Life and Works of Johnny Mercer
Transcription
Life and Works of Johnny Mercer
AN ACTIVITIY GUIDE FOR KIDS TM LyricNOTES Johnny Mercer © 2002, Camp Broadway LLC All rights reserved This publication is based on the life and work of lyricist Johnny Mercer. The content of The Life and Works of Johnny Mercer edition of LyricNOTES™ is fully protected under the copyright laws of the United States of America and all other countries with which the United States has reciprocal copyright relations. All rights regarding publishing, reprint permissions, public readings, and mechanical or electronic reproduction, including but not limited to, CD-ROM, information storage and retrieval systems and photocopying, and the rights of translation into foreign languages are strictly reserved. Printed in the United States of America First printing, June 2002 For more information on Johnny Mercer and The Great American Songbook, contact: The Johnny Mercer Foundation (212) 835-2299 http://www.johnnymercerfoundation.org For more information on LyricNOTES™ and other arts related programs for students, contact: Camp Broadway LLC 145 West 45th Street, 7th Floor New York, NY 10036 Telephone: (212) 575-2929 Facsimile: (212) 575-3125 Email: [email protected] www.campbroadway.com AN ACTIVITIY GUIDE FOR KIDS TM LyricNOTES Johnny Mercer Table of Contents Namely You: Who Is Johnny Mercer? . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 A short life story of Johnny Mercer, from Savannah to Hollywood Too Marvelous For Words: Johnny Mercer's Collaborators . . . . . . . . . .8 Johnny’s thoughts on songwriting, inspiration and teamwork – and which comes first, the words or the music Hooray For Hollywood: Mercer’s Point of View . . . . . . . . . . . . . . . . . .12 High points of Johnny Mercer’s career, his Oscars, and his take on Hollywood It’s A Great Big World: Growing Up: A Timeline . . . . . . . . . . . . . . . . . .14 What was going on in the world during Mercer’s lifetime I Thought About You: Mercer’s World and Ours . . . . . . . . . . . . . . . . . .16 What was “hep” in the 30s, 40s, and 50s? Compare then to now. 2 Come Rain or Come Shine: Mercer Today . . . . . . . . . . . . . . . . . . . . . . .18 Johnny Mercer’s songs in TV and movies -- and rap Spring, Spring, Spring: Nature Lyrics . . . . . . . . . . . . . . . . . . . . . . . . . .20 Johnny Mercer wrote about nature and the seasons – now you can too. I’m An Old Cowhand: Character Lyrics . . . . . . . . . . . . . . . . . . . . . . . . .22 Capturing a character in song Let That Be A Lesson To You: Mercer Facts . . . . . . . . . . . . . . . . . . . .24 Everything you always wanted to know about Johnny Mercer A CrossLyric Puzzle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26 A crossword all about Johnny Mercer — test your solving skills! More Mercer Lyrics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28 Accentuate the Positive: Music and Lyrics . . . . . . . . . . . . . . . . . . . . . .30 Resources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32 How to learn more about Johnny Mercer and the Great American Songbook Dream Log on to rg undation.o ymercerfo t a re www.johnn all of the g to listen to hout ngs throug Mercer so this book. The next time you’re listening to your favorite song on a CD or on the radio, imagine a boy in Savannah, Georgia, listening to his own favorite music, dreaming of being a singer and songwriter. That boy did more than dream — he grew up, traveled to New York, sang on the radio, wrote songs for Broadway and for the movies, founded a record company, won Academy Awards, and published hundreds of songs (one of his favorites was called “Dream.”) He was named Johnny Mercer. I first met Johnny Mercer when I was seven years old. He'd come out to Hollywood to write songs with my father, Richard Whiting, and my mother wanted me to sing for him. Well, I did. And when I was finished he called me over to him and he said, “Kid, I want to give you two words of advice. ‘Grow up!’” So I did. And later on, Johnny became my mentor and best friend. He signed me to my first record contract at Capitol Records, because he was the boss. That's the way I remember Johnny. To the rest of the world he was a poet. A spinner of dreams. Johnny's love affair with music didn't come from the glitter of Broadway or Hollywood, but from growing up in Savannah near a small park, where on Sundays he would go listen in wonder to a local band play ragtime. His lyrics came naturally from the colorful way people talked. “You Gotta Accentuate the Positive,” “Anyplace I Hang My Hat is Home,” and the sounds -- the clickety clack of the railroad track, the wind whistling through the Spanish Moss, and the rain, like silver slivers racing across the horizon. When Johnny Mercer came on the scene, with his distinctive brand of impish Southern charm, he made an impact just as strong as any of today’s MTV favorites. But, musical tastes change. Styles change. Hits come and go. So why do we still sing Johnny Mercer’s songs and listen to his words? He was able to do what only a small number of songwriters can: with his words, he tapped into something deep, universal, and timeless. Singers keep singing his songs because the words hit home as strongly today as they did the day he wrote them. Song lyrics are the poetry of the people – and Johnny Mercer spoke for us all. Johnny Mercer with Margaret Whiting We hope this book helps to introduce you to Johnny Mercer and the Great American Songbook. You can take the next step, and write lyrics of your own – just like Johnny Mercer did, you can put words to a dream. Margaret Whiting The Johnny Mercer Foundation 3 Savannah, GA Award winning lyricist John Herndon Mercer was born in Savannah, Georgia, November 18, 1909. By the time he was three, Johnny already loved to sing. As a teenager, he fell in love with jazz. He was also drawn to gospel music and other AfricanAmerican folk music he heard when he was growing up. Johnny was sent to the Woodberry Forest School in Virginia. He took piano and trumpet lessons, and sang in the chapel choir. When he was 15, he wrote his first song, “Sister Susie Strut Your Stuff.” “I think the three greatest moments in a When he was 17, his father’s real estate business failed. The family couldn't afford to send Johnny to college, so he headed to New York City to try his luck in the theater. N e w Yo r k , N Y In New York, Johnny wrote songs and tried out for shows. He auditioned for “The Garrick Gaieties,” a popular music and comedy revue. yg oe s fi shin ' Namely You 4 Who is Johnny Mercer? The producers told him they didn't need any more actors, but n n they did need more songs. He gave Joh old r a e 8y them one called “Out of Breath.” Mine’s a hopeless case But there’s one saving grace, Anyone would feel as I do; Out of breath and scared to death of you. songwriter’s life are when he writes his first song, even when he’s fifteen, in my case. The second time is when he gets his first song published. And then the third time is when he gets his first hit, a real hit song that you hear – you go down the street and people are singing it that don’t know who you are, they just love the song – and that’s really a thrill.” Johnny (far left) at Woodberry Forest School. Johnny also met a dancer in the show, Ginger Meehan, who became his wife. Later, they had a daughter, Amanda, and a son, John Jefferson. Johnny wrote a lyric about his little girl, nicknamed “Mandy.” (left) Johnny and Ginger on their honeymoon. (below, from left) John Jefferson, Ginger, Johnny, and Amanda. Mandy is Two You ought to see her eyes of cornflower blue; They really look as if they actually knew That she’s a big girl now. 5 Johnny won a singing contest, and was noticed by his idol Paul Whiteman, “The King of Jazz.” Johnny was hired to write songs and sing with Whiteman’s band, using his Southern drawl in sings like “Pardon My Southern Accent.” Try This Who Wrote It? Pick your most FAVORITE song EVER! Do you know who wrote it? Who is the ly ricist and who is the comp oser? Once you know for sure, bring a recordin g of your favorite song into your class and p lay it for your cl assmates. Now, you can qu iz them! Do they realize that the artist who is singing or playin g your favorite song may not be the same person who wrote the lyrics and th e music? It’s YOU R turn to teach them! Johnny with band leader Paul Whiteman Namely You 6 Who is Johnny Mercer? (cont’d) Hollywood, CA In 1934 Johnny headed to Hollywood to write songs for movie musicals (and even appear in a few!). His song “I’m An Old Cowhand from the Rio Grande” was a hit in the movie Rhythm on the Range. Four years later, his song “Jeepers Creepers” was nominated for an Academy Award. He won an Oscar on his ninth nomination, for the song “On The Atchison, Topeka and the Santa Fe,” sung by Judy Garland in the movie The Harvey Girls in 1946. He wrote lyrics for many different composers, but sometimes wrote his own music for his lyrics – like the 1942 song “Dream.” Dream when you’re feelin’ blue Dream, that’s the thing to do Just watch the smoke rings rise in the air You’ll find your share Of memories there Besides being a songwriter and singer, Johnny Mercer was also a businessman. He helped found Capitol Records in 1942 (the name was suggested by his wife, Ginger). He was always on the lookout for new singing and writing talent. My Huckleberry Friend One of Johnny’s most famous lines is in the song “Moon River”: my huckleberry friend. Johnny wrote those words thinking of his cousin, Walter Rivers. When they were kids, on lazy summer days they would pick huckleberries together, facing brambles, briars and sometimes snakes to fill their buckets with berries. For people who knew Johnny Mercer, my huckleberry friend describes him perfectly. (You can find the lyrics to “Moon River” on page 10.) Johnny (right) with Buddy Desylva, co-founder of Capitol Records From the Thirties to the Seventies (over forty years!), Johnny Mercer wrote many popular songs that went to the top of the charts. He contributed songs to more than 90 movies, and wrote seven Broadway musicals. Johnny Mercer died on June 25, 1976, in Beverly Hills, California, but his words and music live on. His unforgettable personality comes through in his lyrics, the laid-back Savannah boy with the jazzy rhythms of New York. Now you know... Composer: Someone who writes the music to a song. Lyricist: Someone who writes the words to a song. Revue: a variety show of humorous songs and sketches. Savannah: The oldest city in Georgia, founded in 1773 near the mouth of the Savannah River. Oscar®: The award given by the Academy of Motion Picture Arts and Sciences for achievement in movies. So you sing your song, I'll sing my song, We may even share a touch of Auld Lang Syne, Then you go your way, through your golden doorway, And wish me luck as I go mine. Snapshot Lyric Just as Johnny w rote a song abou t his little girl, “Mandy,” you ca n write a song ab out someone you love too, lik e a "snapshot" in words. 1. Choose a fam ily member or re ally close friend. Close yo ur eyes and pictu re them as clearly as you can in your mind. D etails are VERY importan t when writing ly ri cs. Do you see the color of h is/her hair and ey es? Are they short or tall? Do they make you la u gh? Can you picture them in a certain color shirt or pair of pants that they may wear often? 7 Try This 2. Write all the de tails you can thin k of about this person down on a piece of pape r. 3. Now choose th ree interesting w ords that describe this pers on’s personality. 4. Now, take all the words you've written down so far, and use as many as you can in a short lyric about that pe rson. This is the way gr eat lyricists begin to gather the best words they can find to descri be what they’re trying to write ab out! It involves a lot of thought and har d work, but once you’ve got it down, anyone w ho listens to you r lyrics will be able to imagine ju st what you inten ded them to! Too Marvelous for Words 8 Johnny Mercer’s Collaborators You hear songs every day, on TV, on the radio, but you don’t always know who wrote them. Sometimes the same person writes both words and music – Johnny Mercer wrote music for a few of his lyrics. But most of the time, a composer and a lyricist collaborate to write a song. Some of Johnny Mercer’s Which Comes First, Words or Music? Every songwriting team works differently, but Johnny Mercer liked to fit his words to a melody. The lyrics of his first big success, “Lazybones,” were written to go with the tune of Hoagy Carmichael’s “Washboard Blues.” Johnny Mercer on What Makes a Good Collaborator “First of all, great talent and integrity, that’s what I like. I like a guy who writes his way and his way is so high that it starts where other guys leave off. They’re all different. Every one is different.” Why He Likes to Write Words to go with the Music “I feel music like a composer ... I understand the music. I know where the accents should come. I don’t mean to sound conceited when I say this, but I’ve often had a lot of good lyrics loused up by writing them first because the guy doesn’t understand the meter that I wrote. I’d rather try and catch the mood of his tune.” Johnny with Harold Arlen (left) Collaborators Harold Arlen (February 15, 1905 – April 23, 1986) Born in Buffalo, Harold Arlen began performing ragtime piano at age 15. He moved to New York City in the mid-Twenties, and had a hit with the song “Get Happy” in 1930, around the same time that Johnny Mercer was becoming known. Johnny Mercer introduced Harold Arlen to E.Y. “Yip” Harburg, another lyricist. Together Arlen and Harburg wrote the songs for the 1939 movie “The Wizard of Oz.” Harold Arlen and Johnny Mercer began writing songs together in 1941, including “Blues in the Night.” Now you know... Collaborate: To work together Integrity: Keeping to a strong moral code of behavior: honesty Johnny with Hoagy Carmichael (right) from Blues in the Night music by Harold Arlen The evening breeze’ll start The trees to cryin’ And the moon’ll hide its light When you get the blues in the night Take my word, the mocking bird’ll Sing the saddest kind of song He knows things are wrong And he’s right In the Cool, Cool, Cool of the Evening from music by Hoagy Carmichael In the cool, cool, cool of the evenin’, Tell ‘em I’ll be there. In the cool. cool, cool of the evenin’, Better save a chair. When the party’s gettin’ a glow on ‘N singin’ fills the air In the shank o’ the night When the doin’s are right You can tell ‘em I’ll be there. Meter: A rhythmic pattern Ragtime: An early style of jazz music popular at the beginning of the 20th century Shank: The main or early part. The shank of the evening. Hoagy Carmichael (November 22, 1899 – December 28, 1981) Hoagy Carmichael’s mother played piano in silent-movie theaters. Hoagy was playing piano at age six. In his twenties, he was playing and writing jazz. After getting his law degree from Indiana University, he moved to New York. He had a hit song, “Lazybones” with Johnny Mercer in 1933. In 1936, he moved to Hollywood to write songs for the movies. He was very popular through the Forties, even appearing in films (usually as a piano player.) He won an Oscar with Johnny Mercer in 1951 for their song “In The Cool, Cool, Cool of the Evening.” Try This Silent Collabor ation Yo u need one pen, one piece of pap er and one friend. Pass the pen back and forth, and ta ke turns drawing shape at a time on one the piece of pap er, each adding on different shape to a the one previousl y drawn. The ke is ‘NO TALKIN y here G’. Let the pictu re you create grow out telling each w ithother what to dra w. Keep in mind trying to create on , yo u’re e picture, not tw o separate things . You'll notice that after a while, it’s like you’re both “thinking with on e brain” — that’s collaboration! 9 Too Marvelous for Words 10 Mercer’s Collaborators Duke Ellington (cont’d) from Satin Doll (April 29, 1899 – May 24, 1974) music by Duke Ellington Edward Kennedy Ellington was born in Washington, D.C. He had piano lessons at age seven, but at that age was more interestCigarette holder ed in playing baseball. When he was in his teens, he was fasciWhich wigs me nated by ragtime music and took up the piano again, playing Over her shoulder professionally by 17. Nicknamed “Duke,” he moved to New She digs me York in 1923. Along with his band, The Washingtonians, Duke Out cattin' was heard “Live from the Cotton Club” on radio across the That satin doll nation. He became one of the world’s greatest jazz composers Baby, shall we go and performers, writing hundreds of songs, and playing with jazz Out skippin' greats all over the world. Johnny Mercer wrote words to several Careful, amigo of Duke Ellington’s jazz compositions, including “Satin Doll.” You're flippin' Speaks latin Henry Mancini That satin doll (April 16, 1924 – June 14, 1994) Born Enrico Nicola Mancini in Cleveland, Ohio, he was raised in the mill town of West Aliquippa, PA. He studied flute and piccolo, and eventually went to the Juilliard School in New York. music by Henry Mancini While in the Army during World War II, he played in military Moon River, bands. After the war, he worked as a freelance musician, eventuWider than a mile ally getting hired at Universal writing background music. He I'm crossin' you in style became known for Some day. writing jazz-inspired Old dream maker, movie and TV You heart breaker, themes, including Wherever you're goin', the famous “Pink I'm goin' your way: Panther” theme. Two drifters, The songs “Moon Off to see the world River” and “Days of There's such a lot of world Wine and Roses,” To see. written with Johnny We're after the same Mercer, won the Rainbow's end Oscar for Best Song Waitin' round the bend two years in a row, My huckleberry friend, 1961 and 1962. Henry Mancini (left) and Johnny Mercer pose with Moon River Debbie Reynolds and their “Moon River” Oscars And me. Moon River Harry Warren (December 24, 1893 – September 22, 1981) Harry Warren was born Salvatore Guaragna, but his parents changed their last name (as most immigrants to America did then), and he chose the new first name “Harry.” He dropped out of school at 16 to become a drummer. He began working at a silent-movie studio in Brooklyn, playing “mood music” for the actors. Later, he moved to Hollywood to write for movie musicals. He wrote “Jeepers Creepers” with Johnny Mercer, which was nominated for an Oscar. They won an Oscar for “On The Atchison, Topeka and the Santa Fe” in 1946. On the Atchison, Topeka and the Santa Fe from Now you know... Onomatopoeia: Words that sound like what they mean: buzz, fizz, pop, murmur music by Harry Warren Do yuh hear that whistle down the line? I figure that it’s engine number forty nine She’s the only one that’ll sound that way On the Atchison, Topeka and the Santa Fe 11 Harry Warren (at piano) with another collaborator, Al Dubin See the ol' smoke risin' round the bend, I reckon that she knows she's gonna meet a friend, Folks around these parts get the time o'day From the Atchison, Topeka and the Santa Fe Johnny shows off the justpressed record of the Oscarwinning “On the Atchison, Topeka and the Santa Fe” T r y This Lyrics in Motion Johnny Mercer w rote great lyrics ab out a train in "O Atchison, Topek n the a and the Santa Fe." Now you ca up where he left n pick off. Choose your favo rite form of tran sportation. For a car, a bike, a sk example ateboard, a hot-a ir balloon, a jets rollerblades or ev ki, en the subway. C hoose three wor ‘sound like’ the ve ds that hicle you have ch osen. Does it wh buzz or chugga ch irl, ugga? These wor ds that ‘sound lik thing you are des e’ the cribing are exam ples of onomato The more specif poeia. ic your words ar e, the better! Read your list of words to a friend — can they gues kind of transpor s what tation you picke d. Now use that lis t of words to wri te a lyric. Put th transportation yo e form of u picked in the ti tle, and go from there! Horray for Hollywood 12 Mercer’s Point of View This song, written in 1936 with composer Richard A. Whiting, has become the unofficial theme song of Hollywood. To match the feel of this jazzy, energetic song, Johnny Mercer wrote a snappy, witty lyric. He mentions people and places that were in the headlines in 1936. Read the lyric out loud. What is Johnny Mercer saying about Hollywood? Does Hollywood have the same kind of reputation today? Hooray for Hollywood! a panic exciting, see p. 16; Slang of the Thirties Aimee Semple McPherson Glamorous Hollywood evangelist known for her theatrical personality Coney Island New York resort district famous for its amusement park Paducah City in western Kentucky near Illinois border Max Factor Polish-born Hollywood makeup artist who started his own salon and line of cosmetics That screwy bally hooey Hollywood, Where any office boy or young mechanic Can be a panic, With just a good looking pan, And any bar maid Can be a star maid, If she dances with or without a fan. Hooray for Hollywood! Where you’re terrific if you’re even good, Where anyone at all from Shirley Temple To Aimee Semple Is equally understood, Go out and try your luck, You might be Donald Duck! Hooray for Hollywood! Hooray for Hollywood! That phony super Coney Hollywood, They come from Chillicothes and Paducahs With their bazookas To get their names up in lights, All armed with photos from local rotos, With their hair in ribbons and legs in tights. Hooray for Hollywood! You may be homely in your neighborhood, But if you think that you can be an actor, See Mister Factor, He’d make a monkey look good, Within half an hour, You’ll look like Tyrone Power! Hooray for Hollywood! ballyhoo noisy shouting, an uproar Shirley Temple Child star of the 30s. Became a US Ambassador as an adult. Donald Duck Walt Disney character first introduced in 1934, voiced by Clarence Nash Chillicothe City in southern Ohio. Formerly Ohio capital in early 1800s. rotos Short for rotogravure, an early technique for printing newspaper photographs using an etched copper cylinder Tyrone Power Dashing Hollywood leading man, most famous for “The Mark of Zorro” (1940) The World According to Mercer E a s i e s t lyric to write Days of Wine and Roses 9 minutes Word Collage The Days of Wine and Roses music by Henry Mancini Johnny wrote on e of America’s fa vorite songs of al about Hollywoo l time d. Could you w rite a similar song New York City? about Flip through page s of magazines an d newspapers an out words and im d cut ages that you thin k represent New City today. The York pictures could be of buildings, peop fashion, culture, le, art, music, anythi ng! Choose wor go along with th ds to e photos. Now make a colla ge on a piece of heavy paper or ca board with all of rdthese images. T he re you have it! Yo own view of New ur York City today, just like Johnny's "word collage" of 1936 Hollywoo d. An extra tip: If you paste everyt hing on an empt box, you’ll have y shoea great container to put all your sp things in or a co ecial ol gift to give to someone else! The days of wine and roses Laugh and run away Like a child at play, Through a meadowland Toward a closing door, A door marked "Nevermore," That wasn’t there before. The lonely night discloses Just a passing breeze Filled with memories Of the golden smile that introduced me to The days of wine and roses and you. Johnny’s Try This (in Johnny’s opinion) H a r d e s t lyric to write Skylark Over a year Skylark music by Hoagy Carmichael Now you know... Stanza: A division or section of a lyric or poem. A stanza is usually four to eight lines long. Chorus: A stanza that is repeated throughout Skylark, Have you anything to say to me? Won’t you tell me where my love can be? Is there a meadow in the mist, Where someone’s waiting to be kissed? And in your lonely flight, Haven’t you heard the music in the night, Wonderful music, Faint as a "will-o-the-wisp", Crazy as a loon, Sad as a gypsy serenading the moon (Oh) Skylark, Have you seen a valley green with Spring Where my heart can go a-journeying, Over the shadows and the rain To a blossom covered lane? Skylark, I don’t know if you can find these things, But my heart is riding on your wings, So if you see them anywhere, Won’t you lead me there? a song. Usually the title of a song is in the cho. In “Jingle Bells,” the chorus is the part that begins “Jingle Bells, Jingle Bells, Jingle all the way...” rus Verse: Sometimes used as another word for . A verse also means the stanzas that come in between the choruses. In “Jingle Bells,” the verse begins “Dashing through the snow, in a one horse open sleigh...” stanza 13 14 It’s a Great Big World 1909 1919 1929 193 Growing Up: A Timeline In the Life of Johnny... November 18, 1909 Johnny Mercer born in Savannah, GA In the U.S.A.... 1909 1911 Irving Berlin writes "Alexander’s Ragtime Band" 1914 World War I begins 1915 New Orleans jazz thrives 1917 First jazz recordings made 1918 Armistice signed, ending World War I Johnny Mercer turns 10. 1919 1919 The 18th Amendment outlaws the sale of alcohol (Prohibition) 1920 Paul Whiteman, “The King of Jazz” tours Europe Buys jazz recordings, including Paul Whiteman 1921 The radio era begins 1922 Enters Woodberry Forest School in Orange, VA 1924 2.5 million radios in U.S. homes 1927 Leaves Woodberry Forest 1927 First “talkie” (movie with sound), “The Jazz Singer” 1929 Johnny Mercer turns 20. Family business fails. Johnny moves to NYC 1930 Writes “Out of Breath” for Garrick Gaieties 1931 Marries Ginger Meehan, June 8 1933 Has first hit, "Lazybones" 1934 Moves to Hollywood 1938 First Oscar nomination for Best Song, “Jeepers Creepers” 1939 Johnny Mercer turns 30 1929 1929 Stock market crashes, Great Depression begins 1930 U.S. population 122 million. 115 million attend movies weekly. 1932 Franklin D. Roosevelt elected President 1933 Adolf Hitler comes to power in Germany 39 1949 1959 1969 In the Life of Johnny... In the U.S.A... 1939 1939 World War II begins 1942 Magnetic recording tape invented 1942 Co-founds Capitol Records, serves as the first president 1944 Writes “G.I. Jive” 1945 End of World War II 1945 Has three records at #1 1946 End of “Big Band Era” as many groups dissolve 1946 Wins first Oscar on ninth nomination, for “On The Atchison, Topeka and the Santa Fe” 1949 Johnny Mercer turns 40 1948 Long-playing record (LP) invented 1949 1950 1.5 million TV sets in U.S. 1951 15 million TVs in U.S. 1951 Wins second Oscar for “In the Cool, Cool, Cool of the Evening” 1956 Elvis Presley and rock-and-roll become popular 1958 Stereo recordings introduced 1959 Johnny Mercer turns 50 1959 1961 Wins third Oscar for “Moon River” 1961 Alan Shepard makes first U.S. spaceflight 1962 Back River in Savannah renamed “Moon River” 1963 President John F. Kennedy assassinated 1962 Wins fourth Oscar for “The Days of Wine and Roses” 1969 Johnny Mercer turns 60 1976 Dies July 25 1966 Color TV becomes popular; 78 million TV sets in U.S. 1969 1969 U.S. astronauts land on moon 1976 U.S. celebrates Bicentennial 15 I Thought About You 16 Mercer’s World and Ours Johnny Mercer’s career lasted for more than forty years. Fads and fashions change from year to year, but Johnny Mercer kept writing hit after hit, always staying up with the times. Here is a sampling of what was "in" during the decades when Johnny Mercer was most popular. 30s 40s 50s Stars Slang Thirties Shirley Temple Clark Gable Fred Astaire and Ginger Rogers Forties Bing Crosby Betty Grable Humphrey Bogart Fifties Jimmy Stewart Marilyn Monroe John Wayne All wet: wrong Amscray!: leave! Bash: a good party Clam: a dollar Canary: a female jazz singer Bread: money Cat: a jazz musician Cool it: relax Hep: hip, in the know Chatterbox: a car radio Flick: a movie Hepcat: a stylish person Crab patch: a strict parent Jeepers Creepers!: Wow! Cut a rug: to dance or jitterbug A panic: exciting Dig: to understand A scream: hilarious Ginger: energy, spirit Pile up Z’s: get some sleep Sore: angry Jive: nonsense Sides: vinyl records Swell: great Pepper shaker: a good dancer Drip: boring or annoying person Cool: very good Hang out: lay around Kick: a fun thing No sweat: no problem All wet • A panic • Sore Swell • Chatterbox • Cut a rug • Ginge 30s 40s 50s Fads and Games Fill in your own chart: who are the stars you admire? What slang do you and your friends use? What games and fads are popular? Draw or paste in pictures. Stars Flying saucer watching, stamp collecting, Silly Putty, Scrabble, Hula Hoops, Hawaiian shirts Roller rinks, slumber parties, the lindy hop, soda shops, pep rallies, pizza Backgammon, Sorry, the Jitterbug, Monopoly, bingo, dance marathons, roller skating. The word “teenager” is invented. S E G A M 2 1 3 1 1 Try This Time Capsule Imagine you and your class were go ing to create a ti capsule for this ye me ar. Pick ten items th at surround you that represent lif know it today. W e as you ere these items ar ound or availabl twenty or even th e ten, irty years ago? Slang You’ll be surprise d how many thin gs were created an developed not m d uch more before you were born, if after! not Fads and Games Compare today’s slang with the slang of the past. Are there words you still use today? What fads and games from the past are still around? What do you think makes some things last? er • Pepper shaker • Bash • Bread • Cool it • Hang out • No sweat 17 18 Come Rain or Come Shine 8 8 8 8 Mercer Today Johnny's songs “Too Marvelous for Words” and “Hit the Road to Dreamland” both had something called a patter section. In a patter section, the singer would riff on the lyrics of the song the way a rap artist does today. Check out these “raps.” Too Marvelous for Words Too Marvelous for Words I search for phrases, To sing your praises, But there aren't any magic adjectives To tell you all you are. Adorable and amorous and glorious and glamorous Are insufficient when applied to you/ To be euphemistical To be eulogistical I 'riginate a million words that no one ever knew/ I-try-to-be logical and sensible but I'm incomprehensible Whenever I begin to find a phrase/ For they never say enough and they never tell enough I've all -- ready told you no vocabulary's swell enough What'll-I-do to say// the things I have in mind?/ It's really absurd// there isn't a word to fit you/ No matter where I look// I always seem to find/ Delectable, delicious, magnificently mysterious You're simply too spectacular to be in my vernacular And so you see I'm forced to-go-to-the-birds/ The reason must be quite apparent that you are just too/ Absolutely wonderful and marvelous for words! (1937) Music by Richard A. Whiting You're just too marvelous, Too marvelous for words, Like glorious, glamorous And that old standby, amorous, It's all too wonderful, I'll never find the words, That say enough, Tell enough, I mean, they just aren't swell enough, You're much too much, And just too very very! To ever be in Webster's Dictionary, And so I'm borrowing A love song from the birds, To tell you that you're marvelous, Too marvelous for words. Johnny’s songs have been heard in the movies: Pearl Harbor, What Women Want, You've Got Mail, Devil's Advocate, For the Love of the Game, Michael, and Midnight in the Garden of Good and Evil RAP You can hear Johnny Mercer songs almost everywhere you turn these days. Mercer songs have also been used in TV shows such as: ER, The Sopranos, The X-Files, JAG, Ed, Third Watch, Gilmore Girls, Saturday Night Live, As The World Turns, and The Young and the Restless 18 8 8 8 8 Hit the Road to Dreamland Hit the Road to Dreamland Twinkle, twinkle, twinkle goes the star, Twinkle, twinkle, twinkle, there you are. Time for all good children to hit the hay. Cock-a-doodle, doodle, doodle, brother, It's another day, We should be on our way! King Solomon once in his wisdom said, “There’s nothin’ quite like a good feather bed” That may not be just the written word, So don’t quote me cause I only heard, And then — I coulda misunderstood, But if he didn't say that, then he certainly should. Cause in this world with its killin’ pace, A man's got to find a good restin’ place. It's early to bed, early to rise — Makes a man healthy, wealthy, and wise. (1942) Music by Harold Arlen Bye bye, baby Time to hit the road to dreamland, You're my baby Dig you in the land of Nod. Hold tight, baby, We'll be swinging up in dreamland, All night, baby, Where the little cherubs trod. Look at that knocked-out moon, Been a-blowin' his top in the blue, Never saw the likes of you; (What an angel) Bye, bye, baby, Time to hit the road to dreamland, Don't cry, baby, It was divine But the rooster has finally crowed, Time to hit the road. Johnny in a recording session. RAP YES, YES, GOOD CHILDREN TIME TO HIT THE ROAD With everything connected and mechanized. If you do get nervous I ain't surprised, But listen, good people, you can't cure ills — With capsules, tablets, and vitamin pills. And the only thing to rest your head, Is a good nights sleep in a quilted bed, So just resolve to be good and firm, Cause the early bird is gonna catch the worm. YES, YES, GOOD CHILDREN, TIME TO HIT THE ROAD! Try This Commercial Break Pick one of your favorite songs. As you listen to the lyrics, try to think of a product (a favorite game, food or pi ec e of clothing) that the lyrics of the song could also desc ribe. For example, Johnny Mercer’s song, “Sprin g, Spring, Spring” is about the season, bu t the word ‘spring’ co uld remind you of jumping. The song co uld be used in a TV commercial about your favorite brand of sneakers. Using that idea, writ e a commercial with members of your cla or your friends at ho ss me. 19 20 Spring, Sprng, Spring 7 7 7 7 Nature Lyrics Johnny Mercer was described as an “outdoor writer” because many of his lyrics use images from nature (places, plants, animals, etc.). He used these images to describe a particular mood or feeling in each song. Here are samples from lyrics Johnny Mercer wrote using three of the seasons: from Spring, Spring, Spring from Early Autumn music by Gene de Paul music by Ralph Burns and Woody Herman Oh, the barnyard is busy In a regular tizzy, And the obvious reason Is because of the season. Ma Nature’s lyrical With her yearly miracle, Spring, Spring, Spring! When an early autumn walks the land And chills the breeze And touches with her hand The summer trees, Perhaps you’ll understand What memories I own. All the henfolk are hatchin’ While their menfolk are scratchin’ To insure the survival Of each brand new arrival. Each nest is twittering, They’re all baby sittering, Spring, Spring, Spring! from There’s a dance pavilion in the rain All shuttered down, A winding country lane all russet brown, A frosty window pane shows me a town grown lonely Summer Wind music by Henry Mayer The summer wind came blowing in across the sea, It lingered there to touch your hair and walk with me. All summer long we sang a song and strolled the golden sand. Two sweethearts and the summer wind. Like painted kites the days and nights went flying by. The world was new beneath a blue umbrella sky. Then, softer than a piper man One day it called to you. 7 7 7 7 A Lyrical Miracle Why do so many song lyrics rhyme? Rhymes make lyrics easier to understand and remember when you hear them. Rhymes also give words a musical quality. Try reading "Spring, Spring, Spring!" out loud. Even if you don’t know the melody of the song, you can hear how the words have a "tune" of their own. Johnny Mercer paints “word pictures”: a blue umbrella sky, a dance pavilion in the rain all shuttered down. He also uses words that sound like the subject: busy, tizzy, twittering, baby-sittering all have the sound of spring’s energy and life. There are single rhymes (sea/me, sky/by), double rhymes (busy/tizzy, reason/season) and triple rhymes (lyrical/miracle). Rhyming words don’t need to be spelled alike: true/do/new. Can you add more rhymes to this list that spell the "oo" sound in a different way? "All summer long we sang a song and strolled the golden sand" – all the "s" sounds make the sound of the summer wind. He even turns a season into a person – autumn “walks the land” and “touches the trees.” 21 Try This Some words that are spelled alike don’t rhyme: Bough/enough, pant/want. Can you think of other examples? Outdoor Lyrics Imagine Johnny Mercer sitting ou tside, listening to roundings as he his surwrote lyrics abou t the seasons. Yo the same thing. u can do Sit outside for 3 minutes without saying a word. Now, write dow n all the things yo u see. What do hear? What do you you smell? How do you feel? Now try writing a lyric using all of the things you described in you r three minute ex perience. If you’re feeling brave, try singin g a melody with you just wrote. the words Don’t think abou t the notes, just comes naturally what to you. You may have just written hit song! a smash I’m an Old Cowhand 22 Character Lyrics Some of Johnny Mercer’s lyrics describe a particular character – a “photograph in words”: I’m An Old Cowhand (From the Rio Grande)” from Music by Johnny Mercer I’m an old cowhand From the Rio Grande But my legs ain’t bowed And my cheeks ain’t tanned I’m a cowboy who never saw a cow Never roped a steer ‘cause I don’t know how, And I sho’ ain’t fixin’ to start in now. Yippy I O Ki Ay. Yippy I O Ki Ay. from Laura Music by David Raksin Laura is the face in the misty light Footsteps that you hear down the hall The laugh that floats on a summer night That you can never quite recall from Lazy Bones Music by Hoagy Carmichael Long as there is chicken gravy on your rice, Ev’rything is nice. Long as there’s watermelon on the vine, Ev’rything is fine. You got no time to work You got no time to play Busy doin’ nothin’ all the live long day You won’t ever change no matter what I say, You’re just made that way Try This Character Lyric s Write a lyric abou t your favorite ch aracter from a bo show or movie. ok, TV First step: 1 Make three wor ds lists: • Adjectives th at describe the ch aracter. • Nouns that ar e connected with him or her (objec pieces of clothin ts, places, g, etc.) • Verbs that des cribe what he or she likes to do Second step: Make a list of w ords that he or sh e uses all the tim she have a favori e. Does he or te saying or phra se? Try to captu or she speaks. re the way he Third step: 2 3 Write your lyric. Some possible id eas to start with • a lyric that is are: in the person’s ow n w or d s, lik Cowhand.” How e “I’m An Old does he or she d escribe him/herse • a lyric that d lf? escribes the perso n u si n g a lis t hear down the h (“footsteps you all”/”laugh that floats on a summ • a lyric that gi er night”) ves that person ad vice, like “Lazyb ones.” 23 x Let That Be a a Lesson to You x Mercer Facts Johnny Mercer wrote more than 1,500 songs. If you listened to a different Johnny Mercer song every day, it would take you more than four years to listen to them all. Johnny Mercer liked to paint with watercolors to relax. 24 In the 1940s, he had his own radio show, Johnny Mercer's Music Shop Johnny Mercer never learned to read music, and played the piano with one finger. x And the Academy Award Goes to... Johnny was nominated for the Oscar® eighteen times, and won four times Jeepers, Creepers, 1938 I’d Know You Anywhere, 1940 Love Of My Life, 1940 Blues In The Night, 1941 Dearly Beloved, 1943 My Shining Hour, 1943 That Old Black Magic, 1943 Accentuate the Positive, 1946 *On The Atchison, Topeka and the Santa Fe, 1946 *In The Cool, Cool, Cool of the Evening, 1951 Something’s Gotta Give, 1955 The Facts of Life, 1960 *Moon River, 1961 *Days of Wine and Roses, 1962 Charade, 1963 The Sweetheart Tree, 1965 Whistling Away The Dark, 1970 Life Is What You Make It, 1971 Mercer liked to tell the story that when his kids were young, Ginger would tell them to be quiet because “Daddy's working” -- and he would be lying down on the couch , with his eyes shut and a legal pad on his chest. Mercer at work. x When he first moved to New York, Johnny worked as a messenger on Wall Street. x x 20 of Johnny’s Biggest Hits... Accentuate the Positive Blues in the Night Come Rain or Come Shine Days of Wine and Roses Dream Fools Rush In Goody Goody Hooray for Hollywood In the Cool, Cool, Cool of the Evening Jeepers Creepers Laura Moon River My Shining Hour On the Atchison, Topeka and the Santa Fe One For My Baby (And One More For the Road) Satin Doll Skylark Something's Gotta Give That Old Black Magic Too Marvelous For Words What is a Hit? A GOLD RECORD is one that sells 500,000 copies. If it sells a million copies, it is PLATINUM. (Platinum is a silvery precious metal used in jewelry.) Johnny Mercer liked to write in the morning, after a good night's sleep Capitol Records was founded during World War II, and shellac (the material that records were made out of) was scarce. So, the company recycled scrap records. Say “Ah” x x Try This The doctor tells you to say “ah” w hen he or she w look down your ants to throat because th e “ah” vowel makes throat open wid your e. Look in a mir ror and make th ing sounds: ah e followee oh oo Notice how you r mouth is open wider when you and “oh” than w say “ah” hen you say “ee” or “oo.” Most of time, “open” vow the els are easier to si ng than “closed” Lyricists try to u vowels. se as many open vowels as they ca can be hard to d n. This o, because a lot of songs use the “me” and “you” words – and “ee” and “o o” are “closed” vo wels. Johnny Mercer on What It’s Like to Write Lyrics “There’s something funny about songs – it’s like you’re going out looking for something that you’ve never heard of. You don’t know where it is, it’s just up there somewhere and you can tune in on it. You get a little glimmer – it’s like you’re tuning in to a musical instrument that’s miles away, and you say, oh, there’s something there, if I just dig hard enough, I know it’ll come.” “Usually a title or simple idea comes first, and then the rest of the words just seem to fall into place.” “It's all as easy as chopping up ten cords of wood per day!” 25 2. 1. 3. 4. 6. 5. 7. 8. 10. 9. 11. 13. 12. 15. 14. 16. 26 17. 18. 19. 22. 21. 23. 24. 26. 25. 27. 28. 29. 30. 20. Cross Lyric Puzzle Now that you've had a chance to read through and participate in all of the exercises in the book, review all of your glossary term bubbles and try to complete the puzzle! Have fun! ACROSS 1. An early style of jazz music, well known in the 1920s 3. When one word sounds the same as another because they share the same vowel sound 4. A building where you go to see great performances like plays, musicals and dance 8. Words that sound like the object they describe (ie, fizz, whirr, buzz) 9. Honesty. When you do the right thing you have _________________. 10. Thirties slang for “exciting.” Any “young mechanic can be a ___________.” 12. Someone who writes the words to a song 13. Johnny Mercer's middle name 14. Another word for stanza, or the part of a song that comes before the chorus 15. _________ for Hollywood (backwards) 18. Johnny Mercer worked with many different _____________ (plural, people who write music) 19. The nickname for Johnny Mercer's daughter. “___________ Is Two.” 22. Section of a lyric or poem, usually 4 to 8 lines long 23. “Just watch the smoke rings rise in the _____” (from “Dream”) 24. Mercer collaborator _____________ Whiting 27. A variety show 28. “A blossom covered ______” (from “Skylark”) (backwards) 29. The main or early part. “The ______ o' the night” (backwards) 30. Mrs. Mercer DOWN 1. A rhythmic pattern (backwards) 2. “It’s a _______ Big World” 5. The famous lyricist and composer who this book is about 6. Where 5 Down was born 7. Record company founded in 1942 11. A repeated section of a song 16. The nickname for the Academy Award 17. To work with someone else is to ___________ 20. Thirties star __________ Temple (backwards) 21 Composer Harry ________ 25. Composer Harold ___________ 26 Donald __________ 27 28 More Mercer Lyrics Little Johnny Mercer You Must Have Been a Beautiful Baby (1938) Music by Harry Warren Does your mother realize, The stork delivered quite a prize, The day he left you on the fam’ly tree, Does your dad appreciate That you are merely super great, The miracle of any century, If they don't, just send them both to me. You must have been a beautiful baby, You must have been a wonderful child, When you were only startin’ To go to kindergarten, I bet you drove the little boys wild. And when it came to winning blue ribbons, You must have shown the other kids how. I can see the judges’ eyes As they handed you the prize, I bet you made the cutest bow. Oh! You must have been a beautiful baby, ‘Cause baby, look at you now. Dream (1944) Music by Johnny Mercer Get in touch with that sundown fellow, As he tiptoes across the sand. He's got a million kinds of stardust, Pick your fav'rite brand, and: Dream when you’re feelin’ blue, Dream, that's the thing to do. Just watch the smoke rings rise in the air, You'll find your share Of memories there. So dream when the day is thru, Dream and they might come true, Things never are as bad as they seem, So dream, dream, dream. That Old Black Magic (1942) Music by Harold Arlen That old black magic has me in its spell. That old black magic that you weave so well. Those icy fingers up and down my spine. The same old witchcraft when your eyes meet mine. The same old tingle that I feel inside And then that elevator starts its ride And down and down I go, ‘Round and ‘round I go Like a leaf that's caught in the tide. I should stay away, But what can I do? I hear your name And I'm aflame, Aflame with such a burning desire That only your kiss Can put out the fire. For you're the lover I have waited for, The mate that fate had me created for, And ev'ry time your lips meet mine Darling, down and down I go, ‘Round and ‘round I go In a spin, Loving the spin I'm in Under that old black magic called love! I'm Old Fashioned (1942) Music by Jerome Kern I am not such a clever one About the latest fads. I admit I was never one Adored by local lads; Not that I ever try to be a saint, I'm the type that they classify as quaint. I'm old fashioned, I love the moonlight, I love the old fashioned things — The sound of rain Upon a window pane, The starry song that April sings. This year's fancies Are passing fancies, But sighing sighs, holding hands These my heart understands. I'm old fashioned, But I don't mind it, That's how I want to be, As long as you agree To stay old fashioned with me. I Remember You (1942) Music by Victor Schertzinger Was it in Tahiti? Were we on the Nile? Long, long ago, say an hour or so, I recall that I saw your smile. I remember you. You're the one who made my dream come true A few kisses ago. I remember you You're the one who said: "I love you, too." I do. Didn't you know? I remember too a distant bell And stars that fell like rain, Out of the blue. x When my life is through And the angels ask me to recall The thrill of them all, Then I shall tell them I remember you. Fools Rush In (1940) Music by Rube Bloom "Romance is a game for fools," I used to say. A game I thought I'd never play. "Romance is a game for fools," I said and grinned; Then you passed by, And here am I Throwing caution to the wind. Fools rush in Where angels fear to tread, And so I come to you, my love, My heart above my head. Though I see The danger there, If there's a chance for me, Then I don't care. Fools rush in Where wise men never go, But wise men never fall in love So how are they to know? When we met I felt my life begin; So open up your heart, And let this fool rush in. 29 Ac-cent-tchu-ate the Positive Words by Johnny Mercer Music by Harold Arlen Fm 3 & bc bm & bˇ 6 30 while C7 The Dm hear my Gath - er B b 3 ˇbˇ nˇ ˇˇˇ ˇ ˇ œ will be sin and B 7 sto - ry bm Then ser - mon com - in' B b9 C9 I start re - view - in' G m7 & bC w F ˛ œ. right. B b B bm &b ˇ ˇˇˇˇˇ ˇ ˛ ˇ ˛ tchu - ate the pos - i - tive, e - lim D b11 ˇ ˇ and just G m7 sit tight C7 j ˇ ˇ #ˇ ˇ bˇ nˇ ˇ ˇ the at - ti - tude of C do - in' F+ F ˇ ˛ ˇ ˛ ˇ ˇ ˇ You've got to F7 If you b7 G m7 • 3 ˇˇ that's what I'm "a - gin" set - tle back b B +C m ˇ ˇ nˇ bˇ J ˇ ˇ nˇ F 20 ˇˇˇ ˇ ˇ nˇ ˇ ˇ ˇ ˇ. ˇj ˇ ˇ ˇ bˇ ˇ While Dm C7 3 Feel a F m7 C7 B 15 Fm preach some top - ic 3 wan - na 12 b G m7 on me. & b œ. 3 ˇ ˇ ˇ ˇˇ ˇ ˇ ˇ ˇ ˇ ˇ ˇ & bˇ ˇ œ 9 b ev - 'ry - bod - y, F ˇ œ. F I D ˇ ˇnˇ ˇ ˇ œ ˇ ˇ nˇ ˇ ˇ œ round me E D 3 F m6 3 'round me, F m6 & b bˇ ˇ œ 3 b bˇ ˇ œ ˇˇ Gath - er F m7 D b9 G +( ) C9 Ac F - cent - F+ ˇ ˇ ˇ bˇ ˇ ˇ ˇ nˇ ˛ ˇ ˛ my - nate the neg - a - tive Latch on Dm F7 G m7 to the af - firm - a tive, Dm B & b ˇˇˇ ˇ ˇ ˇ 28 F7 b B bm D b11 ˇ ˛ ˇ ˛ up to the max - i - mum, Dm ˇ ˇ ˇˇ ˇ ˛ ˇ ˛ Don't mess with Mis - ter In - be - tween. F7 bring gloom F9 F7 B to walk up - on the b 36 31 mark Jo - nah D + b9 () G9 in the C7 F9 bˇ ˇ ˇ ˇ ˇ &b 40 ev - 'ry thing looked Dm so D No - ah in the b11 tchu - ate the pos - i - tive, "Man," b Dm &b E B - F7 to the bm lim 51 Don't mess F9 ˇ ˇˇ œ D af - firm - a - tive, do just when ˇ with Mis ˇ - ter 31 F+ F they said, "We bet - ter Ac b9 G +( ) C9 F - cent - F+ nˇ ˛ ˇ ˛ ˇ ˇ ˇ bˇ ˇ ˇ ˇ - my - nate the neg - a - tive, Latch j ˇ ˇ ˇ ˇ ˇ with Mis - ter œ In - be - tween!" bœ No! F ˇ ˇ In on b9 D +( ) F Don't mess ˇ J ˇ ˇ J ˇ ˇ ˇ ˇ ˇ ˇ ˛ ˇ ˛ J C9 ˇ my last re - what did they b11 j ˇ ˇ G m7 ˇ &b J To il-lus - trate G m7 ˇ ˇ ˇ ˇ ˇ ˇ 48 Ark, j ˇ ˇ &b ˇ ˇˇˇˇˇ ˇ ˛ ˇ ˛ 44 ˇˇˇ C9 w B C+ F ˇ faith ˇˇ ˇ ˇ ˛ F dark? F7 ˇ nˇ ˇ ˇ ˇ œ whale, F+ Have F scene. C9 & b ˇ ˛ ˇ ˇ bˇ ˇ œ joy F down to the min - i - mum F li' - ble spread ˇ ˇ ˇ bˇ ˇ ˇ ˇ nˇ ˛ ˇ ˛ G m7 or pan - de - mo - ni - um You've got to b9 G +( ) C9 j j & b ˇˇ ˇˇˇˇ ˇ ˇ ˇ ˇ ˇˇˇ œ 32 F+ F j j ˇ ˇ ˇ ˇ ˇˇˇ œ & b ˇˇˇ ˇ ˇˇ 24 F - be œ - tween. ˇ ˛ Resources Books: 32 Bach, Bob and Ginger Mercer, eds. Our Huckleberry Friend: The Life, Times, and Lyrics of Johnny Mercer. Lyle Stuart, 1982. Furia, Philip. The Poets of Tin Pan Alley. Oxford University Press, 1990. Gavin, James. Intimate Nights: The Golden Age of New York Cabaret. Grove Weidenfeld, 1991. Gordon, Lois and Alan Gordon. The Columbia Chronicles of American Life, 1910-1992. Columbia University Press, 1995. Lewine, Richard and Alfred Simon. Songs of the American Theater. Dodd, Mead and Company, 1973. Mancini, Henry with Gene Lees. Did They Mention The Music? Contemporary Books, Inc., 1989 Mercer, Johnny with Carol Cuellar, editor. Too Marvelous for Words: The Magic of Johnny Mercer. Warner Bros., 1999. Thomas, Tony. Harry Warren and the Hollywood Musical. Citadel Press, 1975. Two of a Kind, Bobby Darin and Johnny Mercer – Atlantic, 1990 (original release date 1961.) Capitol Collectors Series: Johnny Mercer – Capitol, 1989. Videos Featuring the Music of Johnny Mercer: Pearl Harbor starring Ben Affleck and directed by Michael Bay, 2001. Released by Walt Disney Home Video. (Rated R) What Women Want starring Mel Gibson and Helen Hunt and directed by Nancy Meyers, 2000. Released by Paramount Studio. (Rated PG-13) For Love of the Game starring Kevin Costner and directed by Sam Raimi, 1999. Released by Universal Studios. (Rated PG-13) You’ve Got Mail starring Tom Hanks and Meg Ryan and directed by Nora Ephron, 1998. Released by Warner Studios. (Rated PG) The Harvey Girls starring Judy Garland and directed by George Sidney II, 1946. Released by Warner Home Video. (Not rated) Rhythm on the Range starring Bing Crosby and directed by Norman Taurog, 1936. Released by Universal Studios. (Not rated) Web Sites: www.johnnymercerfoundation.org The official site to learn more about the life and work of Johnny Mercer www.johnnymercer.com An educational archive site for Johnny Mercer www.library.gsu.edu/spcoll/music The site for the Johnny Mercer Collection, Special Collections Department at the Pullen Library at Georgia State University www.amazon.com To purchase any of the merchandise listed Devil’s Advocate starring Al Pacino and directed by Taylor Hackford, 1997. Released by Warner Studios. (Rated R) Answers to the crossword on page 26 Music Featuring Johnny Mercer: Midnight in the Garden of Good and Evil: Music from and Inspired by The Motion Picture, Various Artists – Warner Brothers, 1997. Ella Fitzgerald Sings Johnny Mercer – Polygram Records, 1997 (original release date 1964.) Midnight in the Garden of Good and Evil starring John Cusack and Kevin Spacey and directed by Clint Eastwood, 1997. Released by Warner Studios. (Rated R) 1. R 3. R H 8. O A H E N O 2. G T I M E A T E R R E 4. T E A M A T O P O E I Michael starring John Travolta and directed by Nora Ephron, 1996. Released by Tuner Home Video. (Rated PG) 9. I N The Days of Wine and Roses starring Jack Lemmon and directed by Blake Edwards, 1962. Released by Warner Studios. (Not rated) T E G R I T Y 11. C R I C I S 13. H T E R S O M P O E L R L 22. S I A N 30. G T E A I A S E R P N Z R N 16. O D A C E T 29. K E R V U O N L H C A N D 20. Y E L I C H 26. D 27. R C S S 24. R L I T A R E N R O G O 19. M 25. A N R A A U B R R N A 17. C 21. W 28. E 15. Y E R 23. A 7. C A N O M 14. V 10. P Y N 12. L 6. S V H R Seven Brides for Seven Brothers, Various Artists - Rhino Records, 1996. M 5. J 18. C Blues in the Night: The Johnny Mercer Songbook, Various Artists – Polygram Records, 1997. Y A R I H E S N A H S D LyricNOTES ™ AN ACTIVITY GUIDE FOR KIDS A Camp Broadway LLC Publication Editor: Associate Editor: Art Director: Jodi Simon Stewart Lesley Mazzotta, Roseanne Saraceno Joseph M. Pisarchick Contributors: Robert Hartmann: composer/lyricist and Assistant Professor, New York University Graduate Musical Theatre Writing Program Eden White: composer/lyricist/Master’s candidate in Music, Education and Marketing at New York University Nancy Valentino: editor specializing in theater, film and fashion Printed by: Royal Fireworks Press, Unionville, NY Special Thanks: The Johnny Mercer Collection Pullen Library - Special Collections Department Georgia State University 100 Decatur Street, SE Atlanta, Georgia 30303-3202 http://www.library.gsu.edu/spcoll/ Photo Credits Page 3: Page 4: Page 5: Page 6: Page 8: Page 9: Page 10: Page 11: Page 19: Page 24: Page 27: Page 28: Front Cover: Johnny with Margaret Whiting – courtesy of Margaret Whiting Johnny at 8 years old - family photograph Johnny at Woodberry Forest School, VA – Woodberry Forest yearbook Johnny and Ginger on their honeymoon – G. Dobkin Studio, Atlantic City, NJ Family photo – Hebe Stackpole, 1948 Johnny with Paul Whiteman – NBC Studios Johnny with Evelyn Poe – Radio Pictures, publicity still from RKO production Johnny with Buddy Desylva – Gene Lester, Capitol Records Johnny with Harold Arlen – no information Johnny with Hoagy Carmichael – no information Johnny with Henry Mancini and Debbie Reynolds – Academy of Motion Picture Arts and Sciences Johnny with record – Capitol Records Harry Warren and Al Dubin – no information Johnny in recording session – Charlie Mihn Johnny at work – Robert S. Hanah Johnny with pencil – Capitol Records Little Johnny Mercer – family photograph Individual photos credited above www.johnnymercerfoundation.org