The Crucible Program
Transcription
The Crucible Program
ED G EWO O D C O L L E G E T H E AT R E The CruCible By Arthur Miller Directed by Jeanne Leep November 13, 14, 19, 20, 21 at 7:30 pm November 21 at 2:00 pm Diane Ballweg Theatre, The Stream Designed by Laura Firkus, Graphic Design major The Crucible Program.indd 1 10/27/15 1:48 PM PRODUCTION TEAM Director .................................................................................................................. Jeanne Leep Stage Manager ....................................................................................................Ashton Lareau Assistant Stage Manager.................................................................................Laura Meinders Scenic Design .................................................................................................... Chris Dunham Stage Management Mentor .................................................................................Kat Dunham Light Design ...............................................................................................Aimee Hanyzewski Costume Designer ............................................................................................Mary Waldhart Sound Designer .................................................................................. Aimee Hanyzewski Sound Crew and Board Operator ...................................................................Garrett Morris Hair and Makeup Crew ........................................Taran Lancaster and Carsyn Soderstrom Costume Crew ..................................Catherine Amber, Elizabeth Simon, and Abby Wicks Props Crew ....................................................................... Mitch Gosser and Kenzie Merucci Sets Crew .................................................................... Ethan Soderberg and Becky Gonzalez Lights Crew ............................................................. Tim Finnegan and Christopher Hansen Light Board Operator ........................................................................................Tim Finnegan Box Office Crew ....................... Demi Christofferson, Jennifer Edwards, and Amber Esser Dramaturge .........................................................................................................Shelly Sarauer Costume Shop Work Studies ...............................................Sara Wojtak and Shelly Sarauer Department Work Studies .............. Stacey Garbarski, Mark Kennedy, Mikayla Mrochek, and Leigha Sander Scene Shop Co-Foremen ............................................................. BJ Ford and Reg Mortimer Scene Shop Work Studies ...........................Ashton Lareau, Laura Meinders, Dani Shavitz, and Emily Swanson Lights Work Study ............................................................................................ Abigail Hadley Box Office Work Studies........................ Mark Kennedy, Keraa McCants, Laura Meinders, and Angie Sanchez DEPARTMENT OF THEATRE ARTS Department Chair ..................................................................................................Phil Martin Professor of Theatre and Producer of Edgewood College Theatre................. Jeanne Leep Assistant Professor of Technical Theatre ...................................................... Chris Dunham Instructor of Theatre Education................................................... Susan Nanning-Sorenson Theatre Department Instructors ........................................... Kat Dunham, Donna Peckett, and Audrey Lauren Wax Costume Shop Manager ..................................................................................Mary Waldhart Resident Lighting Designer .....................................................................Aimee Hanyzewski Visiting Fellow in the Arts for the 2015-16 Season ......................................... David Frank Box Office Manager................................................................................. Audrey Lauren Wax Professor Emeritus .....................................................................................Jewell P. Fitzgerald 2 Edgewood College Theatre CAST LIST Betty Parris .......................................................................................................Emily Swanson Rev. Samuel Parris ................................................................................................... Isaac Lind Tituba..........................................................................................................Vivian Washington Abigail Williams ............................................................................................... Leigha Sander Susanna Wallcott ........................................................................................ Mikayla Mrochek Mrs. Ann Putnam ........................................................................................Catherine Amber Thomas Putnam ........................................................................................... Patrick Mahoney Mercy Lewis ........................................................................................................... Sara Wojtak Mary Warren.......................................................................................................Shelly Sarauer John Proctor ..................................................................................................................BJ Ford Rebecca Nurse ............................................................................................... Stacey Garbarski Giles Corey........................................................................................................ Mark Kennedy Rev John Hale ............................................................................................ Ethan F. Soderberg Elizabeth Proctor .......................................................................................... Clarice Lafayette Francis Nurse ...................................................................................................... Carlos Avalos Ezekiel Cheever ..................................................................................... Christopher Neuguth Martha Corey (vocal) .....................................................................................Laura Meinders John Willard ....................................................................................................... Blake Roberts Judge Hathorne .......................................................................................Christopher Hansen Deputy Governor Danforth .............................................................................David Colling Sarah Good .................................................................................................... Cheyanne Rieley Hopkins ............................................................................................................Mitchell Gosser SCENE BREAKDOWN Act I Scene 1: Scene 2: A bedroom in Reverend Samuel Parris’ house, Salem, Massachusetts, in the spring of the year 1692. The common room of Proctor’s house, eight days later. Intermission Act II Scene 1: Scene 2: Scene 3: Five weeks later. A wood. The vestry of the Salem Meeting House, two weeks later. A cell in Salem Jail, three months later. The Crucible 3 DIRECTOR’S NOTES “ The only thing necessary for the triumph of evil is for good men to do nothing.” – Edmund Burke (I like to think that this applies to all humanity, of course.) I spent much of the summer researching this play, specifically the history of what actually happened during the Salem witch trials. I even had a chance to go to Salem and the surrounding areas and see the Nurse Farm, and the family plot where Rebecca Nurse is buried. To see the land, and the sea, and the rugged coast line, and think how intimidating it must have been to farm the sharp, rocky landscape, and how a plot of level and relatively cleared land would be a valuable thing clarified some of the politics of the play. But what happened in the trials themselves has been grim research. One example: a four year old girl named Dorcus Good was accused of witchcraft and thrown in jail with her mother, Sarah Good. Sarah Good gave birth to a child while imprisoned, but the baby died before her mother was hanged for witchcraft. Only after the frenzy subsided was little girl eventually released. Not surprisingly, Dorcus Good was never “right” after that, according to her father, and could never be left alone. And that’s just one miserable, true story of this terrible event. Miller took a few dramatic liberties with the history of these events, but not that many. The real Abigail Williams probably didn’t know Proctor’s. She was 11 and he was in his 60’s, and she did not work for him or live anywhere near him. But Giles Corey, Rebecca Nurse, John Hale, Rev. Parris, Mary Warren, Judge Danforth, Hathorne, the Putnams and many others in the play were real people who made these choices and suffered these fates. The madness only ended when the girls started to accuse the wives of the judges of being witches, which quickly called their legitimacy into question. This, only after 19 people had been hung and 200 people accused of witchcraft. A few escaped, a few never went to trial, but many went to prison. Over 13 people accused of witchcraft died while in prison. To be jailed in this period was gruesome—chained, freezing, and billed for the meager food, water and lodging received; even when officially released, some could not pay their jail fees and were forced to stay in jail, only to rack up larger fees. The people of this play live in a theocracy, more or less, where separation of church and state had not yet been considered, let alone practiced, in their culture. It’s easy to dismiss them as crazy, backwards overly religious nut jobs—but that wholly and completely misses the point of the play. The people of this play are US. Our culture has deep roots in the puritanical tradition these individuals brought to this land. They were immigrants, seeking opportunity and freedom to practice their religion— (though they might have had in mind the freedom to live in a Theocracy, or to be staunchly Calvinistic, or maybe even Quaker if you live somewhere else far away.) Their strong belief in courts and justice is still part of our culture’s expectation, despite many clear examples that they often failed to practice justice or mercy. What brought on such madness, and could it happen again? Sadly, we know the answer. Fear always brings on such ruthlessness and yes, it can, has, and continues to happened again, in different guises. 4 Edgewood College Theatre Miller famously wrote this play at the time of the McCarthy communist “witch hunts” where Americans accused of communistic tendencies were brought to trial to stand before the House Un-American Activities Committee. While that particular persecution might have subsided, others have risen to take their place. Not all of them are tried in a formal court—quite a few are tried in public opinion, or in a split second reaction to a “criminal” black youth wearing a hoodie in a white neighborhood, or a “terrorist” wearing any Muslim garb whatsoever. Okay. Fine. This play is set during the witch trails. And we all know that witch hunts of various sorts still persist. What the play asks the audience to consider: what would you do in the face of a community on the wrong path, when you know you are far from perfect yourself? The Proctors are just normal, hardworking people of the time—trying to farm the land and live their lives. How do normal, everyday people get swept into this hysteria of the Salem? Through error, or hubris, perhaps sin: so very human—so very familiar. Who hasn’t screwed up, and who hasn’t suffered for such errors? But when the stakes are high as they are for Proctor, who has the courage to actually stand up for what she or he believes? I know these people. I respect them. I grew up in a Calvinistic church, and many the doctrines of the puritans are imprinted on me. I do not see them as foolish. But their fears grew out of proportion—and based on what? I can say this: Miller says in his play that the line “The Devil is Precise” never gets a laugh because really, our culture still understands something about evil. The historical records suggest something was truly wrong with Betty Parris. Was it witchcraft or some dark force? Perhaps. Something medical? Maybe. But the response to the issue was out of proportion to the problem, and created opportunity for greed and envy to take hold and hysteria to conquer clear thinking. When fear grips a community and rational thinking is replaced by a hysteria, greed and fear, what do we do? Something. We must do something. Sign the petitions. Respectfully voice the other side of the argument. Stand up to injustice, even in a very small way. Tip the scale with SOMETHING. Perhaps start by simply thinking on these things as you watch the play. Jeanne Leep The Crucible 5 AUDIENCE INFORMATION • This show is presented with one fifteen minute intermission. • Please join us for refreshments served in the atrium during intermission. • Restrooms are located to your right as you exit the theatre. • Please turn off cell phones and electronic devices. • After the performance the cast will change out of their costumes before greeting the guests. • Out of courtesy to the actors and fellow audience members, no photographic, video or sound recordings are permitted during the performance. SPECIAL THANKS Joe Bonardi: Genre Hair Studio Children’s Theater of Madison Madison College Performing Arts University Theatre Lee Waldhart The Department of Theatre Arts promotes an experiential learning environment for students to explore their artistic passions. We create live theatre to engage an audience and illuminate the human condition. Your investment in Theatre Arts makes it possible for the visions and voices of our students to be seen and heard. Please consider making a gift to Theatre Arts and together we can continue to strengthen, inspire, and transform lives. Go to give.edgewood.edu and make your online gift to support the theatre today. 6 Edgewood College Theatre BIOGRAPHIES CATHERINE AMBER (Ann Putnam and Costume Crew) has recently performed with Gateway Performing Art’s Studio in Into the Wood’s (Stepsister Lucinda). Other credits include: Light in the Piazza (Franca), Little Women (Aunt March), Harvey (Veta Louise Simmons), and You Can’t Take it With You (Penny Sycamore). She thanks her parents and her incredible mentors, Ellen and Andrew, for their continual support and love. CARLOS AVALOS (Francis Nurse) has been involved in various shows at Edgewood College such as Love’s Labor’s Lost and past Student Directed One‐Acts and has most recently been involved in Are We Delicious?. DEMI CHRISTOFFERSON (Box Office Crew) is a double major in Psychology and Criminal Justice. DAVID COLLING (Deputy Governor Thomas Danforth) grew up in Chicago suburbs. From a young age, he loved to perform circus and joined and later taught at The Wild Rumpus Circus in Mazomanie, Wisconsin. Here, David discovered Madison’s amazing circus community. Starting in 2010, He began occasionally performing circus professionally on his own. David studies French and Theatre Arts. CHRIS DUNHAM, MFA (Scenic Design and Crew Mentor) is the Assistant Professor of Theatre Design and Technology for the Department of Theatre Arts and Technical Director for the Edgewood College Theatre. Some of his Edgewood College theatre credits include designs for Woods of Weaver, Little Women, The Wedding Singer, Proof, Urinetown, The Arabian Nights, and Metamorphoses. Other Madison area designs include My Name is Rachel Corrie, Alice in Wonderland, The Little Prince, Lord of the Flies and Anne of Green Gables. Chris would like to thank a devoted crew of students who assisted in realizing this production as well as his family for their support. KAT DUNHAM, MFA (Stage Management Mentor) is excited to be closing her sixth year as the Stage Management Mentor and a member of the Theatre Arts Faculty. Previous work includes Bye Bye Birdie, Our Town, Fuddy Meers, and The Comedy of Errors. She is always grateful for the opportunity to create with such a fun company. Thanks to Chris for sharing his world and Emerson for ensuring imagination is a big part of each and every day. JENNIFER EDWARDS (Box Office Crew) is excited to be part of an Edgewood College theatre production. Enjoy the show! AMBER ESSER (Box Office Crew) is excited to be working in the box office for The Crucible. This is Amber’s first production with Edgewood College Theatre and she is excited to see what she can learn! TIM FINNEGAN (Light Board Operator) has performed in many musical theatre productions over the years. Previous shows include: High School Musical (Troy Bolton), Annie (Daddy Warbucks), The Wizard of Oz (Scarecrow), and more. Tim has also studied improv and The Crucible 7 has had a lot of public speaking experience. He would like to thank his family and friends for all their support. BJ FORD (John Proctor) is majoring in Theatre Arts. His previous works on campus include Ensemble in The Arabian Nights, Lord Dumaine in Love’s Labour’s Lost, Light Board Operator for Urinetown, Sound Designer for The Wedding Singer, and Stage Manager for Student Director One-Acts. He thanks both his family for their support and everyone he has shared the stage with in the past. STACEY GARBARSKI (Rebecca Nurse) is majoring in Theatre Arts. She was recently a finalist in the Irene Ryan Acting Scholarship Auditions at KCACTF Region III and received the 2015 Dramatists Guild Award for Excellence in a Performance from a New Play or Musical. Recent onstage credits include: Stoughton Village Players’ The Fantasticks, StageQ Inc. Christmas with the Crawfords, and Edgewood College’s Woods of Weaver. MITCHELL GOSSER (Hopkins) is a student looking towards a major in Theatre Arts. His past Edgewood College credits include Sergeant Duffy in Sorry, Wrong Number. On the technical side, Mitch was also a member of the Props team, and has previously assisted on the sets crew of Woods of Weaver and costumes on Shadow of the Sea. BECKY GONZALEZ (Sets Crew) has previously been in The Wiz (Dorothy), Little Shop of Horrors (Bum), and Legally Blonde (Whitney) at Guilford High School. Thanks to Jeanne Leap for the opportunity, my family for their support and special shout out to my fabulous cousin Abigail Williams. CHRISTOPHER HANSEN (Hathorne and Lights Crew) is a student and currently undecided with his major. He has performed in the Murder Mystery, The Wedding Singer, Student Directed One-Acts and did crew for Little Women. In high school he participated in Cinderella, School House Rock, and The Wizard of Oz. In addition to this, he has taken part in Death by Dessert, Sherlock Holmes and the Spinsters of Blackmead, and The Brothers Grimm Spectaculathon. AIMEE HANYZEWSKI (Resident Lighting Designer and Sound Crew Mentor) is glad to be working with Edgewood College and looks forward to being a part of this exciting program. Aimee was the Resident Lighting Designer at Roosevelt University for 4 years and has free-lanced for over 20 years. Locally, she has designed at the Milwaukee Repertory Theater in the Stackner Cabaret for such hits as Liberace, Debbie and Doyle, Ain’t Misbehavin’, From My Hometown, Fire on the Bayou, Grafton City Blues, and many others. Moreover, she designed the lighting for Venus in Fur and The Year of Magically Thinking in the Stiemke Theater. Other theater’s Aimee has designed for are Next Act Theater, Forward Theater, and Oak Park Festival Theater MARK KENNEDY (Giles Corey) is majoring in Clinical Counseling Psychology and Theatre Arts, with a double emphasis in performance and technical design. Past credits at Edgewood College include Woods of Weaver (Eric, Specialty Props Designer, Fight Captain), Student Directed One-Acts (Costume Designer), and Little Women (Professor Friedrich Bhaer). He would like to thank his family for sending their love and support from Minnesota. 8 Edgewood College Theatre CLARICE LAFAYETTE (Elizabeth Proctor) has most recently assistant stage managed for The House of Yes at the Bartell. She was last seen onstage in Edgewood College’s production of Woods of Weaver (Holly Grace). Additional credits include Pistol in A Matter of Legacy: A Steampunk Musical, and Little John in Nottingham! at Broom Street Theatre. She is always blown away by the creativity and heart that goes into every Edgewood College show and is excited to be a part of this one. TARAN LANCASTER (Hair and Makeup Crew) is majoring in Child Life. Past Edgewood College credits include Student Directed One-Acts (Chief Operator, Wester Union, and Hospital Receptionist) and The Wedding Singer (Costume Crew). She would like to thank her family and friends for the support. ASHTON LAREAU (Stage Manager) is majoring in International Relations and Theatre Arts. His favorite past shows include Woods of Weaver (Bunky), Little Women (Laurie), Convenience (Jonah), A Second of Pleasure (Kurt), Love’s Labour’s Lost (Don Adriano de Armado), and Dead Air (Guy Godfry). He extends his graciousness to his friends and family for their continued support. DR. JEANNE LEEP, PH.D. (Director and Edgewood College Theatre Producer) is the head of the acting and directing program in the Department of Theatre Arts. She received her Ph.D. in directing from Wayne State University, her M.A. from the University of Michigan in theatre studies, and has also studied at the Moscow Art Theatre. She is the author of Theatrical Improvisation, Short Form, Long Form, and Sketch‐Based Improv and the cofounder of River City Improv, a performance improvisational troupe based in Michigan. Past directing credits include Metamorphoses, Our Town, The Arabian Nights, Love’s Labour’s Lost, and Proof. She thanks her family and husband Chris “Nigel” Edmonds for their support. ISAAC LIND (Rev. Samuel Parris) is a graduate of the University of Northwestern St. Paul. He has performed in a myriad of shows and is thrilled to make his debut on the Edgewood College stage. His recent theatre credits include: Arsenic and Old Lace (Jonathan), The Fantasticks (Matt), The God Squad (Poseidon), A Midsummer Night’s Dream (Oberon) PATRICK MAHONEY (Thomas Putnam) is studying Theatre Arts. Previous shows include: Woods of Weaver (Wes), Love’s Labour’s Lost (Costard), Gruesome Playground Injuries (Doug), and The Wedding Singer (Billy Idol). He wants to thank his loving family both at home and Edgewood College for love and support. Enjoy! LAURA MEINDERS (Martha Corey and Assistant Stage Manager) is majoring in Theatre Arts. Her most recent theatrical endeavors include Standards of Care (Light Board Operator) at the Bartell Theater, Woods of Weaver (Makeup Crew), The Wedding Singer (Box Office), Little Women (Props Crew), and Are We Delicious? (Writer/Actor) at Edgewood College. She would like to thank everyone in the theatre department for their friendship and support. KENZIE MERUCCI (Props Crew) is a student at Edgewood College. Past roles at Edgewood College include The Wedding Singer (Dance Ensemble). Kenzie has been a dancer for over fifteen years and a part of community theatre in Madison for ten years including The Crucible 9 Memorial Theater Company and First Act Children’s Theatre. She thanks her family and Kehl School of Dance for helping her achieve all that she has throughout her theatre career. GARRETT MORRIS (Sound Board Operator) is a Communication Studies major. Garrett has been involved in many productions, including Rogers and Hammerstein’s State Fair and The Death and Life of Sneaky Fitch. Garrett has been very involved in the Community Players of Southwest Wisconsin, participating in their productions of The Sound of Music, The Crucible, and Seven Brides for Seven Brothers. MIKAYLA MROCHEK (Susanna Wallcott) is a student at Edgewood College. Past Edgewood College roles include Kathy Collins in Murder’s in the Heir, Christie in Frog Loves Christie, Angie in Heart of Hearing, and Woods of Weaver (Box Office), and Little Women (Sets Crew). She would like to thank everyone in the Theatre Department for making this such an amazing experience! CHRISTOPHER NEUGUTH (Ezekiel Cheever) is a student at UW-Madison majoring in Psychology with a focus in Clinical Psychology, and is a member of The Titanic Players on UW’s campus. Christopher appeared in the Student Directed One Acts last year at Edgewood College, and is very excited to be a part of The Crucible. He hopes you enjoy the show! CHEYANNE RIELEY (Sarah Good) is pursuing a Theatre Arts degree. This is her fourth production she has been a part of at Edgewood College. She is excited to finally be on stage instead of backstage. BLAKE ROBERTS (John Willard) is majoring in English and minoring in Education and Theatre Arts. Blake has been in previous productions at Edgewood College such as Urinetown and the Student Directed One-Acts. This is Blake’s return after enjoying the wonders of backstage and he’s happy to be returning. He hopes you enjoy the show. LEIGHA SANDER (Abigail Williams) is a double major in Theatre Arts and Child Life. She has been seen in Edgewood College’s productions of The Wedding Singer (Ensemble), The Arabian Nights (Dunyazade), Absurd Person Singular (Eva Jackson), and Love’s Labour’s Lost (Moth). Enjoy the show! SHELLY SARAUER (Mary Warren and Dramaturgy) is majoring in Theatre Arts. While at Edgewood College, she has played many characters in the Student Directed One-Acts as well as participated in many crews, her favorite being make‐up design for the 2014 OneActs. She would like to thank all of her friends and family for their continual support. ELIZABETH SIMON (Costume Crew) is a student at Edgewood College. has taken part in musical performances as well as helping as crew. Her first role as Lady Bess of Hardwick in a student written madrigal was her gateway into theatre. Elizabeth took part in crew for Horlick High Schools productions of their annual Madrigal, Guys and Dolls, and The Tale of Peter Rabbit and Benjamin Bunny. ETHAN F. SODERBERG (Rev. John Hale and Sets Crew) is a transfer student from UW 10 Waukesha. He previously co-directed a production of Steel Magnolias at Waukesha South Edgewood College Theatre High School, and worked as a dramaturge for Lake Country Playhouse’s production of Assassins. Some of his many previous acting credits include Our Town (Summer Stage of Delafield) and Almost Maine (Lunt- Fontanne Ensemble) CARSYN SODERSTROM (Hair and Makeup Crew) is majoring in English Teaching and minoring in Secondary Education and Theatre Arts. This is the fourth Edgewood College production she has been involved in as an actor or crew member, and she hopes everyone enjoys the show! EMILY SWANSON (Betty Parris) is a student at Edgewood College. Emily has been seen in several productions including Little Women and Urinetown. She has also worked on shows in the community. Enjoy the show. MARY WALDHART (Costume Designer) has designed costumes for Edgewood College productions for the past four years. Highlights include Woods of Weaver, Little Women, The Wedding Singer, Love’s Labours Lost, Absurd Person Singular, The Arabian Nights, Bye Bye Birdie, Antigone, Fuddy Meers, and Brigadoon. During the course of her 23 year career with the Madison Repertory Theatre, Mary was the Rep’s Resident Costume Designer, Shop Manager, and Costume Director. Additional design credits include Milwaukee Repertory Theater, Madison College, University Theatre, New American Theatre, Next Act Theatre, and Children’s Theater of Madison. VIVIAN WASHINGTON (Tituba) is a student majoring in Broadcast Journalism with minors in Theater Arts and Spanish. She is excited to be in her first Edgewood College major production! Previous shows include: Are We Delicious? and the 2014 Student DirectedOne Acts. She was also on crew for the 2015 Student-Directed One Acts, Little Women (Box Office), and The Wedding Singer (Costumes). She would also like to thank God and her family for everything, and the cast and crew for being awesome! Enjoy the show! AUDREY LAUREN WAX (Box Office Manager) is part of the Theatre Arts Faculty. She is an alumna of Edgewood College, and is thrilled to be working within the new Diane Ballweg Theatre. Audrey has directed plays all over the Pacific Northwest as well as right here in Madison. She has recently directed Princess Ida for Madison Savoyards, Much Ado about Nothing for StageQ, Inc., and Woods of Weaver for Edgewood College. She also co-wrote, directed and produced Conceal & Carry: Queers Exposed which debuted at Broom Street Theater in 2012. ABBY WICKS (Costume Crew) is a student at Edgewood College this year, in her first production at Edgewood College. She is excited to be involved in The Crucible. Abby has been involved in other productions including: The Lion King Junior (Assistant Director), Shrek the Musical (Teen Fiona), A Midsummer Night’s Dream (Peaseblossom), as well as many others throughout her high school career. SARA WOJTAK (Mercy Lewis) is a double major in Theatre Arts and Communication Studies. She has been in many productions at Edgewood College which include: Little Women, The Wedding Singer, Proof, Urinetown, Love’s Labours Lost, The Arabian Nights, Bye Bye Birdie, and the Student Directed One‐Acts: Boxed In, and At the Hawk’s Well. She was also in The Rocky Horror Show with the Racine Theatre Guild. The Crucible 11 DEPARTMENT OF THEATRE ARTS 2015-2016 Edgewood College Theatre is pleased to announce David Frank of American Players Theatre as our Theatre Arts Department Guest Director, and Visiting Fellow in the Arts for the 2015-16 Season! THE CAUCASIAN CHALK CIRCLE by Berthold Brecht Directed by David Frank February 26, 27, March 4, 5, 2016 Brecht, the 20th century master of the dramatic form, tells the tale of Grusha, a lowly kitchen maid, who is only trying to stay out the way during a dangerous revolution, yet aids a baby abandoned by the Governor’s wife who has fled to save her own skin. Roughhewn justice and the chalk circle test bring the play to a sharply provocative and deeply satisfying conclusion. CLUE: THE MUSICAL by Tom Chiodo, Peter DePietro, Wayne Barker, Galen Blum, Vinnie Martucci Directed by Phil Martin April 22, 23, 29, 30, 2016 Based on the classic board game, a musical mystery where the audience is included in the outcome! AVATARS UNLEASHED: OUR VIRTUAL SELVES A new work created by the Theatre for Young Audiences Class Directed by Susan Nanning-Sorenson May 3, 2016 Who are our Avatars? Why and how do we create them and live through them? Exploring our alternate realities in cyberspace and the Avatars we have created to inhabit them. 12 Edgewood College Theatre UPCOMING EVENTS GALLERY: PAINT: SALLY HUTCHISON/ANDREW RUBIN/BARBARA WALTON ISEEC AT SONDEREGGER: BARBARA WALTON: PAINTING & THE SCIENCE OF ART MATERIALS November 13 – December 18 Three painters display diverse approaches to the handling of paint, materiality and content. Sally Hutchison uses a rich textural paint surface; Andrew Rubin accents flatness of surface while exploring visual faceting and depth; Barbara Walton explores encaustic (pigment & wax) through images that often relate to her material experiments. JAZZ ENSEMBLE Sunday, November 15 at 2:30 pm ILLUMINATED HARMONY - SAINT JOHN’S BIBLE SPECIAL EVENT FEATURING THE CAMPUS-COMMUNITY CHOIR, CHAMBER SINGERS, WOMEN’S CHOIR, THE GUITAR ENSEMBLE & ANIMATIONS BY ISABEL RAFFERTY, OP Sunday, November 22 at 7:00 pm Celebrating Edgewood College’s ‘A Year with the Saint John’s Bible’, this musical and visual collaboration explores the themes of creation, incarnation and transformation. Inspired by Illuminations from the Saint John’s Bible, choral selections are accompanied by corresponding animations of the chosen illuminated images. The concert is an invitation to tap into the deep spirituality of the music and the illuminations in the presence of the Gospels & the Acts volume of the Saint John’s Bible Heritage Edition. ATRIUM: SENIOR ART SEMINAR EXHIBITION December 1-11 88TH ANNUAL CHRISTMAS CONCERT Friday, December 4, 7:00 pm, Saturday, December 5, 2:30 pm Edgewood College’s oldest continuous tradition! Featuring Chamber Singers, Concert Band, Guitar Ensemble, Women’s Choir, and a follow-up reception with the Jazz Ensemble. The Crucible 13 F I NE A RT S S C H O L AR S H IPS Theatre E d g e wo o d C o lle g e F i ne A r t s Sch olarship in T heatre a re a w a rd e d t o st udents ba sed on a theate r a u d i t i o n or t echn ical theatre portfolio re v i e w. Recipients of this scholarship must: • Maintain active membership in the student organization Theatre Assembly. • Participate in a least one production per year either as an actor or as a crew person. • Take either Acting I or Stagecraft I during your freshmen year • Maintain a minimum theatre course grade point average of 3.0. FOR M O RE I NF O RM ATI O N CO NTA C T J E ANNE LEE P AT 608- 663- 3222 O R J L EEP@ED G E W O O D . E D U The Kennedy Center American College Theatre Festival-XLVIII, The Kennedy Center American College Theater Festival 44, part theRubenstein Rubenstein Arts part ofofthe ArtsAccess AccessProgram, Program, is generously fundedby by David David and is generously funded andAlice AliceRubenstein. Rubenstein. ™ Additional support is provided by Additional the U.S. Department of Education, the Dr. Gerald and and Paula Paula McNichols McNichols Foundation, Foundation, The Honorable Stuart Bernstein and Wilma Wilma E. E. Bernstein, Bernstein, and and the the National Committee for the Performing Arts. This is entered entered in in the theKennedy KennedyCenter Center This production production is American College Theater Festival (KCACTF). (KCACTF). The The aims aims of of this national national theater theatereducation educationprogram programare aretotoidentify identifyand and promote quality in in college-level college-level theater production. production. To To this this end, each production production entered enteredisiseligible eligible for for aa response responseby by aa regional KCACTF and KCACTF representative, representative, and and selected students and faculty are invited to participate participate in in KCACTF KCACTF programs programs involving scholarships, internships, grants and andawards awards for for internships, grants actors, directors, dramaturgs, dramaturgs,playwrights, playwrights,designers, designers,stage stage managers and critics at both both the theregional regionaland andnational nationallevels. levels. Productions entered on on the theParticipating Participatinglevel levelare are Productions entered eligible KCACTF regional eligible for for inclusion inclusion at the KCACTF regional festival festival and and can can also be considered for invitation invitation to to the theKCACTF KCACTF national national festival festival at at the John F. F. Kennedy Kennedy Center Center for for the Performing Arts in Washington, DC in the the spring spring of of 2012. 2016. Last entered Last year year more more than than 1,300 1,300 productions were entered in the KCACTF KCACTF involving involving more more than than 200,000 200,000 students students nationwide. By theater Byentering enteringthis this production, production, our theater department sharing in inthe theKCACTF KCACTF goals goal to department isis sharing torecognize, recognize, reward, and celebrate the exemplary work produced produced in in college college and university theaters theaters across across the the nation. nation. The Crucible 15 EDGEWOOD COLLEGE, rooted in the Dominican tradition, engages students within a community of learners committed to building a just and compassionate world. The College educates students for meaningful personal and professional lives of ethical leadership, service, and a lifelong search for truth. 1000 Edgewood College Drive Madison, WI 53711