Wo men of substance
Transcription
Wo men of substance
gallery o n e f m s o ubst W a nce in her unique w s beautiful i ay a n a nd w wom y t u y a e b t f a h o r t r one es h r e u t v p a c E mom en a ph otog ent rges. Pink Ribbon revel rapher e i m n e n time s in so r e p a se , quit hat lect e often of t the essence ion o f icon ic portrait s. Debra DEBORAH MAILMAN ACTOR Deborah Mailman has an uncomplicated ‘girl next door’ reputation and it’s deserved. When she arrived at Sydney’s Observatory Hotel for a magazine photo shoot however, photographer Carlotta Moye wanted more. “I wanted to capture something of who she is on the inside; she has a radiance and energy,” says Moye who also determined to capture Mailman’s enigmatic glamour. “I was reminded of the incredibly sexy, yet unobtainable beauty of the movie stars of the 30s. That look was perfect for Deb: she has this accessibility while also keeping something hidden. You just have to look at those eyes – there’s a story there.” Photo: Carlotta Moye 000 gallery dummydummy Rachel RACHEL WARD ACTOR, WRITER, FUNDRAISER A woman of “veiled strength” is how portrait virtuoso Lorrie Graham describes actor Bryan Brown’s wife, actress, writer, philanthropist and mother of three, Rachel Ward. Sinking languidly into a sofa in her Whale Beach home for a magazine profile, the English-born beauty, says Graham, was as comfy in her own skin as the well-worn furniture in her unpretentious home. “Rachel has no need to accentuate her beauty,” says Graham. “It’s clear that other things, like family, are far more important to her.” And Ward is the feisty matriarch. “There’s a calmness there,” Graham muses, “but there’s also a very strong backbone.” Photo: Lorrie Graham Delta CATE BLANCHETT SINGER STAR “I didn’t know a thing about Delta before I took this picture,” confesses Carlotta Moye of the image she took for the then teenager’s debut CD, Innocent Eyes. Half an hour after the session began however, Moye felt like she’d known Delta all her life. “She just kept getting more and more beautiful as I shot.” Photographed prior to Goodrem’s diagnosis of Hodgkin’s disease (a cancer of the lymphatic system), the singer was bubbly and energetic on the day. “I backlit her because I wanted her to look ethereal; then, at one point, she lifted her arms and I caught this wonderful moment.” Moye considers it unlikely that she’d recapture that innocence again. “It was one of those rare, fleeting moments at the beginning of a journey,” the photographer muses, “when everything seems possible.” Photo: Carlotta Moye 000 Cate DELTA GOODREM “If you look at the different parts of Cate’s face separately, she’s not beautiful, but the sum of those parts – luminous!” exclaims photographer Graham, loath to use such a clichéd description for her subject, but finding no better word. Graham said she found the actor a dream to shoot, despite the lateness of the day, the awful hotel room location, and the rapidly fading light. “She was neither difficult nor prissy, rather she struck me as being extremely well-grounded,” Graham recalls. “Also, Cate’s intelligence adds to her beauty – she has a beauty that glows from within.” Photo: Lorrie Graham 000 gallery dummydummy Elizabeth MARGARET OLLEY SOPHIE MONK MONARCH ARTIST SINGER Snapping celebrities is no sweat for photographer Polly Borland, but she was starstruck when she stood before the Queen. “Here I was a metre from her; it was a surreal moment,” she says of the London studio shoot. Borland was told that her close proximity to the monarch was unprecedented “No one had got the camera that close before, or used such strong lights,” she laughs. “HRH walked out saying, ‘I think you’ve blinded me’.” Borland had barely five minutes to get the picture, commissioned for the Golden Jubilee and published in the Sunday Times magazine, but she was immediately struck by HRH’s elegance. “She seemed really glamorous,” Borland recalls. “She had the aura of a very wealthy woman, which you don’t usually pick up in photographs of her.” Photo: Polly Borland 000 Margaret HM QUEEN ELIZABETH II She may be an octogenarian, but that wouldn’t slow down acclaimed artist Margaret Olley. “She’s a sprite,” laughs photographer Graham who found it hard to pin down her subject for this portrait. “Margaret cooked lunch during the photo session and we dined in the midst of this beautiful chaos. Every surface in the house was covered with objects and lots and lots of vases filled with flowers; Margaret kept disappearing into the thick of it.” The still life painter is more than mischievous, Graham confides, she also has a sharp tongue. “She calls a spade a spade,” Graham confides. “Margaret takes no prisoners.” Photo: Lorrie Graham Sophie Photographer Carlotta Moye says that she first met Sophie Monk at a shoot for girl group Bardot and has since “shot that girl inside out, upside down and back to front”. Moye recalls the blonde bombshell was “a little insecure back then, hiding behind the other girls in the photo.” What a difference a solo career makes. When Monk was approached by FHM magazine, she insisted that Moye take the shots. “I felt quite protective of her,” admits the photographer. “I didn’t want her to look like a hooker.” They eschewed the neon coloured push-up bras suggested by the magazine, and created a 60s siren instead. “I love the fact that she looks cherubic in those pictures,” say Moye of her favourite subject, who these days has nothing to hide. Photo: Carlotta Moye 000 gallery Rebecca SHIRLEY HAZZARD ACTOR AUTHOR “Rebecca’s life experiences have humbled her,” says photographer Juli Balla who was photographing the television star for an Australian Women’s Weekly story on the actor’s traumatic childhood. “She was delightful,” says Balla, who found the actor had not only come to terms with her difficult past, she had most definitely moved on. “She’s an Amazonian woman,” says the admiring photographer. “She has not only survived, there is a sense of triumph at overcoming adversity.” Balla tried to capture some of Gibney’s strength and spirit in her portrait and felt she succeeded. “You can see how serene the actor is,” she says. “She has very little ego.” Photo: Juli Balla 000 Shirley REBECCA GIBNEY “Shirley Hazzard is a bit like Audrey Hepburn: she has a timeless elegance all of her own,” says Graham who found it hard to drag herself away from the talk of politics, literature and social events that peppered the conversation in Hazzard’s New York apartment the day the photo was taken. Shooting the portrait before Hazzard’s husband and greatest love, writer Francis Steegmuller’s death, Graham found Hazzard’s prim, precise, put-together look belied the most unnerving intelligence. “She was charming and quite serene,” Graham recalls of the 2004 Miles Franklin award winner, “but it was clear her mind was like a steel trap.” Photo: Lorrie Graham