 30 JUNE 2012 AND GET
24 ISSUES + 7 FREE SUPPLEMENTS FOR JUST €113.
*saving on European cover price (€141.60). Offer ends 30 June 2012. UK and ROW orders also welcome –
please visit www.rhinegold.co.uk/cmnext for more information. UK offer price: £72. ROW offer price: $159.95.
Welcome to the first Classical:NEXT. This new international professionals forum
for classical and art music was born of necessity. Up to now, the classical
music community has been fragmented: early or contemporary; traditional
or experimental; live or recorded; institutions, associations or independent
individuals. These groupings meet separately at their own conferences or at
events dedicated to a particular musical approach or era. The need for an event
dedicated to the entire community has become increasingly apparent.
United, we can become a force for positive energy and evolution:
celebrating the past, working in the present, looking to the future.
17
Come together, survive and thrive at Classical:NEXT
Das Magazin für
klassische Musik & Lebensart
Klassik lesen & hören
crescendo ist das Magazin für
klassische Musik & Lebensart.
Im Premium-Abo erwarten Sie 84 Seiten:
2012
Februa r / März
.de 7,90 euro
www.cr escendo
Europa Konzert
1
2012
Januar euro
2011 /
7,90
Dezember
www.crescendo.de
Premium
inkl.
CD
2 CD
Premium edition
Cd Vol.33
ragna schirmer
9622472) ..........................................................................................................................................................................
(Naive
(1809-1847)
01:59
SErafin
BartHoldy 8553222)
...............................................
Huber (Avi
Felix MendelssoHn
Sekt mit
harald
Ruth Ziesak, Gerold
„So schlaf in Ruh“
Ein Gläschen
(1824-1910)
42“
Operetten-Maestro
a-Moll, op.
carl reineckeund Violoncello dem
05:01
„Sonate für Klavier
troppo – Intermezzo. (MDG 603 1661-2) ..........................................................
II. Lento ma non
Connie Shih
Pahud
Manuel Fischer-Dieskau,
sich
(1786-1826)
74“
EmmanuEl
von WeBer
Nr. 2 Es-Dur, op. verneigt–
10 carl Maria
und Orchester
FlötistSymphoniker
06:44
vor
DerBamberger
„Konzert für Klarinette Karl-Heinz Steffens,
.............................................
Szulc (Tudor 7159)
II. Romanza. Andante.
Radoslaw
musikalisch
dem Großen
Bayerische Staatsphilharmonie,
(1756-1791)
Friedrich
aMadeus Mozart Singers,
02:11
11 WolFgang II. Kyrie. The New Siberian
(Alpha 178) ..................................................................................
„Requiem K626“
Teodor Currentzis
MusicaAeterna,
von Paul Hillier.
02:26
12 anonyMus Volksweise in der Bearbeitung
HMU807565) ..........................................................................
„Andachtsjodler“,
(Harmonia Mundi
Ars Nova Copenhagen
des
gounod (1818-1893)
........... 04:34
Chor und Symphonieorchester
13 cHarles
(BR Klassik 900114)
VII. Agnus Dei.
Mariss Jansons
„Cäcilienmesse“
Peter Dijkstra,
Bayerischen Rundfunks,
7,90 eur
8
2011 / Januar
dezember
7_2011
fabio
Cd Vol.34
luisi
Jahrgang
14 ausgabe
von
Mastering: FARAO.
GmbH, München,
Mundi,
von Port Media
EMI, Harmonia
erobern.
Nachfolger
use only. Produziert BR Klassik, Challenge Classics,
(for promotional
Avi,
Opera
Atma Classique,
könnte als
Solo Musica, Tudor)
Wir danken: Alpha,
MDG, Naïve, Ondine,
Der Italiener die Metropolitan
York begleitet.
James Levine
ihn in New
Wir haben
KlassiKmagazin
2
28.10.2011 11:56:19
2012
– die
KIRChEnMUSIK
ThEMA: Laienmusiker
Großmacht
Mozartwoche Salzburg
2012
mozarteum
Stiftung bis 5. Februar
27. Januar
„gefaltet“.
Konzert
uraufführung
andre
und mark
ein choreographisches
Waltz
von Sasha
• 750.000sind eine
Musik
Kirchen
Bach,
der klassischen
Sebastian Herrn
des
• Johann
der Komponist
– das
crescendo_CD_0711.indd
aus dem Mosteiro
dos Jerónimos, Lissabon
1:25
3:21
5:50
5:11
4:53
b47837
Jahrgang
B47837
14 / 07_2011
Jahrgang
14 / 02_2011
Mit Beihefter
ak tuell
Class
premium
Mastering: Classics,
München, Challenge
Bonus
GmbH,
Media
Lissabon
Music) – ein porträt
BR Klassik,
von Port
Paladinopicture Gallery: bei der probe
Classics,
Classics,
Brilliant
Produziert
use only. Avanti Classic, Naxos, Oehms
Mundi,
(for promotional
Ars Produktion,Harmonia
Wir danken: ECM, Genuin,
Delos,
cd_euroarts.indd
by courtesy of
maria João pires appear
pierre boulez and
Gmbh, hamburg.
deutsche Grammophon
Lisbon,
mosteiro dos Jerónimos,
recorded live at the
1 may 2003
directed by bob coles
produced by paul smaczny
pleger
and directed by ralf
documentary written
speaker: rolf seelmann-eggebert
euroarts music, berlin
product management:
halle/saale
digital images Gmbh,
dVd premastering:
rosa da silva
artist photos: Gonçalo
hamburg
subtitles: texthouse,
booklet editors &
adam blauhut (e);
subtitle translations:
(F)
Jean-claude poyet
(ravel);
editions durand, paris
music publishers: new York (bartók)
boosey & hawkes,
rbb,
music international, with
association
a production of euroarts
media/VideaL in
music
nhK and brilliant
York © 2003 euroarts
Thirteen/Wnet, newbrilliant media/VideaL
international Gmbh,
artwork
Gmbh
© 2012 port media
edition
Premium
Cd Vol.35
14:40
unseres Klavierkonzert d-moll,
8:31
Leistung
6 i. allegro
9:38
exklusive ents.
7 ii. romance
assai
ist eine
8 iii. rondo. allegro
Abo-CD
sechs Mal aktuellen
Premium-Abonnem
maria João pires, Klavier
Die crescendo
ten erhalten der in der
crescendo
Béla Bartók (1881–1945)
Werken
enKonzert für orchester, sz 116 non troppo –
CD mit
Premium-Abonnen
Künstler.
andante
9:39
1
9 i. introduzione.
crescendo“.
eine hochwertigevorgestellten
– tranquillo – tempo
Premium-Abonnent
6:27
allegro
oder vivace
Ausgabe diesem für
jährlich
allegro scherzando 7:53
Ihr „klingendes 85 351048 ii. Giuoco delle coppie.
von
non troppo
4:24
auch Sie
11 iii. elegia. andante
sondern
Sie ab sofort +49-(0)89-85
allegretto
10:14
Profitieren Genießen
Abo-CD, 12 iV. intermezzo interrotto.
– presto
Premium-Abo:
Bonus.
Ausstattung.
13 V. Finale. pesante
nur unsere
kostenlosen Ihr persönliches darin nicht
hochwertigen
(1862–1918)
7:32
Sie
Claude Debussy
Sie findeneiner besonders
nocturnes)
Bestellen
14 Fêtes (aus: trois
in
1:16
und Hintergründe
[email protected]
mehr Inhalt
Interviews
15 Abspann
auch deutlich
boulez
Reportagen,Welt der Klassik.
philharmoniker, pierre
berliner
FARAO.
60 % mehr
aus der
crescendo
Ambrosini 06:17
Marco
.............
(1659 –1695)
Jane Achtman,
Purcell
.......................................................
Henry
K. WallumrØd,
„The Plaint”.Pessi, Susanna
....................................................... – ca. 1230)
(ca. 1170
... 03:09
Giovanna.......................................................
(ECM 2226)
.......................................................
der vogelWeide
von Ensemble Leones
.......................................................
got“.
WaltHer
gelopter
„Vil wol
Allegretto.
.......................................................
(1770 –1827)
8.572449)
03:18
(Naxos
1” III. Menuetto. Rundfunks,
op. 2 Nr. des Bayerischen ......................................................
van BeetHoven
f-Moll,
9 ludWig
für Klavier
.......................................................
Symphonieorchester
„Sonate
900115)
Gorlatch,
02:06
(BR Klassik
(1774 –1850)
Alexej
Tewinkel
........................................
Sebastian
tomascHekHager
Leopold .......................................................
Wenzel
Ildikó Raimondi,
10 JoHann
05:40
„An Linna“. pmr 0016) .......................................................
Music
Largo assai. ....................................................
(Paladino
(1732 –1809)
Nr. 3“ II.
Haydng-Moll, op. 74, .......................................................
in
11 JosePH
GEN 11218)
07:24
(Genuin
„Streichquartett
(1685 –1750)
Quartett
BacH
....................................................
Amaryllis
I. Allegro. Classics 94296)
seBastian
(Brilliant
BWV 1053,
12 JoHannin D-Dur“
Cordevento
„Konzert
Ensemble
Erik Bosgraaf,
Premium edition
unseres
exklusive Leistung
Abo-CD ist eine
Die crescendo
Mal
crescendo Premium-Abonnements.
erhalten sechs
Premium-Abonnenten Werken der in der aktuellen
CD mit
jährlich eine hochwertigevorgestellten Künstler.
Ausgabe
für Premium-Abonnenten
crescendo“.
Sie von diesem
Profitieren auch
sofort Ihr „klingendes85 35 48 oder
Genießen Sie ab
+49-(0)89-85
kostenlosen Bonus.
Abo-CD, sondern
persönliches Premium-Abo:
nicht nur unsere
Bestellen Sie Ihr
Ausstattung.
Sie finden darin
[email protected]
besonders hochwertigen
Inhalt in einer
auch deutlich mehr
Hintergründe
Interviews und
60 % mehr Reportagen,Welt der Klassik.
aus der
2012
9
8
Vorspann
Maurice Ravel (1875–1937)
Le tombeau de couperin
2 i. prélude. Vif
3 ii. Forlane. allegrettomoderato
4 iii. menuet. allegro vif
assez
5 iV. rigaudon.
Mozart (1756–1791)
Wolfgang Amadeus KV 466
edition
Cd Vol.34
PREMIUM
AUSGABE
(1803-1869)
Hector Berlioz
Abruzzes à sa maitresse“Marc Minkowski
montagnard des
06:17
Musiciens du Louvre,
„Sérénade d’un
Italie, op. 16“ Les
aus: „Harold en
7
7
19:00
von §§
erfolgen auf der Grundlage
Kenndie FsK-Kennzeichnungensie sind gesetzlich verbindliche
obersten Landesjugend12, 14 Jugendschutzgesetz.
sind
FsK im auftrag der
zeichen, die von der
werden. die FsK-Kennzeichnungen
sollen sicherstellen,
behörden vorgenommen
und
empfehlungen, sondern
keine pädagogischen geistige oder seelische Wohl von Kindern
dass das körperliche,bestimmten altersgruppe nicht beeinträchtigt
www.fsk.de.
Jugendlichen einer
erhalten sie unter
wird. Weitere informationen
(For promotional
c r e s c e n d oo n
i
sonderedit
europa Konzert
aus Lissabon
berLiner phiLharmoniKer
pierre bouLez
maria João pires
12.01.2012
14:21:33
use only.)
PREM IUM
AUSG ABE
1
2
11.01.2012 17:05:40
n ein Blick hinter die Kulissen der Klassik-Welt,
inkl.
2 CD s
n die Neuerscheinungen auf dem Klassik- und
Jazz-CD-Markt, die neuesten Tanz-DVDs und
Musikbücher,
..
2012
7,90 eur
EIN KAFFEE MIT.
Klaus Zehelein
s
über seinen Statu
als Intellektueller
Februar / märz
ausgabe 1_2012
n Jahrga ng 15
9
(1803-1869)
à sa maitresse“
Berlioz
des Abruzzes du Louvre, Marc Minkowski 06:17
Hector
d’un montagnard
16“ Les Musiciens
„Sérénade
en Italie, op.
aus: „Harold
01:59
..........................................................................................................................................................................
(1809-1847)
(Naive 9622472)
BartHoldy (Avi 8553222) ...............................................
Huber
Ziesak, Gerold
Felix MendelssoHn
in Ruh“ Ruth
„So schlaf
42“
(1824-1910)
a-Moll, op.
05:01
carl reineckeund Violoncello
Klavier
– Intermezzo. (MDG 603 1661-2) ..........................................................
„Sonate für
non troppo
Connie Shih
II. Lento ma
(1786-1826)
op. 74“
WeBer
Nr. 2 Es-Dur, Symphoniker –
Maria von
06:44
10 carl für Klarinette und Orchester
Steffens, Bamberger
7159) .............................................
„Konzert
Szulc (Tudor
Andante. Karl-Heinz
Radoslaw
II. Romanza.
Staatsphilharmonie,
(1756-1791)
Bayerische
Mozart
02:11
aMadeus New Siberian Singers,
The
..................................................................................
11 WolFgang
(Alpha 178)
K626“ II. Kyrie.
„Requiem
Teodor Currentzis
MusicaAeterna,
02:26
von Paul Hillier.
in der Bearbeitung
..........................................................................
12 anonyMus Volksweise
Mundi HMU807565)
(Harmonia
des
Ars Nova Copenhagen
04:34
(1818-1893)
900114) ...........
gounod Dei. Chor und Symphonieorchester
(BR Klassik
13 cHarles
VII. Agnus Dijkstra, Mariss Jansons
Peter
Rundfunks,
Bayerischen
2
Premium edition
Cd Vol.33
ragna schirmer
Leistung unseres
eine exklusive
Abo-CD ist
Die crescendo
Mal
Premium-Abonnements.
crescendo
erhalten sechs der aktuellen
der in
Premium-Abonnenten
CD mit Werken
Künstler.
hochwertige
jährlich eine Ausgabe vorgestellten Premium-Abonnenten
crescendo“.
diesem für
Ihr „klingendes85 35 48 oder
auch Sie von
Profitieren
Sie ab sofort
Bonus. GenießenPremium-Abo: +49-(0)89-85
Abo-CD, sondern
kostenlosen
Ihr persönliches darin nicht nur unsere
Ausstattung.
Bestellen Sie
hochwertigen
Sie finden
[email protected] Inhalt in einer besonders
mehr
und Hintergründe
auch deutlich
Interviews
Reportagen,
der Klassik.
60 % mehr
aus der Welt
Premium edition
Cd Vol.34
FARAO.
Mastering:
GmbH, München,EMI, Harmonia Mundi,
von Port Media
Classics,
use only. Produziert BR Klassik, ChallengeTudor)
(for promotional Atma Classique, Avi,
Musica,
Ondine, Solo
Alpha,
Wir danken:
MDG, Naïve,
28.10.2011
11:56:19
PREMIUM
AUSGABE
inkl.
CD
7
7,90 eur
Hector Berlioz
(1803-1869)
„Sérénade d’un
aus: „Harold montagnard des Abruzzes
en Italie, op.
16“ Les Musiciensà sa maitresse“
(Naive 9622472)
.................................................................................................................................................................
du Louvre, Marc
Minkowski
Felix MendelssoHn
......... 06:17
„So schlaf in
BartHoldy
Ruh“ Ruth Ziesak,
(1809-1847)
Gerold
Huber (Avi 8553222)
harald
SErafin
carl reinecke
...............................................
„Sonate für Klavier (1824-1910)
01:59
und Violoncello Ein Gläschen Sekt mit
II. Lento ma
a-Moll, op. 42“
non troppo –
dem
Operetten-Maestro
Intermezzo.
2
OktOber
/ NOvember
www.crescendo.de
2011
7,90 eurO
inkl.
7,90 eur
2011
november
oKtober /
14 ausgabe
6_2011
Jahrgang
2
das KlassiKmagazin
premium –
Connie Shih
(MDG 603 1661-2)
10 carl Maria
..........................................................
von WeBer
„Konzert für
05:01
(1786-1826)
Klarinette und
Pahud
II. Romanza.
OrchesterEmmanuEl
Nr. 2 Es-Dur,
Andante. Karl-Heinz
op. 74“
Bayerische Staatsphilharmonie,
Steffens,
DerBamberger
Flötist
verneigt sich
Symphoniker
Radoslaw Szulc
–
11 WolFgang
(Tudor 7159) vor
musikalisch
.............................................
„Requiem K626“ aMadeus Mozart
Friedrich
dem Großen06:44
(1756-1791)
MusicaAeterna, II. Kyrie. The New Siberian
Teodor Currentzis
Singers,
(Alpha 178) ..................................................................................
12 anonyMus
02:11
Volksweise in
Ars Nova Copenhagen
der Bearbeitung
von Paul Hillier.
(Harmonia Mundi
HMU807565)
13 cHarles
..........................................................................
gounod
(1818-1893)
02:26
VII. Agnus Dei.
Bayerischen
Chor und Symphonieorchester
Rundfunks,
Peter Dijkstra,
des
Mariss Jansons
Premium edition
Cd Vol.33
PREMIUM
AUSGABE
2 CD s
8 Johann
„Konzert Christian
in G-Dur“,
(Challenge
sChieferdeCker
III. Aria.
Classics
CC72531)
Adagio.
9 GeorG
.................................................................................................................................................
(1679-1732)
Elbipolis
friedriCh
Barockorchester
„Non
ho cor
händel
che per
Alexandrina
Hamburg
amarti“
(1685-1759)
Pendatchanska,
(Harmonia
aus: „Agrippina“.
Mundi
02:49
HMC 952088.90)
Akademie
10 Carl
.....................................................................................................................................
für Alte
PhiliPP
Musik
„Klavierkonzert
Berlin,
emanuel
René Jacobs
(Hänssler
d-Moll“
Classic
Wq.23, BaCh (1714-1788)
CD 98.639)
III. Allegro
11 Johann
...................................................................................................................................................
04:20
assai. Michael
„Konzert seBastian
Rische
für Oboe,
BWV
StreicherBaCh (1685-1750)
1041, II.
Ramón
Andante.
und Basso
Ortega
06:43
continuo
(Genuin
GEN 11209) Quero, Kammerakademie
Nr. 1 a-Moll“
PhiLiPPe
..................................................................................................................................................................
12 Johann
Jaroussky:
DerPotsdam,
seBastian
„Klavierkonzert
Peter Rainer
Countertenor
Sebastian
BaCh erstmals
Nr.
(1685-1750)
Knauer, 2 E-Dur“
im Sopranfach
(Berlin
BWV
Zürcher
Classics
1053, III.
0300270BC)
05:45
Kammerorchester,
Allegro.
13 edvard
.....................................................................................................................................................
Sir Roger
GrieG
Lorin
„Åses
Norrington
Tod“ aus:
maazeL
(1843-1907)
Welte-Philharmonie-Orgel
„Peer Gynt
Der Maestro
(Oehms
Suite“
resumiert
Classics
Welteund
06:32
OC 840)
Musikrolle
zeigt
.........................................................................................................................................................
213, sich entspannt
crescendo
crescendo premium – das KlassiKmagazin Jahrgang 14 ausgabe 7_2011 dezember 2011 / Januar 2012
8
9
Lang Lang?
Premium
edition
Cd Vol.32
Die crescendo
Abo-CD
crescendo ist eine exklusive
Premium-Abonnenten
Premium-Abonnements.
Leistung
eine hochwertige
unseres
erhalten
Profitieren Ausgabe CD mit Werken sechs Mal
vorgestellten
kostenlosen
auch
der
Bonus. Sie von diesem
Künstler.in der aktuellen
Bestellen
Genießen
Sie Ihr
für Premium-Abonnenten
[email protected]
persönliches Sie ab
sofort
auch deutlich
Sie finden Premium-Abo:Ihr „klingendes
mehr Inhalt
darin
+49-(0)89-85 crescendo“.
in einer nicht nur unsere
85
60 % mehr
besonders
Abo-CD,35 48 oder
Reportagen,
hochwertigen
sondern
aus der Interviews
Ausstattung.
und
Welt der
(for promotional
Klassik. Hintergründe
jährlich
ragna schirmer
03:48
Wir danken: use only.
Produziert
Crystal
Berlin
von
Classics,
Classics,
Port Media
BR
ECM,
Deutschlands
GmbH,
EMI, Genuin,Klassik, Carpe
München,
Diem,
beste Pianistin
Hänssler
Mastering:
Classic, Challenge Classics,
über kleine Konzerte,
FARAO.
Harmonia
Col legno,
Mundi,
die sie groß machten
Oehms
Classics)
Premium
edition
Cd Vol.33
Thema:
Wenn Lampenfieber
zur
Auftrittsangst
wird
b47837 Jahrgang
B47837 Jahrgang
14 / 06_2011
14 / 02_2011
HigHligHt in ludwigsHafen
am 27. November
Georges Prêtre 2011
royal Philharmonic und das
Orchestra
beim Festkonzert
20.09.2011
13:57:42
zum Jubiläum:
90 Jahre kultur
bei bASF
Die crescendo
Abo-CD ist
eine exklusive
Leistung unseres
Premium-Abonnenten
jährlich eine
erhalten
hochwertige
CD mit Werken sechs Mal
der in der aktuellen
Ausgabe vorgestellten
Profitieren auch
Künstler.
Sie von
kostenlosen
Bonus. Genießen diesem für Premium-Abonnenten
Bestellen Sie
Ihr persönliches Sie ab sofort Ihr „klingendes
[email protected]
Premium-Abo:
crescendo“.
+49-(0)89-85
Sie finden darin
auch deutlich
85 35 48 oder
nicht nur
mehr Inhalt
in einer besonders unsere Abo-CD, sondern
hochwertigen
60 % mehr Reportagen,
Ausstattung.
fabio luisi
Interviews und
Hintergründe
Der Italiener könnte als Nachfolger von
aus der Welt
der Klassik.
James Levine
die Metropolitan Opera
erobern.
(for promotional
(BR
use only. Produziert
Wir danken:
........... 04:34
von Port Media
Alpha, Atma
Wir haben Klassik
ihn900114)
in New
York begleitet.
GmbH, München,
Classique, Avi,
BR
cAMEroN
cArpENTEr
MDG, Naïve,
Premium edition
Cd Vol.34
rika will mit
Das Genie aus Ame
Tournee gehen
eigener Orgel auf
b47837 Jahrgang 15
/ 01_2012
Mastering: FARAO.
Klassik, Challenge
Classics, EMI,
Ondine, Solo
Harmonia Mundi,
Musica, Tudor)
ThEMA: KIRChEnMUSIK
b47837 Jahrgang 14 / 07_2011
B47837 Jahrgang 14 / 02_2011
Mit Beihefter
Class ak tuell
Mozartwoche 2012
28.10.2011
11:56:19
Stiftung mozarteum Salzburg
27. Januar bis 5. Februar 2012
uraufführung „gefaltet“.
ein choreographisches Konzert
von Sasha Waltz und mark andre
Die crescendo Abo-CD ist eine exklusive Leistung unseres
Premium-Abonnenten erhalten sechs Mal
jährlich eine hochwertige CD mit Werken der in der aktuellen
Ausgabe vorgestellten Künstler.
Profitieren auch Sie von diesem für Premium-Abonnenten
kostenlosen Bonus. Genießen Sie ab sofort Ihr „klingendes crescendo“.
Bestellen Sie Ihr persönliches Premium-Abo: +49-(0)89-85 85 35 48 oder
[email protected] Sie finden darin nicht nur unsere Abo-CD, sondern
auch deutlich mehr Inhalt in einer besonders hochwertigen Ausstattung.
ing 2012
heidelberger frühl
April 2012
23. März bis 29.
u.a. mit Igor Levit,
jugendJohn Neumeiers bundes dem
ballett, Christina Pluhar, ony
Symph
City of birmingham
Volodos
orchestra und arcadi
• 750.000 Laienmusiker – die
Kirchen sind eine Großmacht
der klassischen Musik
• Johann Sebastian Bach,
der Komponist des Herrn
n die crescendo Premium Abo-CD: Weil man
über Klassik zwar vortrefflich reden und
schreiben kann, sie zu hören aber immer noch
am schönsten ist.
ThEMA:
Die schwierige
Geburt des
Nibelungenrings
– das KlassiK magazi
8
n ein großer Kultur-Kalender und
GEsEllschAFT
nd
Wie viel Deutschla
steckt in der
k?
klassischen Musi
crescen do premium
Dezember 2011 / Januar 2012
www.crescendo.de 7,90 euro
7
n Interviews, Reportagen und Porträts zu den
gefragtesten Künstlern,
Premium edition
Cd Vol.35
60 % mehr Reportagen, Interviews und Hintergründe
aus der Welt der Klassik.
(for promotional use only. Produziert von Port Media GmbH, München, Mastering: FARAO.
Wir danken: Ars Produktion, Avanti Classic, Brilliant Classics, BR Klassik, Challenge Classics,
Delos, ECM, Genuin, Harmonia Mundi, Naxos, Oehms Classics, Paladino Music)
12.01.2012 14:21:33
crescendo im
Premium-Abo bestellen:
Sie erhalten jährlich sieben Ausgaben crescendo
inklusive Festspiel-Guide und 6 Abo-CDs zum
Vorzugspreis von 49,90 EUR* – und sparen somit
10 Prozent gegenüber dem Einzelkauf.
Oder 1x gratis probelesen:
Sie erhalten eine Ausgabe crescendo
inklusive Abo-CD.
Jetzt bestellen:
+49-(0)89-85 85 35 48 oder www.crescendo.de/abo
Stichwort Classical:NEXT
Advisory Board
Matthias Brixel (Germany)
Publisher of klassik.com, director of eMusici GmbH
www.klassik.com
Prof. Moritz Eggert (Germany)
Pianist and composer, Professor at the University of Music and Performing Arts Munich
www.moritzeggert.de
© Mara Eggert
Jürgen Enninger (Germany)
Contact Bavaria at The Federal Government‘s Centre of Excellence for the Cultural and
Creative Industries, Deputy Managing Director at RKW Bayern e.V., member of the
Board of the German Association of Independent Music Companies (VUT)
As the of ficial airline network for Classical:NEXT, we’d like to
thank you for choosing the Star Alliance™ network and hope
that all goes really well for you here today.
Christian May (Germany)
Founder of concert agency MELOS KONZERTE in Vienna, member of the Board of Directors
at the International Artists Managers‘ Association – IAMA London, advisor for a number
of festivals and orchestras in Europe and South America, jury member for competitions in
Switzerland, Italy, Mexico and Portugal and of the MIDEM Classical Award
Whilst you concentrate on the day’s events, we hope you’ll
consider us the nex t time you need to attend a conference.
With over 20,500 flights a day to 1,293 airpor ts across 190 countries,
our 25 member airlines will extend a wide choice of flights to any
future conference you’re planning to attend. And no matter which
of those airlines’ frequent flyer programmes you belong to, you
can earn and redeem miles across all of them.
So the nex t time you want to concentrate all your energies
on your conference, we hope you’ll decide to leave the travel
arrangements to us.
Prof. Dr. Joachim Thalmann (Germany)
Musician and journalist, Professor at the University of Music Detmold
staralliance.com
21
Information correct as at 04/2012
netw o r k / A d v is o r y B o a r d
We deeply thank all advisory members for their guidance in shaping Classical:NEXT.
Jury Members
netw o r k / J u r y
We deeply thank all jury members for their help and support in selecting
the Classical:NEXT 2012 showcase and conference programs*.
Maren Borchers-Fromageot (Germany)
Public relations agent : www.forartists.de
Maren Borchers-Fromageot began her career as an ensemble member at the
Hamburg State Opera, the Theater des Westens in Berlin and the Schauspielhaus,
Cologne. Thereafter, she studied Applied Cultural Science in Lüneburg. She worked
as a press agent for Stella AG (Phantom of the Opera, Cats) and as a manager for
press and promotion for EMI Classics, Germany. Since 2005, Ms. Borchers directs her
own public relations agency ”Maren Borchers – for artists“ in Berlin.
David Orlowsky (Germany) Performing artist : www.davidorlowskytrio.com
David Orlowsky studied classical clarinet with Prof. Manfred Lindner in Essen
and with Charles Neidich at the Manhattan School of Music. He has performed at
Carnegie Hall, Gidon Kremer‘s Lockenhaus Festival, Schleswig-Holstein Musikfestival
and Lucerne Festival amongst others. Orlowsky works with artists such as Daniel
Hope, Andreas Haefliger, Sergio Azzolini and the Vogler-Quartett and contemporary
composers Torsten Rasch, Avner Dorman and David Bruce. David Orlowsky has won
the ECHO Klassik award twice (2008, 2011).
Matthias Brixel (Germany)
Publisher of klassik.com, director of eMusici GmbH : www.klassik.com
Matthias Brixel studied French horn under Prof. Erich Penzel as well as economics
with additional courses in computer science, graduating with a thesis entitled
Decision model for planning the repertoire of opera companies. From 1990 to 1998
Brixel served as an assistant lecturer at the University of Cologne. In 1994, he
realised Project Opera Online, which made the Cologne Opera the first German
opera company to utilize the Internet. Klassik.com was founded in 1995 and
since 2000, Mr. Brixel has served as director of eMusici GmbH, an IT-services and
application development company for the cultural industries.
Rebecca Schmid (Germany/USA) Journalist : www.musicalamerica.com
Rebecca Schmid is a classically-trained singer and works as a freelance journalist
as well as the Berlin news correspondent for Musical America. Her articles have
appeared in publications such as American Record Guide, BBC Music Magazine,
Chamber Music Magazine, Das Orchester, Deutsche Welle, Gramophone, NPR Berlin,
Positionen and The Wall Street Journal. Holding a BA in music and comparative
literature and an MA in arts journalism, Schmid studied the work of Ignaz von
Seyfried with a grant from the Fulbright Commission.
Dr. Rainer Kahleyss (Germany)
Editor and distributor : www.classicdisc.de, www.class-germany.de
Trained in economics, Mr. Kahleyss studied music ethnology and communication
in Berlin, earning his doctorate. In 1984, Rainer Kahleyss has worked as an editor
and in distribution of Bote & Bock, Berlin, and has been head of the Baerenreiter
company Vereinigte Schallplatten-Vertriebs GmbH Disco-Center as well as the
Neuwerk music shop. Since 1996 Mr. Kahleyss has run his own production and
distribution company Klassik Center in Kassel. Dr. Rainer Kahleyss is also a cofounder of CLASS, the Association of Classical Independents in Germany e.V..
Frank Stahmer (Germany) Arts presenter and music manager : www.missionculture.net
Frank Stahmer studied cello and has performed in various music projects ranging
from rock bands to contemporary classical. Stahmer also studied business
administration, marketing and international arts management. He has managed
the European Composers Congress (2006, has served as General Secretary of the
European Composers’ Forum and Communications Manager of the European
Composer & Songwriter Alliance). He also was the project coordinator of the
ArtMusFair forums. Stahmer is a Board Member of the European Music Council
(EMC) and runs his own agency ”missionCulture“.
* Please note – events marked with ”special presentation“ as well as the opening and closing artists were not selected by the jury.
22
23
netw o r k / J u r y
Jobst Liebrecht (Germany) Conductor and composer
Jobst Liebrecht studied with Hermann Michael and Peter Eötvös. He has worked
with Ensemble Modern, Klangforum Wien, Ensemble Köln, Ensemble Resonanz
and Ensemble United Berlin amongst others. His conducting engagements include
the Radio Symphony Orchestra Berlin, the Duisburg Philharmonic, Sinfonietta
Leipzig, and the Munich Chamber Orchestra. Liebrecht has led the MarzahnHellersdorf Symphonic Youth Orchestra since 2005. His recording of H. W. Henze’s
opera Pollicino was awarded the ECHO Klassik prize. In 2010 WERGO released his
recording of Hindemiths Plöner Musiktag.
Further partners
We proudly present our growing network of Classical:NEXT partners.
C3 Festival
www.c3festival.de
Musik Heute
www.musik-heute.de
Fono Forum
www.fonoforum.de
Musikmarkt
www.musikmarkt.de
City of Munich
Department of
Arts and Culture
Supported by
Department of Arts and Culture of the City of Munich www.muenchen.de
In cooperation with
CLASS
Gramophone Magazine
www.gramophone.co.uk
WOMEX
www.womex.com
Musikwoche
www.musikwoche.de
Il Giornale della Musica
www.giornaledellamusica.it
Naxos
www.naxos.com
Gasteig
www.gasteig.de
International Arts Manager
www.internationalartsmanager.com
IMZ International Music + Media Centre
www.imz.at
Steinway-Haus München
www.steinway-muenchen.de
Harry Klein
www.harrykleinclub.de
Bob Beaman
www.bobbeamanclub.com
klassik.com
www.klassik.com
Klassik im Club
www.klassik-im-club.com
24
25
N etw o r k / Pa r tne r s
N etw o r k / Pa r tne r s
Partners
Advertisers A – Z
Documenting Classical:NEXT
Thanks to the advertisers in this year‘s Classical:NEXT guide
Eric van Nieuwland (The Netherlands)
[email protected]
www.thedigitalphotoexperience.nl/music.html
Mobile: +31 610 934 495
© Ron Beenen
89 Ardalus (PolyArtes Bvba)
12 BBC Music Magazine
40 Chester Schirmen Berlin
14 Clasart Classic
85 CLASS
16 Classical Music Magazine
18 Crescendo
10 Fono Forum
40 GEMA
2 Gramophone Magazine
Back Cover Il Giornale della Musica
90 IMZ International Music + Media Centre
72 International Arts Manager
38 Klassik.com
FRONT FLAP Mediapool Event Services Berlin
36 Musikmarkt
4 Musikwoche
180 Naxos
Back FLAP + 176 piranha womex
74 Pizzicato
28 Profil
82 RSK Entertainment Ltd
20 Star Alliance
A Dutch photographer with a main interest in live music photography (classical,
jazz and world). Besides music photography, he also does portraits and reportages
for various companies. His pictures have also been used in several (photo)
books. Eric has been an official WOMEX Photographer for the past three years.
Organizations such as MCN Music Center The Netherlands, WOMEX, North Sea
Round Town and many artists have hired him for his live photography.
Our Classical:NEXT Photographer will be up night and day to catch the best
moments of the first Classical:NEXT. His work will be posted daily on his website
and anyone needing photos can contact him directly to discuss terms. Check out
his portfolio for current and past work.
A selection of the photos will also be made available in small size on the
Classical:NEXT Flickr page under a CC-BY creative commons license which lets
others distribute these photos free of charge, as long as they credit the
photographers for the original creation. www.flickr.com/photos/classicalnext
26
27
The following companies booked inserts in the Classical:NEXT bag before the guide went to press:
Crescendo
ECM Records
Fono Forum
Gramophone Magazine
Harry Klein
IMZ International Music + Media Centre
International Arts Manager
Musikmarkt
netw o r k / A d v e r tise r s A – Z
netw o r k / P h o t o g r aphe r
Photographer
Classical:NEXT A – Z
C lassical : N E X T A – Z
From badges to ”who is coming“
Badges and Wristbands
Classical:NEXT will issue wristbands as well as badges
on arrival. Both must be worn at all times during
Classical:NEXT and are not transferable. For this reason,
delegates may be asked to provide proof of identity.
Classical:NEXT is unable to replace badges and/or
wristbands that have been lost. Replacements are
charged a full registration price .
C:N NET
Our forthcoming online networking platform C:N NET
is a jack of all trades: Want to present your company,
artist, event or recording? Want to find agents in
Austria, venues in the US or labels in Japan? Want to
know what is new in the global classical community?
At www.classicalnext.com/net you will find everything
you need to boost your business.
Catering
Two bars will be open in the expo area during opening
hours, serving coffee, drinks and snacks. There are
also two restaurants located in Gasteig. The “Gast“ is
open Monday to Friday 11:00 – 24:00, Saturday and
Sunday 10:00 – 24:00, the “Le Copain“ is open Monday
to Friday 08:00 – 23:00, Saturday 10:00 – 23:00 and
Sunday 08:00 – 20:00. We have also put together a list
of recommended restaurants, most of them located
close to Gasteig, which you can find in our Destination
Munich section.
> Destination Munich/Places to Eat
Filming and Recording
Audio and audio-visual recordings are not allowed
without express, contractual permission. Forms are
available at the media counter in the registration
area at Gasteig.
Cloakroom
We will have a cloakroom for your belongings at
Gasteig on the first floor – for a fee. Please note that,
due to fire regulations, all Gasteig visitors are obliged
to leave their bulky items at the cloakroom before
they are allowed in.
Media Counter
Journalists requiring specific information, artist or
speaker contacts, recording permission or a quiet
interview room should come to the media counter
in the Gasteig entrance area, next to the registration
counter – the media team will be happy to help you.
Non-Smoking
Smoking is not allowed indoors at Gasteig. If you need
to smoke, please head for the closest outside area.
Services
For tips on local transport, food and sightseeing
during your stay, check our Destination Munich
and Service sections in the guide.
> Destination Munich
Internet
There will be Wi-Fi free of charge at the venue, plus
you will find a number of public Internet terminals
near the registration counter (subject to capacity).
Language
To keep communication between Classical:NEXT
participants practical and efficient, Classical:NEXT
has chosen International English as the lingua franca.
Adopted by the Internet and the professional music
community, this was the logical choice for successful
interaction.
Tickets for “Classical:NEXT goes public”
The live showcases on Friday night are open
to the general public. Tickets are available on
www.muenchenticket.de for 15 euros or 10 euros for
concessions. The entrance to the IMZ film screenings
on Thursday and Friday is free. Tickets for the club
showcases of Classical Next Level at Bob Beaman
and Harry Klein are available at the entrance of the
clubs for 12 euros.
C:N is the abbreviation of Classical:NEXT.
30
31
Delegates have free access to all events and formats of
Classical:NEXT. To enter the clubs at Classical Next Level,
delegates must show their badges and wristbands.
Entrance to all events is subject to capacity.
www.classicalnext.com/public
Student Tickets
Classical:NEXT is offering tickets at a reduced price to
students, for 80 euros plus 19% VAT. The ticket is valid
for all events and formats of Classical:NEXT at Gasteig
(subject to capacity) from Wednesday, 30 May to
Saturday, 2 June.
www.classicalnext.com/2012/download/CN_student_
info.pdf
Transport
Gasteig is situated in the center of Munich. Parking is
available for a fee. On public transport you can reach
Gasteig using Tram line 16 to “Am Gasteig“ and lines
15 and 25 to “Rosenheimer Platz“. You can also use the
S-Bahn (city train) lines S1-S8 departing from the main
train station to “Rosenheimer Platz“.
Getting to the Harry Klein club only takes a few minutes,
you can use the S-Bahn to “Karlsplatz“ (S1-S8, U4, U5).
If you want to go to the Bob Beaman club, use the
subway to “Odeonsplatz“ (U3-U6).
The address for each venue can be found at
the end of this section and in the back flap.
> Destination Munich/Service
> Back Flap Inside
For more information regarding public transport visit
www.mvv-muenchen.de.
Live Showcases
Classical:NEXT showcases offer a wide range of artists
and productions: from well-kept secrets to rising stars,
from early to contemporary, traditional to experimental.
In this section, artists and productions are presented
in a series of short live performances of maximum 30
minutes in length – a unique opportunity for music
buyers to experience many performances in a short
amount of time and for music makers to present their
work to an international, professional audience.
> Showcases/Live Showcases A – Z
Updates
For late-breaking news about the Classical:NEXT
program or anything related, check
www.twitter.com/ClassicalNEXT or refer to the
official Classical:NEXT notice-board close to the
media counter (please note that it is not for
postering flyers, ads, etc.).
Video Showcases
Classical:NEXT video showcases are up to 20 minutes
in length and present large ensembles or staged
productions in the form of live footage, recorded
concerts, interviews or presentations about the
artistic content and context.
> Showcases/Video Showcases A – Z
The venues of Classical Next Level
(Club Showcases):
Harry Klein (club)
Sonnenstr. 8, close to Karlsplatz
80331 München
[email protected]
Phone: +49 894 028 74 00
Subway/S-Bahn Station: Karlsplatz (S1-S8, U4, U5)
Bob Beaman (club)
Gabelsbergerstr. 4/on the corner Amalienstr.
80333 München Maxvorstadt
Phone: +49 177 254 74 76
Subway Station: Odeonsplatz (U3, U4, U5, U6)
Venues
Classical:NEXT will take place in three
venues in Munich:
> Back Flap Inside
The main venue of Classical:NEXT
(Conference, Showcases, Films, Expo):
Who is Coming
You can find the list of all Classical:NEXT delegates
in the ”Who is coming?“ feature online.
www.classicalnext.com/delegates/who_is_coming
Gasteig Munich
Rosenheimer Straße 5
81667 München
Phone: +49 894 809 80
Fax: +49 894 809 810 00
[email protected]
Tram Stations: Am Gasteig (Tram 16)
and Rosenheimer Platz (Tram 15, 25).
S-Bahn Station: Rosenheimer Platz (S1-S8)
Entrance to all events is subject to capacity.
> Front Flap Inside
32
Le Copain
www.le-copain.eu
81667 München
Phone: +49 89 480 98 27 44
Open:
Monday – Friday 08:00 – 23:00
Saturday 10:00 – 23:00
Sunday 08:00 – 20:00
D E S T I N AT I O N M U N I C H / G E T T I N G A RO U N D
Top tips for getting around and eating out in the Classical:NEXT host city
GETTING AROUND
Public Transport in Munich
The best way of getting around in Munich is to use
the public transport system, MVV. If you want to travel
within Germany you can use the Deutsche Bahn. The
MVV includes buses, trams, the S-Bahn and the U-Bahn,
and you can use all elements of public transport with
the same ticket. You can buy individual, group, day
and weekly tickets. Public transport operates with a
limited service from 2am to 5am. Additionally, there
are nightbuses and night trams that run at intervals of
about 30 minutes all night on Fridays and Saturdays.
The MVV area is divided into several zones: one in the
center and three in the outskirts. A day ticket is worth
buying if you plan to take more than two trips on the
same day. All tickets, except for weekly tickets, must be
stamped to be valid. Stamping machines are found at
the entrance to the S-Bahn or U-Bahn platforms, and
inside buses and trams.
For more detailed information regarding the public
transport in Munich please visit the following site:
www.mvv-muenchen.de
Taxis
Phone: +49 892 16 10
Phone: +49 891 94 10
Rent a Bike
Radius Tours & Bike Rental
Arnulfstraße 3, 80335 München
Phone: +49 895 961 13
[email protected]
Le Copain is located at Gasteig and offers breakfast,
a wide range of fresh sandwiches, and salads.
Kuchlverzeichnis
www.kuchelverzeichnis.de
Rosenheimerstr. 10
81669 München
Phone.: +498 948 17 49
Open: Monday – Sunday 17:30 – 01:00
Munich and its outskirts are easy to explore by bike,
not least because of the extensive cycle path system
and a safe driving culture.
The old Bavarian Restaurant at Gasteig is only a few
minutes away from the hotels City Hilton, Preysing Hotel
and Holiday Inn. The Kuchlverzeichnis offers Bavarian
specialties and a menu which changes daily.
PLACES TO EAT
Munich offers many possibilities for eating and
drinking and is known for its cavernous beer halls
and leafy beer gardens. It also has a host of ethnic
eateries, as well as a lively café-bar culture which
carries on well into the early hours.
Hofbräukeller
www.hofbraeukeller.de
Innere Wiener Straße 19
81667 München
Phone: +49 894 599 250
Subway Station: Max-Weber-Platz (U4, U5)
Tram Stations: Wiener Platz (Tram 16) and
Max-Weber-Platz (Tram 15, 19, 25)
Open: Monday-Sunday 10:00 – 24:00
Gast
www.gast-muenchen.de
81667 München
Phone: +49 894 809 827 20
Open:
Monday – Friday 11:00 – 24:00
Saturday – Sunday 10:00 – 24:00
Enjoy savory cuisine with Bavarian specialties
in a traditional and family atmosphere.
In addition, the Hofbräukeller guests enjoy
a menu which changes daily.
Gast offers its guests a fresh and varied cuisine in
a relaxed atmosphere and convenient location.
34
35
Bella Italia
Weißenburger Str. 2
81667 München
Phone: +49 894 861 79
S-Bahn Station: Rosenheimer Platz
Tram Station: Rosenheimer Platz (Tram 15, 25)
Open: Monday-Sunday 11:30 – 01:00
In the ambience of a typical Trattoria, Bella Italia
offers you a varied Italian cuisine and a wide
selection of Italian wines.
Mamounia Marrakech
www.mamounia-marrakech.com
Innere Wiener Str. 18
81667 München
Phone: +49 894 476 05 79
Open: Tuesday-Sunday 17:30 – 01:00
Mamounia Marrakech stands for the most high quality
cuisine. It is characterised by the subtle use of herbs
and spices that make the dishes light and healthy. The
Mamounia Marrakech offers a selection of excellent
wines from Morocco. Warm food is served until 23:00.
Ver-O-Peso – Brazilian Bar
www.veropesobar.de
81669 München
Phone: +49 894 449 97 99
Open: Monday-Saturday from 19:00
The Ver-O-Peso bar is located directly across from the
Gasteig Cultural Center and is a small, fine address for
fans of good cocktails, drinks and Brazilian snacks.
D E S T I N AT I O N M U N I C H / P L A C E S T O E AT
Destination Munich
Restaurant No.5
www.nummer-5.com
Thierschstraße 5, 80538 München
Phone: +49 892 421 61 50
Open:
Monday – Friday 11:30 – 14:30; 18:00 – 24:00
Saturday 18:00 – 24:00
THINGS TO SEE
Under the slogan “Enjoy with all senses”,
Restaurant No. 5 offers the opportunity to relax
with fine international cuisine in a pleasant
atmosphere. Restaurant No. 5 also offers a lunch
menu which changes daily.
The city center is easily navigable with all the major
”must see“ sights easy to find by travellers not least
because all major sights are within walking distance
from each other. It is in Munich‘s center where you can
see architectural masterpieces from the New Town
Hall (Neues Rathaus) and the Church of Our Lady
(Frauenkirche). The heart of the city is the Marienplatz.
In the Middle Ages, the square used to be a marketplace
as well as a location where tournaments and festivities
took place. To learn more about Munich and its history,
it is worthwhile paying a visit to the City Museum. Even
The English Garden, Europe‘s largest city park, and the
Viktualienmarkt are among the most beautiful sights
in Munich.
All day family dining with a large terrace and lounge
floor. The PIÙ offers its guests light Mediterranean
and Bavarian cuisine and stylish ambience,
Monday to Friday. The lunch menu changes daily.
Restaurant Le Faubourg
www.le-faubourg.de
Kirchenstraße 5, 81675 München
Subway Station: Max-Weber-Platz (U4, U5)
Phone: +49 894 755 33
Open: Monday – Saturday 18:00 – 01:00
Hot meals until 23:00
In the small family restaurant Le Faubourg you will find
classic French cuisine as well as new innovative designs,
and an exclusive selection of the best French wines.
37
Munich also offers excellent shopping, including
designer outlets, department stores, antique shops,
and excellent bookstores.
For further information please visit
www.muenchen.de/int/en/tourism.html
D E S T I N AT I O N M U N I C H / T H I N G S T O S E E
PIÙ
www.piu-muenchen.de
Preysingstraße 20, 81667 München
Phone: +49 894 487 676
Open:
Monday – Friday 11:00 – 15:00; 18:00 – 23:00
Saturday 18:00 – 24:00
Sunday 09:00 – 23:00
Munich is one of the main cultural centers in Europe
and the cultural scene is especially impressive. You can
spend days strolling around the numerous museums
and let your eyes rest on beautiful architecture, or enjoy
the never-ending list of places to eat and drink.
Service
Munich Information
All important information about Munich
can be found on www.muenchen.de.
Airport
Your main airport destination is Munich Airport,
called Flughafen München “Franz Josef Strauß“.
www.munich-airport.de
Public Transport Map
You can find a map providing a good overview of
Munich‘s subway lines, S-Bahn, tram and bus lines
at www.mvv-muenchen.de/de/netz-bahnhoefe/
netzplaene/index.html.
Train
If you travel to Munich by train you will arrive at
Munich‘s main station. All Classical:NEXT venues are
easy to reach from here by subway and S-Bahn lines.
Subway and S-Bahn
To get to the Classical:NEXT venue, Gasteig, from the
main station, take the S-Bahn lines S1-S8 four stops to
“Rosenheimer Platz“. To get to Gasteig from the airport,
take the S-Bahn line S8 directly to “Rosenheimer Platz“
which takes about 40 minutes.
To get to the city center from Gasteig or the
main station, take the S-Bahn lines S1-S8 to Marienplatz/city center.
To get to the Harry Klein club from the main station,
take the subway line U8 or the S-Bahn lines S1-S8 to
“Karlsplatz“ which only takes a few minutes.
39
The S-Bahn lines S1-S8 also depart from “Rosenheimer
Platz“ close to Gasteig.
To get to the Bob Beaman club from the main station,
take the subway line U5 to “Odeonsplatz“. To get to
the club from Gasteig, take the S-Bahn lines S1-S8 to
“Marienplatz/city centre“ and continue one stop on
the subway line U3 or U6 to “Odeonsplatz“.
Tram
You can reach Gasteig with the tram line 16 to
“Am Gasteig“ and lines 15 or 25 to “Rosenheimer Platz“.
Bus
The Bob Beaman club can be reached by bus line 100
to “Odeonsplatz“, departing from Munich‘s main station.
Taxi
Taxi-München Phone: +49 892 16 10
Phone: +49 891 94 10
Taxiverband München
Phone: +49 894 900 44 94
Phone Calls
The international dialing code for Germany from
abroad is +49. The area code for Munich is 089.
Emergency
In case of an emergency, dial 110 to contact the police,
or 112 to call for an ambulance or the fire brigade.
You can find the directions to the clubs on the back flap.
D E S T I N AT I O N M U N I C H / S E RV I C E
Handy information for your stay in Munich
MUSIK IST
UNS WAS WERT.
www.gema.de
List of expo stands representing more than one exhibiting company
Introducing the main exhibitors at Classical:NEXT expo
Austria
Austria
Stand No. 30-31, 33-34
Capriccio
col legno Produktions und VertriebsgmbH
Donau-Universität Krems
Fritz & Friends International
Trade & PR Agency
Gramola
Inandout Distribution GmbH
paladino media gmbh
PREISER RECORDS
Otto G. Preiser & Co GmbH
Schläfer, Heinrich
Videoland – Medienvertriebs
GesmbH
BELGIUM
Flanders Music Centre
Stand No. 16-17
Aquarius
Ardalus (PolyArtes Bvba)
Belgian Brass vzw
BL!NDMAN
EPR Classic
Forum Des Compositeurs
Het Collectief | Chamber
Music Quintet
Le Jardin Secret
Lena Dierckx – Capilla Flamenca
Muziekcentrum De Bijloke Gent
and MuseScore
Van Parys, Annelies
Zefiro Torna
Wallonie-Bruxelles Musiques
Stand No. 15
AUSONIA
CAV&MA
ClaraMusica Artist
Management sprl
Festival de Wallonie
La Boite a Musique
Le Manege.Mons /
Musiques Nouvelles
OFF THE RECORDS sprl
Outhere SA
DENMARK
The first edition of Classical:NEXT starts out with 34 stands and more than 80 exhibiting companies.
This chapter is organised by stand number and introduces you to the main exhibitors.
You can contact the exhibitors via the contact details given or simply visit their stand.
Danish Arts Council
Stand No. 24
Carion
Copenhagen Phil
Dacapo Records
Danacord
Danish Agency for Culture
Danish Arts Council
Danmarks Radio, P2
DMF Danish Musicians‘ Union
Edition·S music-sound-art
Naxos Denmark
Odense Symphony Orchestra
Sjælland String Quartet
South Jutland Symphony Orchestra
Live Showcases
Opening
Black Box
Conference
Presentations
Closing
FINLAND
Finnish Music Information Centre Fimic
Stand No. 25
Registration
Media
Counter
Vortragssaal
der Bibliothek
IMZ Film Screenings
Video Showcases
42
43
E X P O / E X H I B I T OR P R E S E N TAT I O N & E X P O M A P
Exhibitor Presentation
<
E X P O / U mb r ella S tands A – Z
Umbrella Stands A – Z
E X P O / E xhibit o r s
publ/music, rec/compilation,
rec/distribution, rec/label, rec/producer
Eisenbahnstr. 30, 77815 Bühl-Baden, Germany
Phone: +49 722 380 835 60
Fax: +49 722 380 835 69
[email protected]
www.bella-musica-edition.de
Contact person at C:N:
Ute Rinschler, Jürgen Rinschler
Bella Musica is one of the oldest music and radioplay production companies in Germany, as well as a
recording company and publishing house. Bella Musica
offers thousands of titles from all areas of music: German
and international folk, classical, instrumental, jazz, pop,
oldies, country and world music, as well as songs and
radio plays for children. In the early 1990s the Antes
Edition was founded as a supplier of top-quality serious
music on CD and in print. Composers and performing
artists were thus offered a stimulatingly creative forum
for classical music.
Hänssler Classic is an independent label for classical
music, founded more than 40 years ago. With some
50 new releases a year, our catalogue includes over 800
recordings on CD, SACD and DVD. Numerous national
and international awards illustrate our worldwide
recognition. Our focus is on world class interpretation
of chamber music, orchestral or choir music as well
as outstanding soloists. Hänssler Classic produced
the first ever complete Bach edition, recorded under
the direction of Helmuth Rilling.
Since 2000, Hänssler Classic has worked in cooperation
with the SWR, one of Germany’s largest broadcasting
networks. Three great orchestras, a world-class vocal
ensemble and one of Europe’s most swinging big
bands are on SWR music! Our Archiv series presents
rare concert recordings and recitals from the 20th
century’s greatest artists – Dietrich Fischer-Dieskau,
Elisabeth Grümmer, Leopold Stokowski, Géza Anda,
Ida Händel and many more.
This forum has been expanded through Bella Musica’s
acquisition of the prestigious Throfon label. During
its more than 35-year history, Throfon has built up a
distinguished catalogue that has won many prizes,
including several Echo Awards.
Co-Exhibitors:
Musikwelt Tonträger e.Kfr.
Ermitage, Wolf Sarl
Musicmedia Srl
Stand No. 01
Hänssler Classic
rec/compilation, rec/distribution,
rec/label, rec/producer
Max-Eyth-Str. 41, 71088 Holzgerlingen, Germany
Phone: +49 703 174 140
Fax: +49 703 174 143 59
[email protected]
www.haenssler-classic.com
Lutz Seifert
Mobile: +49 177 268 10 07
Stand No. 02
44
45
Bella Musica Edition GmbH
rec/distribution, rec/label, rec/producer,
rec/studio, mail order, online-shop
Widenmayerstr. 18, 80538 München, Germany
Phone: +49 891 433 00 80
Fax: +49 891 433 00 86
[email protected]
www.farao-classics.de
Felix Gargerle
Mobile: +49 163 307 77 61
The Munich based label Farao Classics, founded in
1995, stands for exceptional and multi-award winning
recordings of opera, symphonic and chamber music.
Schott Music & Media is a company within the
Schott Music group. At Classical:NEXT, it presents
the division Wergo.
The label was initiated by professional musicians with
the aim of creating outstanding recordings with a
unique and distinctive artistic personality.
For half a century the Wergo label has been
synonymous with contemporary music. Its repertoire
of more than 600 CDs, which have won many awards
and prizes, is a major record collection of 20th- and
21st-century music, portraying almost all established
contemporary composers – from Stockhausen and
Boulez to Henze, Hindemith, Cage, Nancarrow, Reich,
Brown, Ustvolskaya and Xenakis, and more recent
generations of composers.
Artists and ensembles like Enoch zu Guttenberg,
Kent Nagano, Zubin Mehta, Ivor Bolton, Anja Harteros,
Waltraud Meier, and the Bavarian State Opera rely on
the highly acclaimed quality of the label, which has
resulted in steady partnerships.
The label‘s productions stand out not only due to
excellent recording technology and high-quality
manufacturing, but also due to informative texts by
renowned authors as well as librettos and song texts.
Particularly noteworthy is the long-standing availability
of the repertoire since the foundation of the label.
Farao runs its own recording facility with high-end
digital and analog recording equipment to achieve
maximum artistic and sonic quality.
The releases of Farao Classics are distributed
worldwide and are also available on major digital
download platforms.
Schott Music & Media
GmbH / Wergo
rec/label
Weihergarten 5, 55116 Mainz, Germany
Phone: +49 613 124 68 98
Fax: +49 613 124 62 16
[email protected]
www.wergo.de
Charlotte Wagner
Apart from solo, chamber music and orchestral
recordings, the repertoire also comprises radio
productions as well as the latest developments in
the arts. As a result, the label Wergo not only is part
of the history of new music but also continues to
make contributions to it.
Stand No. 03
Stand No. 04
46
47
Farao Musikproduktions
GmbH
rec/distribution, rec/label, rec/manufacturing,
consultant, design/artwork, transport,
mail order, online-shop, retail, wholesale
Hürderstr. 4, 85551 Kirchheim bei München,
Germany
Phone: +49 899 077 49 90
Fax: +49 899 077 499 10
[email protected]
www.naxos-gl.com
Contact person at C:N: Mohamed El Wakil
Naxos – The World‘s Leading Classical Music Label
is known for recording exciting new repertoire with
exceptional talent. The label has one of the largest and
fastest growing catalogues with state-of-the-art sound
and consumer-friendly prices. The catalogue includes
classical music CDs and DVDs as well as other genres
such as jazz, new age, educational and audiobooks.
Naxos.com offers high-quality streaming of the label‘s
classical music recordings, as well as collections from
many other independent classical music labels.
NGL Naxos Global Logistics provides services – from
manufacturing and distribution to marketing, product
management/creation, licensing and more – for music
labels, producers, media companies and artists. While
the main part of our business involves domestic and
international distribution, we also offer a full spectrum
of tailor-made services that cover all areas needed to
present and supply quality products around the globe.
Co-Exhibitors:
Naxos.com
NGL Naxos Global Logistics GmbH
Naxos Deutschland Musik & Video Vertriebs GmbH
Naxos Digital Services
Naxos Music Library
Naxos Video Library
Naxos Books
Naxos Audiobooks
Naxos Music Library Jazz
Naxos Spoken Word Library
Naxos Radio
Classicsonline.com
Rondeau Production GmbH – a successful label from
Leipzig, the home-town of Bach – has established
itself over the the past few years as a specialist for
artistically and technically high-class recordings
of sacred vocal music. The label’s extraordinarily
productive cooperation with world-renowned choirs,
along with its corporate strategy that is geared towards
the highest standards, have generated a unique CD
catalogue.
The catalogue encompasses famous ensembles such
as St Thomas’ Boys Choir Leipzig or the Windsbacher
Knabenchor. The label also has a fruitful cooperation
with choirs from Hanover, which is demonstrated by
the label’s two Echo Klassik awards in 2006 and 2010.
Another highlight in the label’s repertoire includes a
ten-part CD series with recordings of Johann Sebastian
Bach’s cantatas. These are performed by St Thomas’
Boys Choir Leipzig and the Gewandhausorchester
under the baton of Georg Christoph Biller. The series
will be published in honor of St Thomas’ Boys Choir’s
800th anniversary.
Stand No. 05 – 06
Rondeau Production GmbH
rec/label, rec/producer, rec/studio,
Petersstraße 39-41, 04109 Leipzig, Germany
Phone: +49 341 308 96 22
Fax: +49 180 376 63 32
[email protected]
www.rondeau.de
Frank Hallmann
Mobile: +49 178 356 65 12
Stand No. 07
48
49
NGL Naxos Global
Logistics GmbH
rec/label
Hauffstr. 41, 73765 Neuhausen, Germany
Phone: +49 715 898 785 21
[email protected]
Profil Edition Günter Hänssler – a young ambitious
independent classical label – unites an innovative,
dynamic selection of artists with a quality repertoire
policy, to ensure the highest level of artists‘
commitment to the label‘s program and to establish
the basis for a label profile with a difference!
Distribution of fine classics to the trade. Among the
around 40 labels are BIS, Dynamic, Hungaroton, Claves,
Cantate, Musicaphon, Eda, Thorofon, Centaur, Tahra,
Alba, Ambitus, Stradivarius, Concerto – to name just a
few. Participation in the new portal HD-Klassik.
Strong interest in seldom recorded repertoire, high
resolution recordings, and multichannel recordings.
Therefore, the catalog focus is primarily to release
the magic moments of music – concerts with great
conductors like Günter Wand, Christian Thielemann,
Semyon Bychkov, Sir Colin Davis, and Bernard Haitink.
Also active in consultation and installation of High
End equipment for private customers. Production of
classics on their labels Cantate (sacred music) and
Musicaphon. Focus on music from the Baroque era,
chamber music from the 19th century and modern/
contemporary music.
Telos Music
Creating exemplary recordings of music one has rarely
– if ever – heard: this was the target for Joachim Krist
when he founded telos music in 1995.
The label presents even well-known repertoire in a
fresh and unprecedented vein.
Klassik Center Kassel
Glöcknerpfad 47, 34134 Kassel, Germany
Phone: +49 561 935 140
Fax: +49 561 935 14 15
[email protected]
www.classicdisc.de
Dr. Rainer Kahleyss
Mobile: +49 172 720 70 72
Telos Music applies itself with a high dedication to
unknown works of the 19th and early 20th century as
well as to the contemporary classsical music.
Stand No. 08
Stand No. 09
50
51
Profil
MDG – Musikproduktion Dabringhaus und Grimm:
Rare Repertoire, Outstanding Performances, Audiophile
Sound. With these or similiar phrases the trade press has
judged MDG‘s releases for over the past thirty years.
State LLC Latvijas Koncerti is a governmental
institution working in the area of professional music,
collaborating with the best professional musicians
from Latvia and abroad.
record company, label, licensing,
production, classical, jazz, world, kids
With its newly developed 2+2+2+2 recording
technique, MDG has now further improved its high
level of reproduction quality, proving that first-class
sound need not remain two-dimensional.
About 500 concerts organized by Latvijas Koncerti take
place every year, including annual festivals: Riga Festival,
Early Music Festival, Autumn Chamber Music Festival,
European Christmas and Vienna Classics.
MDG‘s audio releases have achieved a threedimensional tonal image which sets new benchmarks
in spatial imaging quality.
Resident groups of Latvijas Koncerti are internationally
renowned Latvian Radio Choir and Sinfonietta Riga
– one of the best chamber orchestras in the region.
Chamber music units in Latvijas Koncerti: Radio Choir
Chamber Singers, Sinfonietta Riga String Quartet and
Sinfonietta Riga Baroque Ensemble.
Bachstrasse 35, 32756 Detmold, Germany
Phone: +49 523 193 890
Fax: +49 523 126 186
[email protected], [email protected]
www.mdg.de, www.class-germany.de
CLASS – Association of Classical Independents in
Germany e.V. is an alliance of independent record
manufacturers and distributors from the fields of
classical music, world music and jazz.
Latvijas Koncerti is also the organizer of the Grand
Latvian Music Award – the highest prize in the field
of classical music given by the Latvian State.
Werner Dabringhaus, Manfred Görgen,
Dr. Rainer Kahleyss
Latvijas Koncerti has started producing their own CD
label, also in collaboration with Wergo and Ondine.
Latvijas Koncerti, State LLC
(Latvian Concerts)
agent, manager, governmental, conference,
concert promoter, festival, award, concert hall,
rec/distribution, rec/producer
Maskavas Street 4, LV – 1050 Riga, Latvia
Phone: +371 672 054 85
Fax: +371 672 054 90
[email protected]
www.latvijaskoncerti.lv
Esmeralda Bērtule
Mobile: +371 225 642 23
Co-Exhibitors:
Latvian National Opera
Latvian Music Information Centre
The State Choir ”Latvija“
Publisher ”Musica Baltica“
Stand No. 10
Stand No. 11
52
53
MDG / Dabringhaus
und Grimm / Audiovision
GmbH / CLASS
rec/compilation, rec/distribution,
rec/label, rec/producer, rec/studio,
rec/sound engineer, engineer, equipment
Kyl 19, NL-8502 AW, Joure, Netherlands
Phone: +31 513 417 460
[email protected]
www.aliudrecords.com
Jos Boerland
Mobile: +31 630 123 153
At Aliud you‘ll find different styles of music – from the
Middle East to modern classical, jazz, brass and wind
band music, as well as traditional classical music.
Aliud provide a wide variety of musical products to
fulfill everybody‘s musical wish.
Aliud produces high-class music in very diverse genres.
Musicians, ensembles and orchestras represented by
Aliud are world class, recorded with the best known
equipment and technicians, and are recorded on the
best carrier known, Super Audio CD, which guarantees
the best sound possible at home!
Besides the physical product, you’ll also find Aliud
Records on all known download portals in normal
wave file, mp3, and 192 kHz/24 bit format.
Artists working with Aliud are Liebrecht Vanbeckevoort,
Anneleen Lenearts, Niels Bijl, Ronald Moelker, Het
Lacrimae Ensemble, Concerto Barocco, Rabaskadol
and many many others.
The IMZ is the global association for all those involved
in any aspect of audio-visual music and dance. Its
150+ members include broadcasters; performing arts
companies and venues; programme producers and
distributors; record and DVD labels; cinema and new
media specialists: all the participants in the creation
and dissemination of music in the media. The largest
are international brands like the BBC, Metropolitan
Opera New York, and Universal Music; the smallest are
individual composers, choreographers, musicians or
directors.
Since it was founded in 1961 under the aegis
of UNESCO the IMZ has dedicated itself to the
worldwide development and promotion through
audio-visual media of all forms of classical, jazz, world
and contemporary music, as well as classical and
contemporary dance.
Visit the IMZ at stand 13 and don’t miss the IMZ Film
Screenings in the Vortragssaal der Bibliothek!
IMZ – International
Music + Media Centre
culture institution, non-governmental, radio,
tv, conference, festival, special event/award,
consultant, member organization
Stiftgasse 29, 1070 Vienna, Austria
Phone: +43 188 903 15
Fax: +43 188 903 15 77
[email protected]
www.imz.at
Tatiana Petkova, Katharina Jeschke
Mobile: +43 699 170 625 51
> IMZ Film Screenings
Stand No. 12
Stand No. 13
54
55
Aliud Records
online, consultant, multimedia/online,
online-shop
klassik.com is our leading online magazine for classical
music in German-speaking countries. Independent.
Critical. Up-to-date. With more than 60,000 subscribers.
StageKit is our software solution for artists, their
managers, orchestras, labels and presenters to manage
their websites and empower their processes in the
background.
Heckerstrasse 29, 79114 Freiburg, Germany
Phone: +49 761 458 731 70
Fax: +49 761 458 731 79
[email protected]
www.klassik.com
Tobias Pfleger
Mobile: +49 176 688 556 40
Wallonie-Bruxelles Musiques (W.B.M.) was created
in 1984 to help artists, producers and publishers
from the French-speaking community of Wallonia
and Brussels export and make their mark in the
international cultural industry with all kinds of music.
At Classical:NEXT the agency is hosting a wide range
of players on the classical and contemporary music
scene in Wallonia and Brussels. Several ensembles
who specialise in early music will be present, notably
the instrumental and vocal group Ausonia, the Centre
d’Art Vocal & de Musique Ancienne (CAV&MA) and
the Belgian ensemble Le Jardin Secret, who will be
appearing at the live showcases of Classical:NEXT.
Several labels will be represented, as well as the
management and promotion agency ClaraMusica
and the Festival de Wallonie, which brings together
seven festivals dedicated to classical music in Wallonia
and Brussels. In contemporary music, the Forum des
compositeurs, which represents some 40 musicians
and the Musiques Nouvelles ensemble, will be
available. They can also be seen at the World Music
Days to be held between 25 October and 4 November
in Belgium.
Wallonie-Bruxelles
Musiques
governmental
18 pl. Flagey Bte 10, 1050 Brussels, Belgium
Phone: +32 221 862 09
Fax: +32 221 834 24
[email protected]
www.wbm.be
Liliana Graziani
Mobile: +32 477 727 821
Co-Exhibitors:
ClaraMusica Artist Management SPRL
Ausonia
Centre d’Art Vocal & de Musique Ancienne / CAV&MA
Le Manège.Mons /Musiques Nouvelles
Le Jardin Secret
Off the records SPRL
Outhere SA
La Boîte à Musique SA
Forum des compositeurs
Stand No. 14
Stand No. 15
56
57
eMusici GmbH /
klassik.com
culture institute, governmental, library/
archive, Music Information Centre
Steenstraat 25, 1000 Brussels, Belgium
Phone: +32 250 490 90
Fax: +32 250 281 03
[email protected]
www.flandersmusic.be
Katrien van Remortel
Mobile: +32 475 683 839
Flanders Music Centre is an organization established by
the Flemish government to support the professional
music sector and to promote Flemish music in Belgium
and abroad.
– Encouraging expertise: news and guidance
for professionals about management, the music
industry, government policy, social and legal matters,
artistic programs, support for music research and
collaborations; a platform for exchange of ideas and
knowledge;
– Information and documentation; on all aspects of
the current music scene in Flanders: biographies of
composers and musicians, scores, reports, publications,
newspapers and magazines, databases; a music archive
of historical and contemporary recordings;
– Promotion – national and international publicity
of music and artists of all genres from Flanders:
membership within network organizations, presence
at trade fairs, creation and distribution of overview
publications and compilation CDs, coordination
of showcases and invitations to music industry
professionals at major events, project collaboration
with various music organizations.
Codaex offers marketing and distribution solutions for
music labels. Working with independent labels only,
Codaex has proved to be one of the strongest players in
the market. We commit strongly to our labels, offering
marketing and press coverage as part of our package,
and sharing our long lasting experience in this field to
develop custom-made distribution solutions.
Codaex
We not only distribute independent labels, we
are also proud of our own independence. We take
each label – big or small – seriously, providing
marketing, consultancy, and of course distribution.
On a worldwide scale, both our labels as well as
our distribution partners profit from the size of our
catalogue. As many different titles make one big order,
we can offer cost effective import of specialist repertory
from several labels at a time. We are experts, and offer
specialist solutions.
Larenstraat 58, B-3560 Lummen, Belgium
Phone: +32 133 520 60
Fax: +32 135 567 50
[email protected]
www.codaex.com
rec/distribution
Klaus Schepke
Mobil: +49 151 119 627 52
Co-Exhibitors:
Hyperion
Coro
PentaTone
LAWO Classics
Co-Exhibitors:
Annelies Van Parys
Aquarius
Ardalus
Belgian Brass Ensemble
Bijloke Music Centre
BL!NDMAN
Capilla Flamenca
EPR Classics
Het Collectief
ISCM-Flanders / World Music Days 2012
Le Jardin Secret
MuseScore
Zefiro Torna
Stand No. 16 – 17
Stand No. 18 – 21
58
59
studio, manufacturing, physical & digital
distribution, physical & digital archiving,
digitisation & preservation (audio, video & film)
Carl-Bertelsmann-Str. 161F, 33332 Gütersloh,
Germany
Phone: +49 524 180 52 00
Fax: +49 524 180 66 19
[email protected]
www.arvato-entertainment.de
Opening the door to the digital future: The media and
entertainment industry finds itself in a situation of
upheaval. It’s all about digitisation. New technologies
and distribution models are needed. The digital age
brings many challenges, but opportunities as well.
arvato Entertainment Europe‘s portfolio includes a wide
range of services for the entire entertainment industry
(audio, video, games, playtainment and broadcasting).
arvato Entertainment Europe is a market leader when it
comes to integrated solutions for the entire value chain
from physical and digital archiving, asset management,
digitisation, preservation, restoration, digital copy,
replication, fulfilment, physical and digital distribution
and supply chain management.
Thanks to our decades of industry experience and
intelligent solutions, we create added value for our
customers and make sure that they are well equipped to
meet the market challenges of the future.
Kelvin White
Mobile: +49 171 274 47 84
From its peerless – and fearless – reviews to
its penetrating interviews with leading artists,
Gramophone is the world’s best classical music
reviews magazine. Our writers are acknowledged
experts in their fields, and Gramophone is known
globally for the independence and intelligence of
its editorial content.
Established in 1923, Gramophone continues to be
the most respected source of record reviews, with
over 100 per issue. Gramophone’s events are part
of the classical music calendar: the Hall of Fame,
launched this year, and the Gramophone Awards.
Each issue is read by 26,000 classical music enthusiasts
(2011 ABC figures) in print, and Gramophone receives
240,000 visits per month across its online platforms.
Gramophone
online, print, special event/award,
advertising, multimedia/online,
publicity/pr
Teddington Studios, Broom Road , TW11 9BE A,
Teddington, United Kingdom
Phone: +44 208 267 51 36
Fax: +44 207 424 07 72
[email protected]
www.gramophone.co.uk
While proud of its heritage, Gramophone always moves
with the times. An App edition was launched as soon
as Apple Newsstand went live, and is now read by over
1,400 people. Gramophone has a strong presence on
social media, too, with 25,000 followers across Twitter
and Facebook.
Stand No. 22
Stand No. 23
60
61
arvato Entertainment
Europe / Sonopress GmbH
governmental
H.C. Andersens Boulevard 2, 1553 Copenhagen V,
Denmark
Phone: +45 337 445 00
Fax: +45 337 445 45
[email protected]
www.kunst.dk, www.danishmusic.info
Bodil Høgh
Mobile: +45 408 127 66
The Danish Arts Council provides support for the
production and expression of Danish arts, both
nationally and internationally, within the fields of
literature, music, performing arts and visual arts.
The Committee for Music provides financial support
for: music schools, festivals, music venues, musical
associations, music related transport, professional
orchestras/ensembles and international music
exchange, including Danish presence at MIDEM
and Classical:NEXT.
The Finnish Music Information Centre Fimic is the
expert of Finnish music. We increase the awareness
and availability of Finnish music, and aim to generate
new performances both in Finland and abroad.
Our objective is to benefit the entire music business
and to cover all music genres. We provide information
actively, and offer customer and expert services to
music professionals around the world. In addition, we
organise and initiate diverse promotional activities.
Co-Exhibitors:
Carion
Copenhagen Phil
Dacapo Records
Danacord Records
DMF Danish Musicians’ Union
DR P2
Edition·S – music¬sound¬art
Naxos Denmark
Finnish Music Information
Centre Fimic
Music Information Centre
Lauttasaarentie 1, 00200 Helsinki, Finland
Phone: +358 968 101 313
Fax: +358 968 207 70
[email protected]
www.fimic.fi
Kristiina Vuorela
Mobile: +358 405 160 656
Stand No. 24
Stand No. 25
62
63
Danish Arts Council –
online, photo, print, rec/label, rec/producer,
accomodation, design/artwork,
merchandising, multimedia/online
45-51 Whitfield Street, W1T 4HD, London
United Kingdom
Phone: +44 203 031 61 00
[email protected]
www.whitelabelproductions.co.uk
Contact persons at C:N:
Matt Hall
Mobile: +44 779 633 34 02
Cat Gill
Mobile: +44 788 418 35 83
White Label Productions works at the creative heart of
the world’s classical music market, providing bespoke
creative, production and label management services
fulfilling the commercial and artistic aims of our clients.
WLP offers a comprehensive range of creative and
management services tailored for the classical music
industry, including art direction, artist imaging, design,
full digital service, pod and VoDcasts, video and advert
production, product management, label management,
multi-lingual editorial, pre-press, print production
management
In 2011 the former companies Note 1 Musikvertrieb
and MusiContact merged, and so note 1 music gmbh
was born. note 1 music is not only one of Germany’s
leading independent distributors for classical music
(with labels such as Alpha, LSO Live, Mariinsky, Zig Zag
Territoires, Ramee, Opera Rara, Wergo) and exporters
(mostly for German labels such as Carus, Coviello,
Ars Produktion), but also the producer and owner
of the labels Accent, Christophorus, Glossa and
Pan Classics.
Our teams work across all forms of traditional media,
including custom design and print, and everything
from standard to luxury packaging, and our in-house
digital team specialises in website design, build and
management, online and social media marketing, and
rich media advertising.
note 1 music gmbh
rec/distribution, rec/label, rec/producer
Carl-Benz-Str. 1, 69115 Heidelberg, Germany
Phone: +49 622 172 03 51
Fax: +49 622 172 03 81
[email protected]
www.note1-music.com
Sandra Kohlheyer
We bring creativity, skill, reliability, experience and
expertise coupled with an ability to manage and meet
realistic budgets and deadlines.
Stand No. 26
Stand No. 27
64
65
White Label Productions
agent/booker, band/soloist/ensemble,
manager, educational, network/association,
research/science, concert promoter, festival,
tour, venue/club/concert hall, rec/label,
rec/producer, rec/studio, rec/sound engineer
Box 972, 97129 Luleå, Sweden
Phone: +46 722 436 790
[email protected]
www.norrbottensmusiken.se
Odd Sneeggen
Mobile: +46 722 436 790
New Directions – Norrbotten Music Center – is an
initiative launched by Norrbottensmusiken/Norrbotten
county council, Piteå municipality with development
funding from the Swedish National Council for Cultural
Affairs. It is the product of a partnership between
New Directions, the Luleå University of Technology/
KKL, and Studio Acusticum, merging music, education,
technology and research. This is a creative environment
for music to grow and flourish. Collaborations are
encouraged, providing opportunities for the crossfertilisation of different artistic media. The center
is envisaged as an international platform for music
creators, musicians, students, researchers.
It offers the latest advances in sound, acoustic research
and a state-of-the-art concert hall. The public can
access several modern concert rooms with the latest
technology, and facilities for transmitting live broadcasts
via a direct link from the Acusticum area (Digital Live
Arena).
Founded in 1984, Divox set off in 1990 with the vision,
to discover and promote emerging chamber music
artists and to bring outstanding music into the world.
We started to release selected recordings in audiophile
quality with young and talented musicians from all
over the world while contributing at the same time to
the enlargement of chamber music repertory.
Every new release is a ”déclaration d‘amour”, to specific
aspects of chamber music as well to the artists. The
state-of-the-art recording technique underlines our
commitment to the artists and their interpretations.
With six to eight recordings released a year, every
CD/SACD/BD stands for mindfulness and exceptional
qualities of the presented artist and the repertoire.
Since 2002 Divox has contributed strongly to develop
the three-dimensional music reproduction System
AUROPHONIE (www.auro-3d.com), formerly 2+2+2.
Discover the passion of chamber music and share it!
Several professional ensembles are associated with the
center, including Norrbotten NEO, Norrbotten Big Band
and Piteå Chamber Opera, as well as youth initiatives
such as the Arctic Light girls’ choir. Collaborations
include Erik Westberg Vocal Ensemble, which is affiliated
with the university. This autumn sees the official
opening of the Acusticum studio’s new concert house
organ.
Stand No. 28
Divox AG
rec/distribution, rec/label, rec/producer,
mail order, online-shop
Hinter Den Gaerten 7a, CH 4452 Itingen
(Basel Land), Switzerland
Phone: +41 618 369 136
Fax: +41 618 369 139
[email protected]
www.divox.com
Wolfram M. Burgert
Mobile: +41 794 357 490
Stand No. 29
66
67
New Directions Norrbotten
International Music Center
(Norrbottensmusiken)
labels, distributions, publishers,
educational institutions, promoters,
artists
Heinrich Schlaefer
Mobile: +43 699 120 028 833
It’s almost impossible to think about classical music
without thinking about Austria and Vienna – so get in
touch with Austria’s classical music scene of today. At
our booth you can get in touch with producers, labels,
associations, promoters, artists, educational institutions
– you will find the complete spectrum of music business
at our booth. Get the lastest news, explore new CDs,
DVDs and fascinating artists.
We also want to invite you to both Austrian live
showcases – don’t miss Seda Röder and come enjoy
the ”Salzburger Hofmusik“. And also visit our networking
session (Thursday 17:00) to get some inside views about
Austria’s classical music scene.
Just be our guest – see you at the Austrian booth!
Co-Exhibitors:
Capriccio
col legno Produktions- und VertriebsgmbH
Fritz & Friends International Trade & PR Agency
Gramola
paladino media gmbh
PREISER RECORDS Otto G. Preiser & Co GmbH
Schläfer, Heinrich
Videoland – Medienvertriebs GesmbH
“Music to carress your soul”
Johannes R. Köhler
If there are still classic-romantic composers nowadays,
then Johannes R. Köhler is one of them. His music is not
constructed, but consists of melodies and emotions
which take a musical form. With the large velvety string
orchestral sound of the Munich Symphonic Orchestra,
he uses these emotions in his “music to be caressed by”.
This musical language of the soul opens up a whole
new world of sensation for the listener. The music is
used successfully in many areas of medical therapy
and it is a “closely sounding medicine” for the soul –
if you can find no rest – if you are depressed about
your illness – if you can not cope with your grief – if
you are looking for security – if you are sickened by
your environment – if you can not sleep – if you are
burdened by stress – if you´re annoyed when driving –
if you want to reassure your children – if you are in love
– if you just do not know how you should carry on…
and many others.
® Musik zum Streicheln
– Johannes R. Köhler
composer/songwriter, conductor,
publ/music, rec/label, mail order, producer
Untere Marktstr. 2, 97666 Bad Kissingen, Germany
Phone: +49 971 22 59
Fax: +49 971 10 30
[email protected]
www.musik-zum-streicheln.de
Johannes R. Köhler
Mobile: +49 171 312 34 26
You are looking for music that fills your need for inner
spiritual harmony, music that radiates total peace,
music that calms and smoothes your tortured soul,
just as Köhler’s “music to be caressed by” does.
Stand No. 30 – 31, 33 – 34
Stand No. 32
68
69
Austria
All exhibiting companies at Classical:NEXT expo
Stand No. 15-17
Lena Dierckx – Capilla Flamenca
Stand No. 16-17
Outhere SA
Stand No. 15
Fritz & Friends International
Trade & PR Agency
Stand No. 30-31, 33-34
Musicmedia Srl asu
Stand No. 01
paladino media gmbh
Stand No. 30-31, 33-34
Musikwelt Tonträger e.Kfr.
Stand No. 01
Parys van, Annelies
Stand No. 16, 17
® Musik zum Streicheln –
Johannes R. Köhler
Stand No. 32
PREISER RECORDS
Otto G. Preiser & Co GmbH
Stand No. 30-31, 33-34
Muziekcentrum De Bijloke Gent
Stand No. 16-17
Profil
Stand No. 08
Naxos
Stand No. 05-06
Rondeau Production GmbH
Stand No. 07
Naxos Denmark
Stand No. 24
Schott Music & Media GmbH /
WERGO
Stand No. 04
E X P O / E xhibit o r s A – Z
Gramola
Stand No. 30-31, 33-34
Aliud Records
Stand No. 12
Aquarius
Stand No. 16-17
Ardalus (PolyArtes Bvba)
Stand No. 16-17
arvato Entertainment Europe /
Sonopress GmbH
Stand No. 22
AUSONIA
Stand No. 15
Belgian Brass vzw
Stand No. 16-17
Bella Musica Edition GmbH
Stand No. 01
BL!NDMAN
Stand No. 16-17
Capriccio
Stand No. 30-31, 33-34
CAV&MA
Stand No. 15
ClaraMusica Artist Management sprl
Stand No. 15
CLASS – Association of Classical
Independents in Germany
Stand No. 10
Codaex Deutschland GmbH
Stand No. 18-21
Codaex GmbH
Stand No. 18-21
Codaex International
Stand No. 18-21
col legno Produktions- und
Vertriebs GmbH
Stand No. 30-31, 33-34
Danmarks Radio, P2
Stand No. 24
Gramophone Magazine
Stand No. 23
Divox AG
Stand No. 29
HänsslerCLASSIC c/o
SCM-Verlag GmbH & Co KG
Stand No. 02
DMF Danish Musicians‘ Union
Stand No. 24
Heinrich Schläfer / Austria Stand
Stand No. 30-31, 33-34
Stand No. 30-31, 33-34
Het Collectief |
Chamber Music Quintet
Stand No. 16-17
Edition·S music-sound-art
Stand No. 24
eMusici GmbH / klassik.com
Stand No. 14
IMZ – International Music +
Media Centre
Stand No. 13
EPR Classic
Stand No. 16-17
Stand No. 30-31, 33-34
Dabringhaus und Grimm /
Audiovision GmbH
Stand No. 10
Ermitage, Wolf sarl
Stand No. 01
Klassik Center Kassel
Stand No. 09
Dacapo Records
Stand No. 24
Farao Musikproduktions-GmbH
Stand No. 03
La Boite a Musique
Stand No. 15
Danacord
Stand No. 24
Stand No. 15
Latvian Music Information Centre
Stand No. 11
Stand No. 24
Finnish Music Information
Centre Fimic
Stand No. 25
Latvijas Koncerti
Stand No. 11
Copenhagen Phil
Stand No. 24
Danish Arts Council
Stand No. 24
Le Manege.Mons /
Musiques Nouvelles
Stand No. 15
Stand No. 16-17
70
71
Naxos Deutschland Musik &
Video Vertriebs-GmbH
Stand No. 05-06
Stand No. 24
NGL Naxos Global Logistics GmbH
Stand No. 05-06
Sverkman Consulting Agency AB
Stand No. 28
Norrbottensmusiken
Stand No. 28
Videoland – Medienvertriebs
GesmbH
Stand No. 30-31, 33-34
Note 1 Music GmbH
Stand No. 27
Stand No. 24
OFF THE RECORDS sprl
Stand No. 15
and MuseScore
Stand No. 16-17
Stand No. 15
White Label Productions
Stand No. 26
Zefiro Torna
Stand No. 16-17
E X P O / E xhibit o r s A – Z
Exhibitors A – Z
No other directory
offers such
comprehensive
coverage of
the international
performing arts sector.
15% off
IAM
and qPuoAteY
The 2012 editions of
the Performing Arts
Yearbook, in two
volumes, are now
available to order.
Just
CNext
The
perform
arts wo ing
rl
at your d
fingerti
ps.
n
Now being published for its 22nd consecutive
year and extensively updated for 2012
n
Over 25,000 international arts
organisations listed
n
All the key contacts for the global arts sector,
including phone and fax numbers, email and
website addresses, names of key personnel,
and an overview of each company
n
Full online database available
Order today save 15%
Subscribe for only:
International Arts Manager brings you all the latest
news from the world of classical music, dance,
opera and theatre.
Opera © Galina Barskaya_Dreamstime.com
Featuring profiles of some of the world’s top
artists, insightful comments from the sector’s
opinion formers, and in-depth reports on the arts
issues that really matter, IAM is the essential read
for those working in the arts.
Subscribe online
IAM
one year
UK £80
Europe €121
US $184
ROW £112
PAY
one year
UK £115
Europe €145
US $210
ROW £140
Now also available to view
online in pageflip format
www.internationalartsmanager.com
or email [email protected]
+44 (0)161 236 9526
Twitter.com/IntArtsManager
pizzicat o
No 220 - 2/2012 - d 4,00
Interviews & Features
14 Seiten
CD
Kritiken
Thomas Zehetmair
Amstel Quartet
Nicola Benedetti
Jean-Pierre Kemmer
avec L a Let tre PhiLharmonique
pizzicato
Luxembourg’s Magazine for Classical Music
pizzicat o
No 221 - 3/2012 - d 4,00
14 Seiten
CD
Kritiken
Joseph Moog
Khatia Buniatishvili
Carl Davis
Maria Joao Pires
Esa-Pekka Salonen
Don’t miss
International
Classical
Music Awards
2012
pizzicat o
NEWS
FEATURES
INTERVIEWS
CD & DVD REVIEWS
Pizzicato is a Jury Member
of the
International Classical Music Awards
No 222 - 4/2012 - d 4,00
16 Seiten
CD
Kritiken
Krassimira Stoyanova
Diana Damrau
Rachel Kolly d'Alba
Robert D. Levin
Pizzicato
129, rue Mühlenweg
L-2155 Luxembourg
Tél.: (+352) 492 924
www.pizzicato.lu
Thursday 10:00 – 10:45
Session 1 : Black Box
Thursday 11:00 – 11:45
Keep up with changes, trends and innovations
The Other Europeans
Perspectives on Music
Journalism Today
The conference section is set up to offer expert panels,
lectures, keynotes, mentoring and networking sessions
and presentations to help delegates keep up-to-date
with new developments and current issues, as well as
to orient towards the future with new connections,
new approaches, and the right know-how.
The international and diverse orientation of
Classical:NEXT is highlighted by the wide range of
speakers and topics at the Classical:NEXT conference.
Bearing the international aspect of the conference
in mind, all formats will be presented in English.
Conference Sessions
The Classical:NEXT conference will discuss the state
of the art, today‘s challenges and the future potential
of classical music. At the heart of the conference are
the jury-selected conference sessions, focusing on
the following areas:
NEXT:Income – new markets and the future
of funding and financing
NEXT:Generation – future listeners and
audience engagement
NEXT:Technology – new methods for
new challenges
NEXT:Sound – new music, new formats,
sonic influences and inspirations
Renewal through folk and popular music
Presented by Dr. Alan Bern (USA/Germany)
Artistic Director, The Other Europeans
Mentoring Sessions
Mentoring sessions offer individual, free
consultations with experienced colleagues
from a wide variety of fields.
Classical:NEXT offers professional, international networks
a platform for their meetings and the chance to get
together, brainstorm, discuss, develop ideas and
welcome potential future members. Presentations
can be booked by any delegate wishing to introduce
a particular topic to the Classical:NEXT audience.
Biographies
There is a short biography of each Classical:NEXT
conference speaker and mentor at the very end
of this chapter.
All Classical:NEXT conference rooms are
at Gasteig:
Throughout history, classical music has been revitalized
by the sounds and techniques of folk and popular
music. In Eastern Europe, klezmer (Yiddish) and
lautar (Roma) urban professional musicians created
a music of unmatched virtuosity and nuance that
inspired composers from Liszt, Bartok, Kodaly and
Enescu to Golijov and Zorn. But for many audiences,
performers and composers today, the original sources
of inspiration are often unknown – and fascinating to
discover. The Other Europeans, born of an EU-funded
music ethnography project, is dedicated to uncovering
these sources and renewing a centuries-old musical
partnership that was cut short by the Holocaust. This
music opens new horizons for audiences and musicians
alike, exemplifying the ongoing creative fermentation
between classical, folk and popular music. Dr. Alan Bern,
creator and artistic director of The Other Europeans,
will lecture on the subject while providing musical
examples.
NEXT:Sound
Conference Sessions – Black Box
Mentoring Sessions – Foyer Carl-Orff-Saal Gallery
Networking Meetings – VHS Vortragssaal (EG 0117)
Presentations – Black Box
76
77
The present and future of classical music
journalism and media
Chaired by Carsten Dürer (Germany),
Editor in Chief, PIANONews & ENSEMBLE
with Oliver Condy (UK),
Editor, BBC Music Magazine;
Jessica Duchen (UK),
Music journalist, The Independent
Journalism and the media have undergone radical
changes in recent years and will continue to do so
in the future. What is the current situation? What can
we expect from classical music journalists at a time
when the landscape has shifted towards PR-media
and Internet platforms? These are vital questions
which require answers. Otherwise we risk losing the
most important resource we have: our listeners, who
also constitute the readership for classical music
publications.
NEXT:Generation
CONFERENCE / SESSIONS
C o nfe r ence
Conference
Thursday 16:00 – 16:45
Friday 10:00 – 10:45
Friday 11:00 – 11:45
Film Music as an Ear-Opener
to Contemporary Music
What is Better, a Community
or a Crowd?
Designing for Changing Audiences
Copyright Extension for
Phonograms
Exploring the variety of modern music
genres in the context of film
Funding your next music project
in the 21st century
Chaired by Matthias Keller (Germany),
Radio producer/editor, BR Bavarian Broadcasting
Chaired by Steven Walter (USA/Germany),
Artistic Director, PODIUM Festival Esslingen
with Laura Berman (USA/Germany),
Artistic Director, Art of Our Times, Bregenzer Festspiele;
Christian Heyne (Germany),
Composer, producer, Chris Heyne/Listen And See
with Robert Douglass (USA/Germany),
Director, Open Goldberg Variations
For many people, contemporary music evokes atonal,
unstructured sounds that are difficult to listen to or
reserved for exclusive circles. Yet the same musical
content often appears in film scores which mix a
wide variety of styles and genres. This session outlines
possible ways to push contemporary music forward –
with film music as a vehicle – to find a wider audience.
It also explores whether such an approach is attractive
to concert halls and promoters and whether it does
justice to the contemporary music scene overall.
NEXT:Generation
What is the future for music venues?
Presented by Rob Harris (UK),
Director, Arup, Arts & Culture Business Leader, UKMEA
Music has always been a phenomenon associated with
communities of socially and aesthetically like-minded
people. In order to adapt to rapid changes in society,
taste, and technology, the classical music industry needs
to nourish dynamic and passionate communities around
the art form. This session addresses the opportunities
and challenges in community-building as ushered in
by new technologies such as social networking and
crowd-funding websites like Kickstarter.com. In addition
to crowd-funding, we will discuss the importance of
open formats, audience development and transnational
networks (social media). Join us to learn about practical
examples, thought-provoking theories, and experience
inspiring showcases based on the speakers’ successful
experiences with the PODIUM Festival (Steven Walter)
and “Open Goldberg Variations” (Robert Douglass).
Can we afford more of the kinds of music venues we
have built in the past? What is sustainable fiscally,
environmentally and programmatically? If we can afford
them, will they attract audiences (and performers) and
provide the ever-evolving experiences that people
expect? Concentrating on the next generation of
concert attendees, this talk will mainly examine the
physical facilities and buildings that we need and how
these relate to a comprehensive (physical and digital)
experience. Rob will suggest that the need for such an
experience is not primarily passive, as it is at present,
but rather interactive and participatory.
NEXT:Generation
NEXT:Income
The consequences for performers
and record companies
Chaired by Prof. Dr. Stefan Pennartz
(Germany),
Lawyer, Schoepe Fette Pennartz Reinke,
Lawyers for Culture and Entertainment
with Barbara Wunderlich (Germany),
Director, Wunderlich Medien;
Paul Janse (The Netherlands),
Chief of Sales and Marketing, Codaex International
In 2011, an EU Directive (EU Directive 2011/77/EU)
extended the copyright terms for performers and
producers of recordings for all license agreements,
including buy-outs. Under this new legislation, all
recordings which are still protected on 1st November
2013 will receive an additional 20 years of copyright
protection. The conference will debate the
consequences and implications of this copyright
extension for composers and labels, drawing on
the perspectives of a composer, a lawyer and a
label representative. It will explore how performers
– or their beneficiaries – and record companies should
deal with the situation and how it may transfer to
EU legislation.
NEXT:Income
78
79
Thursday 15:00 – 15:45
Friday 16:00 – 16:45
Saturday 12:00 – 12:30
Keynote : Black Box
Promoting Arts in the Age
of Digital Reproduction
Classical Club Culture
A Game of Two Halves
Two musical worlds exchange influence
and inspiration
Where big is not necessarily better
Leveraging Internet and social media to engage new audiences for cultural institutions
Chaired by Dr. Martin Dehli (Germany),
Head of Department Corporate Clients, actori
with Christopher Gruits (USA),
Director of e-Strategy, Carnegie Hall New York;
Anna Kleeblatt (Germany),
Head of Sales & Marketing, Bavarian State Opera Munich
Internet technology and social media offer new
horizons for music and performing arts: a ”Digital
Concert Hall“ can reach audiences far beyond a single
venue; interactive ticketing systems provide more
convenient access for concertgoers; mobile apps can
place marketing messages easily within the private
sphere of a possible target audience. On the other
hand, digitalization could be perceived as a threat to
the unique live experience of a performance on stage,
and some critics are already foreseeing the end of
performing arts in an age of digital reproduction.
Two case studies exemplify the opportunities and risks
of Internet technologies and social media for cultural
institutions: Anna Kleeblatt, Head of Sales and Marketing
at the Bavarian State Opera, will describe activities in
direct marketing and social media at a leading opera
house; Christopher Gruits, Director of e-Strategy at
Carnegie Hall, will illustrate the digital content strategies
of one of the world’s most prominent concert halls.
NEXT:Technology
James Jolly (UK),
Editor in Chief, Gramophone
Chaired by Matthias Schneider (Germany),
Music Manager, schneider+ music management and consulting
with Kai-Michael Hartig (Germany),
Head of Culture Department, Körber-Foundation, Hamburg;
Christian Kellersmann (Germany),
Managing Director of Classics & Jazz,
Universal Music Classics & Jazz
Classical music is increasingly conquering new venues,
moving beyond traditional locations to alternative
venues such as bars and clubs, attracting younger
audiences in the process. In turn, electronic musicians
have increasingly penetrated classical concert halls.
The cross-fertilization of classical and electronic music
can be found in event series such as the Yellow Lounge
or recorded music series such as Recomposed, initiated
by Deutsche Grammophon’s Christian Kellersmann.
The Elbphilharmonie Hamburg’s concert series ePhil,
supported by the cultural department of the KörberStiftung under Kai-Michael Hartig, represents yet
another example. Classic goes club – just a flash in the
pan or a foretaste of the future? What new opportunities
does the opening of the classical world bring for the
music market as well as for composers and musicians?
Christian Kellersmann and Kai-Michael Hartig will
discuss the issue with music agent Matthias Schneider.
In the past three or four decades the classical music
landscape has shifted dramatically. The independent
sector is strong, dynamic and full of imagination,
and those qualities are strengthening every year. The
major companies, often indebted to capital venture
companies and boards who are no longer seeing the
strong return from their pop and rock acts, are having
to embrace a very different business model, and
because of their relative size lack the nimbleness of their
independent competitors. Are we now living in a world
where the two industries have diverged to such an
extent that they no longer operate in the same field?
> Showcases/Opening & Closing
Closing
NEXT:Sound
80
81
Friday 15:00 – 15:45
Mentoring Sessions A – Z
Thursday 13:30 – 15:00 : Foyer Carl-Orff-Saal Gallery
Kathleen Alder (Germany)
Founder and Managing Director, WildKat PR
www.wildkatpr.com
Topic: PR and Social Media Tools
© Ben Wright
Penny King (UK)
Senior Officer, Dance and Music, Arts Council England
www.artscouncil.org.uk
Topic: Public Funding & Touring Structures in the UK
Philip Krippendorff (USA/Germany)
Senior PR Consultant, artefakt Classica
www.artefakt-berlin.de/artefakt-classica.html
Topic: How to Get Classical Music into the Media
Michaela Ludyk (Germany)
General Manager, Monogenuss Records / Andy K. Productions oHG
www.monogenuss.com
Topic: Classical Music Download
82
83
C O N F E R E N C E / M E N T OR I N G S E S S I O N S A – Z
Take advantage of a private 15-minute consultation free of charge with any of our
special mentors from various fields and occupations. If you haven’t already signed up,
stop by to see if there are still slots available or to be put on the waiting list.
CLASS... the alliance of
independent producers,
labels and distributors in
Germany represent more
than 200 labels with more
than 300 new recordings
per month.
CLASS aktuell, the classical
music magazine from
CLASS reports four times
yearly in detail about it.
International Association of Music
Information Centers (IAMIC): Network
Presentation and Concrete Project Examples
Documentation and promotion of music
Austrian Networking Session
”Tradition is not the worship of ashes,
Werner Dabringhaus (Germany)
Diplom Tonmeister, co-founder and Managing Partner, MDG;
Ingo Schmidt-Lucas (Germany)
Recording producer and owner of the label Cybele Classics
An-Heleen De Greef (Belgium)
Executive Manager, IAMIC, Representatives of Music Information Centers
IAMIC – the International Association of Music
Information Centers – is an international network of
organizations that document and promote the music
of their country, region or a certain musical field.
These Music Information Centers play a key role in the
circulation of artists and dissemination of artistic works
both nationally and internationally. IAMIC as a platform
and a knowledge hub brings Music Information Centers
worldwide together. The idea behind the network
is not only to provide an international context for its
members, but also to encourage and enhance access to
information, stimulate exchanges of ideas, experiences
and best practice, as well as to facilitate joint projects.
One of these projects, created and lead by eleven
Music Information Centers in partnership with IAMIC,
is the MINSTREL project (MusIc Network Supporting
Transnational exchange and dissemination of music
Resources at European Level). Its aim is to promote
worldwide local music, information and professionals
as well as to support music exchanges and the
transnational mobility of musicians.
84
Heinrich Schläfer (Austria)
Organization & administration of the Austrian Booth
With these inspiring words, we kindly invite you to
our networking session – get in touch with Austria’s
classical music scene of today! We will introduce to you
Donau Universität Krems/Danube University Krems,
one of the leading competence centers for new music
communication, and the ”VMG – Vienna Music Group“,
an association of independent producers of classical
music, and talk about trends and news in the music
market in Austria. And of course you have the chance to
get in touch personally with all our exhibitors at one go.
So please drop in and join us!
85
iation o
f
soc
Cl
… was the theme more than ten years ago when MDG
offerd their first 2+2+2 recordings, a three-dimensional
way for natural-sounding music reproduction using
the six channels of the current media DVD and SACD
that are still working at their best. The overall benefit:
the music lover is no longer fixed to one place in the
listening room: you can be absolutely free and move
within your private concert hall, chamber music room
or cathedral... Up to now, film industries have used
5.1 Surround Sound that physically reproduces a two
dimensional sound image. It definitely does a good
job, but in one place only: the so-called ”sweet spot“.
Now film industries are about to move into threedimensional film and sound reproduction with up to
10.2 channels or more. Will this be the future for music
reproduction at home? MDG needs only one step to
reach the sound of the near future. With eight channels
only that can simply be provided by Blue-ray or in
digital download. So complete the 2+2+2 System with
another pair of elevated rear loudspeakers and the result
is 2222+ Recording. Come, listen, hear and discuss the
difference in this presentation.
but the preservation of fire!“ (Gustav Mahler)
CLASS
Break Through into a New Dimension...
in German
s
t
y
en
Thursday 17:00 – 18:00
al Indep
e
nd
sic
Thursday 15:00 – 16:00
as
Thursday & Friday 13:00 – 14:00
Presentation : Black Box
As
C o nfe r ence / N etw o r kin g M eetin g s & P r esentati o ns
Get together, brainstorm, discuss, develop. Classical:NEXT provides professional
networks from all across the globe with a platform for their meetings.
Jessica Duchen (UK)
is a music journalist for The Independent. She is also
the author of four novels, several stage works and
two biographies (Korngold and Fauré), besides
contributing to a variety of publications in print and
online. Her blog, “JDCMB”, has a large international
readership. She lives in London and is a keen pianist.
Speaker > Conference/Session 2
C O N F E R E N C E / B I OGR A P H I E S A – Z
Including keynote, conference speakers and mentors
Kathleen Alder (Germany)
is the founder of WildKat PR. Based in London and
Berlin they offer media relations to musicians and
cultural organizations. WildKat PR has built an excellent
reputation in the classical music industry through
innovative campaigns combining social media and
the unique stories of each of their clients.
Mentor > Conference/Mentoring Sessions A-Z
Oliver Condy (UK)
is the editor of BBC Music Magazine, the world’s biggestselling classical music magazine since 1992. During his
eight years as editor, Oliver has seen BBC Music increase
its share to over 62 per cent of the UK classical music
magazine market. Oliver is also a recital organist and a
tenor with the Bristol-based Exultate Singers.
Laura Berman (USA/Germany)
Her main interest lies in the interaction between music
and other artistic disciplines. She is the artistic director
of Art of Our Times at the Bregenz Festival, where she
commissioned Benedict Mason, Morton Subotnick,
Bernhard Gander, Bernhard Lang, Francois Sarhan, et al.
She is preparing a new work with Ben Frost.
Dr. Martin Dehli (Germany)
is currently responsible for corporate citizenship
strategies at actori GmbH. Prior to joining actori, Martin
Dehli worked as a consultant for The Boston Consulting
Group. Martin Dehli holds a PhD in the History of
Science from the European University Institute in
Florence, Italy.
Chair > Conference/Session 7
Dr. Alan Bern (USA/Germany)
is a composer, pianist, accordionist, cultural activist
and educator, acclaimed as a pioneer of contemporary
Jewish music. Equally at home in classical as in jazz,
folk and popular music, his ensemble The Other
Europeans brings together a lifetime exploration into
the intersection of these various styles. Bern holds an
M.A. in philosophy and a D.M.A. in composition.
Robert Douglass (USA)
(M.M. Indiana University) is a classically-trained
musician who completed a career as an orchestral
horn player before pursuing his passion for web
technology. He is an acclaimed specialist on the
crossroads of the Internet, music, copyright, open
standards and the public domain.
86
Carsten Dürer (Germany)
studied musicology and worked for several music
magazines as a freelancer and chief editor before
founding his own publishing house, Staccato-Verlag,
which publishes PIANONews – magazine for piano
and ENSEMBLE – magazine for chamber music.
He sits regularly on the juries for international
competitions such as ECHO Classic and serves as
a board member to the ECMTA (European Chamber
Music Teachers Association). Carsten Dürer plays
the piano and the viola.
Christopher Gruits (USA)
is director of e-strategy at Carnegie Hall where
he guides the institution’s digital strategy across
all online platforms. He is the creator of the
web’s first ”Digital Composer in Residence“ for
DilettanteMusic.com with the London Sinfonietta
and has worked on programming and production
with the Seattle Symphony and Hungarian Consul
General of NY.
87
Rob Harris (UK)
is an acoustic and theatre consultant who has
worked in prestigious concert halls and opera houses
internationally. He currently has projects in Kuwait,
Singapore and the UK. As director of the design
consultancy Arup, he leads UKMEA Arts & Culture.
He is a fellow of the Royal Academy of Engineering
and the Institute of Acoustics as well as a chartered
engineer and member of the Society of Theatre
Consultants. He holds degrees in physics as well
as sound and vibration.
Kai-Michael Hartig (Germany)
has worked for several cultural institutions, serving
as the personal assistant to the cultural senator
of Hamburg from 1998 to 2001, as well as in the
sponsoring department of a north German bank. Since
2005 he has led the department of culture at the Körber
Foundation in Hamburg. Born in 1966, he studied piano
and arts management in Düsseldorf and Hamburg.
Christian Heyne (Germany)
He made his first steps into composing in projects with
jazz and contemporary ensembles. He also received an
in-depth look into the work of film composers through
his activities as a sound designer. After completing
his music studies with a Master of Arts degree, he
concentrated on composing film scores, earning
nominations such as the ”German Film Award“ for
his music to Magarethe von Trottas movie I Am The
Other Woman in 2007.
Biographies A – Z
James Jolly (UK)
was editor of Gramophone for 15 years before stepping
aside to become Editor in Chief. He appears regularly on
BBC Radio 3 and currently co-hosts Sunday Morning. He
has also edited the Gramophone Classical Music Guide
and is currently working on a documentary
about Tchaikovsky’s 1812 Overture for the BBC.
Keynote Speaker > Conference/Keynote
Matthias Keller (Germany)
studied piano, music teaching and church music.
Since 2000 he has worked as editor and producer
for BR-Klassik (Bavarian Broadcast). He wrote the film
music book Stars and Sounds and is juror of the German
Record Critics Award. As composer and arranger, he
has worked with artists such as Lang Lang, Placido
Domingo, and Sarah Connor.
Christian Kellersmann (Germany)
has played in various bands, touring the world
and releasing records on major and indie labels.
Following his studies in musicology, he joined
Polydor as a product manager for jazz and later
headed the jazz department at Motor Music. Since
2002, he has been managing director of Universal
Music Classics & Jazz.
Penny King (UK)
is senior officer of the Music and Dance Department
at Arts Council England, supporting music and dance
developments across the country. She previously
produced national tours alongside some of the
world’s most celebrated musicians with a focus on
contemporary and Asian music. As a musician, she
is a member of the Southbank Gamelan Players.
Prof. Dr. Stefan J. Pennartz (Germany)
is an attorney at law and, since 2008, law professor at
the FOM University of Applied Sciences in Munich.
From 1995 to 2000, he was Head of Legal Affairs at the
KOCH International Firm, which specializes in copyright,
employment and sales & distribution law. Since 2000
he has been a partner at the Munich law firm Schoepe
Fette Pennartz Reinke, which specializes in intellectual
property and business law. Chair > Conference/Session 6
Anna Kleeblatt (Germany)
worked for music theater institutions such as Bay
reuther Festspiele and Ludwig Musical while studying
business administration. In 2006, she joined the staff
of the Bavarian State Opera, where she is responsible
for marketing strategy, marketing development,
and international sales as well as the planning and
regulation of opera and concert activities.
Matthias Schneider (Germany)
is a cultural scientist and freelance journalist for various
clients including ARTE, INTRO and the Goethe Institute.
He is the owner of the agency schneider + music
management and consulting, seamlessly encompassing
contemporary classical and electronic club music and
serving clients such as Max Richter, Matthew Herbert
and Dustin O’Halloran. Chair > Conference/Session 8
Steven Walter (USA/Germany)
is a Berlin-based cultural entrepreneur, founder and
artistic director of the PODIUM Festival Esslingen as
well as a performing cellist. In recognition of his work
as an innovative music promoter, he has received
prizes such as the ECHO Klassik Award in 2010 and
a nomination for Cultural Manager of the Year 2011.
Barbara Wunderlich (Germany)
studied piano at the University of Music, Munich. Head
of Fritz Wunderlich Family Archive. CD-Releases in coproduction with record labels/publishers (2012: Fritz
Wunderlich Last Recital), associate owner of Wunderlich
Medien film- and music production (TV documentaries:
Fritz Wunderlich, Jonas Kaufmann, Lisa Della Casa,
Robert Stolz, Elisabeth Schwarzkopf, High-Performance
Sports Singing Opera). Speaker > Conference/Session 6
Philip Krippendorff (USA/Germany)
is responsible for Artefakt Classica, promoting classical
music, labels and individual artists. ARTEFAKT was
founded in 1994 in Berlin. Services include press work,
editing, event management and cultural marketing.
The team works in flexible combinations to serve each
client’s needs and develop creative, individual concepts.
Michaela Ludyk (Germany)
worked as booking manager and customer consultant
at Sat.1/Seven Senses. She then went on to become
senior creative manager at Universal Music Group. She
brought her expertise in the music and technology
business as head of music programming to Musicload,
where she now serves as shop and content manager.
She is also marketing manager at Stereogenuss™
Entertainment, a division of Andy K. Productions
Ludyk oHG. She is an expert in digital sales &
information structure.
 

 

 

 

 

 

 

 


 
 
 
88
89

Paul Janse (The Netherlands)
is chief of sales and marketing at Codaex International.
Following an active career as an oboist and conductor,
he began working in the recording industry in 1996.
He now runs a successful branch of the Codaex Group
in the Netherlands and serves as managing director to
Etcetera Records & Globe Records.
www.imz.at
www.facebook.com/IMZMedia
IntErnatIonal
MusIC + MEdIa
CEntrE
aVant PrEMIÈrE sCrEEnInGs and sYMPosIa
Every year
Presentation of approximately 400 brand-new music
and dance programmes to the industry
www.avantpremiere.at
oPEn aIr MusIC FIlM FEstIVals
Worldwide
screenings of operas, classical, world music and jazz
concerts as well as classical and contemporary dance films
IMZ WorKsHoPs and FIlM sCrEEnInGs
at ItF GoldEn PraGuE
Prague, every October
IMZ World MusIC FIlM sCrEEnInGs
and ConFErEnCE at WoMEX
Varying destinations
World MusIC FIlMs on tour
Worldwide
non-commercial distribution and screenings at various festivals
www.worldmusicfilms.com
IMZ danCE sCrEEn
Varying destinations, biannual
International festival and competition for dance films
www.dancescreen.com
danCE sCrEEn on tour
Worldwide
non-commercial distribution and screenings at various festivals
© Cirque Eloize
www.dancescreen.com
IMZ FIlM databasE
More than 30.000 programme-entries of classical,
jazz and world music concerts, opera, ballet and
contemporary dance films
www.imz.at
© Thomas Rosenthal
Night of Love –
Waldbühne Berlin 2010
An evening with Renée Fleming
The IMZ International Music + Media Centre in Vienna collaborates
with Classical:NEXT for its very first edition.
www.euroarts.com
With a selection of eight full-length music films shown
for free for both Classical:NEXT participants and public
audiences, the two screening days complement the
overall busy schedule.
Thursday 16:00 – 17:40
Vortragssaal der Bibliothek
The IMZ brings more than 50 years of experience
when it comes to music and dance in film. Both the IMZ
and Classical:NEXT believe that film is one of the most
powerful media for the future art of classical music.
Check the screening programme to make sure you
don‘t miss this year’s presented works. Aiming to create
cross-sector networks and to find new solutions for
the future challenges of classical music, the screenings
are your place to be if you are a filmmaker, TV/film
programmer or producer, festival organizer, DVD label
owner, or if you are just interested in classical music on
screen. Plus if you are producing, buying or selling visual
material or planning new projects, this is the place to be.
The IMZ International Music + Media Centre in
Vienna is a global non-profit association for all those
involved in any aspect of audio-visual music and dance.
Its 150-plus members include leading audio-visual
programme producers and distributors; broadcasters;
performing arts companies and venues; record and
DVD labels; cinema and new media specialists – all
participants in the creation and dissemination of music
and dance in the media from 35 countries around
the world. Founded in 1961 under the patronage of
UNESCO, the IMZ has established its position as an
information and communication center for audio-visual
music and dance productions, as a mediator between
music and dance creators and the media, and as a
strong advocate of using modern technology for the
visualisation of music and dance – an international
platform for each and every aspect of music and
dance in audio-visual media.
Recorded: Waldbühne Berlin, Germany, 2010 : Conductor: Ion Marin :
Orchestra: Berliner Philharmoniker (Germany) : Soloist: Renée Fleming :
Duration: 100‘
Modest Mussorgsky Night on Bare Mountain
Antonín Dvořák Song to the Moon from “Rusalka”, Op. 114
Bedřich Smetana Dobrá! Já mu je dám! Jak je mi?
from “Dalibor”
Aram Khachaturian Adagio from “Spartacus”
Richard Strauss Final Scene from “Capriccio”, Op. 85
Richard Wagner Overture from “Rienzi, der Letzte
der Tribunen“
E. W. Korngold Mariettas Lied from “Die tote Stadt”
www.imz.at
www.facebook.com/IMZMedia
Richard Strauss Zueignung, Op. 10, No. 1
Sir Edward Elgar Salut d’amour
Giacomo Puccini Donde lieta uscì al tuo grido d’amore
from “La bohème”
Ruggero Leoncavallo Musette svaria sulla bocca viva from
“La bohème”, Mimì Pinson, la biondinetta, from “La bohème”
Giacomo Puccini “Tu che di gel sei cinta” from Turandot
Piotr Tchaikovsky “Romeo and Juliet” (Fantasy Overture)
92
93
The Waldbühne in Berlin, one of the most stunning
outdoor amphitheatres in Europe, is the home of the
Berliner Philarmonic‘s summer concerts. One of the
highlights in the history of these Waldbühne concerts
was undoubtedly the appearance of the charismatic
American soprano Renée Fleming, who brought
her soft-toned but richly coloured voice to this
Night of Love.
Renée Fleming‘s incomparable charisma as a singer
takes its full effect only when combined with the
facial expressions of the great diva, captured here
in some wonderful images.
I M Z F ilm S c r eenin g s
IMZ Film Screenings
The Magic Flute/The Barber of Seville/
Carmen
La Traviata at
Zurich Main Station
© Markus Bertschi
© Operavox
Operavox – Animated Operas
www.latraviata.sf.tv
Thursday 18:00 – 19:30
Operavox uses state-of-the-art animation techniques,
music and stories, distilled into thirty-minute films.
Breaking free of the confines of the stage, their visual
style brings a new accessibility to these masterpieces.
The Operavox series consists of six half-hour abridged
adaptations of the world‘s great operas, presented in
animated form. Others operas featured in this collection
are Wagner‘s Das Rheingold, Puccini‘s Turandot
and Verdi‘s Rigoletto.
Thursday 19:45 – 22:15
The Magic Flute
Composer: Wolfgang Amadeus Mozart : Director: Valeri Ugarov :
Recorded: Welsh National Opera, United Kingdom, 1995 :
Technique: Cell Animation : Duration: 30‘
Recorded: Zurich Main Station, Switzerland, 2008
Conductor: Paolo Carignani
Orchestra and Choir: Opera Zurich
Composer: Giuseppe Verdi
Duration: 149‘
Pamina is imprisoned by the wise wizard Sastro.
Her mother, the Night Queen, convinces Prince
Tamino to liberate her from Sastro‘s grip. For this
mission, Tamino is given the magic flute...
Violetta Valéry: Eva Mei
Alfredo Germont: Vittorio Grigolo
Giorgio Germont: Angelo Veccia
The Barber of Seville
Composer: Gioacchino Rossini : Director: Natalia Dabizha :
Recorded: Welsh National Opera, United Kingdom, 1995 :
Technique: Stop motion with puppets : Duration: 30‘
Assisted by Figaro, Count Almavila approaches Rozina in
disguise, although she is well guarded. The two young
lovers unite their efforts and overcome all obstacles.
Carmen
Composer: Georges Bizet : Director: Mario Cavalli : Recorded:
Welsh National Opera, United Kingdom, 1995 : Technique:
Live action – cel animation : Duration: 30‘
This is a story of passion, jealousy and pride, in which
a beautiful young gypsy‘s decision not to belong to
any man leads to her tragic death.
94
95
In September 2008, commuters at Switzerland‘s busiest
railway terminal in Zurich were surprised with a live
performance of Verdi‘s opera La Traviata Zurich‘s station
remained open for business, while the soloists, the choir
and the orchestra of Zurich Opera House, conducted by
Paolo Carignani, performed around the passengers. La
Traviata at Zurich Main Station brought Verdi‘s tragic love
story to a daily stage and became the most successful
culture programme ever produced by National Swiss
Television. The cast featured Eva Mei as Violetta, Vittorio
Grigolo as Alfredo and Angelo Veccia as Germont.
La Traviata at Zurich Main Station is part of a trilogy
produced by ”Schweizer Fernsehen“ (Swiss TV). The
other two productions are La Bohème im Hochhaus and
Aida am Rhein.
www.parthenonentertainment.com
© Bengt Wanselius
© Dieter Nagl
Place
www.hey-u.com
www.raf.se
Friday 16:00 – 17:20
Friday 17:30 – 18:00
The Concert for Europe is Europe‘s greatest classical
music open air. Combining world famous classical
music played by the renowned Vienna Philharmonic
Orchestra with the magnificent scenery of the
Schönbrunn Palace gardens, the Concert for Europe
annually enchants up to 140,000 visitors on site.
Recorded: Schloss Schönbrunn, Vienna (Austria), 2006 : Conductor:
Placido Domingo : Orchestra: Vienna Philharmonic Orchestra (Austria) :
Soloist: Juan Diego Florez : Duration: 77‘
Dmitri Shostakovich Festive Overture, Op. 96
Choreograper: Mats Ek
Dancers: Mihkail Baryshnikov, Ana Laguna
Music: Fleshquartet
Duration: 28‘
Fleshquartet:
Jonas Lindgren, violin
Örjan Högberg, viola
Mattias Helldén, Sebastian Öberg, cello
Christian Olsson, percussion and electronics
Wolfgang Amadeus Mozart Symphony No. 40
in G minor, K 550, 1st movement
Robert Schumann Symphony No. 2, Op. 61,
2nd movement
The Swedish choreographer Mats Ek has created a
duet for the world famous dancer Mihkail Baryshnikov
and Ek‘s leading lady Ana Laguna. The director of
the film is Jona Akerlund, Sweden, well-known for
his collaboration with Madonna. Fleshquartet is a
Swedish ensemble, consisting of an electrical string
quartet (violin, viola and 2 cellos) plus percussion and
electronics, whose musical style ranges from classical
string music to experimental rock.
Before Place they had already worked together
with Mats Ek for his ballet Apartment, which was
commissioned for the Paris Opera in 2000, where they
performed live on stage.
Gioachino Rossini Overture from ”Wilhelm Tell“
Giuseppe Verdi Donna è mobile from ”Rigoletto“
Juventino Rosas Sobre las Olas
This is a creative team where different worlds meet
to bring the music, media and dance worlds a
sensational film.
Manuel de Falla Interlude et Danse from
”La Vida Breve“
Johann Strauss Spanish March, Op. 433
Johann Strauss Viennese Spirit – Wiener Blut, Op. 354
Encores:
Agustín Lara Granada
Josef Hellmesberger Valse Espagnole
Joseph Strauss Ohne Sorgen!
96
97
Concert for Europe 2006
www.nordiskfilmtv.com
www.igudesmanandjoo.com
Friday 18:00 – 18:25
Friday 18:45 – 19:45
A ballet from real life by Jo Strømgren and Stein-Roger
Bull. In a big apartment in Frogner, Oslo, Norway, a
couple argues and fights about their relationship.
Boxes with separate belongings have already been
outside the flat. Their neighbour is a lonesome pianist,
annoyed by the couple’s endless quarrels. He plays the
piano, Leos Janáček’s In the Mists. The sound penetrates
through the walls. Slowly, the couple unconsciously
succumbs to the influence of the music and ends up
ceasing to fight and resolving their argument, and
maybe unpacking the boxes again.
Ass. Production Company: Jo Strømgren Kompani (Norway)
Producer: Jeanette Sundby, Cecilie Sjølett
Director: Stein-Roger Bull, Jo Strømgren
Choreography: Jo Strømgren, Line Tørmoen, Dimitri Jourde
Duration: 22‘
Recorded: Live from Musikverein, Vienna (Austria), 2008
Conducted and performed by Aleksey Igudesman and Hyung-ki Joo
Duration: 59‘
Leif Ove Andsnes: The Neighbour, pianist
Line Tørmoen: dancer
Dimitri Jourde: dancer
Leos Janáček
In the Mists
The concert begins. The music is sublime. Not even
a pin would dare drop. Suddenly, a cell phone rings
and the madness starts. The pianist loses his hand;
the violinist, while tuning, falls asleep and later wakes
up in the middle of a motorway, transformed into a
”River Dancer“. When the pianist returns, the piano is
locked, telling him to insert his credit card. These and
many other ”nightmares” unfold before audiences‘ eyes.
A Little Nightmare Music is a unique show, full of
virtuosity, enchanting music and zany, outrageous
humour. The two extraordinary masters of humour
Aleksey Igudesman and Hyung-ki Joo will mislead you
into a new world of classical experience. Käch Artist
represents Igudesman & Joo in Germany.
www.facebook.com/IgudesmanJooOfficial
www.twitter.com/igudesmanandjoo
www.youtube.com/user/igudesmanandjoo
98
99
A ballet from real life
A Little Nightmare Music
© Igudesman Joo
© Hallvard Bræin
The Neighbour
© Suzanne Schwiertz/Opernhaus Zürich
La Clemenza di Tito
www.tmg.de
Friday 20:00 – 22:05
Rarely has a Mozart opera seria leapt to life with
such intensity and power. And much of its rousing,
bounding spirit is due to Vesselina Kasarova, one of
the greatest mezzos of our time. As Sesto she clearly
dominates the stage, infusing each expression and
gesture, every note and coloratura, with breath-taking
vitality. Kasarova is surrounded by so many high-caliber
colleagues that the result is a feast for the ears and the
eyes. As the scheming Vitellia, Eva Mei lets not only the
ambitiousness of a proud princess but also the stinging
humiliation of a wronged woman reverberate in her
coloraturas. Jonas Kaufmann endows his sonorous
Tito with depth and reflectiveness. Director Jonathan
Miller focuses almost exclusively on the inner life of the
characters, a concept reinforced by the subtle musical
accompaniment of conductor Franz Welser-Möst.
Recorded: Live from Opera Zurich, Switzerland, 2005
Production: Jonathan Miller
Conductor: Franz Welser-Möst
Orchestra and Choir: Opera Zurich
Soloists: Vesselina Kasarova, Eva Mei, Malin Hartelius,
Liliana Nikiteanu, Jonas Kaufmann, Günther Groissböck
Composer: Wolfgang Amadeus Mozart
Duration: 124‘
100
Opening: Wednesday
19:00 – 22:00, Carl-Orff-Saal
Tradition and innovation – two halves which together make the whole
Closing: Saturday
12:00 – 14:00, Black Box
The opening and closing events of the debut edition of
Classical:NEXT reflect the wide scope of what classical
music can be today. In analogy to the forum’s name,
the opening will present a program commemorating
the long and hallowed tradition of Western art music
– the conditio sine qua non of “Classical” – while the
closing will place emphasis on the “NEXT” generation of
classical music making with modern works and novel
approaches.
Florian Uhlig, described by the Sunday Tribune as an
“involved, daring and high-voltage pianist” interprets
short works by two of the undisputed greats of the
romantic era, Schumann and Beethoven. In addition,
Dutch mezzo-soprano Barbara Kozelj and Swiss
pianist Jan Schultsz are to perform selections from
the song cycle Sanges-Frühling by Swiss composer
Joseph Joachim Raff, a prolific yet often overlooked
contemporary of Liszt and Schumann.
The opening’s repertoire hence ranges from baroque
to late romantic, presented in the traditional manner:
using voice or acoustic instrument, playing from a
concert hall stage directly to a live audience – a timeproven method for conveying a musical message to the
public. Today however, the venerated musical tradition
of classical takes on a new, additional role: its refined
and delicate sound offers a space and emphasizes the
importance of a virtue often marginalized nowadays –
sincere and focused listening.
The opening concert also commemorates two
groups which have been instrumental in bringing
the initiative that is Classical:NEXT to life: CLASS, the
Association for Classical Independents in Germany
and our initiating partners, and Naxos, who signed
on to this fledgling project at the outset, entrusting
Classical:NEXT with their 25th anniversary, encouraging
their international network to come to Munich.
On Wednesday, Tianwa Yang, born in Beijing, based
in Germany and described by the American Record Guide
as “an unquestioned master of the violin”, will perform a
sonata by the Belgian “King of the Violin” Eugène Ysaÿe.
Antonio Soler and J. S. Bach will come from pianist Eldar
Nebolsin, born in Uzbekistan, trained in Madrid and
called the “Sviatoslav Richter” of his generation.
The closing concert conjures up the second half
of this forum’s name, ”NEXT“, a word which looks to
innovation and to what is yet to come. Our host city
of Munich is also represented on the program with
two performances. The concert opens with works
from an artist placed inarguably at the forefront of the
20th century avant-garde, John Cage, who has been
the center of attention at numerous events in this,
the centennial year of his birth. These are performed
by a professor of the University for Music and Theater
in Munich, Moritz Eggert, a man of many job titles
including composer, pianist, conductor, and blogger.
102
The Orchester Jakobsplatz München is a young
ensemble founded in 2005 by a young conductor,
Daniel Grossmann. Musicians from more than
twenty countries currently play in the orchestra. The
programming focuses on rarely played works by Jewish
composers combined with music of the 20th and 21st
centuries. For the Classical:NEXT closing concert, they
present a short work by Ernst Krenek, a 20th century
composer of myriad styles and methods such as late
romantic, jazz, atonality and serialism.
of the classical music record industry will be examined
by James Jolly, Editor in Chief of Gramophone, a leading
publication which, since 1923, has been devoted to the
review of classical music recordings.
An appropriately named group will bring the
musical offerings of the debut edition of Classical:NEXT
to a close, the Quartet New Generation. These four
young women take recorder performance to previously
unexplored territories, incorporating and adapting
influences from early and contemporary music as
well as popular genres into programs delivered with
approachability and élan. On Saturday, 2 June, they’ll
take the listeners on a contemporary classical tasting
tour with a selection of modern delights, each short
and sweet.
> Conference/Sessions, Keynote
> Conference/Biographies A – Z, James Jolly
> Showcases/Live Showcases A – Z
The programs that open and close the first
Classical:NEXT thus symbolize the duality of preser
vation and renaissance, both sides of which are crucial
to the future of classical music. Such reconciliation is a
goal not only to be reached on stage. As the impulse for
Classical:NEXT was given by CLASS – the Association
for Classical Independents, the closing concert‘s keynote
speech offers a highly fitting topic – the current state
103
You can find more information about the artists in
the short A – Z descriptions on the following pages.
We, the organizers, wish you much enjoyment
at both events!
Presented by
S H O W C A S E S / O P E N I N G & C LO S I N G
S H O W C A S E S / O P E N I N G & C LO S I N G
Opening and Closing
A Filetta (France)
© Didier D. Daarwin
Live Showcases
Di Corsica Riposu, Requiem pour
deux regards
SHOWCASES / LIVE SHOWCASES
Classical:NEXT showcase artists will present themselves
to an international, professional audience in a series
of short live performances on 31 May and 1 June in
the Carl-Orff-Saal concert hall. Each showcase act will
deliver insights into their artistic portfolio within a
maximum of 30 minutes. The live showcase artists and
ensembles have been selected by an independent jury
from numerous proposals for their outstanding quality,
new ideas, and often unusual approaches.
The jury selection offers a wide range of high-quality
artists: from well-kept secrets to rising stars, from early to
contemporary, traditional to experimental. There will be
compositional adventures – including the artists‘ own
compositions – as well as courageous arrangements or
alterations of well-known masterpieces. Improvisation
provides a basis for some of the acts, while others focus
on sheet music paired with digital technologies, or –
quite the contrary – blend the written classical with oral
traditions. While the approaches and the material may
differ, all 2012 showcases handle the classical repertoire
with self-assurance and respect.
Opening:
Wednesday 19:00 – 22:00, Carl-Orff-Saal
You can find more information including the label
and the contact person of each live showcase in the
short A – Z descriptions on the following pages.
Friday 21:15
Carl-Orff-Saal
On Thursday and Friday, from 17:30 until 18:00, you
can connect with the artists and their representatives
at our Meet the Artists Receptions in the Foyer Gallery
in front of the Carl-Orff-Saal concert hall.
All Classical:NEXT live showcases, opening
and closing artists will perform at Gasteig:
Live Showcases:
Thursday 12:00 – 17:30, Carl-Orff-Saal
Friday 12:00 – 21:45, Carl-Orff-Saal
Jean-Claude Acquaviva
Di Corsica Riposu, Requiem pour deux regards
: Miserere
: Dies irae
: Rex tremendae
: Lacrymosa
: A’ mente
: Figliolu d’ella
: Meditate
: Pater noster
: Nanzu à Agnus dei
: Agnus dei
: In Paradisum
Closing:
Saturday 12:00 – 14:00, Black Box
The male septet A Filetta, named after a native Corsican
fern, brings an ancient tradition of a capella polyphonic
chant into dialogue with contemporary forms of
expression. The ensemble, founded in 1978 by the
13-year-old Jean-Claude Acquaviva, has collaborated
in film music, children operas, theater works and, most
recently, in choreography by Sidi Larbi Cherkaoui at
the Théâtre de la Monnaie (Opernwelt’s 2011 “Opera
House of the Year”). The group created its own requiem,
Di Corsica Riposu, on commission from the Festival de
Saint-Denis in 2004, releasing the work on its fourteenth
album. Acquaviva describes the music as “singing about
death in order to better celebrate life.”
A Filetta has also entered ambitious cross-cultural
exchanges, collaborating with the Japanese percussion
ensemble, Kodo.
Meet the Artists Receptions:
Thursday & Friday 17:30 – 18:00,
Jean-Claude Acquaviva, tenor and conductor
Paul Giansily, tenor
Jean-Luc Geronimi, tenor
Jean Sicurani, bass
Maxime Vuillamier, bass
François “Ceccè“ Acquaviva, bass
Daniele di Bonaventura, bandoneon
For full artist contact details
> Delegates/Companies A – Z
104
105
SHOWCASES / LIVE SHOWCASES A – Z
www.afiletta.com
Contact: Ensemble A Filetta (Sabine Grenard)
Label: DEDA
Short live concerts offer a view into the current emerging scene
Woodwind Quintet 3D
Daria van den Bercken
© Marco Borggreve
© Thomas Ronn
Carion (Denmark)
(The Netherlands)
Handel At The Piano
www.dariavandenbercken.com
Contact: Handel At The Piano
(Ilonka van den Bercken)
Friday 12:45
Carl-Orff-Saal
Thursday 12:00
Carl-Orff-Saal
Whether in the interlocking textures of Ligeti or the
cascading melodies of Bach, the woodwind quintet
Carion brings a fresh concept to chamber music
performance. Playing from memory in unusual
formations with a slightly theatrical approach, the
Danish ensemble seeks to defy convention and make
classical repertoire more appealing for a wider audience.
“What at first appears to be an extra ingredient in
concocting an event turns out to be a well-rounded
concept,” wrote the Süddeutsche Zeitung. The ensemble,
founded in 2002, has worked with everyone from
the legendary flutist Sir James Galway to the DJ and
producer Bjørn Svin, known for his experimental
electronic dance music. Carion has won prizes at
chamber music competitions in Denmark, Italy
and Japan.
Georg Friedrich Händel
Chaconne in G major, HWV 435
Johann Sebastian Bach,
arr. Mordechai Rechtman
Concerto No. 2, BWV 593 after Antonio Vivaldi
: Allegro moderato
: Adagio
: Allegro
Video: Create a New Audience: Catch Them by Surprise!
(2:47 min) / Director: Erwan van Buuren
from Suite No. 2 in F major, HWV 427
: Adagio
: Allegro
György Ligeti
Six Bagatelles for Wind Quintet
: Allegro con spirito
: Rubato. Lamentoso
: Allegro grazioso
: Presto ruvido
: Adagio. Mesto – Béla Bartók in memoriam
: Molto vivace. Capriccioso
from Suite No. 3 in D minor, HWV 428
: Presto
Claude Debussy
2 Préludes from book II
Dóra Seres, flute
Egils Upatnieks, oboe
Egīls Šēfers, clarinet
David M.A.P. Palmquist, horn
Niels Anders Vedsten Larsen, bassoon
Video: Handel Gives a Twist to Your Day Planning
(3:46 min) / Director: Erwan van Buuren
Igor Stravinsky
Circus Polka (Composed for a Young Elephant)
106
107
The Dutch pianist Daria van den Bercken has won
attention not only for her award-winning performances
in European concert halls but for her innovative
approaches to audience development, documented
on vimeo.com. In February, she invited total strangers
from around her neighborhood to attend a recital
of keyboard works by Georg Frederic Handel at her
Amsterdam apartment. Her fleet fingers and musical
intensity evoke anything but a casual musical get
together. Her first online video Handel hits the road!
features van den Bercken performing on a small
grand piano as it is towed through the streets by car.
A girl with pigtails smiles in the background, while an
older man starts gesturing outside a bar as if about to
conduct. “Handel’s music has an urgency that especially
fits this day and age,” says the pianist in the video.
“I want everyone to hear and get to know this music.”
Daria van den Bercken, piano
www.carion.dk
Contact: Rosenthal Musikmanagement
(Katharina Lenke)
Label: Cornon
www.naxos.com
Contact: Naxos
Label: Naxos
www.ensemblevariances.com
Contact: Ensemble Variances (Daniela Martin)
Label: Harmonia Mundi
Wednesday 19:00
Carl-Orff-Saal
Friday 19:45
Carl-Orff-Saal
Eldar Nebolsin has been called the Sviatoslav Richter of
his generation since winning a prize in the legendary
pianist’s name at Moscow’s first International Piano
Competition in 2005. His second album on Naxos
featuring Liszt’s First and Second Piano Concertos
and the Totentanz with the Liverpool Philharmonic
under Vassily Petrenko occupied the top place on the
label’s best-selling digital platform for six consecutive
months. He most recently released an album of works
by Schubert, and Brahms’ piano quartets are to follow.
Nebolsin, an Uzbekistan native, has performed with
orchestras throughout Europe and the U.S. under
conductors such as Ricardo Chailly, Charles Dutoit, and
Leonard Slatkin. A former student of Dmitri Bashkirov
in Madrid, he has stayed in the Spanish city to serve on
faculty at the International Institute of Chamber Music.
Padre Antonio Soler
Sonata in F minor, No. 78
Thierry Pécou
Soleil Tigre, for cello and piano
Johann Sebastian Bach
Italian Concerto, BWV 971
Thierry Pécou
Manoa, for bass-flute, bass-clarinet and cello
Opening
Eldar Nebolsin, piano
Oral tradition, while often associated with non-Western
forms of expression, has inspired many innovations in
classical music. One need only look to the field work
of Béla Bartók or the Basque rhythms that drive the
scores of Maurice Ravel. Ensemble Variances, founded
by pianist-composer Thierry Pécou in 2010, creates a
platform to carry this tradition into the 21st century,
performing original compositions that blend avantgarde experimentalism with the native sounds of
cultures from Latin America to the Caribbean. Pécou
and his ensemble recently collaborated with Mexican
composers for the premiere of Mexico se pone de fiesta at
the Opéra de Rouen and will next unveil a premiere with
the American composer Lisa Bielawa. The ensemble has
also explored dialogue with the visual arts, collaborating
with the painter Rodrigue Glombard.
Thierry Pécou, piano
Anne Cartel, bass-flute
Carjez Gerretsen, bass-clarinet
David Louwerse, cello
Sponsors: Arsenal, Bureau Export, Harmonia Mundi, Ministère de la
Culture et de la Communication, Région Haute Normandie, Sacem
108
109
(Uzbekistan/Spain)
Ensemble Variances (France)
© Cyrille Guir
© Kirill Bashkirov
Eldar Nebolsin
Jan Schultsz (The Netherlands/Switzerland)
Barbara Kozelj (Slovenia/The Netherlands)
© Friedrun Reinhold
Florian Uhlig (Germany)
www.schultsz.com
Contact: Divox (Wolfram Burgert)
Label: Divox
Wednesday 19:00
Carl-Orff-Saal
The German pianist Florian Uhlig has launched a
versatile career ranging from contemporary to the
baroque, performing with orchestras such as the BBC
Symphony Orchestra, the Dresden Philharmonic, and
the Stuttgart Philharmonic. He recently appeared with
the Iceland Symphony Orchestra and the Simon Bolivar
Youth Orchestra of Venezuela in Krzysztof Penderecki’s
Piano Concerto under the composer’s baton. Also
active as an accompanist and chamber musician,
he has collaborated with the late baritone Hermann
Prey, the violinist Mirijam Contzen, the Philharmonia
Quartet Berlin and others. He additionally writes his
own cadenzas and arrangements as well as original
compositions. He has released albums with Hänssler
Classics, WERGO, EMI and others. Uhlig has served as
artistic director to the Johannesburg International Mozart
Festival since 2008.
Wednesday 19:00
Carl-Orff-Saal
Robert Schumann
Abegg Variations, Op. 1
Joseph Joachim Raff
Sanges-Frühling, Op. 98
: Die Nonne
: Der Ungetreuen
: Rastlose Liebe
: Das verlassene Mädchen
Ludwig van Beethoven
Five Variations on “Rule Britannia”, WoO 79
Opening
Joseph Joachim Raff
Maria Stuart, Op. 172
: Gebet
: Von dem Gang zum Schafott
: Abschied von der Welt
Opening
Mezzo-soprano Barbara Kozelj and pianist Jan Schultsz
join for a performance of songs by the Swiss-German
composer Joseph Joachim Raff, whose complete cycles
they will release this fall in a double-SACD set on Divox
in co-production with Swiss Radio DRS 2. A native of
Slovenia, Kozelj is increasingly in demand for baroque
music and concert repertoire. She recently made her
debut with the Royal Concertgebouw Orchestra under
Ivan Fischer in St. Matthew’s Passion. The Amsterdamborn Schultsz, currently a professor at the Winterthur
Conservatoire and co-founder of the Basel Chamber
Ensemble, is also active as a conductor. He has presided
over the Tonhalle Orchestra, the Mozarteum Orchestra,
the Hungarian State Orchestra and others. His recording
of Schubert’s Die schöne Müllerin, released in 2000, was
awarded the “diapasson d’or.”
Jan Schultsz, piano
Barbara Kozelj, mezzo-soprano
Florian Uhlig, piano
110
111
www.florian-uhlig.com
Contact: Sören Meyer-Eller
Moritz Eggert plays Cage
www.lejardinsecret.com
Contact: Le Jardin Secret (Sofie Vanden Eynde)
www.moritzeggert.de
Contact: Moritz Eggert
Thursday 12:45
Carl-Orff-Saal
Saturday 12:30
Black Box
Baroque music has enjoyed a comeback in recent
decades, thanks to quality ensembles founded
by conductors such as William Christie, Nikolaus
Harnoncourt and Christopher Hogwood. Le Jardin
Secret has entered as a new potential player on
the scene since winning the Early Music Network
International Young Artists’ Competition in York, England
in 2007. The group’s debut album Musique pour Mazarin!
Qui le coeur at tout, featuring music by 17th century
composers such as Rossi and Charpentier, was praised
by The Independent as “a confident and attractively
programmed recording.” Le Jardin Secret has since
released a musical homage to the Habsburg imperial
court entitled Auf Wiener Art. The ensemble has also
created original programs such as Orpheus through
the ages, bringing together compositions by Rameau,
Monteverdi, Telemann and others.
Orazio Michi
Spera mi disse Amore
Elizabeth Dobbin, soprano
Romina Lischka, viola da gamba
Sofie Vanden Eynde, theorbo and baroque guitar
David Blunden, harpsichord
Anonymus
La chasse donnée à Mazarin par les paysans des
bourgs et des villages sur le tocsin (Mazarinade)
John Cage
Sonatas and Interludes, for prepared piano
: Sonata I
: Sonata II
: Sonata V
: 2nd Interlude
: Sonata XII
: Sonata XIV/XV
Marc-Antoine Charpentier
Ah! Qu’ils sont courts
Luigi Rossi
Non pianga
Jean-Baptiste Lully
Deh, piangete
Closing
Jean-Baptiste Lully
Tranquilles coeurs
Giacomo Carissimi
Deh, memoria
Composer and pianist Moritz Eggert has penned a
wide range of experimental stage works, including a
Foot Ballet to open the 2008 Viennese Opera Ball and
a Soccer Oratorio for the World Cup in 2006. His opera
All these Days was recently unveiled in Bremen. Among
his piano works, the Haemmerklavier cycle is most
widely performed. A professor for composition at the
Music University of Munich, Eggert maintains a wellread blog, “Bad Blog Of Musick”, about contemporary
music and contributes to other publications. Since
2009 he has been member of the “Akademie der
Wissenschaften und der Literatur in Mainz”. He is a
recipient of the German Rome prize, the SchneiderSchott prize, the “Siemens Förderpreis” for young
composers and others. His music is published by
Sikorski, Hamburg. At Classical:NEXT, he will perform
piano sonatas by John Cage.
Moritz Eggert, piano
Tristes Déserts
Sans frayeur
112
113
Musique pour Mazarin!
Qui a le coeur a tout
Moritz Eggert (Germany)
© Mara Eggert
© Lieven Dirckx
Le Jardin Secret (Belgium)
www.musescore.com
Contact: Open Goldberg Variations
and MuseScore (Robert Douglass)
www.orchester-jakobsplatz.de
Contact: Dr. Julia Grossmann
Friday 16:45
Carl-Orff-Saal
Saturday 12:30
Black Box
The Goldberg Variations, one of J.S. Bach’s most
ambitious keyboard works, has been transcribed
for everything from guitar to jazz trio. Now it is about
to meet the next frontier: Internet technology. The
Open Goldberg Variations Project, launched by musician
and web scholar Robert Douglass with his wife, the
German-Japanese pianist Kimiko Ishizaka, brings a
new album (recorded earlier this year on a Bösendorfer
grand piano) together with the open source notation
of Musescore.com. The sheet music sharing website
allows for sharing, embedding video, transposing and
more. Both the recording and the digital score, made
possible through crowd-funding, will be available on
the public domain. At Classical:NEXT, Douglass and
Ishizaka will present the project along with a live
performance. Have your smartphones and mobile
devices ready to follow along.
Goldberg Variations, BWV 988
Ernst Krenek
Symphonic Music, Op. 11
: Adagio
Score following technology by MuseScore.com
Selected variations, with score following demonstration
Closing
Special Presentation
The Orchester Jakobsplatz München champions 20th
century and contemporary music with an emphasis on
composers of Jewish origin. The ensemble, founded in
2005 by Artistic Director Daniel Grossmann, includes
musicians from over 20 countries and has formed
partnerships with institutions such as the Bavarian
State Opera and Theater as well as Munich’s Jewish
Community Center. “The orchestra has successfully
positioned itself in the orchestra city of Munich with
new and Jewish music,” wrote the Neue Zürcher Zeitung
last year. In 2009, the group embarked on a tour of Israel
and released an album of works by the little-known
composer Paul Ben-Haim. The following season it
traveled through Moldavia, the Ukraine and Romania
with the violinist Tanja Becker-Bender. In June, the
orchestra will perform works by Hanns Eisler at Munich’s
Schauspielhaus.
Daniel Grossmann, conductor : Sandor Galgoczi, violin :
Emanuel Wiesler, violin : Charlotte Walterspiel, viola :
Aniko Zeke, cello : Andreas Brand, doublebass :
Noemi Györi, flute : Hideki Machida, oboe :
Sofija Molchanova, clarinet : Theimuraz Bukhnikasvili, bassoon
Kimiko Ishizaka, piano
Sponsor: MuseScore
114
115
(Japan/Belgium/Germany/USA) Presented
by MuseScore and Kimiko Ishizaka
Orchester Jakobsplatz
München (Germany)
© Erol Gurian
© MuseScore
© Wolfgang Brunner
© Astrid Neumann
Salzburger Hofmusik (Austria)
Improvisation for Salterio and Dulcimer
www.quartetnewgeneration.com
Contact: Quartet New Generation (Susanne Fröhlich)
Label: Genuin
www.hofmusik.at
Contact: Salzburger Hofmusik (Wolfgang Brunner)
Label: Orifl Medien
Saturday 12:30
Black Box
Friday 19:00
Carl-Orff-Saal
Recorders aren’t the first instruments that come to
mind when one thinks of new music. Yet the Quartet
New Generation (QNG), with an armory of all shapes
and sizes, proves an exception to the rule, regularly
inspiring composers to conceive works for them. At
Berlin’s Ultraschall Festival this season, the female quartet
premiered its own arrangement of Sofia Gubaidulina’s
Flute Quartet alongside a premiere for prepared
recorders by the young Greek composer Marianthi
Papalxandri-Alexandri. Concerts have brought QNG from
Schleswig-Holstein to the New York festival Bang on a
Can and as far as South America, Asia and Russia. The
1998-founded recorder collective has won prizes from
contemporary music competitions in The Netherlands,
Poland, France and Germany. “A self-consciously fresh
concept in chamber music,” wrote The Irish Times.
Michiel Mensingh
Wicked, composed for QNG
Anonymus
Fandango after a manuscript of salterio of the 18th
century, improvisation for piano forte and salterio
Fulvio Caldini, arr. QNG
Clockwork Toccata, Op. 68
Antonio Vivaldi/Wolfgang Brunner
Die vier Jahreszeiten im Klimawandel, for dulcimer
and piano forte
Wojciech Blecharz
Airlines, composed for QNG
Pietro Metastasio
La Partenza ”Ecco quel fiero istante“, for tenor and harp
Moritz Eggert
Flohwalze, composed for QNG
Carlo Broschi aka Farinelli
La Partenza ”Ecco quel fiero istante“ (Pietro Metastasio),
for tenor and piano forte
Closing
Susanne Fröhlich, recorders
Andrea Guttmann, recorders
Miako Klein, recorders
Heide Schwarz, recorders
Salzburg, otherwise known as “Mozart city”, remains a
nexus of traditions one would more readily associate
with the 18th century. Yet in the right hands, the music
of this time remains as fresh and relevant as it was then.
The ensemble Salzburger Hofmusik, founded in 1991 by
Wolfgang Brunner, has dedicated itself to a court music
tradition that ranges from J.C. Bach to Schubert. The
group draws upon a flexible formation ranging from trio
to small orchestra, applying scholarly research about
performance practice to their interpretations on historic
instruments. Salzburger Hofmusik has toured Central
and Eastern Europe as well as Israel and Turkey, while
maintaining a prolific discography. “Salzburger Hofmusik
is more than capable of competing with period
instrument ensembles in Freiburg and Köln,” wrote
the Süddeutsche Zeitung.
Wolfgang Brunner, fortepiano
Heidelore Schauer, salterio and hammered dulcimer
Leonore von Stauss, baroque triple harp
Maximilian Kiener, male soprano and tenor
Sponsors: Mollenhauer, KÜNG – Die Flötenmanufaktur
116
117
QNG – Quartet New
Generation (Germany)
Seda Röder (Turkey/Austria)
© Dana Tarr
© Christine Schneider
Sax Allemande (Germany)
Face to Face with Cage
www.sedaroeder.com
Contact: Seda Röder
Label: SedaRoeder.com
Friday 13:30
Carl-Orff-Saal
Friday 20:30
Carl-Orff-Saal
While the saxophone might conjure up Charlie
Parker more easily than the classical concert hall, the
instrument’s importance in 20th century repertoire
from Claude Debussy to Paul Hindemith often goes
overlooked. The German trio Sax Allemande, formed in
1996, has set out to prove the instrument’s elegance
in a wide variety of repertoire. Blending soprano, alto
and bass saxophones, the group’s discography so far
includes arrangements of opera and ballet numbers, a
rendition of the Goldberg Variations, and a SchubertKagel project juxtaposing two seemingly disparate
musical worlds. The group recently won support from
the Siemens Foundation for a work it commissioned
from the Lithuanian composer Vykintas Baltakas. Sax
Allemande also has to its credit two consecutive Echo
Klassik Awards in 2009 and 2010.
Frank Schüssler, soprano saxophone
Arend Hastedt, alto saxophone
Markus Maier, baritone saxophone
Wolfgang Amadeus Mozart,
arr. Rainer Schottstädt
Arias from Don Giovanni
: Madamina, il catalogo e questo
: Giovinette che fate all´amore
: Non mi dir, bell´idol mio
: Finch´han dal vino valda la testa
John Cage
Dream
Seda Röder
Flight (improvisation)
John Cage
In a Landscape
Felix Mendelssohn Bartholdy,
arr. Margarita Oganesjan
Songs without words
: Op. 62, No. 6
: Op. 38, No. 2
: Op. 67, No. 2
: Op. 30, No. 6
: Op. 38, No. 3
: Op. 102, No. 3
: Op. 62, No. 1
: Op. 67, No. 4
Pianist, composer, scholar, lecturer and producer Seda
Röder embodies the virtues of a modern-day hyphenate
artist, disseminating her passion for contemporary
music in an intelligent but accessible fashion. With
Listening to Istanbul, she has dedicated a website and
album to the work of Turkish composers. Her album
Tales from Silent Lands explores the legacy of American
composers John Cage and Morton Feldman through
commissions that include one of her own works. Röder
is an Associate at the Harvard Department of Music and
has assisted the legendary scholar/performer Robert
Levin, who has praised her “exemplary understanding
of a wide range of musical styles.”
Her podcast series Blackbox about New Music breaks
down elements of contemporary music and explains
them in their historical context.
Seda Röder, piano
Sponsor: Moon and Stars Project, New York
118
119
www.saxallemande.de
Contact: Farao Musikproduktionsgesellschaft
(Angelika Vitzthum)
Label: Farao Classics
Discover Edition “Zeitgenössische
Musik” by the German Music Council
and WERGO
www.4tet.dk
Contact: Dacapo Records (Cecilie Rosenmeier)
Label: Dacapo Records
www.stock11.de
Contact: Deutscher Musikrat (Daniel Mennicken)
Thursday 17:00
Carl-Orff-Saal
Friday 12:00
Carl-Orff-Saal
The Sjælland String Quartet, founded in 2004 by
instrumentalists of the Copenhagen Philharmonic,
has dedicated itself to exploring a broad range of
repertoire from little-known Danish composers to
Nikos Skalkottas. They also find time for Haydn and
Beethoven. The ensemble is well-established on the
Danish music scene, performing at Copenhagen’s Tivoli
Gardens and Royal Opera House, where it appeared
in The Juliet Letters by English singer-songwriter Elvis
Costello in 2007. That same year, the quartet recorded
the two string quartets by Sunleif Rasmussen, a native
of the Nordic Faroe Islands. Other albums include works
by Danes Anders Koppel and Paul von Klenau. Earlier
this season, Sjælland made an appearance at the ORF
Radiokulturhaus Wien in works of Mozart and Koppel.
1. Ich oder jemand in meiner Familie spielt ein Instrument :
2. Malstaffel Mengenstaffel : 3. Orientierung : 4. (erweiterbar) :
5. Gern kontrovers, aber immer begeistert : 6. 1 Woche
für 1 Woche für 1 Woche für 1 Woche : 7. Inspirationen
für Geschenke : 8. Auflage, Beilage : 9. Ansprüche :
10. Kulturachse SÜD : 11. WELTKUNST : 12. Stil: HighFidelity :
13. Ich interessiere mich : 14. Farb- und Tonabweichungen :
15. DU-Schluss : 16. Chapeau! : 17. Musikalisch verwöhnen wir
unser Publikum : 18. Marke Marke : 19. Absolutes Charisma :
20. Die Wahl des nächsten Reiseziels : 21. Skyscraper* :
22. 10 Tipps für den Fernseher-Kauf : 23. Höchstformat 2 :
24. (plus Wien) : 25. Wallpaper* : 26. 68,6% : 27. Der Kauf von
Markenprodukten lohnt sich meist : 28. “Das Bessere ist des
Guten Feind” : 29. Kulturachse NORD : 30. Papiertyp 1 :
31. Hochwertige Anmutung : 32. Schrift eingebunden: Ja :
33. State of the Art (ist heutzutage vielfältig) :
34. Die Feuilletons in den nächsten Monaten prägen! :
35. vom Beschnitt entfernt : 36. Superbanner* : 37. Qualität
der mitgelieferten CD: 88% : 38. Gratulation! Auch an die
Kollegen! : 39. Kopf der Seite & Größte Tradition : 40. Ein
Klassiker ist gerade auch deshalb ein Klassiker, weil man
ihn sofort am kleinsten Detail erkennt. : 41. prooflose
Datenanlieferungen : 42. Optik entwickelt sich prächtig! :
43. Nielsengebiete: 3a, 3b, 4 und 7 : 44. Premium :
45. ihre Lieblingskünstler : 46. 61% : 47. Papiertyp 2 :
48. Für Qualität und hohe Konsumbereitschaft :
49. 61% / 26% : 50. Kurz vor dem Weihnachtsfest
wird es bei uns nicht nur in der Musik klassisch
Ludwig van Beethoven
from String Quartet in F major, Op. 95
: Allegro con brio
Anders Koppel
from String Quartet No. 2
: Larghetto
Leoš Janáček
from String Quartet No. 1 “Kreutzersonate”
: Adagio – Con moto
Peter Heise
from String Quartet No. 4 in C major
: Largo – Allegro molto
Jon Gjesme, first violin
John Bak Dinitzen, second violin
Bernd Rinne, viola
Richard Krug, cello
Sponsor: Statens Kunstraad
120
121
The electronic music duo brings together Martin
Schüttler and Mark Lorenz Kysela, German performercomposers who explore the possibilities for electroacoustic sounds in their work. But don’t believe their
Myspace page: neither are nuclear physicists. Schüttler,
a professor at the Musikhochschule Frankfurt and the
University of Frankfurt, has received commissions from
ensembles such as Ensemble Modern and musikFabrik.
He has also delved into sound installations and media
art. Kysela is active as a saxophonist and electronic
engineer in ensembles such as Oh-Ton, Ensemble
Atmosphere, and Strom, Ensemble der Autoren. He has
entered collaborations with choreographers such as
the Stuttgart-based Fabian Chyle and the video artist
Matthias Siegert. Schüttler and Kysela are members of
the stock11 consortium for new music.
Martin Schüttler, electronics
Mark Lorenz Kysela, saxophone
Sponsors: Deutscher Musikrat gemeinnützige Projektgesellschaft,
Förderprojekte Zeitgenössische Musik
(Denmark)
taste (Germany)
© taste
© Nikolaj Lund
Video Showcases
www.naxos.com
Contact: Naxos
Label: Naxos
Artists and projects present themselves on screen
Wednesday 19:00
Carl-Orff-Saal
Classical:NEXT video showcases are a new presentation
format which complements the live showcases. The
20-minute videos show recent projects of musicians,
ensembles or larger productions via live footage,
interviews or documentaries about the artistic content
and context.
The young violinist Tianwa Yang has been turning heads
towards her precocious career. This season includes
debut performances with ensembles such as the
Cleveland Orchestra, the Warsaw Philharmonic and the
Deutsche Radio Philharmonie. A native of Beijing, she
recorded the Paganini caprices at the age of thirteen.
Her first Naxos album of works by Sarasate with the
Orquesta Sinfónica de Navarra and Ernest Martínez
Izquierdo received the Pizzicato Supersonic Award
last year. Further upcoming releases include the solo
sonatas of Eugène Ysaÿe, Wolfgang Rihm’s Works for
violin and piano, Lalo’s Symphonie Espagnole, Manen’s
violin concerto and the remaining albums for an eightdisc set of Sarasate works. Yang is the recipient of the
Volkswagen Foundation prize “Star of Tomorrow” from
Seiji Ozawa and the 2006 “Prix Montblanc.”
Eugène Ysaÿe
Sonata Op. 27, No. 2 in A minor
: Obsession
: Malinconia
: Danse des ombres
: Les furies
The video showases are thus an ideal opportunity
to present large ensembles or staged productions
such as operas. At the same time, this format is
designed to enable artists, ensembles or productions
to present themselves when traveling or scheduling
issues make a live appearance impossible. Moreover,
the video showases are an appropriate way to present
work in progress to the professional community at
Classical:NEXT – be it a large, complex or unfinished
production. By combining the audio-visual element
with the onsite presence of one or several represen
tatives, the video showases allow ensembles and
productions, who would otherwise not be able to
perform, to make a professional and informative
impression at Classical:NEXT.
Opening
Tianwa Yang, violin
The video showases offer music distributors such
as concert promoters, labels and journalists a unique
opportunity to experience many performances in a
short amount of time. This format allows the gist of a
complex project to be grasped quickly and personal
contacts can be collected to deepen the exchange
afterwards.
122
123
A broad spectrum of presentations awaits our
delegates. Stylistically, they range from jazz and baroque
improvisations to modern electronic approaches. Some
presentations describe concerts in a special setting e.g.
pitch black, such as “Augustin Maurs – SOLO Bach Suites
Exhibited”. There will be sketches and documentations
of projects as well as videos that are art in themselves,
and some video showases that show that these two
aspects are not mutually exclusive.
All Classical:NEXT video showcases will be
screened at Gasteig:
Video Showcases:
Thursday 11:00 – 15:00, Vortragssaal der Bibliothek
Friday 11:00 – 15:00, Vortragssaal der Bibliothek
For full artist contact details
> Delegates/Companies A – Z
S h o wcases / Vide o S h o wcases
Tianwa Yang (China/Germany)
www.bachsuitesexhibited.com
Contact: schneider+ (Matthias Schneider)
www.musikrat.de
Contact: Deutscher Musikrat (Daniel Mennicken)
Friday 14:00
Friday 11:00
SOLO – Bach Suites Exhibited, a performance installation
by cellist and composer Augustin Maurs, creates a
new listening context for Bach’s cello suites: they are
performed in pitch dark. This is unusual on more than
one level, as the six movements for unaccompanied
soloist are rarely performed all at once. Maurs, first
exposed to the world of Bach’s suites at age six through
recordings of Pablo Casals, hopes to distill the musical
experience to a purely acoustic one, a concept of
invisible sound. “Bach in the dark is an alternative to
the way classical music is otherwise visualized and
marketed,” he explains. Maurs has entered collaborations
with composers such as Mauricio Kagel and Helmut
Lachenmann, the choreographer Sasha Waltz and the
stage director Christoph Schlingensief.
SOLO – Bach Suites Exhibited
Director: schneider+
Year of Release: 2012
Samir Odeh-Tamimi – Composer
Director: Daniel Mennicken
Oliver Schneller – Composer
Director: Daniel Mennicken
Six Suites for Unaccompanied Cello
(BWV 1007–1012)
Papier á musique – Jörg Widmann
Director: Yan Proefrock
Augustin Maurs, cello
Three video portraits open a view onto the composers
Jörg Widmann, Oliver Schneller, and Samir OdehTamimi. The works of Widmann have become
increasingly prominent in Germany and beyond.
The Bavarian State Opera premieres his opera Babylon
next season. He has been in residence with institutions
such as the Salzburg Festival, the Lucerne Festival,
and the Cleveland Orchestra. Schneller, described as
“a revelation” in Le Monde for sound worlds that probe
the relationship between computer music and classical
instrumentation, has been performed by groups such
as Ensemble Modern and the Tanglewood Music Center
Orchestra. Finally, the Palestinian-Israeli composer
Odeh-Tamimi synthesizes European idioms with his
native Arabic roots and has received commissions from
Deutschlandfunk, the Donaueschingen Festival and
Musica Viva.
Sponsors: Deutscher Musikrat gemeinnützige Projektgesellschaft,
Förderprojekte Zeitgenössische Musik
124
125
S H O W C A S E S / Vide o S h o wcases A – Z
SOLO – Bach Suites Exhibited
Composer Portraits (Germany)
Discover “Edition Zeitgenössische Musik”
by the German Music Council and
WERGO
© Manu Theobald
© Annika Larsson
Augustin Maurs (France/Germany)
(Israel/USA)
www.capilla.be
Contact: Capilla Flamenca (Lena Dierckx)
Label: Ricercar, Musique en Wallonie
www.israelichamberproject.org
Contact: Israeli Chamber Project (Assaff Weisman)
Label: Azica Records
Thursday 11:30
Thursday 11:00
The Ensemble Capilla Flamenca has embarked on a
series of projects to illustrate the cross-relevance of
Franco-Flemish polyphonic chant and Renaissance
instrumentalism with everyday life. The group has
worked together with artists such as the choreographer
Sidi Cherkaoui and the contemporary music ensemble
Het Collectief, weaving together 14th century ars nova
music with the sounds of Karlheinz Stockhausen.
These documentary clips present the group in various
formations and settings, giving a new spin on the
transparent, celestial textures of their music. Whether
recording Heinrich Isaac’s “Ich muss dich lassen” in a
historic Belgian church or singing music by Alexander
Agricola in a montage against mundane scenes such
as a city street car, Capilla Flamenca explores new
possibilities for creating emotional resonance.
Beauty and Wisdom in Flemish Polyphony
Director: Yves Gervais
Israeli Chamber Project
Director: Diana Ritter
Maurice Ravel
Introduction and Allegro
The Israeli Chamber Project, founded four seasons ago
by young musicians based in New York, Berlin and Tel
Aviv, combines performance, education and outreach
into a single mission. The ensemble has toured cities
and remote towns throughout Israel with master
classes and concerts in the hope of making chamber
music more accessible. In turn, they hope to bring
something of its native musical culture abroad. ICP
has commissioned works from Israeli composers such
as Jonathan Keren and Amit Gilutz, also giving preconcert lectures to explain the effects used in a given
contemporary work. “Classical music is a high form of
art,” explains Artistic Director Tibi Cziger. “And if you
have no knowledge it will be much harder to enjoy.”
This season sees the release of the group’s first album
and its Carnegie Hall debut.
Daniel Bard, violin : Guy Ben-Ziony, viola : Tibi Cziger, clarinet :
Yael Kareth, piano : Michal Korman, cello : Sivan Magen, harp :
Assaff Weisman, piano : Itamar Zorman, violin
Marnix De Cat, alto : Tore Denys, tenor : Lieven Termot, baritone :
Dirk Snellings, bass : Liam Fennelly, viola da gamba :
Thomas Baeté, viola da gamba : Piet Stryckers, viola da gamba :
Jan Van Outryve, lute : Patrick Denecker, recorders
Sponsor: Flemish authorities
126
127
(Belgium) Capilla Flamenca Brings Early
Music into the Homes of Today‘s People
Israeli Chamber Project
© Avshalom Levi
© Miel Pieters
Ensemble Capilla Flamenca
Recomposed – The Four Seasons
Red Note Ensemble
© Amelia Jacobsen
© Yulia Mahr
Max Richter (Germany/UK)
(UK)
www.rednoteensemble.com
Contact: Red Note Ensemble (John Harris)
Thursday 14:30
Friday 14:30
The projects of German-born British composer
Max Richter range from ballet to installations to
experimental electronica. He remains best known
for his music to blockbusters such as Shutter Island
and Perfect Sense, however, winning the European Film
Academy’s 2008 prize for best score to Ari Folman‘s
Waltz with Bashir. Earlier this year, he recorded his
Vivaldi adaptation Die vier Jahreszeiten with violinist
Daniel Hope and the Konzerthaus Orchester
Berlin under André de Ridder as part of Deutsche
Grammophon’s Recomposed series. Richter
subsequently mixed the recordings electronically.
An ongoing documentary project by Yulia Mahr
shows scenes from the rehearsals and recording
sessions as well as interviews about the project.
His ambient music offers a kind of counterpoint
in the background.
Max Richter, Recomposed – The Four Seasons
Director: Yulia Mahr
Introducing Red Note, Scotland‘s Contemporary Music Ensemble
Director: Laurie Irvine
Antonio Vivaldi, Max Richter
The Four Seasons, recomposed
Garry Walker, conductor : Jessica Cottis, conductor : Bryan Allen,
conductor : Jackie Shave, violin : Darragh Morgan, violin :
Greg Lawson, violin : Tony Moffat, violin : Ruth Crouch, violin :
Lise Aferiat, violin : Donald Grant, violin : Kay Stephen, violin :
Fiona Winning, viola : Scott Dickenson, viola : Jane Atkins, viola :
Hannah Craib, viola : Robert Irvine, cello : Rudi de Groote, cello :
Louise McMonagle, cello : David Pellar, double bass : Alison Gornall,
double bass : Tom Berry, double bass : Rick Standley, double bass :
Joe Houghton, oboe : Stella McCracken, oboe : James Horan, oboe :
Ruth Morley, flute : Yann Ghiro, clarinet : Alan Bacchetti, clarinet :
Jo Nicholson, clarinet : Bill Sweeney, clarinet : Paul Boyes, bassoon :
Frazer Gordon, bassoon : Mark O Keefe, trumpet : Brian McGinley,
trumpet : Tom Poulson, trumpet : Andy Saunders, horn : David
McClenaghan, horn : John Kenny, trombone : Emily White, trombone :
Neil Gallie, trombone : Iain Sandilands, percussion : Tom Hunter,
percussion : Stuart Semple, percussion : Simon Smith, piano :
Judith Keaney, piano : Flavia Casari, piano : Chick Lyall, piano :
Malcom MacFarlane, guitar : Allan Neave, guitar
André de Ridder, conductor
Daniel Hope, soloist
128
129
From John Cage to emerging composers such as
Carolyn Sparey, the Scottish ensemble Red Note has
dedicated itself to exploring innovative possibilities
for contemporary music performance while attracting
new audiences. Last fall, the group performed Philip
Glass’ music drama 1000 Airplanes on the Roof in a
hangar beneath a Concorde. “Red Note‘s nine-piece
ensemble took care to recreate a classic 1980s Glassian
sound,” reported The Guardian. “But it was the use of
space that stole the show.” This season has included an
experimental performance-installation in collaboration
with Glasgow-based German artist Torsten Lauschmann
and a tour of the Hebridean islands in free concerts of
global music as well as master classes. Red Note has
also formed educational partnerships with the Royal
Conservatoire of Scotland and Glasgow University.
Sponsors:
Creative Scotland, Esmée Fairbairn Foundation, Hope Scott Trust,
PRS for Music Foundation, Royal Conservatory of Scotland,
Traverse Theatre, Year of Creative Scotland 2012
www.schneiderplus.com
Contact: schneider+ (Matthias Schneider)
Label: Universal Music/Deutsche Grammophon
(Germany)
Classical Next Level
www.ringensemble.de
Contact: Simon Slowik
Label: Enja Records
The ”Classical Next Level“ festival presents a nighttime program in Munich‘s clubs.
Thursday 14:00
High culture meets club culture: Classical Next Level is an
alternative and interactive concert experience. Classical
Next Level presents contemporary classical music in a
contemporary context and new surroundings, breaking
the boundaries between classical and club music.
The project is under the patronage of Dr. Hans-Georg
Küppers, Head of Municipal Department of Arts and
Culture, Munich.
While jazz grooves may seem an unlikely match
for the viola da gamba, the Ring Ensemble has
bridged the gap between two musical traditions that
share a common impulse for structured improvisation.
Bringing original baroque instruments together with
double bass, keyboard and percussion, the young
musicians create original compositions based on
improvisation to fixed motives, blending baroque
technique with free, modern jazz. The chamber music
ensemble has been known to just as easily foray into
hip hop and Latin American rhythms, collaborating
with the German rapper Flowin‘ Immo and the modern
dancer Antonio Ramos. They have also taken on more
traditional projects, such as rearranging the “Hut of
baba yaga” from Mussorgsky’s Pictures at an Exhibition.
The ensemble has performed throughout Germany,
so far releasing two albums and a live DVD from
Dresden.
Live in Dresden
Director: Ben Schindler
Simon Slowik
Electrain
Winzer N° 212
La Truviata
For this unusual format, Munich‘s leading electronic
music clubs – Bob Beaman and Harry Klein – have
joined forces with the renowned event series Klassik
im Club.
Klassik im Club is performed in a relaxed club setting
rather than a standard concert hall and attracts both the
established classical audience as well as the diverse and
loyal guests of its collaborating club venues. A mixed
public that builds a bridge between two musical worlds.
The Classical Next Level festival is proud to present
two fully loaded nights. The program is framed by
a DJ set that features eclectic classical records, well
selected and mixed by subtle transitions. Video and light
artists enhance the aural and visual experience. Unlike
traditional concerts, the artists speak to the audience
about their music. The artists effortlessly blur the
boundaries between classical and club music with
their performances. On 31 May, Minas Borboudakis
plays his own works for piano and electronics at Bob
Beaman. On the same evening the composer Carl
Oesterhelt will present pieces composed especially
Ulrike Slowik, baroque violin
Martin Stupka, baroque viola
Diethard Krause, violoncello and viola da gamba
Matthew Cellan Jones, baroque guitar and theorbo
Simon Slowik, fender rhodes and electronics
Felix Otto Jacobi, double bass
Demian Kappenstein, drums and percussion
130
131
for Classical Next Level in a quartet (Carl Oesterhelt,
metallophone; Sachiko Hara, piano; Gertrud Schilde,
violin; Ulrich Wangenheim, bass clarinet).
The second festival night will be held at Harry
Klein on 1 June. Musicians from the Münchener
Kammerorchester (David Schultheiss, violin; Kosuke
Yoshikawa, violin; Kelvin Hawthorne, viola; Bridget
MacRae, cello) will perform works by Tom Johnson,
Arvo Pärt and Philip Glass followed by a second
performance by the percussion duo Double Drums.
Not only for the artist but also for the audience,
Classical Next Level shows the potential for the
evolution of music!
Delegates must show their badges and wristbands
to get free access to the Classical Next Level concerts –
subject to capacity.
Bob Beaman www.bobbeamanclub.com
Gabelsbergerstr. 4/on the corner Amalienstr.,
80333 München
Admission: Thursday 20:00, Start: 21:00
Harry Klein www.harrykleinclub.de
Goethestr. 21, 80336 München
Admission: Friday 20:00, Start: 21:00
You can find the directions to the clubs on the back flap.
S H O W C A S E S / C lub S h o wcases
© Stefan Kraul
Ring Ensemble
www.carlofashion.de
Label: Alien Transistor
www.mixcloud.com/klassikgoesclub
Thursday 21:00
Bob Beaman
Thursday + Friday 21:00
Bob Beaman + Harry Klein
Jazz riffs, symphonic e-music, minimalism, sampling,
or ambient sounds, there‘s nothing the Munich native
Carlo Oesterhelt isn’t afraid to try. “There are few
people who make classical music without classical
structures,” he says of his compositions. The drummer,
keyboardist and composer runs the gamut from house
to contemporary classical music, collaborating with
German pop bands such as FSK and The Merricks while
producing a wide-ranging discography. His sixth and
most recent album Requiem explores a neo-Romantic
chamber idiom, while his debut This is Carlo Fashion
creates a series of electro-pop miniatures – a kind of
“recorded diary“, in his words. At Classical:NEXT, he
appears with an unnamed quartet of piano, violin,
bass clarinet, and metallophone in music for theater
productions and radio plays.
Carl F. Oesterhelt
Die Simulanten, for quartet, premiere
Pianist Maria Nguyen-Nhu a.k.a. DJ Dan-Thanh occupies
the growing interface between classical music and club
vibes, remixing everything from Philip Glass to J.S. Bach
while maintaining active as a soloist. Nguyen-Nhu, born
in Witten, Germany, to Vietnamese parents, hopes to
liberate classical music from its stuffy image and attract
a younger audience by casting the likes of Händel and
Mozart in a more contemporary framework. She is
the founder and artistic director of the Munich-based
event series Klassik im Club, as well as artistic director
of Classical Next Level , which similarly brings classical
music to clubs alongside DJ and VJ events. During
Nguyen-Nhu’s piano studies at the Real Conservatorio
Superior de Música in Madrid, she received a grant from
the Spanish Ministry of Culture. She also holds a degree
in music journalism.
Carl F. Oesterhelt
Johan Arnold van Monk, for quartet, premiere
Carl F. Oesterhelt
En raison de cette seule étoile, je ne vois pas la nuit,
for quartet, premiere
Sachiko Hara, piano
Gertrud Schilde, violin
Ulrich Wangenheim, bass clarinet
Carl Oesterhelt, metallophone
Maria Nguyen-Nhu, turntables
132
133
S H O W C A S E S / C lub S h o wcases A – Z
(Germany)
© Grieg Vargas
Carl Oesterhelt in a Quartet
© Marianna Karali
© Lars Ternes
Minas Borboudakis
(Greece/Germany)
www.agentur-zweigold.de
www.minasborboudakis.com
Friday 21:00
Harry Klein
Thursday 21:00
Bob Beaman
Double Drums, founded in 2004 by Alexander Glöggler
and Philipp Jungk, combines wild percussion acts
with entertaining music and video effects. Their sound
battery can include snare drums and marimbas as
easily as electric drills, ladders and buckets. Winner of
the 2010 “Kunstförderpreis” from the Bavarian Ministry
of Science, Research and Art, the group has appeared
on German television stations such as ZDF and CCTV.
Tours with the Li Biao Percussion Group has brought
the duo to concert halls throughout China including
the Peking National Centre of Performing Arts and the
Xinghai Concert Hall in Ghuangzhou. Double Drums
offers creative workshops to school children as well as
the visually-impaired in Bavaria. Its debut album Alpha
was praised by the Süddeutsche Zeitung for “a rhythmic
melodic sound cosmos of irresistable conciseness.”
Alexander Glöggler, percussion
Philipp Jungk, percussion
Jungk
Deep Stream
Minas Borboudakis
Metal Mechanics I, for audiotape
Double Drums
Savanne
Minas Borboudakis
Modular Loops, 2011, for piano
Jungk
Taklamakan
Minas Borboudakis
Cycloids I, 2006, for piano
Double Drums
Drum Derby
Minas Borboudakis
Metal Mechanics V and III, for audiotape
Double Drums
Baumarkt
Minas Borboudakis
Cycloids I, 2006, for piano
Jungk
Voices in Between
Minas Borboudakis
Metal Mechanics II, for audiotape
Paul Smadbeck
Rhythm Song
Minas Borboudakis
ROAI III (Dataflow), 2008, for piano,
The Greek Munich-based composer Minas Borboudakis
has been praised for his experimental yet highly
expressive sound worlds. Ethereal microtonal textures,
driving rhythms and intricate melodic patterns are some
of the features that distinguish his work. Commissions
have included the Radio Sinfonieorchester Stuttgart
(SWR), the Orchestra Sinfonica Nazionale della RAI, the
Athens State Orchestra (KOA), and the American Wind
Symphony Orchestra. He has served as composer in
residence at Gidon Kremer’s Lockenhaus International
Chamber Music Festival and les muséiques in Basel. His
first music theater work liebe. nur liebe was premiered
at the Bavarian State Oper under the direction of Kent
Nagano in 2007. His ”Diffracted Thoughts” for accordion
solo (2011) recently appeared on the Oehms Classic
album Unanswered Questions.
Minas Borboudakis, piano
electro acoustics and synthetic sound
Double Drums
Breaking Ice
Minas Borboudakis
Metal Mechanics IV, for audiotape
Double Drums
Karton
Double Drums
Leiter
134
135
© Marek Vogel
Musicians of MKO
(Munich Chamber Orchestra)
(Germany) Works by Tom Johnson,
Arvo Pärt, and Philip Glass
www.m-k-o.de
Friday 21:00
Harry Klein
The Munich Chamber Orchestra, founded in 1950, has
created a strong community around its commitment
to new music. “It is possible to see long lines when
today’s music is performed,” reported the Frankfurter
Allgemeine. “Not everywhere, but here.” In 2008, the
ensemble received the “Neues Hören” prize for its
innovations in audience development. The ensemble
holds a Nachtmusik series at the Pinakothek Museum,
offers local workshops and has established a partner
ship with the Puchheimer Youth Chamber Orchestra,
commissioning repertoire from a wide range of
composers including Jörg Widmann, Wolfgang Rihm,
and Marc Andre. The ensemble has released albums
with its home label ECM records as well as Deutsche
Grammophon and Sony Classical. At Classical:NEXT,
the orchestra’s string quartet will perform works by
Tom Johnson, Arvo Pärt, and Philip Glass.
Tom Johnson
Formulas for String Quartet
Arvo Pärt
Solfeggio
Philip Glass
String Quartet Nr. 2
David Schultheiß, violin
Kosuke Yoshikawa, violin
Kelvin Hawthorne, viola
Bridget MacRae, cello
136
www.syncglobal.de
With music markets shifting, sync licensing and other sequenced-based use of
music grows increasingly important. Our research project SyncGlobal aims to
create a computer-based analysis of the temporal features of audio and video.
This technology manages sync licensing requests and finds the best match to
any video sequence in large music catalogues.
ANNOTATION TOOL
In order to be found, you need professional metadata. Our innovative tool for
advanced tag editing gathers all metadata your catalogue needs, including
computer-generated segmentation and similarity. Get ready to share details
about your tracks with platforms and distributors. Improve your music‘s
performance in recommendation system and online marketing.
SyncGlobal is a Piranha IT research project in coorperation with Bach Technology GmbH, 4FriendsOnly AG, and Fraunhofer Institut für Digitale Medientechnologie, funded by the German Ministry of Education and Research.
PARTNERS
FUNDED BY
www.piranha.de
Classical:NEXT Team
Classical: NEXT – the international professionals
forum for classical and art music
Hannah Asen (Media & Communications)
Paul Bräuer (Media & Communications)
Claudia Budke (Registration)
Nora Bullien (Showcases)
Julien Clavel (C:N NET)
Jennifer Dautermann (Project Director)
Mitko Eckert (Registration)
Isabel Herold-Klemm (Accounting)
Matoula Koutsari (Production)
Fabienne Krause (Project Manager)
Anna Mechelhoff (Conference)
Luise Müller (Conference)
Anna Pötzsch (Director of Media & Communications)
Toshi Rösner (Technical Director: Showcases)
Yusuf Sahilli (Showcases)
Daniela Teuber (Director of Production)
Michael von Petrykowski (Production)
Elsbeth Wacker (Production)
Alexander Walter (Showcases)
A Production of
piranha womex AG
Bergmannstr. 102, 10961 Berlin, Germany
Tel: +49 30 318 614 47, Fax: +49 30 318 614 10
[email protected], www.classicalnext.com
Brigitte Bieg (Chairwoman)
Christoph Borkowsky (President)
Frank Klaffs (CEO)
Supported by
Department of Arts and Culture of the City of Munich
City of Munich
Department of
Arts and Culture
IT Services
Oliver Dobros (Administration System & Network)
Umut Erdogan (Junior Software Developer)
Thomas Glase (Junior Software Developer)
Robert Haß (Junior Software Developer)
Karsten Schiela (Junior Software Developer)
Andreas Sebayang (Administration System & Network)
Alexander Vipach (Senior Software Developer)
In Cooperation with
CLASS Association of Classical Gasteig
Independents in Germany e.V. IMZ International Music
+ Media Centre
> Network/Advisory Board
> Network/Jury Members
> Network/Partners
> Network/Photographer
Copy deadline 02 May 2012
178
179
Classical:NEXT Guide
Hannah Asen (Proofreader)
Paul Bräuer (Author)
Jennifer Dautermann (Author/Proofreader)
Fabienne Krause (Editor/Author/Guide Coordinator)
Anna Pötzsch (Advisor/Author)
Rebecca Schmidt (Author/Proofreader)
ELEPHANT & CASTLE (Artwork)
www.elephant-castle.de
Ta-Trung (Artwork Cover & Divider)
www.ta-trung.com
Photographer
Eric van Nieuwland
IMZ Film Screenings
Katharina Jeschke
Tatiana Petkova
Ruth Pfletschinger
CREDITS / TEAM
CREDITS / IMPRINT
Imprint
25years
Naxos celebrates 25 years!
The classical music pioneer celebrates its silver anniversary in Munich on the 31st of May.
All Classical:NEXT delegates are invited to an anniversary concert
at Carl-Orff-Saal, at 19:00-20:00 hours.
Tianwa Yang (violin)
Eldar Nebolsin (piano)
The Story Of Naxos
The extraordinary story of the independent record
label that changed classical recording for ever
Thomas Bauer (baritone)
Available
from Piatkus
In 1987, a budget classical record label was started in
Hong Kong by Klaus Heymann, a German businessman
who loved classical music. Swiftly, it gained a world wide
reputation for reliable new digital recordings of the classics
at a remarkably low price. Despite opposition from the
classical record establishment, it grew at an amazing pace,
and soon expanded into opera, early music, contemporary music and
specialist repertoire so that it became appreciated by specialist collectors
as well as the general music lover. It is now the leading provider of
classical music and as an innovator in digital delivery.
This fascinating book explains how it happened, how a one-time tennis coach in Frankfurt became a classical
recording mogul in Hong Kong and how, at the age of 75, he still holds the reins as firmly as ever.
www.naxos.com
www.naxosmusiclibrary.com
www.classicsonline.com
Gasteig
Kellerstraße
Bob Beaman
Thursday 21:00 – 23:30
Gast
eig
Am
Bob Beaman
Gabelsbergerstr. 4/on the corner Amalienstr., 80333 München/Maxvorstadt
Phone: +49 177 254 74 76
Carl-Orff-Saal
Live Showcases
ie
er
Fo y armon
h
Phil
To get to the Bob Beaman club from the main station, take the subway line U5 to “Odeonsplatz“.
To get to the club from Gasteig, take the S-Bahn lines S1-S8 to “Marienplatz/city centre“ and
continue one stop on the subway line U3 or U6 to “Odeonsplatz“. The Bob Beaman club can also
be reached by bus line 100 to “Odeonsplatz“, departing from Munich‘s main station.
Mentoring Sessions
Black Box
Conference
Presen- EG 0117
tations
VHS Vortragssaal
Networking Meetings
Restaurant ”Gast“
Rose
nhei
mer
Straß
e
Ground Floor
1st Floor
2nd Floor
Expo (1st Floor)
<
Meeting Area
Registration
Media Counter
Bistro
Ground Floor
Internet
Corner
Cloakroom
1st Floor
Vortragssaal
der Bibliothek
IMZ Film Screenings
Video Showcases
Harry Klein
Friday 21:00 – 23:30
Musicians of MKO (Germany)
Harry Klein
Sonnenstr. 8, close to Karlsplatz, 80331 München
[email protected] | Phone: +49 894 028 74 00
To get to the Harry Klein club from the main station, take the subway line U8 or the S-Bahn
(city train) lines S1-S8 to “Karlsplatz“ which only takes a few minutes. The S-Bahn lines S1-S8
also depart from “Rosenheimer Platz“ close to Gasteig.
Rosenheimer
Platz
Delegates must show their badges and wristbands to get free access to the
Classical Next Level concerts – subject to capacity.
> Showcases/Club Showcases A – Z
For Directions to the Clubs
> Back Flap Inside
02.05.12 12:44

CN_guide_without_del..

Transcription

Similar documents

Print a Brochure (Back)

our musical community

Beethoven`s Wig - Worcester Public Library

PDF

report to our members

report to our members

THE SAMAROO JETS BREAKTHROUGH . IN THE CLASSICS

Nuntium - Grace Classical Academy

spring 2016 - Coalition for African Americans in the Performing Arts

February Newsletter - Classical Preparatory School