Chapter 1 now
Transcription
Chapter 1 now
Suncaller B. John Shaw Liddle Copyright © 2010 B. John Shaw Liddle All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, information storage, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission in writing from the copyright owner. www.bjohnshawliddle.co.uk 978-0-9566090-9-0 Cover design by Leanne Vaughan-Philipps First published 2011 by Deadstar Publishing, Cardiff, Wales www.deadstarpublishing.co.uk Part I: Copley and Masks Chapter 1 In the big stone house there is a mirror. The frame is worked from gold and dusted with diamond so that the light reflects from it in a glorious aureate blaze. The gold is beaten into the form of branches, each one resplendent with perfect leaves that seem to shift in the faint cooling breeze. They are from the five magical trees, and Mortimer Hope repeats their names under his breath as he climbs the long staircase that leads up to the glass. “Oak. Ash.” His feet feel like they’ve been cast in lead and every gasp burns in his lungs. He can smell his own heat and exhaustion rolling off him in waves but he knows that every step takes him closer to his goal. Behind him the sunlight gleams in through stained glass windows and puddles around his feet like liquid amber, shot through with emerald, sapphire and ruby. He ignores the beauty. It would be easy to get lost in it, and he has work to do. He will find his reflection. “Rowan. Holly.” The mirror before him, Mortimer falters. He forgets the last tree, he forgets the pain in his chest and legs, and he forgets that he’s been here before – a thousand times before. The young man in the mirror stares back in unabashed horror and confusion as Mortimer Hope reaches up to run his fingers over the porcelain mask that hides his face. Then he screams. Sarah jerked awake in her pokey room, sweat beading her top lip and darkening the V of her favourite night time t-shirt. The noise that had awakened her started again. Scaredy-cat ‘Hopeless’ from next door, whinging in his sleep. She reached down by the side of her bed to retrieve one of her Dr Martens boots and thumped it three times on the wall behind her head. “Fucking girly boy” she hissed between clenched teeth. “Every other fucking night!” She punctuated her words with further furious thumps of the heavy shoe. ‘Hopeless’ Mortimer Hope was sixteen and in the same year as her 3 at school. Sarah had stopped getting her night terrors by the time she was twelve. And she could throw better than Hopeless, even with her boobs getting in the way. That said, anyone could throw better than Hopeless, or do pretty much anything better than him. He was friendly enough, in a kind of shy way, and people at school put up with him, but he couldn’t do anything. He and his aunty had turned up in town two years ago with three suitcases between them and the soles of his shoes flapping when he walked. They’d moved in next door and since then Sarah had barely spoken to her neighbour, or even paid him too much attention. It was a small town, and Sarah didn’t want to be seen speaking to the boy that fashion forgot but every few nights she’d hear him moaning and screaming in the room behind her, and then she’d have to beat on the wall with her boots until he woke up and stopped blubbering. “Shit.” Her phone said it was three in the morning. She’d need eye shadow tomorrow then. Sarah sat up in bed and swung her legs over onto the floor, hands groping for the bedside lamp. It illuminated paper faces; the cream of the music world, creased and battered but still possessed of their glory. One corner of her little den was given over to her dead rockers collection – getting fuller at an alarming rate recently – and it was towards that she moved, not lifting her feet to keep the noise down. In a plastic skull next to a Dimebag signature pick and a rare Ronnie James Dio album was her emergency stash – cheap foreign cigarettes, a lighter, incense cones and two strips of sleeping pills. Her parents didn’t like it, but her parents didn’t like the pictures of Marilyn Manson or the nose stud either, so that was okay. She opened a window as a concession and glared out into the dark, smoking until the drugs took her off into cool, uninterrupted sleep. Mr Brisken, the sports teacher, was not a fan of Mortimer. “Useless bloody boy,” he’d mutter loudly whenever Hopeless took his turn at the latest activity to come his way. Today was rugby and, as usual in team games, the sporty kids were using Mortimer as a combination buffer zone and joke. “Pick the ball up for God’s sake, you numpty! Now run.” Brisken gaped in confusion as Mortimer began charging with the ball, all feet and elbows, up the field towards his own try line. “Incredible. Bloody incredible.” It wasn’t that Mortimer Hope was lazy, or bad natured or rude. He was simply incompetent and vaguely pitiable. It was pretty obvious why the other kids called him Hopeless, and he took it well, with a slight smile on his pale face and that sideways duck that was half shrug, half dodge. Like he expected a slap. Now the object of Brisken’s concern was attempting to hand the ball over to another player, holding it out in front of him like some kind of dangerous animal and chasing the other boy. Brisken started to count under his breath. By the time he’d reached four, two other 4 boys had slammed into Hopeless from the sides and sandwiched him between them. Brisken caught Mortimer’s eye and nodded him toward the sidelines. The boy half-shrugged again and grinned apologetically before shuffling off to the edge of the pitch to the accompaniment of his teammates’ mocking cheers. Hopeless rolled his eyes and took a small bow as he left the field of play. None of the mockery upset him too much. After all, as the other kids had noticed, he was pretty hopeless. And they were much nicer about letting him know it than inner-city kids. A few years ago he would have had the crap kicked out of him for being shit at rugby. Here, he was just a bit of a clown, a harmless joke. Hopeless’ only real problem with this town was the layout. The school lay at the bottom of a massive hill, with his street halfway up. The entire town was built around the hill, with the main street stretching out in the little valley between Copley Hill (the big one) and Snowhead (the neighbouring town). It gave the entire place a claustrophobic quality that sent a prickling feeling into Mort’s shoulders and neck and, from the top of the hill it looked like the town was falling into a crack in the earth. He didn’t go up there often, partly because that was where the expensive houses were and Mortimer’s aunt had made it very clear that people like that didn’t mix with the folk who lived down the hill. But the real reason was the way the land stretched out from up there, like something out of a dream. Mr Brisken left Hopeless alone for the rest of the lesson, apart from a five minute ‘chat’ towards the end. It was the same monologue he’d been getting from teachers since he was ten years old, and the message was the same: “You’re not stupid. You’re not misbehaving. You’re not even lazy. How do you manage to be so bad at everything?” Usually it ended with what Hopeless thought of as the Future Questions – where do you see yourself in five years’ time and all that guff. He’d come up with a few answers in his time and, with careful consideration, worked out that what teachers wanted to hear was something that anyone could do. That way they could give you a pamphlet and a website address and walk off feeling like they’d achieved something. This time he plumped for the civil service and smiled to himself as an expression of relief suffused Mr Brisken’s features. He’d stick to that answer for a few weeks and then come up with something new, or revert to manual labourer. It was always worth it to see the cold pale fear on his teachers’ faces when they had to deal with the image of ‘Hopeless’ Mortimer Hope staring inquisitively at a high velocity nail gun, half shrugging and saying “Well, I have had the safety training, so I should be alright.” “Oh, Hopeless!” The shout came from halfway across the yard, but Mortimer didn’t have to turn around to know who it would be. Instead he raised a hand in greeting and squared his shoulders slightly against the inevitable impact. Sure enough, there was a following cry of “Think fast, short arse!” and the bag of rugby balls collided with his backside. 5 He let himself fall backwards onto them, but before he hit the ground his momentum was stopped by a shovel-like hand in the small of his back. “Fuckin’ hell, Hopeless. If I shout ‘Think fast’ you gotta think fast!” A long thin figure loomed over him, topped by a mop of curly hair and a face that was mostly grin and ears. “Get up you bloody mook, or they’ll say I’m picking on you again.” Mortimer struggled to his feet and hoisted the string bag onto his shoulders, whereupon the tall boy took it back and humped it the extra foot onto his own. Mortimer sighed. “You know, Colly, I can carry shit. I’m not completely incapable.” Colly grinned again and flicked Mortimer’s forehead with his free hand. “Yes you are, Hopeless. That’s why we call you Hopeless, remember?” “Fuck off, Colly.” The two boys made their way back to the changing rooms, bantering lightly, until Colly nudged Mortimer in the ribs and motioned with his head towards the outer school fence. “Your spooky boyfriend’s here again, gayboy.” The insult was spoken without malice, and tinged with a little fear. The man standing at the fence had that effect. He was pale, with whiteblonde hair and a pale cream suit. Today he carried a black umbrella folded into his armpit, even though the sun shone brightly, and just as always he stared at Mortimer Hope with an expression of utter disgust. Teachers had noticed, of course, but the one time someone went to move the man along, Mortimer had seen something truly terrifying. It had been Mr Salisbury, the new history teacher. He was a big man with an enormous voice, and Hopeless had gone to him in hopes of getting rid of the spooky albino (as Colly insisted on calling him). Mr Salisbury had gone out to speak to the man, and while everyone else swore blind that they’d seen him trip in the road and be sideswiped by a transit van, Mortimer had seen something else. The man in cream had shaken Mr Salisbury’s hand, then twisted viciously and kicked him three times in the ribs. Then, when Salisbury was on the floor, gasping for breath, the spooky albino had flipped him over with his white winklepicker shoe and stamped on his collar bone – once on each side. Mr Salisbury went to the hospital and everyone was told he’d been in a road accident. Mortimer hadn’t said anything, except to Colly, who’d responded by punching him in the top of his head and telling him to “stop being such a mental, Hopeless.” No one had said another word about the man in the cream suit. Since then, Mortimer hurried inside the school buildings whenever the spooky albino appeared, and so the two boys jogged the rest of the way to the sports block. “I’m off, Hopeless,” Colly yelled from outside the shower, his voice reverberating around the small tiled room. “Fuckin’ choir practice 6 calls, yo!” His warbling operatics faded into the distance as Mortimer washed and dried, pulling on his slightly damp clothes in the shower room. He’d learned long ago about leaving his clothes in the communal changing room. He combed his hair and attempted a new cool hairstyle. Pointless. Cool didn’t work on Hopeless Mortimer. He shrugged and glanced around to see if anyone had noticed the moment of madness that led to super hold gel and messy hair. His breath froze in his chest. The man in cream was crouched on the windowsill outside the shower room, looking in. He waited until he was sure he had Mortimer’s full attention and then shook his head slowly in utter contempt. Hopeless ran out of the showers and towards the safety of the canteen, fear speeding him on his way. Sarah and her friends sat clustered around a pair of portable mini speakers in the car park, smoking cigarettes and drinking coffee. Monique, the French girl whose parents had moved to town a few months ago, was playing them some new European sludge prog band she’d caught on a recent holiday. “I dunno, Mon. I don’t understand the lyrics, and it sounds all weird and classical.” Sarah glanced up at the girl responsible for such a hopelessly uncool statement. “It’s meant to sound weird and classical, Lauren.” Sarah put all her withering scorn into her voice. “And the lyrics are in Romanian. It’s beautiful. You just need to expand your horizons.” Lauren sighed and nodded. “I guess it is pretty cool after all. I just need a bit of time to get used to it.” Sarah smiled at her and passed her a cigarette. The girls smoked in silence as the ten minute long song came to its climactic solo and screaming finish. Then the conversation began again as they watched the elongated figure of Dan Colflor gangling across the yard to the music rooms. “He smokes pot, you know.” “Colly? Nah, he’s too much of a mummy’s boy.” “He’s not. He fingered a girl in assembly last year.” “How do you know? Was it you?” “Nah, I wouldn’t let him touch me with a barge-pole. It was Alice Kingston. I was sat in the same row as them, and his hand was right up her skirt.” “Liar.” “Am not. Ask him.” Sarah stood up and filled her lungs, then yelled across the car park, “Oi, Colly! Come ‘ere peanut dick!” Colly grinned and bounded over to the group of goths. “What can I do for you, mistress of the night, oh dark and beautiful keeper of the Satanic mysteries, virgin queen of –” Sarah raised an elegantly sculpted eyebrow and Colly broke off in 7 mid phrase, his smile widening. “Virgin queen too much? I’ll work on a better title. What do you want, goth-bitch?” “Did you finger Alice Kingston in assembly last year?” Colly looked blank for a moment and then nodded. “Yeah, once or twice. Why?” Sarah paused, considering her next question. “Can you get any pot?” “Sure. S’not the best stuff, unless I go into Bris’le or Wells. Deal is, I get it, you show me somewhere safe to smoke it. My mum’ll murder me if she smells it in my room again.” “Pussy. Fine. Can you get a quarter?” “Yeah. Chuck us your number. I’ve got to get to choir practice, or I’ll get a bollocking from Miss Marsh.” Colly threw his phone underhand and hopped impatiently from one long leg to the other while Sarah entered her number with exaggerated care. “I’ll save you as bitchqueen shall I?” Colly quipped, and ran off back towards the music room. Sarah flipped him the V as he went. Lauren and Monique stood up and looked at her with expressions of shock and awe. “Are you going to fuck him?” Sarah shook her head in despair. “No Lauren, I’m not going to fuck him. I’m going to buy drugs off him. There’s a difference.” Monique smiled broadly. “I’d fuck him. Especially if I could get free pot out of it too. He’s cute.” Sarah considered the suggestion for a minute, then shook her head again. “Cute yeah, but he’s annoying. And have you seen who he hangs out with?” The girls nodded. No amount of cute could make up for Hopeless Mortimer, the cry baby, the bad luck charm. He just wasn’t worth the hassle. The day passed in a blur for Mortimer. Maths was its usual combination of humiliation and suffocation, partly because of Mrs Howell, who stank of cheap alcohol and expensive perfume. Then there was the fact that trigonometry was painfully confusing, half of the rules didn’t even use English letters and the textbooks were all second hand. Someone had drawn penises and glasses on all the people who were apparently solving their life’s problems with the power of maths, and one imaginative student had covered an entire page with sketches of a six-legged, three horned scaly thing that was their interpretation of the hypotenuse. Hopeless had trouble with most kinds of maths, and whenever X and Y became involved his personal preference was to curl into a ball until they went away. Unfortunately that wasn’t an option in year eleven because Maths was one of the Big Subjects that you had to pass to avoid being branded a thickie for the rest of your life. Mortimer was pretty confident that the branding had already happened and would remain, but his aunty had explained that if you failed a GCSE 8 it was a black mark against the teacher who had taught you. He had remarked that if they weren’t able to teach him, then surely they deserved a black mark. That had earned him a slap on the thigh with a wooden spoon and he had been ‘applying himself’ at Maths ever since – with few results. Not only that, but he’d managed to trip on his terror-driven flight to the canteen and put his shoulder through one of the big screens of A-level artwork from last year. Now he was in pain, scared and had to stay in after school to try and repair the damage done to the board. It was half six when he finally got out. The road outside the school had emptied, except for a few teachers’ cars, and there was an oppressive silence that swept over the streets like the mugginess that comes before a thunderstorm. Shivering in pain, Hopeless sloped down the street, eyes darting right and left, watching for anything out of the ordinary. He always walked this way, and nothing interesting ever really happened to him, so when the man in the cream suit stepped out from behind a wall Mortimer barely even noticed. It was only as the man began to approach that Hopeless recognised him. He froze. The spooky albino stopped a few feet away and stared at him, silent and motionless. When the man spoke it was with a strange accent, like an American movie star from the nineteen fifties – really clear diction and a weird lightness of tone. There was a snarl in the voice too, hidden under every word. It wrapped around Mortimer like a snake, holding him in place. “They’re right to call you hopeless, mask boy. Don’t know who you are, do ya? Don’t freakin’ blame you – I wouldn’t credit it, if I didn’t know you. ” Mortimer felt his breath lurch in his throat. The albino had called him mask boy. That was crazy. He put his head down and stared at the pavement. “Either,” he muttered, “you’re a hallucination, in which case you can’t hurt me, or you’re some kind of psychic pervert, in which case there’s nothing I can do to stop you doing whatever you want to. So I’m just going to keep on walking home.” There were already tears in his eyes. They hadn’t started to run over his cheeks yet, but he knew they would. “I’m going to kill you, Mortimer Hope. Carve you up into little bits and bury you at six different crossroads. Then I’m going to plant parsley and nettles at each one, so no one will go near them, and you’ll be forgotten.” Now the tears came, as the man leaned closer, close enough to touch Mortimer on the shoulder. “Why the fuck are you crying, boy?” The question held genuine confusion, and that, along with the contact, snapped something inside Hopeless. “What? You just told me you’re going to kill me!” Mortimer heard 9 his voice quivering and rising, felt the first spits of rain on the back of his neck. “I’m about to get murdered by some – some – fucking spooky albino, and you want to know why I’m fucking crying. You dick!” He ducked his shoulder away from the man’s touch and lashed out with his school bag. The man didn’t flinch from the blow; he even smiled as it connected. He shook his head again, though this time there was a strange affection in his eyes. “Spooky albino, eh? I like that. I’m not going to kill you here, boy. Not today. You’re not worth my time yet, but you will be, or you ain’t your mother’s son. No, today I just want you to know how you’re marked. It’ll be me that kills you. That’s all. Unless you want to stop me, that is.” Staring into pale rose-coloured eyes, Mortimer felt relief wash over him like a wave of hideous nausea. “Who the hell are you? What d’you mean about my mum?” Now he was screaming through the drizzle and the tears, fists clenched. “Why me, you fucker? What have I done to you? I’m just a kid.” Droplets of rain began to bounce off the road as the downpour started in earnest. The cream suited man laughed and walked past Mortimer. As he left he called over his shoulder, “The name’s Cambrian. Remember it. See you round, mask boy.” Mortius, blade-master of the northern empire stands glaring down at the forces amassed upon the plains below, eyes hard and unforgiving behind his emerald-hued mask. His long dark hair whips out behind him as he rests his hands on the pommel of his swordglaive. At a word the men behind him run up flags, directing the imperial troops to split and reform into new formations, ready to accept the charge of the creatures facing them. The enemy are multitudinous, stinking of death and their own foul effluence. Mortius, and every single member of his army, knows the cost of failure here. The city behind them, every man, woman and child will fall if the enemy crests this rise. The only survivors will be those out here in the fields, and they will be the truly damned, for the enemy tortures the body and taints the minds of their captives. Mortius says nothing as he begins the slow walk down towards the foe, simply placing a hand on the shoulder of his eldest daughter and locking eyes with her for the moment it takes her to understand. She will co-ordinate here. Her mother waits in the city; ready to flood the great reservoir if all else fails. Mortius hungers for blood. Now he speeds up, his sandals barely grace the ground as he powers down the hill. A cheer follows him like the wake of a racing skimmer. His hair, his armour, his weapon, all are recognised, but the words that follow in the trail of his dust speak of none of these things. 10 “The Mask,” they shout. “The Mask goes to battle.” The cry is repeated as the blade-master passes his battle lines, on into the realm of skirmishers and sappers. Now only the tips of his toes touch the ground at each step, and he picks out the first of his targets, stood atop a fifteen-foot wave of clawing, wailing flesh that Mortius’ people call a besieger. They are almost undefeatable, having no real brain or individuality, and act as a semi-sentient siege tower and battering ram. On top of the besieger some dark intelligence has affixed a wood and bone platform, attached with foot long staples to the monster’s hide. It is on this platform that the Herder waits. This creature is different to the massed hordes that charge towards Mortius’ fair city. It is clothed in dark grey robes and carries a pair of barbed chains in its hands. Its eyes are full of cruelty and intelligence, rather than the insatiable hunger of its lesser fellows. Red lacquered armour flashing in the sunlight, Mortius leaps, his speed converted in an instant to upwards movement. The jump takes him to within a foot of his foe but his path is obstructed by a pair of drone creatures. He lashes out with his glaive, pulling the blow back the instant it strikes, using the transformed momentum to pull himself into a spin that barrels through another two drones. Now his glaive stabs down into the platform of muscle and flesh that carries his opponent, and another drone is dispatched with a crunching double-footed kick. Mortius has his feet. He stands on the back of a behemoth of stinking, pallid, pseudo-life facing the grey robed figure. It has no lower jaw; ritual scars and studs mar the flesh on its forehead. There is a tattoo of a triple sunburst over its left temple; Mortius’ eyes close briefly below the mask. “Greigor.” The word is statement, greeting, acknowledgment and apology. “Mortius of the Green Mask. Well met.” The mouth doesn’t move – the words simply burn themselves into Mortius’ awareness, as if they are written on the wind. The tongue twitches slightly, but that is all. It does not sound like Greigor anymore. It sounds like death. No quarter is offered, no terms discussed. The two figures simply stand before each other, shifting slightly on their feet. The first exchanges are offered, Greigor’s chains flicking out with strobe-like speed, Mortius’ blade deflecting at an angle, denying the weapons any purchase. Then Greigor is upon him, chains slashing down in wave after wave of brutal attacks, each one carving great swathes from the mat of drones below the combatants. Mortius slips past each one, receiving scratches, cuts, but no serious injury. He lashes out with his left leg, his armoured shin slamming into Greigor’s slender form. It barely shakes the monster, but the power of the attack is such 11 that it forces him back an inch or two, and that is when Mortius commits to his attack. He spins the glaive in his palm, the haft knocking the chains wide, and follows through with a deft pommel jab that comes up into Greigor’s sternum. The robed figure is knocked back a step, and now Mortius stamps on the bottom of the grey fabric, holding the creature in place for the next blow. Greigor whips his chains down towards the jade mask, but the experienced warrior sees the feint for what it is, and simply leans slightly to the left, bringing his glaive down low to counter the knee that is suddenly launching towards his solar plexus. There is a cracking sound as cartilage and bone gives way, but no pain is evident on the half-face. “You cannot win, blade-master. I know the moves you will make. After all, we have stood together many times before now. And I fear no death, feel no pain. You are lost indeed.” Mortius shakes his head. “Fiend. You who have no fear of death have no drive to live. Only in the instant of fear can one truly bring battle to a foe. I taught you that, too. I admit fear, but never defeat.” He swings the glaive into a defensive pose, locked between one arm and his back and sweeps Greigor’s chains out wide. His other hand sketches a symbol in mid-air and then flashes forward into a brutal cross punch, followed immediately with a reverse elbow that catches the undead thing in the neck. Then there is a flurry of movement that leaves Mortius supporting his entire weight on his glaive. Greigor’s chains, seemingly possessing a life of their own, have hooked into two plates of Mortius’ lacquered armour and peeled them away. Blood runs from a pair of gouges in his flesh and his breath steams in the cold of the bright winter dawn. The skirmishers have clashed. There are screams from below, begging for aid, for mercy. None is forthcoming. Every time another scream is choked off a flash of pain crosses the eyes of the man in the green mask. The wound is telling, his movements are slower and Greigor exploits every opening with brutal efficiency. Mortius tenses, knowing that each moment could end him. His glaive flashes up, angled to throw the sun into Greigor’s eyes, and thrusts down in an overhand stab. Greigor squints slightly and slaps the blow aside. He launches another flurry of figure-of-eight swings, driving Mortius back. The creature that was known in life as Greigor is fast – too fast – and inhumanly strong. It follows the blows with a kick that sends Mortius scrambling backward towards the edge of the platform. Only a brief handhold on one of the hooked chains saves him from an ocean of teeth and claws. Now Mortius is forced to defend, again and again. He cannot bring to bear the glaive that earned him his title. Greigor’s upper lip curves in a grotesque mockery of a smile. Mortius falls, the glaive wrenched from his grip and thrown into the horde. 12 “Your troops are engaged, Green Mask. They look to you for inspiration. What then, when they see you fall?” The wave elongates and the platform is carried high over the centre of the battlefield, where all can see the red armoured man kneeling at the feet of the half-alive creature that brings death and pain to their shores. Just over a mile away, her eyes shining, Mortius’ eldest daughter claps her hands twice. Signal flags flutter gently and in a simple, economic motion, each warrior frees his or her highly polished shield from its burlap covering. And to the screaming Greigor, in the centre of a burning cone of light, it appears that the sun herself has come down at the bidding of the man in the green mask, who is suddenly standing again, bloodied but not beaten. The last thing the corpsething sees is a pair of armoured thumbs appearing out of the glare. Then it sees nothing at all. 13 You have come to the end of the first chapter of Suncaller by B. John Shaw Liddle. We hope that you have enjoyed this taster and are ready for more. 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