press release - SAM Art Projects
Transcription
press release - SAM Art Projects
NOUVELLES VAGUES [NEW WAVES] 21 JUNe - 9 SEPTember 2013 press kit Press contacts: Agence Claudine Colin Communication [email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01 2 contents Nouvelles vagues 04 - press release LA méthode jacobson - Curator: MARC BEMBEKOFF the Pavillon Neuflize OBC 09 the black moon - Curator: Sinziana Ravini 15 LE PRINCIPE GALáPAGOS 23 ADA 29 - Curators: Maxime Bondu, Gaël Grivand, Bénédicte Le Pimpec and Émile Ouroumov - Curators: Ken Farmer and Conrad Shawcross le club des sous l’eau - Curators: Gallien Déjean and Fanny Schulmann 33 MARTí ANSON, catalan pavilion. Anonymous architect 41 companionable silences 45 - Curator: Marie Griffay - Curator: Shanay Jhaveri ARTESUR, collective fictions - Curators: Albertine de Galbert, Isabelle Le Normand, Andrew Berardini, Jesse McKee and Anca Rujoiu 51 CONCERT HALL 57 - Curator: Jean Barberis antigrazioso - Curator: Luca Lo Pinto 63 un escalier d’eau - Curator: Natalia Valencia 69 memorial park - Curator: Haeju Kim 75 the real thing? - Curators: Antonia Alampi and Jason Waite 81 Champs élysées - Curators: Julie Boukobza, Simon Castets and Nicola Trezzi 87 FILE NOT FOUND - Curators: The Black Ninja Faction Coproduced by the Singapore Art Museum 95 LA FIN DE LA NUIT (partie 1) - Curator: Martha Kirszenbaum 99 this house - Curators: Anthea Buys and Mikhael Subotzky In the context of the South Africa-France Seasons 2012 & 2013 105 the floating admiral - Curators: Ana Mendoza Aldana and Cartel de Kunst 109 A history of inspiration - Curator: Adnan Yildiz 115 Henrique Oliveira. BAITOGOGO - Curator: marc bembekoff Produced by SAM Art Projects 121 condensation - Curator: Gaël Charbau Produced by the Fondation d’entreprise Hermès 125 LIFESTYLE 131 iNTERVENTIONS on the building - toiletpaper 133 PUSH YOUR ART - 3D ART CONTEST 135 a place for all 139 publications 143 the mobile app 145 palais DE TOKYO’s partners 147 general informations 155 Cover picture: © Kevin Meredith. Press contacts: Agence Claudine Colin Communication [email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01 3 press release Nouvelles vagues June, 21 - September,9 2013 Opening: Thursday, June 20 53 exhibitions, throughout Paris and at Palais de Tokyo After «Cold Sun», Palais de Tokyo, along with thirty galleries and art spaces throughout Paris, innovates once more to emphasize the emergence of the figure of the curator. At Palais de Tokyo, “Nouvelles vagues” (New Waves) is a large-scale event organized by 21 international young curators (hailing from 13 different countries), working individually or in groups, and selected by a jury from over 500 candidates. «Nouvelles vagues» will transform the entirety of Palais de Tokyo’s exhibition space and spread out throughout the city, putting on display the artists, ideas and situations endorsed by these visionary young professionals. Owing to the efforts of the Comité professionnel des galeries d’art [professional committee of art galleries], this event will be completed through the involvement of some thirty Parisian galleries. In partnership with Palais de Tokyo, these institutions will each invite a young curator to conceive an exhibition within their walls. Together, these fifty proposals will mark an unprecedented moment in Paris’ artistic life and present a fresh perspective on today’s artistic practices. This event is a unique opportunity to emphasize the emergence of this new definition of the curator, a position that has flourished alongside the artist for the past decades. This essential figure, who organizes exhibitions across the globe, is neither an art dealer nor an institutional curator. He or she does not belong to the academic establishment nor feels subjected to the rules of the art market. Instead, here is a free spirit, a maverick looking for new directions, a nomad who knows no boundaries and is always searching for original poetic, aesthetic and political adventures. Working alone or as part of a group, the curator creates original, temporary environments in which artists from different backgrounds come together around shared goals, ideas and visions. No longer the mouthpiece of a period or a movement, no longer the theorist of a new chapter of art history, they thrive on the challenge of working side by side with the artists. The jury is composed of Hans Ulrich Obrist (Co-director of the Serpentine Gallery, London), Massimiliano Gioni (Associate Director and Curator, New Museum, New York), Jens Hoffmann (Deputy Director, Jewish Museum, New York), Jean-Hubert Martin (independent curator), Xavier Franceschi (Director, Frac Ile-de-France), Colette Barbier (Director, Fondation d’entreprise Ricard, Paris), Fabienne Leclerc (Professional Committee of Art Galleries), Alain Reinaudo (Institut Français), Jean de Loisy (President of Palais de Tokyo) and curators of the Palais de Tokyo. From Félix Fénéon to Clement Greenberg, the 20th century has celebrated the art critic, best epitomised in France by Pierre Restany. During the 1970s and ’80s, the figure of the ultimate “exhibition maker,” such as Harald Szeemann, Germano Celant or Jean-Hubert Martin, emerged, opening up a path for a different way of curating. Younger figures such as Hans Ulrich Obrist or Klaus Biensebach preferred to align themselves with the original meaning of the word “curator”, from the Latin, curare, “to take care of”, “to attend to”. Borne on a new wave of ingenuity, independence and risk-taking, this new type of curator has blossomed on the art scene. “Nouvelles Vagues” testifies to this new artistic ecosystem. Coordination of the season: Marc Bembekoff Scenography: Franck Vinsot (Agence Zéro six dix) Press contacts: Agence Claudine Colin Communication [email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01 4 AT PALAIS DE TOKYO « La Méthode Jacobson »* Curator: Marc Bembekoff (France, 1978) With the Pavillon Neuflize OBC: Carlotta Bailly-Borg, Feiko Beckers, Julie Béna, Francesco Fonassi, Daiga Grantina, Peter Miller, Julien Perez, Agnieszka Ryszkiewicz, Gonçalo Sena, Theo Turpin « Un Escalier d’eau » Curator: Natalia Valencia (Colombia, 1984) With: Manon de Boer, France Fiction, Herz Frank, Mario García Torres, Matthias Müller & Christoph Girardet, Michael Portnoy Museography of Felipe Arturo « The Black Moon » Curator: Sinziana Ravini (Sweden, 1976) With: Boris Achour, John Bock, Talia Chetrit, Sophie Dubosc, Latifa Echakhch, Carl Johan Högberg, Pierre Huyghe, Julien Langendorff, Joanna Lombard, Ursula Mayer, Melvin Moti, Isabel Nolan, Ylva Olgand, Erik Pirolt, émilie Pitoiset, Agnieszka Polska, Hans Rosenström, Martin Soto Climent, Linda Tedsdotter (list to be confirmed) « Memorial Park » Curator: Haeju Kim (South Korea, 1980) With: Theresa Hak Kyung Cha, Sora Kim, Hwayeon Nam « Le Principe Galápagos » Curators: Maxime Bondu (France, 1985), Gaël Grivet (France, 1978), Bénédicte Le Pimpec (France, 1986) and Émile Ouroumov (Bulgaria, 1979) With: Atlantic, Alain Bedos and Christian Moncel, Maxime Bondu, Simon Boudvin, René Daumal, Arnaud des Pallières, Simon Faithfull, Joseph Grigely, Gaël Grivet, Ceel Mogami de Haas and Vianney Fivel, Laurent Montaron, Uriel Orlow, Jean Painlevé, Ilya Prigogine, Principauté de Sealand, Superstudio, Christian Waldvogel « ADA » Curators: Ken Farmer (United-States, 1984) and Conrad Shawcross (United-Kingdom, 1977) With: Conrad Shawcross « Le Club des Sous l’Eau » Curators: Gallien Déjean (France, 1978) and Fanny Schulmann (France, 1982) With: Louis Boutan, Jean Comandon, Louis de Corlieu, Stéphane Devidal, Ligia Dias, Philippe Halsman, Geneviève Hamon, Marie Jager, Sachin Kaeley, Yves Le Prieur, Genêt Mayor, Christian Newby, Noyade (Lemoine & Minkkinen), Jean Painlevé, Pierre Paulin, Bruno Persat, Mary Ping, Florian & Michael Quistrebert, Clément Rodzielski, Analia Saban, We Are The Painters, Pedro Wirz (with the collaboration of Christian Rothmaler), Gerda Åkesson « Martí Anson, Catalan Pavilion. Anonymous Architect » Curator: Marie Griffay (France, 1987) With: Martí Anson « Companionable Silences » Curator: Shanay Jhaveri (India/United-Kingdom, 1985) With: Saloua Raouda Choucair, Tarsila do Amaral, Zarina Hashmi, Camille Henrot, Adolf Loos, The Otolith Group, Amrita Sher-Gil, Umrao Singh Sher-Gil « Artesur, Collective Fictions » Curators: Albertine de Galbert (France, 1980), Isabelle Le Normand (France, 1980), Andrew Berardini (United-States, 1982), Jesse McKee (Canada, 1984) and Anca Rujoiu (Romania, 1984) With: Iván Argote, Ricardo Brey, Eugenia Calvo, Leyla Cárdenas, Ana Gallardo, Juan Fernando Herrán, Juliana Iriart, Daniel Jacoby, Tamara Kuselman, Flavia Metzler, Estefanía Peñafiel, Manuela Ribadeneira, Matheus Rocha Pitta, Juan Manuel Rodríguez Arnábal, Guillermo E. Rodríguez Rivera, Cintia Clara Romero, Sofía Ruiz, Maya Watanabe « Concert Hall » Curator: Jean Barberis (France, 1978) With: Ranjit Bhatnagar, Frédéric Durieu, Julien Gasc, Rabid Hands (Serra Victoria Bothwell Fels, Andrew Schrock, VnessWolfCHild and Ben Wolf), Sunita Prasad, maya.rouvelle, Nick Yulman « Antigrazioso » Curator: Luca Lo Pinto (Italy, 1981) With: Darren Bader, Anne Collier, Paolo Gioli, Thomas Glendenning Hamilton, Enrico Imoda, Cameron Jamie, Medardo Rosso, Albert von Schrenck-Notzing With the support of Arts Council Korea (regards sur la culture coréenne), the Seoul Museum of Art and the Centre culturel coréen « The Real Thing? » Curators: Antonia Alampi (Italy, 1983) and Jason Waite (United-States, 1980) With: Jérôme Bel, Alicia Frankovich, Shadi Habib Allah, Chelsea Knight and Mark Tribe in collaboration with Valerie Oberleithner, Alexi Kukuljevic, Pilvi Takala, Diego Tonus « Champs Elysées » Curators: Julie Boukobza (France, 1980), Simon Castets (France, 1984) and Nicola Trezzi (Italy, 1982) With: Harold Ancart, Danai Anesiadou, Matteo Callegari, Valentin Carron, Anna Craycroft, Trisha Donnelly, Ida Ekblad, Simone Fattal, Lara Favaretto, Hans-Peter Feldmann, Ian Hamilton Finlay, Susan Hefuna, Tom Holmes, Jamie Isenstein, Esther Kläs, Henri Labrouste, Maria Loboda, Goshka Maçuga, Rodrigo Matheus, Duane Michals, Sarah Ortmeyer, Sarah Pucci, Davis Robbins, Auguste Rodin, Cindy Sherman, Haim Steinbach, Alice Tomaselli (list to be confirmed) « File not found » Curators: The Black Ninja Faction With: Randy Chan, Zaki Razak, Lee Wen, Joel Yuen Coproduced by the Singapore Art Museum « La Fin de la nuit (partie 1) » Curator: Martha Kirszenbaum (France, 1983) Scenographer: Marianne Zamecznik With: Kenneth Anger, Brian Butler, Oskar Fischinger, Karthik Pandian, Stephen G. Rhodes, Jennifer West « This House » Curators: Anthea Buys (South Africa, 1984) and Mikhael Subotzky (South Africa, 1981) With: Alexandra Makhlouf, Gordon Matta-Clark, Serge-Alain Nitegeka Magnhild Øen Nordahl, Mikhael Subotzky, André Tehrani In the context of South Africa-France Seasons 2012 & 2013 « The Floating Admiral » Curators: Ana Mendoza Aldana (Guatemala, 1987), and Cartel de Kunst With: Francis Alÿs, Isabelle Cornaro, Hans-Peter Feldmann, Nicolas Floc’h, Mario García Torres, Germain Hamel, Nathan Hylden, Zhanna Kadyrova, Kitty Kraus, Hugo Pernet « A History of Inspiration » Curator: Adnan Yıldız (Turkey, 1979) With: Erdağ Aksel, Aaron Angell, Mariechen Danz, Michael Dean, Cevdet Erek, Nilbar Güreş, Toril Johannessen, Ahmet Öğüt, Wael Shawky, Slavs and Tatars, KIBLENÜMA « Henrique Oliveira, Baitogogo »* Curator: Marc Bembekoff (France, 1978) With: Henrique Oliveira Produced by SAM Art Projects « Condensation »* Curator: Gaël Charbau (France, 1976) With: Marcos Avila Forero, Oliver Beer, Simon Boudvin, Gabriele Chiari, Elisabeth S. Clark, Marine Class, Marie-Anne Franqueville, Sébastien Gschwind, Atsunobu Kohira, Oh You Kyeong, Benoît Piéron, Félix Pinquier, émilie Pitoiset, Andrès Ramirez, Olivier Sévère, Anne-Charlotte Yver Produced by the Fondation d’entreprise Hermès *exhibitions suggested outside the jury’s selection Press contacts: Agence Claudine Colin Communication [email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01 5 THROUGHOUT PARISIAN GALLERIES “Purkinje effect” Curator: Laurent Grasso Galerie 1900-2000 - 8, rue Bonaparte - Paris 6e “La Retenue” Curator: Damien Airault Semiose galerie - 54, rue Chapon - Paris 3e “Medusa Caravage Salon” Curator: Massimiliano Baldassarri Galerie Dominique Fiat - 16, rue des Coutures Saint-Gervais - Paris 3e “Degrees of Separation” Curator: Rod Barton Galerie Jeanroch Dard - 13, rue des Arquebusiers - Paris 3e “L’image pensée” Curator: Donatien Grau kamel mennour - 47, rue Saint-André des Arts - Paris 6e “Available for you” Curator: Nina Kirsch Galerie Eric Dupont - 138, rue du Temple - Paris 3e “Push pins in elastic space” Curator: Gabriel Kuri Galerie Nelson Freeman - 59, rue Quincampoix - Paris 4e “bruissements” Curator: Léa Bismuth Galerie Isabelle Gounod - 13, rue Chapon - Paris 3e “Gerald Petit - L’entremise” Curator: Judicaël Lavrador Fondation d’entreprise Ricard - 12, rue Boissy d’Anglas - Paris 8e “Terres – Copenhagen Ceramics invites” Curator: Margaux Brugvin Galerie Maria Lund - 48, rue de Turenne - Paris 3e “Destiny : the B’s” Curator: Isabelle Le Normand Galerie Anne Barrault - 22, rue Saint-Claude - Paris 3e “Sanctum Sanctorum” Curators: Les Frères Chapuisat JGM. Galerie - 79, rue du Temple - Paris 3e “Société Réaliste - Thelema of Nations” Curator: Matteo Lucchetti Galerie Jérôme Poggi - 115/117, rue la Fayette - Paris 10e “Mark Jenkins, The Studio” Curator: Stéphane Chatry Galerie Patricia Dorfmann - 61, rue de la Verrerie - Paris 4e “∞ > ∞” Curator: Mathieu Mercier Galerie Le Minotaure - 2, rue des Beaux Arts - Paris 6e “Bloody Mary” Curator: Jonathan Chauveau TORRI., Paris - 7, rue Saint-Claude - Paris 3e “Looking for Video” Curators: Valentine Meyer & Marion Papillon Galerie Claudine Papillon - 13, rue Chapon - Paris 3e “Indices de réfraction” Curators: Les Commissaires Anonymes Galerie Eva Meyer - 11 rue Michel Le Comte - Paris 3e “Sur la Mauvaise Pente” Curator: Nabila Mokrani Galerie De Roussan - 10, rue Jouye-Rouve - Paris 20e “Dépaysement systématique” Curator: Marion Daniel Galerie Jean Fournier - 22, rue du Bac - Paris 7e “It Means It Means!” Curator: Tom Morton Galerie Perrotin - 76, rue de Turenne - Paris 3e “Anna Barham, Agnès Geoffray, Nathania Rubin” Curator: Vanessa Desclaux Galerie Jousse Entreprise - 6, rue Saint-Claude - Paris 3e “Alice De Mont : Retroperspectief” Curator: Florence Ostende Galerie Dohyang Lee - 75, rue Quincampoix - 3e “Interior 301” Curator: Dorothée Dupuis Galerie Alain Gutharc - 7, rue Saint Claude - Paris 3e “Psychonautes” Curator: Arnauld Pierre Malingue - 26, avenue Matignon - Paris 8e “Art of Living (i.e. Good Bye, Blue Monday)” Curators: Luca Francesconi, Frédérique & Philippe Valentin Valentin - 9, rue Saint-Gilles - Paris 3e “Forming the Loss in Darkness” Curator: Jo-ey Tang Galerie Praz-Delavallade - 5, rue des Haudriettes - Paris 3e “Historico-vagabond” Curators: Marie Frampier & Javier Villa Galerie Alberta Pane - 14, rue Saint-Claude - Paris 3e “La Distance Juste” Curator: Albertine de Galbert Galerie Georges-Philippe & Nathalie Vallois - 36, rue de Seine - Paris 6e “Arrhythmia” (“a Tale of Many Squares”) Curator: Paul Galvez Galerie Nathalie Obadia - 3, rue du Cloître Saint-Merri - Paris 4e “Résonances - Painting, Performance, Photo” Curator: Alexandre Vial Galerie Chauvy - 18, rue de la Grange Batelière - Paris 9e “Hyperliens : le QR code comme média vers l’œuvre” Curator: Sophie Zante Galerie Véronique Smagghe - 10, rue de Saintonge - Paris 3e With the support of the Comité professionnel des galeries d’art Gallery eexhibitions end dates vary between late July and early August. Press contacts: Agence Claudine Colin Communication [email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01 6 Gaël Charbau Condensation* LEv. 3 w LEv. 2 Antonia Alampi et Jason Waite THE REAL THING ? N Julie Boukobza, Simon Castets et Nicola Trezzi CHAMPS ÉLYSÉES Black Ninja Faction File not found o p Natalia Valencia Martha Kirszenbaum LA FIN DE LA NUIT (Partie 1) Q Anthea Buys et Mikhael Subotzky THIS HOUSE R Haeju Kim MEMORIAL PARK Un escalier d’eau Luca Lo Pinto ANTIGRAZIOSO Jean Barberis CONCERT HALL M L K J > start LEv. 0 Ana Mendoza Aldana et Cartel Adnan de Kunst Yıldız THE A FLOATING HISTORY ADMIRAL OF INSPIRATION S t Maxime Bondu, Gaël Grivet, Bénédicte Le Pimpec et émile Ouroumov LE PRINCIPE Galápagos Marc Bembekoff henrique oliveira. Baitogogo* u V Albertine de Galbert, Isabelle Le Normand, Andrew Marie Berardini, Gallien Griffay Jesse McKee et Anca Martí Anson, Déjean et Fanny Shanay Rujoiu Catalan Schulmann Jhaveri Artesur, Pavilion. Collective Companionable Anonymous LE CLUB DES Fictions Silences Architect SOUS L’EAU i H Marc Bembekoff LA MÉTHODE JACOBSON* Sinziana Ravini THE BLACK MOON Maxime Bondu, Gaël Grivet, Bénédicte Le Pimpec et émile Ouroumov LE PRINCIPE Galápagos A B C G Ken Farmer et Conrad Shawcross ada D Maxime Bondu, Gaël Grivet, Bénédicte Le Pimpec et émile Ouroumov LE PRINCIPE Galápagos F at palais de tokyo Press contacts: Agence Claudine Colin Communication [email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01 7 E LEv. 1 Press contacts: Agence Claudine Colin Communication [email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01 8 SOLO EXHIBITION BAITOGOGO Curator: Marc Bembekoff Henrique Oliveira Press contacts: Agence Claudine Colin Communication [email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01 121 SOLO EXHIBITION [LEVEL 2 - Alcôve Little Palais] BAITOGOGO Curator: Marc Bembekoff Creating a spectacular and invasive Gordian Knot, Henrique Oliveira plays with Palais de Tokyo’s architecture, allowing a work that combines the vegetal and the organic to emerge. The building itself becomes the womb that produces this volume of “tapumes” wood, a material used in Brazilian towns to construct the wooden palisades that surround construction sites. In the form of paintings, sculptures or installations, the hybrid art of Henrique Oliveira (b. 1973, lives and works in São Paulo) evokes both the urban and the vegetable, the organic and the structural, as well as art and science, through compositions in which the unexpected generates a universe tinted with the fantastic. Graduating from the University of São Paulo in 1997, the artist explores fluidity, the combination and color of materials, which endows his installations with a certain pictorial quality. Oliveira often borrows materials from the Brazilian urban landscape, notably tapumes, wood taken from fences surrounding and blocking access to construction sites. By using these materials, Oliveira highlights the endemic and parasitic nature of these constructions; evoking wooden tumors, his installations function as a metaphor for the favelas’ organic growth, thus revealing the dynamic decay of São Paulo’s urban fabric. In the artistic lineage of Lydia Clark or Hélio Oiticica, he uses the very context of this sprawling city as a raw material. The way in which it is treated, as well as its unexpected apparition, destabilizes the visitor’s perception of space. Through a kind of architectural anthropomorphism, Henrique Oliveira reveals the building’s structure. At Palais de Tokyo, he plays on the space’s existing and structuring features, prolonging and multiplying pillars in order to endow them with a vegetable and organic dimension, as though the building were coming alive. The artist draws inspiration from medical textbooks, amongst others, and particularly from studies of physical pathologies such as tumors. Through a formal analogy, these outgrowths evoke the outermost layers of the bark of a common tree. The texture of this wooden tapumes installation inevitably calls to mind certain tree essences from Amazonian, humid tropical forests: the rivulets and other nodes constitute uncontrollable networks, in a logic that Man can no longer suppress. CURATOR Marc Bembekoff is currently a curator of the Palais de Tokyo (where he organized Damir Očko and Dewar & Gicquel’s solo exhibitions, amongst others), as well as an independent curator (“The Mystery Spot,” at the Fondation d’entreprise Ricard in Paris, 2012; “Du monde clos à l’univers infini” at the Quartier in Quimper, 2012) and a co-founder of the collective Le Bureau/. He has contributed to several monographic publications (Bettina Samson, Nicolas Boulard, etc.) and exhibition catalogues (musée Rodin, Freud Museum, etc.). ARTIST Henrique Oliveira (born in 1973 in Ourinhos, Brazil; lives and works in São Paulo, Brazil) After receiving a degree in painting from the University of São Paulo in 1997, Henrique Oliveira has developed, since 2003, a practice of in situ installations, in which he uses wooden boards and plywood retrieved from the streets of São Paulo. In 2009, he participated in the 29th São Paulo Biennial. He has been awarded several grants and prizes, such as the Smithsonian Artist Research Fellowship (Washington, D.C., 2008) and the Prêmio CNI/SESI Marcantonia Vilaçia for Visual Arts (Brazil, 2009). His work has been presented in solo exhibitions at the Rice University Art Gallery (Houston, 2009), the Boulder Museum of Contemporary Art (2011), the GeorgePhilippe and Nathalie Vallois Gallery (Paris, 2011) and the OK Center for Contemporary Art, Upper Austria (Linz, 2012). In 2013, he is in residency at Villa Raffet following SAM Art Projects’ invitation. THIS EXHIBITION IS PRODUCED BY SAM Art Projects. IN collaboration WITH Bouygues Bâtiment IDF – Rénovation Privée. Press contacts: Agence Claudine Colin Communication [email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01 122 Henrique Oliveira, Desnatureza, 2011. Exhibition view, Galerie Georges-Philippe & Nathalie Vallois, Paris. Courtesy Galerie Georges-Philippe & Nathalie Vallois (Paris). Photo: Aurélien Mole. Henrique Oliveira, Transubstantiation, 2013. Vue de l’exposition « L’arbre de vie », Collège des Bernardins, Paris. Courtesy Galerie Georges-Philippe & Nathalie Vallois (Paris). Press contacts: Agence Claudine Colin Communication [email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01 123 Henrique Oliveira, Casa dos Leões, 2009. Installation view VII Bienal do Mercosul, Porto Alegre (Brazil). Courtesy Galerie Georges-Philippe & Nathalie Vallois (Paris). Photo: Eduardo Ortega. Press contacts: Agence Claudine Colin Communication [email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01 124 Press contacts: Agence Claudine Colin Communication [email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01 154 General Informations PALAIS DE TOKYO Join us : Tokyopass, amis, member of Tokyo Art Club 13, avenue du Président Wilson, 75 116 Paris +33 1 81 97 35 88 opening hours Palais de Tokyo is opened From noon until midnight every day, except Tuesdays Closed January 1st, May 1st and December, 25 admission Full price : 10€ Discounted price : 8€ (For visitors under 26, holders of the “Famille nombreuse” card, teachers.) Free : For visitors under 18, unemployed, Welfare recipients, seniors, handicapped and accompanied adults (with the appropriate documents less than three months old) POINTS of sale On site at the ticket office On the website : www.palaisdetokyo.com With the Tokyopass you enjoy… … unlimited access free of charge for one year (from date of issue to date of expiry) … a pass card … 5% discount at the Palais bookshop … three issues of the magazine Palais gifted … a guided tour of each new exhibition … 10 % discount at the Galerie des Multiples on every co-production by the Galerie des Multiples and the Palais de Tokyo … discount prices and benefits from our cultural partners Admission Regular fee: 40 euros Reduced fee: 30 euros (more than 60 ; famille nombreuse ; teacher and reregistration) Under 26 visitor: 25 euros Duo fee: 60 euros (invite who you want) Art student fee: 15 euros Registering On site at the ticket office daily (except Tuesdays), from 12.00 to 24.00 By post: Tokyopass, 13 avenue du président Wilson, 75116 Paris By email: [email protected] By phone: +33 1 81 97 35 88 New: Automatic distributors of tickets are located at Seine entrance (niveau 1A) and Wilson (niveau 2). Getting here Métro, Bus, RER Métro : Line 9, stations Iéna and Alma Marceau Bus : Lines 32, 42, 63, 72, 80, 82, 92 RER : Line C, Station Pont de l’Alma COMMUNICATION Vélib’ Stations Vélib’ near Palais de Tokyo n° 16007 : 4, rue de Longchamp n° 8046 : 2, rue Marceau n° 7023 : Quai Branly Director of communication Jean-Baptiste de Beauvais The Palais de Tokyo is only one station away from Trocadéro, and two stations from the Champs Elysées. Communication officer Head of communication Dolorès Gonzalez Vanessa Julliard +33 1 47 23 52 00 Media contacts Claudine Colin Communication +33 1 42 72 60 01 Mathilde Beaujard: [email protected] Constance Gounod: [email protected] Press contacts: Agence Claudine Colin Communication [email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01 155 Le Palais de Tokyo bénéficie du soutien de / Palais de Tokyo benefits from the generous support of PARTENAIRES FONDATEURS / FOUNDING PARTNERS Swarovski, Orange, JTI PARTENAIRES ANNUELS INSTITUTIONNELS / INSTITUTIONAL ANNUAL PARTNERS Fondation Pierre Bergé - Yves Saint Laurent, The Absolut Company, Fondation Louis Roederer PARTENAIRES MÉDIAS / MEDIA PARTNERS France Télévisions, METROBUS, Arte, Télérama, France Culture PARTENAIRES DE LA MÉDIATION / MEDIATED LEARNING PARTNERS Calligaris, GDF SUEZ PARTENAIRE DU PAVILLON / PAVILLON PARTNER Neuflize OBC PARTENAIRES PROJETS / PROJECT PARTNERS Innovative Fire Systems, Le Méridien Etoile, SABMiller France, Horticulture & Jardins, Modular LE PALAIS DE TOKYO REMERCIE ÉGALEMENT / PALAIS DE TOKYO ALSO THANKS Le Tokyo Art Club et les Amis du Palais de Tokyo, ainsi que le Comité professionnel des galeries d’art. Press contacts: Agence Claudine Colin Communication [email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01 156