See the Playbill - Warehouse Theatre

The Warehouse Theatre
presents
A Little Night Music is presented through special arrangement with Music heatre International (MTI). All
authorized performance materials are also supplied by MTI, 421 West 54th Street, New York, NY 10019
Tel.: (212) 541-4684 Fax: (212) 397-4684 www.MTIShows.com
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A Note From The Executive & Artistic Director
Welcome to he Warehouse heatre. It is because of you that we are able to enjoy a
vibrant Warehouse heatre dedicated to providing you with Intense, Intimate and
Unexpected theatre. You make possible the type of theatre that you have come to
expect from us; the kind of theatre you can only ind in an intimate space like he Jean
Pelham Stage at he Warehouse heatre.
We think theatre is best experienced up close and personal. here really is no bad seat
here at he Warehouse heatre and you will be almost as much a part of the action
as the characters themselves. Well, that’s not quite true -- you’re actually as much
a part of the action as the characters. he immediacy and ephemerality of theatre
and the magic of sharing a live, leeting experience with your friends and loved ones,
actors and strangers, make YOU the most important part of the theatrical process.
It all comes alive when you walk into the theatre. For the entire night, your presence
changes the show. See the same show twice in the same run -- even the next night -and I guarantee you will see a show with diferent nuance and subtleties that happen
because of you. It’s one of those magical things that happens between an audience and
those working on a performance. We all share in the event, and that event has real
magic.
I was, and think I still am, a student of theatre history. I studied under one of the
greatest theatre historians this country has ever produced. Dr. Brockett passed away
two years ago; he was one of the most important inluences on my career. Because
of him, I developed an intellectual and visceral love of theatre history and, perhaps
because of my Greek heritage, a fondness for the very beginnings of theatre, some
2500 years ago in ancient Greece. In just about every way, the ancients created
modern theatre. In my eyes, every not-for-proit theatre is a community theatre,
regardless of how many millions of dollars may or may not be in its budget. his didn’t
begin in the 1960s. It began in, more like, the 460s – BC.
he Greeks created an art form that had three purposes: honoring the gods, civic
pride and edifying human beings. I take this seriously. Sometimes during a play we
collectively experience a glimpse of the divine in the form of a sublime moment. We
work to open the door for those sublime moments and our souls need that experience.
We are dedicated members of our community and our city, and the iner our work,
the iner our city and our region’s quality of life. Our partnerships with like-minded
individuals, businesses and not-for-proits happen because we are proud of our
shared community and wish to make it an even better place to live, hoping to share
it with everyone who will listen. Oh, by the way -- that’s also one of the reasons big
corporations move to the area. And, inally, “what a piece of work is a man.” Of course
Shakespeare was speaking of mankind, and it is our hope that when you see a show at
he Warehouse heatre, you will not only enjoy yourself and lose yourself a little, but
also ind yourself a little. We do intend, as it were, to hold “the mirror up to nature;
to show virtue her own feature, scorn her own image, and the very age and body of
the time his form and pressure.” You are continuing a proud Western tradition that
has continued proudly since its beginnings in the 5th century BC. (Well, there were a
couple of dark years in there, but that’s a diferent note.)
hank you for coming to the theatre, thank you for supporting the theatre and we
hope you will take an opportunity to learn more about us and plan on joining us next
season, for our 40th year of great theatre!
Mailing address:
he Warehouse heatre
37 Augusta St.
Greenville, SC 29601
Website address:
www.warehousetheatre.com
Email:
[email protected]
Latecomers: Latecomers will be seated at the discretion of management and in seats that
avoid disrupting other patrons and the performance. Refunds are not available except in
the case of performance cancellation. If you cannot attend, we can accept your unused
ticket as a donation. Please return your ticket to the box oice to obtain a tax receipt.
Smoking: Smoking is NOT PERMITTED anywhere in the building. hose who must
smoke should do so on the public sidewalk away from the building, so as not to bother
other patrons. Please do not smoke just outside the doors as the smoke drifts back inside;
instead, go to the end of the ramp to the “patio” area.
Cameras and recording devices: It is ILLEGAL to record a performance, with any
media, in whole or in part. If you record a performance in whole or in part we will ask
you to stop recording during the live performance. You will be embarrassed.
he videotaping or other video or audio recording of this production is strictly prohibited.
Cell Phones, Beepers & Alarm Watches: Please turn them of BEFORE the performance
begins. Please do not use the vibrate option but, instead, turn them completely of.
Lost and Found: Found items should be given to the House Manager. Queries regarding
lost items may be made by calling 235-6948.
Recycling & Trash: Please help us keep the theatre clean by discarding trash in the lobby
trash cans or by handing it to us for recycling. hank you!
Your Image: Attendance at he Warehouse heatre is your tacit permission for us to use
your still image for marketing and/or fundraising purposes. Attendance at he Warehouse
heatre is your tacit permission for us to use your moving image and recorded comments
for marketing and/or fundraising purposes.
Attending he heatre:
•
When coming to the theatre, at he Warehouse or anywhere else, you are taking
part in a 2500+ year old tradition that engages you with the community in which
you live. With this in mind, please be courteous to the other audience members.
You are part of their experience and they are part of yours.
•
Watching a play requires you to think. Enjoy yourself with your brain ON. You can’t
go back if you miss something – this is live and in the lesh.
•
here are many diferent types and styles of plays. We ofer you the opportunity to
attend a pre-show talk before our Sunday matinees which will put the play you are
about to watch into context, and we also have information about our production
available to you in our lower lobby, but do your own homework. You will enjoy the
experience more if you do a little bit of research into the play and the playwright.
he Internet is your friend!
•
Don’t be afraid to laugh...there are laughs even in tragedies. Go ahead...it’s ok!
The Warehouse Theatre is sponsored in part by a grant
from the Metropolitan Arts Council, which receives
funding from the City of Greenville, SEW Eurodrive, BMW
Manufacturing Company, LLC, Michelin North America,
Inc., and the South Carolina Arts Commission with support from the National Endowment for the Arts.
Cast
Quintet:
Desiree Armfeldt
Fredrika Armfeldt
Madame Armfeldt
Fredrik Egerman
Henrik Egerman
Ann Egerman
Carl-Magnus Malcolm
Charlotte Malcolm
Petra (Egerman’s maid)
Frid (Madame Armfeldt’s butler)
Malla (Desiree Armfeldt’s maid)
Bertrand (Madame Armfeldt’s page)
Osa (Madame Armfeldt’s maid)
Luke Browder
Jonathan Kilpatrick
Valerie MacPhail
Sara Magun
Victoria Bess Adams
Peggy Trecker*
Stevie Keese
Susan Clark
Peter Tamm*
Christopher Rose
Chelsea Ann Atkins
David Bean
Debra Capps
Lauren Wilson
Hunter Spangler
Jennifer Alynn Perri
Joel Perkin
Meghan Cole
*Appears Courtesy of the Actor’s Equity Association
Orchestra
Music Director / Piano
Violin
Violin
Cello
Harp
Clarinet and Flute
Susan Lyle
Paul Aguilar
Hayden Wilson
Maria Parrini
Anne Bennett
Mike Criss
Production Crew
Director
Chip Egan
Stage Manager
Erin Martin
Set Designer
Shannon Robert
Lighting Designer
Tony Penna
Technical Director
John F. Keenan
Costume Designer
Kendra Johnson
Props Designer
Andrea Johnson
Assistant Technical Director
Henry Wilkinson
Dramaturg
Elisa Golden
Set Crew
Dalton Cole, Christian Oehring, Adam Rudd,
Eric Verhoeven, Sarah Shealy Sullivan, Kim Granner
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Cultivating & Sustaining the Arts in the Historic West End District
Serving Dinner Tuesday – Saturday
Reservations Recommended
732 S. Main St. Greenville, SC
864.232.7665
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Staf
Special Thanks
Executive/Artistic Director
Paul Savas
Director of Development
Katie Leckenbusch
Director of Education
Anne Kelly Tromsness
Associate Artistic Director
Shannon Robert
Technical Director
John F. Keenan
Production Stage Manager
Jaime Keegstra
Box Oice/House Manager
Andy Croston
Clemson University Performing Arts
Department
SC Governor’s School for the Arts &
Humanities
he Brooks Center for the Performing
Arts
Christ Church Episcopal School
Productions Unlimited, Inc.
Greenville Forward
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JC Rose & Associates, Inc.
Glenn Sawicki
he Greenville News
Ruth Mansure
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Debra Strange
Heidie Miller
Jackie Warner
Woody Moore
Morgan Blaich
David Sims
Augusta Grill
Camille Chapman
Refreshments
provided by
Romeo and Juliet 3.28.13
A Little Night Music 5.23.13
$10 Off Admission and a free drink
7 pm refreshments, 8pm Show
The Medici Society
Your gift to he Medici Society, he Warehouse heatre’s annual fund, is an
altruistic act which supports our annual operations. he Medici Family of
15th century Florence was largely responsible for the lowering of arts during
the height of Florentine and European Renaissance. he Medicis gave ample
patronage to the arts and literature in order to encourage a prosperous city.
When you give to he Medici Society, you join a rich history of giving to the
arts which was born in ancient Greece, revived through the Medicis, and is
ours to perfect.
For more information please contact:
Katie Leckenbusch
Director of Development.
[email protected]
864.235.6948
Chairman’s Circle ($10,000+)
Lobby space donated to a charity of your choice for a reception
(some restrictions apply).
Producer’s Circle ($7,500 - $9,999)
(20) Tickets: Pick a show, or shows, invite your friends OR WHT will donate
tickets in your name to the charity of your choice.
Director’s Circle ($5,000 - $7,499)
Invitation for (2) to WHT Gala. January 26, 2013.
Playwright’s Circle ($2,500 - $4,999)
Reserved seating for you and a guest for the whole season!
(reservations required)
Grand Benefactors ($1,000 - $2,499)
Invitation to a design presentation and rehearsal of your choice.
Benefactors ($500 - $999)
Invitation for (2) to he Warehouse 4th of July Party.
Patrons ($250 - $499)
Invitation to heatre Appreciation Events.
Please check the website for dates and topics!
Partners ($100 – $249)
Recognition in the 2012-2013 season playbill and WHT website.
The Medici Society Listing relects gifts received prior to May 1, 2013
Generous Support From:
Bank of America
he Derrick Family Foundation
Elbert W. Rogers Foundation
he Graham Foundation
he Metropolitan Arts Council
Jean T. and Heyward G. Pelham
Foundation
he Ronald McDonald House Charities
of the Carolinas
South Carolina Arts Commission
he F.W. Symmes Foundation
he TD Charitable Foundation
Chairman’s Circle $10,000+
Anonymous
BMW Manufacturing Co., LLC
Ethel and John Piper
Tom and Debra Strange
Jackie and John Warner
Producer’s Circle ($7,500-$9,999)
Susan and Russell Stall
SuperCuts
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Current Tools, Inc.
First Citizens Bank
Danielle Fontaine and Bill McClendon
Greenville Hospital System Children’s
Hospital
Mimi Wyche and Davis Enloe
Harry Wilkinson and Cecily Mango
Playwright’s Circle ($2,500-4,999)
Susan and Steve Bichel
Claire and Joe Blake
Bon Secours St. Francis Health System
Elliott Davis, LLC
Design Strategies, LLC
Don Faircloth and Mark Blonstein
Haynsworth Sinkler Boyd, PA
Marsha and Wallace Lightsey
Crissy and George F. Maynard, III
Ruth and John Mansure
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Shannon Robert and Paul Savas
Rogers Financial Group (Jeanette and
Jon Rogers)
Sharon and Adrian Steinmann
VidiStar, LLC
Bianca and Craig Walker
Grand Benefactors ($1,000-$2,499)
Helen and Neil Ames
Linda Archer
Elizabeth Barwick and Roy S. Fluhrer
Ken Betsch
Sue and Jim Burford
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Ann and Mike Chengrian
Cutler Computers, Linda and Jerry
Cutler
Kathi and Joel Daniel
Harriet and Jerry Dempsey
Diane and Chip Egan
Andrew Elash
Ingrid and Rick Erwin
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Jack Ashton and John Fagan
Lara and Eric Farnsworth
Sarah and George Fletcher
Patricia and William Fuller
Christine and Eric Harrell
Hasert Memorial Trust
Bev and Bob Howard
Andrea and Carson Johnson
Steve Johnson
Mary and Jef Lawson
David E. Maguire Foundation, Inc.
Basia and Paul McHugh
Beth and Scott McMillan
Heidie and Keith Miller
Northwestern Mutual Greenville
Teri and Jorge Pena
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Jane and Donald Pilzer
Sue Priester
he Honorable Richard C. Riley
Shirley Sarlin
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Dr. Tom and Lucy Tiller
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Benefactors ($500-$999)
ADG Preferred Payroll, Inc.
Michael Allard
Paul C. Aughtry, III
Dan Belbey and Tom Donnelly
Joseph Blalock
Signe and Ron Cann
Anne and John Crabtree
The Medici Society Listing relects gifts received prior to January 1, 2013
Judith L. Coe
Community Foundation Of Greenville,
Inc.
Mary Anne and Bob Cooper
Fannie I. Cromwell
Janis and Stanley Crowe
Jane Davenport
Kathleen Davis
Pat Dilger
Rosa Eisenstadt
J. Michael Evans
Keller and David Freeman
Mary and Caleb Freeman
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Nita Finley
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Lois and Monte Hart
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Gary Hester Interiors
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hea and Ruud Veltman
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Patrons ($250-$499)
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Greenville Army Navy Store, Jef Zaglin
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Donna Reiss and Arthur Young
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The Medici Society Listing relects gifts received prior to January 1, 2013
Partners ($100-$249)
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Thank you to all of our donors! Please let us know if you ind an error in
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Season Tickets
A season subscription gives the lexibility to choose from ANY Main Stage
performance that its your schedule. For example: you can use one ticket on
each of our Main Stage shows –or- attend a single show and treat 6 of your
friends!
Please call the box oice, 864.235.6948, 11:00am-4:00pm Tuesday-Friday, or
visit our website for more information. www.warehousetheatre.com
13-14 Adult Season Subscription
$195.00
7 lexible tickets to use how you like for mainstage shows in the 2013-2014
season
13-14 Adult Season Subscription with Reserved Seats
$230.00
7 lexible tickets to use how you like for mainstage shows in the 2013-2014
season
his Subscription includes Reserved Seats for the season! Tell us where you
like to sit and we’ll have your name on the seat for you when you arrive.
13-14 Loyalty Discount (Renewals only)
$175.00
7 lexible tickets to use how you like for mainstage shows in the 2013-2014
season.
13-14 Loyalty Discount with Reserved Seats
$210.00
7 lexible tickets to use how you like for mainstage shows in the 2013-2014
season
his Subscription includes Reserved Seats for the season!
Playwright Biography
Stephen Joshua Sondheim was born March 22, 1930 in New York City to Etta Janet
(nee Fox) and Herbert Sondheim. He grew up on the Upper West Side of Manhattan and
later on a farm in Pennsylvania, after his parents divorced. While living in New York,
Stephen Sondheim attended the Ethical Culture Fieldston School. Herbert, his father,
was a dress manufacturer and Foxy, his mother, designed the dresses. An only child of
well-to-do parents living in a high-rise apartment on Central Park West, Sondheim’s
childhood has been portrayed as isolated and emotionally neglected in Meryle Secrest’s
biography, Stephen Sondheim: A Life. At about the age of ten, around the time of his
parents’ divorce, Sondheim became friends with Jimmy Hammerstein, son of the
well-known lyricist and playwright Oscar Hammerstein II. he elder Hammerstein
became a surrogate father to Sondheim, as the young Sondheim attempted to stay
away from home as much as possible. He graduated New York Military Academy in
1946.He graduated from Williams College, winning the Hutchinson Prize for Music
Composition, after which he studied theory and composition with Milton Babbitt.
He is on the Council of the Dramatists Guild, the national association of playwrights,
composers, and lyricists, having served as its president from 1973 to 1981, and in 1983
was elected to the American Academy of Arts and Letters. In 1990 he was appointed the
irst Visiting Professor of Contemporary heatre at Oxford University and in 1993 was a
recipient of the Kennedy Center Honors.
Sondheim wrote the music and lyrics for Bounce (2003), Passion (1994), Assassins
(1991), Into the Woods (1987), Sunday in the Park with George (1984), Merrily We Roll
Along (1981), Sweeney Todd (1979), Paciic Overtures (1976), he Frogs (1974), A Little
Night Music (1973), Follies (1971, revised in London, 1987), Company (1970), Anyone
Can Whistle (1964), and A Funny hing Happened on the Way to the Forum (1962), as
well as lyrics for West Side Story (1957), Gypsy (1959), Do I Hear A Waltz? (1965), and
additional lyrics for Candide (1973). Side by Side by Sondheim (1976), Marry Me A
Little (1981), You’re Gonna Love Tomorrow
(1983), and Putting It Together (1992) are
anthologies of this work as a composer and
lyricist.
For ilms, he composed the scores of Stavisky
(1974) and Reds (1981) and songs for Dick
Tracy (1990), for which he won an Academy
Award. He also wrote songs for the television
production “Evening Primrose” (1966), coauthored the ilm he Last of Sheila (1973)
and the play Getting Away With Murder
(1996), and provided incidental music for the
plays he Girls of Summer (1956), Invitation
to a March (1961), and Twigs (1971).
He won Tony Awards for Best Score for a
Musical for Passion, Into the Woods, Sweeney
Todd, A Little Night Music, Follies, and
Company. All of these shows won the New
York Drama Critics Circle Award, as did
Paciic Overtures and Sunday in the Park
with George, the latter also receiving the
Pulitzer Prize for Drama (1985). In addition,
the Stephen Sondheim heatre at 124 West
43rd Street in New York City was established
in 2010 in honor of the legendary composer
and lyricist’s 80th birthday.
“What Fools These Mortals Be”
While working on their hit musical, West Side Story, Stephen Sondheim
and producer, Hal Prince, expressed a desire to write a chamber opera with
a romantic farcical twist. hey decided to base this new musical on the
1956 Ingmar Bergman ilm, Smiles of a Summer Night. he collaborators--Sondheim, Prince, and Hugh Wheeler---agreed that theirs should be an
original piece with touches of Strindberg, Chekhov and Shakespeare. From
the beginning, Sondheim’s vision was dark; whereas, according to Craig
Zadan, Prince “wanted the darkness to peep through a whipped-cream
surface.” Wheeler, the book-writer, visualized a Shakespearean slant stemming
from a line from A Midsummer Night’s Dream in which the character Puck
states, “Lord, what fools these mortals be.” In the end, the trio reached a
collaborative harmony, and A Little Night Music was written with Ingmar
Bergman’s motion picture as its jumping-of point.
Never losing sight of the complex game Bergman conceived of for his ilm,
Sondheim notes in a 1982 interview, “It was to take place over a weekend
during which, in almost game-like fashion, Desirée would have been the prime
mover and would work the characters into diferent situations.” Bergman
enjoyed orchestrating his comedic Sudoku of sorts telling an interviewer, “I
felt it would be a technical challenge to make a comedy with a mathematical
pattern---man / woman, man / woman. Four couples. And then muddle them
all up, and sort out the equations.” As is the case in both Smiles of a Summer
Night and A Little Night Music, the male characters appear to play the role of
dreamers and bufoons who try but fail to exceed their own limitations. he
female characters, on the other hand, remain steadfast and a levelheaded
despite the circus-like atmosphere surrounding them. Indeed, the summer
night (incidentally, the summer solstice or white night) is the time in mid
June of extended daylight that can lead to some sleep-deprived craziness,
thus creating comic results that become the perfect setting for this libretto‘s
frivolity.
Finally, the smiles noted in the ilm’s title seem to take on new meaning in
Sondheim’s Tony Award-winning opus. In the production’s prologue, Madame
Armfeldt explains to her granddaughter that the summer night smiles three
times “at the follies of human beings, of course. he irst smile smiles at the
young, who know nothing. he second, at the fools who know too little .
. . and the third at the old who know too much.” Mirroring Puck’s famous
aforementioned line, Desirée sings one of Sondheim’s “inner monologue
songs” about the absurdity of human beings---“But where are the clowns? /
Quick, send in the clowns. / Don’t bother, they’re here.” “As I think of it now,
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Who’s Who
Valerie MacPhail (Quintet) teaches voice at Converse College in Spartanburg. She was
featured as he Witch in Into the Woods with the Spartanburg Little heatre. Opera
credits include the Countess in he Marriage of Figaro and Lucy in he Telephone
with the Spartanburg Repertory Company, and Sister Constance in Dialogues of the
Carmelites with Converse Opera heatre. She regularly gives recitals throughout the
region, and recently performed in concert in Santa Clara, Cuba.
Peggy Trecker (Desiree Armfeldt) is thrilled to be working with he Warehouse.
Credits: Miss Saigon (Broadway National Tour) Tea at Five, Venus in Fur, Matt & Ben,
he Last Five Years, Rabbit Hole, he Pavilion (South Carolina Repertory Company),
Death of a Salesman (heatre Mitu/Abu Dhabi), Absolution, Antigone, Richard II (American Repertory heatre), Miss. Julie (heatre Trouve). Training: University of
Michigan - BFA Musical heatre, American Repertory heatre at Harvard UniversityMFA Acting.
David Bean (Carl-Magnus Malcolm) is privileged to make his irst acting appearance
at he Warehouse heatre. He is enjoying back to back Sondheim productions having
recently completed a run of A Funny hing Happened on the Way to the Forum at
Centre Stage in the role of Marcus Lycus. Previous roles include Angel Street (Jack
Manningham), Our Town (Stage Manager), Pride and Prejudice (Darcy), and As You
Like It (Orlando).
Lauren Wilson (Petra) is thrilled to be returning to he Warehouse heatre stage. She
was last seen in the debut performance of he Rocky Horror Show as Eddie/Dr. Scott.
Some of her favorite onstage roles include Poppy in Noises Of at Greenville Little
heatre, Soupy Sue in Urinetown the Musical at Village Repertory Company, and you
can also see her in the webseries he Adventures of Iguana Man as the villain, Samantha
Black.
Maria Parrini (Cello), a sixteen-year-old junior in high school, has played piano and
cello for twelve years. She studies cello with Martha Brons and piano with her parents,
Sherry and Fabio Parrini; she participates in the Greenville Fine Arts Center’s chamber
music program with both instruments. She has performed as a soloist with symphony
orchestras on cello and piano, and in masterclasses with Christopher O’Riley and
Natalya Antonova. She hopes to pursue a conservatory education.
Meghan Cole (Osa) graduated from Anderson University with a BA in Musical heatre.
Some of her favorite roles include Jo March in Little Women: he Broadway Musical,
Kate Keller in All My Sons, Miss Dorothy in horoughly Modern Millie and Jolene in
Dirty Rotten Scoundrels at Centre Stage. Most recently, Meghan was Texas in he
Warehouse heatre’s production of Cabaret and she is now thrilled to be a part of this
amazing cast!
Victoria Bess Adams (Quintet) is delighted to be on the WHT stage. Her favorite GLT
productions include he Music Man (Marian Paroo), Oklahoma (Laurey), Carousel
(Carrie), and Hello Dolly! (Irene). She has also been seen in Centre Stage’s productions
of Sweeney Todd and Side by Side by Sondheim. Victoria holds a MM degree from Bob
Jones University, and is a teacher of voice. Victoria wishes to thank her loving husband
Drew and son Keller for their encouragement.
Peter Tamm (Fredrik Egerman) has been performing since college in heater, Cabaret,
Radio, TV and Film. He appeared at WHT in 2006 as Sandor Turai, Rough Crossing.
Recent work in Atlanta, PA and NC: Franklin Woolsey, Ghost-Writer; Man 3, Mid-Life:
he Crisis Musical; Father, Cheaper By he Dozen, Mr. Lawrence, Little Women; Bellomy,
he Fantasticks; John, Oleanna; Van Helsing, Dracula; Eddie Ryan, Funny girl; Ensemble,
Putting It Together, and Fredrik, A Little Night Music in 2010.
Christopher Rose (Henrik Egerman) is thrilled to make his debut at he Warehouse
heatre. Holding a BA in Communicative Arts (heatre), his favorite roles include:
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Who’s Who
“Naphtali,” Joseph and the Amazing Technicolor Dreamcoat (SCCT), “Teresias,” Oedipus
Rex (PCC), “Chip Tolentino” in he 25th Annual Putnam County Spelling Bee (Clemson
Players) and “Protean” in A Funny hing Happened on the Way to the Forum (Centre
Stage). He has directed productions of Oedipus Rex, Antigone and he Beams Are
Creaking.
Stevie Keese (Fredrika Armfeldt) is a freshman at Wade Hampton and the Fine Arts
Center (voice). She has also had the pleasure of working around the upstate at various
theaters. Her favorite roles include: “Madeline,” Madeline and the Gypsies (SCCT),
“Ghost of Christmas Past,” Christmas Carol (GLT), “Annie,” Annie (EFP), “Midas’s
daughter,” Metamorphoses (Warehouse), “Attendant,” Merchant of Venice (Warehouse),
“Laurie,” Brighton Beach Memoirs (Centre Stage).
Debra Capps (Charlotte Malcolm) has been seen most recently in Angel Street, 39
Steps, he Lion, the Witch, and the Wardrobe (White Witch,) Who’s Afraid of Virginia
Woolf? (Honey), he Clean House (Lane), 13th of Paris (Jessica), Macbeth (Lady
Macbeth), Almost, Maine, Sight Unseen (Patricia), Turn of the Screw (Governess) and
Cat on a Hot Tin Roof (Maggie). Other theatrical credits include: Mauritius (Jackie),
Sylvia (Sylvia) and Noises Of (Brooke/Vicki.) Debra would like to thank her beautiful
parents, Sonny & Nancy Capps, for the lifetime of love they gave her.
Luke Browder (Quintet) has previously been seen in Die Fledermaus (Frank) and he
Gondoliers (Giuseppe) with he Spartanburg Repertory Company; Hansel and Gretel
(Father) and Così fan tutte (Guglielmo) with Converse Opera heatre; Rock Opera!
(soloist), he Mikado (Pooh-Bah), and Trial By Jury (Usher) with Greenville Light Opera
Works. Luke is an Applied Voice Instructor at Clemson University and the Lawson
Academy of the Arts, and Director of Music at Eastminster Presbyterian Church. BM,
Furman University; MM, Converse College.
Jonathan Kilpatrick (Quintet)has performed
roles at Centre Stage and Greenville Light
Opera Works. Jonathan has sung roles
including Katisha (he Mikado), Beadle
Bamford (Sweeney Todd) and soloist in Side
by Side by Sondheim. He most recently played
the role of John Baker in Centre Stage’s
production of Whose Wives Are hey Anyway.
Jonathan holds Bachelors and Masters of
Music degrees in Vocal Performance.
Chelsea Ann Atkins (Ann Egerman) is
thrilled to be back on the Warehouse heatre
stage this season! Previous credits at he
Warehouse include he Rocky Horror Show
(Janet), Lamplight and Shadow (Virginia/
Francis), and he Christmas hat Almost.
Chelsea was most recently seen as Philia in
A Funny hing Happened on the Way to the
Forum at Centre Stage. Chelsea is a 2012
graduate of Clemson University where she
305 Rutherford Road
studied theatre and music.
Greenville, SC 29609-4657
Jennifer Alynn Perri (Malla) has performed
classical music for over ten years, winning
competitions in operatic voice and mallet
(864) 370-4787
percussion, along with state championships
in public speaking and humorous duo
interpretation. Some of her recent credits
Who’s Who
include Lady Catherine de Bourgh in Pride and Prejudice and Camilla in A. A. Milne’s
“he Ugly Duckling.” his year she was named Citizen of the Year by the South Carolina
Bar for six years of coaching mock trial.
Paul Aguilar (Violin), 16, has played the violin for 11 years and currently studies with
Deirdre Hutton. His chamber groups have won 1st place in the 2010 Carolinas Chamber
Music Competition and 2nd place in the 2011 Indiana String Academy Chamber
Competition. Paul won 1st place in the 2011 Clemson Concerto Competition, 2nd place
in the 2012 Carolinas Concerto Competition, and was a inalist in the 2013 GAMAC
Concerto Competition.
Susan Clark (Madame Armfeldt) is a veteran singer and actress who is thrilled to
be performing at WHT. She was seen most recently as Mrs. Paroo in he Music Man.
Other favorite roles include Katisha in he Mikado and Ruth in he Pirates of Penzance.
Of- stage, she works as a licensed professional counselor. Many thanks to Chip and
Susan for this wonderful opportunity, the talented cast and crew, husband Randy, her
ever-supportive family, and Ben.
Hunter Spangler (Frid) is excited to be in his irst show at he Warehouse heatre. He
is currently a student at Clemson University earning his BA in Performing Arts with an
emphasis in heatre. He would like to thank Chip Egan for this wonderful opportunity
and his family and friends for their constant support. Hunter will next be seen in
Laughter on the 23rd Floor at he Warehouse in the fall.
Sara Magun (Quintet) is pleased to make her debut with WHT. Previously, Ms.
Magun has been seen as Peep-bo (he Mikado) with GLOW, as well as a featured
soloist in several cabarets. Prior to moving to the upstate, she received her BM in Voice
Performance from Indiana University where she performed Wagner’s ”Wesendonk
Lieder”, was the mezzo soloist in Beethoven’s 9th Symphony with MAYO and performed
in 7 operas. Upcoming performances include Kate (he Pirates of Penzance) with
GLOW.
Chip Egan (Director) is dean emeritus of the College of Architecture, Arts and
Humanities at Clemson University. He received his BA from Hanover College and his
MFA from Northwestern University. Chip has a wide variety of credits as a director,
designer, and actor for such theatres as the Idaho Repertory heatre, Highlands
Playhouse, Mill Mountain heatre, he Historic Shuler heater, South Carolina
Repertory Company and he Warehouse heatre and Centre Stage in Greenville. He
made his Warehouse heatre debut directing Kennedy’s Children in 1980. More recent
directing credits at he Warehouse include he 39 Steps, Something More han a Game,
Elvis People, Almost Maine, Frankie and Johnny in the Claire de Lune and Cat on a
Hot Tin Roof. He also recently played George in Who’s Afraid of Virginia Woolf? Chip
served as chair of the department of performing arts at Clemson University for nine
years during which time the Robert Howell Brooks Center for the Performing Arts was
planned and constructed. He is a past president of both the South Carolina heatre
Association (SCTA) and the Southeastern heatre Conference (SETC). He wishes to
thank Diane for her constant love and support.
Susan Lyle (Music Director) is pleased to be working at the Warehouse heater with
Chip Egan and the superb cast of A Little Night Music. Susan is an experienced and well
known voice teacher/coach/conductor in the Upstate and is a member of the faculty
at the Petrie School of Music at Converse College. She has a long list of credits as a
professional singer in opera and in musical theater including Dirty Rotten Scoundrels
(2011) and A Funny hing Happened on the Way to the Forum (2013) for Centre Stage.
Susan served the the artistic director for the Spartanburg Repertory Company for eight
years where she directed many shows (he Telephone, Trial by Jury, Amahl and the
Night Visitors, Harmoonia, Scrooge and Gilbert and Sullivan). his is her irst show with
the Warehouse heater.
Who’s Who
Kendra Johnson (Costume Designer) is an Associate Professor in the Performing
Arts Department at Clemson University. She has costumed over sixty productions,
among them, Lost in Yonkers, Marat/Sade, Macbeth, Miss Julie and the world premier
of the musical Mirandy and Brother Wind at the Adventure heatre in Maryland. A
Little Night Music marks Kendra’s eleventh collaboration with he Warehouse heatre.
Johnson won several design awards as a Master of Fine Arts candidate at the University
of Tennessee-Knoxville and received her degree in 1994. She earned her Bachelor of
Arts from James Madison University. Her academic research includes the historic
clothing of African Americans during the antebellum period.
Shannon Robert (Set Designer) received an M.F.A. in scene design from FSU and
studied design at the Moscow Art heatre Conservatory. A painter, designer, and
teacher, she was Director of heatre at William Carey University. She has designed
internationally for venues in Edinburgh, Nairobi, Bratislava and Moscow. She worked
with KCACTF as Region IV design chair and vice chair and served on the board of
SETC. Shannon managed he Spoon Group Productions in NJ/NY and worked on the
Broadway productions of he Grinch, Grease, Xanadu, Legally Blonde, Inherit the Wind,
he Pirate Queen, Coram Boy, Jersey Boys, Spamalot, Hairspray and he Color Purple.
Shannon is a member of the Clemson University Faculty.
Tony Penna (Lighting Designer) has previously worked on he Warehouse heatre
productions of Topdog/Underdog, Tru, he Subject Was Roses, Frankie & Johnny in the
Claire De Lune, Reckless, Sight Unseen, Cloud 9, hree Cuckolds, Almost, Maine, K2,
he Diary of Anne Frank, Catish Moon, he Rocky Horror Show (2010 and 2012), Who’s
Afraid of Virginia Woolf?, Something More han a Game, Metamorphoses, Cabaret, he
39 Steps, Eurydice, and Romeo and Juliet. Regional theatre credits include Actors heatre
of Louisville (four seasons as Resident Lighting Designer), Berkshire heatre Festival,
Cincinnati Playhouse, Huntington heatre Company, Phoenix heatre, SC Repertory
Company, Studio Arena heatre, Baltimore’s CENTERSTAGE, Pittsburgh Public heatre.
NY theatre credits include scenery and lighting for he Brothers Karamazov (Culture
Project, La MaMa), Richard II (HERE), he Burial at hebes (La MaMa) and he heory
of Color (Medicine Show). He is a member of United Scenic Artists and the theatre faculty
at Clemson University. He is also a resident designer for NYC’s Eleventh Hour heatre
Company, the SC Repertory Company and he Warehouse heatre.
Andrea Johnson (Props Designer) has been involved with many productions behind
the scenes at Christ Church Episcopal School. Last year she was the Props Mistress for
a Miracle on 34th Street at Centre Stage. She has really enjoyed working with everyone
here at the Warehouse heatre. She wishes to thank her loving husband for all his help!
Erin Martin (Stage Manager) has been stage managing in the Greenville area for over
a year and has been deeply honored to have worked with some of South Carolina’s inest
artists and designers. Her other credits include Rock Opera with Greenville Light Opera
Works, he Crucible with SC Governor’s School for the Arts and Humanities, and
Anything Goes with Christ Church Episcopal School. his is Erin’s second show at he
Warehouse.
John F. Keenan (Technical Director) is thrilled to join he Warehouse heatre as the
new Technical Director. John received his Bachelor of Arts in heatre from Lander
University and his Master of Arts in Design and Technical heatre from Louisiana Tech
University. Over the past decade, John has worked professionally as a Technical Director
at Louisiana Tech University, Oklahoma Shakespearean Festival, City Lights heatre
Company in San Jose and most recently as the resident Lighting Designer and Technical
Director at the California heatre Center in Sunnyvale. Other lighting design credits
include: he Santaland Diaries, he Grapes of Wrath, Around the World in Eighty Days
and Assistant Lighting Designer for Chestnuts Roasting Over the Flaming Idiots—an OfBroadway holiday spectacular at the New Victory heatre.
Wishlist
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Hardcover books
Hardware store gift cards
Plywood, 2- and 1-by lumber
Masonite
Crescent wrenches
Oice supplies
Printer paper 8.5”x11” & 11”x17”
New Saw blades
Cabaret tables
Paint - especially lat black
Post-It Notes
Desk and loor lamps
Electrical & plumbing services
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Guest Artist housing
A soundproofed roof
Antique furniture
Unique clothing in good shape
Plastic storage bins
Paper towels and toilet paper
Laundry detergent & cleaners
Liquid hand soap
Computers with at least Intel
Core Duo processors
iPads, iPod Touches, iPhones
Grounded extension cords
Tool and Hardware Storage
he Warehouse heatre appreciates all of our donors – we could not do it
without you!
When the urge strikes to bring goods for donation (such as furniture,
books,paint, clothing) – please give us a call. Due to storage limitations and
restrictions we cannot accept ALL donations of goods. To save you valuable
time and efort please call the theatre to speak with our Technical Director or
Director of Development regarding your donation.
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The Warehouse Theatre
Mission Statement:
he Warehouse heatre is a professional
live theatre dedicated to theatre as a
serious art form; to high-quality, diverse
and challenging productions; to training
theatre professionals; to community
outreach; and to student education.
he Warehouse heatre chooses plays that stretch the imagination of Upstate
audiences, energize and excite the community with Intense, Intimate and Unexpected
performances that explore and celebrate the complexities of our time. he Warehouse
heatre does this to encourage an adventurousness of spirit, and to develop a hunger for
the visceral impact of theatre, in the mind, heart, and soul.
Because of generous grants from he Metropolitan Arts Council, he
South Carolina Arts Commission and he Wachovia Foundation, he
Warehouse heatre proudly supplies its audience with assistive listening
devices free of charge. If you would like to use a device please return to the
box oice and check one out. Just leave your ID and listen to theatre afresh!
We have hearing aid loop devices, ear buds and headphones! We give you a
choice so you can be comfortable!
From corsets to cloaks,
collars to caps,
The Warehouse Theatre
constructs its costumes
with fabric from
Mansure &
Company
864.282.1900
fine fabrics and trims
Education at The Warehouse Theatre
A signiicant part of he Warehouse heatre’s vision and mission is education – in the
schools and in the community. Our educational oferings are designed to encourage
engagement, creativity and theatre that not only entertains, but elevates and celebrates
the community it serves. Here are some highlights:
his Wooden O, WHT’s nationally recognized actors-in-the-classroom program,
sends teams of teaching artists into middle, high and elementary school classrooms
to enhance students’ comprehension and appreciation of Shakespeare’s works. In
2011-12, WHT teaching artists worked with 24 area schools, in English, Drama and
Challenge Program classrooms, providing over 650 hours of instruction.
Applied heatre: Healthy Living debuted in 2011-12. Our new applied theatre
outreach programming gives youth a platform to explore not only choices and
dilemmas afecting their physical health, but encompasses their social well-being and
goal-setting as well. Emphasizing exploration and expression, we work in concert
with organizations who serve youth to identify issues and help them envision positive
possibilities. In inaugural year, we worked with over 175 youths, from organizations
such as Bridges to a Brighter Future, Sterling Teen Center, Big Brothers Big Sisters,
Greenville Hospital Systems and Communities in Schools, empowering youth through
theatre.
WHT’s Audience Enrichment Series includes pre-show talks with directors or
scholars in the genre or historical context of the play, talkbacks with actors, directors
and designers about the speciic production, lobby displays and forums. Last season, 3
of the forums had standing room only crowds; sparking discussions on topics ranging
from sustainable economic development, the role of story in our culture, distraction
and its implications in the digital age, and the functions and dysfunctions of family.
Forums are scheduled for the Wednesday before the opening of each mainstage
– and they are free and open to the public! Pre-show talk and talkback schedules
are on our website.
Performances for Students
his Season, Lamplight and Shadow, a play about the relationship between the life
and literature of Edgar Allen Poe written by playwright in residence Jayce Tromsness
and he Warehouse heatre’s Production of Shakespeare’s Romeo and Juliet played to
over 3000 students as part of the Peace Center’s POP Series.
Student previews for plays at the theatre are the Wednesday before the opening of
many of our mainstage plays, and tickets for students in middle, high school and
college are only $5 ($10 for musicals).
For more information, a schedule of events or to bring a program to your school
or organization, contact Director of Education Anne Tromsness at
[email protected]
Board of Directors
Oicers
President
Bianca Walker
Vice President
Tom Strange
Treasurer
Susan Bichel
Secretary
Ingrid Erwin
Member-at-Large
Jackie Warner
Member-at-Large
Alan Weinberg
Program Manager, Global Visitors Center, Furman
University
Senior Director R&D, St. Jude Medical
Health Care Consultant
Attorney
Community Volunteer
Community Volunteer
Board Members
Randy Bell
Mary Biebel
Claire Blake
Kathi Daniel
Don Faircloth
Roy Fluhrer
Suzie Grow
Wallace Lightsey
Ruth Mansure
George Maynard
Scott McMillan
Heidie Miller
Teri Pena
John Petrusick
Nicole Ream
Jon Rogers
Glenn Sawicki
Eric Schmid
John Scovil
David Sims
Tom Tiller
Pat Victory
Maxim Williams
Marsha White
Jim Whitten
Senior VP, Bank of Travelers Rest
Owner, Biebel Carolina Salons
Community Volunteer
Community Volunteer
Community Volunteer
Director, he Fine Arts Center
Event Planner, Community Volunteer
Associate and Member, Wyche, PA
Owner, Mansure & Company
VP, Greenville Hospital System
Principal, Design Strategies, LLC
Community Volunteer
Artist & Development Consultant
Vice President, Commercial Portfolio Manager, TD Bank
Realtor, he Parker Company
Owner, Rogers Financial Group, LLC
Owner, Safron’s Sidewalk Cafe and he Cafe at TCMU
Shareholder, Elliott Davis, LLC
Owner, Current Tools
Director of Arts, Christ Church Episcopal School
Community Volunteer
Owner, Tenth Planet Advertising
Director of Community Relationship Building, Bon
Secours St. Francis Health System
Community Volunteer
VP Operations, Fluor Corporation (Retired)
Past Presidents
1974-75 J. Lake Williams, Jr.
1975-76 Jourdan Jones Newton
1976-77 Aubrey Bowie
1977-78 Tom Brodnax
1978-79 Keller Freeman
1979-80 Bill Wheless
1980-81 Jane Mattson
1981-82 Don Koonce
1982-83 Brad Wyche
1983-84 John Huebner
1984-85 George Corell
1985-86 Rita McKinney
1986-87 George Fletcher
1987-88 Nancy Muller
1988-89 Bob Cooper
1989-90 Tom Bruce
1990-91 Rob Wagner
1991-92 Jackie Warner
1992-93 Karen Lawton, Bond
Isaacson, Warren Mowry
1993-94 Warren Mowry
1994-95 Jan Bruning
1995-96 Susan Reynolds
1996-98 Brad Parham
1998-99 BJ Koonce
1999-00 Brad Parham
2000-01 Kelle Corvin
2001-02 Bill Pelham
2002-03 Sherm Rounsville
2003-04 Tami McKnew
2004-05 John Rose
2005-07 Wade Cleveland
2007-09 Travis Seward
2009-11 Nicole Pascoe-Ream
Resident Companies of
The Warehouse Theatre’s Summer Season
Upstate Shakespeare Festival
presented by
The Upstate Shakespeare Festival is a
thriving part of he Warehouse heatre’s
summer programming and community
outreach. USF presents the magic of
Shakespeare and other classic plays to the
Upstate community in an outdoor setting.
Using actors from all around the Upstate
community, USF presents entertaining,
inclusive, and family-friendly productions
that enhance Greenville’s calling card as a
summer destination.
Making their home at he Warehouse heatre, he Distracted Globe works
with he Warehouse to present entertaining and afordable productions of
classic comedies and comedy improv, workshops and other community-oriented
programs, seeking to renew the vital connection between a theatre and its
community. DG presents at least one play during the summer programming.
During the regular season, you can catch a DG performance of improv comedy
after the main stage show on select nights of the run.
Enjoy the show!
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Ar tists in Residence
Tony Penna - Lighting Designer in Residence
Tony Penna’s lighting credits at he Warehouse include he Rocky Horror Show,
Who’s Afraid of Virginia Woolf?, Amadeus, he 13th of Paris, he Diary of Anne Frank,
Tru and Topdog/Underdog. Other regional theatre credits include Centre Stage SC,
Cincinnati Playhouse, Huntington heatre Company, Berkshire heatre Festival and
four seasons as resident lighting designer at Actors heatre of Louisville. Mr. Penna is
a member of United Scenic Artists, the theatre faculty at Clemson University, and the
resident design stafs of he Warehouse heatre, South Carolina Repertory Company
and the Eleventh Hour heatre Company in New York.
Shannon Robert - Set Designer in Residence
Shannon received an M.F.A. in scene design from FSU and studied design at the
Moscow Art heatre Conservatory. A painter, designer, and teacher, she was Director
of heatre at William Carey University. She has designed internationally for venues in
Edinburgh, Nairobi, Bratislava and Moscow. She worked with KCACTF as Region IV
design chair and vice chair and served on the board of SETC. Shannon managed he
Spoon Group Productions in NJ/NY and worked on the Broadway productions of he
Grinch, Grease, Xanadu, Legally Blonde, Inherit the Wind, he Pirate Queen, Coram
Boy, Jersey Boys, Spamalot, Hairspray and he Color Purple. Shannon is a member of
the Clemson University Faculty.
Elisa Golden - Dramaturg in Residence
Elisa is a native New Jerseyan, attended Kean University and graduated with a B.A.
in Visual Arts. She moved to Greenville in 1990 and received a master’s degree
in Education from Furman University. Elisa continues to pursue her art (mostly
watercolor and drawing) and has entered a number of juried shows in the area. Her
love of literature and theater brought her to he Warehouse heatre in 1999. She is
currently in her twelfth season as resident dramaturg. Elisa is often asked, “What is a
dramaturg?” She replies, “A dramaturg, or literary manager, is like an anthropologist–
digging, assessing and categorizing these rare theatrical artifacts known as plays.”
Jayce T. Tromsness - Playwright in Residence
A native of Tacoma, Washington, Jayce is a director and playwright. He earned a BA
in theatre from Western Washington University and received minor degrees in art
history and linguistics. He moved to South Carolina to attend USC, where he earned
his MFA in acting. Jayce has been a staf and company member of Trustus heatre in
Columbia, as well as resident voice coach for the SC Shakespeare Festival, Sewanee:
he University of the South and he Warehouse heatre. He was an associate
professor of theatre at USC, and Midlands Technical College. At USC he began
writing plays for young audiences as well as one-act plays for Trustus heatre. His
plays have been produced by USC, USC Aiken, Trustus heatre, he South Carolina
Children’s heatre, he Pennsylvania Shakespeare Festival, Easley Foothills Playhouse,
he Warehouse heatre and he Distracted Globe. He is currently a faculty member
of the drama department at the South Carolina Governor’s School for the Arts and
Humanities.
Kendra Johnson - Costume Designer in Residence
An Associate Professor in the Performing Arts Department at Clemson University.
She has costumed over sixty productions, among them, Lost in Yonkers, Marat/
Sade, Macbeth, Miss Julie and the world premier of the musical Mirandy and Brother
Wind at the Adventure heatre in Maryland. Johnson won several design awards as a
Master of Fine Arts candidate at the University of Tennessee-Knoxville and received
her degree in 1994. She earned her Bachelor of Arts from James Madison University.
Her academic research includes the historic clothing of African Americans during the
antebellum period.
When the community works together, the
community works.
When community members speak about supporting the
arts, we respond to their call for making the possible
actual. Valuing artistic diversity within our
neighborhoods helps to unite communities, creating
shared experiences and inspiring excellence.
Bank of America is proud to support the Warehouse
Theatre for their leadership in creating a successful
forum for artistic expression.
Visit us at bankofamerica.com
© 2013 Bank of America Corporation
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