our Dickens Resource
Transcription
our Dickens Resource
Teacher Notes - Key Stage 3&4 Key Stage Target Curriculum Links A Guide to Dickens on Film ✓KS3 ✓KS4 ✓English Language ✓ English Literature A Guide to DICKENS on FILM Born on February 7th 1812, writer and social critic Charles Dickens was the most popular and influential writer of Victorian Times, His novels, short stories, and memorable fictional characters have remained popular and have inspired hundreds of screen adaptations. We’ve selected five of the best which teachers can use to spark discussion about the author and his works, and generate increased interest in the written texts. Each film is accompanied by a synopsis, teacher notes, discussion questions and activities. Designed to boost literacy, these range from comparing the depictions of characters in book and film, to writing persuasive letters, to creating a new adaptation of Scrooge or a Wanted poster for Oliver Twist. Teacher Notes - Key Stage 3&4 A Guide to Dickens on Film The films included in this topic are: Great Expectations (2012, 12) 129 mins Oliver Twist (1948, U) 110 mins Scrooge (1951, U) 82 mins A Tale of Two Cities (1958, U) 117 mins Nicholas Nickelby (2002, PG) 132 mins Running a film club in your school can enrich the curriculum and allow young people to explore a wide variety of issues, experience cultures beyond their own, and develop their creativity, communication skills and confidence. After watching a film students are encouraged to comment during a post-screening discussion before writing reviews on the website (which has a real audience of other young people) where they can analyse the film and develop their literacy and critical skills. Above all, students and teachers can enjoy the shared experience of watching and discussing a film together. Set up a free film club and enjoy free access to thousands of films and education resources for learning through film and about film. To join or for information visit www.filmclub.org, email [email protected] or call 0207 288 4520. Teacher Notes - Key Stage 3&4 A Guide to Dickens on Film Great Expectations (2012, 12) 129 mins Enrichment Focus This Film Resource is aimed at ages 11+. Suggested subjects for discussion are Charles Dickens, adaptations and filmmaking. What’s this film about? A sumptuously shot adaptation of Charles Dickens' story about a young orphan given the opportunity to escape his roots thanks to a mysterious benefactor. Why this film? Charles Dickens' classic novel has been adapted many times but it's never lost its appeal. Here, Harry Potter and the Goblet of Fire director Mike Newell teams up with some superb British acting talent to deliver his own beautifully shot and atmospheric version. Sticking closely to both the words and spirit of Dickens, the 19th-century-set drama sees penniless orphan Pip given the opportunity to escape his humble roots thanks to a mystery benefactor. Becoming a gentleman in London, Pip thinks his new wealth and social status will win over spoilt beauty Estella a young heiress he's adored since childhood. However his expectations of love and life are repeatedly shattered, particularly when the shocking truth about his fortune is revealed. What the critics think “I thought this film was just amazing! Helena Bonham-Carter was great at being Miss Havisham and Jeremy Irvine as Pip”. Film club member, Leah, aged 11 “Thrillingly told, compellingly acted and beautifully shot”. Michael O’Sullivan, Washington Post Teacher Notes - Key Stage 3&4 A Guide to Dickens on Film Teacher Notes - Key Stage 3&4 A Guide to Dickens on Film Before the film: Starter Activity 1. Can you think of a time when you have misjudged a person? What influenced your opinion? 2. How do you think other people’s expectations of you affect the way you behave and treat others? After the film: Discussion Questions 1. Look at the descriptions of Miss Havisham and Magwitch from the novel. How do their depictions on screen compare? 2. Is Pip a good judge of character? How does his opinion of people change throughout the film? What does he learn? 3. “To be guilty and and to be found guilty are different things” How is the criminal justice system shown to be at odds with morality? 4. What do you think happens after the film ends? Why might the filmmakers choose to give the film an open and ambiguous ending? Next Steps 1. Get your students’ voices heard by joining FILMCLUB and writing reviews at www.filmclub.org 2. Fill in the Great Expectations Activity sheet explaining how you would advise the actor playing one of the main roles to act if you were in the director’s role? Related Resources Watch the FILMCLUB interview with the film’s screenwriter David Nicholls: http://www.filmclub.org/behind-the-scenes/ details/300/david-nicholls Teacher Notes 1. The influence of the text can be identified in many elements of set, costume and performance. For instance, Helena Bonham Carter walks with a limp in a number of scenes “for she had but one shoe on - the other was on the table near her hand” (Chapter 8). Students may also discuss the extent to which the screenplay adheres to Dickens’ style and tone of dialogue. 2. Pip misjudges a number of people, allowing snobbery and class to influence his opinion. Students can identify incidences of this and chart the lessons they feel he learns through his experience. 3. This is particularly clear in the story of Magwitch and Compeyson. Other characters, such as Jaggers and Miss Havisham, may also be seen to be guilty or immoral in terms of their treatment and deception of Pip, but remain outside of the justice system. 4. Dickens wrote two endings to Great Expectations. The second, which can be read as Pip and Estella’s eventual union, is still slightly ambiguous. Students can discuss which, if either, ending they feel is depicted in the film. Student worksheet A Guide to Dickens on Film Magwitch "Hold your noise!" cried a terrible voice, as a man started up from among the graves at the side of the church porch. "Keep still, you little devil, or I'll cut your throat!" A fearful man all in coarse grey, with a great iron on his leg. A man with no hat, and with broken shoes and with an old rag tied around his head. A man who had been soaked in water, and smothered in mud and lamed by stones and cut by flints, and stung by nettles, and torn by briars; who limped and shivered, and glared and growled; and whose teeth chattered in his head as he seized me by the chin. Great Expectations - Chapter 1: The Convict Frightens Me Miss Havisham Whether I should have made out this object so soon, if there had been no fine lady sitting at it, I cannot say. In an arm-chair, with an elbow resting on the table and her head leaning on that hand, sat the strangest lady I have ever seen, or shall ever see. She was dressed in rich materials - satins, and lace, and silks - all of white. Her shoes were white. And she had a long white veil dependent from her hair, and she had bridal flowers in her hair, but her hair was white. Some bright jewels sparkled on her neck and on her hands, and some other jewels lay sparkling on the table. Dresses, less splendid than the dress she wore, and half-packed trunks, were scattered about. She had not quite finished dressing, for she had but one shoe on - the other was on the table near her hand - her veil was but half arranged, her watch and chain were not put on, and some lace for her bosom lay with those trinkets, and with her handkerchief, and gloves, and some flowers, and a prayer-book, all confusedly heaped about the looking-glass. It was not in the first few moments that I saw all these things, though I saw more of them in the first moments than might be supposed. But, I saw that everything within my view which ought to be white, had been white long ago, and had lost its lustre, and was faded and yellow. I saw that the bride within the bridal dress had withered like the dress, and like the flowers, and had no brightness left but the brightness of her sunken eyes. I saw that the dress had been put upon the rounded figure of a young woman, and that the figure upon which it now hung loose, had shrunk to skin and bone. Once, I had been taken to see some ghastly waxwork at the Fair, representing I know not what impossible personage lying in state. Once, I had been taken to one of our old marsh churches to see a skeleton in the ashes of a rich dress, that had been dug out of a vault under the church pavement. Now, waxwork and skeleton seemed to have dark eyes that moved and looked at me. I should have cried out, if I could. Great Expectations, Chapter 8: The First visit at Miss Havisham’s Student worksheet A Guide to Dickens on Film Great Expectations Activity Director’s notes You are an actor in a new adaptation of Great Expectations. Your director has given you his notes on the adaptations style and you must fill out the sheet below to develop your role as one of the main characters. What should your movements be like when... ...walking? 06:00 ...sitting? 08:00 09:00 10:00 ....having a cup of tea? 11:00 ...eating a meal? The costumes will be of that period. However all the characters’ speech will remain true to the original novel. What your character will be doing during a typical day? 07:00 ...standing? The adaptation will be set in 1940s London. 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 00:00 Where would you find information about the time period that will help you to master the accent, and understand what your character is going through? ........................................................................................................................................................................................................ ........................................................................................................................................................................................................ ........................................................................................................................................................................................................ ........................................................................................................................................................................................................ A Guide to Dickens on Film Teacher Notes - Key Stage 3&4 Oliver Twist (1948, U) 110 mins Enrichment Focus This Film Resource is aimed at ages 7+. Suggested subjects for discussion are Charles Dickens, adaptations and characterisation. What’s this film about? A film version of the famous Charles Dickens novel about a young orphan who escapes from a brutal workhouse and joins a pickpocket gang in Victorian London. Why this film? This is one of 19th century author Charles Dickens’ most popular stories, and highlights the horrors of poverty at the time. Director David Lean brings Victorian London vividly to life, as a place at once terrifying and fascinating, home to all manner of residents - from the evil Bill Sykes to the villainous Fagin and the courageous and good-hearted Nancy. Dickens’ story has been filmed many times, but despite being made over 50 years ago, this visually stunning adaptation is still considered the best film version. What the critics think “This film will definitely be the end of all assumptions that old films are boring- It's tense, shady and completely unpredictable/ unexpected”. Film club member, Aoife, aged 10 “A superb piece of motion picture art and, beyond doubt, one of the finest screen translations of a literary classic ever made”. Bosley Crowther, New York Times Teacher Notes - Key Stage 3&4 A Guide to Dickens on Film Before the film: Starter Activity 1. This film is about a boy who is so unhappy and scared he runs away to London. Why did he choose London – where else might he have gone? 2. Do you have a favourite book or film about a young person who gets into trouble with the wrong crowd? After the film: Discussion Questions 1. One of the most famous scenes in the film is when Oliver asks for more food. Why is he punished for this? Do you think this could happen today? 2. What does the film tell you about what it was like to be a poor orphan in the 19th century? 3. Watch the opening scene again, when Oliver’s mother walks through the storm to the workhouse. How does David Lean make us empathise with her situation, using lighting, costumes and sound? Next Steps 1. Get your students’ voices heard by joining FILMCLUB and writing reviews at www.filmclub.org 2. Draw a poster asking for help in capturing some of the criminals in Oliver Twist - Fagin, Dodger, Bill. Include details of their crimes and a description of their appearance and character. Use the Oliver Twist worksheet to help you. Related Resources Watch a FILMCLUB interview with David Lean expert Ian Banks to find out more about the film’s director: http://www.filmclub.org/behind-thescenes/details/336/david-lean-expert-ian-banks Teacher Notes 1. Students can consider the ways children are better protected today but also the gaps that still exist between poor and rich in their own country and throughout the world. 2. It was common in Victorian times for writers to think that childhood should be a time of perfect innocence and freedom. Oliver Twist’s experience is the opposite of this, with self-interested adults routinely ungenerous and unkind to him. Dickens used his writing to highlight social issues such as lack of schooling, separation from parents and forced labour, these issues can also be identified in the film. 3. The use of high contrast lighting, menacing shadows of thorns and trees create a sinister and tense atmosphere. The storm, imagery of gathering cloud and heightened sound of thunder add to our sense of her desperation and doom. Student worksheet A Guide to Dickens on Film WANTED FOR DESCRIPTION DISTINGUISHING FEATURES IF YOU SEE HIM CONTACT: Teacher Notes - Key Stage 3&4 A Guide to Dickens on Film Scrooge (1951, U) 82 mins Enrichment Focus This Film Resource is aimed at ages 7+. Suggested subjects for discussion are Charles Dickens and adaptations. What’s this film about? Spooky version of the classic Dickens novel A Christmas Carol, Scrooge is made to see the error of his ways through the visitation of three spirits on Christmas Eve. Why this film? There have been dozens of adaptations of Charles Dickens' A Christmas Carol but this atmospheric, black-and-white version is one of the best. Great Scottish actor Alistair Sim stars as the miserly Ebenezer Scrooge; an uncaring and tight fisted company boss who places profit above his workers, his family and especially above Christmas. On Christmas Eve Scrooge is visited by a series of spooky ghosts that are determined to make him see the error of his ways. The spirits in this version are frequently scary enough to convince us that the grumpy old man may indeed be persuaded to change but the film’s real strength lies in Sim’s energetic performance, which brilliant captures Scrooge’s dramatic and touching transformation. What the critics think “One of the most excitingly thrilling black and white films I have ever seen”. Film club member, Emma, aged 10 “Brian Desmond Hurst's faithful adaptation is festive fare par excellence, and by far the best version committed to celluloid”. Monika Maurer, Empire Magazine Teacher Notes - Key Stage 3&4 A Guide to Dickens on Film Before the film: Starter Activity 1. What do you think people mean by ‘Christmas spirit’? 2. Have you ever heard someone described as a ‘scrooge’? What qualities would a ‘scrooge’ have? After the film: Discussion Questions 1. How do we see Scrooge change over the course of his visits with the Ghost of Christmas past? 2. Why does Scrooge fear the third ghost most of all? 3. What has Scrooge learnt by the end of the film? How can we tell that he has changed? 4. Look at the scene where Scrooge is haunted by Marley (10.33 - 15.00), what makes this scene scary? Did you find any other moments frightening? Teacher Notes 1. We see Scrooge change from a happy young man who doesn’t care about money to the miser he is now. Alice says he has been ‘changed by the harshness of the world’. 2. At this stage in the film Scrooge has realised the error of his ways, he is horrified by the words quoted back to him by the Ghost of Christmas Present and ashamed of the way others talk about him. He can’t imagine a happy future for himself. Next Steps 1. Get your students’ voices heard by joining FILMCLUB and writing reviews at www.filmclub.org 3. When Scrooge wakes from his last visit he is clearly changed, he laughs, skips and performs a number of generous acts. This is backed up by the information the narrator provides. 2. This story has been adapted numerous times, set in different eras and locations. How would you adapt this story? Choose a new location and give the characters names and roles to match your setting. For instance, Scrooge could be a selfish astronaut visited by three aliens or a pirate captain who doesn’t share his loot with his crew. 4. The lighting and sound in this scene make it particularly frightening. High contrast lighting in in the hall and bedroom creates menacing shadows. The soundtrack has a low rumbling that builds with a cacophony of strings and bells as well as the animalistic groans of Marley dragging his chain. Student worksheet A Guide to Dickens on Film Scrooge Activity Think about your own adaptation of A Christmas Carol. Fill in the sheet. Original Characters My version Ebenezer Scrooge Victorian London Scrooge’s home Bob Cratchit Scrooge’s counting house Tiny Tim Bob’s home Marley’s Ghost Write the opening paragraph of your story. It should set up the time period, location and characters for your reader. ______________________________________________________________________________________________ ______________________________________________________________________________________________ ______________________________________________________________________________________________ ______________________________________________________________________________________________ ______________________________________________________________________________________________ !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Teacher Notes - Key Stage 3&4 A Guide to Dickens on Film A Tale of Two Cities (1958, U) 117 mins Enrichment Focus This Film Resource is aimed at ages 11+. Suggested subjects for discussion are Charles Dickens, adaptations and writing to argue. What’s this film about? Adaptation of Dickens' French Revolution-set historical novel, about a lawyer who saves a young aristocrat and falls for his fiancée in the process. Why this film? Love and loyalty come into conflict with dramatic historical events in this faithful adaptation of Charles Dickens' much-filmed novel. During the violence of the French Revolution, disillusioned English lawyer Sydney Carton is called upon to save young French aristocrat Charles Darnay from treason charges but in the process falls for the nobleman’s fiancée. As the French uprising becomes increasingly bloodthirsty all three are caught up in the confusion, ultimately facing difficult dilemmas that lead some to heroic acts of sacrifice. This redemptive drama boasts strong performances, a straightforward script and vivid period details. What the critics think “A faithful adaptation, following in a simple, straightforward manner (thanks to screenwriter T.E.B. Clarke) the narrative line of the book”. David Parker, BFI Screen Online Teacher Notes - Key Stage 3&4 A Guide to Dickens on Film Before the film: Starter Activity What is a revolution? What conditions do you think provoke a revolution? What motivates people rebel? Can you think of any examples from history or in recent years? (Hint: Syria, Egypt). After the film: Discussion Questions 1. Why do you think the story contains dramatic revelations and twists?If you were to screen this film in several short sections how would you divide the film to ensure the audience were eager for more? 2. What is shown to cause the revolution, is it inevitable? Do you think is is a historically accurate portrayal? 3. What did you make of Sydney Carton, did your opinion of him change over the course of the film? What do you think Dickens is suggesting through Carton’s final act of sacrifice? Next Steps 1. Get your students’ voices heard by joining FILMCLUB and writing reviews at www.filmclub.org 2. Work in pairs. Write an argument to persuade a jury that Charles Darnay should or should not be executed along with all his decedents. Present your arguments to another student or teacher acting as the judge. Use the A Tale of Two Cities worksheet to help structure the argument. Teacher Notes 1. The novel was originally published in 31 weekly installments in the first editions of Dickens’ magazine All the Year Round. Students could suggest moments such as the return of Lucie’s father, her marriage and the revelation of Darnay’s true identity as good places to break the film. 2. The film shows us the poverty and mistreatment of the poor and the indifference of the aristocracy. This is particularly clear in the scene in which Evrémonde runs over the child. Whilst this gives some insight in to real events the film also focuses on a few characters rather than wider issues and some portrayals, such as Mrs Defarge could be seen as caricatures. 3. Carton initially appears to be a cynical, irresponsible alcoholic but eventually becomes the selfless hero of the story. Through this violent sacrifice, happiness and peace is secured for others- a principle that could also apply to the violent revolution. Student worksheet A Guide to Dickens on Film A Tale of Two Cities Activity A defence speech for Charles Dornay Paragraph 1 Explain what Charles has been charged with and that your speech will prove his innocence. Paragraph 2 Take the jury through the facts of the case and explain why Charles is innocent. Use facts, statistics and quotes from witnesses and experts to prove his innocence. Paragraph 3 Explain why the prosecution’s arguments are not true. Challenge their evidence and witness testimonies. Paragraph 4 Include an emotive conclusion that uses repetition, a list of three and a rhetorical question for emphasis. Teacher Notes - Key Stage 3&4 A Guide to Dickens on Film Nicholas Nickleby (2002, PG) 132 mins Enrichment Focus This Film Resource is aimed at ages 11+. Suggested subjects for discussion are Charles Dickens and adaptations. What’s this film about? Star-studded adaptation of Dickens’s tale of a virtuous orphan trying to support his family and make his way in the world after the death of his father. Why this film? Themes of loyalty, betrayal and revenge are explored with a lightness of touch in his fast paced, fun adaptation. Following the death of his father Nicholas Nickleby, finds himself penniless and head of his family at the young age of nineteen. His struggle to find his place in the world and support his mother and sister leads him to encounters with an array of colourful characters; brilliantly brought to life here by an impressive ensemble cast including Christopher Plummer as the miserly and menacing Ralph Nickleby and Jim Broadbent as the repugnant Squeers. The film’s emphasis on the humour and sentimentality of Dickens’ work make this accessible and engaging introduction to the novel. What the critics think “The movie is jolly and exciting and brimming with life, and wonderfully well-acted”. Roger Ebert, Chicago Sun TImes “A beguiling evocation of the quality that keeps Dickens evergreen: the exuberant openness with which he expresses our most basic emotions.” Richard Corliss, TIME Teacher Notes - Key Stage 3&4 A Guide to Dickens on Film A Guide to Dickens on Film Before the film: Starter Activity Can you think of any famous boarding schools from films or books, would you like to go to any of them? Produce an advert for your ideal boarding school, this can be written or acted out for TV. Which features would you highlight? (Hint: delicious food , activities, education.) After the film: Discussion Questions 1. How would you describe the conditions at Dotheboys? What was most shocking? How does the film signal this is a bad place before we enter it? 2. Compare this film to other Dickens stories you know, what are the similarities, are there differences? 3. What is the role of money in this film, how are we invited to see it? What qualities are valued above it? Next Steps 1. Get your students’ voices heard by joining FILMCLUB and writing reviews at www.filmclub.org 2. The novel is famously long and was once adapted as a 8 ! hour play, what would you cut or expand in this version? Choose one element of the plot i.e the theatre company, and write premise for a film that just focuses on this story. Include a short synopsis, potential cast and setting. Use the Nicholas Nickleby Activity sheet to help write the premise. Teacher Notes 1. The school is a cruel, cold rundown place. This is immediately signaled to the viewer with Nicholas’s arrival. The storm, lighting and music, as well as the way we see Smyke treated immediately imbue the place with a sense of dread. 2. The story explores some themes familiar from other Dickens novels such as the mistreatment of children and the poor and friendship. However the tone of this story is much lighter than works such as Oliver Twist or Great Expectations. 3. The miserly Ralph Nickleby is the villain of the story and could be seen as a prototype for Scrooge. His obsession with money and profiting from other leads him to terrible acts including the abandonment of his son. In contrast characters such as Nichols and the Cheeryble brothers are shown to be loyal, generous and virtuous, valuing the wellbeing of others over profit. Student worksheet A Guide to Dickens on Film Nicholas Nickleby Activity Your task is to write a premise for a new version of Nicholas Nickelby. You can use a maximum of 27 words. Writing a Premise Can you link up these premise with the films that they sum up? Groundhog Day When a materialistic, womanising Aryan industrialist discovers his Jewish workers are being sent to Nazi death camps, he risks his life and fortune to save them. Raiders of the Lost Ark An egotistical TV personality must relive the same day in small town Punxsutawney and be denied the girl of his dreams unless he can become more selfless. Schindler’s List A dashing archaeologist must reunite with the ex he dumped if he is to beat the Nazis to find the all-powerful lost Ark of the Covenant. Who is the hero? Your 27 word premise What is the quest? .............................................................................. What is your hero’s flaw? .............................................................................. Where is the conflict? .............................................................................. What does your hero have to lose? .............................................................................. Who is the villain? .............................................................................. What is the tone? .............................................................................. What is your film’s unique selling point? ..............................................................................