Floorplan - Julia Stoschek Collection

Fragile
Number two:
Schanzenstrasse 54
D 40549 Düsseldorf
T. +49.211.585.884.0
F. +49.211.585.884.19
[email protected]
julia-stoschek-collection.net
Mit dem Titel Number Two: Fragile präsentiert die Julia Stoschek Collection die zweite
The second exhibition of works from the Julia Stoschek Collection bears the title Number
Ausstellung aus dem privaten Sammlungsbestand von Julia Stoschek.
Two: Fragile.
Hauptthema der Ausstellung ist der Aspekt der Körperlichkeit in Video, Installation und Fotokunst,
The exhibition focuses on corporeality in videos, installations and photography, an aspect of art
mit der vor allem Künstler der Body-Art und Performance Kunst seit den 60/70er Jahren
that has been explored intensively since the 1960s and 70s, in particular within the genres of
experimentieren.
Body Art and Performance.
Themen und Motive wie Selbstinszenierung, Schmerz, Transformation, Körperhaftigkeit im Sinne
The 50 works in the show were selected to shed light on themes and motifs such as self-drama-
einer Plastizität, die als reale, äußere Form erfahrbar wird, aber auch Zerbrechlichkeit im buch-
tisation, pain, transformation, physicality in the sense of a plasticity that can be experienced as
stäblichen Sinne werden in den insgesamt 50 Arbeiten vorgestellt.
a real, external phenomenon, and also fragility in a literal way.
Einen besonderen Stellenwert in der Ausstellung nimmt die künstlerische Selbstinszenierung oder
Artistic self-dramatisation in video is perhaps the show’s most prominent theme. The technical
die Darstellung des Künstlers im Video ein. Die technische Weiterentwicklung des Films hin zum
development of film into video and the general debate surrounding the definition of art in
Video und die allg. Krise des Werkbegriffs in den 60er Jahren führte dazu, dass das künstlerische
the 1960s called into question how artists perceived themselves. This led artists to engage
Selbstbild neuen Fragen unterworfen wurde. Der Künstler trat in einen direkten, unmittelbaren
in a more immediate, direct dialogue with the camera. They developed new approaches to
Dialog mit der Kamera, neue Inszenierungsstrategien wurden entwickelt und der Körper des
presenting their ideas and the artist’s body became the art world‘s fascinating new medium
Künstlers rückte als Objekt in den Vordergrund.
and focus.
Stellvertretend für diese Neuformulierung der künstlerischen Auseinandersetzung sind hier in der
This exciting period when artists once again sought to redefine art and the artistic process is
Ausstellung Bruce Nauman, Vito Acconci, Katharina Sieverding aber auch die Künstlerin
represented in this exhibition by Bruce Nauman, Vito Acconci, Katharina Sieverding and
­Hannah Wilke vertreten.
­Hannah Wilke.
Dem gegenüber gestellt sind eine Vielzahl von jungen Positionen, wie z.B. Alex McQuilkin oder
These artists are juxtaposed with a variety of contemporary perspectives, shown in work by artists
Jen DeNike, die sich in ihren Arbeiten mit der Entdeckung des eigenen Körpers oder mit den
such as Alex McQuilkin and Jen DeNike. In these pieces they seek to explore the themes of their
psychischen Irrungen und Wirrungen der Jugend oder Pubertät auseinandersetzen.
own bodies and the psychological trials and tribulations of youth and puberty.
Ein weiterer großer Schwerpunkt ist das Thema Schmerz. Chris Burden beispielsweise zeigt
The exhibition also places great emphasis on the subject of pain. For example, Chris Burden’s
in seiner Documentation of Selected Works, einer Reihe von Arbeiten, wie er sich
Documentation of Selected Works includes a piece where he has someone shoot
beispielsweise in den Arm schiessen lässt oder mit auf dem Rücken verbundenen Armen über
him the arm and one where he must crawl across a pile of glass shards with his hands tied
einen Scherbenhaufen kriecht.
behind his back.
Was der menschliche Körper in der Phantasie des Künstlers zu erschaffen vermag, zeigt uns
Mika Rottenberg’s room installations show what the human body is capable of in the mind of an
Mika Rottenberg in Ihren Rauminstallationen. Tränen werden zu langen Teiggebilden, Haare
artist. Making dough from tears and milk from hair, she takes normal production processes to
werden gemolken und somit gängige Produktionsabläufe ad absurdum geführt.
the point of absurdity.
Die Ausstellung wird voraussichtlich bis Herbst 2009 zu sehen sein. Der begleitende Katalog zur
The exhibition is set to last until autumn 2009. The catalogue for the exhibition will be published
Ausstellung wird im Frühjahr 2009 erscheinen.
in early 2009.
Fragile
Number two:
Marina Abramović
Vito Acconci
Peggy Ahwesh
Walead Beshty
Björk (Encyclopedia Pictura)
John Bock
Chris Burden
Janet Cardiff &
George Bures Miller
Paul Chan
Patty Chang
Jen DeNike
Nathalie Djurberg
Cheryl Donegan
DOUGLAS GORDON
Kate Gilmore
Cao Guimarães
Terence Koh
Alex McQuilkin
Nandipha Mntambo
Lutz Mommartz
Bruce Nauman
Rob Pruitt
Adam Putnam
Pipilotti Rist
Torbjørn Rødland
Mika Rottenberg
Katharina Sieverding
Rosemarie Trockel
Hannah Wilke
Aaron Young
First Floor
Erstes Geschoss
Second Floor
Zweites Geschoss
48
1 Douglas Gordon
2 Lutz Mommartz
3 Bruce Nauman
4 Katharina Sieverding
5 Mika Rottenberg
6 Mika Rottenberg
7 Alex McQuilkin
8 Alex McQuilkin
9 Patty Chang
10 Patty Chang
11 Terence Koh
12 Cheryl Donegan
13 Pipilotti Rist
14 Pipilotti Rist
15 Rosemarie Trockel
16 Rosemarie Trockel
17 Marina Abramović
47
46 Cao Guimarães
47 Kate Gilmore
48 Peggy Ahwesh
49 Patty Chang
49
4
7
5
6
8
13
14
15
16
3
17
12
11
37
2
33
26
25
24
27
28
38
22
29
30
36
34
31
32
21
35
20
Kino im Basement /
Basement Theater
45 Björk (Encyclopedia
Pictura)
1
9
23
44
40
39
41
18 Rob Pruitt
19 Aaron Young
20 Chris Burden
21 Chris Burden
22 Chris Burden
23 Chris Burden
24 Hannah Wilke
25 Hannah Wilke
26 Hannah Wilke
27 Adam Putnam
28 Adam Putnam
29 Adam Putnam
30 Nandipha Mntambo
31 Nandipha Mntambo
32 Vito Acconci
33 Vito Acconci
34 Vito Acconci
35 Torbjørn Rødland
36 Nathalie Djurberg
37 Nathalie Djurberg
38 Paul Chan
39 John Bock
40 Janet Cardiff &
George Bures Miller
41 Jen DeNike
42 Jen DeNike
43 Jen DeNike
44 Walead Beshty
19
10
42
43
46
18
Art Make-Up No. 3, Green
1967–68
16-mm film transferred to video,
10’00”, color, silent, unlimited
Courtesy of Electronic Arts Intermix (EAI),
New York
1 Douglas Gordon
The Nature Of Relation­ships
­Between Few Words 2006
5 Mika Rottenberg
Cheese 2008
6-channel installation
House, 07’05”
Cheese, 04’28”
Hairwash, 01’53”
Milk, 02’04”
Concert, 02’01”
Chicken Soup, 01’07”
color, sound
edition of 2
9 Patty Chang
Fan Dance 2003
video, 28’47”, color, sound, edition of 5
Courtesy of the artist and Arratia, Beer, Berlin
13 Pipilotti Rist
Blutclip 1993
video, 02’40”, color, sound, unlimited
Courtesy of the artist, Electronic Arts
Intermix (EAI), New York, and Hauser & Wirth
Zurich / London
17 Marina Abramović
The Onion 1996
video installation, 20’00”, color,
sound, edition of 5
Courtesy of the artist
21 Chris Burden
Bed Piece 1972
video, 02’59”, black & white, sound,
unlimited
Courtesy of Electronic Arts Intermix (EAI),
New York
Unique piece, Courtesy of the artist and
Gagosian Gallery, New York
Art Make-Up No. 4, Black
video, 32’00”, black & white, sound,
unlimited
photograph, black & white,
50.8 × 40.7 cm, edition of 3
2 Lutz Mommartz
Courtesy of the artist and Arratia, Beer, Berlin
14 Pipilotti Rist
Pickelporno 1992
video, 12’02”, color, sound, unlimited
Courtesy of Electronic Arts Intermix (EAI),
New York
18 Rob Pruitt
Icarus 1973
video, 02’24”, color, silent, unlimited
video installation, 07’00”, color,
sound, edition of 5
Courtesy of the artist
cowhide, resin, polyester mesh, waxed
cord, 100 × 175 × 140 cm, unique piece
Courtesy of Michael Stevenson, Cape Town
3 Bruce Nauman
Art Make-Up No. 1, White
© Marsie, Emanuelle, Damon, and Andrew
Scharlatt, Hannah Wilke Collection and
Archive, Los Angeles. Courtesy of Electronic
Arts Intermix (EAI), New York
Openings 1970
super 8 film transferred to video,
14’00”, black & white, silent, unlimited
Courtesy of Electronic Arts Intermix (EAI),
New York
1967–68
16-mm film transferred to video,
10’00”, color, silent, unlimited
Courtesy of Electronic Arts Intermix (EAI),
New York
© Katharina Sieverding VG-Bildkunst /
Photo Klaus Mettig VG-Bildkunst
Snow White 2008
Die Sonne Um Mitternacht
Schauen
24/III/196/1973/97/A/B
7 Alex McQuilkin
Fucked 2000
36 Nathalie Djurberg
It’s The Mother 2008
video, claymation, 06’00”, color,
sound, edition of 4
Courtesy of Giò Marconi, Milan
mixed-media installation (200 neon
tubes, porcelain flowers, mirror
coffin), video (documentation of a
performance on October 8, 2008;
06’18”, color, silent), unique piece
Courtesy of Peres Projects, Los Angeles /
Berlin
Egg Trying To Get Warm
1994
video, 04’15”, black & white, silent,
edition of 10
Courtesy Sprüth Magers, Berlin / London
© Rosemarie Trockel, VG Bild-Kunst 2009
video installation, 06’00”, color,
sound, edition of 5
Courtesy of Electronic Arts Intermix (EAI),
New York
1973
c-print, acrylic, steel, 190 × 125 cm,
edition of 5
© Katharina Sieverding VG-Bildkunst /
Photo Klaus Mettig VG-Bildkunst
mirror boxes: two-way-mirror
glass with safety glass laminate,
transparent boxes: glass with safety
glass laminate, silicon, cardboard,
40.6 × 40.6 × 40.6 cm each unit, overall dimensions variable, unique piece
Shadow-Play 1970
from: Three Relationship
Studies
super 8 film transferred to video,
03’07”, color, silent, unlimited
© Marsie, Emanuelle, Damon, and Andrew
Scharlatt, Hannah Wilke Collection and
Archive, Los Angeles. Courtesy of Electronic
Arts Intermix (EAI), New York
Courtesy of Galerie Adler, Frankfurt am Main
Courtesy of Electronic Arts Intermix (EAI),
New York
23 Chris Burden
8 Alex McQuilkin
Get Your Gun Up 2002
video, 02’30”, color, sound, edition of 9
Courtesy of Galerie Adler, Frankfurt am Main
Courtesy of Pierogi Leipzig / New York and
Smith-Stewart, New York
Broken Fedex Boxes 2008
12 Cheryl Donegan
Head 1993
video, 02’49”, color, sound, unlimited
Courtesy of Electronic Arts Intermix (EAI),
New York
16 Rosemarie
Trockel
20 Chris Burden
video, 01’57”, black & white and color,
sound, edition of 10
video, 02’22”, black & white, sound,
unlimited
Ei-Dorado 1992–98
Courtesy Sprüth Magers, Berlin / London
© Rosemarie Trockel, VG Bild-Kunst 2009
Through The Night Softly
1973
Courtesy of Electronic Arts Intermix (EAI),
New York
Documentation of Selected Works (220 1971, Shoot
1971, Bed Piece 1972,
Deadman 1972, Through
the Night Softly 1973, Fire
Roll 1973, Icarus 1973,
B.C. Mexico 1973, TV Ad
1973, Back to You 1974,
Velvet Water 1974)
super 8 film and 16-mm film transferred to video and half-inch video,
34’38”, color, sound, unlimited
Courtesy of Electronic Arts Intermix (EAI),
New York
Courtesy of the Wallspace Gallery
33 Vito Acconci
16-mm film transferred to video,
10’00”, color, silent, unlimited
Courtesy of the artist
© Katharina Sieverding VG-Bildkunst /
Photo Klaus Mettig VG-Bildkunst
1967–68
video, 07’05”, color, sound, edition of 5
Courtesy of the artists, Luhring Augustine,
New York, and Barbara Weiss, Berlin
The Museum of Modern Art, New York. Gift
of Julia Stoschek
Courtesy of the artist and Taxter &
­Spengemann, New York
Hannah Wilke Through The
Large Glass 1976
Good Boy 2001
c-print, acrylic, steel, 190 × 125 cm,
edition of 5
16-mm film transferred to video,
10’00”, color, silent, unlimited
26 Hannah Wilke
19 Aaron Young
1973
Art Make-Up No. 2, Pink
My Love Is An Anchor 2004
mixed media/audio installation,
sound, pneumatics, robotics,
04’40”, color, sound, 3 × 4 × 2.5 m,
edition of 2
photograph, black & white,
50.8 × 40.7 cm, edition of 3
15 Rosemarie
Trockel
video, 03’00”, color, sound, edition of 9
Die Sonne Um Mitternacht
Schauen
11/III/196/1973/97/A/B
47 Kate Gilmore
The Killing Machine 2007
44 Walead Beshty
11 Terence Koh
1973
c-print, acrylic, steel, 190 × 125 cm,
edition of 5
Courtesy of Galeria Nara Roesler, São Paolo
Courtesy of Nils Stærk, Copenhagen
Wardrobe 1987
Die Sonne Um Mitternacht
Schauen
26/III/196/1973/97/A/B
super 8 film transferred to DVD,
03’00”, color, sound, edition of 6
c-print on aluminum, 50 × 40 cm,
edition of 3
29 Adam Putnam
4 Katharina
Sieverding
Courtesy of the artist
Nanofania 2003
Goldene Tränen 2002
32 Vito Acconci
Courtesy of Electronic Arts Intermix (EAI),
New York
Courtesy of Nicole Klagsbrun Gallery,
New York
video, 03’10”, color, sound, edition of 2
40 Janet Cardiff &
George Bures
Miller
video, 27’00”, black & white, sound,
unlimited
22 Chris Burden
Wrestling 2002
46 Cao Guimarães
35 Torbjørn
Rødland
Intercourse With . . . 1978
jeans, cement, 38 × 74 × 59 cm,
unique piece
Dough 2006
16-mm film transferred to video,
11’00”, black & white, silent, unlimited
Intsandvokati 2008
25 Hannah Wilke
Esprit De Corps: Guitar
Jam 2006
Courtesy of the artist and Gavin Brown’s
enterprise, New York
6 Mika Rottenberg
Soziale Plastik 1969
31 Nandipha Mntambo
Courtesy of the artist and Taxter &
­Spengemann, New York
video, 05’19”, color, sound, edition of 5
43 Jen DeNike
Courtesy of Klosterfelde, Berlin; Anton Kern,
New York
© Marsie, Emanuelle, Damon, and Andrew
Scharlatt, Hannah Wilke Collection and
Archive, Los Angeles. Courtesy of Electronic
Arts Intermix (EAI), New York
Bookshelf 1987
Shaved (At A Loss) 1998
Courtesy of Electronic Arts Intermix (EAI),
New York
video installation, super 16-mm
film transferred to DVD, 27’22”,
color, sound, edition of 3
28 Adam Putnam
10 Patty Chang
1967–68
16-mm film transferred to video,
10’00”, color, silent, unlimited
Zezziminnegesang 2006
Philly 1977
Courtesy of Nicole Klagsbrun Gallery,
New York
Text installation, dimensions variable
39 John Bock
24 Hannah Wilke
48 Peggy Ahwesh
She Puppet 2001
37 Nathalie Djurberg
We Are Not Two, We Are
One 2008
video, claymation, 05’33”, color,
sound, edition of 4
Courtesy of Giò Marconi, Milan
video, 15’00”, color, sound, unlimited
41 Jen DeNike
Courtesy of Electronic Arts Intermix (EAI),
New York
Girls Like Me 2006
video, 06’00”, color, sound, edition of 3
Courtesy of the artist
38 Paul Chan
27 Adam Putnam
30 Nandipha Mntambo
photograph, black & white,
50.8 × 40.7 cm, edition of 3
cowhide, resin, polyester mesh, glass
beads, waxed cord,
170 × 165 × 100 cm, unique piece
Dish Cabinet 1987
Courtesy of the artist and Taxter &
­Spengemann, New York
Sondzela 2008
Courtesy of Michael Stevenson, Cape Town
34 Vito Acconci
Applications 1970
super 8 film transferred to video,
18’49”, color, silent, unlimited
Courtesy of Electronic Arts Intermix (EAI),
New York
Happiness (Finally) After
35,000 Years Of Civilization (After Henry Darger
And Charles Fourier)
2000–03
digital video projection on a sparkle
vellum screen, 17’20”, color, sound,
edition of 6
Courtesy of Greene Naftali, New York
42 Jen DeNike
Dunking 2003
video, 03’30”, color, sound, edition of 3
Courtesy of the artist
45 Björk
(Encyclopedia
Pictura)
49 Patty Chang
stereoscopic digital video (3D),
07’27”, color, sound, edition of 6
video, 04’13”, color, silent, edition of 5
Wanderlust 2008
Courtesy of One Little Indian
Untitled (For Abramović,
Love Cocteau) 2000
Courtesy of the artist and Arratia, Beer, Berlin