the improbable made possible
Transcription
the improbable made possible
the improbable made possible THE cinema of science fiction THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 1 moon (see P25) THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION Rod Serling, the creator of The Twilight Zone, defined science-fiction thus: “Fantasy is the impossible made probable. Science-fiction is the improbable made possible.” The distinction is on the nose. When H. G. Wells wrote about the first men on the moon in 1901, it was wishful fancy: almost seventy years later, it had become a reality. The fiction gives the public a hope, a thirst, for the improbable, and that is crucial to the genre’s staying power. Intergalactic space travel, inter-generational dimension-hopping: it is only a matter of time. Cinema has nurtured this belief with ever-more extravagant, technologically-augmented visions of brave new worlds and pioneering idealism. It has, of course, shown us the dark side of these galaxies of discovery as well: with films exploring the fear that automation will override us, or that we will mutually assure each other’s destruction before the greatest advancements can be made. And what will be left in the aftermath? Some of the films collected here attempt to answer that question. Others look fresh-eyed towards an optimistic future. From dazzling utopias to dystopian nightmares, the films collected here represent the perfect opportunity to chart the full range of science-fiction in your cinema. Many iconic titles are now available in beautifullyrestored digital versions, and lesser-known classics have been unearthed from the vaults of time. The future is in your hands… For updates and further details - see www.parkcircus.com/scifi Words: James Kloda is a freelance film writer and gonzo hack. He is the home entertainment reviewer for The Dark Side, the UK’s premier magazine of the macabre and fantastic, and has offered indelicate musings on genre offerings both past and present for a range of publications academic, trade and populist. Recently, he attempted a spirited, if ultimately woebegone, defence of Exorcist II: Heretic for Centipede Press’ definitive compendium on the franchise. cover image: things to come (SEE p5) THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 2 star trek (see p24) Distribution Materials Some titles are available on DCP. These are marked throughout this brochure with digital . Marketing Materials We have high res publicity images and copy for each film available for inclusion in your own brochures and websites. For some titles we can supply trailers, posters or print ready poster files for you to duplicate locally to help promote screenings. TERRITORY AVAILABILITY Note that inclusion of a title within this catalogue does not guarantee rights or print availability for a specific territory. Please get in touch for further details. Booking titles Please contact your usual sales person to make bookings. UK Office - for International/UK enquiries: Park Circus Limited T: +44 (0) 141 332 2175 E: [email protected] France Office - for France enquiries: Park Circus Films SARL E: [email protected] US Office - for US Domestic enquiries: Park Circus Inc. T: (661) 702 2136 E: [email protected] THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 3 contents Here to help you navigate unknown corners of the universe and take your audiences on a journey they’ll never forget, this is the film programmer’s guide to the galaxy. ahead of their time Sci-fi literary adaptations 5 atom age adversity Cold war paranoia 9 dystopian destiny The future is not bright 12 wormholes through the ages Time travel treats 15 mutant monstrosities An otherworldly zoo 17 friend or foe Should we trust the aliens? 19 the final frontier Space travel 23 the man machine Cyborgs and skinjobs 27 altered states Experiments gone wrong 31 an intergalactic cult above the rest Midnight movies and more 34 spaceballs and oddballs Cosmic comedies 37 a sideways glance Socio-political sci-fi 39 vintage space travel Past futures IMAGE: SUPERNOVA (see p36) 41 spaceflights of fancy Family friendly flicks THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION 42 PAGE 4 The latter half of the 19th Century saw huge advances in technology: the invention of electricity heralded a new form of instant energy; telegraphy and radio opened up global communication networks; and new forms of transportation were developing in leaps and bounds. Such improvements fired the imaginations of H. G. Wells and Jules Verne, the grandfathers of science-fiction. Verne wrote diligently researched adventure stories exploring the unknown depths and far-flung corners of our planet to better understand its position in the universe, whilst Wells wrote of an ascension to utopia where impending global catastrophes were used as lessons for humankind in its search for a better way of co-existence. Edgar Rice Burroughs further popularised the genre with his prolific pulp output, before it exploded in the mid-20th Century and a host of influential writers emergerd. Ray Bradbury created moral fantasies with the sweep of Greek mythology; Philip K. Dick penned metaphysical, paranoiac breakdowns; and Richard Matheson cross-pollinated tales of futurist dystopia with abject horror. Science-fiction cinema has the strongest of literary antecedents: here are some of the best adaptations. THE H. G. WELLS COLLECTION THINGS TO COME digital Dir: William Cameron Menzies | 1936 | ITV Starring: Raymond Massey, Edward Chapman A visually sweeping sci-fi classic full of futuristic vistas and modern cityscapes, based on the story, and written for the screen, by Wells. Beginning before World War II and travelling to 2036 AD, this eraspanning journey predicts a host of modernities before following a rocketship to the moon. Raymond Massey plays a future leader determined to restore law and order. THE WAR OF THE WORLDS digital Dir: Byron Haskin | 1953 | Paramount Starring: Gene Barry, Ann Robinson, Les Tremayne It originally caused a national panic with Orson Welles’ dramatised radio broadcast in 1938. This film adaptation of H. G. Wells’ tale of a Martian invasion is no less iconic. The War Of The Worlds won an Oscar® for its special effects and was later selected for inclusion in the National Film Registry of the Library of Congress. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 5 ahead of their time the war of the worlds (1953) AHEAD OF THEIR TIME ahead of their time WAR OF THE WORLDS Dir: Steven Spielberg | 2005 | Paramount Starring: Tom Cruise, Dakota Fanning, Tim Robbins As Earth is invaded once more, this time by alien tripod fighting machines, one estranged family fights for survival in Spielberg’s epic sci-fi disaster movie. FIRST MEN IN THE MOON Dir: Nathan Juran | 1964 | Sony Starring: Edward Judd, Martha Hyer, Lionel Jeffries Three astronauts, returning from the moon with a manuscript from a previous landing mission, track down an aged space explorer who tells them the story of the first lunar landing. First Men In The Moon is a spectacular adaptation of Wells’ novel of adventure and space travel, it features eye-popping special effects by the legendary Ray Harryhausen, including the giant, caterpillar-like ‘Moon Cows’. EMPIRE OF THE ANTS Dir: Bert I. Gordon | 1977 | MGM Starring: Joan Collins, Robert Lansing, Edward Power Prospective land-buyers on an isolated island find themselves at the mercy of voracious ants that have become giant mutants after feasting on a leaking barrel of radioactive waste. Based on Wells’ 1905 story. VILLAGE OF THE GIANTS Dir: Bert I. Gordon | 1965 | StudioCanal Starring: Tommy Kirk, Ron Howard, Beau Bridges Delinquent teens ingest a chemical substance called ‘Goo’ and grow 30 foot tall, proceeding to take over a small town in this sci-fi-cumbeach-party hybrid freely adapting H. G. Wells’ book, The Food Of The Gods. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 6 ahead of their time FURTHER LITERARY PIONEERS 20,000 LEAGUES UNDER THE SEA Dir: Richard Fleischer | 1954 | Disney Starring: Kirk Douglas, Peter Lorre, James Mason This 1954 Disney version of Jules Verne’s 20,000 Leagues Under the Sea represented the studio’s costliest and most elaborate American-filmed effort to date. Kirk Douglas plays Ned, a trouble-shooting 19th century seaman, who is trying to discover why so many whaling ships have been disappearing of late. Teaming with a scientist and a diver, Douglas sets sail to investigate - and is promptly captured by the megalomaniac Captain Nemo (James Mason), who skippers a lavish, scientifically-advanced submarine. The film’s special effects, including a giant squid, were impressive enough to win an Academy Award®. AT THE EARTH’S CORE Dir: Kevin Connor | 1976 | MGM/StudioCanal Starring: Peter Cushing, Doug McClure, Caroline Munro A Victorian-era scientist (Peter Cushing) and his assistant take a test run in their Iron Mole drilling-machine, ending up in a strange, underground labyrinth ruled by a species of giant telepathic bird and full of prehistoric monsters and cavemen. A Technicolor sci-fi fantasy based on the novel by Edgar Rice Burroughs. A SCANNER DARKLY Dir: Richard Linklater | 2006 | Warner Starring: Keanu Reeves, Winona Ryder, Robert Downey Jr. An undercover cop in a not-too-distant future becomes involved with a dangerous new drug, beginning to lose his own identity as a result. Shot digitally and then animated by tracing over the footage, Linklater’s hallucinatory technique captures the paranoid dystopia of genre master Phillip K. Dick’s source novel. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 7 ahead of their time THE OMEGA MAN Dir: Boris Sagal | 1971 | Warner Starring: Charlton Heston, Anthony Zerbe, Rosalind Cash Army doctor Robert Neville (Charlton Heston) struggles to create a cure for a plague that has wiped out most of the human race. This is the most chilling adaptation of Richard Matheson’s I Am Legend, turning the cause for mankind’s extinction away from an unspecified bacteria, as in the original novel, to fallout from biological warfare. See also: The Last Man On Earth (1964) and I Am Legend (2007) for a cinematic triple bill of compare and contrast. A.I.: ARTIFICIAL INTELLIGENCE digital Dir: Steven Spielberg | 2001 | Warner Starring: Haley Joel Osment, Jude Law, Frances O’Connor A.I. is the story of David (Haley Joel Osment), the first mechanized human being designed with the ability to love. A couple whose son is in a coma ‘adopts’ David to help them recover from their loss. However, things do not go as planned, and David is forced to leave the mother he’s been ‘imprinted’ to love and make his own way in a world teeming with angry humans determined to purge artificiality. His journey leads him to an unexpected friendship with a robot designed to pleasure women (Jude Law), who agrees to help David in his quest to become human. Stanley Kubrick originally developed A.I. from British author Brian Aldiss’ elegiac story Super-Toys Last All Summer Long. When the director passed away, Spielberg took the reins and wrote his own screenplay using a treatment and thousands of drawings commissioned by Kubrick. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 8 atom age adversity on the beach (see p10) ATOM AGE ADVERSITY The development of the neutron bomb, and the subsequent brinkmanship played out between the US and the Soviet Union, throughout the ‘50s and ‘60s led to intense global anxiety. It was man, not alien invaders, that now represented the biggest threat to the safety of the planet. Science-fiction cinema was best poised to respond to these growing concerns and question the morality of the time. Stanley Kubrick’s febrile farce Dr. Strangelove mirrors the insanity of atomic game-playing. Val Guest’s The Day The Earth Caught Fire propels humanity towards well-deserved destruction following its attempts to harness intense thermo-nuclear power. And after the fall comes the fallout... Of all the unholy mutations that populate the radioactive wasteland, the nuclear children of The Damned best bear terrifying witness to the changed face of man in the atomic age. DR. STRANGELOVE (OR HOW I LEARNED TO STOP WORRYING digital AND LOVE THE BOMB!) Dir: Stanley Kubrick | 1964 | Sony Starring: Peter Sellers, George C. Scott, Sterling Hayden This BAFTA Award-winner for Best Film is a jet-black comedy about a group of trigger-happy military men who plan an apocalypse. Through a series of military and political accidents, two psychotic generals- U.S. Air Force Commander Jack D. Ripper (Sterling Hayden) and Joint Chief of Staff “Buck” Turgidson (George C. Scott)- trigger an ingenious, irrevocable scheme to attack Russia’s strategic targets with nuclear warheads. The brains behind the scheme belong to Dr. Strangelove (Peter Sellers, playing one of three idiosyncratic roles), a wheelchair-bound atomic scientist who has bizarre ideas about man’s future... THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 9 Dir: Joseph Losey | 1963 | Sony Starring: Oliver Reed, Walter Gotell, Alexander Knox In England, a young American falls in love with the sister of a sadistic and lecherous motorcycle gang leader (Oliver Reed) who despises him. The couple take refuge from his harassment in a cave where they discover a group of children, the results of an experiment to develop a race of humans capable of surviving an atomic blast. As the tagline screamed for this Hammer production, ‘These are the children of ice and darkness…you dare not face alone!’ on the beach Dir: Stanley Kramer | 1959 | MGM Starring: Gregory Peck, Anthony Perkins, Ava Gardner, Fred Astaire The war is over. Nobody won. Only the inhabitants of Australia and the men of the U.S. submarine Sawfish have escaped the nuclear destruction. Captain Dwight Towers (Gregory Peck) takes the Sawfish on a mission to see if an approaching radiation cloud has weakened, but returns with grim news: the cloud is lethal. With the days and hours dwindling, each person confronts the terrifying situation in his or her own way as the final chapter of human history comes to a close... THE FLIGHT THAT DISAPPEARED Dir: Reginald Le Borg | 1961 | MGM Starring: Craig Hill, Paula Raymond, Dayton Lummis Atomic scientists on an airliner arrive in Heaven and are tried by future generations in this classic morality tale of human legacy. THEM! Dir: Gordon Douglas | 1954 | Warner Starring: James Whitmore, Edmund Gwenn, Joan Weldon The earliest atomic tests in New Mexico cause common ants to mutate into giant man-eating creatures that threaten civilisation. One of the first of the 1950s ‘nuclear monster’ movies, Them! is an inventive and memorable sci-fi adventure. X: THE UNKNOWN digital Dir: Joseph Losey, Leslie Norman | 1956 | Exclusive Media Starring: Dean Jagger, Edward Chapman & Leo McKern Mysterious events surround the sudden appearance of a gaping fissure at a remote Scottish army base: soldiers on manoeuvres nearby develop a debilitating sickness, while a small boy is engulfed by an eerie presence. The radioactive, subterranean monstrosity seems to have been brought to life by recent atomic experiments - but can it ever be destroyed? THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 10 atom age adversity THESE ARE THE DAMNED (AKA THE DAMNED) atom age adversity Dr. No digital Dir. Terence Young | 1962 | MGM Starring: Sean Connery, Ursula Andress, Joseph Wiseman In the first screen outing for the British super spy, James Bond doesn’t have time to enjoy the sun or the sand when he is sent to Jamaica to investigate the disappearance of a fellow agent. There he comes across the beautiful Honey Ryder and recruits her in the battle against the nefarious Dr. No - a SPECTRE scientist with an atomically powered secret base, advanced laser weaponry and a grudge against the American space program. Moonraker digital Dir. Lewis Gilbert | 1979 | MGM Starring: Roger Moore, Lois Chiles, Michael Lonsdale No stranger to exotic locations, Bond even manages to outdo himself here when he finds himself on a space station trying to thwart a madman’s plans to unleash a deadly nerve gas into the Earth’s atmosphere and rebuild the human population according to his own warped vision. This classic Bond features a memorable laser fight (courtesy of some Academy Award® nominated special effects) and a few encounters between Bond and recurring adversary, Jaws. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 11 As the revolution will not be televised, so it is with Armageddon. Unspecified cataclysms leave behind post-apocalyptic landscapes, either inhabited by lawless, feral societies or presided over by draconian regimes. Forming the flip-side to Wells’ utopian ideals, catastrophe can often result in humankind devolving into a baser species. There are two options for survival: rebellion or indoctrination. A CLOCKWORK ORANGE digital Dir: Stanley Kubrick | 1971 | Warner Starring: Malcolm McDowell, Patrick Magee, Michael Bates Stomping, whomping, singing, tap-dancing, Derby-topped teddy-boy Alex (Malcolm McDowell) has his own way of having a good time: at the violent expense of others. His journey from amoral anarchist to brainwashed ‘proper’ citizen forms the dynamic arc of Kubrick’s future-shock vision of Anthony Burgess’s novel. Unforgettable images, startling musical counterpoints, and the fascinating language used by Alex and his pals - Kubrick shapes them all into a dynamic whole. THX 1138 Dir: George Lucas | 1971 | Warner Starring: Robert Duvall, Donald Pleasence, Maggie McOmie Lucas’ fascinating debut feature, adapted from a short he made at university. Three citizens attempt to escape from a futuristic society located beneath the surface of the Earth, where sex is outlawed and drugs are used to control the population. When THX 1138 (Robert Duvall) stops taking the drugs and gets LUH 3417 (Maggie McOmie) pregnant, they are both thrown in jail where they meet SEN 5241 (Donald Pleasance) and begin to plot their escape. MAD MAX digital Dir: George Miller | 1979 | MGM/Warner Starring: Mel Gibson, Hugh Keays-Byrne, Joanne Samuel Set in the not-too-distant future, Mad Max is a chilling drama that combines a dystopian narrative with high-speed action. The film that brought the Australian New Wave to global audiences, it focuses on apocalyptic death games between nomadic bikers and a handful of young cops. Mel Gibson stars as ‘Mad’ Max Rockatansky and went on to play the title role in two successful sequels. See also: Mad Max 2 (on DCP) and Mad Max Beyond Thunderdome. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 12 dystopian destiny a clockwork orange DYSTOPIAN DESTINY Dir: Andrew Niccol | 1997 | Sony Starring: Ethan Hawke, Uma Thurman, Alan Arkin A young man (Ethan Hawke) assumes a false identity as a genetically-perfect space navigator until a murder investigation threatens to expose his subterfuge. Niccol’s biopunk vision of a society driven by eugenics remains disturbingly prescient. THE HANDMAID’S TALE Dir: Volker Schlöndorff | 1990 | MGM Starring: Natasha Richardson, Faye Dunaway, Robert Duvall Following a coup, America is a country still at war with itself and ruled by a repressive Bible-wielding regime. Past pollution means only 1% of women can bear children, and female criminals found to be potential mothers are put into an institution to be indoctrinated. One such convict is Kate (Natasha Richardson), who seduces a high-ranking security guard in an attempt to procreate: his wife becomes jealous, and the State’s grip seems to be tightening. But Kate still has her own mind, and is finding that some are prepared to resist. A powerful adaptation by Harold Pinter of Margaret Atwood’s dystopian novel. TOTAL RECALL digital Dir: Paul Verhoeven | 1990 | StudioCanal Starring: Arnold Schwarzenegger, Sharon Stone, Michael Ironside When Douglas Quaid (Arnold Schwarzenegger) goes for a virtual vacation to the planet Mars, an unexpected and harrowing series of events forces him to go to the planet for real. Or does he? Verhoeven’s mind-shattering satire is post-punk surrealism at its energetic best. See also: Len Wiseman’s entertaining remake from 2012 starring Colin Farrell as Quaid. DARK ANGEL Dir: Craig R. Baxley | 1990 | MGM Starring: Dolph Lundgren, Brian Benben, Betsy Brantley Jack Caine (Dolph Lundgren) is a vigilante police officer investigating the deaths of several people, including his partner, by a gang called The White Boys. All the victims seem to have died of drug overdoses, and his investigation reveals a plot orchestrated by aliens, who use the bodies to extract a chemical sold to addicts on their home planet. Dark Angel has great production values and excellent special effects, proving that imagination and a good visual sense can overcome a limited budget. The Shape of Things to Come Dir. George McCowan | 1979 | Exclusive Media Starring: Jack Palance, Carol Lynley, John Ireland Planet Earth is a devastated wasteland, and what is left of humanity has colonised the Moon in domed cities. The population’s continued survival depends on an anti-radiation device only available on planet Delta Three, which has been taken over by Omus, a brilliant but mad mechanic who places no value on human life. The only thing standing in Omus’ way is a small crew of humans and a robot named Sparks. The film takes its title and some character names from H.G. Wells’ novel of the same name. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 13 dystopian destiny GATTACA dystopian destiny MINDWARP (DIRECTOR’S CUT) digital Dir: Steve Barnett | 1992 | Sony Starring: Bruce Campbell, Angus Scrimm, Marta Alicia A young woman in a post-apocalyptic world rebels against the status quo, in which everyone lives their lives out in a virtual reality world of their own choosing. Borrowing elements from Mad Max 2 and The Time Machine, this is an extremely gory, emotionally wrenching cult classic. WEDLOCK Dir: Lewis Teague | 1991 | ITV Starring: Rutger Hauer, Mimi Rogers Trapped in an experimental high-tech prison after a multi-million dollar diamond heist, Frank Warren (Rutger Hauer) finds he has an explosive collar around his neck linked to another inmate. If either is removed, both explode. With his newfound ‘cell-mate’ (Mimi Rogers), Frank escapes to get the hidden diamonds, relentlessly pursued by the authorities and his double-crossing expartners. ARENA Dir: Peter Manoogian | 1989 | MGM Starring: Paul Satterfield, Claudia Christian On a distant world far in the future, the best fighters in the universe compete in a gladiatorial, inter-alien sport called Arena. Steve Armstrong is the first Earthling good enough to be a contender, but an extraterrestrial crimelord seeks to end his career forever. 2020 TEXAS GLADIATORS Dir: Joe D’Amato (as Kevin Mancuso) | 1982 | MGM Starring: Al Cliver, Harrison Muller Jr. When earth becomes an arena, murder becomes a way of life. In a post-apocalyptic wilderness, marauding gangs of savages threaten mankind’s last civilized survivors. In Texas. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 14 If science-fiction is the ‘improbable made possible’, then the notion of time-travel is its greatest hope. Being able to physically traverse through abstract dimensions in any direction allows mankind the experiential means to fully grasp its place in the infinite cosmos. In theory, that is. In practice, the reality of time-travel becomes an endlessly collapsing, existential house of cards. Can disaster be averted retrospectively? If the course of history is altered, what occurs in its place? Does the new timeline lead to salvation or something far worse than the catastrophe that should have happen? To aid your comprehension of the fragility of our existence, take a look at some of the mind-bending alternate realities we have to offer. SOURCE CODE digital Dir: Duncan Jones | 2011 | StudioCanal Starring: Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga A sci-fi action thriller centred on a soldier who wakes up in the body of an unknown man and discovers he’s part of a mission to find the bomber of a Chicago commuter train. Time is not so much running out as it is spiralling endlessly on… HOT TUB TIME MACHINE digital Dir: Steve Pink | 2010 | MGM Starring: John Cusack, Rob Corddry, Craig Robinson A malfunctioning time machine at a ski resort takes a man back to 1986 with his two friends and nephew, where they must relive a fateful night and not change anything to make sure that their teenage charge is born. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 15 wormholes through the ages beyond the time barrier (p16) WORMHOLES THROUGH THE AGES wormholes through the ages BEYOND THE TIME BARRIER Dir: Edgar G. Ulmer | 1960 | MGM/StudioCanal Starring: John Van Dreelen, Robert Clarke This Cold War sci-fi from B-movie auteur Edgar G. Ulmer sees a U.S. Air Force test pilot crash through the time barrier into the world of 2024, which is inhabited by the last remnants of Earth’s civilisation who escaped the cosmic plague of 1971. MILLENNIUM Dir: Michael Anderson | 1989 | ITV Starring: Kris Kristofferson, Cheryl Ladd Bill Smith (Kris Kristofferson) is investigating a plane crash, and simultaneously searching for a time machine that has not yet been invented. He encounters a woman (Cheryl Ladd) who is the only person that holds the answers to the accident, and falls in love with her. She is the leader of a commando unit from a thousand years in the future whose mission is to save the human race from the dangers of its own past. The two embark on a treacherous course of action that will decide the future of mankind. Time After Time Dir. Nicholas Meyer | 1979 | Warner Starring: Malcolm McDowell, David Warner, Mary Steenburgen Malcolm McDowell stars as successful writer and sci-fi godfather HG Wells in this Saturn Award winning romp that takes audiences from Victorian London to modern day America. Gleefully scrambling timelines, locations and the proper course of history, Time After Time sees Wells head off into the future in a time machine of his own making in pursuit of a fleeing Jack the Ripper. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 16 mutant monstrosities mothra (p18) MUTANT MONSTROSITIES The canon of science-fiction cinema can be seen as an otherworldly zoo. Extinct prehistoric beasts are awakened by human activity, gargantuan alien creatures look to take advantage of Earth’s terraform environment, and life-forms mutate to colossal size due to radiation caused by nuclear tinkering. Monster movies are an expression of nature usurping reckless human dominion to reclaim the planet. 20 MILLION MILES TO digital EARTH Dir: Nathan Juran | 1957 | Sony Starring: William Hopper, Joan Taylor, Frank Puglia A US army rocket ship, returning from an exploratory flight to Venus, crashes into the sea off the coast of Sicily. But they have not come back alone... An imaginative giant monster movie designed to show off the singular talent of Ray Harryhausen. CLOVERFIELD digital Dir: Matt Reeves | 2008 | Paramount Starring: Mike Vogel, Jessica Lucas, Lizzy Caplan A monster attack in New York as told from the point of view of a small group of people, Cloverfield is a visceral, terrifying example of the found-footage genre. GODZILLA VS. BIOLLANTE Dir: Kazuki Omori | 1989 | Miramax Starring: Kunihiko Mitamura, Yoshiko Tanaka, Masanobu Takashima After rising from his volcanic grave, Godzilla is threatened by a mutated rosebush… THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 17 mutant monstrosities MOTHRA digital Dir: Ishiro Honda | 1961 | Sony Starring: Franky Sakai, Hiroshi Koizumi A gigantic moth, worshipped as a goddess by an island people, begins to wreak havoc in Tokyo. Made by the director of the original Godzilla, with special effects by that film’s Eiji Tsuburaya, who pioneered ‘suitimation’, this is one of the best examples of the kaiju (Japanese monster movie). THE MIGHTY PEKING MAN (AKA GOLIATHON) Dir: Ho Meng Hua | 1977 | Miramax Starring: Danny Lee, Evelyne Kraft A powerful earthquake awakens a giant apelike creature that descends from the mountains into the treacherous jungles of China. Later, an expedition of greedy showmen captures the fearsome beast, bringing him - and the scantily clad blonde bombshell he protects - back to civilisation. But payback comes when the Mighty Peking Man breaks loose and begins to run amok in the heart of Hong Kong. YONGARY, MONSTER FROM THE DEEP Dir: Kim Ki-Duk | 1967 | MGM Starring: Yeong-il Oh, Jeong-im Nam A monstrous creature creates destruction throughout Korea before scientists discover that a refrigerant is the only weapon that can stop it. IT CAME FROM BENEATH THE SEA Dir: Robert Gordon | 1955 | Sony Starring: Kenneth Tobey, Faith Domergue A Navy submarine commander joins a pair of marine biologists to prevent a giant octopus from destroying San Francisco in this monster epic bearing the animated flourishes of Ray Harryhausen. HUMANOIDS FROM THE DEEP Dir: Barbara Peters | 1980 | MGM Starring: Ann Turkel, Cindy Weintraub, Doug McClure Mutated salmon monsters with a penchant for bikinied beachgoers create mayhem in a small oceanside town. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 18 Aliens fall into two categories. The little green men that come in peace or the Martian terror that threatens destruction. Extraterrestrial visitors allow mankind to act at their best, repelling invasion through solidarity to make the world a better place, or worst: an overbearing hangover of suspicion refuting the possibility of harmonious contact and co-existence. That which is foreign to be automatically treated as threat. And the subtleties of Nigel Kneale’s Quatermass stories or Philip Kaufman’s masterful remake of Invasion Of The Body Snatchers, suggest that we can never quite tell when we have been colonised by higher agencies. At its finest, the alien-invasion movie lays bare Western imperialism and the insidious creep of propaganda. THE QUATERMASS XPERIMENT Dir: Val Guest | 1955 | Exclusive Media Starring: Jack Warner, Brian Donlevy A spaceship returns to earth with only one man left on board. After examining the rocket, Professor Quatermass (Brian Donlevy) concludes that some mysterious force entered the craft and the lone survivor has been infested by an alien entity - but, before they can contain him, Victor Carroon escapes. Quatermass joins forces with the police to track the afflicted Carroon down as he gradually transforms into a hideous monster in search of human victims to feed on. Based on Nigel Kneale’s classic BBC television serial. See also: Quatermass II (1957) for the ultimate ‘50s British sci-fi double bill. QUATERMASS & THE PIT digital Dir: Roy Ward Baker | 1967 | Exclusive Media/StudioCanal Starring: Andrew Keir, Barbara Shelley During excavations in a London Underground station, a large, unidentified object is uncovered. Nobody knows what it is, but the area has always been associated with diabolical evil, so the army cordon off the site and call in Professor Quatermass (Andrew Keir). Quatermass discovers the remains of alien creatures that had attempted to conquer Earth in prehistoric times and, through their experiences with early man, altered human evolution to its present state. Though dormant for many centuries, the alien ship begins to drain the power supply from the excavations so that its terrifying force can once more be unleashed, and the beings can reinstate their dominance over humankind. With a screenplay by Kneale, this is one of the most intelligent, terrifying films ever made: a cornerstone of science-fiction cinema. They Live Dir. John Carpenter | 1988 | StudioCanal Starring: Roddy Piper, Keith David, Meg Foster Carpenter takes satirical aim at the corrupting power of the media in this thriller about a drifter (played to inscrutable perfection by professional wrestling star Roddy Piper) who discovers that society is being controlled by aliens hidden among us. After finding a pair of sunglasses that reveals nefarious propaganda all around him and shows the alien overlords in their true form, John Nada sets about destroying the aliens’ main weapon, a special subliminal signal broadcast across the entire planet. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 19 friend or foe? FRIEND OR FOE? friend or foe? ATTACK THE BLOCK digital Dir: Joe Cornish | 2011 | Sony/StudioCanal Starring: Jodie Whittaker, John Boyega From the producers of Shaun of the Dead, Attack The Block is a fast, funny, frightening action adventure that pits a teen street-gang against an invasion of savage alien monsters. It turns a London housing project into a sci-fi battleground, the rundown apartment complex becoming a fortress under siege. It’s inner city versus outer space and it’s going to explode… DISTRICT 9 digital Dir: Neil Blomkamp | 2009 | Sony Starring: Sharlto Copley, David James, Jason Cope Over twenty years ago, aliens made first contact with Earth. Humans waited for the hostile attack, or the giant advances in technology. Neither came. Instead, the aliens were refugees, the last survivors of their home world. The creatures were set up in a makeshift home in South Africa’s District 9 as the world’s nations argued over what to do with them. The tension between the aliens and the humans comes to a head when a field operative, Wikus van der Merwe (Sharlto Copley), contracts a mysterious virus from the visitors that begins to change his DNA. Wikus quickly becomes the most hunted man in the world, as well as the most valuable: he is the key to unlocking the secrets of alien technology. And weaponry. Ostracised and friendless, there is only one place left for him to hide: District 9. Blomkamp’s superb allegory brought new focus onto South African cinema. CONTACT Dir: Robert Zemeckis | 1997 | Warner Bros. Starring: Jodie Foster, Matthew McConaughey, Tom Skerritt After years of searching, Dr. Ellie Arroway (Jodie Foster) finds conclusive radio proof of intelligent extraterrestrial life, and is sent plans for a mysterious machine which would enable her to make first physical contact. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 20 friend or foe? EARTH VS. THE FLYING SAUCERS digital Dir: Fred F. Sears | 1956 | Sony Starring: Hugh Marlowe, Joan Taylor, Donald Curtis A young scientist and his new bride race against time to stop an alien invasion of Earth. Drawing inspiration from a best-selling, non-fiction book, Ray Harryhausen’s remarkable stop-motion animation of the flying saucers makes this one of the most iconic ‘alien invasion’ films. SIGNS Dir: M. Night Shyamalan | 2002 | Disney Starring: Mel Gibson, Joaquin Phoenix, Rory Culkin A family living on a farm finds mysterious crop circles in their fields, which suggests something more frightening to come in Shyamalan’s enjoyable romp. ALIEN VISITOR (AKA EPSILON) Dir: Rolf de Heer | 1997 | Miramax Starring: Ullie Birve, Syd Brisbane, Alethea McGrath This intriguing sci-fi film set in the near future chronicles the saga of a gorgeous female alien erroneously sent to Earth from the planet Epsilon. Landing in the Aussie outback, she meets an outgoing surveyor, and the duo traverse the continent. THE MAN FROM PLANET X Dir: Edgar G. Ulmer | 1951 | MGM Starring: Robert Clarke, Margaret Field As a mysterious planet hurls itself toward earth, an enigmatic extraterrestrial scout arrives on a remote Scottish moor with unknown intentions. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 21 ? Dir: Tobe Hooper | 1986 | MGM Starring: Hunter Carson, Karen Black, Timothy Bottoms In the middle of the night, 11-year old David awakens to find a space craft landing in the hills beyond his home. No one believes his story, but during the following day, David notices the strange behaviour of his parents and other members of the community. Hooper’s gore-soaked remake of William Cameron Menzies’ 1953 film is a frightening adventure into the unknown, as alien vampires decide that Earth would be the perfect feeding ground for their bloodthirsty appetites. Invasion of the Body digital Snatchers Dir. Don Siegel | 1956 | Paramount Starring: Kevin McCarthy, Dana Wynter, Larry Gates Dr Miles Bennell returns his small town practice to find several of his patients suffering the paranoid delusion that their friends or relatives are impostors. He is initially skeptical, especially when the alleged dopplegängers are able to answer detailed questions about their victim’s lives, but he is eventually persuaded that something odd has happened and determines to find out what is causing this phenomenon. INVASION OF THE BODY SNATCHERS Dir: Philip Kaufman | 1978 | MGM Starring: Donald Sutherland, Brooke Adams This dazzling, whip-smart remake of the 1956 spine-tingler stars Donald Sutherland, Brooke Adams and Leonard Nimoy as characters caught in an eerie tale of possession by alien pod-people. One of the most ambiguous, haunting satires of the 1970s. INVISIBLE INVADERS Dir: Edward L. Cahn | 1959 | MGM Starring: John Carradine, John Agar, Jean Byron The Earth is attacked by mysterious beings from outer space who plan on destroying humankind. They are invisible in our atmosphere, but able to inhabit and reanimate the bodies of the dead. Soon armies of rotting corpses march on the cities, and it seems as though there is no defence. Major Bruce Jay (John Agar) is put in charge of a small, secret research centre with a group of scientists, who must work together to find a way of combating the invaders. IT! THE TERROR FROM BEYOND SPACE Dir: Edward L. Cahn | 1958 | MGM Starring: Richard Hervey, Dabbs Greer, Kim Spalding Panic is rampant in this acclaimed science-fiction thriller about a band of space adventurers who suddenly find themselves being explored and murdered by a maniacal creature. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 22 friend or foe? INVADERS FROM MARS the final frontier THE FINAL FRONTIER Science is about discovery and exploration in a field of infinite possibility. ‘To boldly go where no man has gone before.’ Star Trek popularised space travel in its television and motion picture instalments, creating new worlds as a reflection of our own or merely as a colourful splash of imagination. Before that, intergalactic voyaging tended to stay within the confines of our own galaxy, where the otherworldly inhabitants were predominantly anthropomorphic or defined by extremities of size. But in all films involving spacecraft, it is the action that takes place on the bridge that excites us, where different personalities are forced together in claustrophobic circumstance. It is that paradox that makes the genre so enduring: the enclosed tension of human drama set against the inexhaustible potentiality of theFICTION unknown. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE PAGE 23 digital Dir: Robert Wise | 1979 | Paramount Starring: William Shatner, Leonard Nimoy, George Takei The U.S.S. Enterprise is dispatched to intercept an earthbound attacker that is destroying everything in its wake. The first in the feature film series following the television show, debates rage amongst Trekkies over which is the best of the sequels. STAR TREK II: THE WRATH OF KHAN digital Dir: Nicholas Meyer | 1982 | Paramount Starring: William Shatner, Leonard Nimoy, DeForest Kelley With the aid of the Enterprise crew, Admiral Kirk must stop an old nemesis, Khan Noonien Singh, from acquiring a powerful terraforming device called Genesis to use as the ultimate weapon against mankind. STAR TREK VI: THE UNDISCOVERED COUNTRY Dir: Nicholas Meyer | 1991 | Paramount Starring: William Shatner, Leonard Nimoy, Christopher Plummer After years at war, the Federation and the Klingon empire prepare for a peace summit. But the prospect of intergalactic glasnost with sworn enemies is an alarming one to Admiral Kirk. When a Klingon ship is attacked and the Enterprise held accountable, the dogs of war are unleashed again, as both worlds brace for what may be their final, deadly encounter. See also: Star Trek III: The Search For Spock, Star Trek IV: The Voyage Home, Star Trek V: The Final Frontier, Star Trek VII: Generations, Star Trek VIII: First Contact, Star Trek IX: Insurrection, Star Trek X: Nemesis. STAR TREK digital Dir: J. J. Abrams | 2009 | Paramount Starring: Chris Pine, Zachary Quinto, Zoe Saldana Abrams’ thrilling reboot chronicles the early days of James T. Kirk and his fellow U.S.S. Enterprise crew members during their time at Star Fleet Academy, and charts their journey towards becoming intergalactic heroes. This imaginative origins story - complete with a time-travel twist - sees a young Kirk and Spock brought centre-stage after a Federation starship is attacked by a vicious Romulan desperately searching for his nemesis. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 24 the final frontier STAR TREK: THE MOTION PICTURE the final frontier MOON Dir: Duncan Jones | 2009 | Sony Starring: Sam Rockwell, Kevin Spacey Moon is a highly original British science-fiction film about a man who experiences a personal crisis as he nears the end of a three-year solitary stint mining helium-3 on the far side of the Earth’s moon. Sam Rockwell delivers a tour-de-force solo performance in this cult hit. EVENT HORIZON Dir: Paul W. S. Anderson | 1997 | Paramount Starring: Laurence Fishburne, Sam Neill, Kathleen Quinlan A rescue crew investigates a spaceship that disappeared into a black hole and has now returned... with someone or something onboard. Infinite space, infinite terror. EUROPA REPORT digital Dir: Sebastián Cordero | 2013 | Paramount Starring: Christian Camargo, Embeth Davidtz, Michael Nyqvist An international crew of astronauts undertakes a privately-funded mission to search for life on Jupiter’s fourth largest moon. JOURNEY TO THE SEVENTH PLANET Dir: Sid Pink | 1962 | MGM/StudioCanal Starring: John Agar, Greta Thyssen, Carl Ottosen A five man international expedition sets out to investigate Uranus. Upon landing, the crew begins to realise that the planet is under the malevolent influence of a powerful being resembling a huge human brain. The brain creates illusions of monsters and loved ones, attempting to lure the astronauts to their destruction in this thrilling B-picture precursor to some of the ideas explored in Solaris. THE PHANTOM PLANET Dir: William Marshall | 1961 | MGM/StudioCanal Starring: Dean Fredericks, Coleen Gray, Francis X. Bushman An astronaut crash-lands on an asteroid named Rheton, where he discovers a race of tiny people living there. After breathing the atmosphere, he shrinks to their diminutive size and aids them in their war against terrible invaders. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 25 the final frontier SPACEWAYS Dir: Terence Fisher | 1953 | Exclusive Media Starring: Eva Bartok, Michael Medwin In Hammer’s early science fantasy, a team of top scientists is assembled to develop the world’s first satellite station in space. In the post-WWII environment, their loyalties must be absolute. As the project nears completion, one of the team disappears and a desperate race against time begins to stop the plans falling into enemy hands. JOHN CARPENTER’S GHOSTS OF MARS Dir: John Carpenter | 2001 | Sony Starring: Ice Cube, Natasha Henstridge, Pam Grier A cop and her prisoner must work together to battle evil Martian forces in Carpenter’s action-packed campy horror. THE ANGRY RED PLANET Dir: Ib Melchior | 1959 | MGM Starring: Gerald Mohr, Naura Hayden, Jack Kruschen A science-fiction tale of an expedition to the ‘angry red planet’ of Mars that runs into all sorts of alien terrors, including unfriendly Martian plants and an alarming giant mouse/spider hybrid. RED PLANET MARS Dir: Harry Horner |1952 | MGM Starring: Peter Graves, Andrea King, Herbert Berghof Worldwide havoc ensues when an American scientist establishes radio contact with Martians using equipment developed by a Nazi war criminal. black hole Dir: Gary Nelson |1979 | Disney Starring: Maximilian Schell, Anthony Perkins, Robert Forster A research team on a fruitless search for life in space encounter a lost spaceship perched on the event horizon of a black hole where they find an Earth scientist who harbours a terrible secret... THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 26 the man-machine THE MAN-MACHINE It is inevitable that technology will overcome us, that the mechanical will conquer the organic. At one stage, a malfunctioning robot could cause minor consternation. But as artificial intelligence has developed, it is only natural that mankind’s automated offspring want to evolve, better their parents through pride and defy them out of spite. The sins of the human will not be visited on the cyborg. Perhaps the only way to stop this mechanised revolution is through assimilation, a synthetic fusion of sentient thought and programmed, perpetual logic. The best of both worlds? Ask Robocop THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION or T-800. PAGE 27 the man-machine ROBOCOP digital Dir: Paul Verhoeven | 1987 | MGM Starring: Peter Weller, Nancy Allen Detroit, in the near future. A cop who dies in the line of duty is transformed into a chrome-plated, indestructible, crime-fighting cyborg by the corporation which now runs the police department. The only hitch: this ‘perfect’ cop still seeks revenge on the sadistic creeps who mutilated him. Verhoeven’s blistering satire on the politics of corruption has not dated one bit. ROBOCOP 2 Dir: Irvin Kershner | 1990 | MGM Starring: Peter Weller, Nancy Allen, Daniel O’Herlihy This first sequel pits Robocop against a gang of drug dealers and a new and improved cyborg that has gone berserk. See also: Robocop 3 THE TERMINATOR digital Dir: James Cameron | 1984 | MGM Starring: Arnold Schwarzenegger, Linda Hamilton, Michael Biehn A cyborg is sent from the future to assassinate a young woman who’s destined to give birth to a son who will become the key to saving humanity. The Terminator is a virtuoso piece of action-packed sci-fi noir. TERMINATOR 2: JUDGMENT DAY Dir: James Cameron | 1991 | StudioCanal Starring: Arnold Schwarzenegger, Linda Hamilton, Edward Furlong The cyborg who once tried to kill Sarah Connor is dead, but another T-800 must now protect her teenage son from an even more powerful and advanced Terminator, the T-1000. See also: Terminator: Salvation. TRANSFORMERS digital Dir: Michael Bay | 2007 | Paramount Starring: Shia LaBoeuf, Megan Fox, Jon Voight Two intergalactic races of robots, the Autobots and the evil Decepticons, crash-land on Earth where they battle for the ultimate power source, Energon, leaving the future of humankind hanging in the balance. The only person who can save the planet from certain annihilation is a teenage boy (Shia LaBeouf) in Michael Bay’s bombastic, blockbusting spectacle. See also: Transformers: Dark Of The Moon, Transformers: Revenge Of The Fallen. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 28 the man-machine eXistenZ Dir: David Cronenberg | 1999 | Miramax/Sony Starring: Jude Law, Jennifer Jason Leigh, Ian Holm A game designer on the run from assassins must play her latest virtual reality creation with a marketing trainee to determine if the game has been damaged. Jennifer Jason Leigh and Jude Law star in Cronenberg’s phantasmagoric blend of sci-fi and body-horror. HARDWARE Dir: Richard Stanley | 1990 | MGM Starring: Carl McCoy, Dylan McDermott, Iggy Pop It is the 21st Century, humans inhabit a post-nuclear world where our worst environmental fears have come true. A young couple struggles to survive in this wasted world of tomorrow. They find a dismantled robot in the desert, unaware that the creature was programmed to kill humans. When it comes alive, they become entwined in the ultimate battle for survival. SATURN 3 Dir: Stanley Donen | 1980 | ITV Starring: Kirk Douglas, Farrah Fawcett, Harvey Keitel Terror and twisted love on an isolated outpost in the vastness of deep space. Adam (Kirk Douglas) and Alex (Farrah Fawcett) are two scientists stationed deep beneath the barren surface of Saturn’s moon, Titan. They live in a space-age Eden, seeking new forms of food for an exhausted planet Earth. Captain Benson (Harvey Keitel), a murderous psychopath, reaches Titan and cuts off communication with the rest of the solar system. Aided by his ‘helper robot’ Hector, Benson reduces the way of life at the space station to one of survival. After Hector becomes violently unmanageable, tearing his creator apart, Adam and Alex’s only hope is to flee the moon. But the homicidal automaton stands in their way. An unusual departure for Stanley Donen (Singin’ In The Rain, Funny Face), this is an apposite study of cybernetic terror. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 29 the man-machine FUTUREWORLD Dir: Richard T. Heffron | 1976 | MGM Starring: Peter Fonda, Blythe Danner, Yul Brynner An amusement park of the future caters to any adult fantasy. Lifelike androids carry out your every whim. A fun place, right? Not so, as a reporter and ‘His Girl Friday’ find out while on a press junket to the newly-opened Futureworld in this dystopian sequel to Westworld. JOHNNY MNEMONIC Dir: Robert Longo | 1995 | Sony Starring: Keanu Reeves, Dolph Lundgren, Ice-T Based on William Gibson’s cyberpunk novel, Keanu Reeves plays a high-tech courier with stolen data in his chip-implanted brain, now on the run from a global crime syndicate. ROBOT JOX Dir: Stuart Gordon | 1989 | MGM Starring: Gary Graham, Anne-Marie Johnson, Paul Koslo In the distant future, mankind has forsaken global wars for battles between single combatants. The world has been divided into two opposing superpowers, with each side represented by trained champions. Their weapons are huge robotic machines, capable of battle on land, sea and air. ELIMINATORS Dir: Peter Manoogian | 1986 | MGM Starring: Andrew Prine, Denise Crosby, Patrick Reynolds A mandroid, part man and part machine, seeks revenge on the evil scientist who created him. Enlisting the help of a beautiful woman and a mysterious ninja, he pursues the inventor to stop him before he can cause further harm to humanity. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 30 altered states swamp thing ALTERED STATES Science-fiction would be nothing without the determined scientist. Central to many sci-fi narratives, the scientist remains an ambiguous figure: are their perilous experiments contributing to the furtherance of our species or are they an obsessive grasp for the glory of immortality? Ask Swamp Thing or Edward Jessup: many of these potty professors become victims of their own curiosity. And what about those test subjects sacrificed for the promise of medical advancements, the guinea pigs who change irrevocably thanks to an untested prototype or ‘second chance’ pipedream? In an age of celebrity quacks and Big Pharma, these films eschew the wide-eyes of discovery and choose to put scientific ethics under the microscope instead. ALTERED STATES Dir: Ken Russell | 1980 | Warner Starring: William Hurt, Blair Brown, Bob Balaban A Harvard scientist, Edward Jessup (William Hurt), conducts experiments on himself in an isolation chamber, using a hallucinatory drug that may be causing him to regress genetically. Ken Russell’s aggressive, psychotropic derangement of pop culture is exhilaratingly delirious. THE MAN WHO CHANGED HIS MIND digital Dir: Robert Stevenson | 1936 | ITV Starring: Boris Karloff, John Loder, Anna Lee Dr Laurience (Boris Karloff) is a scientist who has devised a way to put one person’s mind into another’s body. He enlists a lovely young doctor, Clare, as his assistant, and as his research progresses he attempts to impress her more and more. When Laurience discovers that Clare is in love with another man, he selects him as the victim for his experiments. It is up to Clare to stop the scientist’s murderous intentions. SECONDS digital Dir: John Frankenheimer | 1966 | Paramount Starring: Rock Hudson, Frank Campanella, John Randolph An unhappy middle-aged banker (Rock Hudson) agrees to a procedure that will fake his death and give him a completely new look and identity. But this ‘second chance’ comes with its own price. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 31 altered states SPLICE digital Dir: Vincenzo Natali | 2009 | StudioCanal Starring: Adrien Brody, Sarah Polley, Delphine Chanéac Genetic engineers Clive Nicoli (Adrien Brody) and Elsa Kast (Sarah Polley) hope to achieve fame by successfully splicing together the DNA of different animals to create new hybrids for medical use. Unsurprisingly, things go spectacularly awry in their attempt to toast a new world of ‘gods and monsters’. THE TERMINAL MAN Dir: Mike Hodges | 1974 | Warner Starring: George Segal, Joan Hackett, Richard Dysart Hoping to cure his incapacitating seizures, a man (George Segal) agrees for a series of experimental microcomputers to be inserted into his brain. However, he inadvertently discovers that violence now triggers a pleasurable response in his mind. SWAMP THING Dir: Wes Craven | 1982 | MGM Starring: Dick Durock, David Hess, Adrienne Barbeau A research scientist accidentally turns himself into a walking, talking hunk of slime, which is part plant, part swamp and all-too-human. He still has feelings for his lady love (Adrienne Barbeau) and protects her from his arch-nemesis, fellow scientist Anton Arcane (Louis Jourdan). Based on characters that appeared in DC Comics. SPECIES Dir: Roger Donaldson | 1995 | MGM Starring: Ben Kingley, Michael Madsen, Natasha Henstridge She’s beautiful, seductive, intelligent...and her charms could spell doom for the entire human race. Especially if she finds a human mate. Roger Donaldson’s wacky, erotic sci-fi horror is a perfect latenight date movie. See also: Species 2 (1998) and Species 3 (2004) for a triple X, triple bill. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 32 altered states X: THE MAN WITH THE X-RAY EYES Dir: Roger Corman | 1963 | MGM Starring: Ray Milland, Diana van der Vlis, Harold J. Stone Involved in research seeking to increase the power of the human eye, a scientist (Ray Milland) decides to test a new serum on himself, which will allow him to see as if with X-rays. But his vision continues to develop in sensitivity until he can no longer bear it. If thine own eye offend thee... THE 6TH DAY Dir: Roger Spottiswoode | 2000 | Sony Starring: Arnold Schwarzenegger, Michael Rapaport, Tony Goldwyn Human cloning technology has fallen into corrupt hands, but one man refuses to be a pawn in the deadly conspiracy. The perfect excuse to see Arnold Schwarzenegger do battle with his cloned self. THE AMAZING TRANSPARENT MAN Dir: Edgar G. Ulmer | 1960 | MGM/StudioCanal Starring: Douglas Kennedy, James Griffith, Marguerite Chapman From cult director Ulmer comes this tale of a mad scientist who experiments with a serum to make man transparent and then uses an escaped convict to rob a bank. THE FINAL PROGRAMME Dir: Robert Fuest | 1973 | StudioCanal Starring: Jon Finch, Jenny Runacre, Sterling Hayden After the death of his Nobel Prize-winning father, billionaire physicist Jerry Cornelius (Jon Finch) becomes embroiled in the search for the mysterious Final Programme developed by his dad, a design for the perfect, self-replicating being. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 33 Genres are bound by certain conventions and classified by tropes. What is so galvanising about science-fiction is its ‘anything goes’ attitude, liberating other styles from the rut of rule-adherence. Tired of the endless plod of low-budget living dead imitations? Possess the corpses with alien seed. Want to give your sexploitation fantasy some street cred? Set it in the future on a distant planet. Ensure a sarcastic satire reaches a wider public? Giant mutant bugs in space. If Star Wars has recruited its own hallowed cult, some of these more esoteric offerings will turn the midnight-movie auditorium into a glorious temple. PLANET OF VAMPIRES Dir: Mario Bava | 1965 | MGM Starring: Barry Sullivan, Norma Bengell After landing on a mysterious planet, a team of astronauts begin to turn on each other, swayed by the uncertain influence of the place and its strange inhabitants. An eerie sci-fi from the Italian master of horror, Mario Bava. STARSHIP TROOPERS Dir: Paul Verhoeven | 1997 | Paramount Starring: Casper Van Dien, Denise Richards, Dina Meyer Humans from a fascistic, militaristic future do battle with giant alien bugs in a splatter-sodden fight for survival. Starship Troopers is Verhoeven’s most wildly enjoyable, dementedly over-the-top social satire. LIFEFORCE Dir: Tobe Hooper | 1985 | MGM Starring: Steve Railsback, Peter Firth A frightening journey into the unknown awaits an Earth-bound scout ship when it comes across an alien spacecraft of enormous proportions. Further investigation reveals a roomful of glass coffins containing the bodies of frozen humanoids. A terrifying nightmare begins when these life-hungry aliens arise and target the Earth as their new feeding ground. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 34 an intergalactic cult above the rest lifeforce AN INTERGALACTIC CULT ABOVE THE REST Dirs: Steven Spielberg, George Miller, John Landis, Joe Dante | 1983 | Warner Starring: Dan Aykroyd, Albert Brooks, Vic Morrow Four horror/sci-fi segments directed by genre masters, bringing their own distinctive sensibilities to versions of classic stories from Rod Serling’s landmark television series. THE BRAIN THAT WOULDN’T DIE Dir: Joseph Green | 1962 | MGM Starring: Virginia Leith, Leslie Daniel, Herb Evers To restore the life of his fiancée, who was decapitated in an automobile accident, a brilliant surgeon tries to find a suitable body to attach to her head, which he keeps alive and locked in a dungeon. DONOVAN’S BRAIN Dir: Felix Feist | 1953 | MGM Starring: Lew Ayres, Steve Brodie, Nancy Davis Former First Lady Nancy (née Davis) Reagan stars with Lew Ayres in this shocking science-fiction tale about a laboratory experiment that unleashes a powerful and outof-control brain. DECEIT Dir: Albert Pyun | 1992 | MGM Starring: Samantha Phillips, Norbert Weisser Alien sex fiends sent to destroy Earth find a little time to sample its women. When one of them chooses a streetsmart hooker, she proves to be more than a match for them. ALIEN FROM LA Dir: Albert Pyun | 1988 | MGM Starring: Kathy Ireland, William R. Moses An archaeologist fall into a bottomless pit while digging for the subterranean world of Atlantis. His daughter heads after him, winding up in an upside-down world that thinks they are aliens planning to invade the lost continent. Soon the chase is on as the girl and her father desperately try to make it back to the surface. Barbarella digital Dir. Roger Vadim | 1968 | Paramount Starring: Jane Fonda, John Phillip Law, Anita Pallenberg In the far future, a highly sexual woman (Jane Fonda) is tasked with finding and stopping the evil Durand-Durand. Along the way she encounters various unusual people in Vadim’s tale of eye-popping kitsch and sultry sex-kittens. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 35 an intergalactic cult above the rest TWILIGHT ZONE: THE MOVIE Dir: William Sachs | 1977 | MGM Starring: Alex Rebar, Burr DeBenning An astronaut is transformed into a murderous gelatinous mass after returning from an ill-fated space voyage. NIGHT OF THE CREEPS digital Dir: Fred Dekker | 1986 | Sony Starring: Jason Lively, Steve Marshall Alien-zombies, sexy students, and horrifying hi-jinx in a very creepy sci-fi comedy. MESSAGE FROM SPACE Dir: Kinji Fukasaku | 1978 | MGM Starring: Sonny Chiba, Vic Morrow An embattled planet on the edge of doom sends an S.O.S. and an intergalactic team comes to its rescue. Starring the iconic Sonny Chiba and made by cult director Kinji Fukasaku (Battle Royale), Message From Space is seen by many as Japan’s answer to Star Wars, being the most expensive movie made in the country up until then. SUPERNOVA Dir: Walter Hill | 2000 | MGM Starring: Wilson Cruz, Robin Tunney In the early years of the 22nd century, a medical rescue team is travelling the netherworlds of deep space, waiting to answer emergency calls aboard what amounts to an interstellar ambulance. When the crew picks up a distress signal from a group of workers involved in a mining operation on a comet, they discover that this isn’t the mission of mercy they were expecting. Heading to help, the ship is drawn into the orbit of a huge star due to explode at any moment. Think Hellraiser in outer space… THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 36 an intergalactic cult above the rest THE INCREDIBLE MELTING MAN In space, no-one can hear you laugh. Commenting on such topics as atomic destruction, Cold War paranoia and the metaphysics of existence, one might be forgiven for thinking that sciencefiction is strictly for the serious cinema-goer. But in the absence of gravity, there is some room for levity. Once those miniature rockets were sent to outer space, the genre began to send itself up. The creaky sets and wobbly effects of the B-grade movies of the ‘50s, not to mention the Star Trek watusi (that stilted gyration performed by the cast to simulate turbulence): all perfect targets for a master-spoofer like Mel Brooks. Set phasers to pun. SPACEBALLS digital Dir: Mel Brooks | 1987 | MGM Starring: John Candy, Rick Moranis, Bill Pullman John Candy, Rick Moranis, Bill Pullman and Dom DeLuise (as Pizza the Hutt) rocket into orbit in this side-splitting Mel Brooks excursion where good and evil forces grapple in an out-of-this-world galaxy. MORONS FROM OUTER SPACE Dir: Mike Hodges | 1985 | MGM Starring: Mel Smith, Griff Rhys Jones Sci-fi meets hilarity in this wildly adventurous spoof about four space aliens who crash onto Earth and manage to become glitzy superstars. THE HITCHHIKER’S GUIDE TO THE GALAXY Dir: Garth Jennings | 2005 | Disney Starring: Martin Freeman, Mos Def, Alan Rickman The long-awaited film version of The Hitchhiker’s Guide to the Galaxy, based on Douglas Adams’ five-book series, is a funny, wacky, highly creative ride through a bizarre universe. Martin Freeman stars as Arthur Dent, a British everyman suddenly thrust into intergalactic intrigue when the earth is destroyed to make room for an interspatial highway. Arthur travels the skyways with Ford Prefect (Mos Def), an alien writer for the eponymous encyclopedia. Things get downright dangerous - and absolutely hysterical - when Arthur and Ford thumb a ride with the president of the universe, two-headed Zaphod Beeblebrox (a wild and crazy Sam Rockwell), earthling Trillian (Zooey Deschanel), whom Arthur once had a thing for back in England (when she was known as Tricia McMillan), and a perpetually depressed robot named Marvin. With much of the galaxy after them, the motley crew makes its way toward a super-computer that just might be able to provide them with the ultimate question that only they know the answer to. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 37 spaceballs and oddballs SPACEBALLS AND ODDBALLS spaceballs and oddballs BILL & TED’S BOGUS JOURNEY Dir: Peter Hewitt | 1991 | MGM Starring: Keanu Reeves, Alex Winter, William Sadler In this sequel to Bill & Ted’s Excellent Adventure, the dimwitted duo travel to Heaven, Hell and points in between as they meet (amongst others) the Easter Bunny, Albert Einstein and the Grim Reaper. GALAXY QUEST Dir: Dean Parisot | 1999 | Paramount Starring: Tim Allen, Sigourney Weaver, Alan Rickman The alumni cast of a cult space TV show have to play their roles for real when an alien race asks for their assistance against an evil warlord. GAS! or IT BECAME NECESSARY TO DESTROY THE WORLD IN ORDER TO SAVE IT Dir: Roger Corman | 1970 | MGM Starring: Robert Corff, Elaine Giftos, George Armitage A poisonous gas accidentally escapes from a chemical plant in Alaska and kills off everyone in the world over the age of 25. Consequently, a society forms that is a twisted parody of our destroyed civilisation. CAPTAIN EAGER AND THE MARK OF VOTH Dir: Simon DaVision | 2008 | ICA Starring: James Vaughan, Mark Heap, Tamsin Grieg Square-jawed space adventurer Captain Eager is recruited to investigate the villainous Colonel Regamun, who has taken over the Veritan Sector using the mysterious ‘Mark of Voth’. Aided by old pal Scrutty, long-lost love Jenny and space-dog Scamp, Captain Eager boards his wobbly Bakelite rocket and heads off for a B-movie showdown. A wonderfully surreal space comedy that harks back to the innocent days of Eagle comics and Dan Dare, blessed with deliberately dodgy sets and goofball dialogue. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 38 Straddling populist movie-going yet often couched in ambiguity, it is unsurprising that sciencefiction has been chosen as a framework to explore more philosophical concerns within arthouse cinema. Experimental British director Nicolas Roeg used The Man Who Fell To Earth to delineate moral corruption within contemporary American society as a result of addiction, consumerism and tawdriness and Bertrand Tavernier eerily predicted our obsession with vicarious voyeurism with his dystopian reality-show parable Death Watch. For films that ditch the fantastic elements for a more askance look at reality, there is good cause to transcend the genre. THE MAN WHO FELL TO EARTH digital Dir: Nicolas Roeg | 1976 | StudioCanal Starring: David Bowie, Rip Torn, Candy Clark Thomas Jerome Newton (David Bowie) is a humanoid alien who comes to Earth to get water for his dying planet in Roeg’s oblique, visionary science fiction. DEATH WATCH digital Dir: Bertrand Tavernier |1980 | Studio 37 Starring: Harvey Keitel, Romy Schneider, Harry Dean Stanton Roddy (Harvey Keitel) has a camera implanted in his eye. He’s been hired by a television producer to film a documentary of terminally ill Katherine (Romy Schneider) without her knowledge: the footage will then be run on the popular TV series Death Watch. Tavernier’s stunningly prophetic sci-fi noir is like nothing else. Opaquely scripted by the brilliant David Rayfiel (Three Days of the Condor, Jeremiah Johnson) and filmed in Glasgow while it was undergoing massive regeneration, it is an unsettling trip into the heart of big brother. ALL TOMORROW’S PARTIES Dir: Nelson Yu Lik-Wai | 2003 | ICA Starring: Cho Yong-won, Yi’nan Diao, Wei wei Zhao In a future century, after the apocalypse, the Gui Dao dynasty controls continental Asia. Zhuai and his younger brother Mian are captured and sent to a ‘Prosperity Camp’ for reeducation. They soon discover that the camp’s aim is to brainwash people with propaganda in this bleakly dystopian Chinese thriller. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 39 a sideways glance the man who fell to earth A SIDEWAYS GLANCE Dir: David Gladwell | 1981 | StudioCanal Starring: Julie Christie, Christopher Guard Based on the novel by Doris Lessing, described by the author as an “autobiography of dreams.” ‘D’ (Julie Christie) is a chronicler of a world in chaos, who looks down at a near-future Britain where society has fractured due to an unspecified disaster. She finds that, through concentrating on a wall in her flat, she can traverse space and time like Alice through the Looking Glass. Ending up with custody of a strange teenager, Emily, who has an unspoken trauma from her past, D begins to understand that her visions are reflective of the girl’s sad childhood under abusive or estranged parents. Can they break through the dimensional barriers in order to walk into a brave new world? COMPANY MAN (AKA CYPHER) Dir: Vincenzo Natali | 2002 | Film4 Starring: Jeremy Northam, Lucy Liu, Nigel Bennett Hoping for a more exciting life than the suburban drawl he currently inhabits, nerdy salaryman Morgan Sullivan (Jeremy Northam) takes a job as an industrial spy at Digicorp, a global computer corporation. He is assigned the duty of flying to various conventions around America, and recording the speeches that are made. But when Sullivan meets a mysterious woman (Lucy Liu), he begins to realise that his job may not be what it seems and descends into a dark underworld of brainwashing, where he struggles to maintain his own identity. ENCOUNTER AT RAVEN’S GATE Dir: Rolf de Heer | 1988 | MGM Starring: Celine O’Leary, Steven Vidler A small Australian town is stricken by unusual occurrences: electrical faults and violent, psychotic human behavior. When an astrophysicist is called to investigate unexplained radar signals from the area, he questions whether the remote community is being targeted by an alien force. THE QUIET EARTH Dir: Geoff Murphy | 1985 | Exclusive Media Starring: Bruno Lawrence, Alison Routledge, Peter Smith A man awakens to find himself literally alone in the world, in this enigmatic, post-apocalyptic blend of I Am Legend, Dawn Of The Dead and The World, The Flesh & The Devil. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 40 a sideways glance MEMOIRS OF A SURVIVOR Science-fiction is, by its very nature, self-consciously modernist. Yet there are a few monochrome gems that are whimsically blithe in their attitude to their high-concept subjects. Mister Drake’s Duck reduces the nuclear question to one, quite literally, of ‘chicken-and-egg’. And pioneering animator Georges Méliès pays beguiling tribute to the avant-garde of space exploration with A Trip To The Moon. We may be rushing forward to the future, but it is always nice to be reminded of more delightfully naïve times. A TRIP TO THE MOON Dir: Georges Méliès | 1902 | MK2 Starring: Bleuette Bernon, Henri Delannoy, Georges Méliès Six scholars, members of the Astronomers’ Club, set off on an expedition to the moon, travelling in a bullet-shaped rocket fired into space by a giant cannon. After arriving safe and sound, they meet its inhabitants, escape their king and return to earth in their rocket which, after falling into the ocean, is fished out by a sailor. Applause, decorations, and a triumphant parade ensue for the heroes of the first outer-space adventure in cinema history. In 1993, the Barcelona Archive miraculously unearthed a colour print of Georges Méliès’ most famous work, sadly in a pretty terrible condition. In 2010, Lobster Films, Groupama Gan Foundation for Cinema and Technicolor Foundation for Cinema Heritage conducted a complete restoration. The film is presented with an original soundtrack by the French band, AIR. MAN IN THE MOON Dir: Basil Dearden | 1960 | ITV Starring: Kenneth More, Shirley Anne Field William is a strange man. He is incapable of worry, and unable to become ill. This leads to him making his living as a human guinea pig. When offered a job to become the passenger of a high-altitude test flight, what William doesn’t know is that he’s being set up to become the first man to land on the moon. TIME FLIES Dir: Walter Forde | 1944 | ITV Starring: Tommy Handley, Evelyn Dall, George Moon Tommy is an unscrupulous American businessman who sells shares in a Time Ball to his gullible friend, Bill. While examining the ball with a Professor, something goes wrong and the group of them are flung into space millions of miles away from earth. After fiddling with the controls, the Professor manages to transport them back, but into the wrong century. Arriving in the Elizabethan era, their strange attitudes cause them much trouble in this knockabout comedy. MISTER DRAKE’S DUCK Dir: Val Guest | 1951 | Cohen Starring: Douglas Fairbanks Jr., Yolande Donlan, Jon Pertwee Mr. Drake (Douglas Fairbanks, Jnr.) and his wife live peacefully on their Sussex farm, until one of their ducks lays a radioactive egg made of uranium! Once the government hear about this, they send out the Armed Forces to search the farm for the duck responsible. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 41 vintage space travel VINTAGE SPACE TRAVEL Spaceships and astronauts mean adventure. For all their ostensibly adult themes, sci-fi movies imbue the same sense of awe and amazement amongst children as the moon did to the first men that observed it through a telescope. Full of visual excitement and unbridled imagination, each picture is a thrilling exploration into a mystical frontier, whether it is accessed by the TARDIS, hidden in a mountain of mashed potato, or understood through the playful lens of a Super 8 camera. Many of the films here are perfect vehicles to take off in as a family, if only for a few hours in the twinkling blanket of a darkened auditorium. CLOSE ENCOUNTERS OF THE THIRD KIND Dir: Steven Spielberg | 1977 | Sony Starring: Richard Dreyfuss, François Truffant, Teri Garr A power repairman searches for explanations after an encounter with an otherworldly spacecraft in Steven Spielberg’s magical sci-fi odyssey. DR. WHO & THE DALEKS digital Dir: Gordon Flemyng | 1965 | StudioCanal Starring: Peter Cushing, Roy Castle, Jennie Linden The eccentric time lord (played by the wonderful Peter Cushing) and his companions travel in the TARDIS to the Planet Skaro and battle the evil menace of the Daleks. DALEKS’ INVASION EARTH: 2150 AD digital Dir: Gordon Flemyng | 1966 | StudioCanal Starring: Peter Cushing, Bernard Cribbins, Ray Brooks The Daleks’ fiendish plot against Earth and its people is foiled when Dr. Who and his friends arrive from the 20th century. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 42 spaceflights of fancy close encounters of the third Kind SPACEFLIGHTS OF FANCY spaceflights of fancy TRON digital Dir: Steven Lisberger | 1982 | Disney Starring: Jeff Bridges, David Warner, Cindy Morgan The first film to venture forth inside the previously unexplored three-dimensional realm of computer imagery, Tron dazzles with revolutionary visual effects and mind-bending action sequences. Kevin Flynn (Jeff Bridges), a techno-whiz who invents video games, finds himself beamed inside a deadly computer game grid by a rival programmer. There, an electronic civilisation thrives, but those that resist are forced to play martial games where the losers are destroyed. Flynn’s only hope is to activate Tron, the courageous and trustworthy counter-program, and stop the rogue Master Control Program from usurping the security mainframes of the Pentagon and Kremlin with intent to bring humankind to the brink of destruction. STARMAN Dir: John Carpenter | 1984 | Sony Starring: Karen Allen, Jeff Bridges, Charles Martin Smith Whilst helping a handsome alien in danger (Jeff Bridges), a grieving widow (Karen Allen) begins to heal. John Carpenter displays an uncharacteristically tender side in his masterful fantasy about conquering the dimension called love. MASTERS OF THE UNIVERSE Dir: Gary Goddard | 1987 | MGM Starring: Dolph Lundgren, Courteney Cox, Frank Langella The fantastic exploits of He-Man (Dolph Lundgren) and Skeletor are brought to the big screen for the first time in this live-action adventure. He-Man must free a beautiful sorceress who has been captured by his arch rival, and the incredible war between these ultimate forces of good and evil has the entire time-space continuum as its battleground. SUPER 8 digital Dir: J. J. Abrams | 2011 | Paramount Starring: Elle Fanning, Kyle Chandler, Ron Eldard In 1979, after the Air Force closes a section of Area 51, all materials are transported to a secure facility in Ohio. A train carrying some of these derails during an accident and something escapes from one of the cargo cars. A nearby group of kids making movies with their Super 8 cameras accidentally capture what breaks out in Abrams’ charming Spielbergian fantasy. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 43 spaceflights of fancy KRULL digital Dir: Peter Yates | 1983 | Sony Starring: Ken Marshall, Lysette Anthony, Freddie Jones A prince and fellowship of companions set out to rescue his bride from a fortress of alien invaders who have arrived on their home planet. Yates’ moody, visually-exciting film offers thoughtful counterpoint to overblown science-fantasy. MEN IN BLACK digital Dir: Barry Sonnenfeld | 1997 | Sony Starring: Tommy Lee Jones, Will Smith, Linda Fiorentino Secret agents ‘K’ (Tommy Lee Jones) and ‘J’ (Will Smith) work for a highly funded yet unofficial government agency which tracks any extraterrestrials infiltrating civilisation. K and J discover a fiendish plot where they must prevent an alien terrorist (Vincent D’Onofrio) from assassinating two galactic ambassadors whose deaths would doom the Earth to certain destruction. See also: Men In Black II - also available on DCP. SUPERMAN Dir: Richard Donner | 1978 | Warner Starring: Christopher Reeve, Marlon Brando, Gene Hackman An alien orphan is sent from his dying planet to Earth, where he grows up to become his adoptive home’s first and greatest superhero in Richard Donner’s landmark blockbuster. See also: Superman II. THE LAST STARFIGHTER Dir: Nick Castle | 1984 | Warner Starring: Lance Guest, Dan O’Herlihy, Catherine Mary Stewart A video-gaming boy, seemingly doomed to stay in his trailer park home all his life, finds himself recruited as a gunner for an alien defence force. Along with Tron, The Last Starfighter was one of the first films to use extensive CGI to create its many starships, spacescapes and battle sequences. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 44 digital Dir: Andrew Stanton | 2008 | Disney Starring: Sigourney Weaver, Ben Burtt, Paul Eiding The highly acclaimed director of Finding Nemo, and the creative storytellers behind Cars and Ratatouille, transport us to a galaxy not so far away for a comedy-adventure about a determined robot called WALL-E. After hundreds of lonely years doing what he was built for, the curious and lovable WALL-E discovers a new purpose in life when he meets a sleek search robot named EVE and the two of them embark on a fantastic journey across the universe. MUPPETS FROM SPACE digital Dir: Tim Hill | 1999 | Sony Starring: Jeffrey Tambar, F. Murray Abraham, David Arquette On a quest to find his real family, Gonzo discovers that his long-lost relatives are actually aliens from another planet. After announcing his findings to the world on Miss Piggy’s talk show, Gonzo becomes the target of paranoid government operative K. Edgar Singer (Jeffrey Tambor). With the help of his Muppet friends, he must escape from Singer’s compound and get to the rendezvous point in time to meet his alien family. ZATHURA: A SPACE ADVENTURE digital Dir: Jon Favreau | 2005 | Sony Starring: Josh Hutcherson, Tim Robbins, Dax Shepard Two young brothers are drawn into an intergalactic adventure when their house is magically hurtled through space in this wondrous, child-like tale from the author of Jumanji. flash gordon digital Dir: Mike Hodges | 1980 | MGM/StudioCanal Starring: Sam J. Jones, Melody Anderson, Max von Sydow Ming the Merciless, Emperor of planet Mongo has begun his plan of destruction for planet Earth. Zarkov, a mad scientist, detects the signs of an intergalactic assault and forces Flash Gordon, star football player, and the beautiful Dale Arden to board his rocket and save the human race from the evil Emperor. Can Flash save the universe? TREASURE PLANET Dirs: Ron Clements, John Musker | 2002 | Disney Starring: Roscoe Lee Browne, Joseph Gordon-Levitt, David Hyde Pierce A secret map inspires a thrilling treasure hunt across the universe as young Jim Hawkins and a hilarious cosmic crew headed by the daring Captain Amelia set off in search of their destiny. Aboard a glittering solar galleon, Jim meets the ship’s cyborg cook, John Silver, who teaches him the value of friendship and the power of dreams. Jim soon teams up with his crazy new robot pal, B.E.N., and the shape-shifting Morph to discover a treasure greater than he ever imagined. THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION PAGE 45 spaceflights of fancy WALL-E www.parkcircus.com THE IMPROBABLE MADE POSSIBLE: THE CINEMA OF SCIENCE FICTION © 2014 Park Circus Limited. All Rights Reserved. Images © respective studios. PAGE 46