MS2000B/BR owner`s manual

1
MS2000B / MS2000BR Owner's Manual Addendum
MS2000B / MS2000BR Zusatzanleitung
Thank you for purchasing the MS2000B/BR Analog Modeling Synthesizer.
To ensure trouble-free enjoyment, please read this manual carefully and use the product as directed.
Vielen Dank für den Kauf des MS2000B/BR Analog Modeling Synthesizers. Um ein lange und problemlose Nutzung sicherzustellen, sollten Sie diese Anleitung sorgfältig lesen und das Instrument entsprechend bedienen.
The MS2000B provides an XLR microphone jack on the front panel. Also included is a matching gooseneck microphone that can
plug directly into this jack, providing immediate access to the Vocoder functions (see “MICROPHONE CONNECTIONS”).
In addition, the MS2000B and MS2000BR contain many new internal programs compared to the original MS2000/R (see “VOICE
NAME LIST“).
Der MS2000B besitzt eine XLR Mikrofon-Buchse auf dem Frontpanel und ein, im Lieferumfang enthaltenes, passendes Schwanenhals-Mikrofon, welches Ihnen die Benutzung der Vocoder-Funktionen sofort ermöglicht. (siehe „ANSCHLUSS DES MIKROFONS“).
Außerdem wurden viele der Werkssounds für den MS2000B/BR komplett neu programmiert (siehe „VOICE NAME LIST“).
The specifications and functions remain the same as for the MS2000 / MS2000R.
Please read and refer to the MS2000 / MS2000R Owner's Manual.
Die technischen Daten und Funktion sind ansonsten identisch mit denen des MS2000/R. Zur Bedienung studieren Sie bitte daher die
bisherige MS2000/MS2000R Anleitung.
ANSCHLUSS DES MIKROFONS (nur MS2000B)
MICROPHONE CONNECTIONS (MS2000B ONLY)
Zum Anschluss des beiliegenden Mikrofons bitte ausschließlich die dafür vorgesehene frontseitige Mikrofonbuchse verwenden,
nicht die AUDIO IN 2 Klinkenbuchse.
Do not use the AUDIO IN 2 jack when using the microphone provided.
Use only the microphone included with the MS2000B when using the front panel mic input jack.
Set the AUDIO IN [2/VOICE] knob to zero when you are not using the AUDIO IN 2 jack or the mic input jack.
Falls Sie weder den Mikrofoneingang noch die AUDIO IN 2 Buchse verwenden, drehen Sie den AUDIO IN [2/VOICE] Regler
zurück auf „0“.
Do not apply pressure to the neck of the microphone, and do not bend it more than necessary. These actions may cause damage
to the microphone, etc.
Üben Sie keinen Druck auf den Schwanenhals des Mikrofons aus und biegen Sie ihn nur soviel wie notwendig, da sonst das
Mikrofon beschädigt werden könnte.
Achten Sie beim Anschluss des Mikrofons darauf, dass der integrierte XLR Stecker korrekt in die Buchse
gesteckt wird (Die Schraube am unteren Ende des Mikrofons muss nach hinten weisen). Zur Bedienung der
Vocoder-Funktion lesen Sie bitte die Seite 17 der MS2000/MS2000R Bedienungsanleitung.
INSTALLING THE MICROPHONE
Please refer to “Using the vocoder function” (page 17 of the MS2000/MS2000R Owner's Manual). When
connecting the MS2000B microphone, make sure the microphone and the mic input jack are facing the same
way (the screw on the base of the microphone should face the rear of the MS2000B)
Mic base
Um Beschädigungen vorzubeugen, halten Sie das Mikrofon während des Anschließens und Abnehmens
am unteren Ende fest.
Hold the microphone by the base when connecting and disconnecting.
ABNEHMEN DES MIKROFONS
DISCONNECTING THE MICROPHONE
Drücken Sie den Sicherungsstift der XLR-Buchse nach unten und ziehen sie währenddessen das Mikrofon
nach oben heraus. Halten Sie dabei das Mikrofon am unteren Ende.
Push down on the latch lever of the mic jack and, while holding the microphone by its base, pull the mic
straight up and out of the mic jack.
Sicherungsstift
Latch lever
PUSH
PUSH
Be sure to depress the latch lever on the mic jack when removing the microphone.
Griff
MS2000B/MS2000BR Mode d’emploi
Tout d’abord nous tenons à vous remercier de votre achat du synthétiseur à modélisation analogique MS2000B/BR.
Afin de profiter pleinement de votre achat, veuillez lire attentivement ce manuel, et utiliser votre appareil dans des conditions
correctes.
Le MS2000B possède une entrée microphone sur la face avant, et un microphone est inclus pour la fonction Vocodeur. (Voir “COMMENT INSTALLER L’ACCESSOIRE MICROPHONE FOURNI”).
Quelques programmes internes ont été modifiés par rapport au MS2000 (voir “VOICE NAME LIST“).
Les caractéristiques et fonctions sont les mêmes que les MS2000/MS2000R.
Veuillez S ‘il vous plait lire et vous référer au mode d’emploi de ces modèles.
COMMENT INSTALLER L’ACCESSOIRE MICROPHONE FOURNI (SEULEMENT MS2000B)
S’il vous plait, ne pas utiliser l’entrée AUDIO IN2 quand vous utilisez le microphone fourni.
Vérifiez que vous utilisez le microphone fourni uniquement avec l’entrée Micro.
Réglez le bouton AUDIO IN [2/VOICE] sur zéro quand vous n’utilisez pas l’entrée AUDIO IN 2 et l’entrée Micro.
Ne pas trop manipuler le corps du micro et ne pas le tirer plus que nécessaire, cela pourrait provoquer des déconnections ou des
troubles.
INSTALLATION DU MICROPHONE.
S’il vous plait veuillez vous référer au chapitre “Utilisation de la fonction vocoder“ (page 17 du mode
d’emploi des MS2000 et MS2000R).
Quand vous connectez le Microphone fourni, veillez à ce que la connectique du Micro et la prise d’entrée
coïncident (une vis sur la tige du Micro est située sur la face arrière).
Griff
Veuillez maintenir la tige du Microphone fourni quand vous l’installez ou vous le démontez.
DEMONTAGE DU MICROPHONE
Poussez le petit levier et en même temps tirer le Microphone tout en maintenant la prise en face avant.
PUSH
petit levier
 2003 KORG INC.
1504 DTH Printed in Japan
Voice Name List
No.
A01
A02
Name
UnisonRingLD
Flashin'Pad
Category
Synth-Lead
Seq/Motion
Mode
Single
Single
A03
X-ModBass
Synth-Bass
Dual
A04
A05
A06
A07
A08
IDM Pad
HyperForce
Pan Tran
Razor Blade
DetuneBass
Strings/Pad
Synth-Hard
Synth-Soft
Seq/Motion
Synth-Bass
Single
Single
Single
Single
Single
A09
High Voltage
Synth-Lead
Dual
A10
A11
AnalogBell
FonkaDeli
Percussive/Bell
Keyboards
Single
Single
A12
AutoTrance
Seq/Motion
Dual
A13
4OSC"m7"
Synth-Hard
Dual
A14
A15
A16
B01
B02
B03
Digy Bass
Domin8or
FilterString
70'sFunkLead
SawSaw
House Bass
Synth-Bass
S.E/Drum
Strings/Pad
Synth-Lead
Seq/Motion
Synth-Bass
Single
Single
Single
Single
Single
Single
B04
Stairs Pad
Strings/Pad
Dual
B05
B06
B07
B08
B09
Poly Line
Ice Field
Fairies
Line Bass
ModLead
Synth-Hard
Synth-Soft
Seq/Motion
Synth-Bass
Synth-Lead
Single
Single
Single
Single
Single
B10
RingPerc
Percussive/Bell
Dual
B11
Reed Piano
Keyboards
Single
B12
Filter Muzik
Seq/Motion
Dual
B13
B14
B15
B16
C01
C02
C03
RingChord
Warp Bass
KillaBeez
Evolution
TriangleLead
GatedSyncBas
Bass Machine
Synth-Hard
Synth-Bass
S.E/Drum
Strings/Pad
Synth-Lead
Synth-Bass
Synth-Bass
Single
Single
Single
Single
Single
Single
Single
C04
Snowdance
Strings/Pad
Dual
C05
C06
C07
C08
C09
C10
C11
Stab Saw
Wheeler Pad
SynthHarp
AcidRingBass
Dirty Sync
ElektricArpe
RockOrgan
Synth-Hard
Strings/Pad
Seq/Motion
Synth-Bass
Synth-Lead
Percussive/Bell
Keyboards
Single
Single
Single
Single
Single
Single
Single
C12
Ready 2 Air
Seq/Motion
Dual
C13
C14
C15
C16
Sweep"min"
TechRingBass
Echo Park
PWM Strings
Synth-Hard
Synth-Bass
S.E/Drum
Strings/Pad
Single
Single
Single
Single
D01
Uni Synth
Synth-Lead
Dual
D02
D03
D04
D05
D06
Electrick
Zap Bass
Reactor Pad
TheMehT
Astral Vox
Seq/Motion
Synth-Bass
Strings/Pad
Synth-Hard
Synth-Soft
Single
Single
Single
Single
Single
D07
Water Edge
Seq/Motion
Dual
D08
D09
D10
D11
Phunk Bass
Ana Fuzz
Deep Bell
PhaserClav
Synth-Bass
Synth-Lead
Percussive/Bell
Keyboards
Single
Single
Single
Single
D12
Trip Planet
Seq/Motion
Dual
D13
D14
Glass
ReverseBass
Synth-Hard
Synth-Bass
Single
Single
D15
Diginator
S.E/Drum
Dual
D16
Ana Strings
Strings/Pad
Single
SEQ 1
Cutoff
LFO2 Frequency
T1 Pitch
T2 Cutoff
LFO2 Frequency
Pitch
Panpot
Osc2 Semitone
Pitch
T1 Osc2 Semitone
T2 Osc2 Semitone
Patch 3 Intensity
Cutoff
T1 Pitch
T2 Osc2 Semitone
T1 Pitch
T2 Pitch
Pitch
Patch 1 Intensity
Cutoff
Cutoff
Osc2 Semitone
EG1 Attack Time
T1 Panpot
T2
Cutoff
EG2 Attack Time
Osc1 Control2
Pitch
Osc2 Semitone
T1 Osc1 Control2
T2 Resonance
Patch 1 Intensity
T1 Pitch
T2 Noise Level
Osc1 Control2
Resonance
Noise Level
LFO1 Frequency
Pitch
Osc2 Semitone
Pitch
T1 Osc1 Control2
T2 Cutoff
Osc2 Tune
Cutoff
Cutoff
Pitch
Osc2 Semitone
EG2 Decay Time
Panpot
T1 Cutoff
T2 Pitch
Pitch
Patch 2 Intensity
Level
Resonance
T1 Step Length
T2 Step Length
Cutoff EG1 Intensity
Pitch
Step Length
Osc2 Semitone
Osc1 Control2
T1 Noise Level
T2 Pitch
Pitch
Cutoff EG1 Intensity
Patch 1 Intensity
Level
T1 Level
T2 EG2 Decay Time
Pitch
Pitch
T1 Panpot
T2 Pitch
Resonance
SEQ 2
Panpot
Cutoff EG1 Intensity
Cutoff
Pitch
Cutoff
Cutoff
Cutoff
Cutoff
Cutoff
Cutoff
EG2 Release Time
EG2 Release Time
Cutoff EG1 Intensity
Pitch
EG2 Sustain Level
EG2 Sustain Level
Cutoff
Osc2 Tune
Pitch
Resonance
EG2 Release Time
Cutoff EG1 Intensity
Resonance
Noise Level
Cutoff
Level
Panpot
Cutoff
SEQ 3
Panpot
Panpot
Panpot
Resonance
Level
Panpot
No.
E01
E02
E03
Name
Rez Lead
DWGS WaveSeq
AcidSawBass
Category
Synth-Lead
Seq/Motion
Synth-Bass
Mode
Single
Single
Single
E04
TickerPad
Strings/Pad
Dual
E05
E06
E07
E08
E09
E10
E11
Slippy Pad
Synth Brass
S&H Signal
Magnum Bass
Freq Lead
BleepsPerc
Brett Ped
Synth-Hard
Synth-Soft
Seq/Motion
Synth-Bass
Synth-Lead
Percussive/Bell
Keyboards
Single
Single
Single
Single
Single
Single
Single
E12
Auto Disco
Seq/Motion
Dual
E13
NoisyHit
Synth-Hard
Dual
E14
E15
E16
RingSyncBass
Stutter
StringMachin
Synth-Bass
S.E/Drum
Strings/Pad
Single
Single
Single
F01
Far Horizon
Synth-Lead
Dual
F02
Burnin'Rave
Seq/Motion
Dual
F03
F04
F05
F06
Sub Bass
Stream Pad
Square Comp
Organ Bass
Synth-Bass
Strings/Pad
Synth-Hard
Synth-Bass
Single
Single
Single
Single
F07
Tap Lead
Seq/Motion
Dual
F08
Banana Bass
Synth-Bass
Dual
F09
F10
F11
UnisonSqurLd
Bound Ball
Lounge Organ
Synth-Lead
Percussive/Bell
Keyboards
Single
Single
Single
F12
Zoop Mania
Seq/Motion
Dual
F13
"M3rd"Chord
Synth-Hard
Dual
F14
F15
F16
G01
G02
G03
G04
G05
G06
G07
G08
Jami Bass
Bad Dream
Need4Speed
Turn Wheel
Trip 2 Ibiza
80's Bass
Motion Pad
Golden Synth
NuSkoolDrop
Synth Lana
MG Bass
Synth-Bass
S.E/Drum
Seq/Motion
Synth-Lead
Seq/Motion
Synth-Bass
Strings/Pad
Synth-Hard
Synth-Bass
Seq/Motion
Synth-Bass
Single
Single
Single
Single
Single
Single
Single
Single
Single
Single
Single
G09
Bass&5thLead
Split Prog
Split
Off
G10
ElectroShock
Percussive/Bell
Dual
Off
Off
Off
Off
G11
Pulse Comp
Keyboards
Single
G12
Snow&Ice
Split Prog
Split
G13
G14
G15
Century Stab
Drive Bass
DooM
Synth-Hard
Synth-Bass
S.E/Drum
Single
Single
Single
G16
stROBOsCOPe
Split Prog
Split
H01
H02
H03
H04
H05
H06
H07
H08
H09
H10
H11
H12
H13
H14
H15
H16
CleanVocoder
WispaVocoder
DarkVocoder
Vocoder Ens
Vocoder Cho
Vocoder 5th
Bass Vocoder
VoiceChanger
VocoderPulse
Vocoder Squ
Vocoder Wah
Vocoder Vox
Vocoder DWGS
Vocodevil
AudioIn INIT
INIT Program
Vocoder Prog
Vocoder Prog
Vocoder Prog
Vocoder Prog
Vocoder Prog
Vocoder Prog
Vocoder Prog
Vocoder Prog
Vocoder Prog
Vocoder Prog
Vocoder Prog
Vocoder Prog
Vocoder Prog
Vocoder Prog
AudioIn
Init Prog
Vocoder
Vocoder
Vocoder
Vocoder
Vocoder
Vocoder
Vocoder
Vocoder
Vocoder
Vocoder
Vocoder
Vocoder
Vocoder
Vocoder
Single
Single
ARPEGGIATOR
Off
Off
Off
Off
Off
Off
Random
Off
Off
Patch 4 Intensity
Osc1 Control2
Level
Cutoff
Cutoff
Panpot
Cutoff EG1 Intensity
Cutoff EG1 Intensity
Step Length
Level
Patch 2 Intensity
Cutoff
Alt1
Off
Trigger
Off
Off
Off
Off
Off
Off
Off
Alt1
Off
Off
Alt1
Off
Off
Up
Off
Osc2 Semitone
Cutoff
Panpot
Osc2 Level
Resonance
Patch 4 Intensity
Panpot
Panpot
Panpot
Level
EG2 Attack Time
Pitch
Resonance
Patch 1 Intensity
Cutoff
Panpot
EG2 Release Time
Cutoff
Resonance
Level
Level
LFO2 Frequency
Pitch
Cutoff
Panpot
Panpot
Level
Panpot
Panpot
Cutoff
Cutoff EG1 Intensity
Pitch
Cutoff
EG1 Attack Time
Cutoff
EG2 Release Time
Cutoff
Cutoff
Cutoff
Level
Panpot
Level
Panpot
Panpot
Pitch
Osc1 Control1
Noise Level
Osc1 Control2
Cutoff
Pitch
Cutoff EG1 Intensity
Osc2 Semitone
Osc2 Semitone
Panpot
Osc1 Control1
Osc1 Control2
Level
Off
Off
Off
Off
Off
Off
Off
Off
Random
Off
Off
Up
Off
Off
Random
Off
Off
Trigger
Off
Off
Off
Off
Alt2
Osc2 Level
Panpot
Cutoff
Cutoff
Level
Panpot
Osc1 Level
Level
Cutoff
Osc2 Semitone
Pitch
Panpot
Cutoff
Off
Off
Level
Cutoff
Patch 3 Intensity
Off
Off
Off
Off
Off
Up
Off
SEQ 1
Osc2 Level
Osc1 Control2
Cutoff EG1 Intensity
T1 EG1 Decay Time
T2 Osc1 Control2
Pitch
Osc2 Semitone
Panpot
Pitch
Patch 1 Intensity
Noise Level
Osc1 Control2
T1 Pitch
T2 Cutoff
T1 EG1 Decay Time
T2 Cutoff
Pitch
Patch 4 Intensity
Cutoff
T1 Osc2 Level
T2 Osc2 Level
T1 Cutoff
T2 Panpot
Pitch
Step Length
Cutoff EG1 Intensity
Pitch
T1 Cutoff
T2 Pitch
T1 Pitch
T2 Pitch
Pitch
Osc1 Control1
Panpot
T1 Patch 4 Intensity
T2 Osc2 Level
T1
T2 Osc2 Semitone
Osc2 Level
LFO1 Frequency
Pitch
Osc2 Level
Cutoff
Pitch
Patch 1 Intensity
Osc2 Tune
Patch 1 Intensity
Panpot
Pitch
T1 Pitch
T2 Panpot
T1 Pitch
T2 Cutoff
Panpot
T1 Osc1 Control2
T2 Osc2 Semitone
Patch 1 Intensity
Resonance
Pitch
T1 Pitch
T2 Osc2 Semitone
SEQ 2
EG1 Attack Time
Panpot
Level
EG2 Sustain Level
Cutoff
Cutoff
Panpot
LFO2 Frequency
Patch 3 Intensity
SEQ 3
Panpot
Cutoff
Pitch
Cutoff
Cutoff
Cutoff
Pitch
EG2 Sustain Level
Panpot
Osc1 Control2
Alt1
Off
Off
Up
Off
Off
Random
Off
Up
Noise Level
Resonance
Cutoff
LFO2 Frequency
EG2 Release Time
Osc2 Tune
Osc2 Tune
ARPEGGIATOR
Off
Off
Off
EG1 Decay Time
Panpot
Patch 2 Intensity
Patch 1 Intensity
Cutoff
Cutoff
Off
Off
Off
Off
Off
Trigger
Cutoff
Level
EG1 Attack Time
Cutoff
Osc2 Semitone
Cutoff
Cutoff
Cutoff
Panpot
Panpot
Cutoff
EG2 Decay Time
Osc1 Control1
Osc1 Control1
EG2 Attack Time
Cutoff
Panpot
Off
Off
Off
Off
Up
Panpot
Panpot
Cutoff
Patch 2 Intensity
Pitch
Level
Off
Off
Off
Off
Down
Off
Cutoff
Cutoff
Cutoff EG1 Intensity
Osc1 Control1
Resonance
Panpot
Cutoff
Patch 2 Intensity
Noise Level
Osc1 Control1
Pitch
Cutoff
Patch 3 Intensity
Cutoff
Cutoff
LFO1 Frequency
Step Length
Panpot
Cutoff
Step Length
Off
Off
Trigger
Off
Off
Off
Off
Off
Off
Up
Off
Off
Up
Level
Osc1 Control1
Osc2 Level
Off
Cutoff EG1 Intensity
EG2 Release Time
Cutoff
Cutoff
Cutoff
EG1 Decay Time
Off
Off
Off
Off
Osc2 Semitone
Cutoff EG1 Intensity
Panpot
Alt1
Off
Off
Off
Off
Off
Off
Off
Off
Off
Off
Off
Off
Off
Off
Trigger
Off