Computer Audio Hardware

Transcription

Computer Audio Hardware
computer audio
Choosing The Right
Computer Audio Hardware
The computer is the hub of today’s music creation
setup. Not only does your audio hardware have to
talk to your computer, it has to be able to interface
with both your analog and digital gear, and be
ready to accept future additions. Below are some
factors to take into consideration when looking for
an appropriate interface for your studio.
Platform and format: Should you go Mac or PC?
Personal preference rules here, since almost all interfaces
feature cross-platform operation. In some cases, features
may vary slightly between platforms. Another consideration
is whether to go with FireWire, USB, PCI, or PCMCIA.
How many inputs and outputs: This will be
determined by how many tracks you need to record at once,
how many monitor outputs you need, if you require separate
headphone outputs, and whether you plan on routing to and
from external processors.
Types of I/O: This depends on the kind of recording
you plan to do. For mics, instruments, and monitoring you’ll
need a combination of XLR and 1/4" inputs; balanced and
unbalanced. Plus, there is digital I/O to consider, such as
ADAT lightpipe, S/PDIF, and AES EBU, as well as word clock
and video synchronization.
Extended features: This could come in the form of
built-in DSP for adding effects without taxing CPU usage, a
virtual mixer to route signals for cue or surround mixes, and
standalone capabilities.
>>contents
Hard Disk Recording ............... 140
USB Audio Interfaces ............... 144
FireWire Audio Interfaces ........ 150
PCI Audio Interfaces ................ 160
Control Surfaces ...................... 164
Synchronizers .......................... 168
MIDI Interfaces ........................ 169
Digital Audio Converters ......... 171
Computer Hardware - Mac ...... 174
Computer Hardware - PC ........ 176
Computer Hardware ............... 178
Digital Audio Storage & Backup....180
Bit-depth and sample rate: 24-bit recording is
pretty much the standard, however sample rate really
depends on the type of music you record. For audiophile
quality, 96-192kHz is required. Keep in mind that higher
sampling rates generally mean less available simultaneous
inputs and require more hard drive space.
Studio or live: There are a variety of rackmountable
interfaces to choose from for the studio, but for field use,
you’ll need portability features including a lightweight,
rugged case, easy connection to a laptop, and remote power
options such as USB/FireWire bus power or battery packs.
Why buy from Sweetwater?
As an Apple-certified service center, as well as manufacturer
of our own line of audio-optimized PCs, we know first-hand
how to navigate the fluid, ever-changing field of computer
audio technology — figuring out which software application
will work with which piece of hardware, let alone whether it
does what you need it to do, can be daunting. Let our 27-plus
years of expertise in music technology make it easy for you.
For more audio hardware options, buying guides,
educational pages, and informative videos, go to our
award-winning site, www.sweetwater.com.
WANT YOUR OWN CUSTOM PACKAGE? We specialize in
building personalized packages that are perfect for your wants, needs, and
budget. Give us a call today and we’ll help build the package of your dreams.
Apple/Apogee Ensemble
Composer’s Virtual Studio
Take 36 channels of simultaneous top-shelf I/O, four channels of Apogee-grade mic
preamps, eight channels of conversion, a blazing fast Quad-core Mac Pro, and Logic Pro,
the choice of musicians and producers the world over — put it all together and you’ve
got a native Mac audio system that can handle just about anything you throw at it.
We’ve built this package around a Sweetwater Creation Station to give you the most
versatile composition and orchestration options, starting with Cakewalk SONAR for
audio/MIDI recording. Build huge scores with the MOTU Symphonic Instrument and
create virtuoso piano tracks with NI’s Akoustik Piano. Control your virtual instruments
with the Keystation Pro 88, and print pro-quality parts using Finale 2007.
List $9,739.94
List $6,584.88
9$ ,0 UNDER
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Ensemble
MacPro26
AppleCarePro
Cinema20Al
LogicPro
LSR4326Ppak
HD280Pro
TLM49
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Apogee 24/192 FireWire Interface
Apple 2.66GHz Quad-core Mac Pro
Apple PowerMac/Display Warranty
Apple 20" Cinema Display - DVI
Apple Audio/MIDI Software - Mac
JBL 6" Powered Monitor Pak (pr)
Sennheiser Closed Circumaural Headphones
Neumann Large-diaphragm Condenser Mic
Pro Tools M-Powered Pack
This package gives you the power of Pro Tools software plus the whisper-quiet, reliable
performance of our own Creation Station PC! The M-Audio FireWire Solo handles audio
and MIDI I/O and is compatible with Pro Tools M-Powered software, which provides
32-track audio recording and a ton of included plug-ins. The audio-optimized Creation
Station Tower Plus offers 1GB of RAM and two internal Glyph hard drives. M-Audio
BX5a monitors complete the picture.
List $3,912.68
$
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5$ ,1 UNDER
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CSTowerPlus
512MB400
LCD17VGA
8pre
GT050Quad120
SONAR6Stu
BabyBottle
MicValue
KeystationPro88
S10002
Finale
AkoustikPiano
SymphInst
DrumBassRig
Resolv50A
Sweetwater Custom Computing Creation Station Tower Plus
Lifetime 512MB PC3200 DIMM Module
Sweetwater 17" Flat-panel Monitor
MOTU FireWire Audio Interface
Glyph 120GB Quad Desktop HD
Cakewalk SONAR 6 Studio Edition
BLUE Cardioid Condenser Mic
Sweetwater Microphone Information Guide
M-Audio 88-key wghtd USB MIDI Cntrlr
M-Audio KeystationPro88 AC Adapter
Make Music Notation Software Mac/PC
Native Instruments Virtual Piano Mac/PC
MOTU Symphonic Virtual Instr
M-Audio Virtual Bass & Drum Rack
Samson 5" Active Monitor (pr)
GarageBand® Songwriter’s Studio
Songwriters have found out that Apple’s® GarageBand is an incredibly easy to use, yet
powerful composition tool! This system packs GarageBand into a travel-friendly MacBook
with a load of extra instruments and loop libraries so you can make tracks wherever you
are. Control everything with the M-Audio Axiom USB MIDI controller and record direct
into your Mac.
List $2,245.88
2$ ,0 UNDER
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CSTowerPlus
LCD17VGA
512MB400
FirewireSolo
PTMP
ProdFact
GPass
C1Mic
MicStdBoom
BX5a
MoPAD
K240S
Sweetwater Creation Station Tower Plus
Sweetwater 17" Flat-panel Monitor
Lifetime 512MB PC3200 DIMM Module
M-Audio FireWire Interface
M-Audio Pro Tools M-Powered
Digidesign Producer’s Factory Bundle
Groovebox Corp 7-day Web Training Pass
Studio Projects Cardioid Condenser Mic
On-Stage Stands Dlx Mic Stand w/Tele Boom
M-Audio 5” Active Monitor (pr)
Auralex Monitor Isolation Pad (4 pc)
AKG Circumaural Headphones
1
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MB183W
ApplecareiB
ProPackGB
JamPack3
JamPack4
Axiom25
CH700
C01usb
Apple MacBook 13" 1.83GHz
Apple MacBook/iBook Warranty
Zero-G Pro Pack for GarageBand
Apple GarageBand Jam Pack: Rhythm
Apple GarageBand Jam Pack: Orch
M-Audio 25-key USB MIDI Controller
Samson Studio Headphones
Samson Lg-diaphragm USB Condenser Mic
Get into one of these amazing packages today! Call your Sweetwater Sales Engineer at (800) 222-4700.
Sweetwater and MOTU
MINI MUSIC
Looking for a lot of power, without taking up much space? I found
that a MOTU 828mkII interface connected to a Mac mini computer
is an excellent solution! The interface
provides up to 20 ins and outs. In my
tests, I could play back up to 87 tracks
from the internal hard drive! Using an external FireWire
drive, I could get 93 tracks.
By Mitch Gallagher
We read a lot about how powerful computers
have become — and there’s no question that
today’s super machines can run rings around
those of yesteryear. In fact, with just one
computer, you can operate an entire professional
recording studio, with absolutely no limitations
(except your imagination).
At least that’s what the ads say. But what’s the
truth? Can you truly get reliable, power-ondemand performance from a native system?
How far can you take it? Can you add multiple
interfaces? How many inputs can you record at
once? How many tracks will play back? To answer
these questions, I planted myself in the studio
with Macs, MOTU Digital Performer and MOTU
interfaces, Cakewalk SONAR, and a Sweetwater
Creation Station PC.
The results on these pages speak for themselves
— native is up to the task! And there’s no more
cost-effective way to go: Start with a computer and
MOTU interface, then add more interfaces as you
need them.
I’m astounded with the power of these MOTUbased native systems. Whether on Mac or PC, a
computer and MOTU interface with your choice of
software equals a very powerful system. Watch for
my upcoming round of tests, which will focus on
the new Intel-based Macs — expect astonishing
results with them!
To build an even bigger system, plug in more interfaces (I tried the MOTU Traveler, 828mkII, and
896HD; all worked fine for me). I was able to use up to 80 inputs (four interfaces), and record to 80
tracks! Absolutely amazing performance!
ON THE GO
There are distinct advantages to going portable with your rig. I
hooked a PowerBook G4 to a MOTU Traveler interface, and started
creating massive sessions. We’re talking up to
92 tracks of playback from the PowerBook’s
internal drive.
For live recording, you often need many inputs for tracking lots of mics and direct feeds from the
stage. Could the PowerBook handle it? Yes! A second Traveler took my system to 40 inputs.
Looking for even more inputs for huge live sessions? I found that I could connect up to four Travelers
at once — and use a total of 64 inputs to 64 tracks! With four 896HD interfaces, I recorded 72 inputs
to 72 tracks...and remember, this is all using only the internal
hard drive!
STUDIO POWER
For serious studio production, you
need a power-packed rig. I set up
a dual 2.7GHz PowerMac G5, and
loaded it with RAM, an extra internal
hard drive, and more. Would it provide
the performance I routinely get with
high-dollar DSP-based systems?
No question, this rig was over the top. Start with one
896HD interface jacked into the Mac. What do you get? Try this: 18 inputs and outputs with top-ofthe-line converters. And check this out — playback of up to 146 audio tracks! Yes, 146 tracks!
If your needs grow beyond 18 inputs, start stacking on more interfaces. A second 896HD will give
you a total of 36 holes to plug into.
Need more? Connect two more 896HD interfaces: 72 inputs and outputs.
Still not enough? Stick a PCI FireWire card into a slot in the Mac. Plug another 896HD into that card
for 90 total inputs. And if that’s not enough holes, use Travelers, which provide a whopping 20 inputs
each — with five of them connected, that’s 100 inputs —100 inputs!
Still not impressed? What if I told you I could record all 100 inputs to 100 separate tracks simultaneously? I was astounded; that’s the type of performance you expect from a very expensive hardware
DSP-based system, not an off-the-shelf Mac with native software and hardware.
INTEL MAC TESTING COMING SOON!
Push the Limits
Windows Power!
Macs aren’t the only computers that provide over-the-top audio power!
Today’s PCs can handle loads of tracks and plug-ins as well. A great
example of audio-optimized computers are the Creation Station line of
Windows XP PCs we manufacture here at Sweetwater. These machines
are extremely quiet acoustically, are fine-tuned for maximum audio
power, and have a list of features that make them great for studio use.
The Setup
I sat down with a rackmount dual-core 3.2GHz Creation Station and
put it through its paces. For an interface, I selected MOTU’s cool new
UltraLite. The UltraLite is a tiny 1/2-rack FireWire interface that offers
eight analog ins and ten outs. There’s also stereo S/PDIF digital I/O, as
well as headphone outs and MIDI I/O. A built-in mixer lets you monitor
your signals without latency. If you need more inputs and outputs, you
can daisy-chain up to four UltraLites for a total of 32 ins and 40 outs. It’s
a monster interface that’s compact enough to throw into a laptop bag
— small and light enough to take anywhere — but powerful enough for a
professional studio, with stellar sound quality.
I installed Cakewalk SONAR 5 Producer Edition and Synthogy Ivory on
the Creation Station. The Producer Edition comes with many soft synths
and plug-ins, so I was set with music-creation tools. The 3.2GHz Creation
Station comes stock equipped with three hard drives installed: A system
drive, and two additional internal drives, which I dedicated to audio tracks
and software instrument libraries, respectively.
SONAR’s built-in EQ to each track. This required 19% of the total CPU
power. Adding 50 instances of the Sonitus compressor plug-in bumped
the total load to 40%. Adding a Lexicon Pantheon reverb plug-in and Ivory
playing dense chords pushed things to 46%. I instantiated the Perfect
Space convolution reverb plug-in; this took me to 54%. I added a second
instance of Ivory, but performance started to top out at this point. Pretty
impressive: 50 tracks, 200 bands of EQ, 50 compressors, two reverbs,
and Ivory! More than enough for just about any session.
Real World
Next, I set to work on a “real world” example. I created an instrumental
piece with two stereo tracks running percussion loops, one of which was
processed with chorus and delay plug-ins. I loaded up two instances
of Ivory to create an interlocking piano texture, one with the Lexicon
Pantheon reverb plug-in. Bass was courtesy of Cakewalk’s GrooveSynth
through a chorus plug-in. Strings came from Cakewalk’s Psyn II plug-in,
through a flanger and another Pantheon. CPU usage hovered around the
15% mark — the Creation Station wasn’t even working up a sweat! The
UltraLite delivered clean, crisp, beautiful audio quality during all my tests.
To sum up, running a Creation Station with SONAR and a MOTU interface
gives you a system that’s capable of tons of tracks, has plenty of power
for plug-ins and soft synths and samplers, and best of all, is easy to use,
and is nearly silent in the control room.
Making Music
With everything installed and connected, I was ready to start laying down
some music. It was no problem recording and playing 80 audio tracks at
44.1kHz/24-bit; this required 33% disk usage and just 8% CPU usage.
Next I created a song with 50 audio tracks, and added four bands of
CHECK OUT MOTU’S
ULTRALITE
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CREATION STATION PC’s
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140
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Hard Disk Recording Systems
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MOTU — Digital Hardware Done Right
Flexible, Expandable, High Definition Audio Interfaces — for the Ultimate in Studio Integration
8pre
16 x 12 FireWire interface with Eight Microphone Preamps and Eight Channels of Optical I/O at up to 96kHz for Mac or PC
Need eight preamps and the ability to mix and match them with any digital interface or recording system out there — at 96kHz? You’ve got it with MOTU’s new 8pre, a 16-channel
FireWire interface with eight, count them, eight mic/line preamps in one rackspace with phantom power, 20dB pad switch, and front-panel trim knob. For that universality we
talked about, the 8pre also features two banks of ADAT optical ports, which gives you an additional eight channels at up to 96kHz. While eight is enough for television families, it’s
never enough for audio engineers, which is why MOTU designed the 8pre to be expandable up to four I/Os. Two FireWire ports allow for daisy chaining. The 8pre also offers two
main outs with a separate volume control for monitoring purposes, MIDI I/O, AudioDesk recording software, and of course, MOTU’s great sound!
ONLY $17/mo.
8pre
m
sw
18-channel 192kHz Audio Interface with 8 Mic/Instrument Inputs
The MOTU 896HD audio interface provides eight mic preamps, pristine 192kHz analog
I/O, eight channels of 48kHz ADAT digital I/O (four channels of 96kHz), word clock
I/O, and stereo AES/EBU. Use the included CueMix DSP console software to send a realtime mix back to the 896HD’s main outs or headphones for zero-latency monitoring,
as well as add additional send and return loops without the need for an external mixer
or patchbay. As a computer interface, the 896HD provides 18 inputs and 22 outputs,
including separate main outs and a headphone output. Need to hit the road? Program
the 896HD at the studio with the CueMix console software and then take it with you for
mixing/monitoring without a computer.
Specs: FireWire • 24-bit/192kHz • In: 8 x XLR/TRS (combo) • Out: 10 x XLR, headphone • Dig I/O: AES/EBU, WC,
ADAT lightpipe & sync, 96kHz SMUX lightpipe • Mac/PC
ONLY $30/mo.
FireWire Audio Interface ............................................................................... List $129500
$
97
995
VIEW MULTIPLE IMAGES OF THE TRAVELER!
sweetwater.com/traveler
Traveler
24-bit/96kHz
FireWire or USB 2.0
Audio Interface
“The perfect piece for anyone looking for a quality
FireWire or high-speed USB2 audio interface to add to
their studio. It works seamlessly on PCs and Macs and
will pair up with just about any audio software that’s
out there.” — Jeff Rodgers, Tech Support
The MOTU 828mkII provides 20 inputs and 22 outputs, including 10 channels of
96kHz analog recording and playback, combined with eight channels of ADAT digital
I/O, stereo S/PDIF I/O, and on-board SMPTE synchronization. The two mic/line/
instrument inputs have preamplified sends that allow you to insert your favorite
outboard effects before the signal goes digital. You can configure the inputs and outputs
with the CueMix DSP onboard mixer, which eliminates the need for an external mixer
or patchbay. The 828mkII operates as a stand-alone mixer with no computer required.
FireWire and USB 2.0 versions are available.
Specs: FireWire or USB 2.0 • 24-bit/96kHz • In: 2 x XLR/TRS combo (front), 8 x TRS • Out: 10 x TRS, headphone
• Dig I/O: S/PDIF, ADAT lightpipe, ADAT sync, 96kHz SMUX • WC, SMPTE • MIDI I/O • Mac/PC
ONLY $23/mo.
828MkII
828MkIIusb
FireWire Audio Interface ................................................................................. List $79500
USB 2.0 Audio Interface ................................................................................. List $79500
$
74997
$
74997
UltraLite
Compact bus-powered 10x14 FireWire audio interface
Portable 192kHz FireWire Interface
SIDE PANEL
The bus-powered MOTU Traveler was designed to be a
portable studio or the heart of your home studio. It offers eight channels of pristine
192kHz analog recording, combined with AES/EBU, S/PDIF I/O, and ADAT optical I/O.
The Traveler also includes a 16-channel MIDI interface and four mic/inst preamps with
48-volt phantom power and digital precision trim controls. The Traveler ships with
AudioDesk 2 recording software, and with MOTU’s Digital Performer Competitive
Upgrade, you can get a full version of Digital Performer at significant savings.
Specs: FireWire • 24-bit/192kHz • In: 4 x XLR/TRS (combo), 4 x TRS
• Out: 8 x TRS, headphone • Dig I/O:
ADAT, 96kHz SMUX, S/PDIF, AES/EBU
Traveler FireWire Audio Interface ............List $89500
• WC, ADAT sync, SMPTE • MIDI
DigPerfComp Competitive Upgrade to DigPerf...List $79500
• Mac/PC
54997
w a t e r. c o
828mkII
896HD
$
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896HD
FireWire Audio Interface ................................................................................. List $59500
ne at
find
Specs: FireWire • 24-bit/96kHz • 8 x preamp • 48V phantom • In: 8 x XLR/TRS combo • Out: 2 x 1/4", headphone •
Dig I/O: 2 x ADAT • MIDI I/O • SMPTE • 20dB pad • 5-segment LED • 1U
ONLY $26/mo.
$
With the UltraLite, MOTU has created an extremely powerful, yet compact way to
record anywhere you go. By combining features like talkback, listenback, and the ability to route multiple monitor mixes commonly found on mixing boards in a box smaller
than classic cassette 4-tracks, UltraLite is the perfect solution for the engineer who
wants exceptional sound quality, but frequently finds himself working out and about
doing location work. For studio functionality and portability in one box, the UltraLite
FireWire interface is hard to beat. Includes AudioDesk recording software for Mac.
Specs: FireWire • 24-bit/96kHz • In: 2 x XLR/TRS (combo), 6 x TRS • Out: 10 x TRS, headphone • Dig I/O: S/PDIF •
SMPTE • MIDI I/O • Mac/PC
84997
$
395
00
ONLY $17/mo.
UltraLite
FireWire Audio Interface ................................................................................. List $59500
$
54997
142
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Hard Disk Recording Systems
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
24I/O
w a t e r. c o
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eet
sw
192kHz Audio Interface
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HD192
find
FIND OUT MORE ABOUT THE PCI-424!
sweetwater.com/24ioCore
The higher the quality of the A/D converter,
the better your recordings will sound. The
HD192 is designed to provide the highest
audio quality possible in a MOTU interface. Equipped with the latest generation 24-bit, 128x oversampling 192kHz
converters, the MOTU HD192 achieves a remarkable A-weighted signal-to-noise ratio of 120dB with balanced XLR
connectors throughout. Ideal for surround applications, the HD192’s 12 inputs and 12 outputs can support two
simultaneous 5.1 mixes. The HD192 is full of advanced features, like AES/EBU I/O with sample rate conversion both in
and out. The PCI-424 card included with HD192 core systems is fully compatible with the 2408mk3, 24i/o, and legacy
MOTU PCI interfaces such as the 2408mkII, 2408, 1296, 1224, and 308. Mix and match new and legacy interfaces
as you please. The PCI-424 card features Cuemix DSP, a powerful processor dedicated to creating a custom-tailored
monitor mix of up to 96 channels of audio, with the added capability of providing up to 48 separate stereo mixes in
a 96-channel system. Because the mixing takes place on the card itself instead of making the round trip from the PCI
bus to the host processor, the system provides the same near-zero latency performance as today’s latest digital mixers.
Because the DSP is mixing for you, your computer’s CPU is free for other tasks. For more I/O, connect additional
HD192io expansion interfaces for up to 48 channels of simultaneous 192kHz recording and playback. With its
incredible dynamic range and ultra-low distortion, the HD192 is simply one of the best sounding front ends you can
buy for your digital audio workstation. Also available is the HD192 Core PCIe.
Specs: PCI/PCIe • 24-bit/192kHz • In: 12 x XLR • Out: 12 x XLR • Dig I/O: AES/EBU, WC • Mac/PC
HD192Core
HD192io
ONLY $54/mo.
PCI 24-bit/192kHz Recording Core System with 12-ch Analog XLR I/O, 2-Ch AES/EBU .......................................................... List $189500
$
192kHz 12-ch Expander .......List $159500
151997
HD192CorePCIe 12-ch 192kHz Interface .......List $189500
$
179997
Digital Audio Interface with
24 High-quality 24-bit/96kHz
Analog Inputs and Outputs
These interfaces provide the tools to record, edit, mix,
process, and master multitrack recording projects
entirely inside the computer. The MOTU 24I/O and
24I/O Core PCIe provide twenty-four 24-bit/96kHz
analog inputs and outputs in single-rackspace packages,
allowing you to connect and record from up to 24
simultaneous analog sources. The 24I/O’s front panel
is essentially a dedicated meter bridge for your hard
disk recording system. Audio activity for every input
and output is represented by its own 5-segment LED
bar graph. The 24I/O can be purchased as an expander
for an existing PCI-424-based MOTU Audio System or
as a core system that includes the PCI-424 card and
AudioDesk workstation software. Adding a 24I/O
Expander is as easy as plugging in an AudioWire cable.
Specs: PCI/PCIe • 24-bit/96kHz • In: 24 x TRS • Out: 24 x TRS • WC •
Mac/PC
$
179997
ONLY $43/mo.
24ioCore
$
00
PCI-424 Recording Sys ............List 1495
24ioExpander 24-bit/96kHz I/O Expansion .....List $119500
24ioCorePCIe 24-bit/96kHz PCIe Interface .....List $149500
NO WALLET. NO WAIT. NO WORRIES.
$
142097
$
113597
142097
$
Bill Me Later ® is the fast, simple, secure way to buy online or over the
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Subject to credit approval. See page 419 for details.
FIND OUT MORE ABOUT THE PCI-424!
sweetwater.com/2408CoreMk3
2408mk3
24-channel 24-bit/96kHz Audio Interface
With eight channels of super-quiet analog inputs and
24 channels of digital I/O, the MOTU 2408mk3 is a
scalable solution to all your I/O needs.
“I’ve had the 2408/PCI424 system in my
Mac-based home studio for two years now, and have
been very happy with it. Not only has it been rocksolid, but the converters sound great and it has
plenty of options for digital inputs as well.”
— Ted Hunter, Sales Engineer, Ext. 1397
The 2408mk3 provides eight channels of 24-bit/96kHz analog recording and playback, combined with up to 24
channels of ADAT and TASCAM digital I/O — the most ever offered in a single-rackspace audio interface. For your
computer-based studio, the included PCI-424 card features CueMix DSP, a flexible DSP-driven mixing and monitoring
matrix that eliminates the need for an external mixer or patch bay. You can connect all of your studio gear, then
control it all from your desktop with no audible monitoring latency and no computer processor drain! The PCI-424
supports up to four MOTU PCI interfaces simultaneously, including all legacy MOTU PCI units.
With 24 channels of digital I/O, the 2408mk3 is ideal for connecting your computer to a digital mixer. Both ADAT
lightpipe and TASCAM TDIF digital connections are supported at any sample rate up to 96kHz (ADAT supports
12 channels at 96kHz). Plus, the 2408mk3 offers built-in video and SMPTE synchronization. Slave your entire
workstation directly to video or SMPTE time code with sub-frame accuracy — without a dedicated synchronizer. It’s
just another example of this unit’s versatility. The 2408 Core PCIe is also available.
Specs: PCI/PCIe • 24-bit/96kHz • In: 8 x TRS • Out: 10 x TRS, headphone • Dig I/O: 3 x ADAT, 3 x TDIF, S/PDIF, ADAT sync, WC • Mac/PC
2408CoreMk3
2408ioMk3
PCI 24-bit/96kHz Core System with Analog, S/PDIF, ADAT, & TDIF I/O................................................................................ List $99500
$
24-ch I/O Expansion...................List $69500
67997
2408CorePCIe PCIe Digital Recording System ....List $99500
ONLY $29/mo.
$
97
949
$
94997
PCIe (or PCI Express) architecture is the bus technology
that will likely dominate the personal computer for the
foreseeable future, and now MOTU is equipping all of
their super-popular audio interfaces with PCIe-424
cards for compatibility with PCIe-equipped computers.
PCIe, unlike older parallel technologies, offers each
device dedicated bandwidth to transfer audio data to
and from the system controller. The new PCIe-424
card can be installed in any PCI Express slot and
ensures that other PCI devices won’t “steal” bus
cycles from the audio streams. PCIe means more
bandwidth, improved high-speed data transfer, and
less inherent noise to ensure the highest quality
recording possible. We have the PCIe-equipped 2408
Core mkIII, 24io Core, and HD192 Core systems in
stock, and ready to ship!
FIND OUT MORE ABOUT THE PCI-424!
sweetwater.com/2408mk3
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USB Audio Interfaces
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US-122L
USB Audio/MIDI Interface
TASCAM’s US-122L replaces the original US-122, with all the
features that made it so popular, and adds USB 2.0 and
an updated design. It includes two line-level inputs on
balanced 1/4" TRS jacks that are switchable to guitar
level for direct instrument recording into your
computer. The US-122L provides zero-latency
direct monitoring with a dedicated level
control. The US-122L gives you 16 channels
of MIDI I/O for use with synthesizers and
synchronization and automation with external
devices. The US-122L is also packaged with two music
production software tools — GigaStudio 3 LE sampling
software (PC only) and Steinberg’s Cubase LE 48-track
recording/sequencing software. The US-144 adds
S/PDIF I/O.
Alpha
USB Desktop Recording Studio
The Alpha Desktop Recording Studio is an integrated computer recording system that
includes the Alpha Studio 2 x 2 USB I/O mixer, Steinberg’s Cubase LE multitrack PC and
Mac recording software, and the world-class sound of Lexicon’s Pantheon VST reverb
plug-in. Alpha is USB bus-powered so you can record and mix on the road.
US122L
Whether you’re a songwriter or producer, getting started on the Omega Studio is
simplicity itself. Hook up to your computer quickly and easily via USB. With one of
the most extensive I/O selections in its class, Cubase LE, and Lexicon’s Pantheon VST
reverb, the Omega turns your PC into a powerful and versatile recording studio. In
addition to its six channels of 24-bit streaming audio (four out, two in), it offers MIDI
in/out and S/PDIF. The mic XLR inputs support +48V phantom power, and are driven by
high-quality dbx® mic preamps.
Based on the Omega, the Lambda
Studio features two XLR
microphone inputs by dbx with
TRS inserts and switchable +48V
phantom power. Connectivity is
supplied by TRS balanced 1/4"
line inputs, two TRS balanced line
outputs, a 1/8" front-panel-mounted
high-power headphone output jack,
a front-panel ultra-high-impedance
instrument input, and MIDI I/O.
Cubase LE and Lexicon Pantheon
Reverb are also included.
Alpha
Omega
Lambda
Desktop Recording Bundle .........List $18195
USB Recording Bundle ................List $41995
USB Audio/MIDI Interface ...........List $27995
Specs: Alpha In: 1 x XLR, 2 x TRS, 1 x hi-Z •
Out: 2 x TRS, 1 x RCA Lambda
In: 2 x XLR, 2 x TRS, 1 x Hi-Z 2 x
ONLY $10/mo.
insert • Out: 2 x TRS • phantom
$
97
power Omega USB • 24-bit/48kHz
• In: 2 x XLR, 1 x hi-Z, 2 x insert,
$
29997
4 x TS • Out: 2 x TRS, headphones
$
97
• phantom power • MIDI I/O •
199
S/PDIF • Mac/PC
129
WHAT OUR CUSTOMERS ARE SAYING…
Specs: US-122L USB • 24-bit/48kHz • In: 2 x XLR, 2 x line in
(1 switchable to hi-Z) 2 x insert • Out: 1 x XLR, 2 x RCA • MIDI
I/O • Mac/PC US-144 adds S/PDIF I/O
ONLY $10/mo.
US144
US122L
US144
USB 2.0 Recording Interface ......List $19900
4x4 USB Audio Interface .............List $26900
UA-101
Edirol has
made a name
for itself by
producing
exceptional
portable recording devices, and the
UA-101 continues that tradition. The UA-101 has the
ability to record 10 channels of 24-bit/96kHz, or six
channels of sparkling, DVD Audio-quality 24-bit/192kHz
audio. The UA-101 can easily handle a live recording
gig, and capture it all with pure, digital clarity. Couple
the eight analog and two digital inputs with the MIDI
in and out, and you’ve got a full-featured production
center. With DVD Audio becoming more accessible every
day, the UA-101 is a great way to get into high-definition
audio.
Specs: 24-bit/96kHz-192kHz • In: 2 x XLR/TRS, 6 x TRS, 1 x optical, MIDI •
Out: 8 x TRS, 1 x optical, MIDI, USB
ONLY $15/mo.
UA101
10x10 USB Interface .............List $59900
$
97
499
$
19997
TonePort UX2
The TonePort UX2 gives you the ability to
record guitar, bass, and vocals through an
incredible selection of models based on the
most sought-after amps, effects, and mic
preamps in the world. It’s like a rack full of
premium stereo tube recording equipment,
plus a perfectly engineered recording
room for guitar and bass, thanks to Line 6’s
acclaimed guitar/bass direct tone with mic
and cab modeling. TonePort UX2 features
two high-quality microphone preamps with
phantom power, guitar/bass instrument inputs, stereo line inputs and outputs, stereo
headphone jack, and an analog merge monitoring input. Other features include stereo
digital S/PDIF out, dual footswitch jacks for controlling start/stop and punch in/out, and
independent volume controls for the headphone and main outputs. For a singlechannel unit, choose the TonePort UX1.
TonePortUX2
TonePortUX1
2-ch USB Audio Interface ...List $26900
1-ch USB Audio Interface ...List $17500
UA-25
USB Audio Interface
14997
USB Interface with Amp and Mic Preamp Modeling
ONLY $10/mo.
“I have never encountered this high quality of service and expertise anywhere else on the
Internet or even at my local music store — which I have now forgotten where it is located.”
— Marshal Cosme
$
$
19999
$
12999
Specs: UX1 1-ch • 24-bit/48kHz •
In: 1 x XLR, 2 x TRS, 1 x TS • Out: 2
x TRS, phones • USB UX2 2-ch • 2
x XLR, 2 x TRS • phantom power •
Dig I/O: S/PDIF • VU meters • USB
UA-1EX
24-bit/96kHz Interface
with Limiter
USB Audio Interface
The Edirol
UA-25 audio
interface, with
its built-in
analog limiter allows more flexibility for setting levels
and freedom from audio clipping. This powerful USB
audio/MIDI interface offers premium sound quality,
rugged durability, and complete portability. The UA-25
is USB bus-powered so you never have to be tethered
to a wall socket again. Add a laptop and a pair of your
favorite microphones, and you’ve got a great sounding
means to create music anywhere you’d like to go.
Cakewalk’s SONAR LE recording software for PCs is
included.
The Edirol
UA-1EX is an
ASIO-compatible
24-bit/96kHz USB
audio interface
offering superior sound,
versatility, and portability for
laptops. The UA-4FX portable
USB audio/MIDI interface delivers
ultra-fast performance, 24-bit/96kHz audio,
a phantom-powered XLR mic input, built-in effects,
Cakewalk’s SONAR LE, and Edirol’s Virtual Sound Canvas
plug-in (PC).
Specs: UA-1EX 24-bit/96kHz • In: 1 x 1/8" TRS, RCA • Out: RCA, 1 x 1/8" •
S/PDIF UA-4FX 24-bit/96kHz • In: 1 x XLR, 1/4" hi-Z, 1/8", RCA • Out: RCA •
MIDI • S/PDIF • 14 x FX (COSM preamp model incl) • Mac/PC
Specs: USB • 24-bit/96kHz • In: 2 x XLR/TRS (front) • Out: 2 x TRS, 2 x
RCA • S/PDIF • MIDI I/O • Mac/PC
ONLY $10/mo.
UA25
$
24-bit USB Audio/MIDI Int.....List 279
00
$
97
239
UA1EX
UA4FX
USB Cable/ Audio Interface ..........List $9900
USB Audio/MIDI Interface FX ......List $22900
$
7997
$
19997
146
ProGear2007
www.sweetwater.com
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
Fast Track Pro
USB Audio Interface
with Bundled
Software
The Fast Track Pro
delivers mobile recording
flexibility plus professional
features. It offers two front-panel
mic/line inputs with phantom power,
balanced and unbalanced analog outputs, inserts for
outboard effects, S/PDIF digital I/O, MIDI I/O, and more. Fast
Track Pro also features near-zero latency direct hardware monitoring and low-latency
ASIO software monitoring, plus an A/B source switch and dual output pairs for DJ-style
cueing. USB bus power and class-compliancy for Mac OS X make it a breeze to set up.
You even get Ableton Live Lite and GT Player Express software to start making music
immediately. And since the Fast Track Pro is compatible with Pro Tools M-Powered, it’s
a great and affordable way to enter the Pro Tools world.
Specs: Fast Track Pro USB
• 24-bit/44.1kHz • In: 2 x XLR,
2 x TRS • Out: 2 x TRS, 4 x RCA,
headphone • MIDI I/O • Mac/PC
Call today! (800) 222-4700
USB Audio Interfaces
Audiophile USB
24-bit/96kHz USB
Audio/MIDI Interface
Merging the Audiophile 2496
with a handy USB connector,
M-Audio’s Audiophile USB packs
quality and convenience into a compact
audio interface. With two pairs of line inputs, S/PDIF,
and MIDI, the Audiophile USB is a perfect complement to a
project studio looking for a means of hooking up drum machines,
keyboards, or samplers. Plus, AC-powered components allow Audiophile USB to deliver
some of the best fidelity, frequency response, dynamic range, and noise specs available
in a USB interface. You can connect a MIDI controller and instantly start creating music
with the bundled Reason Adapted. Also included is a special edition of Ableton Live Lite
specifically for M-Audio customers to get on the fast-track to music creation.
Specs: 24-bit/96kHz • In: 2 x TS, 2 x RCA, MIDI, USB • Out: 2 x RCA • MIDI • USB • Stereo headphone • Mac/PC
ONLY $10/mo.
FastTrackPro
USB Interface/Software..List $24995
$
ONLY $10/mo.
19997
AudiophUSB USB Audio & MIDI Interface ...List 249
$
95
$
19997
Fast Track USB
USB Audio Interface with
Guitar Effects Software
If you make music with GarageBand
or other software, Fast Track USB
is the easiest way to record audio.
It really is a snap to use! It works with
virtually all Mac and Windows computer hardware
and software. A simple connection of a USB cable and
you’re set to go. Even the power travels through the USB cable
so the Fast Track USB doesn’t need a power cord or AC adapter. It
has an input for instruments like guitar, bass, and keyboards, plus a
microphone input for vocals or acoustic instruments.
Once connected, the Fast Track delivers 24-bit/48kHz digital audio to your sequencer
or recording software. The included GT Player Express software gives you killer guitar
effects and virtual stompboxes. It also plays AAC, MP3, and WAV files with variable
speed capability, which makes learning riffs so much easier. You can gradually add
speed until you can shred with the best of them. Use the stereo headphone output for
silent practice!
FastTrackUSB
USB Interface/Software ...List $12995
$
9997
Specs: USB • 24-bit/48kHz • In:
1 x TRS/hi-Z, 1 x XLR • Out: 2 x
RCA, headphone • Mac/PC
MobilePre USB
USB Bus-powered Interface
MobilePre USB is a compact bus-powered preamp with a built-in 16-bit/48kHz audio
interface that’s ideal for field recording and sampling expeditions. Three different types
of audio inputs and outputs provide maximum flexibility for any application — including
two onboard preamps with phantom power and hi-Z instrument inputs for connecting
guitar or bass. The MobilePre USB is the interface to use when you have a remote
recording gig. Just toss it into your laptop bag and go! The MobilePre fits in nicely to
provide you with a streamlined pro-grade recording experience.
Specs: USB • 16-bit/48kHz • In:
2 x XLR, 1 x TS (front), 1 x TS,
1 x 1/8" • Out: 2 x TS, 1 x 1/8",
headphone • Mac/PC
ONLY $10/mo.
MobilePre
$
14997
“My Sales Engineer has always been able to steer me toward the exact item that I need. Your
comprehensive catalog blows away the competition, and your service is extraordinary!”
— Paul Folwell
Transit
USB Guitar Interface
You have to build
the lab before you
can create the
monster, and that
takes time. So, if
you’re in a hurry
to get those monster
guitar licks into your computer, get
M-Audio’s JamLab. With a 1/4" input for your guitar,
1/8" headphone/line out, and built-in USB, plugging
in to your computer and recording couldn’t be easier.
The included GT Player Express software features amp
emulation and virtual effects boxes, supports ReWire,
and can operate as a VST plug-in.
Specs: 24-bit/44.1-48kHz • In: 1 x TS • Out: 1 x 1/8" • USB • Mac/PC
Guitar System/USB Interface ...List $7995
USB Interface w/Preamp .......List 179
95
WHAT OUR CUSTOMERS ARE SAYING…
JamLab
JamLab
$
$
5997
Mini USB Interface
Podcast Factory
Podcast Hardware and Software for Mac/PC
If you subscribe to the philosophical statement, “iPod®
therefore I am,” you’ll love the Podcast Factory by
M-Audio. The PF provides everything you need to create
and upload professional sounding podcasts including a
24-bit/48kHz audio interface, dynamic broadcast mic
with desk stand, and software for creating complete
radio-style productions including Ableton Live Lite.
M-Audio’s Transit brings
24-bit/96kHz recording and
playback to any USB-compatible
computer. Transit’s headphone output
doubles as a stereo line output so you can easily connect
to studio monitors, and the combined line/optical input
accommodates self-powered stereo microphones, which
makes it a natural for recording recitals or plays.
Specs: USB • 24-bit/96kHz • In: 1 x 1/8" (stereo) • Out: 1 x 1/8"
(stereo/headphone) • Dig I/O: S/PDIF optical • Mac/PC
“Transit is a good place to start if you want to turn old
tapes or records into CDs with your computer.”
— Jeff Rodgers, Tech Support
Specs: 24-bit/48kHz • In: 1 x XLR, 1 x TS • Out: 2 x RCA • USB
ONLY $10/mo.
PodcastFact
Podcasting Bundle .................List $17995
$
14997
Transit
24-bit/96kHz USB Interface .....List $9995
$
7997
I can
:: record
:: arrange
:: edit
:: process
:: mix
©2006 Harman International Industries, Inc. All rights reserved.
new!
F
or over 20 years, Sweetwater has worked with
Lexicon® to bring world-class audio to studios
of all sizes. Now, with the Lexicon Desktop Studio™
product family, yours can be one of them. All
Lexicon Desktop Recording Studios are packaged
with Steinberg’s Cubase® LE recording platform
and the Lexicon Pantheon ™ VST reverb plug-in
for a complete recording solution. Contact your
Sweetwater Sales Engineer today to discuss how
Sweetwater and Lexicon can help you record your
next hit!
148
ProGear2007
www.sweetwater.com
Call today! (800) 222-4700
USB Audio Interfaces
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
0404 USB 2.0
USB 2.0 Audio/MIDI Interface
0404USB
0202USB
0404USB
0202USB
E-mu’s 0404 USB 2.0 is a complete 4 x 4
desktop recording solution offering
24-bit/192kHz recording and playback,
direct monitoring, and a host of other
professional features. With two E-mu
XTC Class A mic/line/instrument
inputs with a built-in soft limiter
and phantom power — along
with MIDI and S/PDIF
I/O — the 0404 USB can
handle virtually any type
of source. For connection
to outboard hardware,
the 0404 USB has a pair of
balanced 1/4" outputs. Included with
the 0404 USB is the Production Tools
Software Bundle, including
titles from Cakewalk,
Steinberg, BIAS, Ableton,
IK Multimedia, and more.
If you don’t need MIDI or
digital I/O, the 0202 USB
2.0 sports a single XLR input
and a switchable hi-Z/line input.
Specs: 0404 USB 2.0 24-bit/192kHz • In: 2 x XLR/line/hi-Z,
S/PDIF • Out: 2 x 1/4" TRS, 1/8" stereo, S/PDIF • MIDI I/O •
USB 2.0 0202 USB 2.0 In: 1 x
XLR/line/hi-Z, 1 x hi-Z/line • Out: 2 x
ONLY $10/mo.
1/4", 1 x 1/8" • USB 2.0
4x4 USB Interface .................List $29999
2x2 USB Interface ..................List $19999
$
19999
IO|2
24/48 Interface
The Alesis IO|2 is a rugged,
portable 24-bit/48kHz USB
interface that’s secured in
a heavy-duty bead-blasted
aluminum housing with tough
switches and knobs that
are securely bolted on. It has great mic preamps with 48-volt phantom power and
comprehensive metering. The unit even has full MIDI and S/PDIF I/O so you won’t need
to carry any additional gear. The bundled Cubase LE software gets you started right out
of the box and makes the IO|2 a complete recording studio for musicians on the go.
Specs: USB • 24-bit/48kHz • In: 2 x XLR, 2 x TRS, 2 x insert • Out: 2 x XLR,
headphones • Dig I/O: S/PDIF •
MIDI I/O • Mac/PC
io2
12999
2-ch 24-bit/48kHz USB Int ....List 299
00
$
14997
Link.USB
2-channel USB Interface
The Link.USB offers an affordable interface
for home-based music production. It’s a
2-channel USB bus-powered computer
audio interface intended for plug-and-play
simplicity with two Mackie-designed mic
preamps with phantom power. It’s bundled
with Mackie’s incredibly popular Tracktion 2
music production software.
Specs: 2-ch • USB • 24-bit/44.196kHz • In 2 x XLR/TRS • Mac/PC
$
ONLY $10/mo.
$
A Higher
ONLY $10/mo.
LinkUSB
USB Recording System ..........List $19999
$
14999
Standard
Sweetwater has always provided musicians with products
that deliver the highest quality audio in the industry. E-MU is
proud to partner with Sweetwater to offer our new 0404 USB
2.0 Audio/MIDI Interface – the only USB interface on the market
to deliver 24-bit/192kHz premium converters and Class-A mic
preamps, with a host of professional features and audio performance
that are simply unmatched by any other USB/Firewire interface in its class.
/ Premium 24-bit/192kHz converters / Class-A XTC Mic/Line/Hi-Z preamps
/ Analog, digital and MIDI I/O / Ground lift switches / Zero-latency direct monitoring
/ ASIO2, WDM, MME, AC3 and DTS Passthru supported / Powerful software bundle included
8 0 0 • 2 2 2 • 47 0 0
www.sweetwater.com
© 2006 E-MU Systems, Inc. E-MU is a registered trademark of E-MU Systems, Inc. in the US and other countries. All other brand names are the property of their respective owners.
Intelligent I/O - Integrated F/X
Not Just Another Audio Interface
Konnekt 24D is a groundbreaking audio interface that integrates TC’s world famous effects in a stateof-the art design. Developed for recording and performing musicians seeking the highest possible
sound quality, Konnekt 24D ensures that your analog recordings make it to the hard disk in perfect
shape.
Expected features
Unexpected features
• 14/14 I/O: 2 mic/inst/line, 2 line inputs and
4 line outputs, 8 ADAT and 2 S/PDIF (optical
and coaxial)
• Built-in real-time DSP effects
• Full feature stand alone mode
• Link up to 4 units to get more inputs, outputs
and effects channels
• DICEII digital interface chip with JET™ Jitter
Elimination Technology
• FireWire bus powered
• Low latency drivers: WDM, ASIO and CoreAudio
• 24-bit/192kHz sampling rate
• Sample accurate MIDI
• Bundled with Cubase LE
• IMPACT™ mic preamps
• True Hi-Z guitar inputs
• Front panel light ring control of internal mixer
parameters
• Control panel with automatic input detection
• Analog volume control for perfect integration
with powered speakers
• Dual headphone outputs, one with auto
speaker muting
• Assimilator Konnekt native fingerprint EQ
• Total recall of internal routing, mixer and
effects settings
• Direct monitoring – even between units
Not Just Another Audio Retailer
Let’s face it, with all the choices available today, buying I/O can be downright confusing. But you
won’t find a more knowledgeable or qualified sales staff in pro audio than the one at Sweetwater.
Working together with your Sweetwater sales engineer, you’ll be able to explore all your options and
feel confident you’ll get the right solution for your set up.
FABRIK R
FABRIK C
ASSIMILATOR
KONNEKT
INTEGRATED
INTEGRATED
INCLUDED
ALSO AVAILABLE
150
ProGear2007
www.sweetwater.com
Call today! (800) 222-4700
FireWire Audio Interfaces
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
FireStudio
18 x 18 24-bit/96kHz Audio Interface with Remote Control
The PreSonus FireStudio is complete 24-bit/96k professional recording system combining eight Class A PreSonus microphone preamplifiers, up to
sixteen channels of optical ADAT input/output, S/PDIF and MIDI input/output, along with 36x36x18 zero latency mixer/router. The FireStudio also
comes with award-winning recording and production software, virtual instruments, plug-ins, drum loops and samples to get you started making music
immediately. The MSR (Monitor Station Remote) is an optional surround-cable, remote control delivering input switching, speaker switching talkback,
dim, mute, mono and more to give you complete professional control of your FireStudio. The FireStudio ships with a full complement of software
including Cubase LE, ACID XMC and the PreSonus ProPak, which includes plug-ins and 2GB of loops and samples.
FireStudio
Specs: 18-channel • 24-bit/96kHz • 8 preamps • 8 x 96kHz ADAT I/O • S/PDIF • MIDI I/O • WC • FireWire
MSR
“The PreSonus FIREPOD is a hot value for any
studio, with eight great-sounding mic preamps
and rock-solid PreSonus quality!”
FIREPOD
— Nathan Roemer, Sales Engineer, Ext. 1351
24-bit/96kHz FireWire Audio/MIDI Interface
with Eight Mic Preamps
The FIREPOD is great for portable recording. Its combo jack inputs allow you to plug in mics, keyboards, guitars,
you name it. Starting with eight low-noise PreSonus microphone preamps, it offers 24-bit/96kHz AD/DA conversion
plus S/PDIF I/O and a MIDI interface. All eight mic pres have phantom power and channels 1 and 2 feature balanced
sends and returns. The FIREPOD has eight balanced line outputs plus stereo main outs, cue outputs for monitoring,
and a stereo headphone jack and mix control for zero-latency monitoring. FIREPOD comes with the bundled Steinberg
Cubase LE 48-track software.
ONLY $15/mo.
Firepod
24/96 10x10 FW Interface....List $79995
$
ONLY $21/mo.
95
24/96 18x18 FW Interface........List 899
Remote for Firestudio .................List $22995
$
69997
$
19997
FIREBOX
HEAR THE FIREPOD IN ACTION!
sweetwater.com/Firepod
$
MSR
Specs: FireWire • 24-bit/96kHz • In: 8 x XLR/TRS • Out: 8 x TRS, 4 x TRS • 2
x send/return • Dig I/O: S/PDIF • MIDI I/O • Mac/PC
49999
Portable 24-bit/96kHz FireWire Interface
Combining two high-quality PreSonus microphone/
instrument preamplifiers, 24-bit/96kHz sample rate
conversion, and Steinberg’s Cubase LE 48-track
recording software, FIREBOX is the perfect hardware
and software combination for a powerful yet compact
personal computer-based studio. The FIREBOX has the
highest track capacity for a unit of its size, with 6-track
simultaneous recording and 8-track playback. It also
includes a stereo headphone output for monitoring, plus
2-channel S/PDIF I/O and MIDI I/O via a breakout cable.
Specs: FireWire • 24-bit/96kHz • In: 2 x XLR/TRS instrument (front), 2 x
TRS (rear), Out: 6 x TRS, headphone • Dig I/O: S/PDIF • MIDI I/O • Mac/PC
ONLY $10/mo.
FireBox
Inspire 1394
24-bit/96kHz FireWire Interface....List $49995
$
29997
io|26
Cascadable Interface
24-bit/192kHz Audio Interface
With the
PreSonus
Inspire 1394,
you have four
channels of
professional
quality
24-bit/96kHz
analog-to-digital
conversion. You can daisy-chain up to four Inspire
1394s for 16 channels of recording and recall all of your
settings. That means four band-members can each have
an Inspire to work out parts at home and then bring
them together to record with zero-latency monitoring,
while cue mix and track settings are saved for each
session. An RIAA filter makes it great for DJs.
The io|26 is a FireWire audio/
MIDI interface with support
for 26 channels of
audio, S/PDIF, and ADAT
digital inputs, plus a built-in
16-channel MIDI interface. The
tabletop-friendly io|26 offers eight
analog mic/line inputs on combo connectors
with phantom power and insert jacks, a highimpedance input, and a switchable phono preamp. The
io|14 offers four preamps with 14 channels of audio,
S/PDIF, ADAT, and 16-channel MIDI I/O. Both include
Steinberg’s Cubase LE DAW recording software.
Specs: 2 x FireWire • 24-bit/96kHz • In 2 x XLR, 2 x TS, RCA (RIAA) • Out:
RCA, 1 x 1/8", headphone • Mac/PC
ONLY $10/mo.
Inspire1394
4x4 FireWire Interface ...........List $22995
$
97
199
Konnekt 24D
FireWire Interface with DSP Effects
With great sounding preamps, switchable mic/hi-Z
instrument inputs, and TC effects from the PowerCore
line, the Konnekt 24D is one full-featured unit! A
software control panel provides intuitive routing and
effects options, and the Konnekt can also run as a
standalone mixer and effects processor. The included
effects are Fabrik R with four TC reverbs, Fabrik C, an
EQ and dynamics processor, and Assimilator Konnekt. If
you don’t need DSP or the extra I/O, try the Konnekt 8.
Specs: Konnekt 24D 4-ch • 24-bit/192kHz • In: 2 x XLR/inst combo, 4
x 1/4" • Out: 4 x 1/4" • S/PDIF/optical/ADAT • MIDI I/O • DSP • FireWire
Konnekt 8 2-ch • 24-bit/192kHz • In: 2 x XLR/inst combo, 2 x 1/4" • Out: 2
x 1/4" • S/PDIF • MIDI I/O • FireWire (both come bundled with Cubase LE)
ONLY $15/mo.
Konnekt24D
Konnekt8
FW Interface w/TC FX...........List $62500
FireWire Interface ..................List $37500
$
49997
$
29997
Specs: io|26 26-channel • 24-bit/44.1-192kHz • 8 preamps, phono preamp
• In: 8 x combo • Out: 8 x TRS (bal), 2 x headphone • S/PDIF I/O • ADAT
I/O • 2 x Firewire • io|14 14-channel • 24-bit/44.1-192kHz • 4 preamps
• In: 4 x combo • Out: 2 x TRS (bal), 2 x headphone • S/PDIF I/O • ADAT
I/O • FireWire
ONLY $12/mo.
io26
io14
26-channel USB Interface .........List $59900
14-channel USB Interface ...........List $49900
$
39997
$
29997
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© 2006, Apogee Electronics Corp. All Rights Reserved. All trademarks herein are property of their respective holders.
Macintosh, Logic Pro and Final Cut Pro are registered trademarks of Apple Computer
154
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FireWire Audio Interfaces
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
Ensemble
24-bit/192kHz Audio Interface
Apogee introduces Ensemble, a multi-channel digital audio interface designed specifically for use with Apple Macintosh computers running OS X. Ensemble is the first and only
multi-channel audio interface to be controllable natively within Apple’s Logic Pro software, creating a complete, fully integrated professional hardware and software system for
audio production on a Mac. Apple and Apogee worked closely to ensure this unique FireWire Audio interface not only sets new standards for sound quality and performance, but
is also a natural extension of Logic Pro 7. Mic pre and output gain and sample and bit-rate selection are all controllable from within Logic’s Apogee Control Panel. With Apogee’s
included Maestro software, you get all of the control functions you have in Logic’s Apogee Control Panel, plus multiple low-latency mixers and an input and output routing matrix.
Maestro is also a universal control platform for using Ensemble in combination with other Apogee hardware. Ensemble features 36 channels of simultaneous audio, including eight
channels of Apogee’s legendary A/D and D/A conversion, four transparent, digitally controlled 75dB mic preamps, eight channels of ADAT I/O, two channels of S/PDIF coax and
optical I/O, and FireWire connectivity to and from the computer. Ensemble also includes Apogee features such as SoftLimit to prevent digital overs, UV22HR dither for mastering,
and ultra-low jitter Intelliclock. Ensemble is compatible with any OS X Core Audio software application.
ONLY $60/mo.
Specs: FireWire • 24-bit/192kHz • 8-channel AD/DA • 8 x ADAT I/O • S/PDIF I/O (coax, optical) • 4 x preamps with 75dB gain, balanced inserts • OS X
Core Audio • 2-, 6-, or 8-channel monitor outputs • 2 x headphone
Fireface 800
FW-1804
56-channel FireWire 800 Audio Interface
18-in/12-out FireWire Interface
The TASCAM FW-1804 can accept 18 simultaneous
analog and digital inputs, and offers a total of 12 outputs
to cover the recording connections you need. The four
balanced XLR/TRS mic/line inputs include phantom
power. S/PDIF and 8-channel ADAT digital I/O allow
connections to your digital gear, and balanced monitor
outputs give you a control room feed. The FW-1804 is a
2U rackmountable unit that easily fits into any portable
rig. The FW-1804 gets you started recording right out
of the box with the included Cubase LE audio and MIDI
recording software and GigaStudio 3 LE, with 64-voice
polyphony, ReWire and VST plug-in support, and a piano
library. The FW-1804’sflexible I/O and MIDI capabilities
ensure that you won’t outgrow this box any time soon.
Specs: FireWire • 24-bit/96kHz • In: 4 x XLR/TRS, 4 x TRS, 4 x insert • Out:
2 x TRS • Dig I/O: ADAT, S/PDIF • MIDI in x 2, MIDI out x 4 • Mac/PC
ONLY $15/mo.
FW1804
18-ch FireWire Audio Interface ....List $79900
$
97
499
The Fireface 800 offers four Class A mic preamps with
separate XLR and TRS inputs, which can also be used
as additional line inputs. RME’s SteadyClock technology
refreshes clock signals and removes jitter for optimum
conversion quality and sensational sound. The 800 has
eight channels of A/D-D/A with up to 24-bit/192kHz
resolution that utilizes the same analog circuitry found
in RME’s high-end ADI-8 converters. The Fireface
400 is the only device in its class that offers active
jitter suppression and a 648-channel matrix router in
a portable package. Capable of working with sample
rates up to 192kHz, the 400 is a great for anything from
recording bands to string quartets with audiophile quality.
Specs: Fireface 800 FireWire • 24-bit/192kHz • In: 8 x TRS, 4 x XLR,
TRS, 1 x TS • Out: 8 x TRS, 1 x TRS (unbalanced) • Dig I/O: ADAT, S/PDIF •
MIDI I/O • Mac/PC Fireface 400 FireWire • 24-bit/192kHz • In: 2 x XLR,
2 x XLR/line combo, 4 x TRS • Out: 6 x TRS, 1 x TRS (unbalanced) • Dig
I/O: ADAT, S/PDIF • MIDI I/O • Mac/PC
ONLY $45/mo.
Fireface800
Fireface400
56-ch FW Interface .............List $179900
36-ch FW Interface ..............List $114900
$
Ensemble
24/192 FireWire Interface .....................
24-bit/192kHz FireWire Audio Interface
The Saffire PRO 26 i/o takes legendary Focusrite
sound and expertise and packs it into a single rackspace
unit that provides the essential components found in
professional recording desks at a price that makes them
available to anyone. Saffire PRO 26 i/o combines eight
award-winning, premium Green Range preamps (two
with variable impedance) with sixteen channels of ADAT,
two channels of S/PDIF (up to 192kHz), and Focusrite’s
highperformance 24-bit digital converters. The Saffire
PRO package includes Focusrite’s highly acclaimed
Saffire plug-in suite, comprising EQ, compression, amp
simulation, and reverb, in both VST and AU formats.
Multiple PRO 26 i/o’s can be daisy-chained together.
Specs: FireWire • 24-bit/192kHz • 26-channel • In: 8 x XLR, 8 x TRS
(bal) • Out: 8 x TRS (bal), 2 x phones • S/PDIF • ADAT • WC I/O • MIDI
I/O • Mac/PC
ONLY $21/mo.
SaffirePro
99997
26x26 FireWire Interface .......List $99999
Saffire
24-bit/192kHz Interface with
Powered Plug-ins
FA-101
FA-66
High-definition Audio Interface
High-definition Audio Interface
The FA-66 offers up to six channels at once at
24-bit/96kHz, or up to four channels at 24-bit/192kHz,
allowing high-quality recording anywhere you go. The
FA-66 can draw power from your computer’s FireWire
port or the included power supply, which makes for even
greater flexibility. Ultra-low latency allows you to directly
monitor audio going through the interface without
passing through the software. A built-in analog limiter
helps prevent input clipping during recording, and the
durable metal casing ensures the FA-66 will handle the
roughest of location recordings.
Specs: FA-66 24-bit/192kHz • In: 2 x XLR/TRS (front), 2 x RCA • Out: 4 x
TRS, phones • Dig I/O: S/PDIF optical • MIDI I/O • Mac/PC
Whether you need a portable device for multi-channel,
high-quality field recordings, or a front-end to your
desktop DAW, this Edirol interface will easily fill
both needs. The FA-101 can record ten channels
simultaneously at 24-bit/96kHz and up to six channels
at 24-bit/192kHz. The FA-101’s rugged construction and
ultra-low latency hardware monitoring combined with
its ability to be powered via your computer’s FireWire
port along with makes it a great choice for remote
audiophile-quality recording.
Specs: 24-bit/192kHz • In: 2 x XLR/TRS (front), 2 x RCA • Out: 4 x TRS,
phones • Dig I/O: S/PDIF optical • MIDI I/O • Mac/PC
ONLY $11/mo.
FA66
$
6-ch FireWire Audio Interface List 499
00
$
97
349
ONLY $15/mo.
FA101
FireWire Audio Interface ........List $59900
$
97
499
199500
Saffire PRO 26 i/o
149997
$
$
$
69999
Saffire
Saffire offers SaffireLE
four inputs
with two Focusrite
pres, eight balanced
outputs, and S/PDIF
I/O, providing the
ability to create up to
five separate stereo
mixes, or up to 7.1
surround monitoring.
Saffire acts as a DSP
engine and can provide reverb on the analog inputs
for recording wet. Saffire LE features two Focusrite
preamps, two balanced line inputs, six balanced outputs,
and S/PDIF, but without onboard DSP.
Specs: Saffi re FireWire • 2-ch • 24-bit-192kHz • In: 2 x XLR • Out: 8
x TRS, headphone • S/PDIF I/O • Mac/PC Saffire LE FireWire • 2-ch •
24-bit/96kHz • In: 2 x XLR, 2 x TRS • S/PDIF I/O • MIDI
ONLY $12/mo.
I/O • AC3, DTS • Mac/PC
Saffire
SaffireLE
2x8 FireWire Interface ...............List $49999
FireWire Interface.......................List $39999
$
39999
$
29999
156
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Call today! (800) 222-4700
FireWire Audio Interfaces
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
Onyx Satellite
FireWire Recording System
Many recording interfaces are built for either studio or
portable use but generally you have to pick one or the other,
unless you don’t mind moving your unit from portable rack
to studio rack and reconnecting. Mackie’s Onyx Satellite
FireWire Recording System let’s you do both without the
hassle. The Satellite is an ingenious 2-piece design that
incorporates the Satellite Pod, a 2-channel FireWire interface
and a 2 x 6 Base Station. The Pod comprises two of Mackie’s acclaimed Onyx preamps
with premium 24-bit/96kHz AD/DA converters all wrapped up in a FireWire bus-powered
pod that you can take anywhere you like for professional remote recording. When you’re
ready to come back to the studio, just pop the pod back into the Satellite Base Station
System, which provides AC power, additional I/O, talkback, and monitor switching
functions. By plugging the Satellite Pod into the base station, the Satellite System becomes a 2-input, 6-output FireWire
audio interface with professional features such as an advanced routing matrix, built-in talkback microphone,
advanced monitoring functions and surround speaker control. Remote and studio recording with one unit and no
re-patching! Plus, the Satellite System comes bundled with a full version of Tracktion 2 software, providing complete
ONLY $12/mo.
out-of-the-box music production.
Satellite
2-ch FireWire Interface .........List $51999
$
39999
Specs: FireWire • 24-bit/96kHz • In: 2 x XLR, 6 x TRS • Out: 6 x TRS
The Mackie Onyx 400F is a 10-channel FireWire
audio interface that features premium-quality Onyx
microphone preamps, as well as onboard 10 x 10 DSP
matrix mixing. The Onyx 400F provides 64-bit internal
DSP for outstanding sound quality, and zero-latency
monitoring. Front-panel controls include control room
output level, dual independent headphone outputs with
dedicated level control, and dual instrument inputs.
The Onyx 400F offers tons of I/O: four combo mic/line
inputs with sends and returns, four line inputs, eight
line outputs, control room outputs, word clock, MIDI,
and S/PDIF I/O, and two FireWire ports. In standalone
mode the mixer remembers its settings so it’s great for
monitor mixes, keyboard rigs, and more. The Onyx 400F
is bundled with a complete music production software
package, including Tracktion 2 and Mackie Final Mix
mastering toolkit.
Specs: 10-ch • solid state • 192kHz • In: 4 x mic/line, 4 x line, 4 x TRS
insert • Out: 8 x line • Dig I/O: WC, S/PDIF, FireWire • MIDI I/O
FireWire 1814
ONLY $21/mo.
18 x 14 Audio Interface with ADAT I/O
Onyx400F
The FireWire 1814 is a versatile interface for many
applications, including live recording of small bands, and as the
nerve center of a small studio where you need to interface a wide
variety
of
digital
gear.
It’s
also
compatible
with Pro Tools M-Powered software. This 18-in/14-out
see pg. 134
interface includes ADAT optical I/O, two high-quality microphone/instrument preamps, and 8 x 4
analog I/O at up to 24-bit/96kHz, with 192kHz capability on the first two inputs and all four outputs. The built-in 1 x
1 MIDI interface allows for the connection of synths or other MIDI-equipped gear. The S/PDIF outputs can transfer
ACS-3 or DTS encoded surround tracks.
Specs: FireWire • 24-bit/192kHz • In: 2 x XLR/TRS, 8 x TRS • Out: 4 x TS,
headphone • ADAT, S/PDIF, WC • MIDI I/O • Mac/PC
Onyx 400F
10-channel 192kHz FireWire Interface
$
4-ch Preamp/FireWire Interface ...List 899
99
$
69999
WHAT OUR CUSTOMERS
ARE SAYING…
“My Sales Engineer was both personable and professional; he
genuinely seemed to enjoy his job.”
— Brett
ONLY $15/mo.
Firewire1814
FireWire Audio/MIDI Intrfc ......List $59995
$
49997
FireWire 410
The FireWire 410 is an audio/MIDI interface that has it
all — power, flexibility, compact size,
and low price. FireWire 410’s 4-in/10-out
configuration complete with preamps is
perfect for personal recording, routing
discrete outputs to a mixer, or directly driving a surround sound system. The onboard ASIO 2.0-compliant mixer
and software control panel provide total routing flexibility — including monitoring with external effects. You also get
ultra-low-latency software monitoring and near-zero latency hardware-direct monitoring. Two headphone outs with
independent level controls let you collaborate with a partner. The FireWire 410 features 24-bit/96kHz analog I/O,
192kHz stereo outputs, two mic/line inputs with high-quality preamps and phantom power, eight line outs to a mixer
or direct surround output, MIDI I/O, and S/PDIF digital I/O with PCM, AC-3, and DTS support for surround audio
ONLY $10/mo.
playback. FireWire 410 can even be completely bus-powered for totally mobile operation.
Specs: FireWire • 24-bit/96kHz • In: 2 x XLR/TRS (front), 2 x TRS • Out: 8 x
TS, Headphone • Dig I/O: S/PDIF • MIDI I/O • Mac/PC
Firewire410
FireWire Audio/MIDI Intrfc .....List $39995
$
97
299
FireWire Audiophile
4-in, 6-out FireWire Audio/MIDI Interface
The M-Audio FireWire Audiophile interface is now Pro
Tools-compatible thanks to Digidesign’s
Pro Tools M-Powered software. The
see pg. 134
FireWire Audiophile 24-bit/96kHz
audio/MIDI interface is perfect for live performance,
home recording, mobile musicians, and digital DJ work. It combines 4 x 6 audio I/O with
powerful onboard mixing, a stereo headphone output with A/B switching for pre-cueing, an assignable
aux bus for dedicated headphone mixes and effect sends, zero-latency hardware monitoring, and MIDI I/O. It even
has S/PDIF I/O with PCM, AC-3, and DTS for surround sound playback. The FireWire Audiophile takes M-Audio’s
award-winning Audiophile line to the next level!
Specs: FireWire • 24-bit/96kHz • In: 2 x RCA • Out: 4 x RCA, headphone
• S/PDIF I/O • MIDI I/O • Mac/PC
ONLY $10/mo.
AudiophileFW
FireWire Aud/MIDI Intrfc........List $24995
$
19997
FireWire Solo
24-bit/96kHz FireWire Audio Interface with
Microphone and Guitar Inputs
The FireWire Solo, combined with
Pro Tools M-Powered software (see
page 134), is one of the easiest ways
for you to start up your Pro Tools
studio! Designed primarily for guitarists, the FireWire
Solo features a 1/4" guitar input on the front panel and
an XLR mic input. Each has its own level control and
clipping indicator so you can mix and record a vocal
and instrument simultaneously. Plus, there are dual
line inputs for keyboards, effects, drum machines, and
other outboard gear. Solo can easily be the hub of your
computer-based songwriting studio.
Specs: FireWire • 24-bit/96kHz • In: 1 x XLR, 1 x TRS (front), 2 x TRS
(back) • Out: 2 x TS, headphone • S/PDIF I/O • Mac/PC
ONLY $10/mo.
FirewireSolo
FireWire Interface ................. List $24995
$
19997
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œvviÀÃʅˆ}…Êi˜`]Ê«ÀœviÃȜ˜>ÊÕÃiÀÃÊ̅iÊV>«>LˆˆÌÞÊ̜ÊṎˆâiÊÕ«Ê̜ʣ™ÓÊV…>˜˜iÃʜvÊ>Õ`ˆœÊȓՏÌ>˜iœÕÏÞʈ˜Ê
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̜ÊLÀˆ˜}Ê-ޓ«…œ˜ÞÊ̜ÊޜÕʈ˜Ê«>À̘iÀň«Ê܈̅Ê-ÜiiÌÜ>ÌiÀ°Ê/…iˆÀÊ՘`iÀÃÌ>˜`ˆ˜}ʜvÊ̅iÊܜÀ`ʜvÊVœ“«ÕÌiÀÊ
>Õ`ˆœÊˆÃÊ՘ÃÕÀ«>ÃÃi`]Ê>ÃʈÃÊ̅iˆÀÊ`i`ˆV>̈œ˜Ê̜Ê`iˆÛiÀˆ˜}Ê̅iÊLiÃÌÊ̜Ê̅iˆÀÊVÕÃ̜“iÀðÊ/œÊw˜`ʜÕÌʓœÀiÊ
>LœÕÌʅœÜÊ-ޓ«…œ˜ÞÊV>˜Ê`iˆÛiÀÊ>˜Ê>Ã̜˜ˆÃ…ˆ˜}ʘՓLiÀʜvÊV…>˜˜iÃʜvʘœ‡Vœ“«Àœ“ˆÃiÊ>Õ`ˆœÊ̜ÊޜÕÀÊ
˜>̈ÛiÊ>VÊ>Õ`ˆœÊÃÞÃÌi“]ÊV>Ê̅iÊ«œ}iiÊiÝ«iÀÌÃÊ>ÌÊ-ÜiiÌÜ>ÌiÀÊ̜`>Þ°
© 2006, Apogee Electronics Corp. All Rights Reserved. All trademarks herein are property of their respective holders.
Macintosh, Logic Pro and Final Cut Pro are registered trademarks of Apple Computer
160
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PCI Audio Interfaces
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
HDSP 9652
52-channel, 24-bit/96kHz
Interface
Multiface II
36-channel 24-bit/96kHz HDSP
Interface
Talk about an audio interface that does it
all! The new RME Multiface II is 100%
compatible with the current
Multiface firmware and driver
and offers the same feature set,
low-latency, zero-CPU-load
performance, better power
supply, plus several features
from RME’s Fireface. It
includes eight balanced TRS
inputs and outputs with 24-bit/96kHz
conversion, a high-power headphone output for independent submix, ADAT optical
I/O, and 96kHz stereo S/PDIF I/O. It also features 9-pin ADAT sync in, word clock I/O,
and MIDI I/O. The analog inputs and outputs can operate independently at +4dBu or
–10dBV via two switches on the front panel. For connecting the Multiface II to a laptop,
all you need is the CardBus (see below right), featuring performance that matches
any high-quality PCI card. The new Desktop PCI core card has been optimized for
faster performance and FireWire cable connection. The Multiface is a clear winner for
anyone who wants an all-around solution that offers top-quality converters coupled
with a great price.
ONLY $21/mo.
Multiface2
Desktop
$
00
36-ch, 24-bit/96kHz I/O.............List 799
PCI Card for Multiface/Digiface ...List $33900
$
97
699
$
Specs: 24-bit/96kHz • In: 8 x TRS
• Out: 8 x TRS, headphone • Dig
I/O: ADAT, S/PDIF • WC I/O, ADAT
sync • MIDI I/O • Mac/PC
97
269
The Hammerfall HDSP 9652
supports sampling rates up to 96kHz
and audio inputs and outputs for up
to 52 channels — 26 inputs and 26
outputs from three ADAT I/O pairs and
S/PDIF coax I/O. Each ADAT channel
supports 48kHz/24-bit operation, and
S/MUX mode is also available to pair
ADAT channels in order to provide twelve
96kHz/24-bit channels. Plus, you can have
52-channel operation without placing any
burden on the host processor.
HDSP 9632 features a 110dB signal-tonoise ratio. All 16 channels can be used
simultaneously. The DSP MADI offers 64
channels of 24-bit audio at a sample rate of up to 48kHz and 32 channels at up to
96kHz. Transmission is done via a single line, either coaxial with BNC plugs or with
fiber cable. In both cases more than 300-foot cable length can be achieved. Hammerfall
DSP is fully compatible with all devices that have a MADI interface.
Specs: 9652: PCI • 52-ch • 24-bit/96kHz •3 x ADAT, S/PDIF • ADAT sync • 9632: PCI • 24-bit/192kHz • ADAT,
D-sub, S/PDIF • Steady Clock • MADI 24-bit/96kHz • I/O: MADI optical, coaxial, WC • 2 x MIDI • phones • Mac/PC
ONLY $18/mo.
HDSP9652
HDSP9632
HDSPMADI
24-bit/96kHz PCI Audio Card Interface ............................................................ List $74900
24-bit/192kHz PCI Audio Card ........................................................................ List $74900
24-bit/96kHz MADI PCI Audio Card .............................................................. List $174900
$
59997
$
59997
139997
$
WHAT OUR CUSTOMERS
ARE SAYING…
Digiface
24-bit/96kHz Digital Interface with 24-channel
ADAT I/O
The RME Digiface is the first no-compromise solution for
high-quality audio on your laptop or desktop computer.
With 26 simultaneous inputs and outputs, Digiface is an amazing
portable solution. The RME Digiface solves the typical problems of laptop solutions by
offering low-latency operations with versatile connectivity. Digiface offers 24 channels of ADAT optical I/O and
96kHz stereo S/PDIF I/O for connection and file transfer to almost any DAW software or hardware unit. ADAT
sync in, word clock I/O, and two MIDI I/Os provide versatile sync interfaces. Thanks to its unique “Zero CPU
Load” technology, Hammerfall DSP guarantees the highest performance and lowest latency on both notebooks
ONLY $20/mo.
and desktops! The Digiface requires a CardBus(see
$
97
below right) interface for laptops or a Desktop
Digiface 26 I/O 24/96 Interface ..............List $74900
PCI interface.
$
Desktop
PCI Card for Multiface/Digiface ...List $33900
26997
“You rock! I have never had better customer service from any
company, for anything, than I have from Sweetwater (and that’s
saying a lot, because I deal with vendors every day in my job).
Thanks again.” —Daniel Burford
659
Specs: 24-bit/96kHz • I/O: 3 x ADAT, S/PDIF • WC I/O, ADAT Sync • MIDI I/O
• Mac/PC
CardBus
Symphony
PCMCIA Card for RME Audio Interfaces
32-channel PCI Express Card for Macintosh
Apogee’s Symphony is more than just a PCI card, it is the key to the
Symphony System, one of the most powerful native audio
workstation available. At 32-channels of I/O per card (up to
96 channels of I/O with three cards installed), Symphony
connects Apogee’s legendary X- Series and Rosetta Series
converters to Apple’s Mac Pro. The result is perhaps the lowest
latency available in a native audio system (1.6 milliseconds at 96k)
and an incredible capacity for plug-in processing and high channel
count recording. Symphony hardware also features Apogee’s Maestro an
application that provides extensive routing and other capabilities between Mac OS
X applications and Apogee hardware. And, because Symphony was designed exclusively
for Apogee converters and Apple hardware, the environment is rock solid and allows you to make music instead of
making adjustments to your DAW. With 32 channels, the Symphony PCI Express card truly offers one
ONLY $27/mo.
of the greatest values at the lowest cost-per-channel
$
97
$
00
ratio you’ll find in any digital system – plus you get
Symphony 24-bit/192kHz PCIe Card ...........List 995
$
Apogee quality.
XSymphony Apogee Symphony I/O Card ........List $20000
17997
895
Specs: 32-channel (with external I/O) • 24-bit/192kHz • PCI Express
• Mac
PC32IFC3.0
PC32IFC0.5
Symphony Cable, 3.0M ..............................
Symphony Cable, 0.5M ..............................
$
5995
3995
$
Laptops are great tools for mobile and location
recording, but some laptops aren’t equipped with the
proper ports to connect to current interfaces, which
can limit your options. In order to bring high-end
sound quality to laptops, RME has developed the
CardBus, a PCMCIA type II card that provides the
same basic performance that a PCI card would offer
a desktop computer. The CardBus is designed to
function seamlessly with RME’s Digiface and Multiface II
interfaces. Though the CardBus connects to the I/O box
via FireWire, the CardBus utilizes RME’s own proprietary
bus protocol. To top it off, it’s 100% plug and play
compatible with Windows and Mac OS. A 15-foot cable
and power supply is included.
Specs: CardBus PCMCIA type II • 32-bit • 130 MB/s transfer rate both
directions • Current load: 300 mA • Out: closed LAN
ONLY $10/mo.
Cardbus
CMCIA Card for Multiface/Digiface .......List $37900
$
29997
www.sweetwater.com
PCI Audio Interfaces
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
1616M Cardbus
24-bit/192kHz Laptop Audio Interface
The 1616M sports the same A/D converters
found in a very high-end audio interface. The
MicroDock provides 16 inputs and outputs. Both
the 1616M and 1616 come with SONAR LE;
Cubase LE and Wavelab Lite; Live Lite for
E-mu; AmpliTube LE and T-RackS EQ;
diskWelder BRONZE; SFX Machine LT,
and E-mu Proteus X2 LE.
Specs: 24-bit/192kHz • In: 2 x XLR/TRS, 4 x TRS, 2 x RCA (RIAA) • Out: 6
x TRS, 2 x headphones • Dig I/O: ADAT, S/PDIF • 2 x MIDI I/O • PC
ONLY $15/mo.
1616mCardbus
1616Cardbus
$
99
PCM/CIA Audio Interface ............................................................... List 699
PCM/CIA Audio Interface ............................................................... List $59999
$
49999
$
39999
WHAT OUR CUSTOMERS ARE SAYING…
“I have never had an online company CALL to thank me for ordering, then CALL the day my
order arrived to see if I am happy. All that plus the lowest price!” — Mike Seibel
0404
24-bit/192kHz PCI Audio Interface
E-mu’s 0404 Digital Audio System is an ideal way to
dive into digital audio on your Windows computer.
High-definition 24-bit/192kHz
converters deliver quality audio.
Hardware-accelerated
mixing provides zerolatency monitoring and
connecting instruments
to the 0404 is easy. Plus, MIDI
I/O means you don’t need an additional interface. E-mu’s
powerful E-DSP chipset features over 600 effects and you can run up to 16 effects
simultaneously! The 0404 PCI comes with SONAR LE; Cubase LE and Wavelab Lite; Live
Lite for E-mu; AmpliTube LE; SFX Machine LT and E-mu Proteus X2 LE.
Specs: PCI • 24-bit/192kHz • In: 2 x TRS • Out: 2 x TRS • Dig I/O: S/PDIF • MIDI I/O • PC
0404
$
4x4 PCI Interface - PC .................................................................................... List 149
99
99
1616M PCI
24-bit/192kHz PC Audio
Since the introduction of the Emulator
in 1981, E-mu has built a solid
reputation as a leader in
computer-based music
technology. Today, E-mu’s
PCI Digital Audio Systems
give you everything you
need to turn your PC into
a total production center
along with enough bundled
software to keep you busy — real busy!
Starting with the 1212M, you get mastering-grade
1616PCI
24-bit/192kHz converters, over 600 standalone
and E-mu hardware-accelerated VST
plug-in effects with no CPU overhead,
zero-latency hardware mixing and
monitoring with a super-flexible
patchbay — no external mixer needed,
12 inputs and 12 outputs, plus S/PDIF,
ADAT, and MIDI I/O. The 1616 PCI
adds the MicroDock desktop breakout box with 16
inputs and 16 outputs, plus 32 channels of MIDI
I/O, including two E-mu XTC Class-A ultra-low
noise mic/line/hi-Z preamps with 48V phantom
power and analog soft limiting circuit for clip
protection. The 1616M PCI ups the ante with
1212Mv2
the same mastering-quality 24-bit/192kHz
converters found in world-class studio gear.
All three units ship with E-mu’s Production
Tools software bundle, which includes Cakewalk SONAR LE, Steinberg Cubase LE and
Wavelab Lite, Ableton Live Lite for E-mu, IK Multimedia AmpliTube LE and T-RackS EQ,
Minnetonka diskWelder Bronze, SFX Machine LT, plus E-mu’s Proteus X LE desktop
sound module — everything you need.
Specs: 1616M/1616 PCI 24-bit/192kHz • In: 4 x TRS, RIAA preamp in • Out: 6 x TRS, 2 x 1/8" (speaker)
headphone • S/PDIF • ADAT • 2 x MIDI I/O • PC 1212M • 24-bit/192kHz • In: 2 x TRS • Out: 2 x TRS • ADAT •
S/PDIF • MIDI I/O • PC
ONLY $14/mo.
1616MPCI
Digital Audio System ...................................................................................... List $59999
Digital Audio System ...................................................................................... List $46999
Digital Audio System ...................................................................................... List $19999
1616PCI
1212Mv2
The Dakota has two pairs of
ADAT optical ports for
sixteen channels of 24-bit
ADAT audio, and S/PDIF
digital audio I/O on RCA
jacks. An ADAT 9-pin sync
input allows you to
interconnect with
ADAT tracks or a BRC.
Dakota also features two MIDI I/O ports and an internal
CD-ROM digital audio cable for direct transfers from
audio CDs.
Dakota’s audio channels support Frontier’s SoDA
(SMPTE on Digital Audio) technology that lets you use
any digital audio input or output for SMPTE time code.
Specs: PCI • 24-bit/48kHz • Dig I/O: 2 x ADAT, S/PDIF • MIDI I/O • PC
ONLY $13/mo.
$
97
419
You can also perform direct format conversion from
ADAT to S/PDIF right on the card. It includes GSIF drivers and is outstanding for GigaSampler and GigaStudio
users!
WavecenterPCI
PCI Audio Card ............List $38900
$
34999
14999
$
The Lynx Studio
Technology
AES16 multi-channel
interface is a perfect
way to integrate digital
consoles, multi-channel
A/D and D/A converters,
and hard disk recorders
with your computer-based workstation. Providing 16
channels of AES/EBU capacity and support for up to
192kHz, the AES16 turns your computer into a powerful
digital router or patchbay with extensive flexibility
with minimal cabling. Utilizing SynchroLock, which
guarantees extremely low jitter at all inputs, the AES16 is
also a great addition to your mastering rig.
Specs: 16-channel AES/EBU digital I/O • 24-bit/192kHz • WC
ONLY $19/mo.
ONLY $10/mo.
$
44999
Multi-channel AES/EBU
Audio Interface
The WaveCenter/PCI combines
eight channels of ADAT optical I/O,
two channels of S/PDIF on optical or
coaxial connectors, and a 2-port MIDI
interface on one compact PCI card!
It’s a great interface for using your
digital mixer to provide automated
mixing, effects, and AD/DA conversion.
Just connect the WaveCenter/PCI to your digital mixer’s
ADAT or S/PDIF I/O. Use it to transfer material from your
digital tape recorder to your computer to edit, mix, and
arrange, then transfer it back to a new tape.
Specs: PCI • 24-bit/48kHz • Dig I/O: ADAT, S/PDIF • 2
x MIDI I/O • PC
$
AES16
Digital Audio Card with ADAT, S/PDIF,
and MIDI I/O
PCI Audio Card with ADAT and S/PDIF
Audio, Sync, and MIDI I/O
PCI Soundcard - PC ...............List $59900
$
(800) 222-4700
“Our Sales Engineers stay up-to-date on the latest technology
and hottest trends in the recording industry. They understand
the needs of today’s musicans, striving to make each dream
studio a reality.” — Rachel Murphy, Marketing
WaveCenter/PCI
Dakota
Dakota
99
161
ProGear2007
97
289
AES16
16-ch AES/EBU Intrfc ............List $69500
$
62597
162
ProGear2007
www.sweetwater.com
Call today! (800) 222-4700
PCI Audio Interfaces
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
Delta 1010
24-bit/96kHz PCI Audio Interface with MIDI and Word Clock I/O
With superb sound quality and 24-bit/96kHz conversion, the Delta 1010 rivals
systems that cost much more. Eight analog ins and outs are individually switchable
to +4dBu or -10dBV for connection to pro or consumer gear. S/PDIF I/O takes
care of digital audio. The 1010 can lock up to your studio clock via word
clock I/O, and MIDI I/O connects to synths and other gear. If
you don’t need +4 capability, the Delta 1010LT offers RCA I/O,
two XLR mic inputs, and MIDI, S/PDIF, and word clock I/O. Both
models ship with Live Lite, a special version of Ableton Live.
SEE THE BACK PANEL AT SWEETWATER.COM!
sweetwater.com/Delta1010
Specs: 1010 PCI • 10 x 10 • 24-bit/96kHz • In: 8 x TRS (bal/unbal) • Out: 8 x TRS
(bal/unbal) • Dig I/O: S/PDIF, WC • MIDI I/O 1010LT 10 x 10 • 24-bit/96kHz • In: 2 XLR, 6 x
RCA • Out: 8 x RCA • Dig I/O: S/PDIF, WC • MIDI I/O
ONLY $12/mo.
Delta1010
$
10-in/10-out PCI Rec System......................................................................... List 499
95
$
39997
Delta 1010LT
Delta 66
10 x 10 24-bit/96kHz PCI Audio Card
PCI Audio Card with Analog
I/O Breakout Box
The Delta 1010LT offers all of the interface
features you need to record music on
your computer, including eight
analog inputs and outputs,
S/PDIF in/out, MIDI in/out,
and word clock in/out.
Audio from a variety of
sources can be connected to
the 1010LT inputs, and the
comprehensive Delta Control
Panel software can set and
even fine-tune the input line level.
Inputs 1 and 2 (on XLR jacks) can be
set to receive a balanced line or a mic
level signal, eliminating the need for an outboard
mic preamp. The S/PDIF input will interface with
gear from pro DAT players to CD, DVD, or MiniDisc, and offers control over the SCMS
copy protection protocol.
Specs: 10 x 10 • 24-bit/96kHz • In: 2 XLR, 6 x RCA • Out: 8 x RCA • Dig I/O: S/PDIF, WC • MIDI I/O
ONLY $10/mo.
Delta1010LT
10-in/10-out PCI Rec System......................................................................... List $24995
$
97
199
Audiophile 192
see pg. 134
PCI Audio Card with 24bit/192kHz Resolution
The Audiophile 192 brings high-definition
audio to your computer recording system with
stereo analog I/O, S/PDIF digital I/O, and a
MIDI interface all in one.
With 24-bit/192kHz resolution, the
Audiophile 192 is ready
for the next generation
of DVD audio. The
balanced/unbalanced analog
I/O makes connecting to a
whole range of pro and consumer
gear possible. Monitoring your recording is easy
with the Audiophile 192’s zero-latency hardware input monitoring support. Get an
Audiophile 192 for an affordable introduction to high-definition audio!
Specs: PCI 2.2 • 4 x 4 • 24-bit/192kHz • In: 2 x TRS (balanced) • Out: 2 x TRS (balanced) • Dig I/O: S/PDIF
(coaxial RCA connectors), 2-ch PCM, AC-3 and DTS pass-thru) • MIDI I/O • Mac/PC
The low price and 24-bit/96kHz sonic fidelity of
M-Audio’s Delta 66 have made it extremely popular.
With zero-latency hardware monitoring and 36-bit
internal DSP, you’ll be assured of capturing quality
audio. The flexible Delta 66 system includes a PCI card
with S/PDIF I/O, connected to a sturdy breakout box
containing four analog inputs and outputs
compatible with balanced or unbalanced
+4dBu or -10dBV signals. The included Delta
Control Panel software provides comprehensive
routing, monitoring, and mixing capabilities.
If you’re itching to tap into the power and
performance of a Delta 66 card but don’t need
S/PDIF I/O, check out the Delta 44. You still get four balanced/unbalanced I/O jacks
and 24-bit/96kHz conversion.
Specs: Delta 66 PCI • 24-bit/96kHz • In: 4 x TRS • Out: 4 x TRS • Dig I/O: S/PDIF • Mac/PC Delta 44 PCI •
24-bit/96kHz • In: 4 x TRS • Out: 4 x TRS • Mac/PC
ONLY $10/mo.
Delta66
Delta44
6-in/6-out PCI Rec System............................................................................. List $23995
4-in/4-out PCI Rec System............................................................................. List $19995
$
18997
$
14997
Audiophile 2496
see pg. 134
4-in/4-out PCI Audio Card with S/PDIF and MIDI
M-Audio’s Audiophile 2496
utilizes the same pro-grade
24-bit/96kHz converters as
Delta 44 and 66 cards. The
Audiophile 2496 also provides S/PDIF
and MIDI I/O for connecting to
digital audio devices and MIDI
instruments.
This 4-in/4-out
interface
delivers quality audio performance
with a frequency response of 22Hz22kHz and dynamic range of 104dB,
so you’ll hear the nuances of even the
most delicate recordings. The built-in MIDI interface gives you 16 channels of I/O and
eliminates the need for a separate piece of hardware.
Specs: PCI • 24-bit/96kHz • In: 2 x RCA • Out: 2 x RCA • Dig I/O: S/PDIF • MIDI I/O • Mac/PC
ONLY $10/mo.
Audiophile192
$
PCI HD Digital Audio Card ................................................................ List 199
95
$
17997
Audiophile2496
PCI Digital Audio Card ..................................................................... List $12995
$
9997
ProTools and M-Audio. Sweet.
PRO TOOLS
M-POWERED 7
When it’s time to build your next Pro Tools
system, look to the professionals at
Sweetwater to help you put together the
perfect rig for your Mac or PC. Sweetwater has
been specing out Pro Tools systems for over a
decade, and now with Pro Tools M-Powered 7 and a
choice of almost 20 affordable
M-Audio interfaces, it’s never been
easier to get onboard with the industry’s
standard audio/MIDI production software.
So, no matter what your budget is, if
you need Pro Tools, Sweetwater has
you covered.
* Pro Tools M-Powered does not support DV Toolkit
- if you’re working with video, check out a
Pro Tools LE system.
** 48 tracks with Music Production Toolkit option
© 2006 Avid Technology, Inc. All rights reserved. Avid, M-Audio, Pro Tools and Pro Tools M-Powered are either trademarks or registered trademarks of Avid Technology, Inc. All other trademarks contained herein are the property of their respective owners.
Product features, specifications, system requirements and availability are subject to change without notice. Use of the enclosed software is subject to a related license agreement.
recording interfaces
USB keyboards
studio monitors
microphones
preamps
sound libraries
music software
www.sweetwater.com/m-audio
164
ProGear2007
www.sweetwater.com
Call today! (800) 222-4700
Control Surfaces
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
ABOUT
Control Surfaces
A decade ago, nobody outside of a few cutting edge
professionals even knew what a control surface
was. Today, with computer-based multitracking an
every-day reality, a control surface is more than a
luxury — it’s almost mandatory!
Because there
are so many
amazing features
available using
computer-based
recording, it only
makes sense
to put all the
creative control
exactly where
it belongs, right at your fingertips. As anyone who
has had to scroll through countless menu layers,
cut and paste parameter values, or mouse through
a mind-numbing maze of subdirectories can tell
you, “hands on” is the only way to go. You get all the
immense power of the best cutting-edge software, but
you also get the tactile response that feels just like
you’re working with a premium mixing console.
If you’re ready to stop “mousing around,” give your
Sweetwater Sales Engineer a call. You’ll be astonished
at just how affordable a control surface can be.
Naturally, if you have a “sky’s the limit” budget, they
can also point you at the biggest, baddest hardware
controller on the planet!
WHAT WILL IT WORK WITH? FIND OUT!
sweetwater.com/MackieCont
Mackie Control Universal
Mackie Control Extender
Mackie Control C4
Mackie Control Universal
Nine Motorized Faders and Universal DAW Compatibility
Mackie’s Control Universal worksurface allows tactile mixing, editing, automation, Close-up of back panel connections
and navigation control. With nine touch-sensitive faders, assignable rotary encoders for
tweaking effects and plug-ins, a large backlit LCD display, and expansion capability, Mackie Control will free you
from the mouse and keyboard and let you take control creatively.
Mackie Control Universal supports Pro Tools, Digital Performer, Logic Pro 7, Logic Express 7, Final Cut Pro 5, Nuendo,
Cubase SX, Reason 3, Tracktion 2, Audition, SONAR, Vegas, Samplitude, and others. In fact, any DAW that supports
Mackie’s HUI emulation can use this controller. Custom Lexan overlays for all supported DAWs identify the functions
of encoders, buttons, and faders. Each channel strip includes a fader plus mute, solo, and record arm buttons. Every
channel has an assignable rotary V-Pot to control pan, send levels, EQ, dynamics, and other parameters. Control just
about any popular DAW software program, soft synths, and effects with Mackie Control C4, a hardware controller
with 32 V-Pot knobs and four giant LCD “virtual scribble strip” displays. The C4 now includes Commander software,
which lets you control MIDI-enabled instruments and processors right from your mix position.
“This is the most reliable and easy-to-use control surface for nearly all studio applications. I
have designed many studios and recording setups around the Mackie Control. The many different
configurations, styles, and expandability make it tough to beat. If you want to feel like you’re
making music and not programming a computer with your mouse, then the Mackie Control
Universal is the ticket.”
— Mark Thompson, Sales Engineer, Ext. 1373
MackieCont
Specs: Mackie Control
Universal 9 faders
• 100mm/touch
sensitive/motorized • 1
rotary/ch • MIDI I/O
• Mac/PC C4 32 knobs •
MIDI I/O • Mac/PC
ONLY $30/mo.
$
$
99
Universal Control Surface with 100mm Touch-sensitive Motorized Faders ................................................................................ List 1299
$
MackieContC4 Mackie Control Rotary Extn .....List $129999
99999
MackieContXT Mackie Control Extender ...........List $89999
99999
$
69999
FaderPort
Desktop USB DAW Automation and Transport Controller
In the digital recording world, there are a lot of us that don’t mind “mousing around” to edit, mix, and automate our projects.
But there’s just something about the feel of a fader beneath your finger. Drawing automation is fine, but a physical fader can
give you the tools to quickly and easily perform smooth fades that can often be clunky or time consuming to create with
drawn automation. That’s where PreSonus’ FaderPort comes in. Compatible with virtually every DAW on the market today,
the FaderPort can control a number of functions from its intuitive interface, offering mouse-free music creation and audio
manipulation. A single, smooth, motorized long-throw fader allows the user to perform perfect fades and easily write either single
channel or group automation. Buttons on the interface offer control over record transport, as well as pan, mute, solo, record
enable, and quick window selection (edit, mix, transport). If you like the feel of a traditional console fader under your finger, but
don’t have the room for a full-on control surface, the FaderPort is for you. The included footswitch makes punching in and out a
snap. The FaderPort is compatible with both Mac and Windows computers.
ONLY $10/mo.
Specs: USB • MIDI I/O • 1 fader • 1 knob • 24 buttons
FaderPort
$
USB MIDI Controller...............List $22995
19997
ReMOTE ZeRO SL
Keyless MIDI Control Surface with Automap
Bitstream 3x
MIDI Hardware Controller
with DAW Control
Capabilities and USB
The Bitstream 3x is a unique
MIDI hardware controller with the ability to handle DAW control functions as well. “3X”
stands for “3 Axis” because the Bitstream 3X features full control over three different
axis: X, Y, and Z. A joystick allows control over two (X and Y), while an infrared
controller is used for the Z axis. With 35 knobs, eight sliders, and 16 buttons, you
have total hands-on control over any DAW software. Plus, it comes with an astounding
13,000 presets for applications including Reason, Live, Reaktor, Traktor, Absynth,
Cakewalk, and Cubase.
ONLY $12/mo.
Bitstream3x
$
MIDI Control Surface..............List 499
99
$
99
399
Specs: 8 faders • 35 rotary knobs
• MIDI I/O • USB
Have you been intrigued
by the buzz surrounding
Novation’s innovative
Automap™ system, but you
already own a controller that
you’re comfortable with? Or
maybe your controller is a
little on the older side, still functioning fine, but lacking the newer modulation functions
that come standard on current controllers. The ReMOTE ZeRO SL is the most
affordable way to bring Automap technology to your DAW, or add modulation controls
to an existing controller. The ZeRO SL offers a huge number of assignable controls,
including eight musically responsive trigger pads, and works with the most popular
software instruments. The ReMOTE SL Zero currently supports automapping for Reason
3, Cubase SL/SX3, Nuendo 3, Logic 7, and Ableton Live 6.
Specs: 8 sliders, 16 knobs, 8
trigger pads • transport control •
LCD display • MIDI in, out, thru •
USB • Mac/PC
ONLY $10/mo.
ReMOTEslZeRO USB MIDI Cntrl Surface .....List 499
$
99
$
29999
Its great to work for a company
that values their employees as
much as they do their customers.
Coming to work for Sweetwater is
the best choice Ive ever made.
—
Delvin Wolf, Sales Engineer
Turn your PASSION for Music Technology
into a REWARDING CAREER
If you’re reading this directory, you’re probably looking for gear, not a job — but if
you’ve ever wondered what it would be like to work here, take this opportunity to come inside
Sweetwater and see first hand what we’re all about — from the inside out!
“I love working for a company whose main goal
is to make the customer happy. Our customers
always let me know how grateful and satisfied
they are.”
— Pamela Barnhart, Sales Department
“I was always told that the music business is
all about who you know. At Sweetwater, it’s all
about what you know!”
— David Mikautadze, Sales Engineer
Exclusive Web
Video:
Step inside the doors and
get an in-depth look at
Sweetwater
“I love that the opportunity to succeed and excel
is available for me at Sweetwater. From day one,
this job has been a perfect fit for me!”
— Brian Cravens, Sales Department
“I love that I get to work in a professional yet
intimate atmosphere where every day I help
fellow musicians make their musical dreams
come true. “
— Brian Leavell, Sales Department
1-800-222-4700
h t t p : / / w w w. s w e e t w a t e r. c o m / c a r e e r s
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Control Surfaces
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
Kore
Universal Sound Management
As anyone who has done orchestral MIDI sequences
(or any large-scale MIDI production) knows, wading
through gigs and gigs of samples over multiple audio
instruments to create a viable orchestra is daunting
to say the least. Nobody understands that better than
Native Instruments — and they’ve done something
about it. Enter Kore, a USB universal sound platform
that combines a hardware controller and software to
bring peace and unity to your soft synths and plug-ins.
Starting with the task of sound search; with Kore,
sounds can be selected by instrument, type, timbre,
articulation, and genre. So, for example, if you’re
looking for a violin with a sharp attack and a warm
sustain, you can combine the categories of instrument,
timbre, and articulation to narrow the search. Plus, you can also search according to comments saved with a sound.
The results list displays the appropriate sounds immediately. Double-clicking opens the sound and makes it instantly
playable and editable via the controller.
Kore software can open in your DAW as a mega VST, AU, or RTAS plug-in, combining any AU and VST soft synths
and effects plug-ins into one convenient interface, with the ability to search, audition, and edit sounds — all with
hands-on control! Speaking of hands-on, Kore hardware makes plug-in parameter assignments a snap. Simply activate
“Assign,” click on the parameter you need, then touch the control you wish to assign it to — that’s it. You can use
the Kore controller to switch channels; skip through controller pages; browse through your sounds, performances,
performance presets, plug-ins, or MIDI files, and adjust settings. A truly innovative function of Kore is the ability
to run VST and AU plug-ins in Pro Tools, VST in Digital Performer, etc, for an amazing degree of inter-application
flexibility. Kore also sports an integrated, high-end audio interface, making it truly an all-in-one solution, and the
ideal companion to NI’s Komplete 4. Additionally, Kore can transfer sounds and complex instrument set-ups between
different songs, sequencers, and systems. Convenient? Yes. But also, a great way to maintain timbral consistency from
song to song within a large project. That ability also makes Kore a great asset for live performance; you can easily
recall playlists, layers, and splits on stage to recreate your studio recordings in a live situation. If you’re
looking for the ultimate fusion of software and hardware,
ONLY $15/mo.
$
97
let Kore join your MIDI-composition gear.
$
00
Kore
499
Sound Management Software/Hardware ...List 559
TranzPort
Wireless DAW Remote Control
If you’ve ever pressed “Record” on your DAW and then
scrambled to get to a piano, behind a drum kit, or
into a vocal booth, listen up. Frontier Design Group’s
TranzPort wireless DAW controller allows you to run
Pro Tools, SONAR, Digital Performer, or other DAW
software from anywhere you want to be! Instead of
being stuck in front of your computer to compose and
record, TranzPort gives you control over your DAW from
anywhere in your studio. Unlike infrared remotes, you
don’t need line-of-sight between the TranzPort and your
computer. Tranzport is bi-directional, which means you
can get feedback from your DAW on signal levels, time
code position, and track names.
ONLY $10/mo.
TranzPort
Remote Transport Controller.......List $24900
TranzPortMSA TranzPort Mic Stand Adapter ......................
TranzPortBag TranzPort Bag ............................................
FW-1884
Interface/Control Surface with Eight Preamps
M-Audio’s ProjectMix I/O is a combination control
surface and audio interface that turns your computer
and most popular software into a complete digital
production station. The integral 18 x 14 FireWire audio
interface includes eight mic/line inputs plus a hi-Z
instrument input, 8 x 8 ADAT, and 2 x 2 S/PDIF coaxial
I/O. ProjectMix I/O supports Pro Tools M-Powered,
Mackie Control, Logic Control, and HUI protocols.
Specs: 24-bit/96kHz • 9 faders • touch-sensitive/motorized • 1 rotary/ch
• In: 8 x XLR, 8 x TRS, (1 x DI) • Out: 4 x TRS, 2 x headphones •MIDI I/O •
Dig I/O: ADAT, S/PDIF • WC I/O • FireWire • Mac/PC
“Live, Cubase/Nuendo, Logic, Digital Performer, Pro
Tools M-Powered, whatever your flavor, the ProjectMix
I/O is a great all-in-one box for the project studio.”
The FW-1884 provides eight XLR analog mic/line inputs
with 24-bit/96kHz A/D and D/A converters. Along with its
FireWire port, it has 8-channel ADAT optical
I/O as well as stereo S/PDIF I/O. The FW-1884’s eight
100mm motorized touch-sensitive channel faders and
one master fader give you responsive level control.
In addition, pan, solo, mute, and select functions are
provided on each channel. It offers tactile control for
four bands of parametric EQ, a weighted jog wheel and
shortcut keys for various popular software applications
including MOTU Digital Performer, Apple Logic Pro,
Steinberg Cubase, Steinberg Nuendo, Cakewalk SONAR,
and Digidesign Pro Tools. The FE-8 expander adds eight
more faders.
Specs: 24-bit/96kHz • 9 faders • 100mm/touch-sensitive/motorized • 2
rotary/ch • In: 8 x XLR, 8 x TRS, 8 x insert, 1 x DI • Out: 8 x TRS, headphones
• 4 x MIDI I/O • I/O: ADAT, S/PDIF, WC I/O • 2 x FireWire
— Joshua Helton, Sales Asst., Ext. 1260
ProjectMixIO
95
FW Intrfc/Cntrl Srfc ........List 1599
$
$
1497
1497
$
FW-1082
10-channel Audio/MIDI Interface and
Control Surface
Combining audio and MIDI interfacing with an
automated control surface, TASCAM’s FireWire
FW-1082 supports 24-bit recording and playback at
sampling rates up to 96kHz and features a 2 x 2 MIDI
interface and nine motorized faders. It also includes
Cubase LE professional 48-track, 96kHz recording and
mixing software and GigaStudio 3 LE sampling software.
It works with Steinberg Cubase and Nuendo, Apple
Logic, Cakewalk SONAR, and MOTU Digital Performer. It
also works as a HUI control surface and MIDI interface
for Digidesign Pro Tools.
Specs: 24-bit/96kHz • 9 faders • 60mm/touch-sensitive/motorized • 2
rotary/ch • In: 4 x XLR, 8 x TRS, 2 x insert, 1 x DI • Out: 4 x TRS, headphones
• 2 x MIDI I/O • Dig I/O: S/PDIF • FireWire • Mac/PC
ONLY $39/mo.
ONLY $38/mo.
$
19997
SEE THE BACK PANEL!
sweetwater.com/FW1082
FireWire Audio/MIDI Interface and Control Surface
ProjectMix I/O
$
97
1249
FW1884
FE8
FireWire Cntrl Surface w/I/O ...List $159900
8-ch Expander for FW1884 ......List $124900
$
129997
$
99997
ONLY $18/mo.
FW1082
$
FW Control Surface ...............List 999
00
$
59997
Pro Tools • Live • Logic • Cubase • Digital Performer • Sonar
One for all.
mix surface | 24/96 interface | 8 preamps | LCD
Today, more professional music is produced at home than ever
before—and the new ProjectMix I/O delivers what you need to
take your computer-based studio and productions to the next
level. Seamless integration with all major DAW software. The
ability to record directly into industry-standard Pro Tools
sessions. Faders so you can feel the mix with your fingertips
instead of dragging a mouse. On-board display of critical
parameters for intuitive operation. Motorized control to craft more
accurate mixes. And professional multi-channel I/O including
mic/instrument preamps, Lightpipe and S/PDIF. ProjectMix I/O is
the universal solution that combines the best of the hardware and
software worlds for a new standard in streamlined production.
• record audio directly into Pro Tools M-Powered > industry-standard format
• 10-bit touch-sensitive motorized faders > totally intuitive mixing and editing
• built-in 18 x 14 FireWire audio interface > no additional hardware required
• 8 phantom-powered mic/line preamps > pro input right on board
• assignable rotary encoders > control mixes, effects and synths
• LCD display > full track & parameter readout
• dedicated transport controls & jog/shuttle wheel > seamless session flow
• ADAT Lightpipe, S/PDIF & word clock I/O > total digital connectivity
• $1599 MSRP
See it now!
www.m-audio.com/projectmix
More computer audio systems have been designed, installed and configured by Sweetwater than any other retailer in the country. To find out what
makes the ProjectMix I/O the perfect complement to any computer audio system, call the experts at Sweetwater today.
ProjectMix I/O, Pro Tools M-Powered, M-Audio and the M-Audio logo are trademarks or registered trademarks of Avid Technology, Inc. in the United States &/or other countries. All other trademarks contained herein are the property of their respective owners.
recording interfaces
USB keyboards
studio monitors
microphones
preamps
sound libraries
music software
168
ProGear2007
www.sweetwater.com
Call today! (800) 222-4700
Synchronizers
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
ABOUT
Synchronizers
eet
w a t e r. c o
m
find
192kHz Master Word Clock
ne at
Big Ben
dia o
me nli
sw
Digital recording relies on incredibly accurate
clocks to make sure samples are recorded at the
proper time and rate. When
multiple digital devices are
involved, such as AD/DA
converters, a DAW, or digital
processors, all of those
clocks must be locked, or
synched, together. But, if you
have a number of outboard
digital devices, each with
its own clock (accuracy
notwithstanding) and not
necessarily the same inputs
and outputs, how do you
maintain signal integrity
and avoid that sync’ing
feeling? The basic principle
when synchronizing multiple devices is that you
have one master clock that sends sync data to all
the other devices. A continuous clock signal from
the master will make sure the slave devices stay in
sync. Usually these devices have other features for
working with video and other types of gear as well.
A synchronizer is the heart of your studio!
“If you want better audio quality for your studio, before you upgrade
your audio interface or digital recorder, get a BIG BEN. I always say
to my customers ‘If you don’t think it improves your sound by $1350
worth, then send it back.’ Never has anybody sent it back!”
In digital recording, jitter caused by inferior
— Kenny Bergle , Sales Engineer, Ext. 1270
clock signals is the enemy. The lower the jitter,
WHAT’S THE C777?
sweetwater.com/BigBen
the better your sound, resulting in less ear fatigue, increased clarity, improved highfrequency response, and clearer imaging. Big Ben, Apogee’s 192kHz Master Word Clock,
brings amazing clarity and quality to your audio. We use Big Ben in our own Sweetwater Studios.
Apogee’s C777 clock utilizes the most advanced Direct Digital Synthesis technology available along with DSP-based
digital filtering. The result is the most aggressive jitter reduction ever. Big Ben can re-clock devices with excessive jitter
and function as your master clock. It also gives you the option of real-time format conversion from S/PDIF to AES to
ADAT, and so on.
In a complex multi-unit digital audio chain, word clock signals are often improperly terminated, which results in more
jitter. Big Ben’s termination sensing function chimes in with a visual indication for each word clock output, allowing
you to troubleshoot quickly. The X-Video expansion card allows it to function as a master video sync generator.
Specs: 192kHz • In: 2 x AES/EBU, S/PDIF (coax & optical), 1 x video/WC • Out: 2 x AES/EBU, S/PDIF, 6 x WC • 1U
BigBen
XVideo
ONLY $41/mo.
$
00
192kHz Master Word Clock with Adaptive Loop Filtering, Format Conversion ............................................................................ List 1495
Expansion Card for Big Ben, Generates Video and Genlocking Function ....................................................................................... List $49500
SYNC I/O
$
134597
$
46997
GENx192
Pro Tools Sync with Low-jitter Clock
Ultra-low Jitter Studio Master Clock with Word Clock Distribution
Whatever kind of Pro Tools system you have, you can use Digidesign’s SYNC I/O
to make sure that digital connections between it and your other gear are solid and
jitter-free. SYNC I/O can lock Pro Tools to just about any known type of clock signal,
including word clock, and Digidesign’s Super Clock for incorporating legacy Pro Tools
systems. Digidesign also developed Loop Sync, a self-monitoring clocking system
with greater accuracy, to handle the higher number of audio streams in Pro Tools|HD
systems. SYNC I/O’s low-jitter clock provides maximum audio fidelity, even when locked
to varying external timing sources.
Known for their no-compromise digital conversion, Lucid’s new and surprisingly
affordable, ultra-low jitter GENx192 Master Clock can give your present system a
serious boost in audio performance. Able to convert any input frequency between
28kHz-216kHz, it uses Lucid’s state-of-the–art JIF™ (Jitter Input Filtering) technology to
output a clean, jitter-free signal. If the input signal goes away, it will simply switch to its
internal oscillator and generate a rock-solid clock — dropouts are not a problem! The
GENx192 is able to output two different clock rates simultaneously (internal oscillator
or external sync source), and can synchronize up to 14 digital devices at once.
Specs: 192kHz • In: 1 x loop Sync, 1 x WC, 1 x AES/EBU, 1 x LTC, 1 x video, 1 x video ref • Thru: 1 x video ref • Out:
1 x loop Sync, 2 x 9-pin, 1 x WC, 1 x AES/EBU, 1 x LTC, 1 x MTC, 1 x video, 1 x host serial • 1U • Formats: blackburst,
video signal, LTC resolve, AES, word, bi-phase, LTC, VITC, bi-phase, MTC out, pull-up/pull-down • Digi machine control
Specs: Internal clock: 44.1kHz-192kHz • In: 1 x WC (BNC), 1 x XLR (AES) • Out: 8 x WC (BNC), 4 x XLR (AES) 2 x
S/PDIF (RCA) • Ext sync range 28kHz-216kHz • Automatic word clock termination • 1U
ONLY $21/mo.
SyncIO
Call
Synchronizer for PT|HD ................................................................................. List $209500
GENx192
D-Clock
A master clock is the best way to improve sound quality when working with more than
one digital device in our studios, but not all of our units have word clock outputs, or
there aren’t enough world clock outputs to go around. Drawmer solves these problems
with their D-Clock, a dual-input/20-output word clock distributor. Both AES/EBU and
BNC word clock inputs feature a zero latency loopthrough output with switchable high
impedance to maintain the correct level of the digital signal for onward distribution.
The M-Clock provides a means for equipment without word clock to be synced so
that you can clock all your pro, semi-pro, and consumer gear simultaneously with no
worries about finding a suitable sync source.
Specs: D-Clock In: 1 x BNC, 1 x AES • Out: BNC loopthrough, AES loopthrough, 20 x BNC WC M-Clock 192kHz +
Super Clock •In 2 x XLR AES, 1 x phono S/PDIF, 1 x phono, TOSLINK • Out: 8 x WC, 2 x XLR AES • 1U
ONLY $27/mo.
MClock
Master Clock Distributor ............................................................................... List $100000
Multi-output Master Clock ............................................................................ List $172500
$
89997
$
1499
$
69997
Isochrone OCX
Master Word Clock with 4 Channels of Sample Rate Conversion
DClock
192kHz Master Word Clock ............................................................................. List $87900
97
High Resolution Master Clock Generator
Many of us in the audio world were saddened when Aardvark went the way of
the dinosaur. But now, the minds behind the Aardsync digital clock are back
under a new wildlife-named company. Designed to be the most accurate word
clock around, the Antelope Isochrone OCX uses an oven-controlled discrete
transistor crystal oscillator for the least amount of jitter imaginable. The OCX can
even be locked to the Atomic Clock — it’s the only clock on the planet with that
ability. Also available as a video-enabled master clock (OCX-V) or a master clock
distributor (DA).
ONLY $39/mo.
Specs: 192kHz + Super Clock • Out: 2 x XLR AES, 2 x S/PDIF, 8 x WC • 1U
OCX
DA
OCXV
$
00
Master Clock ................................................................................................ List 1595
Master Clock Distributor ............................................................................... List $109500
Video-enabled Master Clock ........................................................................ List $349500
$
129597
$
94597
289597
$
www.sweetwater.com
MIDI Interfaces
169
ProGear2007
(800) 222-4700
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
ABOUT
MIDI Interfaces
MIDI Timepiece AV USB
8 x 8 USB/Serial MIDI Interface/Merger and Synchronizer
We’ve sold thousands of these to satisfied customers who need a “Swiss Army knife” interface to synchronize all of
their gear. The MIDI Timepiece AV lets you combine MIDI with video, Pro Tools, ADATs, and more. With it you can
slave Digidesign hardware (with Super Clock support) to SMPTE time code. Or drive your ADATs from your sequencer
without needing a BRC. Got a MIDI Machine Control device? Plug it in and run tape decks and other devices from your
computer desktop. The MIDI Timepiece AV handles all this and more. Plus, it sets up in seconds on your computer
using its convenient USB connection. It takes full advantage of USB’s ability to deliver increased data throughput, more
accurate timing, support for hot-swapping, and plug-and-play expansion. Need to connect more sound modules or
synths? No problem. Just add another MOTU USB MIDI interface via a standard USB hub. Don’t forget that the MIDI
Timepiece AV is also a powerful 8-in, 8-out MIDI merger and router, providing access to up to 128 channels of MIDI
data. You can merge any combination of the eight inputs simultaneously to any combination of the eight outputs.
Because the MTP AV’s internal memory can be programmed from the front panel, it’s the perfect choice for live performance applications where fast and flexible MIDI patching is essential. You can take the MIDI Timepiece AV on the
road because it can operate with or without a computer. Set it to change stage lighting scenes in response to program
changes for remote control from any MIDI controller.
Specs: interface • patchbay • merger • synchronizer • 8x8 • 128 presets •
Sync: video in, WC out, 2 x RS422, ADAT out, SMPTE I/O • Mac/PC • USB • 1U
ONLY $17/mo.
MTPAVUSB
8x8 USB MIDI Intrfc/Sync........ List $59500
$
53597
Much like potato
chips, the basic rule
of synthesizers and
music gear is that
nobody can have just
one. Even if you plan
on having only one
dedicated sampler
such as GigaStudio, MachFive, or Kontakt, in order
to take full advantage of their 64-channel capability,
you’ll need a MIDI interface with at least four
separate inputs. Maybe you’d like to add a control
surface for mixing and handling plug-ins on your
sequencer. Perhaps you already have, or would like
to add the sounds of some of the amazing hardware
synths by Roland or Dave Smith Instruments (two of
the founders of MIDI), or control MMC-equipped
tape transports or video decks. A MIDI interface
will allow your studio and sonic palette to grow
without tapping CPU resources. Sweetwater carries a
complete line of MIDI interfaces for all applications.
To select the right MIDI interface to accommodate
your present and future needs, call your Sweetwater
Sales Engineer.
MIDI Express XT USB
8 x 8 USB MIDI Interface with SMPTE and MMC
MOTU knows MIDI — you can see it in the rock-solid performance of their hardware interfaces. The
MIDI Express XT USB is no exception. This box has eight MIDI inputs and nine outputs for 128 channels of MIDI,
plus SMPTE time code synchronization and MIDI Machine Control. Yet it’s incredibly easy to set up and run, with or
without a computer! Sixteen front-panel presets let you instantly configure the MIDI Express XT to coordinate video
gear, tape decks, light boards, and other MIDI-equipped gear plus up to nine separate MIDI instruments. You can run
your entire live show with simple commands sent from a MIDI controller.
When you connect the MIDI Express XT to a Windows or Mac computer it becomes even more powerful. It supports
OS X CoreMIDI time stamping to deliver sub-millisecond timing accuracy to Digital Performer and other compatible
OS X MIDI applications. MMC lets your sequencer control tape decks and multitrack digital recorders, and SMPTE
functions can convert and stripe SMPTE in all frame formats, with support for SMPTE jam sync with freewheeling
for dropout-free performance. USB ensures plug-and-play convenience. If you don’t need all the additional sync but
want a trouble-free 8 x 8 MIDI interface, try the MIDI Express 128. It’s a simple USB solution with 128-channel
ONLY $11/mo.
capability.
Specs: XT interface • patchbay • merger • 8x8 • 8 presets/8 user • Sync:
SMPTE • Mac/PC • USB • 1U 128 interface • 8x8 • Mac/PC • USB • 1U
MIDIExpXTUSB
MidiExp128
8x8 USB MIDI Interface ....List $39500
8x8 USB MIDI Inerface.....List $24900
$
34997
$
23597
FastLane USB
2 x 2 USB MIDI Interface
USB MIDI interfaces don’t get much easier to use than this! The MOTU
FastLane USB gives you 2-input, 2-output power for 32 channels
of MIDI and connects quickly to your Windows or Mac USB port.
It installs in seconds and works with virtually all music software. FastLane’s USB implementation means increased MIDI
throughput, better timing accuracy, support for hot-swapping
MIDI devices, and plug-and-play expansion. MOTU gives you the
option to play your instruments without using the computer with a
MIDI bypass button. Plus, its in and out status lights for each MIDI port
provide quick visual confirmation MIDI transmission is working. FastLane USB
is compact, easy to use, and requires no external power supply. If you have a
serial-port Mac, get the original FastLane, a 1-in, 3-out serial interface.
Specs: FL USB interface • 2x2 • Mac/PC • USB FL Serial interface • 1x3
• Mac • Serial
FastlaneUSB
FastLane
micro express
4 x 6 USB MIDI/Serial Interface with SMPTE
A more affordable version of the MIDI Express XT USB,
MOTU offers the micro express with all the functions
of its big brother, but with 96 MIDI channels. The
micro express runs on USB bus power, and utilizes USB
plug-and-play capabilities with your PC or Mac. It sets
up in a flash and delivers ultra-reliable timing through
its MIDI and SMPTE ports. The micro express reads and
writes all SMPTE formats, making it perfect for a mobile
audio or video rig. A footswitch input doubles as an
audio input to turn an audio click into MIDI clock data.
The micro lite provides five MIDI inputs and five MIDI
outputs for 80 MIDI channels and compatibility with
all Macintosh and Windows software. Large front-panel
LEDs light up to indicate MIDI activity. With its attractive
yet rugged metal casing, the micro lite slides easily into
a shoulder bag or briefcase for ultra-compact portability
and convenient desktop operation.
Specs: micro ex interface • patchbay • router • 4x6 • Sync: SMPTE •
Mac/PC • USB • 1/2U micro lite interface • 5x5 • Mac/PC • USB • 1/2U
ONLY $10/mo.
MicroExpUSB
microlite
2x2 USB MIDI Interface .......List $7900
1x3 MIDI Interface for Mac ...List $5900
$
7497
$
4997
4x6 USB MIDI Interface ...List $29900
5x5 USB MIDI Interface ....List $14900
$
24997
$
13997
“From old school MIDI studios to film and post
production facilities, this little 1/2-rack unit will
be a loyal liason between the outside MIDI world
and your computer DAW/sequencer.”
— Yuval Fuchs, Sales Engineer, Ext. 1367
170
Call today! (800) 222-4700
MIDI Interfaces
ProGear2007
www.sweetwater.com
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EXCLUSIVE VIDEO DEMO AVAILABLE!
sweetwater.com//MIDIio
MIDI I/O
160-channel MIDI Interface
The Digidesign MIDI I/O shows how advanced
and easy to use today’s MIDI interfaces have
become. It includes ten MIDI inputs and
outputs for a total of 160 channels, and it
can even be interconnected to three additional
interfaces for a total of 40 ports and 640 MIDI channels! The MIDI I/O connects to your computer via USB and can run on USB bus power, so no additional AC connection is
needed. With support for MIDI Time Stamping, it ensures superb accuracy when connected to your audio and MIDI sequencing software. For convenience in the studio, ports 9 and
10 are mirrored on the front panel so you can quickly plug in an extra piece of gear.
In standalone mode the MIDI I/O is just as effective at controlling your onstage setup as it is in the studio.
Specs: interface • 10x10 • Mac/PC • USB • 1U
MIDIio
PS12V
Call
MIDI Interface for PT|HD............List $59500
12-volt Power Adapter ..............................
$
3999
WHAT OUR CUSTOMERS ARE SAYING…
MIDISport4x4
“I have to say your company and your prompt service has really opened our eyes to what can be
done in the world of customer service.”
— Christine Kiss
MIDISport1x1
WIDI-X8
Wireless USB MIDI
MIDISport
MIDISPORT Series
USB MIDI Interfaces
No matter what your MIDI setup may be, M-Audio has the right interface for you! The
MIDISport Series combines M-Audio’s signature reliability, USB convenience, and
compact sizes that fit into any setup. With configurations ranging from 1 x 1 to 4 x 4,
the MIDISport Series can handle any number of tasks. The MIDISport interfaces have
simplified designs to keep things basic for smaller projects. All MIDISport devices offer
USB connectivity to maximize the ease-of-use factor.
M-Audio MIDI interfaces support Windows MME for operating systems from Windows
98 to XP. Mac support includes OMS (included) for OS 9.2.2, plus OS X (10.1.5 or
higher) CoreMIDI.
ONLY $10/mo.
Specs: MIDISport 4x4 4x4 •
USB MIDISport 2x2 2x2 • USB
MIDISport 1x1 1x1 • USB
MIDISport4x4
MIDISport
MIDISport1x1
4x4 USB MIDI Interface ...List $19995
2x2 USB MIDI Interface .......List $8995
1x1 USB MIDI Interface .......List $6995
$
14997
$
6997
3997
Specs: 64-ch • 2.4GHz • USB
MIDI, USB RF, MIDI RF • WinXP/Mac
$
Uno
In-line MIDI Interface with
9-foot Cable
Uno is an incredibly easy-to-use USB MIDI
interface that offers plug-and-play convenience
and LED activity indicators so you can monitor
what’s coming in and going out your MIDI port.
It’s custom-made for connecting your portable
keyboard controller or control surface to your
laptop!
Uno comes with its own USB and MIDI cables built in,
so you’ll never lose them. With its 1-in, 1-out configuration, Uno gives you quick access
to 16 MIDI channels. Uno is bus-powered, so it doesn’t need AC or batteries.
Specs: interface • 1x1 • Mac/PC
• USB
Uno
$
1x1 MIDI USB Interface ...........List 49
95
$
If you’d rather not un-rack your
MIDI interface every time you add
a new piece of gear, or would like
a clean desktop studio without
MIDI-spaghetti, then a WIDI-X8
wireless MIDI interface from CME is in
your future. The WIDI-X8 can transmit 64
MIDI channels at a distance of up to 260
feet, which makes it perfect for running a
GigaStudio PC far enough away from your
console to make fan noise a non-issue
(must be line-of-sight). Therein lies
perhaps the greatest feature of the WIDIX8, the ability to connect two computers together via USB — wirelessly! That certainly
opens up some unique possibilities for both studio and stage. Capable of high speed
data transfer with the ability to run error correction, the WIDI-X8 can be powered by
two ‘AA’ size batteries or USB bus power, and is capable of operating in three modes;
USB RF, MIDI RF, or USB MIDI. Plus, you can run up to 64 WIDI-X8 adapter pairs
simultaneously.
ONLY $10/mo.
97
39
WIDIX8
Wireless MIDI Interface .........List $24999
$
22999
UM Series
USB MIDI Interfaces
The Edirol UM-1EX is a simple USB MIDI interface
offering one MIDI input and one MIDI output in a complete cable to
connect your MIDI device directly to the computer. The MIDI out can also
function as a MIDI thru, making it the ideal 1 x 1 MIDI interface for use with
separate input and output devices. The UM-2EX is a simple USB MIDI interface offering
one MIDI input and two MIDI output ports. If you currently need a three I/O MIDI
interface, but feel you may need more inputs in the future, choose the UM-3EX. Its hub
allows for up to three to be daisy-chained for a total of nine MIDI inputs and outputs.
The UM-3EX allows you to select between MIDI out and MIDI thru for each output port.
Specs: UM1EX interface • 1 x 1 •
USB UM2EX interface • 1 x 2 •
USB UM3EX interface • 3 x 3
• USB
UM1EX
UM2EX
UM3EX
1x1 USB MIDI Interface ...............List $4900
1x2 USB MIDI Interface ................List $6900
3x3 USB MIDI Interface w/hub .....List $8900
$
3997
$
4997
6997
$
www.sweetwater.com
Digital Audio Converters
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
171
ProGear2007
(800) 222-4700
ABOUT
Digital Audio
Converters
Rosetta 800
8-channel 24-bit/192kHz AD/DA Converter with Optional FireWire and Pro Tools Cards
The Rosetta 800 from Apogee is the ultimate in high-definition 192kHz conversion, and boasts SoftLimit to maximize
digital output signal. Add an X-Card to connect the Rosetta directly to your DAW! The X-FireWire card connects to
any FireWire-equipped system. The X-Digi-Mix and X-Digi-HD cards hook up to Pro Tools Mix or HD systems.
Specs:800/192 8-ch AD/DA • 24-bit/192kHz • In: 8-ch on D-sub • Out: 8-ch on D-sub • Dig I/O: 4 x AES/EBU on D-sub, ADAT • Sync I/O: WC
ONLY $81/mo.
$
00
Rosetta800192
8-channel 24-bit/192kHz AD/DA Converter.............................................................................................................. List $2995
$
XDigiHDCard Digi HD Expansion Card...............List $59500
53997
XFirewire
Apogee FireWire 400 Card..........List $39500
$
XDigiMixCard PT Mix Expansion Card ...............List $59500
53997
269597
$
35597
Studio pros can tell you from experience that your
audio is only as good as the weakest link in your
signal chain, be that your microphone, your recorder,
or your signal processor. When you’re recording to
digital, you’re taking electrical impulses and turning
them into a nearly
infinite series of ones
and zeros. Today’s
A/D and D/A converters do a remarkable
job for the money.
But when you need
the absolute best
audio for your next project — when “good enough”
just isn’t — a premium digital converter is the way
to go.
While there are lots of ways today to “fix it in the
mix,” there’s no way you can put back critical
information that simply wasn’t accurately captured
right from the start. To capture all the precious
nuances of your finest performances, a pro-quality
converter is a smart investment.
2-channel 24-bit/192kHz AD/DA Converter
“The accuracy and transparency of the Rosetta
200 is amazing. It really let me hear my mix and
make better judgments. The Soft Limit section is
great for tracking as well. Apogee converters are
legendary, and this is one of their best!”
Apply today at www.sweetwater.com/allaccess
Specs: 2-ch AD/DA • 24-bit/192kHz • In: 2 x XLR • Out: 2 x XLR • Dig I/O: AES/EBU, S/PDIF ADAT • Sync I/O: WC • MIDI I/O
ONLY $54/mo.
XDigiHDCard
2-channel 192kHz 24-bit AD/DA Converter ............................................................................................................................ List $199500
$
Digi HD Expansion Card...........List $59500
53997
XFirewire
Apogee FireWire 400 Card......List $39500
eet
sw
Rosetta200
$
dia o
me nli
179597
ne at
find
You need Apogee’s legendary Intelliclock clock stability
to guarantee the lowest jitter rates possible. The CODE
— Dan VanAmerongen, Sales Engineer, Ext. 1253
finishing module includes the Aptomizer, sample rate
conversion, and Apogee’s UV22HR. With Apogee’s famous
converters, the Rosetta 200 delivers crystal-clear audio. Use the optional X-Digi-HD card to connect the Rosetta
200 directly to your Pro Tools system without requiring any other interface! Or select the X-FireWire card for superfast direct 800 or 400Mbps connection to your computer. Connections include balanced XLR analog I/O, AES/EBU and
S/PDIF I/O, ADAT/SMUX optical I/O, and MIDI and word clock I/O.
FLEXIBLE
FINANCING
w a t e r. c o
m
Rosetta 200
$
35597
Mini-DAC
2-channel 24-bit/192kHz D/A Converter
AD-16X
16-channel A/D Converter with 192kHz Sampling
The AD-16X is Apogee’s best-sounding converter ever! Apogee put its highly touted C777 clock from the Big Ben at
the heart of this 24-bit/192kHz, 16-channel digital conversion system, ensuring crisp, clear conversion, even when
following an unstable external clock input. The AD-16X also includes Apogee’s legendary SoftLimit circuit and UV22HR
word-length reduction. A redesigned power supply ensures noise-free performance. The DA-16X delivers the same
legendary Apogee conversion quality and jitter-free performance in a studio-grade D/A converter. Use the X-Digi-HD
card to connect to Pro Tools|HD systems, or the X-FireWire card for quick connection to a host computer.
Specs: AD-16X 16-ch A/D • 24-bit/192kHz • In: 16-ch bal on D-sub • Dig I/O: 16-ch bal on D-sub, ADAT • Sync I/O: WC DA-16X 16-ch D/A • 16-ch bal out,
16-ch dig in
ONLY $96/mo.
AD16X
16-channel, 192kHz A/D Converter w/C777 Clocking Technology ................................................................................................ List $349500
$
DA16X
16-ch D/A Converter ................List $349500
319997
XFirewire
Apogee FireWire 400 Card..........List $39500
$
XDigiHDCard Digi HD Expansion Card...............List $59500
53997
$
319997
$
35597
Are you using a massive mixer just to ride your monitor
levels? Or do you have a great A/D but inferior D/A? Then
make a little room for Mini-DAC. With comprehensive
level control and a high-quality headphone output, the
Mini-DAC lets you hear exactly what you’re committing
to disk while recording. The Mini-DAC has a ton of
inputs including dual AES/EBU, S/PDIF, ADAT, and ADAT
S/MUX II and S/MUX IV. Balanced XLR analog outputs
are doubled on an unbalanced out and headphone out
for accurate reference monitoring. The Mini-DAC USB
can interface directly with your computer, giving you
maximum flexibility for myriad input formats. An added
“Digital-Thru-Mode,” allows interfacing non-USB digital
devices with your computer.
Specs: 2-ch D/A • 24-bit/192kHz • Out: 2 x XLR, 1 x 1/8” • Dig In:
AES/EBU, S/PDIF, Optical • USB (MiniDAC USB only)• Mac/PC
ONLY $27/mo.
MiniDAC
2-ch 24/192 DAC .....................List $99500
MiniDacUSB USB 2-ch 24/192 DAC .............List $119500
$
89997
$
104997
172
ProGear2007
www.sweetwater.com
Call today! (800) 222-4700
Digital Audio Converters
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
WHAT OUR CUSTOMERS
ARE SAYING…
“Your catalog is the best around! The sales staff is awesome.
Service after the sale was top notch!” —Brett Molaison
...themeasureofexcellence!™
DAC1
24-bit/192kHz Stereo D/A Converter
The Benchmark DAC1 D/A converter is a “must” for recording and mastering studios or anywhere
uncolored digital playback is demanded. With support for 192kHz sample rates and playback with
an amazing 55kHz audio bandwidth, the DAC1 reveals detail that was previously masked by jitterinduced artifacts and distortion. The DAC1 utilizes Benchmark’s jitter-free UltraLock technology to
deliver smear-free audio.
The companion ADC1 offers 24-bit/192kHz A/D conversion with the same jitter-free performance.
The ADC1 will fit perfectly into any situation where pristine audio conversion is a necessity
including home studio, broadcast, location work, or mastering. To expand your conversion capabilities,
the ADC1 and DAC1 or a pair of ADC1s or DAC1s can be rackmounted side-by-side.
Specs: DAC1 2-ch D/A • 24-bit/192kHz • Dig in: AES/EBU (XLR & coax), S/PDIF (XLR, coax & TOSlink) •
Out: 2 x XLR, 2 x RCA ADC1 2-ch D/A • 24-bit/192kHz • Analog in: 2 x XLR • Dig in: AES/EBU (XLR & coax),
ADAT, S/PDIF (XLR, coax & TOSlink)
The ADI-4 DD converter delivers seamless format conversion with easy LED
monitoring of incoming and outgoing signals. The ADI-4 DD consists of two converters:
four AES-3 inputs to double ADAT outputs, and double ADAT inputs to four AES-3
outputs. RME’s SteadyClock offers highly efficient jitter suppression to refresh and
clean up any clock signal, and to provide the clock signal as reference clock. Plus,
RME’s unique SyncCheck function not only shows if an input signal is locked, but also if
multiple inputs are in synchronicity.
ONLY $21/mo.
8-Ch 24/96 Format Conv .......List 799
DAC1
2-ch D/A Converter ........................................................................................................
2-ch A/D Converter ........................................................................................................
ADC1
$
177500
00
$
97
699
Specs: 8-ch • 24-bit/96kHz • AES (XLR,
DB25) and ADAT I/O • WC I/O
When the award-winning musician/engineers of RME set out to create the best possible
format and sample rate converter, the ADI-192 DD was the result. The ADI-192 DD
consists of three 8-channel format converters (AES/EBU, ADAT, TDIF) with 24-bit audio
resolution. Any of the three input formats can be converted to any of the three output
formats so that signals can be distributed among all connected devices without the
need to change cables. Each format allows full 8-channel operation at 96kHz, while
192kHz operation yields 8-channel AES/EBU and four channels of ADAT and TDIF. The
ADI-192 also boasts a very impressive sample rate range with AES at 27Hz to 200kHz
and ADAT/TDIF at 33Hz to 57kHz.
Specs: 3 x 8-ch 24-bit/44.1-192kHz
• I/O: 4 x XLR (AES/EBU), 2 x ADAT
(TOSLink), 2 x TDIF (D-type 25 pin)
ONLY $39/mo.
ADI192
HOW CAN “MATCHED-FET” HELP MY SOUND?
sweetwater.com/2192
2192
Multi-channel A/D - D/A Converter
The Tango 24 features eight balanced analog TRS
inputs are individually switchable between +4dBu or
-10dBV levels. Use it with your favorite digital audio
software and you’ve got the tools to make your 24-bit
digital audio projects really sing. Tango 24 features
ADAT optical I/O, which means digital audio output with
total electrical isolation from your workstation. So you
get incredibly low noise, smooth sound, and complete
freedom from pops and clicks. Internal 44.1 or 48kHz
word clock and external clock modes mean the Tango
24 can generate sync or slave to another source.
Specs: 2-ch AD/DA • 24-bit/192kHz • In: 2 x XLR • Out: 2 x XLR • Dig I/O:
2 x AES/EBU XLR, S/PDIF coax, 2-ch ADAT (SMUX) • Sync I/O: WC (2-in,
4-out) • Mac/PC
ONLY $84/mo.
Specs: 8-ch AD/DA • 24-bit/48kHz • In: 8 x TRS • Out: 8 x TRS • Dig I/O:
ADAT • Sync I/O: WC
ONLY $21/mo.
Dual A/D and D/A Converter ..................
00
2799
00
24-bit/192kHz Format Cnvrtr ...........List 1599
$
129997
AI-3
With the 2192, UA has married their distinctive analog
sound to a 24-bit/192kHz A/D-D/A converter. It delivers
a no-compromises DC-coupled, matched-FET, discrete
Class A analog signal path that contains no capacitors
to degrade sound quality or introduce phase distortion.
Additional digital features include real-time standalone
conversion between AES/EBU, S/PDIF, and 2-channel
ADAT S/MUX formats, and support for single- and dualwire AES/EBU modes. Included word clock I/O means
the 2192 can lock up to your studio clock source.
$
$
8-channel, 24-bit A/D - D/A
Tango 24
24-bit/192kHz A/D with Class A
Analog Circuitry
2192
97500
ADI-192 DD
ADI-4 DD
ADI4DD
ONLY $30/mo.
$
3 x 8-channel Format/Sample Rate Converter, AES, ADAT, and TDIF
8-channel 24-bit/96kHz Format Converter
$
ADC1
Tango24
$
24-Bit AD/DA Converter ........List 799
00
$
97
689
The AI-3 converts eight-channels of analog input to
ADAT format at up to 24-bit resolution. Connections
are easy with eight 1/4" analog inputs and outputs, plus
ADAT optical I/O jacks on the rear panel. You can select
+4dBu or -10dBv operation and route the ADAT signal
through the AI-3 for use in a multi-ADAT system. The
AI-3 also translates ADAT digital audio signals back to
analog. The widely used ADAT optical protocol lets you
add analog I/O to almost any digital console. The AI-4
converts eight channels of AES/EBU to ADAT optical,
and converts ADAT optical to 8-channels of AES/EBU at
sample rates from 44.1kHz to 96kHz.
Specs: AI-3 8-ch AD/DA • 24-bit/48kHz • 8 x TRS I/O • ADAT I/O AI-4
8-ch AES/EBU I/O, 8-ch ADAT I/O
ONLY $12/mo.
Ai3
Ai4
24-bit ADAT Optical Converter .........List $49900
AES/EBU to ADAT Converter .............List $49900
$
39997
$
39997
174
ProGear2007
www.sweetwater.com
E
TELL ME
R
O
M
ABOUT
Computer Hardware - Mac
Call today! (800) 222-4700
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
About Pro Audio Computers
As the heart of your studio and keeper of your creativity, your audio computer must not only be up to the task,
but able to work for you well into the future. Having been at the forefront of computer-based recording since its inception, as well as providing unparalleled service and
support to both hobbyist and audio professional alike, Sweetwater is committed to providing computers pre-selected with the musician/engineer’s needs in mind.
Mac Pro
Apple’s Mac Pro is the super desktop computer that both
audio professionals and talented amateurs alike have
been waiting...no, begging for. As DAW programs and
plug-ins necessary to our lifeblood become more and
more processor- and RAM-intensive, Apple comes to the
rescue with the Mac Pro, an Intel Xeon-based dual-core
mega-processor that will handle your biggest audio chores
in its sleep. The 64-bit Intel Xeon “Woodcrest” processor
makes the Mac Pro one of the fastest desktop computers on
the planet. With speeds up to two times faster than a than
previous models, it’ll be a long, long time before you hear
the word “upgrade” spoken around your Apple Mac Pro.
The brilliantly redesigned Mac Pro enclosure
accommodates up to four drives with up to 2TB (yes, that’s
terabytes)of storage and offers eight DIMM slots to fill with
up to 16GB of RAM. It also provides room for up to two
SuperDrives. Ready to build that world-class Pro Tools|HD3
Accel studio? The Mac Pro gives you four PCI Express slots (and more I/O ports including two additional ports up front), so
along with audio DSP and video cards, you can also connect Mac Pro to Xserve RAID and an Xsan network. Record a trio in
the main studio — and later in the day you can work in a smaller room that has the same power and capabilities. Looking
for workstation graphics? Three stellar graphics card options lets you choose the card that meets your specific needs. Every
one lets you connect up to two displays so you can see full mix and edit windows simultaneously. There are over four million
possible configurations available for the Mac Pro. Call your Sweetwater Sales Engineer to help build your dream machine.
Cinema Display
The Apple Cinema Display® gives you the chance to spread
your on-screen work layout across the widescreen monitor so
you can see everything at once. There will be no more bouncing
from one window to another. Just leave all the windows you
need to see open and position them where they’re convenient to
streamline your workflow. Imagine how cool it would be to be able to see the Edit and Mix windows on your favorite DAW
simultaneously. All the Cinema Displays (available in 30", 23", and 20" models) are equipped with two USB ports and two
FireWire 400 ports for connecting peripheral devices without occupying the ports on your computer. The Cinema Displays
have extremely narrow bezels designed to enable you to use multiple displays together effortlessly.
Mac Mini
At an astounding 6.5" square and 2" tall,
Apple’s new Mac mini packs a lot of features
into a very small package. With performance
that’s up to four times faster than previous
models, the Mac mini Intel Core Duo has all
the connections you need: four USB ports,
one FireWire 400 port, and Gigabit Ethernet.
Since the Mac mini doesn’t ship with a mouse,
keyboard, or monitor, it’s highly affordable
and perfect for use in a composer’s suite as
an Apple Logic Pro node (page 188 for tons
of extra processing power; as a dedicated
Kontakt 2 (page 222 sampler/sample player
and considering how affordable they are, you
can also create an end-of-the-world dedicated
drum machine with BFD (page 237). The Core
Duo-equipped Mac mini can be configured
with either a slot-loading Combo Drive (DVDROM/CD-RW), which comes standard, or a
SuperDrive (DVD±RW/CD-RW). All Mac minis
are equipped with AirPort Extreme Wi-Fi cards.
Protect your Apple
iMac Intel Core 2 Duo
Apple’s iMac® is perfect for people who want to streamline their setup without sacrificing performance. The monitor houses
all the inner-workings of the computer (except for the keyboard and mouse), so if you’re working on a desktop surface or
console, you’ll have all the functionality you need without a processor tower under foot. The fastest iMac ever, it features the
new 64-bit Intel Core 2 Duo processor that delivers a up to 50% performance boost, which means even more tracks and
virtual instruments — no more bouncing and sub-mixing! With the built-in iSight camera included on all iMacs, you can
collaborate with musicians anywhere, from across the country to the next room. Apple also includes a Mighty Mouse with
every iMac, which makes scrolling through orchestral score and other edit windows a breeze.
Apple computers are built to last, but you can
add to your peace of mind and save money
by enrolling in AppleCare®, the extended
warranty program. AppleCare extends
protection of your computer to three full years
of certified Apple service and genuine Apple
replacement parts. Apple Cinema Displays
purchased with a Power Mac are covered,
too. AppleCare’s on-site service for desktop
computers and global coverage for portable
models ensures you won’t have to worry
about shipping or unnecessary downtime.
AppleCare also extends Apple’s free telephone
tech support from 90 days to three years. Call
your Sales Engineer today for AppleCare. Can
you afford not to?
www.sweetwater.com
Computer Hardware - Mac
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
MacBook Pro
MacBook®
The perfect laptop for people
on the go who don’t need the
screen size of the MacBook
Pro®, Apple’s MacBook can
travel anywhere with you and
handle all your basic computing
needs. The MacBook is perfect
for the itinerant musician, and
can handle composing, sequencing, tracking, editing, mixing, or mobile recording.
The MacBook runs on an Intel Core Duo processor, boasting up to five times the horsepower of the iBook, making it
even more suited for professional audio applications than its predecessor. Among the advancements on the MacBook
is the addition of a 13.3" glossy widescreen display that’s 79% brighter with 30% more viewing area than the iBook.
Like all Apple notebooks, the MacBook comes wireless-ready with AirPort Extreme and Bluetooth, as well as a built-in
iSight camera and an Apple Remote with Front Row. This is a big step forward in the world of affordable notebooks.
Apple Pro
Keyboard
108-key USB-based Keyboard for
Mac®
The 108-key Apple Pro Keyboard features
full-size cursor keys perfect for zipping up,
down, and sideways in an edit window, game,
or spreadsheet. Additionally, it gives you 15
full-size programmable function keys. A single
assigned keystroke may quickly launch a
favorite application. The Pro Keyboard also
comes with additional new full-sized keys for
Page Up and Down, Home and End, Insert
and forward Delete, plus a key for ejecting
CDs or DVDs.
175
(800) 222-4700
Find the
right
headphones
for your iPod
MacBook
Pro®
This is the laptop that audio
professionals have been waiting for!
Powered by a dual-core Intel engine,
the MacBook Pro screams at up to
four times the speed of the PowerBook
G4, with eight times the graphics
bandwidth! It’s like being able to take
your studio’s main computer with
you everywhere you go. Imagine the
possibilities for high-resolution remote
recording — you could literally do all
of your intense production work on the
move. And with built-in iSight for instant video conferencing, meet with record execs while you’re still on the plane.
This is the first Mac notebook built upon the revolutionary new Intel Core Duo, which is actually two processors
engineered onto a single chip. It delivers higher performance for music encoding, 2D and 3D graphics, and video
editing. The new engine is only part of the story. MacBook Pro has a frontside bus and memory that run faster than
any previous Mac notebook. The new MacBook Pro is the first notebook with PCI Express, a Serial ATA hard drive,
and the ATI Mobility Radeon X1600 for super-fast graphics performance. MacBook Pro also includes Front Row and
the Apple Remote. So, when you do get to your meeting in person, you can play the latest mix or show dailies from
anywhere in the room, and then head for home, watching an in-flight movie on your MacBook Pro.
MacBook
ProGear2007
See page 285
for more details.
iPod®
iPod®
Watch the music video of your favorite artist while
you’re waiting in line to buy tickets to the concert!
Available in 30GB and 80GB versions, professionals
can use iPod to transfer DAW tracks to and from
any studio on the planet, plus, film composers have
the added advantage of displaying Quicktime movies
— imagine watching the film you just scored in Logic
on a plane from
N.Y. to L.A.! The
iPod features 20
hours of battery
life for music,
6.5 hours for
video, longer
if you reduce
the brightness
— and with a
iPod nano®
60% brighter
display, that shouldn’t be a problem.
The ultimate band press kit, the slimmer new iPod
nano has a brighter display and the ability to hold
up to 8GB of files and display graphics. Talk about
an accessory that
rocks, The new and
even smaller iPod
Shuffle can hold up
to 240 songs and
clips right on to
your clothing or
iPod shuffle®
man/girl-purse!
Wireless Keyboard
Mighty Mouse
360-degree Scrolling
Meet the mouse that reinvented
the wheel! The scroll wheel, that
is. Mighty Mouse features a
revolutionary Scroll Ball that lets you
move anywhere on a display, without
lifting a finger. And with touchsensitive technology concealed under
the seamless top shell, you get the
programability of a 4-button mouse
in a single-button design. Click, roll,
squeeze, and scroll. This mouse just
aced the maze. Mighty Mouse is on
the way!
Wireless keyboard for Apple Mac
How would you like a guaranteed
compatible remote controller for whatever
DAW software you have have on your
Mac? All it takes is an Apple Wireless
Keyboard! Just by using the shortcut key-commands for your
recording software on the Wireless Keyboard, you can record and
play back from up to 30 feet away. It features 16-function keys, full
numeric keypad, document navigation keys, and an inverted-T for
quickly zipping up, down, and sideways in a game or a spreadsheet.
Conveniently located audio controls and the ability to eject optical
media are also included. The Wireless Keyboard comes standard with four premium
Energizer E2 Titanium AA batteries. An advanced power management system
automatically switches to low power modes during periods of inactivity, making sure
you get the most from your batteries. An off switch allows you to conserve more power
when you know you’re going to be away from your system for an extended period.
“WHERE ARE ALL THE PRICES?”
Computer technology evolves constantly, with prices and specifications changing all the time — that’s why you don’t see any of that information on our computer pages.
For current pricing, technical specs, and any other up-to-the-minute information, check out www.sweetwater.com/apple. Better yet, call your Sweetwater Sales Engineer.
He or she can get you the info you need in a flash!
ProGear2007
www.sweetwater.com
“
176
Call today! (800) 222-4700
Computer Hardware - PC
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
“creation
Having the Creation Station allows me to get right down to making music instead of
wrestling with equipment and software issues. — Nikolai Ruskin - NY
sweetwater
stationseries
™
Featuring
Technology
Including Glyph’s incredible
5-year warranty
DUAL-CORE PRO RACK SYSTEMS
Creation Station Rack Dual 3.4, 3.0, and 2.6
Where can you turn when you need
unparalleled plug-in power and seemingly
endless track count in an amazingly quiet PC?
The Creation Station Rack Dual 3.4
features an Intel Pentium dual-core processor
that blows other PCs out of the water! From
powering a Pro Tools|HD system to composing massive orchestral scores with GigaStudio,
this PC will handle everything you throw at it.
The Creation Station Rack Dual 3.0
— one of our newest audio marvels, features
an Intel Pentium dual-core processor. It
far exceeds “off the shelf” expectations
and makes more expensive (and noisier)
computers very uncomfortable. The Dual 3.0
fits nicely into a native DAW system, music
creation suite, or video-editing facility.
Dual Core 3.4GHz/
2GB/80+2 x 200GB
4U rack case with washable air filter
3.4GHz dual-core Pentium D
2GB DDR2-533 RAM
Two 200GB Glyph SATA audio drives
80GB Glyph SATA system drive
Dual-layer DVD±R/CD-R Superdrive
ONLY $90/mo.
CSRackDual34
CS Rack Dual Core 3.4 GHz .....List $359900
$
Radeon x300se 1VGA / 1DVI-I
299997
Dual Core 3.0GHz/
1GB/80+200GB HD
4U rack case with washable air filter
3.0GHz dual-core Pentium D
1GB DDR2-533 RAM
200GB Glyph SATA audio drive
80GB Glyph SATA system drive
Dual-layer DVD±R/CD-R Superdrive
ONLY $68/mo.
Radeon x300se 1VGA / 1DVI-I
CSRackDual30
$
00
CS Rack Dual Core 3.0 GHz ......List 2699
The Creation Station Rack Dual 2.6
is built with the same robust chassis as the
other two Creation Station Racks. It packs
quite a punch with plenty of processing
power and storage for your most sizeable
projects, and can expand as your studio
needs grow. Extremely road-worthy, it’s the
perfect centerpiece for your PC-based portable
recording rig!
$
224997
Dual Core 2.6GHz/
1GB/80+200GB HD
4U rack case with washable air filter
Dual-core 2.6GHz Pentium D
1GB DDR2 533 RAM
200GB Glyph SATA audio drive
80GB Glyph SATA system drive
ONLY $54/mo.
CSRack
Creation Station Rack ..........List $249900
FREE WITH EVERY SYSTEM
®
$
97
1799
Dual-layer DVD±R/CD-R Superdrive
Radeon x300se 1VGA / 1DVI-I
SOUND-DAMPENING TECHNOLOGIES
The Pro Audio Software
Dream Suite
The World’s Best Tech
Support Staff
SweetCare Remote —
Support Now
Pro Audio Keyboard
and Mouse
Your dream PC includes
some of our favorite audio
apps to get you started,
for the best out-of-the-box
experience anywhere.
If you do need help, you
can TALK to the people who
know your PC inside and out.
No one has supported more
systems than Sweetwater.
Using technology NASA uses
to program satellites, we can
log into your PC whenever
you need help.
Your custom 110-key
Media Station Keyboard and
3-button Optical Mouse
were built for the audio
professional.
Certified “Whisper Quiet” Operation by Auralex
• Auralex Sheetblok-Plus™ lined, ultra-quiet cases
• Super-quiet Zalman™ cooling system
Sweetwater attacks all
• AcoustiFeet™ anti-vibration feet
PC noise at its point
• Ultra-quiet power supply
of origin. Our system
• Quiet Glyph drives
ensures the only thing
• Hand-tied cables for best air flow loud in your studio will
be your music!
www.sweetwater.com
Computer Hardware - PC
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
177
ProGear2007
(800) 222-4700
Why should you trust your next audio PC purchase to Sweetwater? Simple:
• Finely Tuned PCs for Powerful Audio Performance Every
Creation Station is tweaked and customized to squeeze every
ounce of audio juice out of your system.
• Certified “Whisper-Quiet” by Auralex Our 10-point Sound
Dampening Technologies ensure your computer is the quietest
anywhere.
• The Most Affordable Quiet PCs on the Market Built with
specs unmatched by any company — our prices are downright
unbelievable. We encourage you to compare.
• Compatible with Virtually Every DAW, Including: Pro Tools,
Nuendo, SONAR, and MOTU, and RME, E-MU, and M-Audio hardware.
• Built by Audio Professionals, With the Audio Pro in Mind
Whisper-quiet — built by the most knowledgeable computer audio
specialists in the business.
“We started our line of PCs with only one thing in mind — to build the
absolute best audio PC possible — and according to our customers’ raves and
endorsements, I’m proud to say that we’ve succeeded. But computer technology
never sits still, and neither do we.” — Chuck Surack, President of Sweetwater
Trust Sweetwater for Audio Computer Performance
PRO TOWER SYSTEMS
Dual Core Creation Station Pro
Creation Station Tower Plus and Tower LE
Dual Core 2.6GHz/
1GB/80+200GB HD
Intel P4 3.2GHz/
512MB/80+120GB
Deluxe tower case with locking door
Black tower case
Dual-Core 2.6GHz Pentium D
3.2GHz Pentium 4
1GB DDR2 533 RAM
512MB DDR-400 RAM
200GB Glyph SATA audio drive
120GB Glyph SATA audio drive
80GB Glyph SATA system drive
80GB Glyph SATA hard drive
Dual-layer DVD±R/CD-R Superdrive
CD-R/DVD-ROM combo drive
Radeon x300se 1VGA / 1DVI-I
Six USB 2.0 and three FireWire ports
Black tower case
15-in-1 Media Card Reader
3.2GHz Pentium 4
Intel P4 3.2GHz/
512MB/80GB HD
512MB DDR-400 RAM
80GB Glyph SATA system drive
CD-R/DVD-ROM combo drive
15-in-1 Media Card Reader
ONLY $51/mo.
CSPro
$
00
Creation Station Pro Tower ...List 2299
$
97
1699
The Sweetwater Creation Station Pro is a
tower that stands alone in its class. Thanks to
smart fan technology, super-quiet hard drives,
and additional sound-dampening features, the
Pro can live right in your studio space. This
rock-solid computer delivers uncompromised
performance and reliable, error-free audio
transfer. The Creation Station Pro also offers
plenty of room for expansion, with extra drive bays and PCI
slots. It’s one of the quietest PCs in the business!
ONLY $39/mo.
CSTowerPlus
$
97
Creation Station Tower Plus ... List 1799
$
97
1299
ONLY $30/mo.
CSTowerLE
$
00
Creation Station Tower LE ....List 1249
$
99997
Audio computing on a budget just got easier! The Creation Station Tower Plus offers Sweetwater’s
audio optimization expertise and top-quality components, including two Glyph hard drives and a DVDburning Superdrive. Like all Creation Station PCs, it’s certified “Whisper-Quiet” by Auralex. What’s more, the
Creation Station Tower PC is guaranteed to work with Digidesign, MOTU, Cakewalk, Steinberg, GigaStudio,
and other audio hardware and software! You’re ready for an audio computer, but how do you fit it into your
budget? Here’s how!
The Creation Station Tower LE is the perfect entry into music and audio computing, with plenty of
room for future growth. Even at this budget-friendly price, the Tower LE includes Sweetwater’s audio optimization
package. Like all Sweetwater Creation Stations, the Tower LE is hand-built by our team of computer specialists for
optimal audio performance.
EVEN THE WARRANTY IS AMAZING!
The most vital component of any major electronic
purchase isn’t even made of hardware — it’s your warranty.
Your Creation Station is fully warranted for parts and labor for
two full years from date of purchase. Additionally, Sweetwater
supports all manufacturer warranties, including Intel CPU
(3 years parts & labor), Glyph Hard Drive (5 years parts &
labor/1 year next-day advanced replacement), and ASUS
motherboard (3 years parts & labor).
Complete your Creation Station
with our matching 17" or 19" LCD
monitors, starting at under $280!
See next page for details and other PC options.
178
Call today! (800) 222-4700
Computer Hardware
ProGear2007
www.sweetwater.com
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
MusicXPCC4
Professional C4
Compact Computer with Pentium 4
Processor and Dual Hard Drives
The MusicXPC Professional C4 is a computer
system designed for audio
professionals who want a solid
PC but don’t have the space
for a full-sized machine. It’s
built on the latest generation
Intel CPU with a speedenhancing 2MB of L2 cache.
The MusicXPC C4 is packed
with speed and power, with a
MusicXPCC3
Pentium 4/3.2GHz processor for
applications such as Cubase, SONAR, and others. A 120GB system drive and 200GB audio drive offer plenty of storage
for your applications and projects.
MusicXPC M4
Music Production Laptop
At only 6.5 lbs, the MusicXPC M4 is an ultra-portable
workhorse offering blazing speed for audio professionals
on the go. MusicXPC’s latest media production laptop
features a faster CPU, 1GB of RAM, and an ultra-fast
7,200RPM, 100GB system drive, offering true desktop
performance that you can fold up and slide under your
arm. The M4 is loaded with a “secretly” tweaked version
of Windows XP for optimal performance with audio. Call
for a detailed list of specifications.
ONLY $60/mo.
MusicXPCM4 PM/1.7GHz/1GB/100GB.....................
$
199900
Despite its small size the MusicXPC Professional C3 is packed with power. Its Pentium 4/3.0GHz processor gives
you the speed and power you need for applications such as Cubase, SONAR, Acid, and others. The C3 is equipped with
120GB system drive and 160GB audio drive. Both machines feature built-in optical drives to burn DVDs and CD-RWs.
MusicXPC desktop machines use patented heat-pipe technology to conduct heat away from the CPU to the back of
the chassis. This means there are fewer fans that would normally occupy prominent spots in your computer and add
to noise.
The MusicXPC Professional PCs are built from the ground up for professional audio recording,
mixing, mastering, and media creation. Out of the box, they’re ready for production because they’ve
ONLY $57/mo.
been tweaked to the max. You can buy a MusicXPC
$
00
MusicXPCC4 P4/3.2GHz/1GB/120+200GB ....................
Professional with the peace of mind that it will
$
00
MusicXPCC3
P4/3.0GHz/512MB/120+160GB ...............
1399
do the job without making you lose yours.
1899
LCD 19 VGA
VG920
19" LCD Flat-panel Monitor
Flat-panel Monitor with DVI/VGA
Inputs
Get this monitor to match your Creation Station
computer! With brightness and a high contrast
ratio, the LCD 19 VGA brings sharp images
to your screen. Its elegant lines and thin panel
add a touch of style to your desktop while
taking up 75% less desk space than a CRT. This
19" LCD display breaks the price barrier for flat
panel monitors!
This ViewSonic VG920 monitor packs a full 19"
screen into a slim design. It’s HDTV-ready
and accepts either a DVI or VGA input for
compatibility with almost any computer.
The VG920 features OptiSync technology to
ensure clear images.
ONLY $10/mo.
ONLY $13/mo.
LCD19
$
19” Flat-panel Monitor ..........................
LCD19VGA
00
415
KVMUSBVGA
LCD17VGA
$
00
19” Flat-panel Monitor ..............List 325
17” Flat-panel Monitor ...............List $29300
$
30997
$
27997
DVItoVGA
ShuttlePRO
V.2
Multi-button Multimedia
Control Surface
The ShuttlePRO V.2 is an easy
way to navigate through many
popular audio and video editing
applications. Nine of the 15 buttons
have removable keycaps for easy
labeling and referencing. The interior
jog wheel rotates 360˚ and offers
frame-by frame control.
GET A COMPLETE LIST OF INPUTS AND OUTPUTS!
sweetwater.com/KVMUSBVGA
KVM Switch
ShuttlePro2
Multimedia Controller ............List $10995
99
99
Multiple USB Ports
The SOHO KVM Switch saves workspace while giving
you control of two USB computers from one console. The
Switch includes audio and mic support, a manual port
selector, and software that makes switching ports easy.
KVMUSBVGA
$
USB Hub
Mac Keyboard/Video/Mouse adapters
KVMDVICable
KVMUSBDVI
DVItoVGA
2-port KVM Switch w/DVI ........List $7999
6’ Cabling for SOHO DVI KVM .....List $7999
2-port KVM Switch w/USB ......List $24499
DVi to VGA Adapter ....................List $2499
$
With the USB Hub, you can enjoy the plug-and-play
convenience of USB with numerous devices. Use
the 7-port USB Hub 7 for connection of seven USB
devices, use the USB Hub for up to four USB gadgets.
Both hubs are compatible with USB 1.1 or 2.0.
6997
$
5997
22997
$ 97
14
$
USBHub7
USBHub
7-port USB Audio Hub .................List $5995
4-port USB Audio Hub ...............................
$
4995
$
2495
www.sweetwater.com/sweetcare
FREE Online Technical Support
Anytime, day or night — 24/7
www.sweetwater.com/sweetcare
Get technical help
Track a package
Give yourself an advanced
audio education
Knowledge Base
If you have a question about any aspect of your gear, you’ll find the
answer in our ever-expanding Knowledge Base featuring over 10,000
helpful articles written by our award-winning Service and Tech
Support department.
Contact
Visit us on the web! We’re more than
happy to help.
www.sweetwater.com/sweetcare
SweetTrack
Additional Resources:
Expert Forums
The ideal place to discuss ideas, insights, and issues with the top
minds and artists in pro audio. We have forums for DAW users,
keyboard players, live sound engineers, and more!
Word for the Day Library
Definitions of more than 2,000 technical and musical terms commonly used in the music industry. We’ve been adding definitions to
our WFTD library every day since 1997!
SweetTrack makes tracking your
orders faster and easier than ever.
It’s your one-stop for convenient
tracking, without even knowing a
tracking number.
Repair Request
Our SweetCare Center’s FactoryAuthorized Service Technicians can
repair just about anything we sell,
and usually turn gear around in less
than a week. This is just another
way we deliver “The Sweetwater
Difference.”
Tech Tip of the Day Library
Answers to thousands of the most commonly asked questions in pro
audio! We add a tech tip nearly every day, so be sure to check often to
find out what’s new!
Expert Center
Gear reviews, tips and tricks, articles, how-tos, exclusive videos,
FREE publications, music industry news, and much more...
If you still can’t find what you’re
looking for online, feel free to
call us at:
(800) 222-4700
Monday - Friday, 9:00am - 7:00pm;
Saturday, 11:00am - 3:00pm
180
ProGear2007
www.sweetwater.com
Digital Audio Storage & Backup
Call today! (800) 222-4700
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
ABOUT
Digital Audio
GT 050Q 750GB
Storage & Backup 750GB Tabletop FireWire Hard Drive
It’s impossible to place
a dollar value on a
once-in-a-lifetime
performance. Anyone
who has ever picked up
a musical instrument
and found themselves
“in the zone” can tell you that such moments are
rare. So why trust that magic to a bargain basement
hard drive? If you’ve ever lost precious data to a
hard disk crash, you know how terrible it can feel,
especially if it’s something that came to you out of a
moment of pure inspiration.
Here at Sweetwater, we equip all our studios with the
best, most dependable digital storage media we can
get our hands on, because it’s the kind of peace-ofmind you can’t possibly measure. That’s why we stock
and recommend only the highest quality digital media
to our customers. You just have to ask yourself one
simple question: Exactly how much is your personal
project or musical performance worth?
Check out
Sweetwater’s
Creation Station
PC Series using
Glyph technology
on pages 176-177
PortaGig
100GB Portable
FireWire/USB
Hard Drive
The PortaGig portable hard drive
from Glyph allows you to take your
recording and editing on the road.
This drive is tiny, yet powerful. Running at 7,200rpm,
it’s fast enough for audio, and being pocket-sized and
bus-powered, its a snap to carry with you. You can use
the optional power supply if bus power is unavailable.
Available in 100GB and 80GB sizes, the PortaGig will let
you take projects of virtually any size with you, and the
FireWire 400 and USB 2.0 ports ensure that wherever
you go, you can hook up your PortaGig. The PortaGig is
encased inside a lightweight, aluminum casing for ease
of portability, and is approved for use with Digidesign’s
Pro Tools software.
ONLY $12/mo.
PortaGig100
PortaGig80
PortaGigPS
100GB Portable FW HD .........List $44500
80GB Portable FW HD ............List $38300
9-volt AC Adapter .................................
$
39997
$
31997
2497
$
“Don’t make the mistake of relying on
substandard hard drives to save your projects.
Trust the quality and reliability of a Glyph product.
Super quiet and built to withstand the rigors of
even the most demanding recording sessions. Not
to mention an incredible 3-year warranty! Trust
nothing less than Glyph.”
— Scott Senn, Sales Engineer, Ext. 1366
Glyph has become the standard in the audio world
for storage and backup solutions. The GT 050Q is an
updated design based on the popular GT 050 FireWire
hard drives. New to the GT 050Q are the additions of
two FireWire 800 ports, a USB port, an eSATA port, and a FireWire 400 port for expanded connectivity
options. The eSATA port allows for data transfer at speeds up to 150Mb per second, which is much
faster than FireWire. Glyph utilizes an Oxford 924 bridging chip for stable data transfers. These drives
ONLY $30/mo.
are available in capacities of up to 750GB. Like other
$
97
GT050Quad750 750GB Dsktp Hard Drive......List $110600
Glyph products, the GT 050Q is constructed using
$
GT050Quad500
500GB Desktop Hard Drive ......List $81400
69997
QuietMetal technology to ensure that your recording
$
GT050Quad400
400GB Quad Desktop HD.........List $62900
54997
environment remains quiet. The GT 050Q can be
$
$
00
300GB Quad Desktop HD.........List 398
34997
rackmounted, and comes standard with a 3-year warranty GT050Quad300
$
GT050Quad250
250GB Quad Desktop HD.........List $35200
31997
that includes overnight advance replacement for one full
$
$
00
GT050Quad200
200GB Quad Desktop HD.........List 322
28997
year from the date of purchase.
$
$
00
GT050Quad120
120GB Quad Desktop HD.........List 306
27997
999
GT Series
Hot-swappable FireWire 800 Enclosures
GT 051
The GT 205 DVD is a double-space 5-bay GT 103
FireWire enclosure specifically designed
for applications requiring multiple drives.
It can be configured with four GT Key
hot-swappable drives in any available
capacities, and its SCSI/FireWire
expansion bay offers the option of AIT
backup, a SCSI or FireWire hot-swap
GT 205
receiving bay, DVD-R/RW, or CD-R/RW.
The hot-swap drives in the GT 205 can
be interchanged with the GT 051 tabletop and the
GT 103 3-bay 1U enclosures. The GT 205 comes standard
with a 3-year warranty, while GT Keys carry an additional
overnight advance replacement warranty in the first year.
The GT 103 also has a front-panel FW400 convenience port.
The GT Keys are the heart of the GT series, working
seamlessly with the GT 051, GT 103, and GT 205 chassis.
The GT Key drives are available in sizes ranging from 160GB
— which is plenty big for most small-to medium-sized
studios — to 750GB for video production work. The ability
to easily transport these drives makes them great for taking
projects on the road or across town to another facility.
The Key drives are qualified for use with most major
DAW applications. With the GT series, Glyph takes what
was already a convenient and reliable storage solution,
and revolutionizes it with easy backup capabilities and
hot-swapping for nearly endless storage options.
GT Key
ONLY $27/mo.
GT205DVD
GT103
GT051
GTKey750
GTKey500
GTKey400
GTKey250
GTKey200
GTKey80
$
00
4-Bay GT Chassis w/ DVDRW ...List 998
3-bay FW HS Rack Chassis.........List $63500
1-bay FW HS Desktop Chassis ....List $18000
750GB Hard Drive ....................List $101400
500GB Hard Drive ......................List $73700
400GB HS HD for GT-Series ........List $56800
250GB HS HD for GT-Series ........List $30000
200GB HS HD for GT-Series ........List $29100
80GB HS HD for GT-Series ..........List $22300
$
89997
$
49997
14997
$
89997
$
64997
$
49997
$
27997
$
25997
$
19997
$
netDrive
750GB FireWire and USB 2.0 Hard Drive
Glyph’s netDrive FireWire hard drives are a reliable, value-priced,
and portable backup solution for your project files. These drives
employ both FireWire and USB 2.0 for transfer rates of up to 480Mbps.
Plus, you can hot-plug drives into your system and daisy-chain up to
63 drives! But the real advantage of Glyph drives is their proven track
record of reliable service. You can rely on your netDrives to perform consistently, protecting
ONLY $28/mo.
your valuable data thanks to their lightweight but
$
97
$
00
NDFW1B750 750GB Hard Drive ...............List 1199
ultra-strong aluminum case, quality FireWire bridging,
$
97
$
00
NDFW1B500
500GB FireW/USB 2.0 HD......List 737
669
and time-tested drive mechanism. Choose the netDrive
$
NDFW1B400
400GB FireW/USB 2.0 HD......List $56800
49997
capacity that’s right for your projects, up to 750GB. All
$
$
00
NDFW1B250
250GB
FireW/USB
2.0
HD
......List
260
23997
offer the same Glyph-proven reliability. These compact
$
$
00
NDFW1B200
200GB FireW/USB 2.0 HD......List 254
22997
devices easily fit into your laptop bag or briefcase. And
$
$
00
NDFW1B120
120GB
FireW/USB
2.0
HD
......List
214
18997
their universal auto-switching 120–240 volt power
$
$
00
NDFW1B80
80GB
FireW/USB
2.0
HD
........List
214
18997
supply makes them great overseas travelers.
929
THE GLYPH GT SERIES.
FIREWIRE 800 AND SATA
ONLY MAKE IT BETTER.
The FireWire 400 GT Series is known in studios worldwide as the standard for hot-swappable, high-performance storage for audio production. Why improve on a good thing? New FireWire 800 versions of the
GT Key, GT 051, GT 103, and GT 205 include everything you’ve come to expect in the GT Series, but are
updated to use Oxford’s new 924 chip which bridges the faster FW800 bus to the latest Seagate SATA
drive mechanisms, featuring Native Command Queuing (NCQ). An algorithm that cuts down on extra arm
motion, NCQ dynamically reschedules and reorders commands so the heads travel less over the platters
of the drive.
In an audio environment, this boils down to more tracks per drive, more edits per track, less spreading
tracks across multiple drives, and fewer headaches trying to reassemble sessions from multiple drives.
Using the time-tested Integrity hot-swap interface, Glyph’s FW400 and FW800 GT Series drives and enclosures are cross-compatible, which means upgrading to FW800 can be seamless.
You’ll find Glyph drives in the studios at Sweetwater, in your Sales Engineer’s home
studio, and in the studios of tens of thousands of Sweetwater customers. Here’s Why:
Overnight Advance Replacement in the first year of the 3-Year warranty.
Free Tech Support and 48-Hour in-house turnaround time on most repairs.
Data Recovery. We’ll do our best to recover your data, FOR FREE, in the first two years of warranty.
Whisper-quiet fans. We believe a “fanless design” is not something to brag about.
QuietMetal. A composite material that dampens disk vibration, and makes the drive quieter.
No wall-warts in the GT Series. We only use pro-quality internal power supplies and connectors.
®
glyphtech.com • sweetwater.com • 800-222-4700
©2006 Glyph Technologies. All rights reserved. Glyph and the Glyph logo are registered trademarks of Glyph Technologies.
All other trademarks are the property of their respective holders.
store...
in a cool place.
As the world’s leading
and most customeroriented music and
instrument retailer,
Sweetwater knows music
technology, and – you.
That’s why Sweetwater
knows that if you’re a
musician interested in
home- or personal-studio
recording and production
– you should be reading
Electronic Musician.
Each issue of EM is packed
with your most relevant
information, masterfully
transformed into user-friendly
how-to’s, news, reviews, tips
and applications – by industry
experts, for – you. From
recording and live performance
gear, to electronic musical
instruments, to musicproduction hardware/software,
every copy of Electronic
Musician delivers. Read it and
get inspired.
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(800) 222-4700 • www.sweetwater.com
Choosing The Right
software
Software
Having the right software for your studio means
the difference between being able to establish a
workflow that allows your creativity to flourish, or
spending an inordinate amount of time getting your
ideas across via a user interface that just doesn’t
operate the way you want it to. Beyond the user
interface, look for the strengths of the program to
line up with what you want to do. Here are some
sample questions and answers to help you start
your search.
What platform will you be using? Should you go
Mac or PC? Aside from personal preference, in some cases
the software itself will make the choice for you. However,
many musicians and engineers are finding that they want
both platforms in their studios.
Are you into loop-based composition? A
program that deals with Acid and REX files well, has loop
creation features, and can time-stretch/-compress audio
transparently is a must-have!
Are you big on processing? Look for a wide range
of available plug-ins — both that ship with the application
and optional third-party plug-ins.
Do you work with a lot of soft synths? Check
that the format of the virtual instrument plug-ins you want
to use is supported, and that there is plenty of MIDI and CPU
power available.
Are you interested in mastering? Make sure that
the right processing is provided or available as plug-ins.
Do you need to record a lot of tracks at
once? Look for compatibility with multi-I/O interfaces and
a clear user interface that resembles the way a studio works.
Do you need to see and use musical
notation? Some DAWs have it, some don’t — be sure
to check first. It’s a good idea to compile your list of musthave features as well as a wish list of things you’d like to
have in your DAW. Keep in mind that you can also combine
some packages together via ReWire or by running them on
dedicated computers and patching them into each other.
This can often give you the best of both worlds.
Why buy software from Sweetwater
We know computers and software! Sweetwater is an
Apple-authorized repair center and reseller. We even build
our own line of critically acclaimed Creation Station audio
PCs. Sweetwater’s award-winning team of Sales Engineers
are trained in all areas of music technology, but they’re
especially qualified in the area of desktop audio. We design
and install numerous computer-based systems each and
every week. With a Sweetwater professional installation all
you have to do is open the box, turn it on, and start making
music. It’s that easy!
For even more software and plug-in options, buying guides,
educational pages, and videos, check out our awardwinning site, www.sweetwater.com.
>>contents
Software - Production ................ 184
Software - Notation .................... 194
Hardware Accelerated Plug-ins . 197
Software Plug-Ins & Effects ....... 203
Software - Virtual Instruments .. 220
184
ProGear2007
www.sweetwater.com
Call today! (800) 222-4700
Software - Production
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
Check out our selection of Digital Performer
training CDs on pages 411-412!
Digital Performer 5
Audio Workstation Software with MIDI Sequencing for Mac®
MOTU’s Digital Performer is the recording software of choice for tens of
thousands of our customers. Now the new Digital Performer 5 offers six
new virtual instruments, a new Meter Bridge window, a smarter way to organize
track lists, new editing tools, and a whole lot more! Among the new virtual
instruments you’ll find CPU-efficient Nanosampler, vintage-inspired PolySynth,
BassLine, Modulo for subtractive synthesis, Model 12 (a 12-part drum module),
and Proton for FM synthesis. DP 5 includes other significant enhancements such
as Track folders, which allow you to organize lengthy track lists into folders
and sub-folders like the list view in the Mac OS X Finder, and Meter Bridge, a
new window dedicated to monitoring all signal paths in the mixing environment
that features scalable meters with fast, smooth, and accurate ballistics. DP5
also includes several major enhancements for music-for-picture workflow for
professionals, making it possible for any video or movie to be scored in the project
studio. DP also supports Pro Tools TDM plug-in automation, sample-accurate
latency compensation, RTAS and AudioSuite plug-ins, automatic voice allocation, and more. DP’s Beat Detection Engine and tempo analysis features let you apply
and extract grooves to and from loops and audio tracks. If you’re using other DAW software, you can move up to Digital Performer and save with the Competitive
Upgrade.
“I had a choice when recording my second album,
Pathfinder, in my own studio. I chose Digital
Performer for its reliability, compatibility, and
ease of use.”
— Tim Harrington, Sales Engineer, Ext. 1395
What’s New in
DP5?
ONLY $15/mo.
Digperf
24-bit/192kHz Audio/MIDI Production DAW Software for Mac OS X ............................................................................................ List $79500
$
DigPerfComp Competitive Upgrade to DigPerf...List $79500
39500
DigPerfUp
Performer to DigPerf Upgrade......List $79500
$
49997
$
29500
• Six new CPU-efficient virtual instruments
• Four new audio editing tools
• Clip-based volume automation and gain
• Waveform editor and music-for-picture enhancements
• Monitor inputs independently of the record-enable state
• Play MIDI data from a computer keyboard
• and much more
Live 6
Unisyn
Professional Editor/Librarian Software
Real-time Loop, Sample, and MIDI Production Software
Now available for both Windows and Mac computers,
Unisyn supports more than 300
synths, tone
generators,
and signal
processors
including the
K2600, Motif,
and Triton,
plus modules
such as the
Line 6 POD.
SEE THE ENTIRE PROFILE LIST
Ableton Live software focuses on
the entire musical process, from
creation to production to performance.
Live responds instantaneously to
your musical ideas allowing you to
manipulate them on the fly. With Live,
audio is elastic. You can manipulate
the tempo and feel of your music,
record, mix, match, and add effects,
improvise musical structure, create
radical variations of your samples, and
even remix — all in real time while the
music plays! You can also control Live
on stage with hand or foot controllers.
sweetwater.com/Unisyn
Unisyn features a redesigned interface and a wild patch generator that creates
entire banks of new sounds with one click by blending
or mingling two source patches. Modify a sound in
Unisyn using graphic envelope controls and faders,
while getting instant feedback within the context of your
music as your sequencer plays the sequence. Save and
restore patches and banks in a unified snapshot of your
entire rig. Unisyn also manages your data cards and
cartridges so you can offload patches without fear of
losing them. Plus, Unisyn lets you assign any number of
keywords to a patch so you can locate groups of patches
quickly. Parent/child links maintain links from parent
files with their associated “children” to make managing
your data a breeze. Unisyn’s 26 window sets provide a
quick and flexible way to manage window layouts. On
the Mac version, CoreMIDI XML patch list support works
seamlessly with Digital Performer and other compatible
host software. Unisyn gets your hardware in shape!
ONLY $10/mo.
Unisyn
UnisynWin
$
00
Editor/Librarian for Mac .............List 295
Editor/Librarian for Windows ......List $29500
$
18997
$
19597
Check out our selection of LIVE!
training CDs on pages 411-412!
Along with numerous other features,
FIND OUT WHAT’S NEW IN LIVE 6!
Live 6, the latest version, presents
sweetwater.com/live
a quantum leap in Live’s evolution.
To begin with, Live 6’s audio engine supports multi-core processors to offer several times
the processing power of existing systems. New video capabilities include drag-and-drop
movie import, plus, it’s now easier than ever to improvise, compose, and warp music to
picture. You can launch sound effects on the fly, align musical cues using warp markers,
and much more. Live 6 now ships with a multi-gigabyte library of meticulously sampled
instruments from the SONiVOX (formerly Sonic Implants) premium collections. A new
virtual rack holds custom groupings of instruments, effects, and
plug-ins along with a simplified set of controls. You can drag
and drop racks as you please. The new Deep Freeze function
“I have been doing sequencing since the inception
saves CPU resources and time by allowing you to freeze
of MIDI and Live has truly some of the first “new”
audio tracks and still use most available editing functions.
concepts in sequencing and recording on the
Plus, there’s instant, adaptive mappings for many popular
computer in a long time. I LOVE Live!”
control surfaces and MIDI key-mappings that allow you
— Kenny Bergle , Sales Engineer, Ext. 1270
to control multiple soft-synth parameters with one knob.
ReWire support allows DAWs such as Pro Tools, Logic, and
Cubase, to route to Live’s audio and MIDI tracks, making it
ONLY $15/mo.
possible for them to use Live’s instruments. There’s quite a
$
97
bit more to Ableton Live 6. For more info, call your
Live6
Audio Sequencing Software ...List $59900
Sales Engineer.
499
186
ProGear2007
www.sweetwater.com
Call today! (800) 222-4700
Software - Production
THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY!
Check out our selection of Sonar
training CDs on pages 411-412!
SONAR Power Studio 660
SONAR Software and 24-bit Audio Interface
GET MORE INFO AT SWEETWATER.COM!
sweetwater.com/SONARPro
SONAR 6 Producer Edition
64-bit Audio Recording and Sequencing Software for 64- and 32-bit Windows PCs
In addition to recording unlimited audio tracks at up to 500kHz and extensive MIDI capabilities, SONAR 6
Producer Edition is the first native 64-bit digital audio workstation. SONAR’s 64-bit double-precision audio
engine is even available on 32-bit systems! Imagine being able to do a project with 150 tracks, 17 real time
virtual instruments, 42 real time effects plug-ins, and full-screen digital video playback, all synced and running
simultaneously — in just one Dual-core PC! SONAR 6 offers even more major improvements. First, there’s the new
VC-64 Vintage Channel. It features two equalizers, two compressors, a gate, and a de-esser. With the double equalizer
and compressor architecture, the VC-64 offers outstanding sonic possibilities. The new Audio Snap is actually a group
of features that lets you manipulate audio clips in a number of ways including; extract and apply grooves to audio;
have audio clips follow tempo changes; automatically split audio clips into individual beats, and much more. SONAR’s
new Active Controller Technology (ACT) allows you to control automatable plug-ins and soft synths with any hardware
controller. SONAR Studio Edition 6 is designed to give
professional results for project studios. Call, or visit us on
the web for the full story.
FLEXIBLE
FINANCING
ONLY $10/mo.
SONAR6Stu
00
SONAR 6 Studio Edition .........List 369
SONAR 6 Producer Edition ......List $61900
$
29997
$
49997
Specs: PS 660 24-bit/192kHz • 2 preamps • In: 2 x XLR/TRS (combo) •
limiter • phantom pwr • FireWire PS 250 24-bit/96kHz • 2 preamps • In: 2
x XLR/TRS (combo) • limiter • phantom pwr • USB
ONLY $18/mo.
PowerStu660 FW Interface w/SONAR Stu Ed.... List $71900
PowerStu250
$
59997
$
44997
USB Interface W/SONAR Stu Ed . List $53900
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w a t e r. c o
m
sw
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find
Apply today at www.sweetwater.com/allaccess
SONAR6Pro
$
Cakewalk has taken their unparalleled PC expertise
and focused it on providing a reliable, great-sounding
audio interface designed to form the perfect FireWire
music production system in conjunction with SONAR
DAW software. With the new SONAR Power Studio
660, you can record, edit, and mix unlimited tracks of
audio and MIDI using unlimited instruments and effects.
Power Studio includes the Cakewalk SPS-66 audio/MIDI
interface, which offers professional-grade mic preamps,
phantom power, +4dB balanced input and output, a
built-in analog limiter, and 6-in/6-out performance at
24-bit/96kHz, or 4-in/4-out at 24-bit/192kHz. Thanks
to bus-powered FireWire, you can also take the Power
Studio 660 on the road. Here’s what you get on the
software end: Roland’s V-Vocal VariPhrase technology
gives you perfect vocal takes with pitch correction,
phrase adjustment, harmonization, and more, plus,
the included Amplitube LE guitar amp simulator gives
you great guitar tones. You also get 29 professional
audio effects, eight MIDI effects, five built-in software
instruments including the Roland TTS-1 and Roland
Groovesynth, plus you can use Power Studio’s MIDI
groove clips and Acid loops to create backing tracks
quickly and easily. Thanks to SONAR’s cutting edge,
end-to-end 64-bit double-precision floating-point audio
engine, you can achieve the highest quality mixes.
SONAR Power Studio 250 is a 2 x 2, 24-bit/96kHz
USB version with the same powerful SONAR software.
Guitar Tracks Pro
SONAR Home Studio XL 4
KINETIC 2
Audio/MIDI Recording Software
Loop Sequencer
Recording Software
SONAR Home Studio XL 4, perfect for newcomers to
digital audio, includes many of the features of SONAR 4.
Powerful tools include built-in instruments and effects,
support for DirectX, VST, ReWire, MFX plug-ins, and a
sampler with an extensive sound library.
The dictionary defines Kinetic as “producing motion,”
and motion is what Kinetic 2 gives to Dance, Hip Hop
and Electronica. Make music with new Acid loops, add
samples with the DropZone sampler; tap beats with your
mouse or computer keyboard with The GRID; create
bass lines, leads, and pads with PSYN II virtual analog
synth; add VST and DirectX instruments and effects.
Guitar Tracks Pro 3 32-track recording studio was
designed specifically for guitar players who have no need
for MIDI. Just plug in, check your levels, and hit Record.
With support for up to 32 channels and 24-bit/96kHz
resolution using multi-channel audio cards, you can
record a whole band all at once. Visually arrange, edit,
and mix your music with point-and-click ease.
ONLY $10/mo.
SONARhsXL
SONARhs
$
00
Home Studio Software ...........List 229
Home Recording Software ..........List $14900
$
15997
$
9997
Kinetic
Loop-based Audio Software ........List $11900
$
7997
GuitarTrPro3
Guitar Recording Software ..... List $21900
$
9997
Fast Forward
Tighten up your band’s rhythm, or change
the song’s tempo instantly with the
revolutionary new AudioSnap™ feature set.
Change the way you work with virtual
instruments forever with SONAR 6’s
innovative new Active Controller
Technology™ (ACT).
Sound better than ever before with
the new VC-64 Vintage Channel™
and SONAR’s industry-leading 64-bit
double precision mix engine.
Sweetwater and Cakewalk.
The Perfect Pair.
Unleash the power of next
generation technology with
SONAR 6 Producer Edition and
the Sweetwater Creation Station
Rack Dual. With SONAR’s intelligent
multithreading and dual-core CPU
support, you’ll achieve awesome
native processing power and
staggering track count without the
need for additional DSP hardware!
(800) 222-4700
www.sweetwater.com
Have your Sweetwater Sales Engineer
custom configure the ultimate SONAR
workstation for you today.