PDF format

Bibliography
Publications
Adorno, Theodor. Minima Moralia. Frankfurt am Main, Suhrkamp, 1951.
Negative Dialektik. [Negative Dialectics] Gesammelten Schriften:6, Frankfurt am Main:
Suhrkamp Verlag, 1970.
Amsden, Alice. Asia’s Next Giant: South Korea and Late Industrialization. New York:
Oxford University Press, 1989.
Beckett, Samuel. Endgame. New York: Grove Press, 1958.
Benjamin, Walter. Ueber den Begriff der Geschichte. [Theses on the Concept of History]
Gesammelten Schriften: Frankfurt am Main: Suhrkamp Verlag, 1972.
--. Ursprung des deutschen Trauerspiels. [Origin of the German Tragedy-Play]
Bourdieu, Pierre. Homo Academicus. Paris: Les Éditions de Minuit, 1984.
Browning, Robert. “Pippa Passes”, Part I. In: Complete Works of Robert Browning. NY:
AMS Press, 1966.
Burroughs, William. Nova Express. New York: Grove Press, 1964.
Carrazé, Alain, and Hélène Oswald. The Prisoner: A Televisionary Masterpiece. London:
W.H. Allen & Co., 1990.
Genet, Jean. Les Nègres. [The Blacks] Décines: Barbezat, 1963.
Gerlach, Michael. Alliance Capitalism. Berkeley: University of California Press, 1992.
Gibson, William. Neuromancer. NY: Ace Books, 1984.
Henwood, Doug. Wall Street. Verso, 1997.
Insdorf, Annette. Double Lives, Second Chances: The Cinema of Krzysztof Kieslowski.
Miramax Books: New York, 1999 (65-66).
Jameson, Fredric. Late Marxism. New York: Verso, 1990.
---. Postmodernism, or the Cultural Logic of Late Capitalism. Durham: Duke University
Press, 1991.
---. Signatures of the Visible. New York: Routledge, 1990.
Johnson, Chalmers. MITI and the Japanese Miracle: the Growth of Japanese Industrial
Policy 1925-75. Stanford: Stanford University Press, 1982.
Johnson, Rheta Grimsley. Good Grief!: the Story of Charles M. Schulz.
New York:
Melville, Herman. Moby Dick. W.W. Norton: New York, 1967.
Müller, Heiner. Germania Tod in Berlin. Berlin: Rotbuch Verlag, 1977.
---. Mauser. Berlin: Rotbuch Verlag, 1978. (Contains Philoktet, Hamletmachine).
Mulvey, Laura. Visual and other Pleasures. Bloomington: Indiana University Press,
1989.
Pynchon, Thomas. The Crying of Lot 49. Philadelphia: Lippincott, 1966.
---. Gravity’s Rainbow. New York: Penguin Books, 1995.
Sembène, Ousmane. The Money-Order. Trans. Clive Wake. London: Heinemann, 1972.
Shohat, Ella, and Stam, Robert. Unthinking Eurocentrism. London and New York:
Routledge, 1994
Soseki, Natsume. To the Spring Equinox and Beyond. Trans. By Kingo Ochiai and
Sanford Goldstein. Rutland, Vermont and Tokyo, Japan: Charles Tuttle, 1985.
Soyinka, Wole. The Lion and the Jewel. London: Oxford University Press, 1963.
Stok, Danusia. Kieslowski on Kieslowski. Faber & Faber: London, 1993.
Teo, Stephen. Hong Kong Cinema. London: British Film Institute, 1997.
United Nations/Economic Commission for Europe (UN/ECE) and the International
Federation of Robotics. World Robotics 2000. New York and Geneva: United Nations,
2000.
Verne, Jules. Twenty Thousand Leagues under the Sea. Trans. Emanuel J. Mickel.
Bloomington: Indiana University Press, 1991.
Wade, Robert. Governing the Market: Economic Theory and the Role of Government in
East Asian Industrialization. Princeton: Princeton University Press, 1990.
Woo-Cumings, Meredith, ed. The Developmental State. Ithaca: Cornell University Press,
1999.
World Bank. The 2000-2001 World Development Report.
Zizek, Slavoj. “There is No Sexual Relationship.” Spectator. Vol. 16, No. 2.
Spring/Summer 1996 (136-137).
Videos
Battle of Algiers. Dir. Gillo Pontecorvo. Casbah/Igor Film, 1965.
A Better Tomorrow. Dir. John Woo. Cinema City Film, 1986.
Blade Runner. Dir. Ridley Scott. Warner Brothers, 1982.
Blind Chance. Dir. Krzysztof Kieslowski. Film Polski, 1982.
Blue. Dir. Krzysztof Kieslowski. Miramax, 1993.
Bubble Gum Crisis. Dir. Katushito Akiyama and Hiroki Hayashi, Youmex/Artmic, 1990.
Camera Buff. Dir. Krzysztof Kieslowski. Polish TV, 1979.
Chinatown. Dir. Roman Polanksi. Paramount, 1974.
City of Lost Children. Marc Caro and Jean Jeunet. Sony Pictures, 1995.
A Clockwork Orange. Dir. Stanley Kubrick. Warner Brothers, 1971.
The Day The Earth Stood Still. Dir. Robert Wise,
The Decalogue. Krzysztof Kieslowski. Polish TV, 1988.
Delicatessen. Marc Caro and Jean Jeunet. Mirimax, 1991.
Dirty Pair. Dir. Koichi Mashimo. Sunrise, 1985.
Diva. Dir. J.J. Beineix. United Artists Classics, 1981.
The Double Life of Veronique. Krzysztof Kieslowski. Miramax, 1991.
Dragonball Z. Dir. Daisuke Nishio and Akira Toriyama. Toei, 1996.
Enter the Dragon. Dir. Robert Clouse. Warner Brothers, 1973.
Faust. Dir. Jan Svankmajer. Zeitgeist Films, 1994.
Forbidden Planet. Dir. Stanley Wilcox. MGM, 1954
Godzilla: King of Monsters. Dir. Inoshiro Honda and Terry Morse. Toho, 1956.
The Good, the Bad, and the Ugly. Dir. Sergio Leone. United Artists, 1966.
Hard-boiled. Dir. John Woo. Golden Princess Film and Milestone Pictures. Fox Lorbeer,
1992.
Ikiru. Dir. Akira Kurosawa. Toho, 1956.
Jaws. Dir. Stephen Spielberg. MCA/Universal, 1975.
Gunbuster: Aim for the Top! Dir. Hideaki Anno. Gainax, 1990.
The Killer. Dir. John Woo. Golden Princess, 1989.
Krzysztof Kieslowski: I’m So-So. Dir. Krzysztof Wierzbicki. First Run Features, 1995.
Man of Iron. Dir. Andrzej Wajda. Film Polski, 1980.
Man of Marble. Dir. Andrzej Wajda. New Yorker Video, 1990.
Memories of Underdevelopment. Dir. Tomás Gutiérrez-Alea. El Instituto Cubano del
Arte e Industria Cinematográfrica, 1968.
Nadia: Secret of Blue Water. Dir. Hideaki Anno. Gainax, 1990.
Nausicaa: Valley of the Wind. Dir. Hayao Miyazaki. Studio Ghibli, 1984.
Neon Genesis Evangelion. Dir. Hideaki Anno. Gainax, 1995.
North by Northwest. Dir. Alfred Hitchcock. MGM/UA Home Video, 1983.
The Omen. Dir. Richard Donner. Twentieth Century Fox, 1976.
One Flew Over the Cuckoo’s Nest. Dir. Milos Forman. United Artists, 1975.
No End. Krzysztof Kieslowski. Film Polski, 1984.
Princess Mononoke. Dir. Hayao Miyazaki. Studio Ghibli, 1997.
The Prisoner. Dir. Patrick McGoohan. MGM/UA, 1967.
Psycho. Dir. Alfred Hitchcock. Universal, 1960.
Rear Window. Dir. Alfred Hitchcock. MCA/Universal, 1954.
Red. Dir. Krzysztof Kieslowski. Miramax, 1994.
Red Sorghum. Dir. Yimou Zhang. New Yorker Films, 1987.
Run, Lola, Run. [Original title: Lola Rennt] Dir. Tom Tykwer. Sony Pictures, 1999.
The Shining. Dir. Stanley Kubrick. Warner Brothers, 1980.
Solaris. Dir. Andrei Tarkovsky. New York: Fox Lorber, 1991.
La Strada. Federico Fellini. Embassy Home Entertainment, 1986.
Tetsuo. Dir. Shinya Tsukamoto. Fox Lorber, 1990.
Texas Chainsaw Massacre. Dir. Tobe Hooper. New Line Cinema, 1983.
2001. Dir. Stanley Kubrick. MGM/UA, 1968.
Underground. Dir. Emir Kusturica. New Yorker Films, 1986.
Wargames. Dir. Graham. MGM/UA, 1983.
Weekend. Dir. Jean-Luc Godard. Grove Press, 1968.
White. Dir. Krzysztof Kieslowski. Miramax, 1993.
Wings of Honneamise. Dir. Hiroyuki Yamaga. Gainax, 1987.
You Only Live Twice. Dir. Lewis Gilbert. United Artists, 1968.
Z. Dir. Costa-Gavras. Cinema V, 1969.
Recorded Music and Web Media
Cypress Hill. Cypress Hill. Sony Records, 1991.
Doom. Id Software, 1993.
Dr. Octagon. Kool Keith. Bulk Recordings, 1996
Exodus. Bob Marley and the Wailers. Island Recordings, 1976.
Electric Ladyland. Jimi Hendrix. Warner Brothers, 1968.
Half Life. Valve Software. Sierra, 1998.
It Takes a Nation of Millions to Hold Us Back. Public Enemy, 1988.
Legend. Bob Marley and the Wailers. Island Recordings, 1976.
Never Mind the Bollocks, Here’s the Sex Pistols. Sex Pistols. Warner Brothers, 1977.
Ninth Symphony. Johann Friedrich von Beethoven.
Quake. Id Software, 1996.
Quake 2. Id Software, 1997.
Quake 3. Id Software, 2000