An Officer`s Room - Christopher Clarke Antiques

An Officer’s Room 18th, 19th & early 20th Century Campaign Furniture & Travel Equipment.
An Officer’s Room
The vast majority of the items illustrated in the Officer’s Room print (item No. 34) on the cover of this catalogue are for the young soldier’s leisure as
opposed to aiding them in the art of war. The perception of the officers is that their life is one long round of fun. Of course, we know that this was
far from the reality. However, there is some truth that, if their wallet would allow, many officers would kit themselves out very well indeed. We have
produced 23 catalogues illustrating the huge variety of items that were available to them. This one includes makers we have not shown before such
as Peter McCarthy and Gilham; a good pair of faux rosewood chairs and a patent iron chair by Ross with its original packing case. This catalogue also
contains 6 different types of cooking canteens and spirit heaters. The first 2 are rare 19th century canteens, one belonging to a hero of Inkermann, the
other 4 show the progression of portable cooking equipment from the battlefield to the picnic for 2 in a classic car. We are also lucky enough to have a
number of Princess Mary Boxes that were part of a box of 72 that were never issued and so remained unopened for almost 100 years. This is just a small
hint at the 90 items that lie within these pages. We hope you will enjoy them.
Simon and Sean Clarke
Christopher Clarke (Antiques) Ltd.
The Fosseway
Stow on the Wold
Glos. GL54 1JS
England
email : [email protected]
Tel : 01451 830476
www.campaignfurniture.com
The front cover illustration is item No. 34
The inside cover illustration relates to item No. 7
The inside back cover illustration relates to item No. 36
The back cover illustration is described as item No. 76
Copyright Christopher Clarke (Antiques) Ltd., 2014.
All dimensions are in inches.
Please note that due to the printing process the colour may vary.
1. Cabin Desk by Ramsey
The si e of this mahogany Desk fits in well with its probable use in a ship’s cabin.
Certainly, if it was not used on board ship it was made with travel in mind. A stencil
under the top left drawer gives the maker’s name of Ramsey, who advertised
themselves as makers of solid mahogany cabin furniture. We have had a campaign
chest by Ramsey in the past and it was illustrated in our Great Escape catalogue.
This desk has the same larger than standard skeletal brass campaign handles and
cock beading to the drawers of the chest. The top of the desk is divided into five cross
banded sections with the largest, to the front middle, lifting for reading or writing.
This has a ush ring pull handle to the top and a lectern foot which allows it to be
adjusted to five different angles. A removable bar, for a book to rest on, fits to the
front of the section. The top edge of the desk has a wide two reed moulding which is
echoed to the base. Ramsey’s stencil notes From Ramsey & Co. Manufacturers, No.
83 High Street, Poplar’. It is believed that Ramsey started in business around 1800
and used the name to the label until 1811 when they listed themselves as J&E Ramsey
before becoming Ramsey & Carter. This is a good, early campaign desk that fits into
the period before makers were working to established principles in making portable
furniture. Circa 1810.
H 30 1/2 W 41 1 4 D 23 1/2
1
2. Kerr’s Campaign Chest
This teak Campaign Chest is fairly typical of those made in India for the British. It
differs a little in that it has turned feet as opposed to bracket feet. The brass corners
and straps are good quality and cast, where as many Anglo Indian chests have inferior
brassware. The oversi ed brass escutcheons and the handles are also better quality
than the norm. These factors may point to it being made by Chinese cabinet makers
in Calcutta. The name J.E.F. Kerr and the ship Owen Glendower are painted to the
back and this is likely to be a naval officer. However, there were 2 ships called Owen
Glendower; one an Indiaman and the other a 36 gun Royal Navy frigate. A passenger
called Janet Kerr emigrated to Australia on the Owen Glendower but it is more likely
that this chest belonged to J.E.F. Kerr, a midshipman who joined HMS Topa e in 1866.
We can find no more record of him but it is believable that he would have moved
ships during his career and joined the Owen Glendower. The ship was active during
the Napoleonic Wars and afterwards sailed to South America, the East Indies and was
involved in the suppression of the slave trade. She finally became a prison hulk in
Gibraltar and was then sold in 1884. The smaller si e of these Anglo Indian chests are
always popular and this is a good example. Mid 19th Century.
H 39 1 4 W 29 3 4 D 17
2
3. Georgian Secretaire Campaign Chest
This Georgian mahogany Campaign Chest is earlier than most on the market. Although the chest
has turned roundels to the corners and a wide decorative moulding to the top and bottom it has no
overhanging timber that might suffer during travel. The turned mahogany knobs and replaced feet are
threaded and so removable to leave the chest as 2 at sided boxes for travel. The secretaire drawer
has 2 banks of 4 short drawers to either side with 4 pigeon holes above a long drawer and an open
compartment below. The top section has 2 short drawers below the secretaire. Both the secretaire fall
and these drawers have a double reed moulding to their edges. The bottom section has a cupboard with
2 linen press slides. The top section has a steel lug to each corner which locate to steel plates to the
corners of the bottom section. This is a very interesting chest and fits into the earlier period before a
common design for British chests was established. The quality of the cabinet work is very good and the
roundels and unusual moulding set it apart from other campaign chests. They may also point to it being
either Irish or Sco sh. Early 19th Century.
H 43 W 32 D 19 1/2
3
4. Mahogany Campaign Chest
The choice of mahogany selected by the cabinet maker for this two part campaign
chest is very good as is the workmanship. The drawers have a simple line mould inset
to their edge which subtly lifts the chest and the linings are made of mahogany. The
handles are ush brass and fitted by steel screws as opposed to brass. Most campaign
handles do not have any information on the foundry that made them but these are
interesting in that they are stamped COPR to the front. The two parts of the chest
are fixed to each other with replaced brass bolts, when set up for use. The chest
has removable, turned feet and originally probably had a softwood packing case for
travel. By repute the chest comes from the Stepney Gulstons, a prominent family
of Derwydd, Wales. A number of members of the family were in the army or local
militia. One candidate, from his dates, is Captain George Baring Browne-Collier of
the Royal Navy, who married into the family in 1846. The quality of this chest and its
smaller width ties in with its slightly earlier date. Circa 1840.
H 44 W 33 D 18 3 4
4
5. Gilham Campaign Chest
This brass bound, mahogany campaign chest has a superstructure above with shelves. The
2 serpentine shelves are hinged to the panelled backboard so that they will pack within it
when the brass standards are removed. This chest has a few interesting features that, like
the McCarthy chest also illustrated, fit in with it being made by a general cabinet maker. The
brass nut plates to the top of the chest for fi ng the standards are slightly raised as opposed
to ush. To counteract this, there are holes to receive them in the lower shelf, when the
backboard is dropped so that it will sit at. The low bun feet are screwed to blocks from their
underside as opposed to being threaded. The top short right hand drawer is also different. The
drawer front drops not to reveal a secretaire but a bank of 5 small linen press slides. This is a
very unusual feature but one associated with the maker Gilham of Canterbury. The maker’s
engraved brass plate is fixed to the top edge of the superstructure board, indicating that it
never had a cresting rail but was always intended to be left square. Frederick Austin Gilham
is thought to have started his business around 1830 and was located at 9 Beer Cart Lane,
Canterbury. He is listed in the directories as an auctioneer, cabinet maker and upholsterer and
moved premises to 9 St. Margaret Street in 1853. He had 3 sons, Stephen, William and Alfred
John Gilham who was the eldest (born 1838) and the only one who appears to have joined his
father’s business. Both father and son had listings in Kelly’s Directory of 1882 at 9 St. Margaret
Street. Frederick’s states that he was a manufacturer of all kinds of cabinet & upholstery ware
whilst Alfred is noted as an auctioneer, appraiser, house & estate agent. Frederick died in 1882
and from then on only Alfred is listed. A domestic kneehole desk is known with the engraving
plate of A.J. Gilham, Manufacturer, Canterbury. Barley twist candle stands and sticks are also
known by Gilham. The presence of initials draws a distinction between the father and son. The
gilt brass, ush handles are wider than most seen and are all stamped Langebear & Co. who
were founders in Birmingham. They were active from the mid to late 19th Century and their
name has been found on a variety of brassware from handles to castors. The brass corners and
strap work is also a little wider than most and although not stamped, Gilham is likely to bought
them from Robert Langebear. The lock to the top left drawer is by Hobbs & Co. who were
founded in 1852. A good campaign chest by an uncommon maker. Third uarter 19th Century.
H 65 1 4 W 45 3 4 D 21 1/2
5
Peter McCarthy & Sons
Peter McCarthy was born in 1812 and is first listed in the Limerick Trade Directories in 1838 as a cabinet maker at 10 Francis Street. A D. McCarthy is also listed in the same profession at
William Street and although we might guess that was a family connection to Peter, we do not know. Peter stayed at Francis Street for nearly 20 years during which time he and his wife
Mary had Stephen, in 1849, and Francis in 1851, both of whom would later join the family business. Peter also developed an interest in music and was a donor and founder of the Limerick
Athenaeum in 1853. By 1856 the business is listed at 36 George Street under Cabinet Makers and Upholsterers. By 1870, Stephen had joined the business and it became Peter McCarthy
& Son. They are then listed at 38 George Street, have additional premises at 5 Lower Cecil Street and have added Auctioneers to their services. By 1879 Francis joined the family business
with the name changed to Sons to re ect his involvement. They had also extended their showrooms to incorporate 39 George Street. Francis is described as an auctioneer at his death in
1894. Their advert in Guy’s Directory of the same year describes them as one of the largest Cabinet Manufactories in Ireland and it’s quite clear that they were a very successful business
offering a wide range of furniture as well as complete house fi ngs. They also sold furniture from other makers as well as musical instruments. An example of a single leg console table by
the business is in the Jim Kemmy Municipal Museum in Limerick. Expansion continued with 40 George Street being added to 38 and 39 in the early 1900s. An interest in music, theatre and
cinema remained with the family and they were involved in promoting much of the live entertainment in Limerick in the early 20th Century. This included the opening of a bijou theatre’ at 45
George Street and the re-opening of The Gaiety Theatre both in 1912. Aside from their Furniture Warehouse in George Street they also had a Furniture Mart at 9 Thomas Street in 1913. The
McCarthy business has been a large part of Limerick life since Peter founded it in 1838 and aside from their later involvement in music, theatre and cinema they seem to have also provided
and fitted much of the furniture and wood work for the city’s churches, private houses and public buildings. McCarthy Furniture are still serving the people of Limerick with their current
premises at Eastway Business Park on the Ballysimon Road.
6
6. Campaign Chest by Peter McCarthy & Son
A number of features of this walnut campaign chest make it stand out from the
majority seen, as you might expect given Limerick rather than London was its place
of manufacture. The walnut was probably imported and is very similar to mahogany.
Added to this Peter McCarthy & Son did not speciali e in campaign furniture but
were general cabinet makers, as their label illustrates. The chest has a slight over
hang to the top and base board as well as a subtle, decorative groove cut into the
top edge of the chest. The ush handle also stands out as a design we haven’t seen
before with a serpentine shape to the inside top of the back plate. The drawer linings
are made of deal and the top section has 4 lugs that fit to holes to the bottom section
to prevent the 2 parts from moving when set up. The removable, turned feet have
been replaced but are correct for the period. More can be read on McCarthys in the
accompanying article but it is clear that they are cabinet makers who built an enviable
reputation. However, it is unclear if they made a line of campaign furniture or if this
interesting chest was a bespoke piece. From the business’s slight name changes, first
to incorporate one and then the second son, this chest can be dated to between 1870
and 1879.
H 44 W 39 1/2 D 18 1/2
7
7. Brown Bros. Packing Case Chest
The carcase of this Packing Case Chest is made of oak edged in tin with the smarter
wood for the drawer fronts made of mahogany. Originally it would have had a pair of
slide on cover boards to complete the 2 packing cases for travel. These were made
with the one for the top sliding up and the bottom one sliding down on grooves to
the sides of the chest. These boards would each have had two pins to locate them
with one overhanging edge to bolt them to the cases. There are large, iron carrying
handles to the sides. The drawers are lined in ash and each is stencilled Brown Bros,
165 Piccadilly to the inside back. The replaced, turned feet are removable and are
made to the same design as others seen on Brown chests. Brown Bros. were good
makers, although not prolific judging by the number of their items that appear on
the market. From the listings in the London Directories the company were active for
a fairly short period between 1851 and 1872 and kept the same address. This chest
has 2 owners’ details to it. To the sides, in black paint, is PHE with a crucifix and 53rd
Regt. There is also a long ink inscription to the top of the bottom half of the chest and
although barely legible starts with PHE and 53rd which ties in with the stencils to the
sides. It is possible that it was H. Egan who became a chaplain to the forces on 13th
January 1855 but this is speculation. We cannot find evidence of someone with these
exact initials attached to the 53rd which may suggest it refers to a colonial regiment.
The second owner’s details are also painted in white to this part of the chest and are
Capt. W. Holmes 9 K.R.R.C. Holmes became an Honorary Lieutenant in April 1886 and
the uartermaster of the 9th Battalion of The King’s Royal Ri e Corps (Formerly the
North Cork Militia). By 1899 he progressed to the rank of Honorary Captain and then
Major in January 1903. It is likely that he was a regular soldier before transferring to
the Militia as he took part in the Afghan campaign of 1878 to 1880, fighting at Ahmed
Khel and Ghu nee. In 1880 he took part in the Marri Expedition and also served with
the Natal Field Force in the first Boer War. He also fought in the Boer War of 1899
embarking on the R.M.SS. Nile with the K.R.R.C. to South Africa. Holmes’ dates are
later than Brown Bros. which would suggest he purchased the chest from the original
owner or at a battlefield auction. This is a smaller si ed chest with good maker’s name
and intriguing history. Circa 1860. Also illustrated on the inside cover.
H 41 3 4 W 30 D 17 3 4
8
8. Collector’s Camp at Kinjar
The title Collector’s Camp at Kinjar 15th January 1886 gives a succinct description of this watercolour on paper. The artist’s name, Paremeshwar Dayal, is also noted to the
bottom right of the picture and it is likely that he was an educated high-caste Hindu who was an official on tour with the District Commissioner (or so called Collector). The
picture shows the District Commissioner’s shamiana (open tent) where he would sit at one end with his munshis who would transcribe proceedings. He would receive local
petitioners and deal with their requests and disputes or dispense justice that was too petty for the courts. The tent next to the shamiana would probably act as an office with a
further tent for his accommodation not far away. The District Commissioners would conduct lengthy tours across their large Districts in the cold seasons, se ng up camp stage
by stage as they went. This amateur watercolour gives an interesting insight to the administration of British India and the travel involved. Dated 1886.
Image Si e H 4 1 4 W 6 1/8
9
9. Portable Chair Bed
This mahogany Chair Bed is fairly typical in its design with the bed frame hinged to
fold out from the seat. It has the design fault that we have seen with others in that it
never had a pair of legs to support the frame to the middle, thus creating a weak point
at the hinges. Some chair beds have corrected this later but we have made an extra
pair of legs that support the unfolded frame without altering it. All the Chair Beds we
have seen of this design in the past have either been marked or attributable to one of
the London Catherine Street makers such as Butler or Morgan and Sanders. Edward
Groome of White Horse Plain, Yarmouth illustrated one on his trade card but he is
the only country cabinet maker that we know of who made similar chair beds, so far.
This one works to the same principles as those from Catherine Street, with the back
and the sides folding for travel. Like the Catherine Street Chair Beds this one would
originally have had posts and a canopy. Circa 1800.
Closed H 43 3 4 W 34 D 28
10
10. Chair Bed with Canopy
Although the back and sides are not made to fold on this mahogany Chair bed, it is
interesting to compare it with those made for travel such as the other illustrated in this
catalogue. Without the canopy set up and the bed folded out, this is a very attractive chair
with scroll arms and a reeded leg. It is shaped like a small si ed sofa. Its dual purpose adds
to its attraction with the seat frame hinged to fold out and supported by 2 pairs of screw
in legs. It also retains its original posts and canopy to take a mosquito net or drapes over
the head with it dropping down over the feet. A rare chair bed. Circa 1815.
Open H 70 1/2 W 46 D 74
11
11. Morgan & Sanders Flyer
This printed Trade Flyer for the celebrated Catherine Street cabinet makers Morgan &
Sanders is a rare survivor. Their history and rivalry with their past employer Thomas
Butler is well documented, and indeed this yer clearly states Morgan & Sanders
Have no Connection whatever WITH ANY OTHER MANUFACTORY IN London’ in a
ribboned box. Brawer illustrates a similar but slightly earlier yer in British Campaign
Furniture. We can date this one to after 1805 due to the illustration of their Patent
Trafalgar Sideboard and Dining Table. They also describe it in detail to the left of the
yer. They had supplied Nelson and Emma Hamilton with furniture for their Merton
home and were keen to capitalise on their association with Britain’s naval hero.
The yer also illustrates an Imperial Dining Table which they say they invented and
patented, a fact that Gillows might dispute. Sofa and Chair Beds are also advertised,
showing their use for both seating and sleeping. Many of the items are of course
almost identical to those sold by Butler and those who subsequently took over
his business. A particular item of interest, that both Morgan & Sanders and Butler
illustrated and used exactly the same wording to describe, were their Portable Chairs
which they said were available Plain & with Arms, of Mahogany or elegantly Japan’d.
made to any pattern, a do en of which fit in the space of two common chairs’. The
drawings that the 2 companies use show different models of chair but the folding
mechanism seems to be that the front legs are removable and the rear of the seat
is hinged to allow it to fold at against the back. This is similar to the Bergere chairs
which we have shown in the past. We have yet to see a dining chair working to these
principles that could be attributed to one of the Catherine Street makers. Aside from
this yer espousing their Royal Patronage and the virtues of their metamorphic and
portable furniture it is also interesting that they say they can make EAST and WEST
INDIA ARTICLES manufactured on purpose for those Climates, and upon entire NEW
PRINCIPLES; - very portable’. The address of 16 & 17 Catherine Street dates this yer
to before 1816 when they bought Butler’s remaining stock and expanded to include
his premises at number 15. Morgan & Sanders are an important name in the history
of campaign furniture. A similar example is in the British Museum’s Banks Trade Card
Collection. The paper is watermarked 1807.
H 12 5 8 W 15 5 8
12
13
Fenby’s Patent Camp Furniture
J B Fenby patented the mechanism for these 2 chairs, along with a table and a stool on the
22nd of March 1877 with the abridged patent illustrated here. 4 years later an American
patent followed on the 12th of July 1881. Joseph Beverley Fenby lived in Worcestershire
and started out as an inventor. He is also invented the Electro Magnetic Phonograph with
a patent issued in 1863. Although a phonograph never appears to have been made, he is
credited as the first to use the name. Thomas Ferdinand Walker was an early partner of
Fenby’s and he started his career with his father in a nautical instrument making company
also in the Midlands. Fenby and Walker’s partnership was short lived and ended on the
30th December 1878 with the notice in The London Ga ette listing their business as Wood
Carvers and Camp Furniture Manufacturers. Their various premises were at Andover
Street, Fa eley Street and 5 Victoria Buildings, Albert Street, Birmingham. The notice also
stated that Fenby would continue the business under the name J B Fenby & Co. Fenby’s
Camp Furniture advertised their works at Andover Street, Birmingham with wholesale
available at 103, ueen Victoria Street, London. The British Library has a number of
adverts for the company showing their furniture’s use for sporting occasions, picnics
and the military. Stools, chairs, tables, beds, washstands, baths, tents and sun shades
were all advertised, boasting of their lightness, strength, compactness, portability and
finish. The manufacturing business seems to have only lasted for a brief period from the
late 1870s but it is possible that Fenby moved away from having a visible shop front and
concentrated on selling the rights to make his furniture. In 1895 the Gold Medal Company
of Wisconsin started to make the chair under licence and it is believed that Fenby also sold
rights to French and Italian companies. The folding mechanism was undoubtedly popular
as Fenby’s designs were still sold under the brand name Paragon by the Army & Navy CSL
and Harrods well into the 20th Century. In 1895 the Harrods catalogue described it as the
most Portable Chair in the Market’ and they also listed other items under the name. The
chair was made in 2 si es and would fold up in one motion’. The A&N CSL noted that the
design will open and close as easily as an umbrella and are quite as portable’. The chair
was also known by other names such as the Tripolina and was a clear in uence to Jorge
Ferrari-Hardoy, Juan Kurchan and Antonia Bone for their Butter y Chair in 1940. J B Fenby
died aged 60 in June 1903, in King’s Norton, Birmingham but his chair design is a classic
piece of portable furniture which in uenced some of the great 20th Century furniture
designers. The folding principal has stood the test of time and is still used today on the
many lightweight camping chairs available with a beer holder on the arm.
14
12. Paragon Chair
This beech Paragon Chair folds to a very compact si e thanks to the clever metal
joints that link the 12 bars that form its frame. The replaced upholstery consists of
a rectangle of leather with ears sewn to the corners. It follows the pattern of the
original canvas upholstery which remains with the chair. When folded, the chair
resembles a pile of sticks. To set the chair up, the beech bars are pulled apart to their
widest point. The ears of the upholstery can then be hung over the 4 high points of
the chair. The 2 metal bars can then be pushed down until they lock, widening the
struts even further and holding the seat and back in place. The chair is stamped 1918
although sometimes 4 digit numbers refer to a model reference, this is likely to be the
date. The small si e of this chair fits in with its portability. Circa 1918.
H 31 W 19 D 25
13. Colonial Paragon Chair
The wood to this Paragon chair is a mix of Asian hardwood with camphor to the
front legs. This suggests that either it was colonial made or repaired whilst overseas.
It folds in exactly the same manner as the other Paragon chair illustrated here and
also has replaced leather upholstery with the original canvas kept with the chair.
Early 20th Century.
H 31 W 19 D 25
15
14. Naval Chair
This mahogany Naval Chair is a good, standard example of its type. Naval furniture had
to be able to be moved quickly so that the decks could be cleared to bring the guns
into action. Unlike a chair that has removable legs, this chair folds very quickly simply
by lifting the seat frame and pushing the front legs towards the back. The side rails are
hinged to allow the chair to at pack. At first glance the chair looks just like a domestic
one of the period but the clever design meant that it was a model made for a number
of years. The caned seat would be good in a hot climate to allow the circulation of air
but a squab cushion could be added for comfort. An indecipherable name is written in
ink to a side rail. Second half 18th Century.
H 33 1/2 W 18 3 4 D 15 3 4
16
15. Portable Reclining Chair by Ross & Co.
Ross were granted a patent for their iron Portable Reclining Chair on the 11th August
1853, which quickly followed on from their similar patent for a Portable Combined
Chair and Couch of the 1st of July. Although made of iron to help it withstand the
rigours of travel and hot climates, Ross still bowed to the fashion of the day by giving
the chair a rounded back. The chair’s back is adjustable to 3 different positions by
sprung triggers under the arm pads that allow it to recline whilst si ng. It has been
re-upholstered in a green material that is a close match to remnants of the original
upholstery found on the chair. Most of the original green paint to the frame remains
and although this might seem an obvious colour for military furniture, this is not a
consideration we have seen on 19th century or earlier campaign furniture before.
To fold the chair, the brass bolts to the arm’s uprights are released and the seat
frame, which is only fixed to the back, can be lifted at the front to allow the frame
legs to fold. The seat is padded and has a replaced, removable cushion to allow the
chair to fold further and so pack into the case. This is the first iron chair by Ross we
have illustrated and it can be considered rare. It is further enhanced by retaining
its original packing case which has 4 turned legs to convert into a table, much like
a Douro’s packing case. D. Erskine is painted in white to the top of the packing case
and Major The Hon’bl D. Erskine is written in ink to the side by the iron carrying
handle. David Erskine was born in 1816 to the 2nd Baron Erskine of Restormel Castle.
He purchased the rank of Ensign in the 51st (Kings Own Light Infantry) on the 31st
July 1835. He bought his Lieutenant’s rank 3 years later and progressed to Captain
in 1845 and Major in April 1855. He then joined the Natal Carabiniers, gaining the
rank of Lieutenant Colonel before becoming Colonial Secretary of Natal by 1860. The
faded stencil to the case’s lid interior gives the name of Ross & Co. and address of 8,
9 & 10 Ellis uay. The company changed name from E. Ross in 1860 and had moved
to this combination of address numbers in 1864. Erskine married twice and had 9
children, a number of whom seemed to have settled with him in South Africa. His
2nd son, St. Vincent Whitshed Erskine, was an early explorer of Ga aland and is cited
with discovering the source of the Limpopo River in 1868. He also held the post of
Surveyor-General of South Africa. Brawer illustrates the patent drawing for this chair
in British Campaign Furniture, Elegance Under Canvas and it can be considered an
important piece of travel furniture for not only its rarity but also because it still has
it’s packing case. Circa 1865.
Chair Si e H 34 1/2 W 26 D 28
17
16. Pair of Folding Armchairs
This pair of folding, simulated rosewood Regency chairs are painted on beech and have brass oral bosses to the leg joints. The design
is interesting, with the arms hinged on their front posts and fixing to the back on brass dovetail joints. To pack down the chairs, the
arms fold towards each other to rest on the seat. With the arms collapsed, the back will then drop on its hinges to rest on top of the
arms. The legs work on the frame principle although it’s interesting to note that the inside pair are slightly angled, perhaps to add
greater stability. The back legs are hinged to the back of the seat whereas the front pair are united by a rail which is cut at an angle to
its leading edge. This fits to a corresponding bar with angle to the underside of the front of the seat. The seats have replaced caning
and the arms are shaped. These chairs are stylish and well made with good turning and construction. The faux rosewood was done to
capitalise on the popularity of the timber at the time. They are versatile and could be used either as easy chairs, at a desk or to dine.
Circa 1820.
H 34 3 4 W 22 D 19
18
17. Small Universal Table
The si e of the mahogany Universal Table can be considered small and it works well as a centre or side table without the leaves. The design is in Thomas Sheraton’s
The Cabinet-Maker and Upholsterer’s Drawing Book of 1791 and as he noted is extended by means of draw leaves, and fitted with raking slides.’ When the top is
lifted up, a leaf to either side can be pulled out from underneath and is then supported by a raking slide. Brass catches and steel pins hold the 3 parts of the top in
place. Besides enlarging the table it is also very practical because you don’t have extra legs ge ng in the way of the diners. There is one long drawer that is quartered
by dividers, with one half also having a further 6 removable short dividers. It is lined in mahogany and has brass swan neck handles. The top edge of the drawer is
finished with a simple line mould cut in and the drawer front has a beaded edge. The legs have long brass cup castors and steel bolts which fit into 5 inch long, right
angled steel plates set into the underside of the table. The large si e of these plates, coupled with the fact that 8 screws have been used to fix them shows that they
were intended to strengthen the table as well as receive the legs. Each leg is numbered with a simple chisel line between 1 and 4. This si e of this table is such that it
would have been practical for a number of uses by an officer. It can act as a desk, a centre or side table and be extended to entertain fellow officers. Circa 1800.
H 28 1/2 W 36 D 32 Extended 56 1/2
19
18. Aesthetic Movement Table
This small, ebonised Table is made to the Aesthetic taste and you would be forgiven
for thinking it is an ordinary domestic table. When it is turned upside down, the 2
large finials to the centre underside of the leg arches will unscrew. In doing this the
2 pairs of legs, united by a stretcher, can be lifted off. The leg arches can then be
unscrewed from the stretcher. Their threads are cut to opposite turns to ensure you
don’t tighten one whilst loosening the other. With the legs removed the 2 uprights can
also be unscrewed to leave the top. The table has incised gilt line decoration cut into it
with uting to the uprights. An unusual, portable table that was made very much with
the fashion of the day in mind. Late 19th Century.
H 29 3 4 W 22 1/2 D 16 1/2
20
19. Folding Refectory Table
This 9 foot folding Table is made of North American birch wood. Birch was imported
to Britain from Canada in huge quantities during the 19th Century after the duty
schedule of 1803 gave preferential tariffs to the British colonies in America. The table
was probably made in the north west of the country. It isn’t apparent that it’s made
to fold until you look underneath it. The turned legs are made as pairs and sit inside
the end rails to fold under the top when packed down. They are hinged to the top
and fixed in position by 2 large bolts with wing nuts. When set up the legs have very
little movement and are surprisingly sturdy given the si e of the table. The top is
made out of 3 planks. It is probable that this table was not made to travel but to pack
down for ease of storage. It may have been used at harvest time, when there were
more workers to feed or in an army barracks where the dining area had a dual use.
Late 19th Century.
H 29 3 4 W 108 1/2 D 29
21
20. Dual Purpose Card Table
When the pollard oak cover of this centre table is removed,
the blue bai e top and its secondary use as a games table
is revealed. It is stamped to the underside and the tops
of the 2 drawers with the maker’s name of Trollope &
Colls, along with Hamilton Patent 883. The underside is
also stamped A38. Although both Joseph Trollope and
Benjamin Colls had long established businesses as wall
paper hangers and painters and decorators respectively,
they merged in 1903 to form George Trollope and Sons
and Colls and Sons Ltd. By the end of the 19th century
both companies had moved more into building and house
fi ng work. In 1918 their name changed to Trollope &
Colls Ltd. They worked on a number of important buildings
in London and were commissioned by Haarland and
Wolf, ship builders for the White Star Line, to furnish and
decorate their luxury liners. We have had a similar table by
Trollope & Colls in mahogany with removable legs. The legs
of this table are fixed and are uted to the front and sides
but plain to the back. The table has 2 glass drinks trays that
slide out and 2 drawers for playing cards etc. The overall
quality of the table is very good and even the underside of
the removable top is beautifully made. Early 20th Century.
H 29 1 4 W 40 1/2 D 40 1/2
22
21. Packing Case Table
The top of this teak table is formed from a cover board which was probably part of a
packing case for a chest or another piece of campaign furniture. It was not uncommon
for the parts of packing cases to be converted, with the addition of a set of legs etc.
With a little thought from the cabinet maker the top of a hip bath or a packing case
could provide an extra piece of furniture for an officer. Ross, Kane, Hill & Millard and
Allen, amongst others, are all known to have done this. The underside of this table top
is painted black and the overhanging iron edge has holes to bolt it as a cover to a case.
The surface of the table is teak and when used as a cover board, would have faced
inwards, so protecting it during travel. The table has a gallery which slots into the
recess used to fix the board to the case. The back and sides are hinged to each other
but will separate on the hinge pins. There is also a teak bar which slots into the front
recess to complete the top surface. The nature of this system means that the table
has a gallery all around it which may be a consideration for naval use. The turned
legs have steel threads to fit them to the table top. Although there is evidence of a
paper label once being fixed to the underside of the top, there is no indicator now of
a maker or owner. This is an interesting piece of campaign furniture and is a practical
si e for a drinks, side or dressing table. Circa 1840.
H 35 W 36 D 24
23
22. Through Three Campaigns Illustration
The pencil note to this watercolour illustration states Through Three Campaigns p.
124. Through Three Campaigns - A Story of Chitral, Tirah and Ashanti, to give its full
title, was a historical novel by G. A. Henty published in 1904. George Alfred Henty
was born in 1832 and served in the Hospital Service in the Crimea, before going onto
become a Purveyor for the Medical Department in 1857. Whilst in the Crimea he
wrote letters to his father describing the conditions in the East. So impressed was his
father that he took them to be The Morning Advertiser who published them. This set
Henty on the path of an author and he became prolific writing more than 100 books
over a 40 year period up to his death in 1902. His books were mostly aimed at children
and had strong historical content and good Victorian morals. His range of periods
covered was vast with stories on King Alfred to The American War of Independence
and the Australian Bush to the Luddite Riots. His story telling was backed up by
strong research and first hand experience as both a soldier and a Special (or War)
Correspondent. The artist was Walter (known as Wal) Paget, one of 3 brothers, along
with Henry and Sydney, who were book and maga ine illustrators. His time in Sudan,
including covering Gordon’s relieve of Khartoum, as a Special Artist for The Illustrated
London News prepared him well for his later career. He worked on a number of
Henty’s books and was known for illustrating adventure novels. It is probable that this
illustration was passed over for another similar entitled They Charged The Attacking
Force From End to End used in chapter 6. However, it is a good drawing and takes the
viewer to the heart of the battle. Circa 1904.
Framed Size H 12 1/2 W 9 1/2
24
23. Small Mahogany Buffet
The small si e of this mahogany Buffet adds to its practicality with the 3 shelves
offering good surface space. It dismantles as you might expect. Each column is made
of three parts, which fit through holes to the corners of the shelves to screw into each
other and fix into position. The wear to the female sections of the columns show that
this wasn’t done for constructional reasons but that the buffet has been set up and
taken down on numerous occasions. The turned columns have bold rings to the top
and bottom of each section and the legs sit on brass castors. When broken down the
buffet would not take up too much space; set up it is a piece of furniture that would
prove very useful in a tent where you are always looking for somewhere to store your
belongings. Mid 19th Century.
H 39 W 36 1 4 D 15
25
24. Pair of Folding Bracket Shelves
The small si e of this pair of mahogany folding brackets is just big enough to take a
candlestick and a glass. This may equate to use on board Ship. The shaped backboard
of each bracket has 2 holes to screw it to a wall or bulkhead. The shelf is on brass
hinges and its support folds out at a right angle on a knuckle joint. The design of these
brackets is considered and practical. The shaping to the edge of the shelf, where it
joins the backboard, to give a clean joint but to leave a moulded edge when folded, is
particularly pleasing. Mid to late 19th Century.
H 7 W 9 1/2 D 5 3 4
25. Campaign Book Cabinet
This mahogany book cabinet has 2 adjustable shelves behind gla ed doors to give
plenty of space for an officer’s library. Although it may seem logical for book cabinets
to have brass strap work and corners like the chests most were made to sit on, the
majority do not have them. This one does and the brass corners to the top have the
added bonus of being decoratively shaped, which is very pleasing to the eye. It also
has ush carrying handles to the sides, which although replaced, are the correct larger
si e and design. When closed for travel, in much the same way you would close a
book, the cabinet is secured by two locks. This type of portable book cabinet works
very well on top of a campaign chest. Mid 19th Century.
Si e set up for use H 27 1 4 W 32 D 10 3 4
26
26. Folding Bracket Shelf
This medium si ed mahogany Bracket Shelf has a swing out support arm and a
large back board to fix it to the wall. The quality is very good from the choice of the
mahogany, to the strength of the construction. There are 5 holes to screw it to a
bulkhead or wall which will give it a firm fixing. When set up the top is a demi-lune
shape and is a good si e, not too big not too small. A practical and useful piece of
furniture. Mid to late 19th Century.
H 12 W 20 D 13
27. Portable Book Cabinet
The astragal gla ing bars to the doors of this mahogany campaign book cabinet set it
apart from most others. We have had book cabinets with gla ing bars in the past but
not as often as we would have liked. The cabinet has one fixed shelf to the bottom,
with drawer below, to either side with 2 adjustable shelves above. The adjustable
shelves have 19 slots to each side in which they can be set. The drawers to the base of
the cabinet each have a brass axe head drop handle. The show wood is all mahogany
but the sides, which form the back of the bookcase when set up, are oak. The front
edges of the cabinet have a simple line mould cut in, as do the front edge of the
shelves. However, the gla ing bars are cut with a moulding that is shaped and a little
more sophisticated. The cabinet has brass carrying handles with a shaped back plate.
A good portable book cabinet. Early 19th Century.
Si e set up for use H 30 1/2 W 32 1 4 D 8 1 4
27
28. Folding Document Shelves
Although only the depth of these mahogany Document Shelves is reduced when they
are folded, they were designed for travel. The design is unlike any other we have seen
for portable shelves with the extra document trays below the main shelf allowing for
papers to be stored safely during travel. The main shelves can be used either for books
or further papers etc. when set up for use. The opening and closing action is simple
but effective with a brass bar linking the 3 shelves to the front. This closes the shelves
when lifted up and has a tooth which fits to the lock at the top of the frame to secure
it. This bar also adds strength and helps to keep the shelves hori ontal and parallel
when opened for use. The top of the frame has a brass folding carrying handle as well
as 2 hinged mirror plates for hanging the shelves. Aside from hanging, the shelves
will also free stand or could be placed on top of a low chest. The design is clever and
suggests that the shelves may have been intended for use by someone involved in
administration. Late 19th Century.
H 36 1/2 W 34 D 11 1/2
28
29. Portable Bidet
The design of this English mahogany travelling Bidet is well considered to make it
as portable but as quick to set up as possible. The legs are hinged and shaped to fit
within each other when folded as opposed to having legs that unscrew and pack
within the case. There are 4 hinged lopers that swing out to hold the legs in place for
use. When folded, the legs have a brass sprung clip to lock them to each other. The
top of the bidet has a brass push button catch to secure it and when closed can be
used as a side table. However, it is also double hinged so it can be lifted and folded
back to become a third leg, as shown. The bidet has a removable tin basin and shaped
sides to provide more comfort when in use. Although the hinges are stamped Horne
Patent, there is no indication of a maker. A similar bidet is illustrated in Brawer on
page 27 and has its original leather case, further proving it was meant for travel.
Circa 1840.
Si e as a Table H 18 1/2 W 22 1 4 D 13 3 4
29
30. Pigeon Hole Cabinet
31. Bank of Drawers
The quality of this mahogany Pigeon Hole Cabinet is very good from the choice of timber to the extra detail
such as cu ng a moulding to the tops of the drawer liners. When the fall front is opened, 2 rows of 10 pigeon
holes are revealed with 2 drawers below. The middle 6 pigeon holes in each row are labelled in boxwood with
the letters of the alphabet, for filing. The remaining 8 pigeon holes, except one to the bottom right which is
marked Unanswered, are blank. The 2 drawers have large brass skeletal campaign handles and are intended
to be easily removed so that you can work with them by your side. When they are taken out of the cabinet
there is a deeper than expected well which could be used for more sensitive paperwork. Each drawer has a
small hole to the pigeon holes above it to fit a now missing brass pin to secure the drawers in place. The width
of this cabinet means it would fit on a standard si ed campaign chest and although not necessarily used by an
officer, the owner was probably an administrator of some sort. Circa 1820.
Made of teak, this small brass bound table top chest sits on 3
sledge feet. The 2 short and 3 long drawers to the interior are
held in place by a removable, panelled board during travel. The
board has a lock to the top and 2 locating pins to the bottom
with a sprung ball bearing to each side to keep it in place.
The drawers have simple line mouldings running through the
centre of their width. The ush, styli ed drawer handles are
copper and the carrying handles are iron. Although small items
of clothing could be kept in these drawers it’s more likely they
were conceived for keeping papers or stationery etc.
Late 19th Century.
Closed Size H 19 1/2 W 36 D 10 3 4
30
H 17 3 4 W 21 3 4 D 13 3 4
33. VOC Trunk
This low Dutch Colonial trunk was probably made in Batavia of clanwilliam cedar and
is typical of the furniture made for the Vereenigde Oost-Inische Compagnie or VOC.
The spice trade from the East was so important that both the Dutch and the East
India Company were intent on making their fortunes from it. This extended to the
respective companies officers with those of the VOC entitled to bring back various
si es and quantity of trunks with personal stock dependent on their rank. After the
VOC had collapsed, the trunks were still popular and were used by travellers and sent
back to Europe for sale. This trunk is fairly typical with good, heavy carrying handles,
pierced brass straps to the side and the top with an overhanging moulding to locate
with the base. The moulding is also used to the base. Compared to many, this can
probably be considered a small trunk. However, with the addition of a later base,
made to the correct style of those seen on the larger trunks, the si e is perfect for a
coffee table. 19th Century.
H 16 1/2 W 30 3 4 D 20
32. Dr. Minns’ Box
Given the maker’s name and padded bai e lid interior, it is probable that this brass
bound oak Box was originally made to house gold or silverware. The top edge of
the bottom section has an inset brass label for Goldsmiths Alliance Limited, 11 &
12 Cornhill, London. The interior has been stripped of any dividers or trays it may
have had and is now plain. The box has brass corners to the top and straps to the
sides along with carrying handles and a name plate to the top engraved Dr. Minns.
Regrettably there is no further information on the plate which would aid research into
the doctor. The lock was made by Barron, who enjoyed a good reputation, and is also
stamped VR for ueen Victoria. A.B. Savory & Sons (founded in 1812) changed their
name to Goldsmiths’ Alliance Ltd. when they became a limited company in 1866. The
company had agents in India and Australia with customers able to order from Calcutta,
Madras, Bombay, Melbourne, Sydney, Adelaide and Hobart. They were eventually
absorbed by Goldsmiths & Silversmiths in 1893. Late 19th Century.
H 15 W 18 1 4 D 15
31
34. An Officer’s Room
This hand coloured engraving of An Officers Room was published by McCleary of 39 Nassau Street, Dublin. The print shows three young army officers, who are probably from a
cavalry regiment given the sabretache and spurs, racing, hunting and trap prints on the wall, relaxing in their room. It paints a picture of an easy life with one officer laying on
a couch, smoking a long Meerschaum pipe whilst reading the promotions in a ga ette, another playing the ute and a third warming himself in front of the fire whist admiring
his re ection in the mirror. Boxing gloves, fishing and shooting gear and a bat and ball are shown; there are two bottles of claret on the table with a knocked over glass; uniform
is strewn across the room with two puppies pulling a jacket and trousers with the boots and spurs lying across a stool with a bootjack. It was not unusual for a man to wear a
corset in this period and it perhaps points to either the officers’ vanity or a previous liaison. Dublin had the largest army barracks in Europe at this period and officers would have
been a common sight in the city. McCleary pokes fun at the seemingly carefree life of the wealthy young officer. William McCleary was one of the two major print publishers
and dealers at the turn of 1800 in Dublin and produced both political images and satire. He also had a reputation for plagiari ing the work of London printers as well as his city
rival J. Sidebotham which caused a very public falling out between the two. His premises were first in Lower Ormond uay in the 1790s before his success allowed him to move
to fashionable Nassau Street. He was first at number 21 before moving to 32 and then 39 in 1820, which is the address on this print. The 1850 Dublin City Directory shows the
firm still to be in business at 24 Nassau Street. McCleary was a successful, if not sharp, businessman and it’s amusing to see that he even adds one of his broadsheets to the wall
advertising McCleary’s List of Prints Pub’d and sold at No. 39 Nassau St. The print is in a period ebonised and gilt frame. Circa 1825. Also illustrated on the cover.
Image si e H 9 1/2 W 13 3 4
32
35. Major General Sir Frederick Ponsonby’s Trunk
This trunk is made of black leather covered in numerous brass studs of various shapes and si es on a softwood carcase. To the front there is also a cast brass head with long hair
to the top and a large decorative escutcheon topped by a crown with 2 mounted knights either side of a saint below. The trunk is circa 1700 in date and probably Spanish. The
top is slightly domed but drops further towards the back. The interior has a later linen lining and the remains of the iron lock. There is also evidence that it had a later candle
box. By repute this trunk was acquired by Sir Frederick Cavendish Ponsonby during the Napoleonic Wars. He became a Cornet in the 10th Dragoons in 1800, a Lieutenant in
June of the same year and a Captain in 1803. In 1806 he moved regiments to the 60th Foot as a Captain and a year later became a Major. He moved regiments again to the
23rd Dragoons in the same year and was appointed Lieutenant Colonel in 1810. He joined the 12th Dragoons in 1811 and became a Colonel by brevet in 1814 and ADC to
the Prince Regent. In 1820 he went on half pay and was returned as the MP for Kilkenny, a position he had held since 1806, although he was not an active parliamentarian.
He became a Major General in 1825 and was Governor of Malta from 1826 to 1835. He fought at most of the major battles of the Peninsular War including Talavera, Busaco,
Barrosa, Salamanca, Vittoria, Burgos and Nive but perhaps is most famous for his ordeal at the battle of Waterloo. He was seriously wounded after a charge at the French and
lay were he fell. A Polish lancer struck his lance through Ponsonby’s back on discovering he wasn’t dead, he was then robbed by a tirrailleur and another used him as a defence
to fire behind, by the evening he was trampled by Prussian cavalry before a German soldier also tried to plunder him. He was then found by an English private who stood guard
over him until he could be taken to a farmhouse to be treated. It was a miracle he survived. Ponsonby’s involvement in the Peninsular War ties in nicely with the origin of the
trunk and it is probable that he attained it at this time. It would have been useful to an officer of his standing. The provenance for the trunk is Haile Hall near Egremont with the
attribution coming from the family. Aside from its link to one of Wellington’s officers and a hero of Waterloo, this trunk is desirable in its own right. Circa 1700.
H 25 W 48 D 20
33
36. A&N CSL Hat Case
This hat case is made of leather hide and is lined is dark
red quilted silk. The case has padded leather, short
dividers extending two inches on the angle of each
corner. The hats rims are held in place by these dividers
to prevent them from moving in transit. The case’s lid
interior also has belt straps to take a collapsible opera
top hat. To the lid interior is a shield shaped label noting
in gilt Army & Navy Cooperative Society Ltd. Made At
The Society’s Works. The label also states A&N CSL 105
Victoria St. Westminster, SW1. The Society made a huge
variety of leather luggage and several different types and
si es of hat cases. The quality is good from the shaped
handle to give a comfortable grip to the stitching. Late
19th century. Also illustrated on the inside back cover.
H 11 W 14 1/2 D 14
37. Hat Case
This leather hide Case is lined in red material and has
a compartment to the top, the board of which is held
by two elastic belt straps. The interior has two further
straps which suggest they would hold the brim of a
hat. The case has rounded edges to the top, a lock ap,
reinforced bottom corners, a fishtail handle and a key. An
uncommon variation on the hat box. Late 19th Century.
H 14 1 4 W 14 D 12
34
38. Small Kit Bag
This grained leather Kit Bag is lined with dark
green leather to the interior and has pockets
to one side. It also has a compartment to
the base, for shoes etc. that can be accessed
separately. This type of case was typically
used for hunting or sporting kit and they
were also referred to as Square Mouthed
Bags. This one is particularly well made and a
little more refined than most. It has a single
handle with a push button lock to the middle
and a brass locking clip to either side. The
mouth is hinged to lock open. A good quality,
nice si ed bag. Circa 1900.
H 12 W 18 D 10
39. Large Kit Bag by Whitmore’s
This large, grained leather Kit or Square
Mouthed Bag is stamped Whitmore’s,
Makers New St, Birmingham. The interior is
lined in linen with a pocket to one side. The
bag has 2 handles over a brass lock and a clip
lock to either side. It also has 2 leather straps
to further secure it. There are reinforced
leather corners to the bottom and it stands
on brass domed feet. Not much is known
of Whitmore’s although they did also make
crocodile skin luggage as well as dressing
cases. This bag is well made and the si e can
be considered large. Circa 1900.
H 16 1/2 W 25 D 15
35
40. Attach Case
The rigidity and square profile of this leather
hide Attach Case offers a simple practicality for
use. It has a plain interior and A4 papers will sit
inside without fuss. The interior is lined in a blue
stripe paper similar in look to Manchester ticking.
The case has a single strap to fix the lid and a
comfortable, rounded handle. There is a plain
brass plate above the strap and it is possibly an
old addition perhaps used to cover a past owner’s
initials. Late 19th Century.
H 11 W 15 D 2
41. Leather Case by Insall of Bristol
This leather hide case is stamped to either end with
Insall, Manufacturer, Bristol in an oval. In modern
terms we would describe this as a ight case and
the si e and shape makes it very practical. Insall’s
are a highly regarded West Country maker that
were established in Bristol in 1829, as noted on
their adverts. They seemed to have remained at the
same address, 19 St. Augustine’s Parade (a large
double-fronted shop), throughout the 19th Century
and expanded to also incorporate number 20. In
1837 George Insall is recorded as a trunk maker in
Bristol and it is probable that he was the business’s
founder. W. Insall is the name most commonly seen
on their labels. William Insall was more than likely
George’s son and in turn he was joined by his son
with the firm later listed as W. Insall & Son. Insall’s
offered a full range of luggage from portmanteaus
and boot trunks to carpet bags and hat cases. They
advertised that their goods were suitable for both
the military and those travelling and that they also
dealt with wholesale.
Late 19th Century
H 12 W 17 3 4 D 6 1 4
36
42. Leather Bag
This leather hide bag has a belt loop running the
length of its back and was originally made to be
worn at the waist. It now has a period leather
removable strap to allow it to be used as a shoulder
bag. The bag has a front pocket which is fixed
with a belted strap and 2 side straps to adjust the
mouth width of the bag. The bag interior is plain.
This is a well made bag which can still be used.
Late 19th Century.
H 11 W 13 1/2 D 5
44. Boxed Travel Chess Set
The small pieces of this Travel Chess Set are
turned from bone and follow the Calvert
pattern. The board is made of 4 pieces of card
covered in leather and the squares are made of
applied pieces of tan and dark red leather. The
red leather is rolled with a hatched design. The
board is hinged to pack down to a quarter of its
playing si e. The card box has a later covering
which was presumably added to strengthen
it and is a sympathetic colour to the hidden
original. It is only a little larger than the folded
si e of the board to minimise the si e for travel.
Late 19th Century.
Box Si e H 1 1/2 W 3 7 8 D 3 7 8
43. Leather Travel Chess Set
This slim leather Patent Chess Set has
brass hinges to the middle to further
reduce its si e for travel. It’s probable
that it originally had a simple slip case
to contain it when packed. The pieces
are brass buttons which easily push into
the board’s squares. The playing board is
surrounded by four rows of button holes
to put the taken pieces during play. The
natural colour of the leather surface is
stained black to differentiate between
the squares. Although the board is
stamped patent there is no maker’s
name and it may have been a devise to
put others off from copying the design
rather an actual patent. The board folds
to three quarters of an inch and is a
good design with all the pieces held
securely although still easily removable.
Circa 1900.
45. Large Travel Games Board
This large mahogany Chess and Draughts Board
folds in half for travel. The squares are made of
rosewood and boxwood and have holes to fix
the pieces. Given the internal si e of the board
when closed, it’s probably that the now missing
pieces were marked discs. The box is thin for
travel. The sides of the board are fixed with
brass screws and a feature has been made of
them. The board is closed with swing hooks. The
top of the board has a plain, inset composite
shield. Late 19th Century.
Full si e H 1 W 18 D 18
Size Open H 3 8 W 9 D 9
37
46. Cooking Canteen in Tin Case
47. Capt. Acton’s Canteen and Water Bottle
This black japanned tin case contains equipment for brewing a number
of drinks as well a cooking a basic meal. The set contains a silver plated
frying pan with hinged handle, a kettle, a beaker, 2 plates, a container with
lidded compartments engraved sugar, coffee, tea and meat along with a
condiments tower in 3 sections. The set also has a spirit heater and a tin
sleeve to support the kettle and pan either over the heater or hot coals. The
case would originally have had a carrying strap. This set is far more ornate
than that used by Capt. Acton. The kettle has a rope twist swing handle,
the edges of the plates are decorated, the sleeve is cut with a Greek key
pattern for air vents and the container is heavily engraved. This perhaps fits
in with the owner, as the container is also engraved with a Viscount’s crown
over the initial R. Although much smaller in si e than Acton’s impressive
canteen, this set was made to be better quality as perhaps befitted its owner.
Early to mid 19th Century.
Captain Acton’s leather cased, tin and iron Canteen
contains all the items needed to cook for two people.
Aside from the silver plated condiments tower, iron
frying pan, sauce pan handles and trivet all the pieces
are made of tin. The largest item is the pan with swing
handle which is the si e of the leather case. The lid
to this pan has domed feet and folding wire handles.
The set also consists of 2 crescent containers which
are divided to the middle, 2 crescent asks with
brass screw caps, a kettle, a teapot, both a large and
small saucepan with lids and removable handles, 2
beakers with wire handles, a sugar pot with sifter to
one end and to take tea to the other, 2 bowls and 2
small plates. Altogether there are 22 pieces, some of
which are stamped with Acton’s initials WMCA and
regiment 77. William Molesworth Cole Acton was born
on the 29th December 1827 and joined the 77th (East
Middlesex) Regiment of Foot as an Ensign in 1850.
He became a Lieutenant 2 years later and a Captain
on the 29th December 1854. He was in the Crimea
with the 77th and fought at Alma, Inkermann and
the siege of Sevastopol. The National Army Museum
have Acton’s greatcoat and describe his great bravery
at Inkermann in their catalogue A Most Desperate
Undertaking. To surmise, Acton was ordered to take
his company and collect 2 others on en route to clear
a Russian Battery on Shell Hill. The officers of the
2 other companies refused to join Acton declaring
they weren’t strong enough. Acton ordered the 77th
to advance alone but having heard that the other 2
companies would not join them they did not move.
Unperturbed, he declared Then I’ll go by myself,’
and reached 30 or 40 yards before Private James
Tyrrell, of the 77th, ran out and stood by his side. They
were joined by a soldier from another company and
advanced a little further when the rest of the 77th ran
out to them. The remaining 2 companies could not
now stay behind and they advanced to join the attack
which proved successful. Just over a month later Acton
became a Captain on the 29th December 1854. He
served with his regiment in the Eastern Campaign
up to 9th February 1855 and his honours included a
medal with three clasps, 5th Class of the Medjidie,
and the Turkish medal. Acton remained with the
77th, rising to a Major in 1869 when he became the
Recruiting Officer at Inverness. Whilst still at Inverness
he became a Lt. Colonel in 1877. By the early 1880’s
Case size H 10 1/2 W 8 D 8
38
he had retired. This canteen is complete as far as we can tell, with all of the various parts
packing neatly within one another. Aside from the initials stamped to the tin ware, Capt.
Acton. 77th Regt. is painted to the top of the leather case. This is also painted in the same
manner to the Water Bottle that accompanies the set. The barrel is made of ash, partly
wrapped in cane and with glass ends, one side of which is damaged. It has a cork and
a brass cover to lock it in place. The barrel also has a leather shoulder strap and is very
similar to another we have had that was used at Sevastopol. We do not know when Acton
bought this set but it is probable he had it in the Crimea, when the regiment arrived at
Scutari on 15 April 1854. It was the largest con ict he was involved in and the set would
have been ideal for use in the Crimea. Although some of the tin ware is stamped with
Acton’s initials, no rank is noted and it is likely that the leather case and barrel were
painted at a later date. It is rare to find such sets complete and it is further enhanced by
Acton’s bravery at Inkermann. Circa 1850.
Case size H 10 1/2 W 14 D 10
Barrel si e H 6 1/2 W 8 1 4 D 4
39
48. Bill of Fare for the SS Bangalore
This hand written menu on a printed template gives the Bill of Fare on board the P&O steam ship Bangalore on the 10th
April 1871. The Bangalore was an iron-hull passenger liner, registered in London and launched in March 1867. Her maiden
voyage left Southampton for Alexandria in July of the same year. Later she also sailed to Venice, Bombay, Hong Kong and
Sydney. The head of this menu is printed with an oval cartouche for the Peninsular & Oriental Steam Navigation Company
with a ship to the centre and motto uis Separabit below. It is also printed with Bill of Fare and a space after SS showing it
could have been used by any of the P&O steam ships. The menu was hand written on board ship and lists the main courses
as well as the entrees and 2nd courses. Some of the food offered included a variety of roasts from Leg of Mutton, Beef and
Pork to Chicken. The entrees offered Mutton Cutlets, Saut ed Kidneys, Sausage Rolls and Fowl and Mutton Curries. The
2nd courses included Rice Pudding, Apple Tarts and Cheese. This menu would have been an inconsequential item after the
Monday dining service had finished on the named date of 10th Day of April 1871 but the fact that somebody saved it means
it is now most likely a unique survivor. It has been folded 6 times but is now framed. Dated 1871.
Image Si e H 16 W 5 1/8
40
49. Portable Shaving Pot by Drew
The unusual shape of this silver plated pot belies its purpose for shaving with the large spout made to dip a
shaving brush. The pot has a spirit heater to warm the water which packs inside the pot for travel. There is also a
removable soap bowl which has drainage holes around its edge. The pot has a leather case which is stamped with
the owner’s initials of C.H.C. In gilt to the inside of the lid is stamped To Her Majesty The ueen. Drew & Sons, 33,
35-37 Piccadilly Circus W. The inside of the lid of the pot is stamped Drew & Sons, Piccadilly Circus, London. Drew
were established in 1844 and the quality of this pot is as good as you would expect of a company with Drew’s
reputation. They were foremost known for their high end leather goods and picnic sets, however on their second
oor they also sold Military Furniture and Campaigning Equipments. Circa 1900.
Case Si e H 4 1/2 W 3 3 4 D 6
50. Spirit Heater by Tiffany
This leather cased Spirit Heater with pot is stamped Tiffany Maker Silver Soldered E.P. to the base, along with the
reference numbers 10319 and 60. All of the parts, except the case and spirit ask are also marked 12. The set
contains the heater with a screw on snuffer and lid, a stand, a spirit ask, a pot with folding handles and lid. All the
parts pack into the pot which in turn fits into the case which is secured with a belt strap. This piece of equipment
would have been useful for both making hot drinks and heating shaving water. Tiffany were founded in 1837
and although they are known as a New York company they also had shops in London and Paris by the early 20th
Century. Circa 1910.
H434W334D4
51. Swaine-Brigg Tea Set
A leather cased Travel Tea Set for two people. The set consists of a pan with lid, a spirit heater, stand for the
pan which can be used with either the heater or hot coals, a spirit ask, a tea infuser, a pair of spoons marked
Ceso Alpacca and a pair of yellow enamel cups with saucers. The pan has cane wrapped around both the lid and
pot handles. All the components , bar the saucers, fit neatly inside the pan. The saucers sit at the bottom of the
case, held together by a leather loop which also makes them easier to lift out. The case is made of leather and is
stamped Swaine-Brigg London. Swaine & Adeney and Thomas Brigg and Sons were two separate and successful
companies that merged in 1943 due to the war. Brigg lost their Paris shop during the occupation and the two
companies joined in February. This is a good little set and the vibrant yellow enamel has gilt to both the lips of the
cups and saucers. Mid 20th Century.
Case si e H 6 3 4 W 5 1 4 D 5 1 4
41
52. Tin Cased Spirit Stove Set
This black tin case has a strong brass carrying handle and the remains of a brass patent label. It holds the equipment and containers
needed for making tea and having a bite to eat whilst travelling. There is a spirit heater with a copper kettle that has a serrated
underside to increase the heating surface, 4 asks with brass screw caps and a container divided in 3 to take tea and sugar etc., 2
square trays, an enamel cup with a tin tea infuser and a small copper funnel; to the lid is a spoon with pseudo hallmarks. This set
has a more workmanlike quality to it than many of the leather cased sets that were made. This perhaps belies its slightly earlier age.
However, it does share the Russian Doll qualities of the other sets with all the items well considered to fit in the smallest space possible.
The part label to the case is marked atent OT89’. Late 19th Century.
H 7 W 8 1/2 D 4 1/2
53. Decanter & Tea Caddy Box
This large, mahogany brass bound box was made to house 4 decanters as well a tea caddy
etc. To the back of the box there is a row divided into 3 sections. The middle section has
a mahogany lid with brass knob and on either side is a removable, square container with
a diagonal divider. Below these containers, each space is shaped to hold a round object
which may have been a drinking glass or mixing bowl etc. To the front of the box, in the
middle, is a large well. It’s possible this area had a removable tea caddy which has since
disappeared. Either side there are divisions to take 2 decanter bottles. The large si e of
this box suggests it was meant to be a tea caddy as well as a decanter box. Although not
common, such boxes are known. The interior of the lid has a suede pad to cushion the
contents and the top has a brass skeletal handle to open it. The sides have ush, rounded
carrying handles that differ to the one to the top and are stronger to help bear the weight.
Decanter and tea caddy boxes of this si e are not easy to find. Mid 19th century.
H 11 W 15 D 13 1/2
42
54. Satinwood Box
The contrast of the ebony edging against the rich colour of the satinwood sets this square box off nicely. It’s well
made with ebony to the top edge of the bottom box, where it closes to the lid, and satinwood to the interior top’s
edge. The sides have skeletal handles and the interior is plain and lined in bai e. You might expect a box of this si e
to have been made for something specific, such as decanters, however there is no evidence of dividers etc. This is a
good looking box. Early to mid 19th Century.
H 12 1 4 W 12 1 4 D 12 1 4
55. Pickle Case
The four glass jars in this brass bound oak case were
to hold pickles. The cut glass jars have a wide mouth
and subtle decoration. The case has brass corners
and a ush campaign handle to the top. It’s well
made with open dovetails and is lined in blue bai e.
Pickles became very popular in the 19th century,
perhaps due to the number of people travelling to
the East. This case was probably intended for use on
picnics or perhaps for luncheons at field sport events
etc. It is an unusual piece of travel equipment the like
of which we haven’t seen before. Late 19th Century.
H 6 5 8 W 7 1/2 D 7 1/2
43
56. Capt. Gissing’s Dispatch Box
This faux leather Dispatch Box is stamped Capt. C. E. Gissing R.N. to the top as well as Slave Trade Instructions
Commission. Charles Edward Gissing became a Naval Cadet in 1859 and a Sub Lieutenant in 1865; 3 years later
he was a full Lieutenant. In 1883 he was appointed HM Vice Consul in the Dominion of the Sultan of an ibar. He
progressed to Captain on the last day of 1888 and Rear Admiral in 1902. The Slave Trade Instructions Commission
was established in 1881 to revive the slave trade instructions for the Royal Navy which had been in force since
1869. Slaves taken from the interior were being transported by dhows off the east coast of Africa to the slave
markets of Arabia. The Sultan of an ibar gave his blessing to the British to stop the slave traders. In 1888 Gissing,
in command of the gunship HMS Osprey, intercepted 3 dhows carrying 204 slaves to the port of Jeddah, whom he
freed. This dispatch box was made by Wickwar of Poland St. London, who were manufacturers to HM Stationery
Office. It is perhaps a little larger than most and has a brass swan neck handle to both the top and the front of the
box. The lock is a Bramah. Circa 1889.
H 6 1/2 W 18 D 12
57. Prime Minister’s Secretariat Dispatch Box
This black leather Dispatch Box is stamped in gilt with C.B.H, George V’s cipher and Prime Minister’s Secretariat,
to the top. It has a ush brass handle and a Bramah type lock, although it is unnamed. Aside from using the
key, the round escutcheon also needs to pushed to the right to open the box. The interior is lined in leather and
has criss-crossed leather straps to the lid interior to hold notes. etc. It also has a brass double lug to the side of
the box to help line up the top to the bottom. It’s stamped with the maker’s details of John Peck & Son, Nelson
Sq. Blackfriars. Manufacturer to H.M. Staty. Office. It is believed that Peck were in existence by 1880 and are
listed first as Pocket Book Makers at 19 Nelson Square and then as Leather Goods Manufacturers in 1912, when
they had moved to number 7. The initials to the top of the box stand for Cecil Bisshopp Harmsworth who was
born in 1869. When David Lloyd George became Prime Minister in 1916 he introduced the Prime Minister’s
Secretariat, who were a team of aides each responsible for a different area of policy. Harmsworth was a member
of the Secretariat between 1917 and 1919. Before and after this period he held a number of Under and Private
Secretary positions in Government. Circa 1917.
H 6 1 4 W 18 D 12
44
58. Joseph Hume’s Dispatch Box
This dark red leather Dispatch Box belonged to Joseph Hume (1777-1855), a very active parliamentarian and a thorn in the side of many governments. It was made by Furnell
& Bagnal, Trunk Makers to the Hon’ble. East India Company of 67 St. Pauls Church Yard, London. Hume joined the E.I.C.’s naval service as an Assistant Surgeon in 1797 and it is
probable that he obtained this box around this date, given the maker’s advertised connection to the Company. Furnell & Bagnal were certainly active around this date and Kent’s
Directory of 1803 lists them as Trunk makers at 48 Cornhill. By the 1820s they are no longer listed. Hume progressed to Full Assistant Surgeon on the Houghton by 1799 and on
arrival in India transferred to the land service. He had a skill with languages and soon became a useful political administrator. With the outbreak of the Mahratta War in 1801, he
joined the 18th Sepoy Regiment as a Surgeon but was soon appointed interpreter. He devised a way to safely dry damp gunpowder and progressed through several high posts
in the army which allowed him to enrich himself. He retired from the E.I.C. in 1807 a wealthy man and returned to Britain. At first he travelled the country extensively, with a
social interest, but in 1812 he purchased the seat of Weymouth. He went on to hold several seats including Aberdeen, Middlesex, Kilkenny and his home seat of Montrose. He
took his duties as a member of parliament very seriously and was particularly concerned with exposing extravagance and abuse. He served on more committees of the House
of Commons than any other contemporary member and died whilst still a MP. This box is made of leather on a softwood carcase and is lined in a green sugar paper. The lock
is stamped GR, showing it to be Georgian and retains its key. The top has a brass handle and is marked Joseph Hume. Accompanying the box is a leather framed photograph of
Hume which is initialled JH to the frame’s cover. It was taken later in Hume’s life and shows him holding papers presumably to indicate his position. The box is circa 1800 in date.
H 6 3 4 W 14 1 4 D 9 3 4
45
59. The Right Hon. Sir Edward Fry’s Dispatch Box
This leather Dispatch Box is stamped in gilt to the top with The Right Hon. Sir Edward Fry. The interior is lined
in leather and has a grid of crossed leather straps inside the lid to hold notes etc. It is also stamped with the
maker’s details of Wickwar & Co., 6 Poland Street. Manufacturers to H.M. Stat. Office. The box has a Bramah lock
with the original key. Fry was born in Bristol in 1827. He became a barrister in 1854, took silk in 1869, was a High
Court Judge in 1877 and became a Lord Justice of Appeal in 1883. In this year he was also appointed to the Privy
Council. Fry built a reputation for his impartiality and Spy drew a caricature of him for Vanity Fair in 1891 entitled
Specific Performance. In 1892 he retired, moving back to Bristol. However, his standing was such that successive
Governments enlisted his help for difficult arbitrations and committees etc. This led to his arbitration of a
number of international disputes as well as his involvement with commissions such as that which inquired into
the Dogger Bank incident where Russian warships fired on British fishermen in 1904. In 1907 he became the first
British delegate at the second Hague Conference. In the same year he became a Knight of the Order of the Bath.
Wickwar were good makers and this box is no exception. Fry was probably either given or bought it in 1883, when
he joined the Privy Council as an advisor to the ueen.
H 6 W 18 D 12
60. Capt. Wren’s Dispatch Box
This black tin Dispatch Box was made by Chubb & Sons Ltd and has one of their Detector locks to secure it. It is
marked to both the top and the front with the owner’s details of Capt P.C. Wren, I.A.R. 101st Grenadiers. Percival
Christopher Wren is famous as the author of Beau Geste, a novel about the French Foreign Legion, and also wrote
over 40 other books. Wren moved to India in 1903, to work for the Indian Education Service. After the outbreak
of war he was commissioned in the Indian Army Reserve 101st Grenadiers on the 20th November 1914 and a
month later he is noted as going with the regiment to East Africa. By the following February he was on sick leave
and eventually invalided out of the army. The Chubb number to the lock dates it to August 1909 which would
suggest Wren either bought the box for use in civilian life and later had his military details added or it took 5 years
to sell after its manufacture. As you would expect from a company with Chubb’s reputation, although utilitarian,
the box is good quality and has added interest for its provenance. Circa 1909.
H 6 W 16 D 11
46
61. Georgian Document Box
Made of mahogany boards that are close to one inch in thickness, this brass bound Document Box was
made with strength in mind. The carrying handles are of a si e you might expect on a piece of furniture
and add to the sense of importance of the contents of the box. The box had two screw bolts to allow it to
be fixed to the oorboards of an inn or ship and a key for turning them. With the box locked, this would
prevent someone stealing it or it moving in high seas. The interior has a lift out tray with a well below and
a secret drawer to either side. The drawers are each hidden by a sprung facia board which is released by
pressing the timber close to their catch. The lid also has a compartment which although obvious through its
visible hinges, has its release catch hidden. The catch is released by one of the teeth for the lid’s lock. This is
a good quality box. Early 19th century.
H 6 W 18 D 12
62. Drew Silver Fitted Dressing Case
This crocodile skin Dressing Case by Drew and Sons has its complete set of fi ngs. There are 2 hair and
2 clothes brushes made of ebony with silver monograms of R.M.P.; a lift out leather tray containing a
portable shaving brush, 2 small jars, a cologne bottle, a long case and a short case all in silver and glass;
underneath this there is a pad with 2 ra ors, a file, a pair of scissors and a corkscrew; with the pad
removed a blue velvet lined well for jewellery is revealed and to the side of this is an ebony and leather
strop with cover. There are 2 more hidden jewellery compartments underneath the pair of brushes to
the sides of the case. The ra or, scissors and case are all marked with Drew’s details and the silver is
engraved with the owner’s monogram. The silver is hallmarked for London 1889 and has the maker’s
mark of W & G Neal. Although Drew had their own silver marks, the contents are original to this set
suggesting they also used outside companies. Drew advertised that they were established in 1844 and
they are a company of great repute. Their Piccadilly showrooms at numbers 33 and 37 had 3 oors
of travel goods with Military and Barrack Furniture and Campaigning Equipments on the third oor.
The quality of this Dressing Case is as good as to be expected from Drew and with only the case strap
missing it is remarkable for being complete. Dated 1889.
H 4 W 11 1 4 D 8 1/2
47
63. India Office Wash Bowl
This ceramic blue and white Wash Bowl has the transfer print of Genevese
pattern by Minton but its additional interest lies in its 2 further transfer marks.
The inside of the bowl also has the broad arrow mark with I.O below. The broad
arrow shows that the bowl was owned by the board of ordnance and the I.O
is likely to be for India Office. This bowl would have probably have been used
with a washstand and paired with a jug. The underside of the bowl is impressed
Minton and there is a transfer mark of the Minton’s globe above a banner with
Genevese and England below. Minton are a much respected factory who are
still in existence. They were founded at the end of the 18th Century by Thomas
Minton and enjoy a good reputation. The Genevese pattern was very popular
and produced from the early 19th into the 20th Century. This bowl stands out
for the additional broad arrow and I.O marks. Although there is no legible date
cipher, the England on the mark shows that it was made after 1891. Circa 1900.
H 4 5 8 W 12 1/8
64. Clothes Line Wallet
This small black leather wallet contains a travel clothes line with 6 ivorine pegs. There are also 2 glass
headed drawing pins for securing the line. For the traveller at the turn of 1900, this would have been a
useful piece of kit whether in a ship’s cabin or tent. This case is stamped Germany and it is not uncommon to
see small items of travel equipment of this period which were imported. A few different maker’s produced
such clothes line, including Vickery of Regent Street. Circa 1900.
H 3 W 3 1/2 D 3 4
65. Cased Scissors
The handles of this pair of steel scissors are riveted at the 4 corners to allow them to fold against the body
and pack into the green leather case. The scissors are stamped Cowlishaw, Sheffield, England to one side
and pat. 139086 to the other. Cowlishaw’s were a family business and particularly noted for their silver fruit
knives. They also made cigar cutters, cutlery and atware with premises first in Market Street, then Baker’s
Hill, Arundel Street and Napier Street. Early 20th Century.
Cased si e H 3 3 4 W 3 4 D 1 4
48
66. Box Campaign Mirror
This teak campaign Box Mirror has the looking glass fixed to the top half of the cover board by
8 screws. This board is hinged in the middle to allow the mirror to be set at 4 different angles
by means of a small foot to the bottom of the frame that will sit in one of 4 grooves to the base.
Most box mirrors have a cover board in 2 pieces with a removable mirror. This box mirror also
differs in that it has a moulding to the edge of the box. The underside of the case is stamped with
a 4 digit maker’s reference number of 3566 which might suggest the A&N CSL or Harrods as the
maker. Late 19th Century.
H 13 1/2 W 18 1/8 D 16 1 4
67. Octagonal Travel Mirror
This walnut octagonal Travel Mirror folds neatly to ensure that the four separate looking glasses are
protected when packed. A push button catch releases the first mirror which faces the second. This
second mirror is a magnifying glass for shaving and when only opened so far the whole will stand for
use in much the same way as an opened book. To use three mirrors at once, the shaving mirror is
opened to reveal another mirror backing onto it and a final, central mirror. With all three opened the
mirror will free stand but there is also a shaped brass loop to allow it to hang whilst using either two
or three glasses. This mirror is very well made with the three leaves shaped to fit neatly to each other
when closed. Aside from it’s shape it is quite plain with little consideration to embellishment, as you
might expect when portability is a strong design consideration. Late 19th Century.
Closed Size H 8 1/2 W 8 3 4 D 1 1/2
49
68. Colours of the I and L II Punjabis
This fine pair of gouache illustrations on paper shows the Regimental Colours of the 19th and 62nd Punjabis. Both regiments changed their numbering after Lord Kitchener’s
reforms of the Indian Army in 1903. The 62nd were raised in 1759 as the 3rd Battalion of Coast Sepoys in the Madras Army. They were very active in the turbulent second half
of the 18th century when the East India Company were fighting the French, Tippoo and the Marathas. They fought under Wellington at Assaye and were recognised by the
addition of the elephant device and the Battle’s name on their Colours. The gold dragon with imperial crown was awarded after their actions in the 1840 First Anglo Chinese
War. The 19th were born out of the 7th Regiment of Punjab Infantry who were raised in 1857 after the fallout of the Indian Mutiny. They fought in both the Bhutan and Second
Afghan Wars and distinguished themselves at the Battle of Ahmed Khel. It is possible that these illustrations were produced around the time of Kitchener’s reforms, as new
colours and badges etc. would have been designed to account for the changes. The draughtsmanship is excellent and they may have been produced as templates for suppliers
or possibly for a book etc. where accuracy was essential. This is perhaps confirmed by the notes giving corrections to the bottom of the illustration of the 19th. In 1922 another
re-organisation of the British Indian Army took place. The 19th became part of the new 14th Punjab Regiment and the 62nd became the 1st Battalion 1st Punjab Regiment. So,
these illustrations can be dated to between 1903 and 1922.
Framed Si e H 14 1 4 W 9 1 4
50
51
69. Barrack Straps by York House
This pair of leather Barrack Straps are marked York House, 15 Regent St.
London to their hanging eyelets. These straps were useful in a tent or
barrack either in pairs, to hang swords and whips etc. across them, or
singularly. The hooks are a little unusual in that they are made of gilt pressed
brass as opposed to the more usual cast brass. York House, named after
the building the company occupied on Regent Street, was founded in June
1879 by Major Clench as a cooperative society. They commenced trading
in the following November. York House is often referred to as The Junior
Army & Navy Stores and it’s unclear what their exact connection was with
the A&N CSL of Victoria Street, which was founded 8 years earlier. However,
it is known the Junior A&N advertised their address as York House, Regent
Street. Perhaps, York House were bought out by the A&N CSL and their name
was changed. Certainly, the ethos, the variety of wares and the method of
operating with agents across the world was very similar to the A&N CSL. We
have seen campaign chests and portable shelves with labels for York House
in the past and they are also known to have supplied officer’s messes and
regimental canteens. Late 19th Century.
Si e of each H 24 W 2 D 2 1/2
71. Hanging Rack
This turned mahogany Rack follows a standard
pattern made by a number of workshops.
However, the quality is very good. The 6 swinging
hooks fold out for use and it is often thought
that they were made for hanging wigs. It is very
possible but in reality these hooks would have
been very practical for hanging a variety of items.
The turning adds to the decorative nature of the
hooks and the acorn finals to the 4 corners are a
nice finishing touch. Second half 19th Century.
Folded si e H 17 1 4 W 26 1 4 D 1 1 4
52
70. Walker’s Patent Hooks
This set of brass Walker’s Patent Hooks are of the
more uncommon, smaller si e. They are made of
solid brass as opposed to brass wrapped around
steel, which is the method for the majority of
the larger sets. The brass has its original gilt
lacquer which is worn in places and the hooks are
stamped Walker’s Patent 1864. The hooks can be
expanded to the required width or closed to pack.
Late 19th Century.
H 9 3 4 W 9 1/2 D 2
73. Georgian Cigar Case
72. Jewellery Case
A small leather jewellery case in the
form of a miniature suitcase. The case is
well made with 10 stitches to the inch
and the interior lined in green velvet
and silk. The case also has a removable
green pad to allow a second layer of
jewellery to sit on top of the first. The
top is stamped with the initials F.R.
Early 20th century.
This leather and steel Cigar Case can be considered an early example. The top and
underside of the case are impressed with both beading and line decoration. The top
also has the English Royal Coat of Arms stamped to the leather. The two halves of
the case are edged with steel which also forms the hinge and are locked by a small
swing catch. Both halves of the case house the cigars and they are held in place by
steel retainers which are shaped and pierced for decoration. These are released
to hinge open by a push button which releases a catch. The edging is similarly
pierced. The case is lined in red leather which is a good contrast to the deep brown
hide of the outer case. Early cigar cases are not common and this one stands out.
Early 19th Century.
Closed Size H 1 1/2 W 5 1/2 D 2 3 4
H214W734D4
74. Trunk Tea Caddy
Made of oak, this Tea Caddy is designed
to resemble a trunk. The belts straps,
carrying handles to the sides and top,
escutcheon and corners are all nickel
plated and quite decorative. The interior
is lined in metal and has a central,
removable divider. The escutcheon has
a kitemark with gives a registered date
for the design of 28th August 1879.
The kitemark is also stamped to the
underside of one of the belt straps along
with the maker’s initials of HB and model
number of 2380. There is also a broad
arrow mark which suggests the box
was supplied by the Board of Ordnance
perhaps to an Officer’s Mess. Circa 1879.
H 6 1/2 W 9 1/2 D 5
53
Princess Mary Boxes
At a meeting held in the Rit Hotel, Piccadilly, London, on 14 October 1914, H.R.H. Princess Mary inaugurated
a special fund to pay for the manufacture and distribution of her now well-known Christmas 1914 Gift Tin.
For many weeks we have all been greatly concerned for the welfare of the Sailors and Soldiers who are
gallantly fighting our battles by sea and land. Our first consideration has been to meet their more pressing
needs, and I have delayed making known a wish that has long been in my heart for fear of encroaching on
other funds, the claims of which have been more urgent. I want you all now to help me to send a Christmas
present from the whole nation to every Sailor a oat and every Soldier at the front. On Christmas-eve when,
like the shepherds of old, they keep their watch, doubtless their thoughts will turn to home and to the loved
ones left behind, and perhaps, too, they will recall the days when as children themselves they were wont to
hang out their stockings wondering what the morrow had in store. I am sure that we should all be the happier
to feel that we had helped to send our little token of love and sympathy on Christmas morning, something
that would be useful and of permanent value, and the making of which may be the means of providing
employment in trades adversely affected by the war. Could there be anything more likely to hearten them in their struggle than a present received straight
from home on Christmas day Please, will you help me ’
A General Committee was formed after H.R.H. Princess Mary’s letter to the public of the 15th of October 1914. With little time before Christmas, the
Committee benefited from having such important people as the Prime Minister, Churchill, and Kitchener as members. Added to them were representatives
drawn from Parliament and the Commonwealth. Adshead & Ramsey designed the tin with a bust of the Princess within a laurel wreath to the centre and
Imperium Britannicum’ above. The tin also had Mary’s initial either side of the bust and the Allied powers, Belgium, Japan, Russia, Monte Negro, Servia and
France around the edge. Christmas 1914’ was embossed underneath the laurel wreath. It was decided to suit the contents to the recipient. Most contained a
pipe with tobacco and cigarettes but nurses received chocolate, Indian troops spices or candy and non-smokers acid tablets. All of the boxes had a card from
the Princess and most also had a bullet pencil. Such was the public’s reaction to the appeal that 2,600,000 tins were able to be distributed by the War Office,
Admiralty, Colonial Office, India Office and the High Commissions of the Colonies. To illustrate the huge task of organising this, more than 13 million cigarettes,
710,000 pipes and 44,000lbs. of tobacco were purchased. Some problems naturally ensued with the production of the brass tins affected by the manufacture
of armaments and the difficulty of buying ceric stones from Austria for the lighters when they ran out. Given the fact that it would be very difficult to fit all
of the contents listed above into the tin and historical notes that state that the individual gifts were contained in a larger cardboard box, and the logistics
of supply and the preferences of the recipients, many of the items were added at a point closer to individual distribution. Despite the powerful Committee
a number of the boxes weren’t received in time for Christmas 1914, which is hardly surprising. However, with plenty of money in the fund those eligible to
receive the gift was extended to include all men and women in uniform on the 25th of December 1914. Some were still being issued 5 years later in 1919 and
the quality of the later boxes is markedly different. The Princess Mary Boxes have become an iconic item from the Great War. A simple gift to remind those
at the front that they were remembered by those at home meant so much to so many. The majority that come on the market are incomplete or damaged.
Naturally those that are in good condition, or an earlier issue, are more desirable.
The boxes we have for sale were part of a larger consignment of 72 boxes which were in a large box tied with course knotted string with a lead seal stamped
with the letter M for the Princess. This box remained unopened for nearly 100 years. The larger box was finally opened by Lady Emma Kitchener, greatgrandniece of Lord Kitchener on the 28th of June 2014 at the Chalke Valley History Festival. The distribution notice illustrated here was in the larger box along
with 6 smaller boxes, each containing 12 tightly packed tins that have been unopened for 100 years. The contents of each tin are a New Year Card from the
Princess dated 1915 and a Bullet Pencil. In January 1915 the Committee met again and decided to use the surplus money to give this simplified gift to all
British, Colonial and Indian troops both serving outside and inside the British Isles, who had not already received a Mary Box. The reasoning was due to the
high numbers of British and Imperial forces, estimated at over 1,800,000, who had not received the gift in the first distribution but were now eligible. These
unopened boxes would have been part of this second wave and the quality of the tins are still very good. Also illustrated on the back cover.
54
75. Single Princess Mary Box
This single Princess Mary Box is one of 12 from the smaller cardboard boxes
contained within the sealed box described opposite. It contains a piece of
card with a brass Bullet Pencil and New Year Card from Princess Mary. The tin
is dated 1914 and the card 1915. Also illustrated on the back cover.
Size of Box H 1 1/8 W 5 1/8 D 3 3/16
76. Set of 12 Princess Mary Boxes
This set of 12 boxes are made of gilt pressed brass and contain a New Year
Card from Princess Mary and a piece of card which holds a brass Bullet Pencil.
They are contained within a cardboard box that was one of the 6 that made
up the contents of the larger, sealed box described opposite. The exceptional
condition of the boxes is as to be expected considering they have hardly been
handled since they were packed. The tins are dated 1914 and the cards 1915.
Size of Cardboard Box H 4 W 10 1/8 D 7
55
77. Travel Candle Lamp
The silver plating to this Travel Candle Lamp is very good quality with very little wear.
These types of lamp are sometimes referred to as a Doctor’s Lamp but they would
have been useful to anyone travelling. It can be used in a variety of ways depending
on your situation. It has a pair of hooks, that fold safely into the body when not in
use, which can grip the curtains of a train or coach carriage and the canvas of a tent;
there is a hinged ring, which is an unusual addition, for hanging on a hook and the
lamp has a telescopic leg which extends by a half twist and has 3 riveted feet that
fold out to widen the base to free stand. The lamp has a hinged re ector that can be
angled to direct the ame light but also protects the glass when packed. The glass
front panel and the lamp’s back are also hinged to extend out from the main body
to create air vents. When turned upside down a vesta case with a cover serrated for
striking is discovered. The top and re ector are engraved with a Talbot dog which was
a device used by various families. This form of lamp was made by a number of makers
in different materials from tin to silver and gilt metal. Although there is no maker
associated to this example the quality is high and it is likely that it was retailed by a
fashionable London shop. Late 19th Century.
Packed Si e H 6 W 2 1/2 D 1 3 4
78. Lancaster’s Patent Ruby Lamp
This black toleware candle lamp has a brass plaque naming it as a Lancaster’s Patent
Ruby Lamp with the reference No. 8971. It was meant for use in a photographic dark
room. The folding principal is similar to that which we have seen on a number of
folding lanterns. It is made up of panels that are hinged to each other and held in
position by the top and bottom section. This lamp has 2 glass panes, one clear and
one red. The third panel is tin and forms part of the case. The lid is hinged to the back
of the case and when set up can be swung to cover the red light. The top of the lamp
has a hinged, round air vent. The bottom is formed to hold a candle. The glass panels
are shorter than the case and so have a pin foot for balance. This allows a space in the
case to store the candle when not in use. Lancaster claimed to have been established
in 1835 and were a Birmingham firm. They had various addresses in their history
including 7 Summer Lane, 5 Colmore Row and from 1877, 87 Bull Street. They tended
to use local workshops to make the components, assembling the final product in their
own. They are known to have advertised travelling lamps. This is an interesting variant
on the travelling lantern. Circa 1870.
Packed si e H 1 W 7 1/2 D 4 1/2
56
79. Green Leather Travelling Candlesticks
This pair of pressed nickel Brighton Bun Portable Candlesticks are covered in dark green
leather. The removable sconces also have a band of leather. The candlesticks dismantle
as you would expect with the two sconces unscrewing from the dishes, one of which
has a male screw fi ng and the other a female. With the sconces placed into one
dish, the other will screw onto it to form a bun shape which contains the parts.
The Army & Navy CSL were known to sell similar candlesticks. Leather Brighton
Buns are not easy to find and this is the first pair we have had covered in a
coloured leather. Circa 1900.
H 2 3 4 W 3 1/2 D 3 1/2
80. Ebony Brighton Bun Candlesticks
This pair of Anglo Indian Travel Candlesticks are made of turned and carved ebony. Although
we have seen another pair of ebony Brighton Buns, made to the same design as these, this
pair stand out for also having unmarked Indian silver collars and mounts to the sconces and
snuffers. The design of the Brighton Bun has one sconce with a male threaded part and the other
female, as with the two dishes. This allows the dishes to screw together to contain the removed
sconces and snuffers, for travel. Although the candlesticks are completely covered in either
turned ring or carved decoration it is subtle because the work is shallow. Aside from metal, this
type of travelling candlestick was made in a number of different timbers including walnut, oak,
mahogany, rosewood and the relatively common olive wood. Ebony Brighton Buns are much
rarer. Mid 19th Century.
H 3 1/2 W 4 3 4 D 4 3 4
81. Padouk Brighton Bun Candlesticks
The hard wood used to turn this pair of Brighton Bun Travel Candlesticks is probably padouk.
They are relatively plain in design with 2 turned rings to decorate the outside lip of the dishes
and simple turning to the sconces. The screw fi ngs, to allow the candlesticks to dismantle for
travel, are quite basic metal threads as opposed to cut from the solid wood. The sconces are
lined in brass to give the wood some protection from the lit candle. A good si ed pair of buns in
an uncommon wood. Late 19th Century.
H 3 1/2 W 4 7 8 D 4 7 8
82. Travel Candlestick
A toleware Candlestick that packs down to form a box for travel. With the
lid open, the hinged candle sconce will stand up. The lid is split with the
smaller part hinged to the larger so that the top can be closed with the candle
upright for use. With the lid closed, a handle is formed to allow you to carry
the candlestick. The interior of the box has a space for a spare candle and
a divided section to the opposite end of the sconce to take vestas, some of
which remain. A serrated striker edge to one end of the box is for lighting the
matches. The tin is decorated with a mottled gold colour which has faded
over time from a faux tortoiseshell, which can be seen to the base of the box
and the inside lip, both areas that received less exposure. The box is stamped
Protected No. 10433 to the front and this is probably a registration number
which would date it to 1888.
Closed si e H 1 W 6 D 1 3 4
57
84. Ship’s Bell Rope
This Ship’s Bell Rope is made of cord
which has been painted and varnished
to both decorate and protect it in the
salt air. It would have been worked by
a sailor, showing his skill at rope work
and kno ng. It is relatively stiff and so
likely that that it has an inner core. The
rope has a loop to one end to fix it to the
bell’s clanger and terminates in a Turks
head knot to the other. The ship’s bell
was used to regulate the watches and so
played an important part in life aboard
ship. Late 19th Century.
H 19 1/2 W 2 1/2 D 1 3 4
85. Small Brass Telescope
83. Recording Clock
This Recording Clock by Dent is made of brass and would have been used by a Night
Watchman to confirm he had visited every location that he was required to on his
rounds. The cover of the drum is removed, once unlocked, by a half turn before lifting
it off. The interior has a paper disc, made to be replaced after each round, that is
printed with Dent’s Portable Registering Tell Tale along with the company’s address
and a clock face marked 1 to 12 with 3 divisions in between. The cover has a small
glass window to view the number as the paper disc is turned by the clock mechanism.
It also has an aperture which allows the watchman to mark the disc with an individual
brass key at every location visited. The cover is engraved with Recording Clock along
with the maker’s name within a triangle, their address of 41 Pall Mall, London and
a unique identifying number of 78527 for the clock. This number is repeated to the
side of both the cover and the drum as well as the back of the drum. A broad arrow
mark along with the number 0552 524-7210 is also marked to the back of the drum.
The clock has a leather shoulder case which allows it to be used without removing
it. Dent’s were established in 1814 and are a famous horological name. Aside from
providing a number of explorers and the military with equipment they also made the
Standard Clock at the Royal Observatory and perhaps the world’s most famous clock
Big Ben. Early to mid 20th Century.
Clock si e H 3 3 8 W 3 3 8 D 2 1/8
58
This 3 draw brass telescope has a black leather grip, it retains its
cap and is small enough to fit into your pocket. There is no maker’s
name to it but it has a good weight and has got a smooth action.
Late 19th Century.
Full si e H 16 3 4 W 1 1 4 D 1 1 4
86. Cased Pair of Skeleton Binoculars.
87. Skeleton Binoculars
This type of nickel plated, folding binocular are typically referred to as Skeleton as they
are stripped back to the bare minimum to increase their portability. The 2 pairs of lens are
hinged to at pack against the body hinge or bridge. A small handle also folds out from
the bridge and there is a lever which quickly adjusts the focus. The eye lenses are shaped,
which is a nice touch. They are stamped Archimede for the maker and Depose which
means that the design was registered in France. The si e is such that they are commonly
referred to as Opera Glasses but they have a practicality that meant they were used for a
number of occasions. The interior of the leather case is marked Hiley, 65 Clifton Park Road,
Clifton, Bristol. G. Hiley was a member of the Bristol and Gloucestershire Archaeological
Society in 1913 and these folding binoculars would have been useful to him in his hobby.
Early 20th Century.
As with the Archimede pair, these nickel plated binoculars have the 2 pairs of lenses
hinged to fold at against the bridge when not in use. They also have a hinged
handle between the objective lenses. The bridge is made in 2 parts with a sprung
section fi ng inside a sleeve to allow it to be drawn out to focus. The sleeve is
marked with gradients from 1 to 5. The reverse of the sleeve has a cut out star
which may be a maker’s mark. The at pack nature of these binoculars make them
easily portable. Early 20th Century.
H 2 3 4W 4 D 1 4
Case Si e H 3 W 4 1/2 D 1 4
88. Pair of Tube Binoculars
89. Winett Binoculars
The ocular lenses of this pair of nickel plated on brass binoculars are joined by
a bridge with a focus wheel. Each lens is also fixed to the tubes inner sleeves
by 2 screws which allow them to tip and then be pushed inside the tubes for travel.
The tubes have dark green leather grips with hatched tooling. The back of the
focus wheel is marked BTE.SGDG’ which the French used to indicate that they are
Without Government Warranty. These binoculars would probably have had a case
when first sold. A clever and compact design. Early 20th Century.
This pair of very small folding steel and brass Patent Winett Binoculars are also
marked Busch with Dolland, London to the reverse. It is probable that Dolland were
the retailers and others such as James Sinclair Co. Ltd of Haymarket and Aspreys were
also known to have sold them. The design is very compact with the 2 lens swinging
out from the case which then forms the bridge between them. The binoculars have
snakeskin grips and the lenses extend by first pulling and then turning them.
Early 20th Century.
Folded Size H 1 1/2 W 4 1/2 D 1 1/2
Packed si e H 1 3 8 W 2 5 8 D 1
59
90. The Earl of Sefton’s State Chariot
This fine watercolour illustration with gilt highlights shows the Earl of Sefton’s State Chariot. It has a pencil inscription to the bottom noting As built by Hooper & Co. for The Earl
of Sefton K.G. The top left corner has a paper label giving Hooper & Co’s details of Coach Builders to Her Majesty and H.R.H. The Prince of Wales, Victoria St. London S.W. It also
asks that the drawing be returned. Hooper & Co. formalised their name in 1846 but were born from 2 businesses, J and G Adams and George Hooper who first set up together in
1833. They moved to Victoria Street in 1867 and then to St. James’s Street in 1897. The Earl lived at Croxteth Hall in Liverpool and, appropriately, the carriage made by Hooper is
now owned by the Museum of Liverpool. The precision and quality of this drawing is high. Circa 1870.
Framed si e H 5 3 4 W 10 3 4
60
Other catalogues by Christopher Clarke Antiques
At Ease Gentlemen (sold out)
The Portable Empire
Campaign Furniture
Essential Baggage
An Englishman’s Tent
England Expects
The Portable House
Furniture Fit For Heroes
The Captain’s Kit Bag
– with Manfred Schotten
Brass Bound & Portable
Furnishing the Colonial Bungalow
The Quartermaster General
The Great Escape (sold out)
– with Manfred Schotten
For King, Country & Comfort
The Third Voyage
First Class travel
Sports & Games & Great Campaigns
– with Manfred Schotten
Lieutenant Wilmot’s Bungalow
Captain Blackwood’s Trunk
Rule Britannia
– with Manfred Schotten
Flying The Flag
Bibliography
A Gift for Christmas: The Story of Princess Mary’s Gift Fund, 1914
- Diana Condell, Imperial War Museum.
British Campaign Furniture, Elegance Under Canvas
- Nicholas A. Brawer
Dictionary of English Furniture makers 1660 - 1840
- FHS
Historical Record of the 101st Grenadiers, 1778-1923
A Most Desperate Undertaking
- Alistair Massie
Pictorial Dictionary Of Marked London Furniture (1700 - 1840)
- Christopher Gilbert
The Royal Navy and the Slave Trade
- R.C. Howell
Woods in British Furniture making 1400 - 1900
- Adam Bowett
Yesterday’s Shopping, The Army and Navy Stores Catalogue 1907
Acknowledgements
Christopher Clarke Antiques would like to thank the following people for their help,
research and advice in the production of this catalogue : John Bedford, Bill Cotton, Richard
Emsley, Michael Hall Photography, Joe McCarthy of McCarthys Furniture, Jon Towell , Alan
Hines and Sam Wilkes of Luminous Design.
Christopher Clarke (Antiques) Ltd.
www.campaignfurniture.com