1 Mb - Consulat général de France à Toronto
Transcription
1 Mb - Consulat général de France à Toronto
Bulletin Culturel June 2009 FOCUS The Cinematheque Ontario Man Ray Enrico Macias in Toronto LES PLASTISCINES offer a concert during NXNE Festival Editorial People’s walking side by side, hushers rushing in, M.C. reciting. At the end on the tiers, the faces are lined-up ready for a schoolyear photo. Heigths, ages, bodies all different. Is it from Ninive or Assur palace ? Shall we remember lectures ? Words water, flow, flood, then dry out. In June students attend their graduation in Canada. Know-how is above what we may implement in our country. For later time of the highschoolers, and the parents’ pride happiness, the ceremony set images forever. The author of the famous painting « Les Onze » in Le Louvre Museum is the main character of the historical fiction from Pierre Michon and he asks « What should I paint ? » (*). The French Revolution Comité de Salut Public imposes a new policy called « La Terreur ». - « Silence came. Fire burned out. From the large square lantern, light was beating down on spilled gold at the exact same spot where old bones had lied down. » Images appear altogether at the History’s acme, for the daily happy hours, and even within novel writing. In June, Enrico Macias, NXNE, and «Alliance Française » celebrate music for summer. At the Power Plant, artists decipher with « Universal Code » exhibition our today world. The Ontario Cinematheque companionship reliable as always. Joël Savary, Attaché Culturel (*) Les Onze, Pierre Michon, Verdier, Lagrasse-France, 2009 Contents Festival - PAGE 3 Music - PAGE 4 Exhibitions - PAGE 6 Conferences - PAGE 7 Cinema - PAGE 8 Cultural Calendar - June 2009 Monday Tuesday 1 2 Wednesday Thursday 3 Cinema: Entr´Acte Conferences: - C. Laudamiel - F. Migeot Conference: Shlomo Schwartzbe rg 8 9 4 16 Saturday 5 Cinema: Man Ray Cinema: Painlevé 10 11 12 6 Sunday 7 Music: Coup de coeur Exhibition: Clarissa Inglis 13 14 20 21 Cinema: The Raven Music: Enrico Macias 15 Friday Exhibition: All summer all free 17 Music: Les Plastiscines 18 19 Music: Film Noir Fête de la musique Cinema: Jacquot de Nantes 22 23 REELHeART REELHeART Film Festival Film Festival 29 24 25 26 Cinema: Les Vampires 27 Cinema: Les Vampires 28 Cinema: Les Vampires REELHeART REELHeART REELHeART REELHeART Film Festival Film Festival Film Festival Film Festival 30 2 Festivals Fête de la musique in Toronto As last year, the Alliance Française of Toronto organises an event during the French Fête de la Musique. On the outdoor stage of the Harbourfront theater, next to the lake! Program : - Jaffa Road with Aviva Chernick from 12 :30 pm to 1 :15 pm, funky Jewish world music (Ann Tindal Stage) - Children’s choirs: “Le chœur d’enfants des patriotes” and Le grand choeur du festival choral “Chantons en choeur” from 1 :15 pm to 2 :00 pm (Lakeside Terrace Tent) - Joanna Moon from 2:00 pm to 2:45 pm, flamenco with a twist (Sirius Stage) African griot (Ann Tindal Stage) - Paul Reddick & Philippe Flahaut from 5 :00 pm to 6 :00 pm, not your daddy’s blues (Sirius Stage) - Dave Neill Trio from 3:00 pm to 3:30 pm, the next wave in jazz (Ann Tindal Stage) - Marie-José Houle from 3:30 pm to 4 :10 pm, cabaret songstress & accordionist (Lakeside Terrace Tent) - Tamsir Seck from 4:15 pm to 5:00 pm, mezmerizing West Sunday June 21 From 12:30 pm to 6:00 pm REELHeART International Film Festival Two French movies will be presented during the ReelHeART International Film Festival SANTA CLAUS IS BACK IN TOWN Adrien Comelli, France, 2008, 24mn June 21 Fête de la Musique à Toronto Harbourfront Center 235 Queens Quay West Free event June 22-27 is bitter about his behavior and he convinces John to distribute some of the presents they just robbed in a disadvantaged hometown. But sadly, they choose the wrong house to perform their salvation… Thursday, June 25, 8 PM 595 Markham Street, Toronto an idea of the show and the magic . of the city of Milan. Wednesday, June 24, 7 PM Innis College, 2 Sussex Street, U of T, Toronto At Christmas night, in the city’s streets, a young Santa Claus, Sam, is giving candies to the people passing by, when he’s mugged by a bunch of young angry people. Sam is saved by another Santa Claus, John. Then John takes Sam with him and they start to rob houses in a wealthy neighborhood. But Sam ÉTOILES ET PETITS PAS Liliane de Kermadec, France, 2008, 30mn An insiders POV to a special ballet at the Teatro alla Scala. Stars and music backstage, on stage and in the streets of Milano. The performance was filmed on the occasion of a special New Year’s eve ballet performance at the Scala de Milano 2007/2008. You’ll get to feel the atmosphere and energy of the last rehearsals, backstage and on stage Festival International du Film ReelHeART June 22-27 Tickets: $10 Seniors and students ticket : $5 www.reelheart.com 3 Music “Coup de coeur” Les voix du cœur present their last June 6 show untitled « Coup de cœur ». To celebrate the fifteenth birthday of the vocal ensemble, the 30 chorists and their musicians suggest an eclectic travel through time and styles thanks to the extraordinary contribution of the Torontonians French-speaking personalities. The audience will be seduced by the dynamism and the diversity of the repertory. Children from the choir of Sainte-Madeleine school will take Enrico Macias Born in an Algerian Jewish family, Gaston Ghrenassia grew up in a very strong North African musical tradition. Gaston’s father was a violinist in the Cheikh Raymond Band leaded by Ra y m o n d L e y r i s . “Coup de Coeur” Saturday June 6, 8:00 pm Studio Glenn-Gould, 250, Front Street West To buy tickets, call 905.883.7951 9 juin Instead of following his father’s step Gaston decided to learn guitar with his gypsy friends, which gave him the nickname Little Enrico and bring to his music a touch from Andalousia. He became a teacher at first but he didn’t wait too long to dedicate his life to music and join his father in the Cheikh Raymond band. In Paris, Gaston became Enrico Macias (he found his artist’s name after Raul Macias, a boxer from the 50’s), he was working unequally until the night he did the first part of a Gilbert Bécaud’s live show and then happened to be on famous TV show. Very appreciated by the Israelievitch “Pieds-Noirs” community, his audience grew very quickly and of his songs became some really big hits such as “Les filles de mon pays”. Internationally recognized for his talent , Enrico is awarded “Peace singer” by Kurt Waldheim from the United Nation in 1980, he also received the prestigious “Legion d’Honneur”. Enrico Macias Tuesday June 9, 8:30 pm Music Hall Theater 147 Danforth Avenue 21 juin All TEN Beethoven Violin and 1:00 pm – Sonatas 1 - 5 Piano Sonatas IN ONE DAY 4:00 pm – Sonatas 6 - 8 (with two breaks) 7:30 pm – Sonatas 9 & 10 “How crazy do you have to be to do this?” part in the show. Tickets: $25 per set, $65 whole day Jacques Israelievitch, violin Information: 416-822-9781 [email protected] Kanae Matsumoto, piano Jacques Israelievitch Sunday June 21, Gallery 345, 345 Sorauren Ave. Info: 416-822-9781 4 Two French bands in Toronto for the NXNE Festival Les Plastiscines June 17 , “LP1” released in February 2007, 13 tracks alternating pop and rock with energy. First band signed by the very hip Nylon’s Records, they just recorded their second album “About Love” in Los Angeles, EP Barcelona its first track is available on Itune since April 21st and it’s already a hit. The album produced by the famous Butch Walker (Katy Perry, Pink, Avril Lavigne) and the mix-master is Claudius Mittendorfer (Foo Fight- ers, Franz Ferdinand, Muse), will be released in June when the band will begin the Rock’n roll Nylon’s Summer Tour 2009 with Patrick Wolf, Living Things and Jaguar Love. Les Plastiscines will be in concert in Toronto on June 17 at the Modclub at 7 PM along with the other bands of the tour. Les Plastiscines Born from the Parisian’s rock scene revival, the 4 Plastiscine’s girls give to their audience some wild live rock performances close to those from the 60’s or the 70’s. The four girlfriends met in High School, at the Saint-Cyr-L’Ecole next to Paris. From a meeting with Jacques Dutronc came out their first album Wednesday, June 17, 7:00 pm ModClub 722 College Street www.themodclub.com Film Noir What could possibly happen when a classic music composer meet with a jazz guitar player? They rock! Imagine Radiohead writing the music for a movie shooting Bob Dylan playing the Velvet Underground along with the Clash! You can find this great family picture in the very accomplished “ I had a very happy childhood” their auto-produced first album, released in 2008. Thanks to the success of this album they have June 18 been signed by the label “Son du Maquis/Harmunia Mundi” and the album will have an official release in October 2009. Film Noir will be in Toronto for the Noth by NorthEast Music festival and will play live at El Mocambo on June 18 at 10pm. Film Noir Thursday, June 18, 7:00 pm El Mocambo 462 Spadina Avenue www.elmocambo.ca 5 Exhibitions Universal Code For the fourth year running, The Power Plant is pleased to announce that it will be offering free gallery admission all summer. This year, the gallery’s featured summer exhibition is ‘Universal Code,’ a largescale group exhibition presenting responses from a broad range of contemporary artists to cosmology and ideas of the universal in our current information age. ‘Universal Code’ considers the response of artists to these relationships in the aftermath of globalization, reflecting the current complexity of the world we inhabit. Ultimately their response is poetic, positioning the universe as a void full of potential but also as a field riddled by elision and enigma. From June 12 of contemporary society. This includes, on a larger scale, the positives and negatives of globalization is work follows in the tradition of Marcel Duchamp in that he employs Readymade objects or iconography to elicit the ambiguities of everyday life in this postmodern era of cultural overlap with the disintegration of cultural boundaries. Adel Abdessemed This exhibition is an opportunity to discover four major artists currently living in France. Tania Mouraud Mouraud reveals the identity of the different environments she visits through a close examination of the site’s distinctive temperament and its inhabitants’ ways of thinking. In an increasingly global society, she is interested in the remaining cultural characteristics that distinguish different regions from one another. Mircea Cantor Mircea Cantor (born 1977) is a visual artist who has received wide acclaim for his subtle commentary on issues Thomas Hirschhorn Thomas Hirschhorn came to international attention with his perishable monuments. Neglecting material worth, his work encompasses diverse sculptural models in an impoverished taste for the product wrappings of consumer industry such as aluminum foil, plastic, cardboard and plywood. Following a logic of ephemerality, Hirschhorn’s perishable monuments to Benedict de Spinoza (Amsterdam, 1999), Gilles Deleuze (Avignon, 2000), Georges Bataille (2002, Kassel) and Antonio Gramsci, reflected upon communal commitment and “the quality of internal beauty” Universal Code T. Mouraud, M. Cantor, A. Abdessemed et T. Hirschhom Abdessemed transforms everyday materials and images into unexpected, charged, and sometimes shocking artistic declarations. He pulls freely from myriad sources- personal, social, and political- to create a visual language that is simultaneously rich and economical, sensitive and controversial, radical and mundane. Des Vosges au Luxembourg by C. Inglis Des Vosges au Luxembourg A walk through the parks, gardens and squares of Paris Photos by Clarissa Inglis This exhibit is not a collection of postcard-type images of Paris. Rather, it casts a sociologist’s eye upon the manner in which Parisians occupy spaces that are both « natural » and deeply rooted in the urban fabric. The exhibit is based on four broad themes: reading, lazing about, conversation and inhabited nature. From June 12 to August 30 The Power Plant Contemporary Art Gallery, Harbourfront Centre 231 Queens Quay West Free Entrance From June 6 Jardins et squares parisiens Photos de Clarissa Inglis From June 6 to September 26 AFT Spadina Galerie Pierre-Léon 24 Spadina Road Free Entrance 6 Conferences Contemporary Venezuelan poetry The Consulate general of the Bolivarian Republic of Venezuela and the Consulate general of France in Toronto are pleased to present Contemporary Venezuelan poetry, special focus on José Antonio Ramos Sucre, by François Migeot As a specialist of Latin-American contemporaneous poetry, François Migeot will initiate us to the Venezuelan poetry from the XXth and XXIst century. He will present some important poets of this time, with a special focus on José Antonio Ramos Sucre, a Venezuelan poet that he translated. Based on this experience, he will also explain to us his work as a translator of poetry from Spanish to French. José Antonio Ramos Sucre (1890 1930) was a Venezuelan poet, professor and consul. He is best remembered for his work on poetry and literature, amongst them : Trizas de papel (1921), Sobre las huellas de Humboldt (1923), La torre de Timón (1925), Las formas del fuego (1929), El cielo de esmalte (1929). In the 1960s he became to the new generation, one of the most valid references of excellence. According to Francisco Pérez Perdomo, Venezuelan poet and literarature critic, Ramos Sucre is "the poet of pain, a poet who felt a hypnotic fascination for the obscure and the abyss, a poet that suffers in his loneliness". Les Parfums du Parfum by C. Laudamiel Mr. Laudamiel began teaching chemistry at MIT and received his perfume creation diploma from Procter & Gamble in 1997. Rising through the ranks, he became senior perfumer at Proctor & Gamble, then at the IFF. Christophe Laudamiel explores the relationship between the worlds of perfume, art and design. Christophe Laudamiel’s many creations are known throughout the world, and include Happy Heart and Happy in Bloom (Clinique); HN for Men and HN for Women (Harvey Nichols); Le baiser de l’Artiste (Orlan), Absinth et Mimosa (Slatkin & Co.); Les Parfums du Parfum (Thierry Mugler for Patrick Süskind); Polo Blue For Men and Bougie Pink Pony (Ralph Lauren). With Thierry Mugler, Mr. Laudamiel created a box including 15 scents featured in key scenes from Perfume, Tom Tykwer’s film based on Patrick Süskind’s best-selling novel. A first in the world of perfumes, this project reflects their shared desire to create June 4 Research professor at the University of Franche-Comté (France), François Migeot is a specialist of the analysis of literarature and didactic. He also translated many LatinAmerican poems. His work as a writer is focused on poetry, poetic prose and the conjunction of various artistic expressions. He published several books, as Orly-Sud, Clair de page, Entre les lames, lectures de Robbe-Grillet, Chronique, Flux tendu. Contemporaneous Venezuelan poetry Spanish Centre 46 Hayden Street Thursday June 4th, 7:00 pm In spanish Free admission June 4 an anthology of perfumes and to use various concepts, technologies, molecules and raw materials to give people a « sense » of the world of perfumes in the 21st century. Les Parfums du Parfum, C. Laudamiel Thursday June 4th, 6:30PM AFT Spadina Galerie Pierre-Léon 24 Spadina Road In French Free admission 7 Lecture on French Cinema by Shlomo Schwartzberg LOVE AND SEX and delightfully erotic, those are the elements paramount in French love stories. Films to be discussed include: Betty Blue, A Very Long Engagement, Going Places, Fat Girl, La Ronde, Bad Blood, A Christmas Tale. Join us for the third of five lectures on French cinema by the film critic and arts reporter Shlomo Schwartzberg. Nobody makes movies about love the way the French do. And no one treats sex in cinema like them, either. Passionate, provocative June 2 The Genius of French Cinema Tuesday June 2, 7:00 pm 400 Roncesvalles Avenue In English For more informations: www.revuecinema.ca Cinema SPECIAL EVENT Home by Yann Arthus-Bertrand For the World Environment Day, we all have a date with the planet ! In 200.000 years on earth, humanity has upset the balance of the planet, established by nearly four billion years of evolution. The price to pay is high, but it’s too late to be a pessimist : humanity has barely ten years to reverse the trend, become aware of the full extent of its spoliation of the Earth’s riches and change its patterns of consumption. By bringing us unique footage from over fifty countries, all seen from above, and by sharing with us his wonder and his concern, with this film Yann Arthus-Bertrand lays a foundation for the edifice that, altogether, we must rebuild. Home by Yann ArthusBertrand Wednesday, June 10th 6:30 pm AFT Spadina 24 Spadina Road Free admission Jacquot de Nantes France, 1991, 118min, French with English subtitles Starring Philippe Maron, Edouard Joubeaud, Laurent Monnier Once upon a time, there was a young boy who grew up in a garage where everone loved to sing. This was in 1939, he was 8, and he loved puppets and operetta. Then, he wanted to make movies, but his father wanted him to become a mechanic… That childhood – and those memories – belong to Jacques Demy. The story of this particular childhood is a happy one in spite of the painful June 10 June 10 and 17 Jacquot de Nantes by Agnès Varda Wednesday June 10, 7:30 pm AFT North York 95 Sheppard Avenue W. North York events of the war and the post-war years. « When a filmmaker meets a filmmaker... what you get is a kaleidoscope of memories rooted in a shared vocation ». Wednesday June 17, 7:30 pm AFT Spadina 24 Spadina Road Free Entrance French with English subtitles 8 All screenings take place at the Art Gallery of Ontario’s Jackman Hall 317 Dundas Street West (Please use McCaul Street entrance) Regular screenings cost $10,14 for non-members and $5,90 for members, students, seniors and children up to 13. Entr’Acte by René CLAIR France, 1924, 22 min, silent Cast: Jean Börlin, Francis Picabia, Marcel Duchamp, Man Ray concerned with the unconscious as they were with the disruption of social order. The humorous chase scene resulting from a funeral procession is filled with visual gags and gender-bending quirks that prefigure their Surrealist kin. This movie will preceed the screening of Monkey Business (director: Norman McLeod, USA, 1931, 77mn). René Clair’s Entr’acte is the Dada film par excellence and begins with Francis Picabia and Eric Satie pointing then firing a canon directly at the audience. This in-your-face assault was no doubt an inspiration for the early works of Surrealist cin- June 2 ema. Entr’acte’s frenetic, giddy and anarchic energy, however, was resolutely Dada and its playful images and sudden transitions were less Entr’Acte A short-movie by René CLAIR Tuesday June 2, 7:00pm Films by Jean PAINLEVÉ Championed by Antonin Artaud, Luis Buñuel, Jean Vigo, and Sergei Eisenstein, the unique body of work of the French scientist artist Jean Painlevé has always enjoyed a cult following. His personal credo, “science is fiction,” informed his scientific research as much as his art-making, and was perfectly simpatico with the Surrealist attempt to “obtain the marvelous” within “la vraie vie.” Painlevé’s numerous (he made close to two hundred films until 1982) and eccentric studies of the subaquatic world reveal the fantastic habits of sea creatures. Painlevé was affiliated with the Surrealists, though he refused official entry into the circle, choosing to remain removed from Breton’s authoritarianism. Still, he filmed the image of the starfish for Man Ray and Robert Desnos’ L’Étoile de mer, and both he and Artaud appear in Methuselah, which includes five filmed sequences originally pro- jected onto a background of white clouds in 1927 during a Surrealist play by Ivan Goll. The Fourth Dimension elaborates a Lewis Carrolllike universe, while The Vampire studies the killing habits of a species of South American bats, and alludes to the myth of Nosferatu. Painlevé’s deep knowledge of the animal kingdom led to his contribution to the narration of Georges Franju’s brilliant and chilling documentary about a slaughterhouse, Le Sang des bêtes, “an everyday nightmare, at once atrocious and outlandishly beautiful” (Time Out). June 4 THE OCTOPUS France, 1925, 10mn, silent THE SEAHORSE France, 1934, 15mn METHUSELAH France, 1927, 7mn, silent Translated intertitles will be distributed to the audience. THE FOURTH DIMENSION France, 1936, 10mn THE VAMPIRE France, 1945, 9mn BLOOD OF THE BEASTS Director: Georges Franju France, 1949, 20min Films by Jean PAINLEVÉ Thursday June 4, 9:00pm Free screening 9 Films de Man RAY Known primarily for his sensual black-and-white photographs, American-born Man Ray was also a painter and filmmaker who dabbled in Parisian Surrealism. He joined the movement in 1925 and had a solo exhibition at the Galerie Surréaliste in 1926. His handful of films, made between 1923 and ’29, were collaborations with some of the main figures in the French avant-garde, including Marcel Duchamp, Robert Desnos, and the Vicomte de Noailles. Man Ray’s films are sexy and playful, part experimentation, part documentation of this fertile time. The very brief Le Retour à la raison includes some of the most erotic images captured on film, transposing experiments in light exposure onto a nude woman’s torso. Ray’s famous Rayographs were brought to life through the cinema. His night wanderings in Emak-Bakia recall Vertov’s Man with a Movie Camera, using the cinema-eye to capture modern life as an artist sees it. He also did the cinematography for Duchamp’s anagrammatic Anémic Cinéma, a Dadaist study in kineticism and alliterative verbal punning. Duchamp’s Rotoreliefs, or “kinetic paintings,” are concentric circles designed on flat disks containing word plays. These jeux de mots are further explored in Ray’s L’Étoile de mer, one of the few Surrealist scripts to become a film. Written by poet Robert Desnos, this ciné-poème ties Magritte to Deleuze in its polysemic play. The starfish, as a hermaphrodite, was thought to exude a potent eroticism and was a famous Surrealist subject, an extension of amour fou and its association with irrationality and automatism. Man Ray’s final film, Le Corbeau by Henri-Georges CLOUZOT France, 1943, 93 mn Cast: Pierre Fresnay, Ginette Leclerc The peace of a small French village is mysteriously shattered by an outbreak of poison pen letters, signed "Le Corbeau" (the Raven), which create suspicion and misery. The prime target of these scandalous letters is Dr Germain, who is accused of having an affair with the wife of one of his colleagues and of practising abortion. Although much is revealed about the hidden lives of the village’s inhabitants, the identity of the letters’ author remains a mystery... Le Corbeau is regarded today as a masterpiece of French cinema it Les Mystères du Château de Dé, is a charming, enigmatic and eerie exploration of chance made at the Vicomte de Noailles’ opulent summer abode in le Midi. LE RETOUR À LA RAISON France, 1923, 3mn, silent EMAK-BAKIA France, 1926, 18mn, silent Cast: Kiki de Montparnasse, Jacques Rigaut ANÉMIC CINÉMA Director: Marcel Duchamp France, 1926, 7mn, silent L’ÉTOILE DE MER France, 1928, 21mn, silent Cast: Kiki de Montparnasse, Robert Desnos LES MYSTÈRES DU CHÂTEAU DE DÉ France, 1929, 27mn, silent Cast: Georges Auric, Le Comte de Beaumont, Le Vicomte de Noailles Films by Man RAY Friday June 5, 9:00 pm Free screening! June 12 created a storm of controversy when it was released. The film was banned after the war because of its perceived subversive and immoral overtones. The story was based on a real-life case which took place in the French town of Tulle in the 1920s. Le Corbeau, by henriGeorges CLOUZOT Friday June 12, 8:45 pm 10 Les Vampires by Louis FEUILLADE Director: Louis Feuillade France, 1915, 383mn, silent Cast: Musidora et Edouars Mathé appartements. Led by cross-dressing temptress Irma Vep, whose cryptic name is an anagram for Les Vampires, by Louis FEUILLADE Episodes 1 - 4, 148min Friday June 26, 7:00 pm 26, 27 et 29 Juin vaged the film from a garbage can behind the Gaumont studios. An acknowledged influence on the collage work of Max Ernst, and a film which Alain Resnais has called “one of my gods,” Les Vampires is essential viewing. Presented with live piano accompaniment by William O’Meara. Episodes 5 - 8, 130min Saturday June 27, 7:00 pm Episodes 9 - 10, 105min Monday June 29, 7:00 pm 11.56$ for non-members 7.08$ for members, students, seniors and children up to 13 NB: Les Vampires runs 6 hours and 23 minutes in total and is composed of 10 episodes ranging in length from approximately 15 minutes to 1 hour. A sensation during Toronto’s Nuit Blanche festival in 2007, Louis Feuillade’s celebrated serial makes a rare return, giving audiences another opportunity to venture deep inside the underbelly of early twentieth-century Paris, into the mysterious, sinister and marvelous world of Les Vampires. Made and released with breakneck speed during WWI, the ten-episode film chronicles an anarchic gang of cunning criminals who terrorize the city of lights’ narrow, cobblestone streets, sootdusted rooftops, and grands “vampire,” the anti-bourgeois clan practices the arts of abduction, secret messages, hypnotic trance, outlandish and sexy disguise, and euphoric dance in the infamous cabarets of Montmartre (where vampy Musidora, the Surrealists’ beloved femme fatale, who plays Irma Vep, was discovered). Their gutsy jewel heists set off an investigation by an obsessive journalist who attempts to foil their semi-improvised rondo of robberies. Anticipating Fritz Lang, Alfred Hitchcock, Jacques Rivette, David Lynch, graphic novels and James Bond, Feuillade’s epic, pulpy serial was a favourite of the European avantgarde thanks to the larger-than-life head of the Cinémathèque française, Henri Langlois, who sal- 11