Alternate Realities

JUNE
2016
VOLUME 16
ISSUE 3
W h e r e e v e r y o n e g o e s fo r s c r i p t s a n d w r i te r s ™
The Reality
Behind Alternate
Realities PAGE 16
Q&A with
Screenwriter
Andrew M.
Henderson
PAGE 22
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Table of Contents
Recent Successes 3, 7, 9, 11
Contest/Festival Winners  4
Feature Scripts – Grouped by Genre 5
The Reality Behind Alternate Realities16
Q&A with Alternate Realities
Screenwriter Andrew M. Henderson
22
Scripts Represented by Agents/Managers 27
Teleplays 28
Welcome to InkTip!
The InkTip Magazine is owned and distributed by InkTip.
In this magazine, we provide you with an extensive selection
of loglines from all genres for scripts available now on InkTip.
Entertainment professionals from Hollywood and all over the
world come to InkTip because it is a fast and easy way to find
great scripts and talented writers.
Recent Successes
Isabel Drean Options Splintered
For details, please see www.InkTip.com/success_new.php.
Isabel Drean with Productions Kebweb found Splintered
on InkTip and optioned it from Victoria Caspall with the
intent to direct as well as produce. Isabel is a FrenchCanadian transplant to Los Angeles whose credits include
Manigances, among others. Victoria Caspall, meanwhile,
is a brand-new up-and-coming writer from Walnut Ridge,
Arkansas, who spent most of a year writing, re-writing and
polishing this script to gleaming perfection. When we asked
her what it was like landing her first option, she replied,
“I didn’t pitch it. I just let the website do its magic.”
InkTip is a free service for entertainment pros. All you need to
do is register at www.InkTip.com.
Farnaz Samiinia Hires Patrick Hegarty
In fact, your peers purchase, option, hire, or sign an average
of 25 writers and scripts every month which they found on
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The loglines listed in this publication are on the website
with the full contact information of the writer, as well as the
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You also can do specific genre searches to pinpoint the exact
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Discover InkTip.com and see what your colleagues are raving
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Jerrol LeBaron, President
Farnaz Samiinia discovered Patrick Hegarty on InkTip
and commissioned him to write Magic Land. Farnaz, an
up-and-coming studio-level director, will helm this one, with
her manager, veteran industry insider Valerie McCaffrey
producing. Patrick has had a number of scripts optioned over
the years and was a recent winner at the Austin Film Festival
Screenplay Competition. This is his first InkTip success.
Bobby Collins Options House Under Hell
Bobby Collins with United Foreign Media found The House
Under Hell on InkTip and optioned it from Wes Laurie.
Bobby’s credits include the documentary Lady Diana,
among others. Wes is an experienced screenwriter whose
credits include Breath of Hate and The Last House. This is
his fifth success through InkTip.
Industry Endorsements
I love InkTip and have referred several producers who are
looking for projects. It is great that you have writers of all
calibers, from up-and-coming to award-winning. There are
great screenplays on your site of all genres. It is the only
place I go now. Nancy Criss, Nandar Entertainment, Inc.
You’re the only company that I know of that has a system
that’s complete and easy to use. You’re the only one I
use; I don’t know why anyone even goes anywhere else.
Tim Scott, Gold Key Productions
[InkTip.com] has certainly been a great help. You
are always there if I need something and using your
site to find material is extremely fast. Thanks again.
Joel Rice, Producer, Muse Entertainment
(The Kennedys, The Deal, Catch Me If You Can)
Michelle Dominguez Sanchez Hires Jonathan Katz
Michelle Dominguez Sanchez with The Robb Company
discovered Jonathan Katz on InkTip and signed to represent him after reading his script Bloodworth. Jonathan has
worked in the advertising industry as a copywriter and creative director, and this is his first success through InkTip.
Barnet Bain Hires Dawn Johnston
Barnet Bain with Barnet Bain Films discovered Dawn
Johnston on InkTip after reading her script Mother and hired
her to write a feature-length script from an established concept. Barnet’s credits include What Dreams May Come and
The Lost & Found Family, among others. This is Dawn’s
first success through InkTip.
Kevin Dewalt Options Timmy
Kevin Dewalt with Minds Eye Entertainment found Timmy
on InkTip and optioned it from Jackie Hayes. Kevin’s credits include Forsaken and The Tall Man, among others. This
is Jackie’s first option and her first success through InkTip.
Continued on page 7
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3
4
Feature Article
New York City or Los Angeles, and while
those cities are remarkable, they are also
recognizable to well-trained audience’s
eyes. For a science-fiction film, Houston
looked different, clean, and unassuming.
For Amir’s passion project, it was the perfect location for him.
The Reality
Behind
Alternate Realities
T
he number one thing InkTip hears
from producers is that they’re
looking for a strong story. Amazing
dialogue or interesting locations don’t
matter if the story has no substance. An
entertaining story and a captivating premise is what caught producer/director Amir
Valinia’s eye when he read Andrew M.
Henderson’s short script Flashes that was
posted on InkTip. Flashes was only a short,
but Amir saw potential in this story and
contacted Andrew for a feature version.
“I was looking at sci-fi projects,” Amir
stated. “I’m fascinated with alternate realities and time travel, so when I read Flashes
I asked if he could make it a feature. [It was]
too good for it to be a short.” Fortunately,
Andrew was already working on adapting
the short to a longer form. After some conversations with Amir, Andrew outlined it,
wrote it, and his short became the feature
film Alternate Realities now available on
Amazon Prime, among others. Not too
shabby, considering most shorts end up
making a paltry round at festivals before
dying a quick cinematic death.
“[Working with] Andrew’s been great. He
came down for a couple weeks of the shoot
and came in for the wrap party. I needed
some lines added, so it was nice to have
him on set,” Amir said.
Alternate Realities stars Donny Boaz
(Dallas, Mercy Street) as John Rotit, an
architect who finds himself jumping between
Tom Sizemore
Christopher Judge
alternate realities of his life. In order to save
his marriage to Clare (Elle LaMont) – and
his sanity – he devises a plan to end the other
versions of John. The film also stars Tom
Sizemore (Saving Private Ryan, Black Hawk
Down), Deke Anderson (Green Lantern),
and Christopher Judge (Stargate SG-1).
The first person attached to the project was
Donny. He was in the film Because I Love
You that Barry Strickland shot in 2012. Barry
came onboard as the director of photography
and an executive producer for Alternate
Realties and told Amir he thought Donny
would be perfect for the role. Amir agreed.
He sent Donny the script, and he loved it.
The role is an actor’s dream – being able to
play totally different characters in one film
and show your range. Donny Boaz is a name
to keep on your radar for breakout actors.
In addition to Donny’s interpretation of
the various versions of Johnny Rotit,
Amir made stylistic choices to distinguish
between the fluctuating realities. “We discussed it a lot because at the end you have
the surprise of what is going on,” Amir said.
“World One is denial. You have the color
correction, lighting, and [it’s] happy. World
Two is sorrow – lots of shadows, depressing. World Three is anger. The idea behind
it was based on American Psycho and that’s
how Donny played the character.”
Although the story could’ve been set anywhere, it was refreshing to see Houston
as the backdrop. Many films take place in
But Alternate Realities is more than a sci-fi.
It is a love letter and a farewell to Amir’s
late girlfriend Erika Cardenas, who passed
away a week before shooting for the film
began. The tragedy connected Amir to the
protagonist, revealing a deeper understanding for the character’s plight. “What I was
going through was so emotional; I was
looking at the script differently,” he said.
“I would drive home and rewrite scenes.
I remember going back the night we were
going to shoot the suicide scenes. I would
listen to songs and rewrite … because
of what I was going through. In a way,
it helped the movie, for lack of a better
term. I saw death as something different,
so that’s why the slo-mo scenes are there
and are so emotional.”
The film is dedicated to Erika and gave
Amir a resource to push through his grief.
He didn’t want to cancel production and
sit around doing nothing but dwell on her
death. Instead, he turned to his love of filmmaking to create a moving picture memorial
for her. Production is Amir’s favorite part
of the film process, so he told us it was fortunate he had Alternate Realities to direct.
“The best are the days we go on set. It’s so
satisfying to get the shots and look at the
dailies … There’s something about being
on set – it’s satisfying. When I’m on set,
it’s like I’m on vacation.”
Alternate Realities is available on Amazon
Prime, DirecTV, and Time Warner. Check it
out now and catch some behind-the-scenes
footage at AlternateRealities.org.
By Chris Cookson
Follow Chris on Twitter @ACCooksonWriter
and Novel2Screen.net
Donny Boaz as John Rotit
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Feature Scripts
Drama
(continued)
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5
6
&
Q A
Screenwriter
Andrew M.
with Alternate Realities
Henderson
Andrew M. Henderson is the sci-fi
writer behind the wide-distribution film
Alternate Realities, directed by Amir
Valinia. But don’t pigeon-hole Andrew
into one genre, or one medium. He has
written for film, television, comics, video
games, interactive games for the iPhone
and Android, and more! His published
comics include Noctua, Kristarella, and
Seul Survivant, and he recently wrote
the trailer for Assassin’s Creed: V,
directed by Rob Zombie and animated
by Tony Moore of The Walking Dead,
which premiered at the 2014 ComicCon. Andrew shared with InkTip his
experience with Alternate Realities, the
best cure for writer’s block, and what he
loves about writing.
InkTip: You used InkTip to market your
short scripts. That’s how Amir found Flashes,
later retitled to Alternate Realities, on InkTip.
What went through your head when he asked
if you could turn it into a feature?
Andrew: It was actually rather serendipitous timing, as I was already adapting
Flashes into a feature when he contacted
me! That was the plan all along, for me. I
always conceived it as a long-form narrative
and had planned on adapting it into a feature
regardless. So when Amir reached back out,
the wheels were already in motion.
InkTip: How hard was it to adapt your
short into a feature script?
Andrew: In this instance, it wasn’t terribly
arduous, as I had originally conceived it
as a feature. For me, the short was always
just the tip of the iceberg – a jumping off
point for a larger, more fleshed-out story. I
already had a blueprint of where I wanted
to go with it. There are a lot of very intricate and subtle complexities to the script/
story, and since it involves theoretical
physics and time/space jumps, the hardest
part was keeping everything straight so
it made logical sense, because it’s really
like a house of cards – the slightest error
in some of the minutia of the story would
bring the whole thing tumbling asunder,
from a plot point-of-view. I’m one of those
nitpicky people, so I was very careful about
making sure there were no discernible plot
holes for people on IMDb to tear into!
InkTip: How did you come up with the
story for Alternate Realities?
Andrew: That’s a good question. I’m a
huge fan of theoretical physics (Michio
Kaku is my favorite!) and alternate realities,
m-theory, string theory, etc. I love heavy,
hard sci-fi, a la Time Crimes, Coherence,
Primer, etc. I also really love the idea that
we all have different aspects of us, different
underlying personalities, which could manifest themselves in various ways, based on
certain key events in our life. I also enjoy
blending genres. And this film is really a
blend of Sci-Fi/Thriller and Romance. This
man, John Rotit, is so absolutely and resolutely in love with this woman, Clare, that
he will do absolutely anything to be with
her. That’s all he wants – to remain in a
reality with her. She’s his soulmate, which
is something that transcends realities – the
idea that in every life, this is the woman
he’s supposed to be with. A lot of people
compare the film to Sliders, but for me, it
was more heavily influenced by Vanilla Sky
and The Butterfly Effect.
InkTip: Amir mentioned that you were on
set some. How was the experience working
on set as a writer?
Andrew: I was, and that was a lot of fun.
I got to meet a lot of the cast and crew,
and see them in action, which was a great
experience. A lot of time and effort go
into making a film, and often as a writer,
we don’t get to see or fully understand the
physical production side of things. It’s a
process and a fun one to witness. Plus, it’s
always cool to see an actor speaking your
words in person. I think writers should
always be on set.
InkTip: The film is available on Amazon
Prime. Is this your first film you’ve written
that has a large distribution?
Andrew: Yes, Amazon Prime, DirecTV,
Time Warner, and a few other VOD outlets!
It is the first film I’ve written with a large
distribution. I have another one optioned, so
hopefully there will be a second out next year.
InkTip: Now that you have a produced
feature, do you approach the writing process any differently than when you were
just starting out?
Andrew: No, not really. I still write what I
write – which, at the end of the day, is – and
has to be – what I’m passionate about. I’ve
tried to write something I thought “could
sell,” and it was a disaster. It’s an unavoidable truth that certain projects sell easier
than others, but the fact is, the cream still
rises to the top. Great material will get you,
at the least, meetings. So you have to write
what you’re passionate about.
InkTip: Is there a part of writing that you love
or a side you completely dislike and why?
Andrew: I love coming up with clever
scenes. I think oftentimes I’ll be sparked by
an idea for a specific scene, which I’ll then
extrapolate into a plot or script. I like the
freedom of coming up with unique ideas
for scenarios and seeing how they’ll unfold
organically. A lot of the stuff I write tends
to be darker, and more raw and cathartic,
which is something I enjoy as well. I hate
the waiting in the film industry in general
– on reads, decisions, etc. I’m a very impatient person, and things tend to move at a
glacial pace in the film industry. I’ll also
go through spells sometimes where I get
For these and many more scripts go to our website www.InkTip.com
Q&A – Romantic Comedy
writer’s block and literally just cannot write
anything. It’s like I’m paralyzed, just staring at the screen. It’s an incredibly helpless
and vexing feeling.
InkTip: What’s your solution to writers block?
Andrew: Bourbon.
InkTip: What is your system for keeping
on track with your writing and marketing?
Andrew: My manager keeps track of stuff
he takes out, though usually he’ll let me
know where it’s at as well. Personally, I have
a virtual sticky note on my laptop where I
list what scripts are where, so I always
know who is reading what. As far as actual
Feature Scripts
writing, I try to only work on one spec at a
time, with side projects (novel, comic, etc.)
simultaneously. Marketing, I use LinkedIn,
Twitter, Facebook. I have business cards. I
live in Hollywood, so I tend to meet people
often in the industry, which is nice. Just try
to be as proactive as possible.
InkTip: How did you secure representation?
Andrew: I’ve been repped a few times, but
my most recent manager actually came from
winning the Silver Prize at the 2015 PAGE
Contest for Best Pilot. I ended up signing
with one of the judges from the contest.
Andrew: Keep writing. Keep querying.
Keep being proactive. Don’t let a pass
or a no get you too discouraged. It’s an
incredibly, incredibly subjective business.
In fact, my manager at the time didn’t like
the concept for Flashes when I pitched it to
her. She didn’t think it could be a movie. I
didn’t listen. You’re going to hear a lot of
nos, but all you need is one yes. Try not to
get too high or too low. A pass doesn’t end
your career and a sale/option doesn’t make
your career. You need continued longevity
to have success in this business. And most
importantly, write what you love.
InkTip: What advice can you give other writers who are trying to get their foot in the door?
(continued)
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7
8
Romantic Comedy – Sci-Fi
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your logline and then log in to find out more about your script.
Go to www.InkTip.com
and search by
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scripts that interest you!
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
For these and many more scripts go to our website www.InkTip.com
Sci-Fi – Thriller
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Script Title Writer
This is where your logline goes. Producers and reps can read
your logline and then log in to find out more about your script.
Register Today at www.InkTip.com
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