Program May06BOOKLET.indd

20
Poster Art Series Notecards
Idaho Washington Concert Chorale
42005-2006
Concert
Poster Art Series Notecards $5 for 5
Our new Poster Art Series Notecards are a delightful way to support the chorale and share in the beautiful art that we
showcase every season in our season poster. The brain-child of chorale alto, Karen Weathermon, these notecards are
printed in vibrant color on high quality 80 pound smooth cover paper and bundled with an envelope and an attractive
raffia binding. Our Poster Art Series Notecards can be purchased individually for $1.25 or packs of five for $5.00. Mix and
match or purchase a set of each design. The note cards are blank inside and feature information about the year featured, the
artist and the art on the back.
2005-2006: An original watercolor by former chorale alto, Jean DeLong
2004-2005: “Wheatfield on the Palouse”, a photograph by chorale bass, Gordon Thomas
2003-2004: “Glory”, a stained glass mosaic created by Whitworth student, Courtney Powell
2002-2003: “Exultate Jubilate”, a mixed media
artwork created by Kirsti Ottem Langeland
The Poster Art Series Notecards will be available yearround and we will add new works each season. Notecards
are available for purchase at each of our concerts. If
you have questions about the notecards, or would like
to order additional notecards, please contact Karen
Weathermon, [email protected] or Jill Price Freuden,
[email protected], 509.710.7492.
Announcing the 2006-2007 Season:
September 21
Music from the Palouse
October 19
Onyx Brass
January 25
Pacifica Quartet
November 30
American Chamber Players
March 20
eighth blackbird
Bach
All About
Sponsored by Edward O. Schweitzer
For more information: www.auditoriumchambermusic.org or
[email protected]
Threads n' Things
�
208 . 892 . 8710
tuxedo rentals
sewing services
custom formal wear
alterations & mending
David & Jennifer Fister
owners-managers
610 south main street Moscow. Idaho 83843
Friday, MAY 5 at 7:30 PM, ST. BONIFACE CATHOLIC CHURCH, UNIONTOWN
Sunday, MAY 7 at 6:00 PM, ST. BONIFACE CATHOLIC CHURCH, UNIONTOWN
Sunday
2
19
AllJohann
About
Bach
Sebastian Bach
(1685–1750)
JOHN H. NORTON
Attorney at Law
109 S Washington, Moscow, Idaho 83843
LOBET DEN HERRN, ALLE HEIDEN (BWV 230)
208.882.5169
PRAISE THE LORD, ALL NATIONS
Lobet den Herrn, alle Heiden;
Preiset ihn, alle Völker;
Denn Seine Gnade und Wahrheit
waltet über uns in Ewigkeit.
Alleluia
Our Business Supporters
Licensed in Washington and Idaho
Praise the Lord, all nations;
Praise Him, all people;
For His grace and mercy
watch over us for ever.
Alleluia.
 Psalm 117: 1-2
JESU MEINE FREUDE (BWV 227)
JESUS, MY JOY
I.
JESU MEINE FREUDE
Jesu, meine Freude,
meines Herzens Weide,
Jesu, meine Zier,
ach wie lang, ach lange
ist dem Herzen bange,
und verlangt nach dir!
Gottes Lamm, mein Bräutigam,
außer dir soll mir auf Erden
nichts sonst Liebers werden.
II.
Jesus, my joy,
my heart’s pasture,
Jesus, my jewel.
Oh, for how long
has this anxious heart
longed for You!
Lamb of God, my bridegroom,
apart from You, no one on arth
will be my lover.
ES IST NUN NICHTS
Es ist nun nichts
Verdammliches an denen,
die in Christo Jesu sind,
die nicht nach dem Fleische wandeln,
sondern nach dem Geist.
There is therefore now no
condemnation to them
who are in Christ Jesus,
who wander not after the flesh,
but after the Spirit.
 Romans 8:1
Thank you for joining us tonight! A reminder to please turn off all cell phones, pagers and recording devices and refrain from
using flash photography during the performance. Please hold applause between movements.
Musical Alchemy, Inc. is recording our performance this evening.
Season Ticket Holders, Donors & Advertisers: Don’t forget that our Thank You Reception will be held Sunday after the
concert at the Uniontown Community Center. We hope to see you there!
�����������������
110 East Third
Moscow, Idaho 83843
208.882.8070
www.gbyers.com
18
Our Business Supporters
3
All About Bach
III.
UNTER DEINEM SCHIRMEN
Unter deinem Schirmen
bin ich vor den Stürmen
aller Feinde frei.
Laß den Satan wittern,
laß den Feind erbittern,
mir steht Jesus bei.
Ob es itzt gleich kracht und blitzt,
ob gleich Sünd und Hölle schrecken:
Jesus will mich decken.
IV.
DENN DAS GESETZ DES GEISTES
Jill Price Freuden, soprano
Laurie Caraher, soprano
Cheryl Blackburn, mez zo-soprano
Denn das Gesetz des Geistes,
der da lebendig machet in Christo Jesu,
hat mich frei gemacht von dem Gesetz
der Sünde und des Todes.
V.
������
�������
�������
���������
����������������
�����������������������
������������
������������
����������
�����
����������������
���������������������
For the law of the Spirit
which gives life in Christ Jesus
has set me free from the law
of sin and death.
 Romans 8:2
TROTZ, DEM ALTEN DRACHEN
Trotz dem alten Drachen,
Trotz des Todes Rachen,
Trotz der Furcht dazu!
Tobe, Welt, und springe
ich steh hier und singe
in gar sichrer Ruh.
Gottes Macht hält mich in acht;
Erd und Abgrund muß verstummen,
ob sie noch so brummen.
VI.
Under your shelter,
I am free from the storms
of all the devils.
Let Satan threaten,
let the fiend rage,
Jesus stays by me.
Even though lightning cracks and flashes,
even though sin and hell scream,
Jesus will protect me.
Defy the old dragon,
defy the jaws of death,
defy fear as well!
Rage, oh world, and quake,
here I stay,
singing in perfect peace!
The might of God holds me;
earth and abyss shall be silent,
however much they growl.
IHR ABER SEID NICHT FLEISCHLICH
lhr aber seid nicht fleischlich,
sondern geistlich,
so anders Gottes Geist in euch wohnet.
Wer aber Christi Geist nicht hat,
der ist nicht sein.
You, however, live not by the flesh,
but by the Spirit,
since the law of God has made a home in you.
Anyone who does not have the Spirit of Christ
does not belong to Him.
 Romans 8:9
4
All About Bach
VII. WEG MIT ALLEN SCHÄTZEN
Weg mit allen Schätzen!
Du bist mein Ergötzen,
Jesu, meine Lust!
Weg, ihr eitlen Ehren,
ich mag euch nicht hören,
bleibt mir unbewußt!
Elend, Not, Kreuz, Schmach und Tod
soll mich, ob ich viel muß leiden,
nicht von Jesu scheiden.
Away with all wealth!
You are my delight,
Jesus, my pleasure!
Away, you vain glories,
I don’t want to hear you,
I remain unaware of you!
Distress, misery, the cross, disgrace and death:
however much I suffer,
they must not part me from Jesus.
VIII. SO ABER CHRISTUS IN EUCH IST
Cheryl Blackburn, mez zo-soprano
Bill Dugger, tenor
Dave Spencer, baritone
So aber Christus in euch ist,
so ist der Leib zwar tot um der Sünde willen;
der Geist aber ist das Leben
um der Gerechtigkeit willen.
IX.
 Romans 8:10
GUTE NACHT, O WESEN
Gute Nacht, o Wesen,
das die Welt erlesen,
mir gefällst du nicht!
Gute Nacht, ihr Sünden,
bleibet weit dahinten,
kommt nicht mehr ans Licht!
Gute Nacht, du Stolz und Pracht!
Dir sei ganz, du Lasterleben,
gute Nacht gegeben.
X.
But when Christ is in you,
the body is dead because of the will of sin;
but the Spirit is alive
because of the will of righteousness.
Good night, oh reality,
which has chosen the world,
you do not please me!
Good night, you sins,
stay far behind me,
do not come into the light!
Good night, haughtiness and splendor!
And to you, life of iniquity,
a special good night!
SO NUN DER GEIST
So nun der Geist des,
der Jesum von den Toten auferwecket hat,
in euch wohnet, so wird auch derselbige,
der Christum von den Toten auferwecket hat,
eure sterbliche Leiber lebendig machen,
um des willen, daß sein Geist in euch wohnet.
And if the Spirit of Him
who raised Jesus from the dead
has made His home in you,
then He who raised Christ Jesus from the dead
will give life to your own mortal bodies
through His Spirit living in you.
 Romans 8:11
17
Our Business Supporters
16
Our Business Supporters
5
All About Bach
XI.
WEICHT, IHR TRAUERGEISTER
Weicht, ihr Trauergeister,
denn mein Freudenmeister,
Jesus, tritt herein.
Denen, die Gott lieben,
muß auch ihr Betrüben
lauter Zucker sein.
Duld ich schon
hier Spott und Hohn,
dennoch bleibst du auch im Leide,
Jesu, meine Freude.
Give way, you spirits of sadness,
for Jesus, my master of joy
is entering in.
Those who love God
must accept their sadness
as pure sugar.
Though I suffer
mockery and derision here,
yet even in my sorrow shall
You, Jesus, remain my joy.
Intermission
DER GEIST HILFT UNSRER SCHWACHHEIT AUF (BWV 226)
THE SPIRIT HELPS US IN OUR WEAKNESS
Der Geist hilft unrser Schwachheit auf,
denn wir wissen nicht,
was wir beten sollen, wie sichs gebühret;
sondern der Geist selbst vertritt uns aufs
beste mit unaussprechlichem Seufzen.
The Spirit helps us in our weakness,
since, when we do not know
what we should pray for, then the Spirit
personally makes our petition for us
in sighs that cannot be put into words
Der aber die Herzen forschet,
der weiß, was des Geistes Sinn sei;
denn er vertritt die Heiligen,
nach dem das Gott gefället
But He who can see into all hearts
knows what the Spirit means,
because the prayers the Spirit
makes for God’s holy people
are in accordance with the mind of God
HAYDEN
LEWISTON ORCHARDS
NAMPA
Du heilige Brunst, sußer Trost,
nun hilf uns, fröhlich und getrost
in deinem Dienst beständig bleiben,
die Trübsal uns nicht abtreiben.
O Herr, durch dein Kraft uns bereit
und stärk des Fleisches Blödigkeit,
daß wir hie ritterlich ringen,
durch Tod und Leben zu dir dringen.
Hallelujah!
 Romans 8:26
 Romans 8:27
Holy fire, sweet trust,
now help us, so that joyously and confidently
we can remain in your service
and not be driven away by misery.
Lord, through your power prepare us,
and strengthen our stupid human nature
so that we can valiantly battle
and force our way through death and life to You.
Hallelujah!
 Martin Luther , 1524
6
15
All About Bach
SWINGLE SINGERS TUNES
J.S. Bach, arr. Ward Swingle
(B. 1927)
Shelly Renzelman, contrabass
1.
ARIA from SUITE IN D MAJOR (1989)
2.
BOURREE (1985)
VIOLIN I
Festival Baroque Chamber Orchestra of the Palouse
Diane Worthey, concert master
OBOE
Jennifer Hammond
ENGLISH HORN
VIOLIN II
VIOLIN III
Andrew Tuttle, principal
Lisa Pratt
Carol Padgham Albrecht
BASSOON
Gladys Patten
VIOLA
Ryan Hare
ORGAN
Austin Schlichting
VIOLONCELLO
Elena Panchenko
Sheila Kilcoyne
A Proud
Supporter of
Arts on the
Palouse
RONALD B. WEBSTER
���������������
��������������������������������
��������������������������������������
��������������������
������������
�����������������
����������������
����������������������
Live music Friday, Saturday 8 - 10 p.m.
Piano bar Mondays 8 - 10 p.m.
Bistro &Gifts
Full service restaurant
Tully's Espresso
Hand Dipped Ice Cream
Taste's of Idaho Gift Shop
Fresh baked goods and homemade soups
218 S. Main, Moscow, Idaho 208.882.4492
Our Business Supporters
14
Our Business Supporters
7
THE BACH MOTETS
(Compiled from research by Natalie Beck, Karl Geiringer,
Bernard S. Greenberg, and Manuela Schwartz)
uring the 13th-15th centuries, the term motet, from
the French “mot” (word), described a sacred vocal
composition that was contrapuntal, unaccompanied,
usually on a single text and in a single texture, rarely in
sections, and usually no more than a few minutes long.
By the 16th century, the term applied to almost any
sacred chorus that was not a hymn, Mass movement,
or responsorial. In the Baroque, motet generally meant
any sacred composition for voices from either the Bible
or religious poetry that did not include solo passages,
recitative, or independent instrumental parts. (In
contrast to the motet, a cantata does contain solo passages,
recitatives, or independent instrumental parts.)
Natalie Beck says that the Lutheran chorale motets had
become compound musical structures by the late 17th
century, and that “…the term ‘motet’ is best applied to
a style of composition rather than to a specific form….
Other developments in the late 17th century included the
shifting of the melody line from the tenor or bass to the
soprano voice. The melody then provided material which
was imitative in the accompanying voices.” Beck states
further, “By 1700, motets had been replaced by cantatas
in the Lutheran service. Motets formerly were the main
music of the service and had been sung after the offertory.
By Bach’s time, however, they had become either music
for special occasions or an introduction to the service
following the prelude.” Only six motets that Bach wrote
for special occasions are still extant (BWV 225-230) and
they form one of the peaks of Bach’ art as a composer
of choral music. Three of them will be performed this
evening: Lobet den Herrn, alle Heiden (BWV 230); Jesu,
meine Freude (BWV 227); and Der Geist hilf unsrer
Schwachheit auf (BWV 226).
The shortest of these, Lobet den Herrn, alle Heiden, is
an exuberant one-movement setting of Psalm 117 that
concludes with a dance-like “Allelujah.” The impetus for
its composition is unknown but most scholars think that is
was not written for liturgical use. It is scored for four-part
chorus and continuo.
Jesu, meine Freude is Bach’s longest motet and it contains
eleven movements that form a symmetrical arch – the first
and last movements are musically identical. It is scored for
five-part choir though some sections are for three and four
voices. Through the eleven movements, Bach alternates
stanzas of a popular 1653 hymn by Johann Franck, “Jesu,
meine Freude,” with passages from the eighth chapter of
Romans. The hymn melody is by Johann Crüger and Bach
D
Creating memories
our Specialty
234 E Main Street, P.O. Box 218, Pullman, WA 99163
509.334.3545
800.752.5287
Program Notes
uses it in five of the eleven movements. Although there is
some doubt, Bach apparently composed Jesu, meine Freude
in 1723 for a memorial service honoring Johanna Maria
Kase, the wife of Leipzig’s Postmaster.
As the music director of the Thomasschule in Leipzig,
Bach worked under the headmaster, Johann Heinrich
Ernesti. When Ernesti died in October 1729, Bach was
commissioned to compose a motet for the funeral service.
The result, Der Geist hilf unsrer Schwachheit auf
auf, is a
double-choir motet with text taken from St. Paul’s Epistle
to the Romans. The motet is in four sections and the
concluding chorale is the third verse of Martin Luther’s
“Komm heiliger Geist, Herre Gott.”
A WORD A BOUT P ERFORMANCE P RACTICE
he general consensus among contemporary scholars is
T
that during Bach’s time, his “a cappella” sacred choral
music was accompanied by a continuo complement if at all
possible. Furthermore, if instruments were available, Bach
had them play colla parte (doubling the voice parts). With
specific regard to the three motets performed this evening,
an independent continuo part by Bach exists for Lobet
den Herrn, and authentic colla parte string and wind parts
survive for Der geist hilf
hilf. Tonight, strings and winds will
also double the voice parts in Lobet den Herrn and Jesu,
meine Freude in keeping with Bach’s practice.
THE SWINGLE SINGERS
he concert concludes with two of the Swingle
T
Singers more popular choral arrangements of Bach
instrumental pieces. Ward Swingle, founder of the
Swingle Singers, describes Swingle-singing as “the use of
the voice as an instrument in a fusion of jazz and classical
styles.” The Swingle Singers originated as background
vocals to Charles Aznavour and Edith Piaf in Paris in the
1960s. After experiencing numerous personnel changes,
they are still popular today and maintain a strenuous
performing and recording schedule. Bouree, originally
for harpsichord, is from English Suite No. 2 in A Minor
(BWV 807). Aria is the famous “Air on a G String,” from
Orchestral Suite No. 3 in D (BWV 1068).
 John Wei ss
P RECISION
E NGRAVING
Gifts & Awards
208-882-4384
www.pega.ws
409 West 3rd St.
Moscow, Idaho
Birthdays
"We're
Anniversaries
Mo
re
Weddings
Tha
n a T rop
hy Shop! "
Graduations
Sports Awards
8
John Weiss, Conductor
13
Our Business Supporters
assistant professor of music at Washington State University, John
Currently
Weiss earned a Bachelor of Music degree in music education
at Boston University’s School for the Arts, a Master of Fine Arts degree in choral
conducting at the University of California, Irvine, and a Doctor of Musical Arts degree
in choral conducting from the University of Arizona. Past choral groups under his
direction have won numerous first prizes at state, regional and national competitions.
He has been a guest clinician and conductor at MENC regional and state Conferences
in Massachusetts, Vermont, and Oregon, and choral director for North American
Music Ensembles’ 1991 European tour.
As a bass, Dr. Weiss was a Metropolitan Opera Regional Finalist and won First Prize
in the Associazione Lirica Italo-Americana Mario Del Monaco Voice Competition.
He has performed leading and supporting roles with Boston Lyric Opera, Indianapolis
Opera, Ash Lawn-Highland Summer Festival, Raylynmor Opera, Commonwealth
Opera, Longwood Opera, Vermont Opera, Oakland Opera, and Sacramento Opera,
and also soloed for such organizations as the Harvard-Radcliffe Chorus, College of
the Holy Cross Choirs, and the Oakland Chamber Orchestra and Oratorio Society.
Some of his favorite roles include Leporello in Don Giovanni, Tevye in Fiddler on the
Roof, Mustafa in L’italiana in Algeri, Alfie Doolittle in My Fair Lady, Sarastro in Die
Roof
Zauberflöte, Colline in La Bohéme, Bartolo in Il Barbiere di Siviglia and Sir Joseph
Porter in H.M.S. Pinafore. In May 2005, he sang the role of Sparafucile in Rigoletto with
Granite State Opera in New Hampshire.
The University of Arizona nominated Dr. Weiss’ doctoral research, Operatically Trained
Singers in the Collegiate Choral Rehearsal, for the Julius Herford Award sponsored by the American Choral Directors Association. An
article based on this research appeared in The Choral Journal, August 2002 and he presented his findings at the Second International
Physiology and Acoustics of Singing Conference in Denver in October 2004. This spring, he will again present the same research at the
Washington Music Educators Assoc. State Conference in Yakima, and at the American Choral Directors Association NW Division
Convention in Portland.
Elena Panchenko, Accompanist
Elena Panchenko
Panchenko,
originally
from
Ukraine, studied at the Moscow Conservatory,
where she earned her degree in piano
performance, music history and music theory.
She served as the Musical Director of the Penn
State Opera for four years and performed the
debut of two new operas, including Mrs. Satan,
an opera about the life of the first woman
presidential candidate, Victoria Woodhall.
Working extensively as an accompanist and
church musician, Elena has worked with groups
as varied as a children’s dance group to such
well-know performers as Francis Orval and
David Shifrin, Clarinetist and Music Director of
Chamber Music at Lincoln Center. In addition
to Elena’s duties with the chorale, she and is also the Music Director at St. James Episcopal
Church in Pullman. Elena lives with her husband, Alex, WSU Math Professor and former
Ukrainian Rock Star (as is Elena), her son Ivan, and their dog, Tasha.
�������������������
���������
��������������������������������
����������������������
���������������������
������������������
���������������
Hodgins
Drug & Hearing
307 South Main, Moscow, Idaho
208.882.5536
Open Monday - Friday 9-6, Saturday 9-5, Sunday 12-5
����������
for Home, for Health, for Life
��custom kitchens
��bridal showers
��microwave classes
��fund raisers
��classic parties
Helen Lombard, D.I.Q.
208.743.2747
[email protected]
“A Mens & Womens
Clothing Store”
East 400 Main Street, Pullman, WA 99163
(509) 332-0505 • Fax (509) 334-9134
12
Our Business Supporters
UP TOWN HAIR & NAIL SALON
9
Mimi Dimitrovska, Alto, is proof of one of the benefits of living
on the Palouse: that the universities attract people with extraordinary
experiences. Mimi and her family moved to Pullman in 2001 from
Skopje, Macedonia, when her husband, Alex, accepted a position with
WSU’s Department of Electrical Engineering and Computer Science.
When Mimi found the Chorale and began singing with us in 2002,
she brought a wealth of singing experience from her life in Macedonia.
Mimi began her formal training at age 8 when she was enrolled in a
music school, where she sang with school choirs as well as with Skopje’s
large municipal children’s choir. By the age of 20 she was invited to sing
with the Macedonian National Radio choir, and at 22 she began singing
in the opera choir with the National Theatre. At one point she was
singing in four different choirs, and with these groups she toured across
the former country of Yugoslavia and as well as throughout Europe,
singing concerts in England, France, Italy, Spain, Germany, Belgium, and
Poland. In addition to her musical activity, Mimi also taught high school
comparative literature, the field in which she holds her degree. Mimi loves
the process of preparing music and of experiencing and sharing music
with others. Preparing this concert has been especially enjoyable for her
because Bach is one of her favorite composers--along with Rachmaninoff,
Verdi, and Puccini. Mimi says, “This Chorale means very much to me. I
feel so enriched with the new musical experiences, especially American
music, and I’ve made so many new friends. It’s always easier to make
friends through the music.”
Suzanne A. Robinson L.M.P., R.N
Licensed Massage Practitioner, R.N.
Nationally Certified
American Massage Therapy Association
208.413.0616 cell
208.743.0161
232 Thain Road,Suite A
Lewiston, Idaho
���������
�������������
������������������������
����������������������������
�����������������������������
����������������������
Chorale Donors
�����������������������������������������������������������������������
�����������������
������������
�������
�
Brused
Books
• buy • sell • trade
• hardbacks - paperbacks
• science to science fiction
• literature to psychology
235 E. Main
Pullman, WA 99163
Monday - Friday 11 - 6
Saturday 10 - 6
Sunday 1 - 6
509-334-7898
Chorale Member Profile
�������������������������������������������
������������������������������
�����������������
���������������
���������������������
������������
����������������
���������������
��������������������
���������������
���������������
������������
Sponsors, $1500 +
Decagon Devices, Inc.
Edmund O. Schweitzer
John Brewer, Sharon & Ted
Nitz, and David Seamans
Benefactors, $500 +
Best Western University Inn
Chamber Choir Caroling
Laura McMichael
David & Kathy Spencer
Gordon & Dene Thomas
Rosemary & Barney Waldrop
Supporters, $250 +
Meredyth Goodwin
Paul Phelps & Paul Thomasson
Steve & Anne Swannack
Ellen Thiem
Patrons, $100 +
Kathy Anderson
Walt Asbe
Nance Ceccarelli
Patrick & Diane Daley
Diane Gillespie & Dick Domey
Shaun & Jill Freuden
Clive Gay
Barb & Howard Hayes
Peter Mika
Sandra Ristow
Esther Anderson-Spencer & G.
Roger Spencer
Bill Voxman
John & Cheryl Weiss
Bill Wykoff
Friends, $25 +
Kurtzi Anderson
Melinda Beasley
Donald Blake
Susan Bohm
Tom & Liz Brandt
Lynn Brinckmeyer
Laurie Caraher
Kelsey Frei
Nancy Grunewald
Sandra Haarsager
John Haugen
John Jordan
Barbara J. Kirschner
Holly McCollister
Robert & Janice Miller
Ann & John Norton
Mimi Pengilly
Joan & Merton Pubols
Louise Reglin
Paul Spencer & Susan Daniels
Jean Sawyer
Sylva & Robert Staab
Janice Willard
10
Sopranos
Kathy Anderson
Heather Benson
Laurie Caraher
Shari Carter
Heather Dixon
Kelsey Frei
Jill Price Freuden
Meredyth Goodwin
Nancy Grunewald
Sandra Haarsager
Helen Lombard
Mary Macey
Janet Mount
Sharon Nitz
Ann Norton
Kathy Spencer
Megan Wildes
Janice Willard
Altos
Theresa Allen
Alice Barbut
Cheryl Blackburn
Susan Bohm
Janet Brandt
Judy Campbell
Jennifer Coleman
Mimi Dimitrovska
Judie Hanley
Tressa Hochstatter
Jan Keller
Laura McMichael
Holly McCollister
Maureen Miller
Miho Nam
Heather Nelson
Jan Patrick
Mimi Pengilly
Ruth Vanderwall
Karen Weathermon
The Idaho-Washington Concert Chorale
Tenors
Erol Barbut
Kevin Brackney
Tom Brandt
Bill Dugger
Rick Grunewald
John Haugen
Ian Hust
Glenn Petersen
Don Willows
Basses
Allen Alstad
Walt Asbe
Art DeLong
Jack Keller
Petr Kuzmic
John Jordan
Kirk McMichael
Matthew Petersen
Gary Peterson
Jim Reece
David Spencer
Gerd Steckel
Steve Swannack
Gordon Thomas
Dean Vanderwall
Leonard West
Chorale
Leadership
Heather Benson
Graphic Designer
Cheryl Blackburn
Advertising Manager
Tom Brandt
Tenor Section Leader
Judy Campbell
Alto Section Leader
Jill Price Freuden
Marketing Director
Soprano Section Leader
Board of Directors
Richard Domey
Real Estate Agent, Pullman
Meredyth Goodwin
Chorale President
Janice O’Toole
Chorale Vice-President
Jan Keller
Chorale Treasurer
Glenn Petersen
Chorale Secretary
Janet Brandt
Chorale Member-at-Large
Jana Joyce
Sheila Converse
Mary Macey
Barbara Hayes
Ann Norton
Gary Peterson
Laura McMichael
Rosemary Waldrop,
Kathy Spencer
Lori Wiest
Database Manager
Chorale Librarian
Chorale Librarian
Front Door Manager
Audition Committee Accompanist
Gerd Steckel
WSU Faculty
Chorale Member-at-Large
Private Voice, Pullman
WSU Faculty, Pullman
Steve Swannack
Gordon Thomas
Accompanist
Karen Weathermon
House Manager
Bass Section Leader
Riser Crew Coordinator
Web Master
Press Releases & Notecards
Our Families
Our Season Ticket Holders
Adelphia Cable, Palouse Bulletin
American West Bank, Colton &
Uniontown
Athena Design
Troy Benson
Tecla Blood
Keith & Betty Brandon
Churchyard Inn Bed & Breakfast &
Kathy Stillwell
City of Colton
Mark Culbertson
Sharon & Eugene Dixon
Paul Dorpat & Jean Sherrard
Albert & Ellen Eng
Shirley Engerbretson
Other Chorale Friends
Costume Designer, Lewiston
Music Director &
Principal Conductor
Receipts Treasurer
11
John Weiss
Elena Panchenko
Sherry Caisley
Aitken, Schauble, Patrick,
Neill, Ruff & Shirley
At Home Designs
Auditorium Chamber Music Series
Beasley Realty
Bennett Realty
BookPeople of Moscow
Brused Books
Chipman & Taylor
Coleman Oil/Chevron DynaMarts
Cowgirl Chocolates
Creason, Moore & Dokken
Dissmore’s IGA
Eastside Marketplace
Eleanor’s Corner Saloon
FirstBank
Gail Byers Real Estate
Gritman Medical Center
First United Methodist Church,
Lewiston
Scott Gleason
James Harper
Jana Joyce
Dave Lemitz
Kirstin Malm
Maryann & Don Matteson
Miho Nam
Northwest Organs, Inc.
Diane Norton
Marsha & Bob Olsen
The Owl Southway Pharmacy
Palouse Industries, Inc./Early
Learning Services/Young Children
& Families of the Palouse
Jan Patrick
Our Advertisers
Hill’s Valley Floral
Hodgin’s Drug
John H. Norton, Attorney at Law
Ken Vogel Clothing
KQQQ/KHTR Border 104
Lewis-Clark State College
Helen Lombard, Tupperware
McDonald’s of Pullman, Stadium Way
Moscow Food Co-op
Musical Alchemy, Inc.
Neill’s Flowers & Gifts
One World Café
Open Eye Consignment Shop
Otto’s Produce Market
Pacific NW Kiwanis - Louise Regelin,
District Governor
Palouse Enological Society
�����������������������������������
Sing with Us!
Singing with the Chorale is fun!
IWCC is an auditioned choir of community members from around the Palouse.
Auditions for the 2006-2007 Season will be held in August, 2006. If you are interested in joining us,
please contact: Janice O’Toole 509.229.3654, [email protected]
������������������������
��������������������
�������������������
�������������
�������������������
����������������������������������������������
Bill Payne
Julie Pomerenk
Jim Reece
John Rich
Lisa Schellhorn
Jim Sato
Brandon Schell
Arne Seims
Michael Snyder
St. Boniface Church, Uniontown
St. James’ Episcopal Church, Pullman
Justin Stout
Chris Thompson
City of Uniontown & Police Dept.
Uniontown Community Building
Steve Waller
Palouse View Dental Center
Pets Are People, Too
Precision Engraving Gifts & Awards
Pullman Civic Theatre
Pullman Family Medicine
Pullman Regional Hospital
Sam Dial Jewelers
Suzanne Robinson,
Uptown Hair Salon
S&S Custom Cabinets, Inc.
Taylor Engineering, Inc.
3rd & Main Bistro
Threads ‘n’ Things
Today’s Dental
Webster & Frey, P.L.L.C.
Wheatberries Bake Shop
Wine Company of Moscow