The World Premiere of GORED

Transcription

The World Premiere of GORED
Presents:
The World Premiere of
GORED
Directed by
Ido Mizrahy
Produced by
Geoffrey Gray, Selena Roberts,
Valda Witt, Meghan Wurtz
Running Time: 76 minutes
WORLD PREMIERE
In The Viewpoints Section of the
2015 Tribeca Film Festival
PUBLIC SCREENINGS:
Thursday, April 16th @ 6:30pm – BTC6 (World Premiere)
Sunday, April 19th @ 8pm – Regal Battery Park Stadium 11 (theater 3)
Tuesday, April 21st @ 9:45pm – Regal (theater 1)
Wednesday, April 22nd @ 3:45pm – Regal (theater 1)
PRESS/INDUSTRY:
Sunday, March 29th @ 3:15pm – Tribeca Screening Room (375 Greenwich Street)
Friday, April 17th @ 4:15pm – Regal (theater 7)
Press Contact:
MURPHY PR
John Murphy / Russ Posternak
[email protected] / [email protected]
O: (212) 414-0408
C: (646) 369-0317 / (914) 400-7023
GORED
2015 Tribeca Film Festival
Press Notes Page 2
SYNOPSIS, SHORT
GORED centers on Spanish bullfighter Antonio Barrera, holder of the dubious title of “Most
Gored Bullfighter in History,” as he grapples with the end of his career. Arresting footage of past
and present bullfights reveal Barrera’s perilous obsession for the spectacle as well as his
irresistible urge to confront death at every turn. In Spanish with subtitles.
SYNOPSIS, LONG
Antonio Barrera is the most gored bullfighter in modern history, and known to perform with total
abandonment. He’s been gored twenty three times, an unusually high number that includes
seventeen surgeries, countless broken bones and scars. Now with a family to support, a body
that won’t hold up and a lack of interest from promoters, Barrera has decided to retire. Before
his last bullfight, he is conflicted. After taking such a beating all his life, he dreams of staying
alive for his family. Yet he still fantasizes of becoming a well-known bullfighter, a dream that he
and his father shared since he was a young boy, and to do that he feels he must sacrifice
himself to the bulls. Will he survive his final performance?
Gored
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DIRECTOR’S STATEMENT
The hours before the final performance were not going to be easy. With his wife
anxiously watching him dress and our little crew all crammed into a tiny hotel room, it was hard
to tell whether we were filming the beginning of a joyous new chapter in Antonio’s life or his
funeral. Antonio Barrera had agreed to stop his impossible pursuit of bullfighting stardom. It was
the only dream he’s ever had, and it nearly killed him so many times. Strangely, keeping the
dream alive seemed to mean more to Barrera than keeping himself alive. To him, death was his
daily companion, as he offered himself to the bulls like a sacrifice. It’s an unsettling idea and
seemed totally foreign to us. For the most part, we take life for granted. But on those rare
occasions, when we do find ourselves in dangerous situations, the fear of death sets our
priorities straight. We protect ourselves and cling to life. Barrera was a different case, and
retirement to him was more than just saying goodbye to his career - he had to embrace the
reality of everyday life, of sinking down to mortality, of being forgotten.
As the trumpet signaled the final moment, Antonio’s hard wiring trumped logic. With his
wife and daughter in the audience watching in terror, he walked over to the bull’s gate and knelt
in front of it. The idea was to make the bull jump by him as it charged out of the gate - arguably
the most dangerous move in bullfighting. Standing so close to the action we knew we were
about to capture a once-in-a-lifetime moment. But we also knew we were filming the end of a
tragedy, regardless of the outcome. Antonio decided to sacrifice himself and his family one
more time for a final chance at glory. For a brief moment his choice didn’t seem so strange to
us. We all dream about leaving a mark on this world. And to Antonio, living a normal family life
seemed deadlier than a six hundred kilo bull charging his already-battered body. It was his last
chance to join the immortals, and he had to take it. You’re never truly dead, as the bullfighters
say, so long as you are remembered.
GORED
2015 Tribeca Film Festival
Press Notes Page 4
CREW BIOS
GORED is the second feature documentary from Motherlode Films, a production company
founded by director Ido Mizrahy and author Geoffrey Gray, and a co-production of Roopstigo
Films, founded by acclaimed journalist and investigative reporter Selena Roberts.
Writer/Producer/Director
Ido Mizrahy’s first feature-length narrative, the award-winning Things That Hang from Trees
(2007) was recently selected to be part of MOMA's permanent collection. In 2011, Mizrahy was
a co-director and co-writer on Beyonce: Year of 4, a documentary about the pop singer, which
debuted on MTV and VH1. Mizrahy’s first collaboration with writer/producer Geoffrey Gray, the
critically acclaimed documentary, Patrolman P, premiered on DIRECTV in 2014. GORED marks
their second collaboration.
Writer/Producer
Geoffrey Gray is a New York Times bestselling author, documentary producer and founder
of True.Ink, a magazine devoted to adventure and expertise. A contributing editor at New
York Magazine, Gray has written about unsolved crimes, the cops, the courts, boxing, food,
professional tennis, travel and high-end perfume.
Executive Producer
A best-selling author and film producer, Selena Roberts spent twenty years at The New York
Times, ESPN and Sports Illustrated covering the most important sports stories of our time. In
the fall of 2012, she left traditional media for a storytelling venture, founding Roopstigo
Productions to develop documentaries and biopics, as well as scripted and unscripted
programming. In four years at Sports Illustrated, Selena was an investigative reporter who broke
the Alex Rodriguez steroid story and also wrote commentaries that were cited by the American
Society of Magazine Editors and appeared in The Best American Sports Writing and The Best
American Magazine Writing. From 1996 to 2007, Selena was a sports reporter forThe New York
Times and was honored by the APSE and Arthur Ashe Foundation for her work as a beat writer
and columnist for pieces that illuminated the paradox of sport’s ability to hurt and heal. She has
been a contributor for ESPN and wrote a New York Times best-selling book on A-Rod.
Co-Executive Producer
Valda Witt launched VMW Entertainment in 2014 to produce and invest in the development of
high quality independent films and television productions. She began her career at McKinsey &
Company and is a graduate of UPenn's Wharton School of Business. Additional experience
includes marketing strategy for Clairol and creative services for Polo/Ralph Lauren. Current
projects include the documentary GORED (premiering at the TriBeCa film festival in April 2015):
LAST MAN STANDING, a feature documentary about the Delta Blues legend CeDell Davis
(principal photography March 2015); UNTOT, a sci-fi thriller based on actual events in WWII;
and MARRIED YOUNG, a comedy about the trials and tribulations of young family life. Valda
also serves as a trustee on a number of education-related boards including the Browning
School, the New York Academy of Arts and Prep for Prep.
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Co-Producer
Meghan Wurtz is an Independent Film Consultant advising filmmakers on film financing and
development, festival strategy and film sales. In addition, she consults for independent film
companies. She currently consults forThe Orchard, the film and music distributor. Previously,
Wurtz spent eight years with Film Movement, most recently as Vice President. She handled
Business Development and was involved in the acquisition and sales of close to 150+
independent and foreign films.
Director of Photography
Director of Photography Boaz Freund has been lensing movies and Video Art over the last
decade; titles include Finishing Heaven (HBO) Pro-Day (ESPN) and Son of the Congo (ESPN).
He's Video Art work has shown at the MOMA NY and the Metropolitan Museum of Art NY. In
2009 he was awarded a NYC EMMY award for his work on the documentary series "Book
Obsessed.” Freund lensed the acclaimed documentary Patrolman P, directed by Ido Mizrahy
and Premiered on DIRECTV in 2014. GORED is their second collaboration
Editor
In addition to his work as independent filmmaker, Ramón Rivera Moret works as editor and
script consultant on fiction and documentary films. He has received grants and awards for his
films from The Independent Television Service (ITVS), The Jerome Foundation, The New York
State Council on the Arts, and The National Endowment for the Arts/American Film Institute,
among others. Moret teaches film theory and practice at Pratt Institute in New York.
Composer
Villalobos is a multi-award winning composer based in Los Angeles. Villalobos collaborated with
Alberto Iglesias on the Oscar Nominated Soundtrack for The Kite Runner, which he
orchestrated. He composed the music for the NBC TV series The Philanthropist, produced by
Barry Levinson & Tom Fontana. His work on The Invisible Eye and Refugiado earned him
nominations for Best Original Music in the Argentinian Academy Awards.
GORED
2015 Tribeca Film Festival
Press Notes Page 6
“The Dangerous Obsession of Antonio Barrera,” for Sports Illustrated
Gray, Geoffrey. (2011, May 9). The Dangerous Obsession of Antonio Barrera. Sports Illustrated. Volume 114 (issue
19), Pages 58-66. (Reprint).
http://www.si.com/vault/2011/05/09/106066410/the-dangerous-obsession-of-antonio-barrera
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CREDITS
Directed By
IDO MIZRAHY
Story By
GEOFFREY GRAY
Written and Produced By
IDO MIZRAHY
GEOFFREY GRAY
Executive Producer
SELENA ROBERTS
Co-Executive Producer
VALDA WITT
Co-Producers
MEGHAN WURTZ
Director of Photography
BOAZ FREUND
Editor
RAMÓN RIVERA MORET
Music by
VILLALOBOS
Appeared in the Documentary
ANTONIO BARRERA
MAIDER SÁNCHEZ-MARTÍN
MARÍA-JOSÉ BARRERA
JOSÉ MANUEL BARRERA
FRANCISCO LÓPEZ LEÓN
OCTAVIO FLORES
JOSÉ SÁNCHEZ BENITO
JOSÉ ANTONIO DEL MORAL
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ENRIQUE SIERRA GIL
CÉSAR PÉREZ
Associate Producers
MAURICIO CORONADO
ERIC FORMAN
SYDNEY SIEGEL
ZAK TUCKER
Associate Editor
MARTA BONET
Visual Effects
ADAM LEWENSOHN
Production Sound Mixer
AGUSTÍN ENRÍQUEZ
Production Coordinator
ISABEL DELCLAUX
In association with TRUE THE MAGAZINE
Spanish Crew
Production Coordinator
ISABEL DELGADO
Additional Sound Mixer
RAUL MARTINEZ
Production Services
BONADEI & GRASSIA VANCRAM, S.L.
CINETEL ESPAÑA CTV, S.L.
Mexican Crew
Production Coordinator
GABRIELA ALVARADO
Additional Camera
GORED
2015 Tribeca Film Festival
Press Notes Page 16
EBEN BULL
GONZALO GARCIA
CARLOS VÁZQUEZ
Additional Sound Mixers
EBEN BULL
HÉCTOR VÁZQUEZ
ANDRÉS LUGO
Production Services
UNLIMITED FILMS
Additional Editing
DANIELLE BROWN
ÈLIA GASULL BALADA
MARGARIDA LUCAS
AITOR MENDILIBAR
VICENTE PÉREZ
TIM STERNBERG
Additional Camera
OFIR KEDMI
Story Consultant
LAURA PRICE
Post Production Sound by GIGANTIC POST
Sound Designer and Re-recording Mixer
TOM PAUL
Sound Effects Editor
JESSE PETERSON
Dialogue Editor
BILLY ORRICO
Foley Artist
LESLIE BLOOME
Foley mixer
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RYAN COLLISON
Foley assistant
JONATHAN FANG
Voice Over Re-recording
ALVARO VISIERS
MARCELO TUBERT
JANNA MIKSIS
Music Recorded at AMAROK STUDIO & SANTISOUND
Music Score Mixer
GUILLERMO MARIN
Guitars, Puerto Rican Cuatro, Ukulele, Charango
WALDEMAR REYES
Digital Intermediate by HARBOR PICTURE COMPANY
Colorist
ROMAN HANKEWYCZ
Senior DI Producer
MOLLE DEBARTOLO
Smoke Artist
CHRIS MACKENZIE
Conform Artist
DYLAN BALL
Supervising Conform Artist
CHRISTIAN FARFÁN
DI Coordinator
JUSTIN SCUTIERI
Title Design
IRA EDUARDOVNA
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Press Notes Page 18
Production Legal Services
CRAIG F. COHEN, ESQ.
MCCUE SUSSMANE & ZAPFEL, P.C.
DAVID MORRISON
THOMAS A. CROWELL
JONATHAN YELLIN
DIANA YU
THE INDIE FILM CLINIC at CARDOZO LAW
Research
MURIEL FEINER
Transcription
CAROLINA RAMIREZ
Additional Transcription
AVIVIT BAR-YOSEF
MARIA INES MARTINEZ
JOSE MATEO PRADO
MICHAL SHALEV
CAROLINA ZUÑIGA
English Subtitles by PEQUERRECHO SUBTITULACIÓN
Social Media
CRISTINA MUNOZ
Poster Design
ERIK BUCKHAM
Camera and Lenses Provided by SEETHINK FILMS
Additional Equipment Provided by HANDHELD FILMS
The Filmmakers Would Like to Thank
JUAN BELMONTE
JOSÉ ANTONIO MORANTE CAMACHO (a.k.a MORANTE DE LA PUEBLA)
ALFREDO RÍOS DELGADO (a.k.a EL CONDE)
ALLEN JOSEPHS
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JORGE DAVID LÓPEZ DE LOS REYES
JESÚS MOSTERÍN
GERARDO MURILLO (a.k.a KIKI)
RICHARD ABATE
DANIELA ALBIN
NIMROD BARSHAD
ILAN BENATAR
ANDREW BENNETT
FRED BREHM
ARIANA COHEN-HALBERSTAM
REBECA CONGET
FLAVIA DE SOUZA
RACHEL DENGIZ
DREW DENICOLA
SARAFINA DIFELICE
JACK DODSON
NIMROD ELDAR
GLORIA ESCAMILLA
BENJAMIN FERTIG
CYNDI FROST
KORY FROST
CATHERINE GALASSO
LAUREN GAULTIER
MAGGIE GRAY
SAM GREEN
CARLA GUTIERREZ
BEN HAGARI
CHRISTOPHER HUNT
PATRICK HURLEY
ASGER HUSSAIN
MARK IVANIR
MAYA IVANIR
NAOMI KAPLAN
DANIEL KELLY
YAARA KEYDAR
EVAN LERNER
DEMETRI MAKOULIS
LORE MANNING
JOHN MCALLISTER
SHARON MINKOFF
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Press Notes Page 20
MARK MONROE
JOSE ENRIQUE MORENO
MANOLO MOYA
CAROLYN MURNICK
RICHARD MURPHY
ANDREW NEEL
ETHAN PALMER
JESSICA PERDOMO
PACO PEÑA JR.
NICK PENDRY-ABER
JACCO PITLO
TOM PNINI
EDUARDO PORTUGAL
ALEX RESNIKOFF
SHAWN ROBERTS
ALVARO GONZALEZ RODRIGUEZ
OREN RUDAVSKY
NURIA ANDRADE SANCHEZ
SOLEDAD MORAÑO SÁNCHEZ
ERIC SCHNEDECKER
SUZANNE SCHULZ
MARTINA SINISCALCO
COLLIN SMITH
DENNIS VOSKOV
MICHELLE WEINER
ROBERT WELDON
JOSEPH ZOLFO
BODEGA OBREGÓN
ESPECTÁCULOS TAURINOS DE MÉXICO S.A. DE C.V.
NEW YORK CITY CLUB TAURINO
PLAZA DE TOROS LA LUZ - LEÓN (GUANAJUATO)
PLAZA DE TOROS NUEVO PROGRESO - GUADALAJARA
Archival Footage and Photos Courtesy of
ANTONIO BARRERA
JUAN BELMONTE
DOMINGO ESTRINGANA
OCTAVIO FLORES
OSCAR HERNÁNDEZ
JOSÉ HERNÁNDEZ GAN
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ENRIQUE SIERRA GIL
MAIDER SÁNCHEZ-MARTÍN
FILMOTECA GAN
GRUPO ACIR
UNIVERSIDAD DE GUADALAJARA CANAL 44
© 2015 Motherlode Productions, LLC.
All Rights Reserved.