press release - SAM Art Projects

Transcription

press release - SAM Art Projects
 NOUVELLES
VAGUES [NEW WAVES]
21 JUNe - 9 SEPTember
2013
press kit
Press contacts: Agence Claudine Colin Communication
[email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01
2
contents
Nouvelles vagues
04
- press release
LA méthode jacobson
- Curator: MARC BEMBEKOFF
the Pavillon Neuflize OBC
09
the black moon - Curator: Sinziana Ravini
15
LE PRINCIPE GALáPAGOS
23
ADA
29
- Curators: Maxime Bondu, Gaël Grivand, Bénédicte Le Pimpec and Émile Ouroumov
- Curators: Ken Farmer and Conrad Shawcross
le club des sous l’eau - Curators: Gallien Déjean and Fanny Schulmann
33
MARTí ANSON, catalan pavilion. Anonymous architect
41
companionable silences
45
- Curator: Marie Griffay
- Curator: Shanay Jhaveri
ARTESUR, collective fictions - Curators: Albertine de Galbert, Isabelle Le Normand, Andrew Berardini, Jesse McKee and Anca Rujoiu
51
CONCERT HALL
57
- Curator: Jean Barberis
antigrazioso - Curator: Luca Lo Pinto
63
un escalier d’eau - Curator: Natalia Valencia
69
memorial park - Curator: Haeju Kim
75
the real thing? - Curators: Antonia Alampi and Jason Waite
81
Champs élysées - Curators: Julie Boukobza, Simon Castets and Nicola Trezzi
87
FILE NOT FOUND - Curators: The Black Ninja Faction
Coproduced by the Singapore Art Museum
95
LA FIN DE LA NUIT (partie 1) - Curator: Martha Kirszenbaum
99
this house
- Curators: Anthea Buys and Mikhael Subotzky
In the context of the South Africa-France Seasons 2012 & 2013
105
the floating admiral - Curators: Ana Mendoza Aldana and Cartel de Kunst
109
A history of inspiration - Curator: Adnan Yildiz
115
Henrique Oliveira. BAITOGOGO
- Curator: marc bembekoff
Produced by SAM Art Projects
121
condensation - Curator: Gaël Charbau
Produced by the Fondation d’entreprise Hermès
125
LIFESTYLE
131
iNTERVENTIONS on the building - toiletpaper
133
PUSH YOUR ART - 3D ART CONTEST
135
a place for all
139
publications
143
the mobile app
145
palais DE TOKYO’s partners
147
general informations
155
Cover picture: © Kevin Meredith.
Press contacts: Agence Claudine Colin Communication
[email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01
3
press release
Nouvelles vagues
June, 21 - September,9 2013
Opening: Thursday, June 20
53 exhibitions, throughout Paris and at Palais de Tokyo
After «Cold Sun», Palais de Tokyo, along with thirty galleries and art spaces throughout Paris, innovates once
more to emphasize the emergence of the figure of the curator. At Palais de Tokyo, “Nouvelles vagues” (New
Waves) is a large-scale event organized by 21 international young curators (hailing from 13 different countries),
working individually or in groups, and selected by a jury from over 500 candidates.
«Nouvelles vagues» will transform the entirety of Palais de Tokyo’s exhibition space and spread out throughout
the city, putting on display the artists, ideas and situations endorsed by these visionary young professionals.
Owing to the efforts of the Comité professionnel des galeries d’art [professional committee of art galleries],
this event will be completed through the involvement of some thirty Parisian galleries. In partnership with
Palais de Tokyo, these institutions will each invite a young curator to conceive an exhibition within their walls.
Together, these fifty proposals will mark an unprecedented moment in Paris’ artistic life and present a fresh
perspective on today’s artistic practices.
This event is a unique opportunity to emphasize the
emergence of this new definition of the curator, a
position that has flourished alongside the artist for
the past decades. This essential figure, who organizes
exhibitions across the globe, is neither an art dealer
nor an institutional curator. He or she does not belong
to the academic establishment nor feels subjected
to the rules of the art market. Instead, here is a free
spirit, a maverick looking for new directions, a nomad
who knows no boundaries and is always searching
for original poetic, aesthetic and political adventures.
Working alone or as part of a group, the curator creates
original, temporary environments in which artists from
different backgrounds come together around shared
goals, ideas and visions. No longer the mouthpiece of a
period or a movement, no longer the theorist of a new
chapter of art history, they thrive on the challenge of
working side by side with the artists.
The jury is composed of Hans Ulrich Obrist (Co-director
of the Serpentine Gallery, London), Massimiliano Gioni
(Associate Director and Curator, New Museum, New
York), Jens Hoffmann (Deputy Director, Jewish Museum,
New York), Jean-Hubert Martin (independent curator),
Xavier Franceschi (Director, Frac Ile-de-France), Colette
Barbier (Director, Fondation d’entreprise Ricard, Paris),
Fabienne Leclerc (Professional Committee of Art
Galleries), Alain Reinaudo (Institut Français), Jean de
Loisy (President of Palais de Tokyo) and curators of the
Palais de Tokyo.
From Félix Fénéon to Clement Greenberg, the 20th
century has celebrated the art critic, best epitomised
in France by Pierre Restany. During the 1970s and
’80s, the figure of the ultimate “exhibition maker,” such
as Harald Szeemann, Germano Celant or Jean-Hubert
Martin, emerged, opening up a path for a different way
of curating. Younger figures such as Hans Ulrich Obrist
or Klaus Biensebach preferred to align themselves with
the original meaning of the word “curator”, from the
Latin, curare, “to take care of”, “to attend to”.
Borne on a new wave of ingenuity, independence and
risk-taking, this new type of curator has blossomed on
the art scene.
“Nouvelles Vagues” testifies to this new artistic
ecosystem.
Coordination of the season: Marc Bembekoff
Scenography: Franck Vinsot (Agence Zéro six dix)
Press contacts: Agence Claudine Colin Communication
[email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01
4
AT PALAIS DE TOKYO
« La Méthode Jacobson »*
Curator: Marc Bembekoff (France, 1978)
With the Pavillon Neuflize OBC: Carlotta Bailly-Borg, Feiko Beckers,
Julie Béna, Francesco Fonassi, Daiga Grantina, Peter Miller, Julien
Perez, Agnieszka Ryszkiewicz, Gonçalo Sena, Theo Turpin
« Un Escalier d’eau »
Curator: Natalia Valencia (Colombia, 1984)
With: Manon de Boer, France Fiction, Herz Frank, Mario García
Torres, Matthias Müller & Christoph Girardet, Michael Portnoy
Museography of Felipe Arturo
« The Black Moon »
Curator: Sinziana Ravini (Sweden, 1976)
With: Boris Achour, John Bock, Talia Chetrit, Sophie Dubosc, Latifa
Echakhch, Carl Johan Högberg, Pierre Huyghe, Julien Langendorff,
Joanna Lombard, Ursula Mayer, Melvin Moti, Isabel Nolan, Ylva
Olgand, Erik Pirolt, émilie Pitoiset, Agnieszka Polska, Hans
Rosenström, Martin Soto Climent, Linda Tedsdotter (list to be confirmed)
« Memorial Park »
Curator: Haeju Kim (South Korea, 1980)
With: Theresa Hak Kyung Cha, Sora Kim, Hwayeon Nam
« Le Principe Galápagos »
Curators: Maxime Bondu (France, 1985), Gaël Grivet (France, 1978),
Bénédicte Le Pimpec (France, 1986) and Émile Ouroumov (Bulgaria, 1979)
With: Atlantic, Alain Bedos and Christian Moncel, Maxime Bondu,
Simon Boudvin, René Daumal, Arnaud des Pallières, Simon
Faithfull, Joseph Grigely, Gaël Grivet, Ceel Mogami de Haas and
Vianney Fivel, Laurent Montaron, Uriel Orlow, Jean Painlevé, Ilya
Prigogine, Principauté de Sealand, Superstudio, Christian Waldvogel
« ADA »
Curators: Ken Farmer (United-States, 1984) and Conrad Shawcross
(United-Kingdom, 1977)
With: Conrad Shawcross
« Le Club des Sous l’Eau »
Curators: Gallien Déjean (France, 1978) and Fanny Schulmann
(France, 1982)
With: Louis Boutan, Jean Comandon, Louis de Corlieu, Stéphane
Devidal, Ligia Dias, Philippe Halsman, Geneviève Hamon, Marie
Jager, Sachin Kaeley, Yves Le Prieur, Genêt Mayor, Christian Newby,
Noyade (Lemoine & Minkkinen), Jean Painlevé, Pierre Paulin,
Bruno Persat, Mary Ping, Florian & Michael Quistrebert, Clément
Rodzielski, Analia Saban, We Are The Painters, Pedro Wirz (with
the collaboration of Christian Rothmaler), Gerda Åkesson
« Martí Anson, Catalan Pavilion. Anonymous Architect »
Curator: Marie Griffay (France, 1987)
With: Martí Anson
« Companionable Silences »
Curator: Shanay Jhaveri (India/United-Kingdom, 1985)
With: Saloua Raouda Choucair, Tarsila do Amaral, Zarina Hashmi,
Camille Henrot, Adolf Loos, The Otolith Group, Amrita Sher-Gil,
Umrao Singh Sher-Gil
« Artesur, Collective Fictions »
Curators: Albertine de Galbert (France, 1980), Isabelle Le Normand
(France, 1980), Andrew Berardini (United-States, 1982), Jesse
McKee (Canada, 1984) and Anca Rujoiu (Romania, 1984)
With: Iván Argote, Ricardo Brey, Eugenia Calvo, Leyla Cárdenas,
Ana Gallardo, Juan Fernando Herrán, Juliana Iriart, Daniel Jacoby,
Tamara Kuselman, Flavia Metzler, Estefanía Peñafiel, Manuela
Ribadeneira, Matheus Rocha Pitta, Juan Manuel Rodríguez
Arnábal, Guillermo E. Rodríguez Rivera, Cintia Clara Romero, Sofía
Ruiz, Maya Watanabe
« Concert Hall »
Curator: Jean Barberis (France, 1978)
With: Ranjit Bhatnagar, Frédéric Durieu, Julien Gasc, Rabid Hands
(Serra Victoria Bothwell Fels, Andrew Schrock, VnessWolfCHild and
Ben Wolf), Sunita Prasad, maya.rouvelle, Nick Yulman
« Antigrazioso »
Curator: Luca Lo Pinto (Italy, 1981)
With: Darren Bader, Anne Collier, Paolo Gioli, Thomas Glendenning
Hamilton, Enrico Imoda, Cameron Jamie, Medardo Rosso, Albert
von Schrenck-Notzing
With the support of Arts Council Korea (regards sur la culture coréenne), the
Seoul Museum of Art and the Centre culturel coréen
« The Real Thing? »
Curators: Antonia Alampi (Italy, 1983) and Jason Waite
(United-States, 1980)
With: Jérôme Bel, Alicia Frankovich, Shadi Habib Allah, Chelsea
Knight and Mark Tribe in collaboration with Valerie Oberleithner,
Alexi Kukuljevic, Pilvi Takala, Diego Tonus
« Champs Elysées »
Curators: Julie Boukobza (France, 1980), Simon Castets (France,
1984) and Nicola Trezzi (Italy, 1982)
With: Harold Ancart, Danai Anesiadou, Matteo Callegari, Valentin
Carron, Anna Craycroft, Trisha Donnelly, Ida Ekblad, Simone Fattal,
Lara Favaretto, Hans-Peter Feldmann, Ian Hamilton Finlay, Susan
Hefuna, Tom Holmes, Jamie Isenstein, Esther Kläs, Henri Labrouste,
Maria Loboda, Goshka Maçuga, Rodrigo Matheus, Duane Michals,
Sarah Ortmeyer, Sarah Pucci, Davis Robbins, Auguste Rodin, Cindy
Sherman, Haim Steinbach, Alice Tomaselli (list to be confirmed)
« File not found »
Curators: The Black Ninja Faction
With: Randy Chan, Zaki Razak, Lee Wen, Joel Yuen
Coproduced by the Singapore Art Museum
« La Fin de la nuit (partie 1) »
Curator: Martha Kirszenbaum (France, 1983)
Scenographer: Marianne Zamecznik
With: Kenneth Anger, Brian Butler, Oskar Fischinger, Karthik
Pandian, Stephen G. Rhodes, Jennifer West
« This House »
Curators: Anthea Buys (South Africa, 1984) and Mikhael Subotzky
(South Africa, 1981)
With: Alexandra Makhlouf, Gordon Matta-Clark, Serge-Alain
Nitegeka Magnhild Øen Nordahl, Mikhael Subotzky, André Tehrani
In the context of South Africa-France Seasons 2012 & 2013
« The Floating Admiral »
Curators: Ana Mendoza Aldana (Guatemala, 1987), and Cartel de Kunst
With: Francis Alÿs, Isabelle Cornaro, Hans-Peter Feldmann, Nicolas
Floc’h, Mario García Torres, Germain Hamel, Nathan Hylden,
Zhanna Kadyrova, Kitty Kraus, Hugo Pernet
« A History of Inspiration »
Curator: Adnan Yıldız (Turkey, 1979)
With: Erdağ Aksel, Aaron Angell, Mariechen Danz, Michael Dean,
Cevdet Erek, Nilbar Güreş, Toril Johannessen, Ahmet Öğüt, Wael
Shawky, Slavs and Tatars, KIBLENÜMA
« Henrique Oliveira, Baitogogo »*
Curator: Marc Bembekoff (France, 1978)
With: Henrique Oliveira
Produced by SAM Art Projects
« Condensation »*
Curator: Gaël Charbau (France, 1976)
With: Marcos Avila Forero, Oliver Beer, Simon Boudvin, Gabriele Chiari,
Elisabeth S. Clark, Marine Class, Marie-Anne Franqueville, Sébastien
Gschwind, Atsunobu Kohira, Oh You Kyeong, Benoît Piéron, Félix Pinquier,
émilie Pitoiset, Andrès Ramirez, Olivier Sévère, Anne-Charlotte Yver
Produced by the Fondation d’entreprise Hermès
*exhibitions suggested outside the jury’s selection
Press contacts: Agence Claudine Colin Communication
[email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01
5
THROUGHOUT PARISIAN GALLERIES
“Purkinje effect”
Curator: Laurent Grasso
Galerie 1900-2000 - 8, rue Bonaparte - Paris 6e
“La Retenue”
Curator: Damien Airault
Semiose galerie - 54, rue Chapon - Paris 3e
“Medusa Caravage Salon”
Curator: Massimiliano Baldassarri
Galerie Dominique Fiat - 16, rue des Coutures Saint-Gervais - Paris 3e
“Degrees of Separation”
Curator: Rod Barton
Galerie Jeanroch Dard - 13, rue des Arquebusiers - Paris 3e
“L’image pensée”
Curator: Donatien Grau
kamel mennour - 47, rue Saint-André des Arts - Paris 6e
“Available for you”
Curator: Nina Kirsch
Galerie Eric Dupont - 138, rue du Temple - Paris 3e
“Push pins in elastic space”
Curator: Gabriel Kuri
Galerie Nelson Freeman - 59, rue Quincampoix - Paris 4e
“bruissements”
Curator: Léa Bismuth
Galerie Isabelle Gounod - 13, rue Chapon - Paris 3e
“Gerald Petit - L’entremise”
Curator: Judicaël Lavrador
Fondation d’entreprise Ricard - 12, rue Boissy d’Anglas - Paris 8e
“Terres – Copenhagen Ceramics invites”
Curator: Margaux Brugvin
Galerie Maria Lund - 48, rue de Turenne - Paris 3e
“Destiny : the B’s”
Curator: Isabelle Le Normand
Galerie Anne Barrault - 22, rue Saint-Claude - Paris 3e
“Sanctum Sanctorum”
Curators: Les Frères Chapuisat
JGM. Galerie - 79, rue du Temple - Paris 3e
“Société Réaliste - Thelema of Nations”
Curator: Matteo Lucchetti
Galerie Jérôme Poggi - 115/117, rue la Fayette - Paris 10e
“Mark Jenkins, The Studio”
Curator: Stéphane Chatry
Galerie Patricia Dorfmann - 61, rue de la Verrerie - Paris 4e
“∞ > ∞”
Curator: Mathieu Mercier
Galerie Le Minotaure - 2, rue des Beaux Arts - Paris 6e
“Bloody Mary”
Curator: Jonathan Chauveau
TORRI., Paris - 7, rue Saint-Claude - Paris 3e
“Looking for Video”
Curators: Valentine Meyer & Marion Papillon
Galerie Claudine Papillon - 13, rue Chapon - Paris 3e
“Indices de réfraction”
Curators: Les Commissaires Anonymes
Galerie Eva Meyer - 11 rue Michel Le Comte - Paris 3e
“Sur la Mauvaise Pente”
Curator: Nabila Mokrani
Galerie De Roussan - 10, rue Jouye-Rouve - Paris 20e
“Dépaysement systématique”
Curator: Marion Daniel
Galerie Jean Fournier - 22, rue du Bac - Paris 7e
“It Means It Means!”
Curator: Tom Morton
Galerie Perrotin - 76, rue de Turenne - Paris 3e
“Anna Barham, Agnès Geoffray, Nathania Rubin”
Curator: Vanessa Desclaux
Galerie Jousse Entreprise - 6, rue Saint-Claude - Paris 3e
“Alice De Mont : Retroperspectief”
Curator: Florence Ostende
Galerie Dohyang Lee - 75, rue Quincampoix - 3e
“Interior 301”
Curator: Dorothée Dupuis
Galerie Alain Gutharc - 7, rue Saint Claude - Paris 3e
“Psychonautes”
Curator: Arnauld Pierre
Malingue - 26, avenue Matignon - Paris 8e
“Art of Living (i.e. Good Bye, Blue Monday)”
Curators: Luca Francesconi, Frédérique & Philippe Valentin
Valentin - 9, rue Saint-Gilles - Paris 3e
“Forming the Loss in Darkness”
Curator: Jo-ey Tang
Galerie Praz-Delavallade - 5, rue des Haudriettes - Paris 3e
“Historico-vagabond”
Curators: Marie Frampier & Javier Villa
Galerie Alberta Pane - 14, rue Saint-Claude - Paris 3e
“La Distance Juste”
Curator: Albertine de Galbert
Galerie Georges-Philippe & Nathalie Vallois - 36, rue de Seine - Paris 6e
“Arrhythmia” (“a Tale of Many Squares”)
Curator: Paul Galvez
Galerie Nathalie Obadia - 3, rue du Cloître Saint-Merri - Paris 4e
“Résonances - Painting, Performance, Photo”
Curator: Alexandre Vial
Galerie Chauvy - 18, rue de la Grange Batelière - Paris 9e
“Hyperliens : le QR code comme média vers l’œuvre”
Curator: Sophie Zante
Galerie Véronique Smagghe - 10, rue de Saintonge - Paris 3e
With the support of the Comité professionnel des galeries d’art
Gallery eexhibitions end dates vary between late July and early
August.
Press contacts: Agence Claudine Colin Communication
[email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01
6
Gaël
Charbau
Condensation*
LEv. 3
w
LEv. 2
Antonia
Alampi et
Jason Waite
THE REAL
THING ?
N
Julie
Boukobza,
Simon
Castets et
Nicola
Trezzi
CHAMPS
ÉLYSÉES
Black Ninja
Faction
File not
found
o
p
Natalia
Valencia
Martha
Kirszenbaum
LA FIN DE
LA NUIT
(Partie 1)
Q
Anthea
Buys et
Mikhael
Subotzky
THIS
HOUSE
R
Haeju
Kim
MEMORIAL
PARK
Un
escalier
d’eau
Luca
Lo Pinto
ANTIGRAZIOSO
Jean
Barberis
CONCERT
HALL
M
L
K
J
>
start
LEv. 0
Ana Mendoza
Aldana
et Cartel
Adnan
de Kunst
Yıldız
THE
A
FLOATING
HISTORY
ADMIRAL OF INSPIRATION
S
t
Maxime
Bondu,
Gaël Grivet,
Bénédicte
Le Pimpec et
émile
Ouroumov
LE PRINCIPE
Galápagos
Marc
Bembekoff
henrique
oliveira.
Baitogogo*
u
V
Albertine
de Galbert,
Isabelle Le
Normand,
Andrew
Marie
Berardini,
Gallien
Griffay
Jesse McKee
et Anca
Martí Anson, Déjean et
Fanny
Shanay
Rujoiu
Catalan
Schulmann
Jhaveri
Artesur,
Pavilion.
Collective Companionable Anonymous LE CLUB DES
Fictions
Silences
Architect SOUS L’EAU
i
H
Marc
Bembekoff
LA MÉTHODE
JACOBSON*
Sinziana
Ravini
THE BLACK
MOON
Maxime
Bondu,
Gaël Grivet,
Bénédicte
Le Pimpec et
émile
Ouroumov
LE PRINCIPE
Galápagos
A
B
C
G
Ken
Farmer et
Conrad
Shawcross
ada
D
Maxime
Bondu,
Gaël Grivet,
Bénédicte
Le Pimpec et
émile
Ouroumov
LE PRINCIPE
Galápagos
F
at palais de tokyo
Press contacts: Agence Claudine Colin Communication
[email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01
7
E
LEv. 1
Press contacts: Agence Claudine Colin Communication
[email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01
8
SOLO EXHIBITION
BAITOGOGO
Curator: Marc Bembekoff
Henrique Oliveira
Press contacts: Agence Claudine Colin Communication
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121
SOLO EXHIBITION [LEVEL 2 - Alcôve Little Palais]
BAITOGOGO
Curator: Marc Bembekoff
Creating a spectacular and invasive Gordian Knot, Henrique Oliveira plays with Palais de Tokyo’s
architecture, allowing a work that combines the vegetal and the organic to emerge. The building
itself becomes the womb that produces this volume of “tapumes” wood, a material used in
Brazilian towns to construct the wooden palisades that surround construction sites.
In the form of paintings, sculptures or installations, the
hybrid art of Henrique Oliveira (b. 1973, lives and works
in São Paulo) evokes both the urban and the vegetable,
the organic and the structural, as well as art and
science, through compositions in which the unexpected
generates a universe tinted with the fantastic.
Graduating from the University of São Paulo in 1997,
the artist explores fluidity, the combination and color of
materials, which endows his installations with a certain
pictorial quality. Oliveira often borrows materials from
the Brazilian urban landscape, notably tapumes, wood
taken from fences surrounding and blocking access to
construction sites. By using these materials, Oliveira
highlights the endemic and parasitic nature of these
constructions; evoking wooden tumors, his installations
function as a metaphor for the favelas’ organic growth,
thus revealing the dynamic decay of São Paulo’s urban
fabric. In the artistic lineage of Lydia Clark or Hélio
Oiticica, he uses the very context of this sprawling city
as a raw material. The way in which it is treated, as well
as its unexpected apparition, destabilizes the visitor’s
perception of space.
Through a kind of architectural anthropomorphism,
Henrique Oliveira reveals the building’s structure. At
Palais de Tokyo, he plays on the space’s existing and
structuring features, prolonging and multiplying pillars in
order to endow them with a vegetable and organic
dimension, as though the building were coming alive.
The artist draws inspiration from medical textbooks,
amongst others, and particularly from studies of
physical pathologies such as tumors. Through a formal
analogy, these outgrowths evoke the outermost layers of
the bark of a common tree. The texture of this wooden
tapumes installation inevitably calls to mind certain tree
essences from Amazonian, humid tropical forests: the
rivulets and other nodes constitute uncontrollable
networks, in a logic that Man can no longer suppress.
CURATOR
Marc Bembekoff is currently a curator of the Palais de
Tokyo (where he organized Damir Očko and Dewar &
Gicquel’s solo exhibitions, amongst others), as well as
an independent curator (“The Mystery Spot,” at the
Fondation d’entreprise Ricard in Paris, 2012; “Du
monde clos à l’univers infini” at the Quartier in Quimper,
2012) and a co-founder of the collective Le Bureau/.
He has contributed to several monographic publications
(Bettina Samson, Nicolas Boulard, etc.) and exhibition
catalogues (musée Rodin, Freud Museum, etc.).
ARTIST
Henrique Oliveira (born in 1973 in Ourinhos, Brazil;
lives and works in São Paulo, Brazil)
After receiving a degree in painting from the University
of São Paulo in 1997, Henrique Oliveira has developed,
since 2003, a practice of in situ installations, in which
he uses wooden boards and plywood retrieved from the
streets of São Paulo.
In 2009, he participated in the 29th São Paulo Biennial.
He has been awarded several grants and prizes, such as
the Smithsonian Artist Research Fellowship
(Washington, D.C., 2008) and the Prêmio CNI/SESI
Marcantonia Vilaçia for Visual Arts (Brazil, 2009).
His work has been presented in solo exhibitions at the
Rice University Art Gallery (Houston, 2009), the Boulder
Museum of Contemporary Art (2011), the GeorgePhilippe and Nathalie Vallois Gallery (Paris, 2011) and
the OK Center for Contemporary Art, Upper Austria (Linz,
2012).
In 2013, he is in residency at Villa Raffet following SAM
Art Projects’ invitation.
THIS EXHIBITION IS PRODUCED BY SAM Art Projects. IN collaboration WITH Bouygues Bâtiment IDF – Rénovation Privée.
Press contacts: Agence Claudine Colin Communication
[email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01
122
Henrique Oliveira, Desnatureza, 2011. Exhibition view, Galerie Georges-Philippe & Nathalie Vallois, Paris. Courtesy Galerie Georges-Philippe
& Nathalie Vallois (Paris). Photo: Aurélien Mole.
Henrique Oliveira, Transubstantiation, 2013. Vue de l’exposition « L’arbre de vie », Collège des Bernardins, Paris. Courtesy Galerie Georges-Philippe & Nathalie Vallois (Paris).
Press contacts: Agence Claudine Colin Communication
[email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01
123
Henrique Oliveira, Casa dos Leões, 2009. Installation view VII Bienal do Mercosul, Porto Alegre (Brazil). Courtesy Galerie Georges-Philippe & Nathalie Vallois
(Paris). Photo: Eduardo Ortega.
Press contacts: Agence Claudine Colin Communication
[email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01
124
Press contacts: Agence Claudine Colin Communication
[email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01
154
General Informations
PALAIS DE TOKYO
Join us : Tokyopass, amis,
member of Tokyo Art Club
13, avenue du Président Wilson,
75 116 Paris
+33 1 81 97 35 88
opening hours
Palais de Tokyo is opened
From noon until midnight every day, except Tuesdays
Closed January 1st, May 1st and December, 25
admission
Full price : 10€
Discounted price : 8€ (For visitors under 26, holders of the
“Famille nombreuse” card, teachers.)
Free : For visitors under 18, unemployed, Welfare recipients,
seniors, handicapped and accompanied adults (with the
appropriate documents less than three months old)
POINTS of sale
On site at the ticket office
On the website : www.palaisdetokyo.com
With the Tokyopass you enjoy…
… unlimited access free of charge for one year (from date
of issue to date of expiry)
… a pass card
… 5% discount at the Palais bookshop
… three issues of the magazine Palais gifted
… a guided tour of each new exhibition
… 10 % discount at the Galerie des Multiples on every
co-production by the Galerie des Multiples and the Palais
de Tokyo
… discount prices and benefits from our cultural partners
Admission
Regular fee: 40 euros
Reduced fee: 30 euros (more than 60 ; famille nombreuse ;
teacher and reregistration)
Under 26 visitor: 25 euros
Duo fee: 60 euros (invite who you want)
Art student fee: 15 euros
Registering
On site at the ticket office daily (except Tuesdays), from
12.00 to 24.00
By post: Tokyopass, 13 avenue du président Wilson,
75116 Paris
By email: [email protected]
By phone: +33 1 81 97 35 88
New:
Automatic distributors of tickets are located at Seine
entrance (niveau 1A) and Wilson (niveau 2).
Getting here
Métro, Bus, RER
Métro : Line 9, stations Iéna and Alma Marceau
Bus : Lines 32, 42, 63, 72, 80, 82, 92
RER : Line C, Station Pont de l’Alma
COMMUNICATION
Vélib’
Stations Vélib’ near Palais de Tokyo
n° 16007 : 4, rue de Longchamp
n° 8046 : 2, rue Marceau
n° 7023 : Quai Branly
Director of communication
Jean-Baptiste de Beauvais
The Palais de Tokyo is only one station away from
Trocadéro, and two stations from the Champs Elysées.
Communication officer
Head of communication
Dolorès Gonzalez
Vanessa Julliard
+33 1 47 23 52 00
Media contacts
Claudine Colin Communication
+33 1 42 72 60 01
Mathilde Beaujard: [email protected]
Constance Gounod: [email protected]
Press contacts: Agence Claudine Colin Communication
[email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01
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Le Palais de Tokyo bénéficie du soutien de / Palais de Tokyo benefits from the generous support of
PARTENAIRES FONDATEURS / FOUNDING PARTNERS
Swarovski, Orange, JTI
PARTENAIRES ANNUELS INSTITUTIONNELS / INSTITUTIONAL ANNUAL PARTNERS
Fondation Pierre Bergé - Yves Saint Laurent, The Absolut Company, Fondation Louis Roederer
PARTENAIRES MÉDIAS / MEDIA PARTNERS
France Télévisions, METROBUS, Arte, Télérama, France Culture
PARTENAIRES DE LA MÉDIATION / MEDIATED LEARNING PARTNERS
Calligaris, GDF SUEZ
PARTENAIRE DU PAVILLON / PAVILLON PARTNER
Neuflize OBC
PARTENAIRES PROJETS / PROJECT PARTNERS
Innovative Fire Systems, Le Méridien Etoile, SABMiller France, Horticulture & Jardins, Modular
LE PALAIS DE TOKYO REMERCIE ÉGALEMENT / PALAIS DE TOKYO ALSO THANKS
Le Tokyo Art Club et les Amis du Palais de Tokyo, ainsi que le Comité professionnel des galeries d’art.
Press contacts: Agence Claudine Colin Communication
[email protected] / [email protected] — Tél. +33 (0)1.42.72.60.01
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