culture meets surgery - Zentrum für Literatur
Transcription
culture meets surgery - Zentrum für Literatur
culture meets surgery Annual Conference Center for Literary and Cultural Research Images, Models, and Interpretations of the Human Skull Although surgical techniques of cranial reconstruction have advanced in recent years, altering a person’s head shape by operating on cranial bones is still a serious intervention into the body, especially for children. Yet, what constitutes the physical outcome of the intervention – i.e. the ›normal‹ head shape – and why it is of significance to the individual patient is rarely discussed in the medical literature, making the procedure difficult to plan, perform, evaluate, and teach. Thus, surgeons must rely on their subjective judgement when it comes to ›correcting‹ cranial deformities. What constitutes this judgement when medical textbooks fail at this point? Zentrum für Literatur- und Kulturforschung Berlin Schützenstraße 18 · 10117 Berlin · Tel.: +49 · (0)30 · 20 192 – 173 · Fax: – 154 kommunikation@zfl-berlin.org · www.zfl-berlin.org · Direktorin: Prof. Dr. Dr. h.c. Sigrid Weigel of t an ul Sk an H um re rp In te l ta tio ns s, od el ,M es ag Im Carolyn Steinbeck Gestaltung Partly funded by VolkswagenFoundation. d The aim of the conference is to establish an interdisciplinary dialogue in order to examine the cultural and epistemological premises of shaping the human head and to discuss current practises of plastic surgery in view of their history. he cu l t m ur ee e su ts rg er y There seems to be an implicit cultural knowledge which guides surgeons and patients’ families when judging a head as ›normal‹ or ›deformed‹, and this is also the case in most fields of plastic surgery. This knowledge may be informed as much by professional expertise or personal experience as by popular beliefs and representations in the media. Drawing to light what is entailed in such judgements seems an essential basis for making the decision to operate. November 8 – 10, 2012 Venue Zentrum für Literatur- und Kulturforschung Schützenstr. 18 · 10117 Berlin · Trajekte-Tagungsraum 308 / 310 Friday, Nov. 9 Chair: Ernst-Johannes Haberl 9.30 Matt Jones San Francisco The quick character read. Designing heads for animated films Hans-Florian Zeilhofer Basel The art of planning and performing cranio-maxillofacial surgery 11.30 Break Chair: Sigrid Weigel 12.00 Uta Kornmeier ZfL Michelangelo’s scalpel. Proportion studies in classical art and contemporary surgical literature Stefan Zachow ZIB Berlin Program Three-dimensional morphometry. Building an objective for surgical reconstruction of cranial deformities 14.00 Break Chair: Volker Hess 15.00 Christine Hanke Potsdam 5,371 measures of a skull. Medial practices in 1900 physical anthropology Thursday, Nov. 8 16.00 Introduction Ernst-Johannes Haberl Charité Berlin Sigrid Weigel ZfL James T. Goodrich New York Manipulating cranial bones. A cultural and surgical survey 17.30 Break Chair: Uta Kornmeier 18.00 Martin Kemp Oxford Feeling bullish? Reading and representing faces in the visual arts from the Renaissance to now Simon Strick ZfL Children’s cranial deformation. A 19th-century genealogy 17.00 Break Chair: Simon Strick 17.30 Nichola Rumsey Bristol Perceptions of facial differences. What motivates people to seek cosmetic surgery? Rosemarie Garland-Thomson Atlanta Extraordinary faces Saturday, Nov. 10 9.00 Working Breakfast Please register for this event with Sarah Affenzeller ([email protected]) Frame-based cranial reconstruction Presenter: Ernst-Johannes Haberl Charité Berlin Chair: Uta Kornmeier 11.00 Jeanette Kohl Riverside Busts and bones. Sculpted heads in the Renaissance Sigrid Weigel ZfL Carl Gustav Carus and the symbolic interpretation of the human shape 13.00 Break Chair: Simon Strick 14.00 Richard Neave Manchester Uncertainties of soft tissue prediction in facial reconstruction Thomas Schnalke / Andreas Winkelmann Charité Berlin Skull research. Dealing with »human remains« in view of recent restitution demands 16.00 Break 16.30 Panel Discussion Collaborating with the humanities: A challenge for plastic surgery? Ernst-Johannes Haberl Charité Berlin Mark R. Proctor Boston Concezio di Rocco Rome Chair: Michael Hagner, Zurich Concezio Di Rocco James T. Goodrich Professor of Pediatric Neurosur- Director of the division of Pedi- craniofacial repair«, in: Journal of ›Rasse‹ und ›Geschlecht‹ in der Story Artist, Pixar Studios, San und Facialität frühneuzeitlicher gery at the Catholic University atric Neurosurgery and Professor international medical research (co- physischen Anthropologie um 1900 Francisco. Porträts«, in: Trajekte 17 (2008); Medical School and Head of the of Clinical Neurological Surgery, author, 2008); »Technical aspects (2007); »Visualisierungen der tion; sculpture. Policlinico Gemelli, Rome, editor Pediatrics, Plastic and Recon- and results of surgery for cranio- physischen Anthropologie«, in: set inside the mind (2010 until ter und Früher Neuzeit (co-ed., synostosis«, in: Zentralblatt für A. Zimmermann (ed.): Sichtbar- today); Arthur Christmas (2009); 2007); Re-Visionen. Zur Aktuali- Neurochirurgie (co-author, 2004). keit und Medium. Austausch, Pirates! (2009); A Monster In tät von Kunstgeschichte (co-ed., Verknüpfung und Differenz natur- Paris (2006 – 2008); Tim Burton’s 2002). Corpse Bride (2004). of Child’s Nervous System. Matt Jones hydro- structive Surgery at the Albert cephalus, craniosynostosis, and Einstein College of Medicine, intracranial pressure phenomena; New York. epileptogenic pathology. malies; internal medicine. »Eva- luation of obstructive sleep apnea in pediatric patients with facio- Craniofacial ano- Michael Hagner wissenschaftlicher und ästhetischer Medical and surgical practice Professor for Science Studies at Bildstrategien (2005). as represented in cultural figures the Eidgenössische Technische Drawing; animaUntitled film mattjonezanimation.blogspot.com Kopf/Bild. Die Büste in Mittelal- Uta Kornmeier Art historian and coordinator of Volker Hess Martin Kemp the project »SchädelBasisWissen. Director of the Institute for the Emeritus Professor of History of Kulturelle Implikationen der plas- and arts; strategies of visualisa- History of Medicine, Charité Art at the University of Oxford. tion in the life sciences; the rela- medical school, and Professor of the brain«, in: Neurosurgical tionship of arts and science; his- for the history of medicine, theory and practice of art; art exhibitions and museums; wax tory of cybernetics; brain research. Humboldt-University Berlin. and science; art and writings of works; city soundscapes. Biographies of scientific images History of 19th and 20th Leonardo da Vinci. für den Ernstfall? Überleben craniostenosis. A brief communi- from the pre-conquest mesoameri- Hochschule, Zurich. cation«, in: Child’s Nervous System can territories (2010); »Anatomy, epistemology of the humanities Historical (co-author, 2012); »Depicting technology, art, and culture. cranial sutures: a travel into the Toward a realistic perspective history«, in: Child’s Nervous System (co-author, 2011); Advances focus (co-author, 2009); Cranio- and technical standards in neuro- facial anomalies. Growth and surgery (co-ed., 2010); Neuro- development from a surgical per- cutaneous disorders. Phakomato- spective (co-ed., 1995); Plastic ses and hamartoneoplastic syn- techniques in neurosurgery (co- dromes (co-ed., 2007). ed., 1991). and memorial culture. On cerebral cultural history of psychiatry. (co-ed., 2009); Homo cerebralis. Scientific models of nature; Christ to tischen Chirurgie des Schädels« at the ZfL. European history of »Fit century medical practice and Coke. How image becomes icon Der Wandel vom Seelenorgan zum technology; history of biological (2011); »Style and non-style in Überleben. Historische und aktu- Gehirn (2008); »Skulls, brains, drugs and drug regulations; anatomical illustration: from elle Konstellationen (2011); »In- renaissance humanism to Henry nere Werte. Kunst im Röntgen- biographies of scientists in the »Writing the history of psychia- als Hobby«, in: F. Schmieder (ed.): Gray«, in: Journal of Anatomy licht«, in: Trajekte 21 (2010); (2010); The human animal in »The Famous and the Infamous. Waxworks as retailers of renown«, Rosemarie Garland-Thomson Ernst-Johannes Haberl nineteenth century«, in: Science in Head of the division of Pediatric context (2003); Der falsche Körper. History of Psychiatry (co-author, western art and science (2007); Professor of Women’s Studies Neurosurgery at the Charité Beiträge zu einer Geschichte der 2011); »Taking and keeping. Seen and unseen. Art, science, in: International Journal of Cul- at Emory University, Atlanta. medical school, Berlin. Monstrositäten (ed., 1995). A note on the emergence and and intuition from Leonardo to tural Studies (2008); »Madame function of hospital patient re- the Hubble Telescope (2006). Tussaud’s as a popular pantheon«, surgery; tethered spinal cord syn- Christine Hanke cords«, in: Journal of the Society drome; craniosynostosis correc- Professor of Media Studies at the of Archivists (co-author, 2011); Jeanette Kohl Pantheons. Transformations of a tion. University of Potsdam. Die Charité. Geschichte(n) eines Associate Professor of History of monumental idea (2004). Art at the University of California, Feminist theory; American literature; disability studies. »Misfits. A feminist materialist disability concept«, in: Hypatia. Endo- scopic and minimally-invasive »Experiences with a gravity- Dis- try in the 20th century«, in: in: M. Craske / R. Wrigley (eds.): A journal of feminist philosophy assisted valve in hydrocephalic course analysis; image theory; Krankenhauses (co-ed., 2010); (2011); Re-presenting disability. children«, in: Journal of neuro- science studies; film und digital Der wohltemperierte Mensch. Riverside. Agency and activism in the museum surgery pediatrics (co-author, media. Fiebermessen in Wissenschaft theory of portraiture; sculpture Artist in medicine and life sci- (co-ed., 2010); Staring. How we 2009); »A clinical pilot study of Realitätseffekte und Spektakel und Alltag 1850–1900 (2000). and materiality; methodology ences; Manchester. look (2009); Extraordinary bodies. fresh frozen plasma versus (2010); Prototypisieren. Eine Messe and visual culture. Figuring physical disability in human albumin in paediatric für Theorie und Kunst (co-ed., essays on the human face (co-ed., construction; reconstruction American culture and literature 2009); Zwischen Auflösung und 2012); »Sichtbar sein. Materialität of ancient faces. (1997). Fixierung. Zur Konstitution von Participants Texte – Zahlen – Bilder: Renaissance art; En face. Nine Richard Neave Forensic and archaeological facial re»Sprinting«, in: Anatomy of an athlete. Elite sport, surgery and medical art, exhibition at the Hunterian Museum, London (with D. Smith, Oxford handbook of the psy- Andreas Winkelmann frühkindlichen Schädelfehlbil- Head of the Charité Human Re- dungen (Craniosynostosen)«, mains Project (with Thomas in: International magazine of oro- 2012); »Facial reconstruction chology of appearance (co-author, on the abnormal skull model of 2012); The psychology of appear- Schnalke) and lecturer in anat- facial esthetics (co-author with a living patient«, in: The Cleft ance and disfigurement (co-ed., omy at the Charité medical E.-J. Haberl, 2009). Palate – Craniofacial Journal (co- 2005); Visibly different. Coping school, Berlin. author, 2001); Making faces. with disfigurement (co-ed., 1997); terminology, and didactics of Ethics, history, Hans-Florian Zeilhofer Using forensic and archaeological The social psychology of facial medical teaching. Head of the Department of Cranio- evidence (co-author, 1997). appearance (co-author, 1988). cell – a ›Third Reich eponym‹?«, Maxillofacial Surgery at the Uni- in: European Respiratory Journal versity Hospital Basel and at the »The Clara Mark R. Proctor Thomas Schnalke (co-author, 2010); Präparierkurs. Kantonsspital Aarau. Associate Professor of Neurosur- Professor for History of Medicine Präparieranweisungen und Theorie structive surgery with computer- gery at the Children’s Hospital in and Medical Museology for the (co-author, 2009); Von Achilles assisted technologies; surgery Boston and the Harvard Medical Charité medical school at the bis Zuckerkandl – Eigennamen of craniofacial anomalies; trau- School. Humboldt-University and director Pediatric neurosurgery; craniofacial abnormalities; hydrocephalus; epilepsy and trauma. Jean-Galbert Salvage: »Anatomie des Kopfes am Beispiel des Apollo Belvedere«, aus: ders: Anatomie du Gladiateur Combattant, applicable aux Beaux Arts, Paris 1812. of the Museum of Medical History, matology of the skull; tumor sur- (2009); »Anatomical dissection gery with reconstructive plastic as a teaching method in medical surgery; new materials for CMF - Simon Strick Sigrid Weigel school: a review of the evidence«, surgery; tissue engineering, and synostosis: craniofacial and of science and medicine; history Postdoctoral Researcher at the Director of the ZfL, and Professor in: Medical education (2007). new implant technologies. neurologic surgery perspectives«, of medical bolus and preparations. ZfL, Project »SchädelBasisWissen. in: Plastic and reconstructive surgery (co-author, 2012); »Endo- History of medical in der medizinischen Fachsprache museology; material approaches »Parameters of care for cranio- Berlin. Recon- jenseits des menschen / beyond humans (co-author, 2010); »Aus- scopic cranial suture release stellen, Forschen, Lehren. Das for the treatment of craniosyn- medizin-historische Museum zwi- at the TU Berlin. European »A computer-assisted diagnostic and Kulturelle Implikationen der plas- literature and culture; cultural Stefan Zachow treatment concept to increase tischen Chirurgie des Schädels«. history of knowledge; image Head of medical planning group accuracy and safety in the extra- theory. at the Department of Visualisa- cranial correction of cranial vault and sexuality in the history of History of pain; race, gender schichtliche Szenen aus der Arbeit tion and Data Analysis at the asymmetries« (co-author, 2012); »Computer simulation and rapid Gesichter. Kulturge- ostosis – is it the future?«, in: schen universitärer Medizin science; visual culture. am Bildnis des Menschen (forth- Zuse-Institute, Berlin. Journal of craniofacial surgery und Öffentlichkeit«, in: Zeitschrift can Dolorologies: Pain, Sentimen- coming); »Phantom images. Face isations and data analysis; numer- prototyping for the reconstruc- (2012); Minimally invasive neuro- für Geschichte der Wissenschaften, talism and Biopolitics in 19th and feeling in the age of brain ical analysis and modelling. tion of the mandible« (co-author, surgery (co-ed., 2005). Ameri- Visual- Technik und Medizin (2010); Century America (forthcoming imaging«, in: Kritische Berichte »Ohne Sinn und Verstand? Rudolf 2013); »Vorher Nachher: Zur (2012), WissensKünste. Das potential of statistical shape mod- »Digital morphometry. The 2009); »High-Tech surgery in Europe. Innovative technologies Nichola Rumsey Virchows Strategie des Sammelns Erzählbarkeit des kosmetischen Wissen der Künste und die Kunst els«, in: Journal of biological and for oral and maxillofacial sur- Professor of Health Psychology am Beispiel seines Pathologischen Selbst«, in: P. Villa (ed.): Schön des Wissens (co-ed., 2011); Genea- clinical anthropology (co-author, geons« (2007), all in: Journal of oral and maxillo-facial surgery; and Co-Director of the Center for Museums«, in: Acta historica Leo- normal – Sozial- und Kultur- Logik. Generation, Tradition und 2011); Tagungsband CUR AC 2011 Appearance Research, University poldina (2007); Apoll im Labor. wissenschaftliche Perspektiven Evolution zwischen Kultur- und – 10. Jahrestagung der Deutschen Innovative dreidimensionale Tech- of the West of England, Bristol. Bildung, Experiment, Mechanische auf somatische Selbsttechnologien Naturwissenschaften (2006). Gesellschaft für Computer- und niken: medizinische Rapid-Proto- Schönheit (co-ed., 2005). (2008); »Geschlecht als Gewinn. Roboterassis-tierte Chirurgie typing-Modelle für die Operations- ing styles and quality of life in Zum Spektakel der Normierung (co-ed., 2011); »Cranio-facial sur- planung und daraus resultierende people with appearance-related in The Swan«, in: Plurale (2005). gery planning based on virtual neue Entwicklungen in der Mund-, Psychology of health; cop- concerns; psychosocial conse- patient models«, in: Information Kiefer- und Gesichtschirurgie quences of visible difference. Technology (co-author, 2010); (1998). »Computergestützte Planung zur chirurgischen Korrektur von