2010 Souvenir Program — 20th Anniversary

Transcription

D
N
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• Flaco Jimenez • Dick Contino • Polkacide • Los Texmaniacs • Culann’s Hounds
• The Alex Meixner Band • Tara Linda • Eddie Monteiro • The Creaking Planks
• The Great Morgani • Sourdough Slim • Gaucho • La Familia Peña-Govea
• The Truccos • Due Zighi Baci • Duckmandu • Shamalamacord • The Mad Maggies
• II Fuoco with Steve Albini • The Golden State Accordion Club Band • The International
House of Accordions • The Creole Belles • JD Limelight • Accordion Babes &
The Hubbub Club Street Band • Rare Cuts /Lemme Adams • The Wild Catahoulas
• The Steve Balich Sr. Polka Band • Mark St. Mary • AnD So MuCH MoRE!
2010 Souvenir Program — 20th Anniversary
Friar Tucks PubSi
Ca te o
and Spirits
d jun f 2
BrIng your
dancIn' shoes
an
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Pa eCo
rt
y
1:00 TO 5:00 BOTH DAYS
Saturday, august 21st
The Creole Belles
Sunday, august 22nd
Mark St. Mary
LARGE WOODEN
DANCE FLOOR
➤ ➤ ➤ We're located in the Inn of the Beginning building.
Some of our Specialty dinnerS include:
➤ our famous corned Beef dinner served everyday.
➤ try our original corned Beef Quesadilla appetizer.
➤ irish meatballs are made from our family's secret recipe.
➤ try the marcus dean Burger.
➤ our Braveheart chicken Salad is amazing.
➤ fish tacos are simply great and a hit on our menu.
• NFL SUNDAY TICKET • POOL LEAGUES • FULL bAr
• FULL-SErvICE mENU • DArTS • KArAOKE
• OUTDOOr DrINKING & DINING • 17 bEErS ON TAP
• mUSIC • why go anywhere elSe?! BL EAR
DOWNTOWN COTATI
SOUTH OF WEST SIERRA ENTRANCE
OO LY
SPE DY MA
CIA RY
LS
open 11:00 am to 2am 7 dayS a WeeK
8201 Old Redwood Hwy. • Cotati, CA 94931 • (707) 792-9847
[email protected]
w
e
l
c
o
m
e
to the 20th ANNIVeRSARY of the
cotati Accordion Festival
table of Contents
Festival Map ......................................................................................... 4
What’s Happening at the Festival? ........................................................ 5
Honorary Director: Clifton Buck-Kauffman ........................................ 7
Documentary Film “Behind the Bellows” ............................................. 18
Steve Balich Sr. - Everything you've ever wanted to know ..................... 51
Pat Ryan, Analog Artist in a Digital Age............................................... 53
Art Van Damme and Lloyd Draper Obituaries ................................... 58
Schedule of events ....................................................................32-33
Sponsors and Thank You! ..............................................................61-62
Performer Biographies:
The Alex Meixner Band .................................................................. 27
Big Lou’s Polka Casserole ............................................................... 25
The Steve Balich Sr. Polka Band ...................................................... 51
Dick Contino ................................................................................ 13
The Creaking Planks ....................................................................... 57
The Creole Belles ............................................................................ 42
Culann’s Hounds ........................................................................... 23
Duckmandu .................................................................................. 21
Due Zighi Baci .............................................................................. 35
Gaucho featuring Rob Reich ......................................................... 45
Jim Gilman ................................................................................... 50
The Golden State Accordion Club Band ......................................... 15
The Great Morgani ......................................................................... 39
The Hubbub Club Street Band/Accordion Babes ............................ 37
Il Fuco with Steve Albini ............................................................... 17
The International House of Accordions........................................... 25
JD Limelight ................................................................................. 55
Flaco Jimenez .................................................................................. 9
La Familia Peña-Govea .................................................................. 56
Los Texmaniacs.............................................................................. 11
The Mad Maggies ........................................................................... 29
Mary St. Mary ............................................................................... 43
Eddie Monteiro ............................................................................. 17
Polkacide ....................................................................................... 19
Rare Cuts with Lemme Adams ...................................................... 55
Shamalamacord ............................................................................. 36
Sourdough Slim............................................................................. 31
Tara Linda ..................................................................................... 49
Steve & Mike Trucco ..................................................................... 44
The Wild Catahoulas ...................................................................... 41
3
The Cotati Accordion Festival is a non-profit
organization which donates all monies earned to a number
of youth groups in our community.
Handicapped parking:
8020 Old Redwood Hwy
and in front of
Korean Baptist Church
81 West Cotati
P.o. Box 809, Cotati, CA 94931
(707) 664-0444
Fax: (707) 585-2920
email: [email protected]
LA PLAZA
Main Stage
L
A
Beer, Soda, Food
Booths
RE
O
O
S
W. SIERRA
E
N
T
E
R
D
HW
ST.
.
E.
R
E
I AV
AT
OT
C
AZ
ING
K
PAR
.
ST
PL
A
LOT
OLIVER'S MARKET
AA
VE
.
ER
R
AR
LES
LLE
SA
ST.
LA
HENRY
CH
WIL
LIA
M
U
TH
AR
LA PLAZA
AF
Friar Tuck’s
(Zydeco)
.
.
WY
4
AV
E
H
OD
Visit our vendors for
fabulous food and merchandise.
K
WO
new VEnDoR CouRT
ED
DR
OL
PA
R
W.
SI
T.
See
enlarged
area
above
OL
HO
NC
RA
OL S
accordion Workshops
& BreakFasTs
Lion’s Club Bldg.
Next to Fire Dept.
Y.
EL
CHO
LA
accordion
Workshops
&
BreakFasTs
Lion’s Club
Bldg.
Next to Fire
Dept.
H
W
Y
T
OO
E.
W. COTATI AV
101
B
B O O T H S
GEORGE ST.
R
E
D
W
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H
DW
CHURCH
LOT
E. S
③
④
Polka Dance
Area
D
.
ST
O
L
D
1. Official Souvenir Booth
1. Official
and
Lost & Found
Souvenir
Booth
2. Raffle Tickets
2. Raffle Tickets
3. Jam Tent
3. Wine
Jam Tent
Tent
4.
4. First
Wine
Tent
5.
Aid
⑤
OL
O
.J
ST
➀
➁
P
L
A
Z
A
www.cotatifest.com
H
Kids’
Area
Side Stage
VISIt oUR WeB SIte:
P
SE
La PLaza
Restrooms
Booth & Ad Sales, Editor:
Linda Conner
Voice: (707) 585-2910
Fax: (707) 585-2920
Email: [email protected]
116
E
N
T
E
R
VET'S HALL PARKING LOT
what’s Happening at the festival...
Main Stages
In Front of Park Stage
25 Accordion Acts
Lady of Spain-A-Ring
9:45 am-8:30 pm
2:00 pm both days.
Polka Dance Tent
Accordion Documentary
Steve Balich Sr. Polka Band
Behind the Bellows
and friends 1-5 pm both days
Zydeco Dance Party in Polka Tent
Wild Catahoulas
presented both days in the Lion’s
Club facility beside the Firehouse.
See details on page 18.
5:05-6:30 pm both days
Plus: Beer, Raffle,
Jam Tent,
Cajun/Zydeco Dance Party
Accordion
Pancakes,
at Friar Tuck’s Pub
Booths,
Sausage and Eggs at
The Creole Belles Sat.
Wine Tent,
Lion’s Club Facility
Mark St. Mary Sun.
7 am to 11 am
AND
TakE-OuT TOO!
MORE!
1:00-5:00 pm both days
bOTh dayS
PETALUMA
Petaluma Home Loans
HOME LOANS
We're here
to serve you.
Petaluma Home loans is a local mortgage banker dedicated
to serving our clients best interests. We specialize in Refinances
and Purchases. We are dedicated to working with first time home
buyers, and loans on Bank owned and short sale properties,
via Coventional, Jumbo, FHa and Va loans. We focus on loans in
Petaluma, Rohnert Park, Cotati, santa Rosa, sebastopol, sonoma,
novato and Windsor. However, we continue to do many loans
throughout the Bay area and state of California.
Ken McCoy
Mortgage Banker/Broker
Office (707) 773-4200
Fax (707) 773-4204
Cell (707) 484-4040
[email protected]
628 E. Washington St. Suite B
nMLS# 218630/1850
DRE# 06012538/01215943
Petaluma, CA 94952
5
6
The Cotati Accordion Festival’s
2010 Honorary Director
"If not for Clifton,
the Accordion Festival
would not exist, period."
— Rebecca Browne
clifton Buck-Kauffman
By Dave Williams
Ever since 1991, thousands upon
thousands of people have crowded La Plaza
Park in Cotati for one weekend in August
to celebrate the accordion. The annual
Cotati Accordion Festival, now in its 20th
year, may not be the biggest festival or
musical event in Sonoma County, but one
would be hard-pressed to find a more funfilled and quirky form of entertainment.
And those who have enjoyed this festival
over the years have Clifton Buck-Kauffman to thank for it.
Rebecca Browne, former president
of the Cotati Chamber of Commerce,
summed it up best when she said, “If not
for Clifton, the accordion festival would
not exist, period.”
Clifton Buck-Kauffman had been
a volunteer for a number of local service
organizations, including the Cotati Chamber of Commerce and the Cultural Arts
Council of Sonoma County. But it is the
accordion festival that will be his lasting
legacy. The festival has grown into an
event that draws accordion loyalists from
all over the country and has made Cotati a
destination point for many.
Buck-Kauffman ran the festival for
14 years before stepping away. To honor
his years as the producer of the festival,
he has been named the honorary director this year. Buck-Kauffman now lives
in Vietnam, but will make his first return
to the festival this year. “I’m happy with
my life now, but I miss seeing some of the
people I worked with and the performers
who played at the festival,” Buck-Kauffman
said. “There are a lot of wonderful people
in the accordion world. I’m looking forward
to coming back and saying hello to some of
my old friends, and it’ll be nice to be able to
walk around the festival without having any
work to do.”
Along with booking acts and negotiating contracts for the festival, Buck-Kauffman also had to organize the numerous
volunteers to keep the festival running
smoothly.
“Clifton was definitely the ringleader,”
Browne said. “A lot of people came up with
so many ideas on how to make the festival
successful, but he was able to keep everybody focused. He himself was a volunteer
from the beginning and a huge investor.
He put a lot of his own money into it. Clifton was adamant about reminding people
that this was a benefit and we were raising
money. He got people to put on their
gracious hats and knock down prices on
continued on page 46
7
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8
Flaco Jimenez
What B.B. King is to the Blues, or George Jones
is to traditional country, Grammy-winning
accordionist Flaco Jimenez is to the world of
Tex-Mex Conjunto.
Jimenez is universally recognized as
a leading exponent of the authentic South
Texas Conjunto.
While there are many masters of the
accordion along the Texas-Mexican border,
none have toured Europe, Japan and other
points overseas or recorded with as many
pop, rock and country artists as Jimenez.
By all accounts, Jimenez is an international
icon for the accordion-fueled Conjunto
genre.
Flaco Jimenez, the pioneering icon of
Conjunto and Tejano music, was destined
to be a great musician. He grew up in the
barrios of San Antonio listening and learning his famous father’s trade. At age seven,
Flaco was already performing with his
father on stage in front of live audiences.
He had acquired a love for the music and
would make a career out of it. By the time
he was 15, he was in the studios making
records as a member of the group Los
Caporales and soon thereafter was given
his father’s nickname of “Flaco”, which
means skinny or thin. After playing the local saloons and dance halls in San Antonio
for years, he acquired a solid reputation as a
unique musician and stylist.
In the 1960’s he teamed up with
a fellow musician Douglas Sahm, the
founding member of the famous rock band
The Sir Douglas Quintet, and then went
on to New York to jam with Bob Dylan
and Dr. John. He traveled the world with
Ry Cooder and David Lindley, receiving
international acclaim for his contributions
to Cooder’s landmark album, Chicken
Skin Music. His performances had taken
him worldwide, from the barrios of the
Southside of San Antonio to the elegant
inaugural halls of the White House; from
5-time grammy-award
winner and pioneer of
Conjuncto and Tejano
Music — Flaco Jimenez
the gardens of the orient in Japan to the
gardens of Central Park in New York City;
from the yodel country of the Swiss to the
country of Mariachi land of Mexico; and
from Gay París to Happy Hollow.
Even though his lyrics may not be
understood by some, his music is loved by
all. It establishes an international bond of
all languages. Flaco’s Conjunto style music
is derived from many cultural backgrounds:
from its original Tex-Mex style to HonkyTonk Country and Rock and Roll, to the
ever-present Tejano music. His unique style
of music has earned him five Grammys,
and he is just getting better.
9
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10
Los Texmaniacs
Los Texmaniacs
los Texmaniacs
Max Baca, the leader of Los Texmaniacs, was born and raised in Albuquerque, New Mexico. His grandfather
was an amateur accordion player, and his
father, Max Baca, Sr., played accordion in
his own band. Narciso Martínez was one
of his father’s idols, and Baca treasured
his recordings. At age five, Max started
learning accordion. “I was five years old,
and I learned the polka ‘Monterrey.’
The second song I learned was ‘In the
Mood’.” This openness to incorporating
the musical sounds around him into the
conjunto music he inherited from this father portended the future direction of his
musical career. Max remembers not having a normal childhood. In school he got
in trouble for writing songs during math
class. “It was all about music for me,”
he recalls. His father made Max and his
brother Jimmy practice, and by the age
of eight, Max was playing electric bass
in his father’s conjunto. The group played
three or four nights a week, a necessity to
bring food to the family table.
Max cherishes memories of the
many trips with his father to see Flaco
Jiménez perform in the Fronterizo dance
club in Lubbock, Texas. People called
Jiménez “the dance hall filler” (“el llena
salones”) because of the crowds he attracted with his dynamic accordion playing. Max was seven years old and could
barely see over the stage floor. “Man, I’d
11
and Lorenzo Martínez on drums.
David Farías comes from a prominent
South Texas musical family. His father
and uncle were musicians, and the group
with his five brothers was known first as
Los Hermanos Farías. He started playing
music with his family at age eight and
played with them professionally for thirtyfour years. He remembers missing most
school days because he had to play late
seven nights a week with his father and
brothers to support the family. He parted
ways with La Tropa F in 2006, the precise
moment in which Baca was looking for
a new accordionist for Los Texmaniacs.
“Being with the Texmaniacs has been a
blessing,” he says. As to his philosophy
of playing: “A lot of people tell us we’re
having a lot of fun onstage... I’ve learned
that, through the years;...you be yourself,
be humble. You play from your heart, and
music comes out beautiful.”
David’s musical models are many, but
Flaco Jiménez and Mingo Saldívar are at
the top of his list. Farías credits his accordion sound to Jiménez, who tunes David’s
accordion reeds to sound like his own.
Óscar García started with accordion
when he was five and eventually became
good enough to play dual accordions in
his father’s band, Los Alegres de Texas.
He learned drums, then bajo sexto, then
bass, mastering all the instruments of the
conjunto. Along the way, he also learned to
sing both primera (first) and segunda (second, harmonizing) vocal parts, making
him a complete conjunto musican.
Lorenzo Martínez plays drums and
sings on this album, though he is a multifaceted musician. When Max Baca was on
tour in Los Angeles with the Texas Tornados in the early 1990s, he met Lorenzo
playing in the Texan-style group, Los
Rock Angels, and the two began a longterm musical relationship Lorenzo began
playing with Los Texmaniacs in 2003 and
remained a regular member of the group’s
pool of regulars. ▲
Los texmaniacs
continued from page 11
get goose bumps right when these guys
were ready to get on the stage.” When
he was twelve, Max and brother Jimmy
formed their own group, Los Hermanos
Baca. One night, Flaco invited them to
come on stage with him and play. Flaco
remembers the moment: “The people
went crazy to see two young kids just
tearing it up and doing it right. And for
their age, I felt that there was going to be
a future for either Jimmy or Max, especially Max because of the bajo sexto. He
could handle it real good.” Max idolized
Flaco and his music: “It was my ultimate
dream to play with Flaco Jimenez.” Twenty years later, it came true.
Max had been playing in Albuquerque with Los Hermanos Baca when Flaco
invited him to come to San Antonio and
play bajo sexto in his band. Flaco showed
him the old techniques and encouraged
him to play all twelve strings, in contrast
to many other players who ignored the
lower strings, relegating the bass line
entirely to the electric bass. The freedom
to relate to the rock and roll sound of his
youth as well to as the traditional conjunto
roots from his father appealed to him and
felt natural.
Doug Sahm’s death in 1999 led to the
decline of the Texas Tornados. Max continued to play with Flaco, but wanted to
keep the creative flame of the Texas Tornados alive in his own work. In 1997, he
created Los Texmaniacs. His concept was
to keep the rock and roll dimension of his
music going while at the same time sticking to the roots of conjunto, especially the
accordion and bajo sexto. Over the years,
Los Texmaniacs has attracted a cadre of
first-rate conjunto musicians. Some of them
continue to play regularly in the group. In
addition to Max Baca, three others complete the conjunto sound: David Farías on
accordion, Óscar García on electric bass,
12
The Legendary Dick Contino
Dick contino
The World’s Greatest Accordionist
the early years
Dick Contino was born of Italian
parentage on January 17, 1930, in Fresno,
California. He attended Fresno High and
played fullback on the football team until
his father found out and forced him to
stop. As another activity, Dick played his
accordion in the school assemblies and at
special functions. His accordion playing
popularized him so well that he easily won
the class presidency at election time.
Dick was interested in getting on a
national broadcast and his ambition was to
gain popularity and recognition as an accordion soloist and to make popular an instrument that had not been too successful in the
entertainment world. But jobs were not easy
to-find. His family decided finally that they
would move to Los Angeles because they
thought there were greater musical opportunities there for this gifted boy.
Dick’s mother sent him to the local
musician’s union to get his transfer to
the Los Angeles local. Luck was with
Dick Contino, the handsome, talented,
unknown accordion player who had been
denied the opportunity to demonstrate
his ability before the American public.
Horace Heidt, the master showman and
an old friend of many years standing with
audiences everywhere, was coming out of
retirement to go back on the air with his
“Original Youth Opportunity Program”.
The show was dedicated to bringing before
the American people not only the finest in
entertainment, but also to giving talented
young people everywhere an opportunity
to display their talents and win recognition in their chosen fields. Horace felt the
only way possible to achieve this would
be to take his show to the people, so that
those who could not leave the security
of their homes to take a chance in Hollywood or New York, would have an equal
opportunity to pass through the “door of
opportunity”.
Instead of a typical Hollywood premier of his new show with much fanfare,
Horace scheduled his first broadcast for a
typical American city, Fresno, California.
An advance-man was sent to Fresno to
search for talent to represent that city and
compete for fame and fortune with the
American public acting as judge.
When Dick Contino walked into the
Fresno Musicians’ Union to get his transfer
to Los Angeles, one secretary of the union
introduced him to Heidt’s talent scout, who
asked him to audition for him the following day. Dick was filled with such hope and
13
himself as one of the premier entertainers
of our time. Dick stars in main showrooms
from Las Vegas to Atlantic City and headlines many fairs and festivals throughout
America. The California native who has
become known as the “world’s greatest accordionist,” recently completed a national
tour in which he broke house records from
coast to coast.
During his career, Dick has played
virtually every major stage and television
show. He has also starred in films and
daytime television. What sets Dick apart is
a combination of innovative musical styling and a personal philosophy developed
through the experienced turmoil of early
stardom and the vicissitudes of show business. He has attained an inner peace that
makes him a delight to be near.
Dick Contino
excitement that he did not tell his folks about
the audition, not wanting to build up their
hopes if his audition was not successful. The
advance man was greatly impressed with
Dick’s ability, and arranged for him to audition for Horace Heidt. Horace was equally
impressed, and at long last Dick’s dream of
appearing on a national broadcast came true
when Horace selected him as one of four
contestants to appear on the initial Phillip
Morris broadcast. It was on the otherwise
calm night of December 7, 1946 Dick made
his appearance on the first Horace Heidt
- Phillip Morris broadcast. Dick gave his
rendition of Lady of Spain and the bobbysox audience stomped, clapped, and yelled
“I treat my audience as a loving relationship.
I feed it and it feeds me." — Dick Contino
with frenzy, declaring him the winner by a
margin of a full 30 points on the applause
meter, awarding him first prize of $250.
Thirteen straight weeks of competition later with overpowering results on the
applause meter from California to Broadway, Contino stood up to a microphone
at Manhattan’s radio station WNBC and
slapped out Bumble Boogie romping away
with the first Horace Heidt Quarter Finals
and a prize of $750. He became a permanent member of the Musical Knights
and toured theaters and auditoriums from
coast to coast. He went on to win the 1948
GRAND FINALS and the first prize
money of $5,000.
With the Horace Heidt show as his
launching pad, Dick went on to become the
most famous accordionist in history.
Dick believes, “I allow my life to
consume my art, rather than let my art
consume me.”
Famous for his distinctive playing
technique, the bellow shake, he is able to
coax out of the instrument a warmth bordering on passion.
Contino is intimate. He presents
himself with a feeling of moment to
moment spontaneity. Although best
known for his million sellers such as Lady
of Spain, Granada and Tico Tico, he is
equally at ease with current show material. Contino also surprises audiences
with his fine vocal stylings. His popularity has only grown as every year thousands
of new fans discover this artist’s unique
entertainment abilities.
Able to completely captivate an audience of any size with his charm, great looks
and technical virtuosity, Contino is nothing
short of amazing THERE IS ONLY ONE
DICK CONTINO!
Dick’s Current Bio
Dick Contino, the legendary virtuoso
of the accordion, is once again proving
14
The Golden State Accordion Club Band
The group was formed out of the
Golden State Accordion Club. The band is
made up of several types of accordions,
including piano, button box and chromatic.
These instruments are perfect for our European style music. We are strong promoters
of polka and waltz music because of the fun,
good times, and enjoyment this music gives
to our audiences. We believe this ethnic
music is wonderful to play, and we have
made a commitment to keep it alive.
The Golden State Accordion Club
started in 1991 and is a very active organization. We meet three times a month
at the following three locations: Sacramento Chapter meets every 4th Wednesday at: Dante Club, 2330 Fair Oaks
Blvd., music starts at 6:30 pm. Vacaville
Chapter meets the 2nd Tuesday of each
month at: Creekside Bar and Grill, 555
Main Street, music starts at 6:30. Humboldt Chapter meets every 3rd Tuesday
at Humboldt Swiss Club, 4503 Tomkins
Hill Road, Loleta, music starts at 7:00
p.m. More info available on line at
www.gsaccordionclub.netfirms.com.
The club is also very proud of its
scholarship program, which helps make
sure accordion music is available to
young players. This past year the club
gave out 16 scholarships to youngsters ranging in age from 6 to 15. At
this point we have given out more the
$25,000 in scholarships.
We hope that you will be able to
visit us at one of our club meetings;
and, if you would like more information
about this club or band, stop by our jam
tent here at Cotati or you can contact
Carole at 707-864-2359. ▲
15
®
The Roland V-Accordion Full Line of Models for 2010
A World of New Possibilities
®
Combining the familiar sounds and playing feel of a traditional acoustic accordion
with the advantages of a modern digital musical instrument, a Roland V-Accordion
takes your music to places you’ve never imagined. With both piano-type and
button-type models to choose from, there’s an instrument to suit every player.
A new level of expression has been realized with the introduction of the FR-7x/b and
FR-3x/b. Many new features include: faster response, greater bellow sensitivity,
new accordion models, virtual tone wheel organs and a USB port.
Discover the V-Accordion and explore a world
of new creative possibilities.
To learn more about the exciting world of Roland V-Accordions,
visit www.RolandUS.com, or contact our Roland V-Accordion
specialist, Steve Albini at 323.890.3700, ext 2353.
02131_CotatfestAccordionAd_8-10.indd 1
16
7/7/10 12:24 PM
Eddie Monteiro
Eddie Monteiro has over 30 years
of musical performance in classical,
jazz, dance, theater, cabaret and choral
ensembles.
Eddie is also the youngest honoree
elected to American Accordionists’ Association Hall of Fame, November 1994.
Member of Bobb Rosengarden,
Skitch Henderson, Peter Duchin, Ray
Bloch, Michael Lanin and Marty Ames,
orchestras from 1971 to present, performing in the New York Metropolitan area
and worldwide.
Featured member of pit orchestra
on stage in Broadway revival performance of Carnival and recording of
radio and television jingles for Sesame
Street, General Foods, Colgate Palmolive,
Anheuser-Busch, AT&T, Bennigan’s Restaurants, Pontiac and more. Lead artist
of innumerable society bands performing
throughout the world at social events,
political gatherings and corporation
conventions.
Eddie serves currently as the Music
Teacher, Choral Director, Vocal and
Instrumental Music Director for the Ann
Street Elementary School. Eddie joined
the Roland team in the spring of 2008
as a V-Accordion Product Specialist. His
skill and musical talents make him an
important member of their team. ▲
Il Fuco with Steve Albini
The Italian phrase “passione e fuoco,”
(“passion and fire,”) truly describes the
music of singer and multi-instrumentalist
Steve Albini.
His performances of Italian music
fused with jazz and world rhythms have
brought him international acclaim. He has
enchanted audiences throughout the United
States and Italy with a blend of musical
virtuosity and artistic passion.
Some of Steve’s musical influences
include: Domenico Modugno, Renato
Carosone, Paco De Lucia, Al di Meola, Gipsy Kings, Chucho Valdes, Bobby
Darin, Frank Sinatra, Guiseppe DiStefano, Astor Piazzolla, Art Van Damme,
and Richard Galliano. Besides Italian music, Steve enjoys performing the
standards of the Great American Songbook (Irving
Berlin, George and Ira Gershwin, Cole Porter etc.)
continued on page next page
17
dions, Colombo and Sons accordions,
Takemine and Hammer Guitars, Line
6 guitar amplification, Roland Fantom
XR synth and sampler sound modules,
Byerdynamic Microphones and FBT
professional sound. ..
Il Fuco with Steve Albini
continued from last page
as well as his own compositions.
As a studio musician he is often
called upon by artists, composers, and
producers to add his touch to their
projects. His latest CD release Italia is a
fusion of Italian standards with world,
jazz and Latin American musical forms.
Steve uses and performs with:
Concerto Accordions, Roland VAccordions, Bugari Armando accor-
Il Fuoco featuring Steve Albini:
John Douglas: saxophones, clarinet
and flute
Stephen La Porta: drums and percussion
Marcie Brown: cello
Daniela Innocenti: vocals ▲
ACCORDION DOCUMENTARY
Behind the Bellows: A Documentary on the Accordion
Researched, directed and narrated by Steve Mobia
Seven years in the making, this one
hour movie is the first American documentary about the beloved but often misunderstood squeezebox: its history and variety as
well as its effect on popular culture.
Film contains insightful interviews
with accordion legends such as Anthony
Gall-Rini, Guy Klucevsek, and Dick Contino among many others. You’ll see the
original drawings for the accordion’s patent of 1829 as well as the first design of the
concertina. Visit an accordion museum
and a factory where the instrument’s many
parts are created. Venture through several
types of concertinas, button boxes as well
as a presentation of MIDI accordions. See
historic clips of Guido Diero, Art Van
Damme, Lawrence Welk and Frankie
Yankovic. Discover why “Lady of Spain”
is associated with the accordion. See the
first attempt to make a rock-n-roll accordion. And listen to where the accordion
might be headed in the future.
Screening times are 1:00 pm and
5:00 pm both days and are also held in the
Lion’s Club Buiding across the street next
to the firehouse. Showing for CAF
attendies only. Admission is free.
See page two for a detailed map. ▲
This is truly amazing don't miss it — ED
is proud to support the
Cotati Accordion Festival
Nadine Wolford
AVP & Branch Manager, Cotati
707.792.4990
[email protected]
Member FDIC
www.exchangebank.com
18
Polkacide
Polkacide
Celebrating 25
Years of Accordion
Mayham
In 1985 Polkacide
played its first gig
at San Francisco’s
Punk Palace The
Mabuhay Gardens
“AKA The Fab Mab”.
The band’s original
lineup included
14 people, most of
whom had played
with local punk and
or art-noise bands including Flipper, Rova
Saxophone Quartet, Bad Posture, Tragic
Mulatto, and the Geeks. The band had
been assembled to play a party for the San
Francisco Club For The Deaf, a club for
the local deaf community. For some time
the Deaf Club had hosted Punk Shows
in its Valencia Street apartment/office.
The punks got a venue, the deaf folks got
some income from the punks and music
loud enough for them to feel.
In the fall of 1984, the club was planning a party for it’s members and wanted
a band which played loud enough to be
felt - enabling dancing - but which didn’t
look, “too weird”. A local promoter contacted by the Deaf Club was kicking the
idea around with some friends when one
of them said jokingly, “how about a polka
band”?, and one thing led to another.
Bandleader Ward Abronski gathered
some traditional polka arrangements,
contacted friends from local bands,
organized some rehearsals, and Polkacide
was born. The band had so much fun
rehearsing that when the Deaf Club opted
to have a picnic rather than a dance, the
newly minted, “polka punks” decided to
have a show anyway.
In these last 25 years, Polkacide has
played clubs, festivals events, weddings,
funerals, performed with a truly eclectic
variety of bands including Sun Ra, and has
been featured in national and international
media.(People Magazine, Interview, SPIN,
Nash Bridges Soundtrack and videogame
Escape From Lego Island.) What began in
irony has developed into one of the wildest,
loudest, goofiest dance bands the Bay Area
has ever produced. Larger waistlines and
higher hairlines maybe in evidence on stage,
but so are the tightness of arrangements
and level of musicianship which come from
25 years of playing together. They may be
knocking on heaven’s door, but these old
farts can still take over a room and whip an
audience into a beery dancing sweaty mob.
See them now before they all end up in the
Home For Broken Down Polka Geezers.
Note: According to a ruling by a
New York State Court, polka dancing
is an, “inherently dangerous activity”.
Guests are urged to bear this in mind
when planning their evenings wardrobe.
Steel-toed boots are recommended.
19
Polkacide
about the members
Ward abronski: saxophones, whistles, toys, ukulele, vocals, front man.
neil Basa: clarinet, ocarina, vocals,
sargeant-at-arms. Billy dee Boom:
drums. J.X. lovejones: tenor sax,
clarinet, toys, vocals. alistair Shanks:
bass, vocals, soul patch. lawrence
Jarach: trombone, resident EMT,
vocals. John Hensley nieuwguyski:
trumpets, trombone, baritone horn, vocals,
sex appeal.
max Baloian:
guitar,
percussion,
accordion,
vocals.
aaron Seeman:
accordion. ▲
20
Mexican &
Seafood
Family Restaurant
Seafood Specialties:
Oysters
Crab Quesadillas
Shrimp Enchiladas
Fish Tacos
Prawn & Calamari Dishes
Paella
Seafood Fajitas
Zarzuela (Mexican Cioppino)
COTATI
7384 Commerce Blvd.
(707) 792-4380
Duckmandu
Aaron Seeman’s onslaught of solo
accordion and vocals has astounded
audiences of all shapes and sizes.
Maximum Rock ’n Roll, the premier
punk magazine, pronounced him “over
the top!” for his note-for-note renditions of the entire first Dead Kennedys
album, Fresh Fruit for Rotting Vegetables.
His repertoire also includes, but is not
limited to, 70’s rock, Broadway, klezmer,
classical, country, Sousa marches, punk
rock, and even a polka or two.
Rather than play hokey accordion
versions of these songs, Duckman/Seeman seeks to demonstrate that accordion and vocals alone can evoke the spirit
of the song, whether the hard driving
rock of AC/DC, the wide vocal range
and sonic landscape of Boston, or the
supersonic speeds and driving force of
Dead Kennedys.
The accordion received a triple blow
to its image in American culture that
by the 1960’s had done serious damage. First, millions of American children were forced to play the unwieldy
instrument against their wills. Second,
Lawrence Welk’s widely watched show
focused only on the geekiest, corniest
aspects of the instrument. Third, there
was the rise of rock ’n roll and the electric guitar.
This is not to say that the Duckman renounces geekiness, far from it.
But America and the world must be
reminded what a powerful and versatile
instrument the accordion can be.
In addition to his accordionizationizing, Aaron Seeman is a founding
member, arranger, and vocalist with San
Francisco’s Punk Rock Orchestra, which
performs full scale orchestral versions
of classic punk songs. He also plays accordion in Shamalamacord, Polkacide,
and Red Hot Chachkas. Aaron Seeman
was a founding
member of
the eclectic
Romanian
Musicinspired
folk
group
Fishtank
Ensemble.
He has
recorded
with Mr.
Bungle and
Estradasphere. He is the
composer of a modern classical opera
“Opium: Diary of a Cure.” He currently
resides in Oakland, California. ▲
Cotati is now home to
Mercy Wellness Center,
a new medical marijuana
dispensary. We are providing
safe access to medical
marijuana. Legally licensed
by the City of Cotati.
7950 Redwood Dr., Suite 8
Cotati, CA 94931
707.795.1600
www.mercymmd.org
21
Congratulations
20th Anniversary
• Deep Swedish ..................... $60 for 1 Hr
• Deep Tissue ......................... $75 for 1 Hr
• Sports Massage • Facials • Couples Massage
Accordion International
Music Society
OF SANTA BARBARA
Open Daily •Same Day Appointments
Major Credit Cards OK
(707) 792-0555 • (800) 792-0555
315 E Cotati Ave. Ste. D • Cotati
www.santabarbaraaccordions.com
22
Culann's Hounds
Name a musical act after
one of the great warriors of
Irish legend, and you’d better
be prepared to crank out some
energetic, larger-than-life performances.
That’s precisely why
Culann’s Hounds has been a
favorite on the San Francisco
scene for six years—and is now
bringing their self-described
punk-Irish-hoedown sensibility
to a larger audience. The melodies of Steve Gardner (fiddle)
and Renee de la Prade (button
accordion); harmonies of Mike
Kelleher (guitar); and rhythm
of Scott Marshall’s bodhran
meld with rich vocals that are a
staple of the Irish tradition.
The Hounds connect with
their audience because they
are as adept with traditional
arrangements as they are with
bringing their eclectic artistic
backgrounds to an original brand of Irishinspired music.
The band boasts an impressive musical
pedigree: Gardner played Red Rocks with
Grammy winning favorites Blues Traveler;
and wows crowds with his work on fiddle,
guitar, mandolin and vocals. Kelleher’s
ability to connect with and uplift a crowd
with raucous humor and hard driving
songs is a key; Marshall’s years drumming
for punk band The Nuns gives him the
straight ahead power that he harnesses on
the bodhrán (and instrument he learned
at the beginning of his stint with the
Hounds); and de la Prade the Berkley
graduate (barely, she says) started her love
affair with the Cairdin Irish button box
backstage at a Pogues show.
Four very different musical paths
have converged to create performances
rambles.net described as having “the innate
strength of Cuchullain.”
Considering that Cuchullain fought
with the ferocity of a berserker, that’s quite
a claim for any band. But when you spend
a little time speaking with members of
the group, or attend a live show, you see
the proof: there’s creative zeal simmering
beneath the surface that bursts out when
these artists start talking about Irish music.
In their early years, Culann’s Hounds
opened for musical greats Paddy Keenan,
Martin Hayes, Liam Clancy, Lunasa,
Tommy Peoples, The Boys of the Lough,
Solas, Susan McKeown, Josephine Marsh,
Gary Shannon, Andrew McNamara,
Tempest and Seven Nations. They made
their debut as a headlining act at the Dean
Lesher Regional Center for the Arts in
23
s
g
n
i
reet
Culann’s hounds
Big Lou!
G Thefrom
Accordion Princess
Walnut Creek in 2000. Recurring gigs for
a variety of West Coast events followed
soon after.
In 2006, Culann’s Hounds debuted
their second CD, Year of the Dog, at a
March 17 headliner at the Great American
Music Hall in San Francisco. The band’s
latest is enriched by collaborations with
Blues Traveler harmonica virtuoso John
Popper; East Clare button accordion master Andrew McNamara; Irish singer Susan
McKeown; bassist Ben Bernstein; and
Hounds alum Conall O’Raghallaigh, one
of the West Coast’s best uilleann pipers.
Popper’s collaboration on Year of
the Dog, and the musicians’ openness to
stretching their genre it represents, speaks
to where Culann’s Hounds is likely to find
itself next: grounded in the mythic energy
and spirit of traditional Irish music, and
performing in front of entirely new audiences yearning for something different. ▲
and Dave ...
the guy who carries the accordion
Check out our website at
www.accordionprincess.com
Contact her at
[email protected]
gateway to the Wine country in the redwood empire
and only minutes from the pacific
Three miles South of Santa rosa
It’s Where the Accordion Festival Musicians Stay!
Best Western Inn
Rohnert Park
• Heated pool • Spa • 27” Remote control color TV’s
• 5 HBO Channels • In-room movies • In-room hair dryers
• ESPN • Continental breakfast • In-room refrigerators
(707) 584-7435 • Fax (707) 584-3848
6500 Redwood Drive, Rohnert Park, CA 94928
(Use Rohnert Park Expressway to Redwood Drive)
24
The International House of Accordions
The InTernaTIonal house of
accordIons celebrates the many
American ethnic accordion styles.
Big Lou covers French and Polish
traditions, with special guests
Val Romero handling the
Tex-Mex side of the street and
Renee De La Prade pumping
out the Cajun and Irish tunes.
The non-accordion players
include David Golia (bass)
Gene Reffkin (drums),
Annelise Zamula (saxophone),
Greg Stephens (trombone)
and David Phillips
(pedal steel guitar).
Read more about them at
www.accordionprincess.com ▲
Accordion
ApocAlypsE
REPAIR SHOP
THE
SF's Accordion Hub offering:
★ buy, sell, trade
★ repairs & re-builds
★ tuning & accessories
★ lessons & workshops
★
★
★
skyler Fell
★ (415) 596-5952
★
Contact
www.accordionapocalypse.com
[email protected]
Bringing the accordion to a new generation!
25
The Apple Crate
BeSt WISheS to
THE CoTATI ACCoRDIon
FESTIVAL 2010
~ Gifts and Collectibles ~
Take a break from the festival
to see quality merchandise
Happy 20th
20-75
%
to both our organizations!
OFF
Check out our Cotati
Accordion Festival Specials!
THE SAn FRAnCISCo
ACCoRDIon CLuB
We meet the third Sunday
of the month at 2:00 p.m.
The Oyster Point Yacht Club
in South San Francisco
WELCoME ALL!
www.sfaccordionclub.com
Right Behind the Main Stage
8109 La Plaza — 707-664-1469
Music by
Steve & Mike Trucco
Visit our Accordions Rock! boothfor CD's
T-shirts & Accordions Rock! merchandise.
Canzone Vecchie Old Songs of Italy
Our Italian Favorites Accordion Duets
The Other Side of Music by Steve Trucco
Live at Victory Park music by Steve Trucco
Through the Years Steve & Mike Duets
ns
tulatio
Congra Cotati
to the Festival
ion
Accord eir 20th
t
on h
Y!
ERSAR
ANNIV
Per form
ers
at the
Cota
Accord
ion Fe ti
stiv
the Int’
l. Acco al &
rdio
Conve
ntion in n
Las Ve
gas
(209) 476-1624
call:
or write:
4603 Nugget Ave.
Stockton, CA 95207
www.accordionsrock.com
26
The Alex Meixner Band
alex meixner
2007 Grammy Nominee
Alex Meixner’s perforMing
career began at age 6 with his
two sisters and father in an
ethnic folk ensemble. From
these early experiences through
headline appearances at music
festivals throughout the US;
concert performances with the
London Symphony Orchestra,
Sandy Duncan and his own
jazz and ethnic ensembles; as
well as over 50 recordings (including a 1994 Grammy award
winner), Meixner has developed a unique musical mix that
appeals to a wide cross-section
of audiences.
Meixner’s formative musical studies were on piano and
piano accordion, but he quickly
branched out on drums, diatonic button
accordion, bass and trumpet, which is
now his main instrument. This instrumental versatility is combined with a
musical background that has included
intense studies and performance of jazz,
classical, pop, polkas and many ethnic
folk music genres with some of the leading artists in the world. His talents in
music and comedy were even featured on
the Tonight Show on NBC in 2004. Most
recently, his “Polka Freak Out” CD with
Bubba Hernandez garnered a Grammy
nomination in December, 2007.
Currently based in Allentown, PA,
Alex is performing as a solo artist and
with numerous touring ensembles. His
solo programs: “Fascinating Rhythms of
the World” focus on the fusion of Slavic
folk music and Jazz, but also include
the inflections of folk, pop and classical
styles from Latin America, Africa and
© Jeanine Flaton
other sections of Europe. This music is
the basis for a series of multi-cultural
music education seminars and performances which are currently available
through the Pennsylvania Council on
the Arts “Artists in Education” program.
Alex also leads or co-leads numerous musical groups including The Alex
Meixner Band, Polka Freak Out and
Jazz Visions. These groups perform for
various public and private functions
throughout North America. Whether
you are looking for sure fire crowd
pleasing family entertainment, something for the senior audience, classy jazz
for a reception or a unique party bandAlex Meixner will work tirelessly to
provide the perfect mix for your event.
When Alex is not performing with all
of these groups, he is devoted to bringing
music to students through educational
clinics, as well as his private teaching. ▲
27
52(
Imported by Crown Imports LLC, Chicago, IL 60603
74174
CRN SPF 9.5
28
The Mad Maggies
Hard to describe, easy to love. These
SF Bay Area musicians kick up some dust
with their own style of rowdy folk fusion
as they swerve effortlessly from Celtic rock
to ska, from Cajun/Zydeco to klezmer,
from polka and swing to the high seas and
beyond.
All this careening across the musical
map began in 2004 when accordionist,
Maggie Martin assembled fellow musicians to record a CD of her compositions.
They’ve been at it since and this year are
celebrating the release of their 4th CD,
“Flashbacks - the Mad Maggies play
vintage hits”.
The Mad Maggies have delighted
audiences wherever they play. They’ve
garnered radio play around the world,
and even caught the ears of director Paul
Haggis who used their “Sleepy Maggie” in
a TV pilot.
They’re happy to be back again at the
Cotati Accordion Festival where accordions rule and the crowd knows how to have
fun.
Accordionist Maggie Martin leads
this wild ensemble and is joined by
Johny Blood: tuba
Billy Bob Shorts: drums
Adrian Gormley: alto sax
Rhian Robinson: clarinet, whistle
Lewis Wallace: bass guitar
Gary “GDub” Wium: guitar
For booking and more information
visit www.themadmaggies.com ▲
DovesAfl ight
Releasing White Doves
Weddings - Funerals - Special Events
(707) 996-5972
Glen Ellen, CA
“Our birds fl y home to their lofts
after every release."
29
Buy Raffle
Tickets!
Not only will you
have the change to
wIN one of our great
prizes, including the
Flaco Jimenez
Corona II,
RAFFLE
TICKETS
you’ll also be added to
our mailing list
and will receive advance
notice of future events
and ticket information.
(next to CAF souvenier booth)
See map on page 2.
CongratulationsCotati
Cotati Accordion
Accordion Festival
Congratulations
Festivalon
on20
20Years!
Years!
The
In Town!
Town!
TheBest
Best Show
Show In
Meetings open to the Public.
Meetings
to the
Public.
We
meet everyopen
third Monday
of the
month.
We meet every
third
Monday
of
Hermann Sons Hall. the month.
Hermann
Hall. 7:30pm
860 Western
Ave. Sons
Petaluma.
860(Corner
Western
Ave.
Petaluma.
7:30pm
of Western & Webster.)
(Corner of Western & Webster.)
Tony Mustaro - President
Tony Mustaro - President
Info: Tony (707) 318-0474 / Kris (707) 795-4860 / John (707) 935-7334.
Info: Tony (707) 318-0474 / Kris (707) 795-4860 / John (707) 935-7334.
30
Sourdough Slim
Sourdough Slim
Last Of The Vaudeville Cowboys
ToTAlly reTro. HilAriously enTerTAining. Sourdough Slim is a hoot to say
the least. From the moment this accordion squeezin’ Will Rogers swaggers
on stage, it’s apparent to everyone that
they’re in for a rollicking good time.
Ten gallon funny-man Sourdough Slim,
transports us to a whimsical world where
vaudevillian camp and cowboy lore
intermingle to produce grins galore.
Slim, aka Rick Crowder, is a well
traveled veteran of stages ranging from
The National Cowboy Poetry Gathering
to The Lincoln Center’s Roots of American Music Festival and the Carnegie
Hall Folk Festival. His fast-paced stage
show combines cowboy singing, award
winning yodeling and comedy, accompaniment on accordion, guitar, ukulele
and harmonica and a keen knowledge of
the traditional Western repertoire. His
truly astounding yippie-ti-yi style won
him the 2001 Will Rogers Award for
Yodeler of the Year.
As cowboy Magazine editor Darrell
Arnold puts it, “There’s no one else out
there like Sourdough Slim. An accordion
playing, yodeling, tongue-in-cheek, cowboy-dressed entertainer deluxe. Catchy,
uplifting, irresistible, jolly fun.” The
Allentown Morning Call proclaims him to
be a “One-man Western extravaganza!”
The East Bay Express calls him
“The most entertaining cowboy singeryodeler-accordionist extant!” And Via
Magazine heralds him “Entertainer
extraordinaire!”
Born in Hollywood, California,
Rick Crowder spent much of his childhood on a family cattle ranch in the
Sierra foothills. But as he explains, “my
true calling as a cowboy was not on the
range but rather, on the stage.” A childhood cut-up, he developed his comic
character, honed his musical and yodeling skills and garnered the nick name
“Slim” while performing in several traveling western bands in the 1970’s and
80’s. Sourdough Slim emerged in 1988
when he came up with the idea to meld
his experiences into a solo act based on
a comical accordion playing yodeling
cowhand. He has never looked back.
His seasoned gift for connecting
with audiences from the Autry Museum
to The Kennedy Center is a true testament to the irrepressible talent and dedication of this unique entertainer. ▲
31
Motor Dude Zydeco
Schedule of Events
Saturday, August 21st
9:45-10:15
10:20-10:50
10:55-11:25
11:30-12:00
12:05-12:45
12:50-1:05
1:10-1:55
2:00-2:25
Due Zighi Baci
The Accordion Babes/The Hubbub Club Street Band
Rare Cuts with Lemme Adams
Gaucho featuring Rob Reich
Our doves fly home ...
The Great Morgani
(Audience Participation, see page 49)
2:30-3:10
3:15-4:00
4:05-4:20
4:25-5:05
5:10-5:25
5:30-6:10
6:15-6:35
6:40-7:40
Eddie Monteiro featured by Roland Accordions
the legendary Dick Contino
The Great Morgani
The Creaking Planks
Duckmandu
Culann’s Hounds
JD Limelight
Polkacide
cajun/Zydeco Dance Party
at
Friar Tuck’s Pub 8201 Old Redwood Hwy.
South of West Sierra Entrance See Map on Page 2.
The Creole Belles
1:00-5:00 pm Sunday Mark St. Mary
1:00-5:00 pm Saturday
WIN HOHNER
AccORDION
Flaco Jimenez
Corona II
Diatonic Button
Key Accordion
from Hohner
Buy Your Raffle tickets
for a chance to win
Raffle 7:30 pm Sunday
need not be present to win
See PAGe 2 FoR tICket SALeS LoCAtIoN
32
Schedule of Events
Sunday, August 22nd
9:45-10:15
10:20-10:50
10:55-11:30
11:35-12:10
12:15-12:50
12:55-1:10
1:15-1:55
2:00-2:25
The Truccos
The International House of Accordions
Sourdough Slim
Our doves fly home ...
La Familia Peña-Govea
The Great Morgani
The Mad Maggies
(Audience Participation, see page 49)
2:30-3:10
3:15-4:00
4:05-4:20
4:25-5:15
5:20-5:40
5:45-6:05
6:10-6:30
6:35-7:25
Il Fuoco featuring Steve Albini
the legendary Dick Contino
The Great Morgani
Shamalamacord
Pancakes,
Los Texmaniacs
Sausage and Eggs at
Lion’s Club Facility
Tara Linda
7 am to 11 am
Flaco Jimenez
TakE-OuT TOO!
(SEE Pg. 2)
Polka Tent with Huge Wooden Dance Floor
Polka Dance Party
Steve Balich Sr. Polka Band & Friends
1-5 pm Saturday and Sunday
Also appearing: 10:00 am to Noon
Jim Gilman
Zydeco Dance Party
with The Wild Catahoulas
5:00-6:30 pm both days - Polka/Zydeco Tent
33
Accordion-O-Rama
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We INVITE you to visit our
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[email protected]
Peter DiBono
236 N. Stevens Ave., South Amboy, NJ 08879
Hours: TUES-FRI 10AM to at least 5PM
SAT 11AM to at least 3PM or by appointment
San Francisco's
Premier Accordionist
• Hundreds of new & rebuilt accordions all at
discount prices • Tremendous selection
• Complete In-House Service Department
www.peterdibono.com
(415) 753-1502
REAL MUSIC IS LIVE ! ! !
Congratulations
to the
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for the past 20 yEARS!
Operating Engineers Local Union No. 3
Russ Burns, Business Manager
6225 State Farm Drive, Suite 100
Rohnert Park, CA 94928
707-585-2487
34
Due Zighi Baci
One tenor, one accordionist,
hours of memorable music!
Specializing in French chanson, Italian and
Neapolitan canzone, Two Little Gypsy Kisses works
its charm and whisks you away to magical, far away
places like the old dance halls of Paris or the music
salons of Italy and Old Europe. This duo promises to
transport you with their authentic, enchanting renditions of enduring European salon and cafe music dating
back to the 1850s through the 1960’s Pop-Italian and
Pop-French songs. Whether it’s Verdi, de Curtis, Bixio,
Mudogno, Piaf, Brel, Aznavour or Trenet, you will fall
in love with these timeless, sentimental, and artful
arrangements true to the composers’ intent.
Tenor Michael Van Why holds a B.A. in music
from SSU where he studied Vocal Performance. He
specializes in 20th century French chanson, Italian/Neapolitan canzone and German art
song. He is frequently featured in leading musical theater roles in the bay area, but his true
love is solo concert work. Michael has most recently been nominated for 2011 Sonoma
County Artist Awards for Performing, Music and Literary Arts and is currently working on
a recording of the American song book. He is the founder and executive director of Project
Applause, a non-profit organization based in Sonoma County that provides vocal opportunities for emerging, classically trained
singers to be help them gain experience.
www.projectapplause.com
Sheri Mignano Crawford, learned to
play accordion in “Goosetown” the Italian
ghetto in San Jose. She went on to earn
various college degrees, teaching humanities at the college level. Upon retirement,
she published “Mandolins, Like Salami,”
a social history of 20th century Italian
American mandolinists, and arranges dance
music in the ballo liscio style. Her mandolin
ensemble can be heard Saturday mornings
at Caffè Trieste, North Beach. Her dance
band Zighi Baci has appeared on the Cotati
stage in 2005 and 2006. She’s currently at
work on a social history of accordionists in
the bay area. www.zighibaci.com Due
Zighi Baci* is honored to be scheduled on
Saturday morning to kick off the 20th anniversary festival in Cotati. We hope you’ll
be a part of the fun as well!
*Due Zighi Baci, pronounced DEW-a
ZIG-gee BOTCH-ee, is Italian dialect and
means Two Little Gypsy Kisses.
[email protected] ▲
35
Shamalamacord
Shamalamacord
is Mike Penny on tsugaru Shamisen
and Aaron Seeman
(Duckmandu) on Accordion.
They formed an essential element
of the acclaimed Gypsy band, “Fishtank
Ensemble.”
Shamalamacord draws from a wide
range of styles, including Balkan Gypsy
music, Classical, Klezmer, 1920’s Jazz, traditional and popular Japanese Music, and
original compositions. As a duo and as solo
players they are each actively engaged in
extending the capabilities of their instruments. The Tsugaru shamisen is the most
powerful sounding and popular of the
three major types of shamisen, the Tsugaru
style comes from Northern Japan. It has
enjoyed a resurgence among young people
in the last twenty years in Japan, and is
therefore a tradition very much alive.
Mike Penny: Within two years of picking up the instrument, he competed in the
annual Kanagi Tsugaru Shamisen competition in Northern Japan and received
the “nyuusho” or “runner-up” award in his
class out of a field of 200, an honor never
before bestowed on a non-Japanese player.
He also plays in the Tsugaru Shamisen
trio, Monsters of Shamisen.
Aaron Seeman: Also performs solo
as Duckmandu, he holds a B.A. in Piano
and a Masters in Composition from UC
Santa Cruz. As Duckmandu, he has
produced three CDs using accordion and
voice to produce renditions of Punk Rock,
Mainstream Rock which evoke to an
astonishing degree the original music. Also
as Duckmandu he recorded a solo CD of
more traditional material. ▲
Arizona’s Oldest & Largest
Accordion
and GuitAr
Studios
Since
1927
• Lessons • Repairs
• Buy • Sell • Trade
Ziggie's Music
Dionne Hauke, Owner
3309 N. 3rd St., Phoenix, AZ 85012
www.ziggiesmusic.com
606-266-9622
888-611-1179
© Jeanine Flaton
36
Hubbub Club Street Band
An ensemble of 20+ musicians and
dancers who make music together in a
funky, fun fashion to promote, uplift, and
support our local communities. We play
a wide range of music, drawing on the
traditions of brass bands, street bands, and
popular music from around the world.
You can see us at a variety of community
events, including benefits, concerts, rallies,
protests, and gigs at local venues. Our
diverse, mixed-level, multi-generational
group is committed to a non-hierarchical,
democratic process. We believe that music
is a powerful tool for social change, and we
strive to help heal the earth and her people
in all aspects of our work. ▲
!
BRAVO
tom torriglia & the hubbub Club Marching Band present...
Accordion Babes
Beauty Pagent
The
You’ve seen their pin-up photos, now meet the real
women behind the accordions! MC Tom Torriglia
and the fabulous Sonoma County movers and
shakers, the Hubbub Club Marching Band will
present the Accordion Babes in all their smiling,
sparkling, kitschy glory.
•
ING
-R
A
-
LADY OF SPAI
N-A
-R
IN
•L
A
in front of the
Hexagonal Stage prior to
2:00 pm
SPAIN-A-R
ING
Lady of
Spain-a-Ring
Y OF
AD
•L
G • LADY O
-RIN
FS
N-A
PA
AI
P
IN
S
G
Join us for
the World Famous
Look for us near the
souvenir booth after
the show and an
Accordion Babe will
sign your calendar.
Bring your accordion and join us
for a rousing rendition of the
Lady of Spain 2:00 pm in front of stage
37
DY
IN-A-RING
•
L
AD
SPA
Y
OF
OF
Best wishes for a successful
20th Annual Cotati Accordion Festival
from the
of Central California
Meeting monthly since 1999
Meets on the second Wednesday of each month (except September)
at the Escalon Community Center, 1055 Escalon Ave., Escalon, 7 p.m.
Accordion enthusiasts and performers welcome.
Proudly supporting club members Steve and Mike Trucco
– appearing on the festival stage Sunday at 10:20 a.m.
Buy Your Raffle tickets
for a chance to win this fabulous FLACo JIMeNeZ from hohner.
Flaco Jimenez
Corona II
Diatonic Button
Key Accordion
from Hohner
Thank you again to Hohner U.S.A.
and Gilbert Reyes for their generous
donation of yet another accordion to
the Cotati Accordion Festival.
38
Gold finish with
Flaco’s signature
Buttons: 31 (3 rows)
Notes: 62 diatonic
Base buttons: 12
Weight: 4.0 kg
$3449.00 value
The Great Morgani
The Great Morgani
THIS IS THE GREAT MORGANI'S ELEVENTH
YEAR, OF OUTRAGEOUS PERFORMANCES
AT THE COTATI ACCORDION FESTIVAL.
EXPECT FOUR ELABORATE COSTUMES, WITH
EQUALLY DESIGNED
ACCORDIONS FROM
THIS UNUSUAL
CHARACTER, DURING
THE TWO-DAY EVENT.
AS USUAL, hAVe YoUR
eYeS oPeN, CAMeRAS
ReADY, to tAke SoMe
INteReStING PhotoS
oF the GReAt oNe. ▲
CHECK ouT HIS AWESoME BooK AT THE SouVEnIR
BooTH. IT MAKES A WonDERFuL GIFT,
AnD PART oF THE PRoCEEDS oF EACH
SALE Go BACK To THE CoTATI
ACCoRDIon FESTIVAL.
thAnks greAt one.
How about our beautiful stage?!
All credit goes to Frank Lima, a.k.a. The Great Morgani
for his vision and generous contritution of time and energy to
make it so special for our 20th Annual Celebration.
You're a one-of-a-kind and we love you.
Thank You !
from all of us at the CAF
39
We’ve tuned up our website...
www.TheCommunityVoice.com
r
e
ov 0
n 0 itors e
i
vis bsit
Jo 6,0
y
l
e
k
w
e
we our
to
See photos from the Cotati Accordion Festival
through the years at
www.TheCommunityVoice.com
Jazz It Up!
At Merrill Gardens, our residents really
know how to shake things up. They can
enjoy life without worrying about
cooking, cleaning, or planning. With
Anytime Dining,SM weekly housekeeping
and a jam-packed activity program they
can unwind and relax.
So put a little zest in your step, and
call us today for a personal tour!
Call Today for a Tour!
(707) 585-7878
4855 Snyder Lane
Rohnert Park, CA 94928
www.merrillgardens.com
at rohnert park
A one of a kind retirement community
Retirement Living
40
The Wild Catahoulas
Zydeco tent
5:00 - 6:30 p.m.
Saturday & Sunday
The Wild Catahoulas*
is the newest Cajun/ Zydeco band in
the North Bay, merging the traditional Cajun French two-steps and
waltzes from Southwestern Louisiana
with the more contemporary Zydeco
and New Orleans sounds. In other
words, a GREAT dance band.
Fiddler Gus Garelick comes
to the band with years of Cajun
experience from such groups as
Queen Ida and the Bon Ton Zydeco
Photo by Vikki Blair
Band, Al Rapone and Zydeco Express,
The Sonoma Swamp Dogs, and The
Cajun Coyotes. Joining Gus is accordion maestro Dennis Hadley, formerly with The
Cajun Coyotes and currently with The Hot Frittatas, Allegra Broughton and Sam Page,
vocals, guitar, and bass, with Solid Air, and drummer Don Connolly, with the Sonoma
County Love Choir. The wild Catahoulas will get everyone on the dance floor. When
you’re ready to “laissez les bon temps roulez,” this is the band to call!
Booking and information; (707) 526-7763 email: [email protected]
*The official state dog of Louisiana: hard-working and bi-lingual. A survivor. ▲
Alex Musical
Instruments, Inc.
165 West 48th Street
New York, NY 10036
Tel: 212-819-0070 Fax: 212-827-0908
In memory of
Dr. Harry Gay
For over 30 years at the same
location. We sell, repair, service,
tune and custom modify accordions
for professionals around the world.
1936-2009
Charter member of the
GOOD TIME
ACCORDION CLUB
e-mail: [email protected]
www.alexmusical.com
41
The Creole Belles
The Creole Belles are stepping
out with a long-awaited debut CD on
Arhoolie Records. The California based
all-women band is well known in the
Cajun music scene for bringing the raw,
driving authenticity of southwest Louisiana dancehalls to their shows.
Produced by the Belles and Greg
Landau, who has produced Susana Baca,
Pete Seeger and many others, and mastered by two-time Grammy winning engineer John Greenham, the Creole Belles’
self-titled CD was released by Arhoolie on
April 1st, 2008.
Popular zydeco musician and Louisiana native Andrew Carrière is a regular
special guest and contributes Creole French
vocals and some powerful accordion to
the CD, as exemplified in the medley of
tunes learned from his late father, legendary fiddler Bébé Carrière of the renowned
Carrière Brothers from Lawtell, Louisiana. Andrew and many people from
southwest Louisiana emigrated to California in the last half century and brought
their music with them, inspiring a new
generation of California musicians like
Friar tuck’s Pub
1:00 - 5:00 p.m.
SATuRDAY
fiddler Delilah Lee Lewis and accordionist
Maureen Karpan to travel to Louisiana to
learn to play the music.
The new CD showcases the dynamic
collaboration between Andrew’s soulful
Creole roots and the Belles’ heartfelt expression of the music they have embraced
over the years.
DELILAH LEE LEWIS (FIDDLE)
The Creole Belles are distinguished by
the high-energy, traditional fiddle style
of Delilah, who has been playing Cajun
music for the 27 years.
MAUREEN KARPAN (ACCORDION) Maureen has been playing Cajun
accordion since 1992. For seven years she
led the Bay Area Cajun band Frog Legs.
She has spent months at a time in Louisiana to play Cajun music, but her main
teacher and mentor has been the late great
Danny Poullard.
KAREN LEIGH (GUITAR) Karen
has been playing traditional rhythm
guitar since 1974, including times with
Dewey Balfa, Canray Fontenot, and
continued on next page
42
Mark St. Mary
Friar tuck’s Pub
1:00 - 5:00 p.m.
SunDAY
Mark St. Mary’s
Louisiana Blues
and Zydeco
This is a 5-member
band that plays Traditional
Louisiana Blues and Zydeco
Music and was awarded the
“Best Zydeco Band” in 2007
by Bay Area Blues Society.
Mark’s been playing his
traditional style of Zydeco
music since the age of 15
and his music is so infectious that once
the band starts to play the crowd does
not want him to stop, Yelling “Play One
More” over and over. Mark sings in both
English & Creole French.
We pride ourselves in being able to
give the crowd a variety, Zydeco, Blues,
R&B and even a lil’ Country. In Northern California I have been dubbed “King
of the Delta”.
Followers of this music loves the
excitement it brings and the joy they get
from dancing to it i.e. Waltz, Two-Step,
line dance and a down home Flat-Foot
Zydeco.
We play Festivals, Mardi Gras, WedCreole Belles
continued from previous page
Danny Poullard at national festivals.
JULAY BROOKS (ACOUSTIC
BASS) Julay brings a lifetime of musical
experience to the Creole Belles. She studied
classical piano for 20 years and now teaches
50 students in Piedmont and Oakland.
ANDREW CARRIER (VOCALS,
TRIANGLE) From Lawtell, Louisiana,
accordionist and singer Andrew plays
regularly with the Cajun Classics, the
All Star Cajun band, and Suzy and Eric
dings, Anniversaries, Private Parties, Corporate Events, New Years and/or whatever you
like. We will perform whatever the theme.
With Mark’s gift of gab he comes
prepared to really put on a show, making
you not wan’ta sit down. We guarantee
to keep you entertained, keeping the
skirt-tails floppin’ and the Cowboy boots
stompin’.
Band members include: Mark St.
Mary - Accordion Player/Vocalist; David
Rees - Bass/Backup Vocalist; Scott gringo
Williams - Lead Guitar; Steve Namle –
Drummer; Bobby Benoit’ - Rub Board;
Jasper Zumo - Rub Board.
LET’S HAVE A PARTY YA’LL!!!
ETOI! ETOI!! ▲
Thompson. Andrew has been our “Special Guest” for so many years that our
band name could be, “The Creole Belles
with special guest Andrew Carrier.”
MYRNA COOPER (RUBBOARD)
A seasoned bay area musician, Myrna has
performed with many of the Bay Area’s
finest including LeRoy Thomas and the
Zydeco Roadrunners. and many others.
And on our first CD: KAREN
CELIA HEIL (ACOUSTIC BASS &
FIDDLE) Karen Celia, longtime Bay
Area music veteran, played acoustic stand
up bass with the Belles for many years. ▲
43
Steve & Mike Trucco
This father and son duo from
Stockton, CA, in the heart of the Central
Valley, has been playing together for over
twenty years.
Steve Trucco began taking accordion lessons in 1949 at the age of ten.
His teacher, John Pisacco, was trained
by the Pezzolo brothers of San Francisco
and at that time was the finest teacher
in the Valley. Mr. Pisacco stressed good
timing and an articulate touch on both
keyboard and basses. After six years of
training and countless hours of practice,
with his sister watching and listening
closely, Steve began his professional
career with a small, four-piece group in
the Stockton area. That was 55 years ago.
Today, Steve, now 71 years old, still has
the same four-piece group and is still
available for weddings, parties or wherever they will let him play.
Steve’s son Michael, who is 34 years
old, has been playing the accordion for
over 25 years. Beginning lessons at nine
years old, he studied under Pam Turbetti of Stockton, CA. After five years of
lessons, Michael began playing profes-
sionally with his father’s group and also
on his own. Through high school and
even college 3000 miles away from home,
Michael never had any thoughts of giving
up the art. Now married to his wife Lisa,
Michael still plays accordion in his Dad’s
band, as well as playing bass guitar in a
blues and rock band, The Neo Hipsters.
Their daughter Chloe, now two years old,
has her own toy accordion and has already
“performed” on stage with her Dad and
her Nonno.
In 2006, The Trucco wives, Judy
and Lisa, formed “Accordions Rock!!!”,
a business selling t-shirts, hats, aprons…
anything they could put their logo on.
They started a website, accordionsrock.
com, and have shipped items to accordion
lovers all over the country.
Steve and Michael play mostly Italian
waltzes and polkas. Their unique style of
playing duets has been honed to almost
an art form. Even though they are two
separate accordionists, when they play
together, they seem to meld into a single
accordionist. Maybe being father and son
has something to do with that. Enjoy! ▲
44
Gaucho featuring Rob Reich
Gaucho began as a gypsy jazz trio in
2002 and we have now happily grown to
a sextet. Bringing together the styles of
Klezmer, Brazilian Choros, Swing, New
Orleans and Roots styles as well as modern day melodies of relevence. The band
performs at least 3 times per week in our
beloved hometown of San Francisco.
Gaucho is an all-star sextet featuring
guitarists Dave Rickets and Mike Groh;
internationally renowned gypsy jazz bassist, Ari Munkres; accordion virtuoso, Rob
Reich; the old-time percussion stylings of
Pete Devine, playing drum kit, washboard,
jug bass, toy skulls and more; and screaming horns from legendary Tom Waits’ side
man, Ralph Carney.
Amy Tan, San Francisco resident and
author of The Joy Luck Club, said, “There’s a
tiny bar in the Mission called Amnesia (853
Valencia Street, +415 970 0012, amnesiathebar.com) which is fantastic, especially
on Wednesdays when a band called Gaucho
plays gypsy jazz à la Django Reinhardt.
Dancers dress in 1930s costumes and do wild
dancing. You can watch or get on the floor
and look ridiculous. Fortunately, it is dark.”
For further information, contact Dave
Rickets: [email protected] ▲
MICHAEL J.
ARRALDE
ACCORDION CO.
Highest-Quality
Accordions
and Service
www.expertaccordionrepair.com
24204 132nd Ave. SE
Kent, Washington 98042
(253) 639-7000
45
June 2006
avoid competing with other festivals that
were scheduled for the same weekend.
When the accordion festival was conceived, the economy was in the doldrums and
several school programs, including music and
arts, had to be trimmed from school districts’
budgets. Buck-Kauffman was deeply troubled
by those developments and began brainstorming for ways to help provide monies to keep
music and arts programs alive in the local
schools. Finally, he and renowned accordionist Jim Boggio came up with the idea for this
particular event.
“We thought it would be interesting to
have an accordion festival that would bring
different types of music together, whether
it was jazz, polka, Cajun, gypsy or tango,”
Buck-Kauffman said. “We wanted it to be
something that would appeal to people of
all ages. We knew there were quite a few
older people into it and we were a little
surprised with how many younger people
Clifton Buck-kauffman
what they were charging for their services.
The reality was that it was all a non-profit
organization to provide something for the
local youth groups.”
Browne served as co-producer for 14
years with Buck-Kauffman and left the
festival the same year. Both had different
reasons for leaving but remain proud of
their time with the festival.
“I moved out of the area and to continue would have been too difficult,” Brown
said. “But if I still lived in the area, I’d
definitely be involved. I did it for 14 years,
so I must have loved it.”
Buck-Kauffman began attending the
Burning Man Festival in Nevada, which
began the day after the accordion festival
ended. A couple of years ago the accordion
festival moved its schedule up a week to
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46
Live
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Friday, Saturday
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See Y
the fou after
eStiv
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like the accordion as well.”
The CAF initially was a free event for
the first three years, but in order to produce
the types of desired revenue, Buck-Kauffman knew certain changes had to be made.
The biggest and most effective change was
erecting a fence around La Plaza Park and
charging admission.
“The festival is a fundraiser, so it was
difficult to generate the type of funds
we wanted to generate without charging
admission,” Buck-Kauffman said. “And
we needed it to prevent people from coming in and misbehaving. Since one of our
focal points was with beer and wine, it
was imperative we had the fence because
of insurance issues. Plus, we needed more
control over the venue.”
The fence around the park has been a
bone of contention and an inconvenience
for locals because traffic had to be redirected around the park. But time has proved
that the benefits far outweigh the inconvenience as evidenced by the hundreds of
thousands of dollars donated to local youth
organizations.”
The first year of the festival proved to
be successful enough for Buck-Kauffman to
continue with it. He knew he had an event
that would draw nationally simply by looking at some of the locales of the names on
the tickets sold for raffles.
“No one was more surprised at the
enthusiasm for accordion music than me and
the other people producing the event,” BuckKauffman said. “We had a nice turnout the
first year, with thousands of people and that
was an eye opener. It was also nice to see
where we had a lot of people coming from all
over the United States.”
The first festival featured Anthony
Gallarini as the honorary director, Art Van
Damme, who recently passed away and
Sourdough Slim.
“The first year was special, especially
having Anthony Gallarini,” Buck-Kauffman
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Clifton Buck-kauffman
said. “He was probably in his 90s and he
was a living legend. We just lost Art Van
Damme, and he was a real close friend of
the festival. He was a true gentleman and
a world-class performer. Sourdough Slim
really didn’t have a lot of accordion music
in his act, but it sort of changed his focus a
little bit.”
A festival of this size could not come
together without the contributions of those
such as Marian Kelly, Steve Balich, Jim
Boggio, Richard Cullinen, Eric Kirchmann,
Pat Ryan and Keith Blackstone. “They gave
the event the kind of credibility that made
it so accordionists wanted to come here and
perform,” Buck-Kauffman said. “And the
artwork by Pat Ryan means a lot to the performers and has added to the quirkiness and
people’s appreciation for the event.”
Buck-Kauffman’s initial vision for the
accordion festival was where it didn’t matter
if one was an accordion virtuoso as long as
the performer was entertaining. And he
didn’t want it to take on the form of a competition. He also wanted the music to be
continuous with minimal breaks between
acts. “If this festival was like a competi-
tion, it wouldn’t be appealing to anyone but
other accordion players,” Buck-Kauffman
said. “The multicultural focus of inviting
performers from different genres like those
who play tangos, polkas, jazz, Cajun and
gypsy music have made our event unique.
Subsequently other festivals have used our
concept and format.”
Some of the entertainers that immediately come to Buck-Kauffman’s mind
include Dick Contino, Polkacide and Those
Darn Accordions. One of the things that
made Buck-Kauffman proud of his time
running the festival was how those involved
rarely had to deal with ego problems from
the performers.
“Those who performed were appreciative of the opportunity to perform,”
Buck-Kauffman said. “There weren’t too
many divas. People in the accordion world
are level-headed and love performing before
larger crowds.”
Since his departure, the Cotati Accordion Festival continues to draw sizable
crowds, those in attendance continue to have
fun, the event continues to create a buzz in
the community and the local organizations
continue to benefit from what he started.
That’s a legacy that would make anyone proud. ▲
original accordion Festival committee: Left to Right. Back Row: Eric Kirchmann, Rebecca
Browne, Jim Boggio, Marian Kelly, Linda Rook, Pat Vulgaris, Vivian Weissenburger, Barbara Harris.
Front Row: Richard Cullinen, Clifton Buck-Kauffman, Keith Blackstone. Not present: Steve Balich,
John Olsson and Sean O'Connell (photographer).
48
Tara Linda
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house
concerts.
(Now at #12
for week of J
She has just finished a tour of China and
Mongolia as a guest performer with 2010
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Linda's
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in Oakland, CA.
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and
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grounded in the Texas
to blend them into a style uniquely hers.
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Linda
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heritage
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in Spanish and
from
all the
featured
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English.
discography:
Recently featured in the San Francisco
Tara
performs
China to Virginia,
from
festivals
to house concerts
Tara Linda:
(2010)
Tortilla Western
Bay Linda
Area as the
face of the from
new “Accordioniserenade Tarawith
Luna 2010
& LunaGrammy
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band;
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captivates.
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Tara Linda (2006) Fool’s Journey
news/contra costa Times, Nov 19, 2009),
Western
bands the “The Gila Men” or “Big
in Texas” featuring stand-up bass, gu
Polliwog (2001) Musical Score to hamlet’s
Tara Linda has been a featured artist in
drums/percussion,
and
accordion.
Woman (Theater)
the 2009, 2010, and soon
2011
Accordion
The Succulents (1999) The Witch, the sailor,
Babes Pinup calendar/cdseach a wildly
& the enchanted
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successful
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of music:
~ Tortilla Western/Americana Rock, 1930’s Conjunto/Tex-Mex; and
~ Jazzy blues, Latin torch.
49
Jim Gilman
Jim Gilman was seemingly fated to
play the accordion. At the age of seven,
a local Chicago accordion school called
his parents and offered six weeks of free
accordion lessons because they had heard
their son “had talent.” After resisting a
high-pressure accordion salesman, private
lessons were arranged.
A move to California during Jim’s
high school years seemed to halt his accordion career, but fate stepped in once more.
Jim’s father actually saw in the Long Beach
paper, “Wanted: Accordion player.” I ask
you… how many times have you ever seen
that? Jim earned his way through college
playing at Knott’s Berry Farm as a street
musician. During the summer, it meant
playing eight hours a day, five days a week
for the princely sum of $1.85 per hour.
A college loan bought Jim his first
Cordovox and he was on his way. In 1972
he met up with (by chance?) a saxophone
player by way of a 3x5 card posted on
a bulletin board and they went “on the
road” playing at Holiday Inns all over the
Midwest. After over 35 years, they’re still
together along with a guitarist and a drummer that were added in 1975.
Jim’s not a one-man band; he’s a one
man orchestra. “It’s truly amazing what
electronics, computers and MIDI have
done for the accordion. Acoustic purists
may turn their noses up at all this stuff but
the audiences love it,” says Jim.
You can contact Jim at 714-777-6667
or [email protected] ▲
Polka Dance Party
A huge wooden dance floor is provided
for your dancing enjoyment.
Featuring ever-popular
The Steve Balich Sr. Polka Band
�
Saturday
and Sunday from 1-5 pm
near the South entrance on West Sierra.
Also appearing:
10:00-Noon Jim Gilman
(see above)
50
Dude
ZydecoBand
The SteveMotor
Balich
Sr. Polka
20th year
at the Festival
Steve is one of
the originators
of the festival who,
along with Clifton
Buck-Kauffman and
our own Jim Boggio,
pioneered this event
in 1991.
Steve was instrumental in helping
Clifton book some of
the headliners we’ve
enjoyed over the years after Jim passed away including artists such as Dick Contino,
Chuck Berger, Tony Lovello and resounding hit accordionist, Alex Meixner.
Mr. Balich is also one of the founders of the popular “Accordion Club of the Redwoods,” an organization dedicated to giving scholarships to the young accordion stars
of tomorrow.
The Steve Balich Sr. Polka Band has recorded three hit recordings. If you love Italian music, you’ll love these: “Our Golden Years,” “Steve Balich Sr. Plays All Italian,”
and “Steve Balich Sr. Plays All Italian, Vol. II,” with no duplications. ▲
Everything you wanted to know about
Steve Balich Sr. but were afraid to ask ...
by Dave Williams
Steve Balich may be one of the few
people in the world who honestly can say
his love for playing the accordion dates
back to the Herbert Hoover Administration. His passion for the squeezebox took
hold in 1929 when he was a 5-year-old
child in San Francisco but he didn’t get
the opportunity to pursue it until five
years later.
You see, Balich’s parents believed his
love for the accordion would be akin to
a boy’s first crush and that his attention
would be drawn elsewhere in due time.
But when his parents would take him to
parties in dance halls, they saw a light in
their son that would never go out.
“They never had to worry about
where I was at a party in the hall because
I was always just watching the accordion
players,” Balich said. “I wouldn’t leave.”
Another temporary setback then was
economics. His parents simply didn’t
have the money for an accordion. When
his parents finally realized it was true
love, they relented and promised him an
accordion for his 10th birthday. On his
anticipated day, however, Balich was discontinued on page 52
51
Steve Balich Sr.
Balich’s current schedule may not
be as hectic as in his younger days, as he
rarely ventures out of state, but the man
definitely stays busy as he had 50 dates
scheduled throughout the year and will
fit in added events in if possible. As much
as playing has meant to Balich, his top
priority while raising his family was his
furniture store which he ran with his wife
of 63 years, Jennie.
“I never tried to make playing a
bread-and-butter operation. I just love
playing,” he said. “It doesn’t matter how
tired I am, once I put that accordion
on, it’s like somebody gave me a shot of
adrenaline.”
Steve and Jennie, whose maiden name
is Gemegnai, have three children (Steve Jr.,
John and Jeffrey) and three grandchildren.
appointed and again money was the issue.
“My father was a longshoreman,
and they had a big general strike back
in 1934,” Balich said. “He was off work
for three or four months. I was sitting
out there on the curb and, oh, I was so
depressed. That’s when my mother said,
‘I don’t give a damn, we’re getting him an
accordion.”
A couple days later, Balich and his
parents were off to the Wurlitzer Co.,
where they purchased a white accordion
that was almost bigger than the 10-yearold Balich, who has played a Petosa
accordion for the last 20 years. A few free
lessons were thrown in with the purchase
and Balich took it from there. Frank
"I never tried to make playing a bread-and-butter operation.
I just love playing. Once I put that accordion on, it's like
somebody gave me a shot of adrenaline."
— Steve Balich Sr.
Yankovich (yes, he’s related to Weird Al
Yankovich) was one of the marquee names
in the accordion music world when Balich
was cutting his teeth. “My dad told me
that if I played good, I could be like him,”
Balich said.
The resident of Occidental has done
his parents proud, as he’s played with the
likes of Dick Contino, Chuck Berger,
Tony Lovello and Art Van Damme.
Balich has been a mainstay at the
Cotati Accordion Festival since its inception in 1991. He also was a fixture at
Camp Meeker near Occidental for 22
years, playing from the Fourth of July
through Labor Day weekend. Currently,
one of his regular venues is Little Switzerland in Sonoma, where he plays once a
month during months where there are four
Sundays and twice a month in those where
there are two Sundays.
Steve Jr. followed in his father’s footsteps,
plays accordion and leads a band of his
own.
The Polka Dance Party in the polka
tent, where he fronts the Steve Balich
Sr. Polka Band, remains one of the more
popular attractions at the two-day festival.
On the whole, Balich has been surprised
by the growth and success of the CAF and
it is a source of pride for him that he’s been
there from the start.
“I never thought it would get this big,
but it kind of worked its way into what it
is,” Balich said. “It gives me a really good
feeling because I promote this as much
as I can, and I use this in my own field of
music. I consider myself one of the busiest
little groups up here in the area. I feature
us as a versatile group. I do polka and
other things. I don’t consider jazz or rock
because that’s not my bag.”
52
It took a few years, however, for the
Polka Dance Party to find a permanent
home at the CAF. In fact, the dance party
initially took place at the old Cotati Cabaret, which Balich feels was a bad spot for it
because even though it was within walking
distance of La Plaza Park, it seemed miles
away and set apart from the rest of the
activities of the accordion festival. Also,
while activities in the park were free to
attend, entrance into the dance party was
$5. After being placed in subsequent year
in various locales such as the bookstore in
front of the old Inn of the Beginning or in
a tiny lot between the Cotati fire station
and the park, the dance party/polka tent
with a huge wooden floor finally found its
permanent place.
“We were in some pretty raunchy
spots early on, but we played,” Balich
said. “What’s great about the polka tent is
that people have a place to go when they
want something different than what’s on
the main stage. It’s great when you see
so many people of all ages dancing and
enjoying themselves.”
Those who enjoy themselves when
Dick Contino, a true legend in the accordion world, appears at the CAF have
Balich to thank. One year, after one of
the main draws decided not to participate,
the festival management needed a big
draw. In stepped Balich, an old friend
of Contino who also happened to study
under the same accordion teacher in San
Francisco. Although they lost contact for
a few years as Contino began playing huge
venues in places such as Las Vegas.
“I asked Dick if he’d play and he
said he’d love to. Then I asked what he
charged, and he said he plays for anything
from zero to $10,000,” Balich chuckled.
“Thank goodness I wasn’t involved in
those types of negotiations. Dick’s one of
the best and I knew he’d be a good fit for
the accordion festival.” ▲
Pat Ryan
Biographical Sketch of the Artist
Analog Artist in a Digital Age
Pat Ryan was born in New Rochelle,
New York in 1941 and raised in Levittown
on Long Island, eventually migrating to
Los Angeles in 1962, where he attended
Art Center School of Design. He worked
for various advertising agencies on Sunset
Boulevard as a young art director. But when
the Vietnam War loomed large, Pat turned
on, tuned in, and dropped out. In 1971 he
packed up his belongings and young family,
soul singer wife Cyretta, their four young
children, two cats and a dog, and moved to
the small town of Fairfax in Marin County,
California, just north of San Francisco. He
first opened up a tiny studio in the stairwell
of Litho-Color Graphics, a printing shop on
Bolinas Road in Fairfax.
Eventually, he met and befriended
many of the local poster and T-shirt artists,
and together they rented a building on the
corner of 2nd and B Streets in San Rafael.
Collectively known as the “Peanut Gallery,”
Pat shared the building with the greatest
California rock poster artists; Alton Kelley,
Stanley ‘Mouse’ Miller, Victor Moscoso,
Larry Noggle, Linda Miller, Tim Harris,
Enid Hansen, and Dave Sheridan. They
mingled, collaborated and got turned on to
53
Pat Ryan
each others’ medium and style. During this
time, Pat Ryan painted most of the Concrete
Foundation of Fine Art (C.F.F.A.) poster,
which can be seen in an historical context in
Paul Grushkin’s book, “The Art of Rock.”
The Fairfax Years and Artista
Gang At C.O.D, Pat Ryan and Dave
Sheridan began their several years of close
friendship and collaboration.
High Times featured a small article on
them during this period. “In 1980 Dave
Sheridan and I started C.O.D. Grafix in
Fairfax,” said Ryan. “This is where we did
ARTISTA and California Homegrowers
Association.
In the meantime, the ARTISTA gang
grew and the annual parties became events
not to be missed. Sadly, Dave Sheridan died
in the early 80’s, a victim of cancer. Pat
Ryan carried on in Sheridan’s absence, surrounded by family, friends and a colony of
artists and their families that the ARTISTA
had evolved into.
tacky Productions As his artistic
prowess and reputation grew, Pat got into
trying his hand at making humorous
videos with fellow artists that were hanging around the Fairfax studio. This was
the beginning of Tacky Productions. This
was in the analog days, with no technology
except a hand-held camcorder with no editing capabilities. Pat was also working on
long term projects, creating yearly calendars
for Prairie Sun Recordings Studio and the
art for the annual Cotati Accordion Festival
poster, which he still does 20 years later. Pat
continued working on this series through
the 80’s and 90’s when, in ’92 he found
himself drawn to leave Fairfax.
The humboldt Years “I left Marin
County in 1992. A friend and I used to go
to Reggae on the River every year and we’d
end up with a whole entourage of people,
all from Marin County.
Needless to say, being in one of the
prime growing areas of the world, Pat spun
his talents into creating new, vibrant and
hilarious herb labels. He also became the
defacto poster artist in residence for Reggae
on the River, Sierra Nevada World Music Festivals and the Mateel Community
Center’s never ending array of cool world
beat and reggae shows. Over the next seven
years, Pat did over 50 music posters for the
Mateel Community Center, and witnessed
some incredible shows.
of course Pat designed and drew all
20 Cotati Accordion Festival Posters and
numerous Prairie Sun Calendars.
This year in honor of the 20th
annual CAF, Pat has designed a commemmorative poster. We have signed, numbered prints available for purchase in the
souvenir tent next to the main stage.
In 1999 Pat and Cyretta moved back to
the Bay Area so they could be closer to their
5 grandchildren. They still wanted to be in a
“country” environment, so they settled in the
Sonoma Valley in the picturesque, woodsy
town of Glen Ellen in the wine country.
Here Pat worked out of his home producing
posters and t-shirts for festivals and concerts
and did several jobs for clients like Grateful
Dead Merchandising, Phil Lesh & Friends,
and the Doobie Brothers.
Pat Ryan Now Pat has created well
over 100 posters for various musical venues
and festivals throughout his career. He has
exhibited his poster art at local wineries and
galleries and is part of a group of exhibiting
artists at T.R.P.S. (The Rock Poster Society)
poster shows. In fact, his work can always
be seen at the T.R.P.S. Annual Springtime
Show at Fort Mason in San Francisco, and
in the fall at the Hall of Flowers in Golden
Gate Park. Pat now lives in Rohnert Park, in
Sonoma County, and is working on another
in his series of Indian paintings. He has
several patrons who believe in his work, and
have helped him with funding over the years
to continue his dream. He may be reached
at (707) 665-9390. He does have an email
address [email protected]. He is still
an analog artist, but has joined the digital
age. If you have questions about upcoming
events, conatct Pat for more information. ▲
54
JD Limelight
JD Limelight has been playing his five-row
chromatic accordion in and around Sonomastan
for about ten years. He is a founding member of
local favorites The Lemon Lime Lights and has
played in the French gypsy band Dginn.
JD is currently playing with brash upstarts
Brothers Horse where he’s honing some jazz chops
with The Way To Go Joes, marches with the Hub
Bub Club and has sat in with many others along
the way, including the Trailer Park Rangers, The
Jug Dealers, and Mr. December. JD also plays
regularly in the Bay Area Burlesque scene at the
Hubba Hubba Revues and with the Boiler Bar, and
has also learned a thing or two about fixin’ accordions from Kimric Smythe of Smythe Accordions.
JD has recently released a solo album, Greetings
From Sonomastan, described as eclectic folk, junkyard
cabaret, music for monkeys and hobos alike, from
Eastbania to Sonomastan. JD Limelight has an eccentric edge mixed with old world charm... ▲
Rare Cuts with Lemme Adams
Who is Lemme Adams?
Some say he spent many years as a
small child nursing in the rugged pouch of
an Australian kangaroo. Others believe he
has devoted his existence toward teaching
ragas and secret paths of enlightenment to
dozens of mesmerized gurus in the spicy
heat of India. One fan suggests he could
possibly be one of our country’s founding
fathers. Indeed, he is a mysterious man.
Training for several years under the
wing of Bart Benico, a Petaluma accordion
master, Lemme has bent through time and
space in order to reach his own unique
sound and universe. Equipped with an
Iorio Accorgan, a machine of infinite power
and rarity (part accordion, part organ),
he spends most of his time conquering
the streets, train-stops, and venues of San
Francisco on a critical journey: to open the
minds of his listeners. On a good day he
might return home to his country land of
Penngrove, were he enjoys a brief moment
of silence before his mission must go on.
If you must know one thing about
Lemme Adams, it should be that he is here
to move you. Being a part of the Cotati
Accordion Festival has been a dream of
his since his conception, and he even had
extra practice time in his mother’s womb.
The moment has finally arrived for his first
ever appearance alongside his believers and
band mates. Keep your ears on and your
minds open! ▲
55
La Familia
Peña-Govea
Motor
Dude Zydeco
Bandleader, arranger, trumpeter,
accordionist, vocalist,
and recording artist
Miguel Govea offers
the best in Latin music for any event. In
the San Francisco Bay
area for the last 25
years, he has led and
accompanied various
musical ensembles,
including:
Los Compas,
La Familia Peña-Govea, Cascada de Flores,
Futuro Picante, Los Peludos, Dr. Loco’s
Rockin’ Jalapeño Band, Agustín Lira and
Alma.
He plays for nightclubs, community
events and private parties, dance companies, theater groups, television and
radio broadcasts, and film soundtracks,
such as: El Rio, S.F. Cigar Bar, S.F. The
Ramp, S.F. Pier 23, S.F. Peña Pachamama,
S.F. Cotati Accordion Festival, San Jose
Jazz Festival National anthem, S.F. Giants
game Pac Bell Park Grand Opening San
Francisco Ethnic Dance, Festival M.H.
DeYoung Museum of Art, S.F. The Palace
of Legion Of Honor, S.F. S.F. Mexican
Museum’s 30th Anniversary, San Diego’s Adam’s Ave. Roots Festival Ballet
Folklorico Ensambles, S.F. KQED Ch.
9 – “Spark” program “Fight in the Fields”
documentary soundtrack Hon. Nancy
Pelosi, U.S. House of Rep.’s Hon. Judge
Carlos Bea, 9th U.S. Circuit Court Hon.
Mayor Jerry Brown, Oakland, CA.
Los Compas is a band of seasoned
pros playing the hardest-hitting salsa in
San Francisco. Although many musicians
and singers have passed through its ranks,
Los Compas is by no means a “pick up”
band. Most members have 10-15 years of
association with the group. For 5 years, the
band’s now legendary run at the waterfront’s Pier 23 made that bar “the place to
be” on Friday nights.
56
Whether an intimate 4-piece setting
or a nightclub sized 10-piece band, Los
Compas consistently functions as a crisp,
energetic, tight-knit unit. “One of the
hardest working bands on the San Francisco scene, Los Compas is led by Miguel
Govea, one time member of the seminal
Chicano New Song band, Los Peludos,
who has shaped a sound that embraces the
diverse musical cultures that make up the
Bay Area Latino community. Cumbias,
merengue, Tex-Mex, salsa, Latin jazz…
“no se rajan” (they do not shrink) from
any musical challenge…” (Latin Beat
Magazine).
At one fateful performance, Miguel
met a musician/lawyer named Susan
Peña, who played “Jesusita en Chihuahua”
on her fiddle and eventually became the
mother of his daughters, Rene (age 21) and
Cecilia (age 13). 20 years later, the four
members of La Familia Peña-Govea are
earning reputations as exciting performers
of traditional Tex-Mex and Colombian
music, garnering acclaim at festivals and
events throughout Northern California.
Their first c.d. recording, entitled “René
at 15,” includes: rancheras, polkas, valses,
vallenatos, boleros, and a danzó and
“Cohetes.” Rene Peña-Govea Rene misses
teaching her button accordion classes at
Boaz Accordions in Berkeley (now closed).
She is currently accepting students for
private lessons and may be contacted at:
[email protected] ▲
The Creaking Planks
The Creaking Planks are
a well-heeled crew of folk
music misfits, scouring the
wide world of music for songs
we can bring close and make
our own, regardless of source,
genre or era. We haven’t much
original material of our own,
but the entire set is quite novel,
where you may hear hilarious
songs by never-heard-of-thems
like Bob Uker and Al Mader
the Minimalist Jug Band side
by side with well-considered
selections from the canonical
songbooks of, for instance,
Britney Spears, the Talking
Heads, Nine Inch Nails and
Sesame Street.
We strive to achieve a species of
cognitive dissonance through reinterpreting new music in old styles
and on old-timey instruments (eg.
accordion, ukulele, washtub bass, steel
guitar) while peppering the stew with
some actual traditional music from
the old country to keep you on your
toes. Everything new is made old, and
everything old is new again.
Members (Currently active)
Blackbox Squeezebeard (accordion,
vocals); Lee Shoal (banjo, ukulele,
harmonium, kazoo, bass); Dr. Steelhand (steel slide guitar, ukulele, percussion, legerdemain); Phaulonious J.
Knucklebones (improvised percussion,
ironing board); Johnny Wyoming
(fiddle, banjo, vocals); Cap’n Jack
Spareribs (baritone saxophone); Daisy
Jones-Locher (santur, vocals, glockenspiel); the Rev. Lucian Rumblebucket
(washtub bass, percussion, theremin);
Ludwicka lePearl (cello, flute).
In January 2005, two members
of “The Creaking Planks”, made their
first public performance at Raw and
Cooked. On this happy occasion they
met the accordion player from “That’s
My Brain And You’re Killing It!”
and knew immediately that they had
found what they needed to perform
piratical sea shanties.
In the following year, the trio
performed relentlessly. Today the
Creaking Planks strap on forgotten
and dismissed instruments of simpler
times, preemptively gathering the
tunes and jingles of today from the
ashbins of tomorrow and re-presenting
them in a novel anachronistic setting
and style.
Drawing on numerous and disparate naive, folk and outsider musical
traditions, the common thread running through the performers in this
ensemble is that individually, none of
them belong in a contemporary musical context – while together, their sum
suggests nothing stranger than the
iPod of 1906.
Keep yr eyes open for more
demented nautical circus orchestration from this versatile crew o’ musical
miscreants. ▲
57
ARt VAN DAMMe
Art Van Damme died on February 15th
2010. He was 89 years old, and had been ill
with pneumonia for several weeks. He had
three children and six grandchildren. Although
he had retired to Arizona and then to Sacramento California, he continued to perform
nearly to the age of 90
Art Van Damme was born on April 9th
1920 in Norway, Michigan, and brought up
in Chicago and took up the piano accordion
in 1929 at the age of nine, and was classically
trained before discovering jazz as a teenager inspired by the recordings of Benny Goodman. In 1941 he joined Ben Bernie’s band as
an accordionist, then from 1945 to 1960 he
worked for NBC, performing on ‘The Dinah
Shore Show’, ‘Tonight’, ‘The Dave Garroway
Show’, and other radio and TV shows with
Garroway.
He recorded 130 episodes of the 15-min-
1920-2010
ute ‘The Art Van
Damme Show’ for
NBC Radio, and
from the 1940s
onwards also enjoyed
a successful and extended recording career.
Art Van Damme, in his prime years, played
so many gigs in clubs, hotels and concert stages
across the USA and Europe that it is said that
he never needed to do any practice. He was
constantly in action, developing and honing his
skills and repertoire, pioneering the use of the
accordion as a jazz lead instrument. So influential was Art’s playing style that he has influenced
most of the western world’s jazz accordionists.
One musicologist made the following neat
comment: “The hippest cat ever to swing an
accordion, Art Van Damme dared go where no
man had gone before: jazz
accordion”. ▲
Long-time Cotati resident and historian
LLoYD BeRtoN DRAPeR
Died April 1, 2010 after a long illness.
He was 84. A prominent resident of Cotati
for 60 years, Draper was born in Martinez to
Robert Draper and Vera Cartwright Draper,
the youngest of their three sons. He attended
Alhambra Union High School in Martinez and
enlisted in the U.S. Army Air Corps immediately after his graduation in 1946, serving until
1949. He attended photography school in Los
Angeles and worked briefly as a commercial
photographer.
He came to Cotati in 1949 to work for
his uncle, Ed Runyon, who owned the town's
weekly newspaper. He married Prudence King
of Petaluma in 1951 and the couple bought the
Weekly Cotatian from Runyon. They worked
together as editor and publisher - and everything
else - for 15 years. After selling the newspaper,
Lloyd worked for a San Francisco printing firm
and for Art Point Engraving in Sebastopol. In
1977, he and Prue quit their jobs and volunteered for the Peace Corps, serving in Western
Samoa. When the Drapers returned to Cotati
in 1979 Lloyd worked for the Sonoma IndexTribune and later for Kauth Bros. in Santa Rosa
and Cotati Oaks Hardware. Their Peace Corps
adventures gave Lloyd and Prue a taste for travel
1926-2010
and on their way home
from Western Samoa they
traveled for four months
through the South Pacific islands, New Zealand,
Australia, Indonesia and Malaysia.
In the next two decades Lloyd photographed giant lizards in the Galapagos, tigers in
India and fished for piranhas in the Amazon.
Their most recent adventure was a tent camp
for whale watching in Baja, California. Lloyd
also enjoyed dancing with the Petaluma Cotillion, and RV travel with the Happy Hookups.
He specialized in restoration of historic photos
of the Cotati area, and in 2004, co-authored
with Prue, a book on the history of Cotati. He
and Prue also established the Cotati Historical Society and led in the establishment of the
Cotati Museum, which held its grand opening
Febuary 28, 2010.
Lloyd is survived by his wife, Prue. They
were planning to celebrate their 59th anniversary on April 14. He is also survived by his son,
Robert Draper of Jenner; his daughter, Robin
Draper of Cotati; and his granddaughter, Erin
Roman of Santa Rosa. He was preceded in
death by his son, Jay Draper, and his brothers,
Robert and Ellwood Draper. ▲
58
+ % (0 )+ " ' - " '
•
" ' ( + ) ( + - •
+ % (0 )+ " ' - " '
+ % (0 )+ " ' - " '
Barlow Printing,
• " ' Inc.
( + ) ( + - •
• " ' ( + ) ( + - •
481 Aaron Street
Cotati, CA 94931
Pat Ryan's 20th
Barlow Printing, Inc.
Contacts
Anniversary
Barlow
Printing,
Inc.
Commemorative
481 Barlow
Aaron Street
Pat
Posters are available
481 Aaron
Street
Cotati,
CA 94931
for purchase.
Ken
Reed
Purchase your
Cotati, CA 94931
Contacts
limited, signed copy
Phone
707-664-9773
at the souvenir
Pat
Barlow
Contacts
booth before
Fax
707-664-9866
they're all gone.
Ken
Reed
Pat Barlow
[email protected]
Phone
707-664-9773
Ken
Reed
Established
in 1961. Complete in-house facilities from elec
[email protected]
Fax
707-664-9866
tronic prepress
to bindery. We have sheetfed, open web and
Phone
707-664-9773
[email protected]
UV
web
presses.
Publications, directories, catalogs, manuals,
Fax 707-664-9866
Printing
– Publications/Catalogs/Directories/Manuals
[email protected]
coupons, newsletters, posters and brochures are our specialty.
[email protected]
Established
in 1961. Complete in-house facilities from electronic
[email protected]
Printing
–
Publications/Catalogs/Directories/Manuals
prepress to bindery. Sheetfed, open web and heatset web. PubEstablisheddirectories,
in 1961. Complete
in-house
facilities
from electronic
lications,
catalogs,
manuals,
coupons,
newsletters,
prepress
to
bindery.
Sheetfed,
open
web
and
heatset
web.
PubPrinting
–
Publications/Catalogs/Directories/Manuals
posters and brochures are our specialty.
59
lications,
directories,
catalogs,
manuals,
coupons,
newsletters,
Established in 1961. Complete in-house facilities from electronic
Flaco Jimenez
He conceived the idea of amending the
traditional Tex-Mex and Tejano style music
by adding the saxophone to the Rock and
Roll guitar with a country flair. He has been
requested by the talents of the most famous
such as the likes of Dwight Yoakam, Buck
Owens, Ry Cooder, Linda Ronstadt, Emmy
Lou Harris, Los Lobos, The Mavericks,
John Hiatt, Bryan Ferry, The Clash, Stephen Hill and the Rolling Stones, Carlos
Santana, The Chieftains, Jimmy Sturr. Willie Nelson, Bob Dylan, Ray Benson, Asleep
at The Wheel, Alan Jackson, Abrahim Ferrer (Buena Vista Social Club), the famous
Celso Piña, Rowwen Heze from Europe, &
Jaguares from Mexico.
Flaco is described by People Magazine
as “a heavy weight in Texas Chicano (or
Tejano) music.”
He won his first Grammy Award in
1986 for the re-make of his father’s song,
“Ay Te Dejo En San Antonio”. He then
teamed up with his buddies Freddy Fender,
Doug Sahm and with Augie Meyers to
form the Tex-Mex super group The texas
tornadoes, thereby winning another
Grammy award for their debut release
in 1990. In 1996, he won yet another
Grammy award for the “Best MexicanAmerican Performance”, for his Artists
Records solo performance entitled Flaco
Jimenez. In 1999, Flaco added two more
Grammys to his collection. One came out
of the category of “Best Tejano Performance” for his solo release, Said and Done.
The second Grammy Award in 1999 came
from the “Best Mexican-American Performance” category in which he re-teamed
with Freddy Fender for the recording of the
group and album, Los Super Seven (RCA).
The Mexican-American all-star band also
includes David Hidalgo and Cesar Rosas
of Los Lobos, Joe Ely, Freddy Fender, Rick
Treviño and Ruben Ramos. Flaco simply
describes the experience of performing with
this group as a “family reunion”.
The five-time Grammy Award winner’s career spans over four decades, and
his famous accordion is featured in more
than 100 albums. Most recently, Flaco
was presented a Double Platinum Album
Award by Virgin Records for his participation on the Rolling Stones’ Voodoo Lounge
album which sold in excess of two million
copies, just like the ever famous Streets of
Bakersfield with his good friends, Buck
Owens and Dwight Yoakam, also receive
the Lifetime Achievement Award from
Billboard Latin Magazine. ▲
60
Thank You!
T
to our volunteers, musicians,
advertisers, vendors and
especially to you our audience!
hese final two pages of the program these valuable programs, that the Cotati
are devoted to thanking all those
Accordion Festival has supported over the
who make the annual producyears, would be detrimental to the education of our internationally-known festival
tion of future generations.
possible. However, the largest thank you
To date the festival has donated over
goes to you, our patrons, celebrating the
$300,000 to local youth programs. We
accordion in all its imaginative uses, and
plan to go into the future providing a
directly financially aiding, through your
stage on which our great accordion playticket purchases, the local youth groups
ers may perform, inserting that eternal joy
that are so vital to our community.
of music into our lives for another weekThe Cotati Accordion Festival is a
end, and to do all that we can to provide
nonprofit organization that started out as
for our youth in the years to come.
both a way to bring local attention to the
These sponsors contributed their
value of the music of the accordion and to
time, merchandise and services to the
support the performing-arts programs in
Cotati Accordion Festival, and we are
our local schools. These organizations were greatly appreciative of all of them.
able to purchase band instruments and
continue programs which were cut due to
If you or your organization would like
lack of state funding. Unfortunately, we
to
become involved and would like
are going through a time of cutbacks again
information on sponsorship, please call
in city and county services.
the CAF at 707-664-0444.
The Cotati Accordion Festival plans
to continue doing its part by donating all
We’d love to help you help us. ▲
its proceeds to the local youth groups we
support. We believe that to discontine
Volker Financial &
Thank You! continued on next page
Insurance Services
Northbay Times
61
Many
THANK YOU! We couldn’t
do itThanSks!
without these generous
contributions of time, talent, merchandise and support.
Board members
Scott Goree
Linda Conner
Andrea Rock
Richard Cullinen
Girard Guidice
contributors
Ray Volker of
Volker Financial
Gilbert Reyes &
Hohner Accordion
Mackenzie Vineyards
Heck Estate Wines
Trinchero Family Winery
Epic Wines
Ca’ Momi wines
Halby Wines
Monterey Bay Wine Co.
E & J Gallo
Dry Creek Vineyards
Rodney Strong Vineyards
Ravenswood
Murphy Goode Winery
Classic Wines
Regency Wine Group.
Cotati City Council
and City Staff
Alan Schumann
Jerry Weiss
Joel Isquith
Richard Cullinen
Clifton Buck-Kaufmann
Rebecca Browne
Eric Kirchmann
Carol Enneking
Paul and Jen Warner
Ruth Edwards
Frank Hayhurst and
Zone Music
Blair Hardman
Stuart Buck
Lawrence and Paula Re
C.R.P.U.S.D &
Dr. Barbara
Vrankovich
Ken Spencer
Wilton & Donna Herz
Rick Goodman
Tom of KG
Technologies
Jim Wilder
Jeanine Flaton
Cambell Family
KRSH
Froggy
KSRO
KXTS
KRCB
KZST
KBBF
KPFA
Richard Williams and
Oliver’s Market Wine
& Spirits Department
Skyler Fell
Dave Williams
Yonny Saunders
Leslie & Bob Hall
Jeannette Douglass
Pat Ryan
Kelly Smith
Dr. Ken Shaw, DDS
Ursula Kros
Many Thanks
Special Thanks
Mike Workentin
Ronnie Martin
Keith Blackstone
Ron Lindenbusch
Jim Jacobs
Tony Magee
Shelly, Renee, and
Rachel Goree
Steve & Jennie Balich
Appreciated
Buck O'Hare
Amber Lee Baker
Maggie Martin
62
Renee de la Prada
Jim O’Grady
Carl Schollmann
Jim Barrett
Louise Petersen of
The Apple Crate
Marian Kelley
Dos Amigos
The Pulley Family
Ben Perry
Tim Sewell WSCUHSD
Rancho Bodega
Fire District
North Bay Corporation
The Independent Journal
The Press Democrat
La Voz
The Bohemian
Northbay Times
The Community Voice
Mooka Renick
Jessica Levy-Goebel
Marjorie Konrad
Shelly of Pro Team Events
Barlow Printing
Amy Contardi
Gus Garelick of KRCB
Julie Caine & KALW
organizations
Supporting the
Festival
Cotati City Council
Education Foundation
of Cotati/Rohnert Park
Cotati/Rohnert Park
Nursery Co-op
Thomas Page
Elementary School
Boy Scout Troop #4
Penngrove Elementary
School PTA
The Children’s Museum
And anyone we failed to mention
THANK YOU !
63

2010 Souvenir Program — 20th Anniversary

Transcription

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