Boston Symphony Orchestra concert programs, Season

Transcription

SYMPHONY HALL, BOSTON
HUNTINGTON AND MASSACHUSETTS AVENUES
Telephone,
Commonwealth
6-1492
SEVENTY-SECOND SEASON,
CONCERT BULLETIN
1952-1953
of the
Boston Symphony Orchestra
CHARLES MUNCH,
Music Director
Richard Burgin, Associate Conductor
with historical and descriptive notes by
John N. Burk
COPYRIGHT, 1953, BY BOSTON SYMPHONY ORCHESTRA, InC.
The TRUSTEES of the
BOSTON SYMPHONY ORCHESTRA,
Henry
Cabot
Kaplan
B.
President
Jacob J.
Richard C. Paine
Vice-President
Treasurer
M. A. De Wolfe How*
Michael T. Kelleher
Lewis Perry
Edward A. Taft
Raymond S. Wilkins
Philip R. Allen
John Nicholas Brown
Theodore P. Ferris
Alvan T. Fuller
N. Penrose Hallowell
Francis
Oliver Wolcott
W. Hatch
George
T. D. Perry,
Jr.
Inc.
E. Judd,
N.
S.
Manager
Shirk, Assistant
Managers
[
1009]
THE
LIVING TRUST
How
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SYMPHONIANA
THE SOLOISTS
Of the
week's
be heard in this
to
soloists
concerts
THE TROUSSEAU HOUSE OF BOSTON
Florence Kopleff and
Paul Matthen are appearing for the
time with
was born
this
in
first
orchestra. Miss Kopleff
New York
City and studied
with Paul Althouse. She attended the
Berkshire Music Center at Tanglewood
and 1947. Since 1941 she has been
a member and soloist of Robert Shaw's
Chorale and was heard notably in Bach's
in 1946
"Passion According
broadcast),
the
to
John"
St.
(a
B minor Mass and
Beethoven's "Missa Solemnis." She has
had many other solo engagements and
has
taken
Workshop
part
in
in
New
the
Nagy Opera
York.
Paul Matthen, born in Pawling, New
York, studied with Friedrich Schorr. He
has sung with a number of orchestras
and choral groups. He has recorded with
the Robert Shaw and the Collegiate
Chorale Bach's B minor Mass, the Magnificat and the St. John Passion, likewise
several cantatas. Formerly on the Bennington College Staff, he now teaches at
the
Longy School
of
Music
in
Cam-
bridge.
Herbert Handt, born in Philadelphia,
studied at the Juilliard School and con-
Rome
and
Salzburg. He has sung with the Vienna
State Opera, the Graz Opera, Radio
Vienna, and Radio Italiano (Milan).
He sang with the Boston Symphony
Orchestra Nabokov's La Vita Nuova at
a Tuesday concert, January 6, and in
New York, January 14. He is known by
tinued his studies in Vienna,
number of operatic recordings he has
made with the Haydn Society.
a
Gerard Souzay was born in Angers,
France, of musical parents. His educa-
poppy scattered
embossed cotton,
fresh
as
a
crisp
flower
in
White with aqua or
and
May.
claret
poppies. Grosgrain belt and
bow
to match. Sizes 10 to 20.
22.95
tion did not include a serious study of
voice until he was nineteen.
One
of his
teachers was Pierre Bernac.
entered the Paris Conservatory in
principal
He
416 Boylston
54 Central
St.,
St.,
Boston
Wellesley
1941 and graduating with honors made
[ion]
professional debut in 1943. Mr.
Souzay's career has included numerous
appearances in Europe in recitals, with
orchestra, and in opera. He has taken
important parts in the opera houses of
Brussels, Paris, and Aix-en-Provence.
He recently sang with this orchestra in
works by Honegger and Ravel.
his
Mariquita Moll also sang in the Boston Symphony performances of Honegger's La Danse des Morts. She is an
alumna of the Berkshire Music Center.
Born in St. Louis, she attended the
Juilliard School. She has sung with the
Central City Opera Company in Colorado, the New York City Opera and the
St. Louis Municipal Opera.
(where she was later to be
naturalized as a British citizen) when
she was caught by the war in 1940. She
was held in a prison camp in Java for
the duration. Although she suffered for
lack of food, the circumstance that she
was well known in Japan was in her
favor. After the war she returned to
Zealand
Europe. She made her North American
debut in 1949. Miss Kraus now makes
her home in California.
The concerto by Mozart in B-flat
(K. 456) which she is to play under the
direction of Pierre Monteux will then
be heard for the first time at these concerts.
EXHIBITION
LILI
On
KRAUS
colors
who is to appear for the
time here, although she is familiar
to many as a recording artist, was born
in Budapest, in 1908. She studied there
and in Vienna with Kodaly, Bartok,
Steuermann, and Artur Schnabel. After
making concert tours in Europe and the
Orient, she was on her way to New
Lili Kraus,
first
view in the gallery are water
by Karl Zeise. Mr. Zeise is a
member of the cello section of the Boston Symphony Orchestra. When this
orchestra travelled to Europe last May,
he took his paint box with him, and
these paintings are the result.
The pictures are on sale for the
benefit of the Orchestra's Pension Fund.
'Phone
Needham 3-1301M
SYMPHONY HALL
POPS
ARTHUR
FIEDLER, Conductor
Sixty-eighth Season
OPENING NIGHT
TUESDAY, APRIL
The Pops
21
Tuesday, Wednesday, Thursday,
Friday, and Saturday night through May 23. The regular Pops
Orchestra will play every night except Sunday through July 3.
Tickets
will be given each
now
— Floor
(table seats)
$2.50; First
Second Balcony (unreserved) 50
101s
]
Balcony $1.50, $1.00;
cents.
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seventh
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[1013]
Nothing
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News
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gathered here
read by the world
The Christian Science Monitor is today a
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with more than 180,000 subscribers in 120 countries.
The Monitor's rapid growth,
Ask
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ONE FEDERAL STREET, BOSTON
T. Jefferson Coolidge
Chairman^ Trust Committee
Augustin H. Parker,
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offers an Investment Manage-
[1014]
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8EVENTY-SEC0ND SEASON. NINETEEN HUNDRED FIFTY-TWO AND FIFTY-THRE*
twenty-second Program
FRIDAY AFTERNOON,
April
3,
at 3:30 o'clock
SATURDAY EVENING,
The
Bach
Soprano:
April
4, at
Passion According to
8:30 o'clock
St.
Matthew
Mariquita Moll
Contralto: Florence Kopleff
Tenor:
Herbert Handt
Bass:
Gerard Souzay
Bass:
Paul Matthen
Harpsichord: Daniel Pinkham
Organ: E. Power Biggs
HARVARD GLEE CLUB AND RADCLIFFE CHORAL SOCIETY
G.
Wallace Woodworth, Conductor
(There will be an intermission between Parts
The
I
and
II)
Friday and Saturday concerts are broadcast each week from
Station
WGBH
(FM).
This program will end about 5:55 o'clock on Friday Afternoon,
10:55 on Saturday Evening.
BALDWIN PIANO
RCA VICTOR RECORDS
[1015]
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XJi.
BOSTON
[1016]
•
CHESTNUT HILL
.
THE
PASSION ACCORDING
TO
ST.
MATTHEW
By Johann Sebastian Bach
Born
in Eisenach,
March
21, 1685;
died in Leipzig, July 28, 1750
nach dem Evangelisten Matthaus (composed 1728-1729)
performed on Good Friday (April 15) 1729, at the Thomaskirche in
Leipzig. The text, incorporating passages from the 26th and 27th chapters of the
Gospel according to St. Matthew, had been prepared by Picander (Christian
Friedrich Henrici). Bach later revised and expanded the text and the music.
The St. Matthew Passion, unnoticed when first performed, repeated subsequently
at Leipzig as a matter of routine, was unknown elsewhere until Mendelssohn
brought it to light a century later at the Singakademie in Berlin on Good Friday,
1829, thereby starting a general awakening to the greatness of Bach. But the St.
Matthew Passion, owing to its unperformable length, made its way slowly. Excerpts
were heard in Paris in 1840, the full work in London in 1854, under Sterndale
Bennett. The Handel and Haydn Society in Boston, having performed excerpts
in 1871, gave on May 8, 1874 what was recorded as "the first performance in this
Bach's Passionsmusik
was
first
country of the larger portion" of the work.
There was a performance by the Boston Symphony Orchestra in conjunction
with the Cecilia Society, under Max Fiedler, on April 14, 1911. The full work
was performed at a special concert of this Orchestra on March 26, 1918 (repeated
April 2) Ernst Schmidt conducted both performances, which Dr. Karl Muck had
prepared. The "Boston Symphony" Chorus had been trained by Stephen Townsend.
There were two performances at Pension Fund concerts April 26 and 27, 1936,
the Harvard and Radcliffe choruses assisting. The soloists were Jeannette Vreeland,
Kathryn Meisle, Frederick Jagel, Keith Faulkner, David Blair McClosky. Serge
Koussevitzky conducted, and repeated the work at a Pension Fund Concert March
26, 1937, with the same chorus and vocal soloists except that John Priebe and
Fritz Lechner took the tenor and second bass parts, respectively. This performance
was recorded. Charles Munch conducted it on March 23-24, 1951, when the
.
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Harvard and Radcliffe choruses assisted and the soloists were: Adele Addison,
Martha Lipton, David Lloyd, Marko Rothmuller, and Grant Garnell.
The score calls for two choruses and a soprano chorus ripieno (here sung by
the boys' choir of Trinity Church, prepared by Francis Snow), and solo voices.
The orchestra, divided in two parts, consists of flutes, oboes, violins, violas, organ,
and continuo (in which the harpsichord, bassoons, cellos and basses are included)
There are obbligato parts for oboi d'amore, oboi da caccia, flutes, violins, and
viola da gamba (the latter omitted in this performance)
.
PART ONE
Double Chorus (with Soprano)
1.
Come, ye Daughters, share my anguish.
Kommt, ihr Tochter, helf t mir klagen,
See Him! Whom? The Bridegroom see;
Sehet; Wen? Den Brautigam;
See Him! How? So like a lamb;
Seht ihn; Wie? Als wie ein Lamm;
See it? What? His love untold!
Sehet; Was? Seht die Geduld.
Look! Look where? On our offense!
Seht; Wohin? Auf uns're Schuld.
Look on Him, betrayed and sold,
Sehet ihn aus Lieb und Huld,
On the cruel cross to languish.
Holz zum Kreuze selber tragen.
Chorale (with chorus above)
O Lamm Gottes unschuldig,
O Lamb of God most holy,
Who on the cross did languish;
O Saviour, meek and lowly,
Who suffered bitter anguish,
Am Stamm des Kreuzes geschlachtet,
Allzeit erfund'n geduldig,
Wiewohl du warest verachtet,
All' Siind' hast du getragen,
Sonst mussten wir verzagen;
Erbarm' dich unser, o Jesu!
sins of man Thou bearest,
ev'ry grief Thou sharest,
The
Our
Have mercy on us,
Recitative (Tenor and Bass)
Evangelist: When
Rede vollen-
Evangelist: Da Jesus diese
det hatte, sprach er zu seinen Jungern:
these sayings,
all
O
Jesu.
Jesus had finished
said to His Dis-
He
ciples:
nach zweien Tagen
Ostern wird, und des Menschen Sohn
wird iiberantwortet werden, dass er
Jesus: Ye know that after
the Passover, and the Son
gekreuziget werde.
betrayed to be crucified.
Jesus: Ihr wisset, dass
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g.
Chorale
Herzliebster Jesu, was hast du verbrochen,
Dass man ein solch hart Urteil hat
O blessed Jesu, how hast Thou offended,
That now on Thee such judgment has
gesprochen?
ist die Schuld, in was fur Missetaten,
Bist du geraten?
Of what misdeed hast Thou
descended?
Was
4.
Evangelist:
Da versammelten
Recitative (Tenor)
Evangelist
sich die
Hohenpriester und Schriftgelehrten, und
die Altesten im Volk, in dem Palast des
Hohenpriesters, der da hiess Caiphas;
und hielten Rat, wie sie Jesum mit
Listen griffen und toteten. Sie sprachen
aber:
make
Then assembled
the chief
and the
elders of the people unto the palace of
the high priest, who was called Caiaphas;
and they consulted how they Jesus by
craft might take and kill Him. They
and the
priests
said,
scribes together
however:—
Double Chorus
5.
Scribes and Elders: Not upon
the feast, for fear there may be an uproar among the people.
Ja nicht auf das Fest, auf dass nicht ein
Aufruhr werde im Volk.
6.
to
confession?
Of what transgression?
Priests,
Recitative (Tenor)
Evangelist: Now when Jesus was in
Bethany, in the house of Simon the
leper, there came to Him a woman, who
had a box of precious ointment, and
pour'd it on His head, as He reclined at
meat. But when His disciples saw it,
they had indignation, and said:
Evangelist: Da nun Jesus war zu Bethanien, im Hause Simonis des Aussatzigen,
trat zu ihm ein Weib, das hatte ein
Glas mit kostlichem Wasser, und goss
es auf sein Haupt, da er zu Tische sass.
Da das seine Jiinger sahen, wurden sie
unwillig, und sprachen:
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[
1021
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Chorus
7-
Wozu dienet dieser Unrat? Dieses Wasser
hatte mogen teuer verkauft, und den
Armen gegeben werden.
Disciples: Wherefore wilt thou be so
wasteful? For this ointment could be sold
for much and given to the poor.
Evangelist: And Jesus,
das Jesus merkete, sprach
said unto them:
8.
Evangelist:
Da
er zu ihnen:
Jesus: Was bekummert ihr das Weib?
Sie hat ein gut Werk an mir getanl Ihr
habet allezeit Anne bei euch, mich aber
habt ihr nicht allezeit. Dass sie dies
Wasser hat auf meinen Leib gegossen,
sie getan, dass man mich begraben
wird. Wahrlich, ich sage euch: Wo dies
Evangelium geprediget wird in der ganzen Welt, da wird man auch sagen zu
ihrem Gedachtnis, was sie getan hat.
hat
Why
Jesus:
trouble
perceiving
woman?
the
ye
it,
For she has wrought a good work upon
Me. For ye have the poor always with
you, but Me ye have not always. For in
that she hath poured this ointment on
My Body, she did it for my burial.
Verily I say unto you, Wheresoever this
Gospel shall be preached in the whole
world,
there shall also
woman hath
this,
that
this
done, be told for a me-
morial of her.
9.
Du
lieber Heiland du,
Junger toricht streiten,
Recitative
deine
Thou
dass
dieses
disciples
fromme Weib mit Salben deinen Leib
zum Grabe
will bereiten;
(Alto)
wenn
so lasse
mir
inzwischen
von meiner Augen
zu,
Tranenflussen ein Wasser auf dein Haupt
zu giessen.
dear
if
Thy
against
this
Redeemer, Thou,
murmur
woman here, who
loudly
fain with ointment
dear for burial maketh ready; with
humble tears, alone allow, with which
my eyes are overflowing, their water on
Thy head to pour.
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ii.
Recitative
Da ging hin der Zwolfen
mit Namen Judas Ischarioth, zu
Evangelist:
einer,
den Hohenpriestern, und sprach:
Was wollt ihr mir geben? Ich
inn euch verraten.
Judas:
Evangelist:
Silberlinge.
will
Und sie boten ihm dreissig
Und von dem an suchte er
(Tenor and Bass)
Then one of the twelve
whose name was Judas Iscariot,
went unto the chief priests, and said:
Judas: Now what will you give me,
if I to you betray Him?
Evangelist:
disciples,
Evangelist:
silver pieces.
And they offered him thirty
And from that time sought
he opportunity, that he might betray
Gelegenheit, dass er ihn verriete.
Him.
12.
Blute nur, du liebes Herzl
Ach, ein Kind, das du erzogen,
Das an deiner Brust gesogen,
Droht den Pfleger zu ermorden,
Denn es ist zur Schlange worden.
Aria
(Soprano)
Bleed and break,
my
dearest heart!
Ah! a child of Thine upbringing,
To Thy
breast for nurture clinging,
Coiling there, the snake accursed
Stings where it was fondly nursed.
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[
1Q 23
]
1
Recitative (Tenor)
13.
Evangelist: Aber am ersten Tage der
sussen Brot traten die Jtinger zu Jesu,
und sprachen zu ihm:
willst du, dass wir dir bereiten das
Osterlamm zu
essen?
15.
and
to Jesus,
Recitative
(Tenor and Bass)
Evangelist:
Gehet hin in die Stadt zu Einem,
und sprecht zu ihm: Der Meister lasst
Jesus:
dir sagen: Meine Zeit ist hier, ich will
bei dir die Ostern halten mit meinen
Jungern.
Evangelist: Und die Jiinger taten, wie
ihnen Jesus befohlen hatte, und bereiteten das Osterlamm. Und am Abend
setzte er sich zu Tische mit den Zwolfen;
und da sie assen, sprach er:
Wahrlich, ich sage euch: Einer
unter euch wird mich verraten.
Jesus:
Und
wurden
sehr
betriibt, und huben an, ein Jeglicher
unter ihnen, und sagten zu ihm:
sie
Him:
Disciples: Where wilt Thou that we
prepare for Thee to eat the Passover?
Evangelist: Er sprach:
Jesus:
Evangelist:
said unto
Chorus
14.
Wo
Evangelist: Now on the first day of
the unleaven'd bread came the disciples
He
said:
Go
ye into the city to such a
man, and say unto him: The Master
saith to thee: My time is at hand; I
will keep the Passover at thy house with
My
disciples.
Evangelist: The disciples did as Jesus
had appointed, and made ready the Passover.
And when
Evangelist:
He
sat
down with
He
did eat,
evening came,
the twelve
and
as they
said:
Jesus: Verily, I say unto you that one
of you shall betray Me.
Evangelist: And they grew exceeding
sad, and they began, ev'ry one of them
to
say unto
Him:
Chorus
Herr, bin ich's?
Disciples: Lord,
is it I?
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Boston's Little Bach Mystery
"W HERE
* *
credit to Boston," Delver
Forfax, collector of musical oddities,
is
demanded "when
scholars discuss the earliest
printings of Sebastian Bach's music?
"You
mention of London
Well-Tempered Clavier
will readily find
as first to print the
—
Kollmann's edition of 1799, forty-nine years
after Bach's death.
Up
to then
it
circulated
pen and ink copies of the original manuscript. That was the form in which Beethoven
knew the work when he won fame for the
playing of it as an eleven-year-old piano
in
J.
S.
BACH
virtuoso.
"The same work came
and Leipzig in 1801.
off
the press simultaneously in Zurich, Bonn,
"In Boston, Massachusetts, a forty-page volume entitled Rudiments
Art of Playing on the Piano Forte came off the engraving press
of Gottlieb Graupner at 6 Franklin St., in 1806. One might expect
something from The Well-Tempered Clavier to be included among
of the
European sources, to give the student progressive
Graupner himself, we find the names of Handel (Lesson
(Lesson XIII), and Scarlatti (Lesson XVI).
the pieces culled from
exercises. After
VIII), Corelli
"Then, with the thirtieth, and final, lesson, we find the name of
Sebastian Bach. Here are twenty-four measures, entitled Polonoise
(sic)
Andante. It is from the Sixth French Suite.
:
"This appears to be the first piece of music by Johann Sebastian Bach
to have been printed in America. It was in circulation in Boston for
thirteen years, when Graupner felt encouraged to bring out a second,
'improved and enlarged,' edition of his lesson book, but with Bach
omitted.
"So Bostonians were familiar with an excerpt from Bach's French
engraved form, as early as 1806. Where did Graupner
find it? There is a tempting trail to explore."
Suite, in neatly
[
1025
]
1
Chorale
6.
Ich bin's, ich sollte bussen,
The
An Handen und an Fiissen,
With none
Gebunden in der H611\
Die Geisseln und die Banden,
Und was du ausgestanden,
Das hat verdienet meine Seel'.
On me
und
sprach:
Der mit der Hand mit mir in
die Schiissel tauchet, der wird mich
verraten. Des Menschen Sohn gehet zwar
dahin, wie von ihm geschrieben stehet;
doch Wehe dem Menschen, durch welchen des Menschen Sohn verraten wird.
Es ware ihm besser, dass derselbige
Mensch noch nie geboren ware.
Da antwortete Judas, der
ihn verriet, und sprach:
Evangelist:
ich's,
Rabbi?
Du
sagest's.
Jesus:
Nehmet,
esset;
Evangelist:
ist
mein Leib.
He
answered
and
Me
Him: but woe unto that man
the Son of Man is betrayed:
It had been better for him if he had
not been born.
written of
by
whom
Evangelist: Then answered Judas, he
that betrayed Him, and said:
Thou
is
He
it
I?
said unto him:
sayest.
Evangelist: And as they were eating,
Jesus took bread, blessed it, and brake
and gave it to His disciples, and
it,
said:
Jesus: Take, eat, this
<y?wiec£
them,
Jesus: He that dippeth his hand with
in the dish, the same shall betray
Me. The Son of Man goeth as it is
Jesus:
das
all.
said:
Evangelist:
Evangelist: Da sie aber assen, nahm
Jesus das Brot, dankete, und brach's,
und gab's den Jungern und sprach:
it
(Tenor and Bass)
Judas: Lord,
Evangelist: Er sprach zu ihm:
Jesus:
art bearing,
burdens sharing,
they ought to fall.
torture Thou art feeling,
patient love revealing,
'Tis I that should endure
Jesus:
Judas: Bin
Thou
their
The
Thy
Recitative
17.
Evangelist: Er antwortete
sorrows
is
My
Body.
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Evangelist: Und er nahm den Kelch,
und dankete, gab ihnen den, und sprach:
Jesus: Trinket Alle daraus; das
ist
mein
des neuen Testaments, welches
vergossen wird fur Viele, zur Vergebung
der Stinden. Ich sage euch: Ich werde
von nun an nicht mehr von diesem
Gewachs des Weinstocks trinken, bis
an den Tag, da ich's neu trinken werde
mit euch in meines Vaters Reich.
Blut
Evangelist: And He took the cup and
gave thanks, and gave it to them saying:
Drink ye all of it; This is My
Blood of the New Testament, which is
shed for many, for the remission of sins.
Jesus:
I say to you, I will not drink henceforth
of this fruit of the vine, until that day
when
wohl mein Herz in Tranen
schwimmt, dass Jesus von uns Abschied
nimmt, so macht mich doch sein Testament erfreut: Sein Fleisch und Blut, o
Kostbarkeit, vermacht er mir in meine
Hande. Wie er es auf der Welt mit
denen Seinen, Nicht bose konnen meinen,
so liebt er sie bis an das Ende.
20.
new with you
it
in
My
Although my heart with tears o'erflow
Since Jesus now must from us go,
His gracious promise doth the soul uplift.
flesh and blood (A precious gift!)
Doth He bequeath into my hand.
As in the world He loved His own
His
So
He
Und da
drink
Recitative (Soprano)
18.
Wie
Recitative
den Lobgesang
gesprochen hatten, gingen sie hinaus an
den Olberg. Da sprach Jesus zu ihnen:
Evangelist:
I
Father's kingdom.
sie
now with
loves
love unchanging,
still unto the end.
them
(Tenor and Bass)
Evangelist: And when they had sung
a hymn of praise together, they went out
into the Mount of Olives. Then said
Jesus unto them:
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Nacht werdet ihr euch alle
argern an mir. Denn es stehet geschrieben: Ich werde den Hirten schlagen,
und die Schafe der Heerde werden sich
zerstreuen. Wann ich aber auferstehe,
will ich vor euch hingehen in Galilaam.
All ye shall be offended because of Me this night, for it is written,
I will smite the shepherd, and the sheep
of the flock shall be scattered abroad.
Jesus: In dieser
22.
Wenn
sie
But
am
after I
risen again, I will go
before you to Galilee.
Evangelist: Petrus aber antwortete,
sprach zu ihm:
Petrus:
Jesus:
und
Evangelist:
said unto
Peter
then answered, and
Him:
Peter: Tho' all men be offended because of Thee, yet I, Lord, will be never
offended.
auch alle sich an dir
doch mich nimmer
argerten, so will ich
mehr argern.
Evangelist: Jesus sprach zu ihm:
Evangelist: Jesus said unto him:
Jesus: Wahrlich, ich sage dir: In dieser
Nacht, ehe der Hahn krahet, wirst du
Jesus: Verily, I say unto thee, that this
night, before the cock crow, thou shalt
mich dreimal verleugnen.
deny
Evangelist: Petrus sprach zu ihm:
Evangelist: Peter said unto
Petrus: Und wenn ich mit dir sterben
musste, so will ich dich nicht verleugnen.
with Thee, yet will
Evangelist:
Desgleichen
sagten
I
Him:
should have to die
never deny Thee.
I
Evangelist: And likewise said also
the disciples.
auch
23.
thrice.
Though
Peter:
alle Jiinger.
Ich will hier bei dir stehen;
Verachte mich doch nicht!
Von dir will ich nicht gehen,
Wenn dir dein Herze bricht!
Me
Chorale
Here
will I stay beside Thee,
me disdain!
Lord, do not
Whatever woe betide Thee
Here steadfast I remain.
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Wenn dein Herz wird
Im letzten Todesstoss,
When
bitter pain shall hold Thee
In agony opprest,
Then, then will I enfold Thee
erblassen
Als denn will ich dich fassen
In meinen
Arm und
Within
Schoss.
euch
Setzet
und
dorthin gehe,
dass
bis
hier,
bete.
Evangelist: Then came Jesus with them
unto a place called Gethsemane, and
said to the disciples:
ich
Jesus:
Tod;
Meine
Seele
bleibet hier
Sit
ye here, while
I
go yonder
and pray.
Evangelist: Und nahm zu sich Petrum,
und die zween Sohne Zebedai, und fing
an zu trauern und zu zagen. Da sprach
Jesus zu ihnen:
Jesus:
loving breast!
24.
Evangelist: Da kam Jesus mit ihnen zu
einem Hofe, der hiess Gethsemane, und
sprach zu seinen Jungern:
Jesus:
my
Evangelist:
And He
took with
Him
and the two sons of Zebedee, and
began to be sorrowful and very heavy.
Peter,
Then
said Jesus unto them:
My
betriibt bis an den
und wachet bei mir.
soul is exceeding sorrowful,
Jesus:
e'en unto death; tarry ye here, and
is
watch with Me.
25.
O
Schmerz!
Herz!
Wie
sinkt
hier
es
zittert
hin,
wie
das
Solo (Tenor) with Chorus
gequalte
O grief! Here throbs the racked and
bleeding heart.
sinks away; how pale His countenance!
Before the judge He must appear;
No comfort, ah! no helper near!
sein
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Er leidet alle Hollenqualen,
Er soil fur fremden Raub bezahlen.
Ach, konnte meine Liebe dir,
Yea, all the pains of Hell assail
Mein Heil, dein Zittern und dein Zagen,
Vermindern oder helfen tragen,
Wie gerne blieb ich hier!
Thy
Nor
Him,
will His innocence avail Him!
could
love for Thee avail,
pain to mitigate, or share it,
my
Ah!
Or could
How
only help
I
Thee bear
it,
gladly so dear a task I'd hail!
Chorus
Was
Why
die Ursach' aller solcher Plagen?
ist
Ach,
meine
Sunden
haben
dich
ach Herr Jesu, habe dies verschuldet,
Was du
suffer all these
erduldet!
I
own
it:
Must Thou atone
26.
Ich will bei
meinem
Aria
Jesu wachen,
it?
with Chorus
(Tenor)
Meinen Tod biisset seiner Seelen Not;
Sein Trauren machet mich voll Freuden.
pangs
Ah! From my sins they all their sting
do borrow!
Mine, ah! Lord Jesus, mine the guilt,
schlagen!
Ich,
must Thou
of sorrow?
ge-
I would beside my Lord be watching
For my sake He to die will undertake
His sorrows are my joy, my glorv.
Chorus
The
So schlafen uns're Sunden ein.
Drum muss uns sein verdienstlich Leiden,
Recht
bitter
und doch
siisse sein.
the
And
Is
for us their piteous story
yet how sweet withal!
so
bitter,
27.
Evangelist: Und ging hin ein wenig, fiel
nieder auf sein Angesicht, und betete,
und sprach:
la
Believers
So slumber shall our sins befall!
Evangelist:
and
prayed, and
farther,
And
fell
He
went
down upon
a
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Jesus: Mein Vater, ist's moglich, so gehe
dieser Kelch von mir; doch nicht wie
ich will, sondern wie du willst.
29.
Denn
sein
Und
To
Sweeter
Tasting
Recitative
kam
sie
zu seinen
schlafend, und
ihr
denn
nicht
eine
Stunde mit mir wachen? Wachet und
betet, dass ihr nicht in Anfechtung
fallet. Der Geist ist willig, aber das
Fleisch
ist
resigning,
made
first
this cup of shame.
what He bestoweth.
(Tenor and Bass)
And he came to His
and found them sleeping and
Evangelist:
ciples
Zum
Evangelist:
und
andern Mai ging er
sprach:
Jesus: Mein Vater, ist's nicht moglich,
dass dieser Kelch von mir gehe, ich
trinke ihn denn; so geschehe dein Wille.
What, could ye not watch with
one hour? Watch and pray, that ye
Jesus:
Me
enter not into temptation. The Spirit
indeed is willing, but the flesh is weak.
Evangelist: A second time
away, prayed, and said:
Jesus:
O!
my
Father,
if
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schwach.
hin, betete,
[
floweth,
the dregs
unto Peter:
sprach zu ihnen:
Konnet
all
For His mouth,
er
und fand
I,
That with milk and honey
fliesset,
30
Jesus:
(Bass)
Cross nor bitter cup declining,
Drink, in my Redeemer's name.
des Leidens herbe Schmach,
ersten Trunk versusset.
Evangelist:
I will,
Gladly will
Durch den
Jiingern,
Father, if it be possible,
cup pass from Me; yet not as
but as Thou wilt.
this
Mund,
Der mit Milch und Honig
Hat den Grund
Und
let
Aria
Gerne will ich mich bequemen,
Kreuz und Becher anzunehmen,
Trink ich doch dem Heiland nach.
O my
Jesus:
/
Brookline
I
drink
31.
Was mein
Gott will, das g'schch'
Sein Will' der ist der beste;
Zu helfen den'n er ist bereit,
Die an ihn glauben
Er hilf t aus Not,
Chorale
allzeit,
feste;
Der fromme Gott,
Und
Wer
ziichtiget
32.
voll Schlaf's.
Und
er liess
He chideth!
To Him hold fast:
He builds to last
tenderly
Who still in God
will er nicht verlassen.
Evangelist: Und er kam
aber schlafend, und ihre
the will of God be done!
His will I would not alter.
His help is near to every one,
Let not our courage falter.
In all our need,
Our Friend indeed,
How
mit Massen.
Gott vertraut,
Fest auf ihn baut,
Den
Now may
confideth.
und fand sie
Augen waren
sie, und ging
abermals hin, und betete zum dritten
Mai, und redete dieselbigen Worte. Da
kam er zu seinen Jiingern, und sprach
zu ihnen:
Ach! wollt ihr nun schlafen und
ruhen? Siehe, die Stunde ist hier, dass
des Menschen Sohn in der Sunder Hande
Jesus:
iiberantwortet wird. Stehet auf, lasset
uns gehen; siehe, er ist da, der mich
And again He came and
found them sleeping; indeed their eyes
were full of sleep. And He left them,
and He went away again, and prayed the
third time, saying the same words. Then
came He to His disciples, and said to
them:
Jesus: Sleep on now, and take your
rest. Behold, the hour is at hand, and the
Son of Man is betrayed into the hands
of sinners. Arise, let us be going: behold, he is at hand that doth betray Me.
Evangelist:
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Member
St.
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Federal Deposit Insurance Corporation
[
1035
]
Und als er noch redete,
da kam Judas, der Zwolfen einer,
und mit ihm eine grosse Schar, mit
Schwertern und mit Stangen, von den
Evangelist:
And while He yet spake,
who was one of the twelve
and with him came a great
Evangelist:
came Judas,
siehe,
disciples,
multitude, with swords and with staves,
from the chief priests and the elders of
the people. Now he that betrayed Him
had given them a signal and had said:
Whomsoever I shall kiss, that is He;
Hohenpriestern und Altesten des Volks.
Und der Verrater hatte ihnen ein
Zeichen gegeben, und gesagt: Welchen
ich kiissen werde, der ist's, den greifet.
Und alsbald trat er zu Jesum, und
Him
take ye.
straightway
came he
All hail
Thee,
And
sprach:
and
to Jesus
said:
Judas: Gegrusset
sei'st
du, Rabbi!
Judas:
Evangelist: Und kiissete ihn. Jesus aber
sprach zu ihm:
Mein Freund, warum
Jesus:
Evangelist:
to
kissed
O
Master!
Him. Jesus
said
unto him:
du
bist
And
My
Jesus:
friend,
wherefore art thou
kommen?
come?
Evangelist: Da traten sie hinzu, und
legten die Hande an Jesum, und griffen
Evangelist: Then, instantly they came,
and laid hands on Jesus, and took him.
ihn.
Duet (Soprano and
33.
So
ist
Alto)
mein Jesus nun gefangen.
with Double Chorus
Alas!
my Jesus now
Mond und Licht,
Moon and
Ist vor Schmerzen untergangen,
Weil mein Jesus ist gefangen.
Sie fiihren ihn, er ist gebunden.
For
is
taken.
stars
Have
in sorrow night forsaken;
is taken.
He's led away, ah! they have bound
my Jesus now
Him.
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1036
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Chorus
Wolken
verschwunden?
Eroffne den feurigen Abgrund, o Holle,
Zertriimmre, verderbe, verschlinge, zerschelle,
Mit plotzlicher Wut,
Den
falschen Verrater, das mordrische
Blut.
34.
Him not!
lightnings, ye thunders, in clouds are
Leave Him, bind
Lasst ihn, haltet, bindet nicht!
Sind Blitze, sind Donner in
Ye
ye vanished?
open, O fierce flaming pit,
Then
all
thy
terrors
Engulf them, devour them, destroy them,
o'erwhelm them,
In wrathfullest mood.
O! blast the betrayer, the murderous
brood
(Tenor and Bass)
Recitative
denen,
Evangelist: Und
die mit Jesu waren, reckete die Hand
aus,
und schlug des Hohenpriesters
Knecht, und hieb ihm ein Ohr ab. Da
sprach Jesus zu ihm:
Evangelist: And, behold, one of them
that were with Jesus stretch'd out his
hand, and smote the high priest's servant
and struck his ear off. Then said Jesus
dein Schwert an seinen
Ort; denn wer das Schwert nimmt, der
soil durchs Schwert umkommen. Oder
meinest du, dass ich nicht konnte
meinen Vater bitten, dass er mir
zuschickte mehr denn zwolf Legion Engel? Wie wiirde aber die Schrift erfullet?
Es muss also gehen.
Jesus: Put up again thy sword into
his place; for all they that take the
sword, shall perish with the sword.
Thinkest thou, that I cannot now pray to
my father, and He shall presently give
Me more than twelve legions of angels?
But how then shall the Scripture be fulfilled, that thus it must be?
siehe, einer aus
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[1037]
Evangelist: Zu der Stund' sprach Jesus
zu den Schaaren:
Evangelist: In that hour said Jesus to
the multitudes:
einem
Are ye come out as against a
with swords and staves to take
Me? I sat daily with you, and teaching
in the temple, and ye laid no hold on
Me. But all this was done, that the
Scriptures of the Prophets might be ful-
Jesus: Ihr seid ausgegangen, als zu
Morder, mit Schwertern und mit Stangen,
mich zu fahen; bin ich doch taglich
bei euch gesessen, und habe gelehret im
Tempel, und ihr habt mich nicht ge-
Aber das ist alles geschehen,
wurden die Schriften der
griffen.
dass erfullet
Jesus:
thief,
filled.
Propheten.
Evangelist:
Jiinger,
und
Da verliessen
flohen.
ihn
alle
Evangelist:
Him, and
35.
Then
all
the disciples
fled.
Chorale
O Mensch, bewein' dein' Siinde gross;
O
Darum
Christus sein's Vaters Schoss,
For which, from His supernal
Aussert,
und kam auf Erden.
Christ
To
He
Den'n Toten er das Leben gab,
Und legt' dabei all' Krankheit ab,
Bis sich die Zeit herdrange,
Dass er fur uns geopfert wurd',
Trug' unsrer Sunden schwere Biird',
Wohl an dem Kreuze
lange.
man, bewail thy
sin so great;
came on earth
state,
to suffer.
did He restore the dead!
heal'd the sick, the hungry fed,
Until the day of anguish,
When He for us was offer'd up,
To drink for all the bitter cup,
Upon the cross to languish.
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PART TWO
36.
Aria (Alto) with Chorus
Ah now
nun
ist mein Jesus hin!
moglich, kann ich schauen?
Ach, mein Lamm in TigerklauenI
Ach, wo ist mein Jesus hin?
Ach, was soil ich der Seele sagen,
Wenn sie mich wird angstlich fragen?
Ach,
I
is
my
Saviour gone!
Whither went He? Can I behold
Ah! my Lamb in tiger's clutches!
Ah! where is my Saviour gone?
Ah! what shall I say to my soul,
Ah! where is my Saviour gone?
1st es
it?
Chorus (with above)
Whither has thy Friend departed?
O thou fairest of all women,
Whither is thy Beloved turned aside?
ihn suchen.
O! would we knew the way to find Him.
Wo ist denn dein Freund hingegangen,
O du Schonste unter den Weibern?
Wo hat sich dein Freund hingewandt?
So wollen wir mit dir
37.
Recitative (Tenor)
Evangelist: And they that had laid
hold on Jesus led Him away to the high
priest called Caiaphas, with whom all the
scribes and the elders were assembled.
And then the high priests and the elders
and the council all sought to find false
witness against Jesus, that so they might
take His life; yet found they none.
Die aber Jesum gegriffen
hatten, fiihreten ihn zu dem Hohenpriester Caiphas, dahin die Schriftgelehrten und Altesten sich versammlet
hatten. Die Hohenpriester aber und
Altesten, und der ganze Rat suchten
falsches Zeugnis wider Jesum, auf dass
sie ihn toteten; und fanden keines.
Evangelist:
39.
Evangelist: Und wiewohl viel falsche
Zeugen herzutraten, fanden sie doch
keins. Zuletzt traten herzu zween falsche
Zeugen, und sprachen:
Evangelist:
Yea,
though
many
false
came forward, yet found they
none. At last there came two false witnesses, and said:
witnesses
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[
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Witnesses (Chorus)
This fellow
Zeugen (Chorus)
Er hat gesagt: Ich
kann den Tempel Gottes abbrechen und
:
Tagen denselben bauen.
in dreien
Evangelist: Und der Hohepriester stand
auf und sprach zu ihm:
Evangelist:
and
Wille
erbarmensvoller
Leiden
Pein ihm
und in Verfolgung
sein,
Und
Evangelist:
wortete,
uns zum
dass wir in
O
stille
42.
Evangelist: And the high priest answered and said unto Him:
Caiaphas: I adjure Thee by the living
God that Thou do tell us, whether Thou
be the Christ the Son of God.
Jesus: Thou hast said. Yet I say unto
you: Hereafter shall ve see the Son of
Man sitting on the right hand of power,
der Hohepriester ant-
Hoherpriester: Ich beschwore dich bei
lebendigen Gott, dass du uns sagest,
ob du seiest Christus, der Sohn Gottes.
Evangelist: Jesus sprach zu ihm:.
Doch sage ich euch:
wird's geschehen, dass ihr
sehen werdet des Menschen Sohn sitzen
zur Rechten der Kraft, und kommen in
den Wolken des Himmels.
sagest's.
Von nun an
Evangelist:
Da
zerriss
und
seine Kleider,
and coming in the clouds of heaven.
der Hohepriester
Evangelist:
High
the
Priest rent
his
phemy
und
antworteten,
Sie
Then
garments and said:
Caiaphas: He hath spoken blasphemy;
what need we of further witnesses? Look
ye, now ye have heard him utter blas-
sprach:
Hoherpriester: Er hat Gott gelastert;
was diirfen wir weiter Zeugnis? Siehe,
jetzt
habt ihr seine Gotteslasterung
gehoret. Was dunket euch?
Evangelist:
sprachen:
silent.
How
ahnlich
schweigen.
sollen
und sprach zu ihm:
Du
the high priest arose,
Him:
will not speak; he heareth, and is
clearly thus He showeth,
that in His infinite compassion He is
resolved for us to die.
may we, in the
like distress, Him our example make,
and persecution bear in silence.
dem
Jesus:
And
He
silent.
vor
und
geneigt,
sei
dergleichen
said to
Recitative (Tenor)
falschen Lugen
uns damit zu zeigen, dass sein
um
able to destroy
Evangelist: But Jesus was
Mein Jesus schweigt zu
stille,
am
Caiaphas: What answer makest thou
to what they witness against Thee?
Hoherpriester: Antwortest du nichts zu
dem, das diese wider dich zeugen?
Evangelist: Aber Jesus schwieg stille.
40.
said: I
God's temple, and in three more days too
I can rebuild it.
before us.
Evangelist:
What
think ye now?
They answered him, and
said:
Chorus
Er
ist
des Todes schuldig!
Is
Scribes
and Elders: He
guilty of death!
is
Good Musk
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43«
Recitative (Tenor)
Evangelist: Da speieten sie aus in sein
Angesicht,
und schlugen ihn mit
Fausten. Etliche aber schlugen ihn ins
Angesicht, und sprachen:
Evangelist: And then did they spit in
His face, and then buffeted Him. Others
smote Him with the palms of their
hands, and said:
Chorus
Weissage uns, Christe, wer
ist's,
der dich
Captors of Jesus: Now tell us, Thou
by whom Thou art struck?
Christ,
schlug?
44.
Chorale
Wer hat
O
Mein
And
So
Du
dich so geschlagen,
Heil, und dich mit Plagen,
Sunder,
wir und unsre Kinder;
Missethaten weisst du nicht.
bist ja nicht ein
45.
Evangelist:
Recitative (Soprano, Tenor and Bass)
aber sass draussen
es trat zu ihm eine Magd,
Petrus
im Palast; und
und sprach:
Erste Magd: Und du warest auch mit
dem
Jesu aus Galilaa.
Evangelist: Er leugnete aber vor ihnen
alien,
und
Thee,
Deride and mock Thee so?
Thou canst not need confession.
Who knowest not trangression,
As we and all our children know.
iibel zugericht?
Wie
Von
who dares to smite
falsely to indict Thee?
Lord,
Evangelist: Peter was sitting without
in the court; and there came to him a
maid, and said:
Petrus: Ich weiss nicht, was du sagest.
thou
too
wast
also
with
But he denied it before
and said:
know not what thou sayest.
Evangelist:
them
sprach:
And
Maid:
Jesus of Galilee.
all,
Peter:
I
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Evangelist: Als er aber zur Tiir hinaus
ging, sahe ihn eine andere, und sprach
zu denen, die da waren:
Zweite Magd: Dieser war auch mit dem
Jesu von Nazareth.
Evangelist: Und er leugnete abermal,
und schwur dazu:
Petrus: Ich kenne des Menschen nicht.
Evangelist: Und uber eine kleine Weile
traten hinzu, die da standen, und
sprachen zu Petro:
Evangelist: And when he was in the
porch, he was seen by another maid,
who said to them that were there:
Second Maid: This one also was with
Jesus of Nazareth.
And
Evangelist:
again he denied with
an oath.
Peter: I do not know the man.
Evangelist: And after a little while
came they that were standing about
there,
and
said unto Peter:
Chorus
Wahrlich, du bist auch einer von denen;
denn deine Sprache verrat dich.
Bystanders: Surely thou also art one of
them, for thy speech doth betray thee.
46.
Evangelist: Da hub er an sich zu verEvangelist: And Peter then began to
fluchen und zu schworen:
curse and to swear:
Petrus: Ich kenne des Menschen nicht.
Evangelist:
Und
alsbald krahete der
Hahn. Da dachte Petrus an die Worte
Jesu, da er zu ihm sagte: Ehe der Hahn
krahen wird, wirst du mich dreimal
verleugnen.
Und ging heraus, und
Peter:
I
do not know the man.
Evangelist: And immediately the cock
crew. Then Peter thought upon the word
of Jesus which said unto him: Before the
cock croweth thou shalt thrice deny Me.
Then went he
out,
and wept
bitterly.
weinete bitterlich.
47.
Erbarme
dich,
Aria
(Alto)
O pardon me, my God,
mein Gott
Um meiner Zahren willen;
Schaue hier,
Herz und Auge weint vor dir
And on my
tears
Bitterlich.
•Hi
Old
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Evangelist: Then did Jesus stand beEvangelist: Jesus aber stand vor dem
fore the governor; and the governor
Landpfleger
und der
Landpfleger;
asked Him, and said:
fragte ihn, und sprach:
52.
Pilatus: Bist
Du
antwortete er nichts.
Der
King of
the
sayestl
Chorale
Commit
du deine Wege
Und was
the
Evangelist: And when He was accused
of the chief priests and the elders, He
answered nothing.
Evangelist: Und da er verklagt ward
von den Hohenpriestern und Altesten,
Befiehl
Thou
Jesus:
sagest's.
53.
Thou
Evangelist: Jesus aber sprach zu ihm:
Jesus:
Art
Pilate:
Jews?
du der Juden Konig?
thy ways,
O
pilgrim,
On time's dark, stormy seas,
To Him who all things orders,
dein Herze krankt
aller treusten Pflege
Thro' sweet eternities.
Who measures out their courses,
To clouds and winds below,
He too will find a pathway,
den Himmel lenkt;
Der Wolken, Luft und Winden
Gibt Wege, Lauf und Bahn,
Der wird auch Wege finden,
Da dein Fuss gehen kann.
Dess, der
Wherein thy
feet
may
go.
Evangelist: Now upon the feast, the
governor was wont to release unto the
people one prisoner, whom they would.
54.
Evangelist: Auf das Fest aber hatte der
Landpfleger Gewohnheit, dem Volk
einen Gefangenen loszugeben, welchen
sie wollten. Er hatte aber zu der Zeit
einen Gefangenen, einen sonderlichen
vor andern, der hiess Barabbas. Und da
sie versammlet waren, sprach Pilatus zu
ihnen:
at that time, there was among the
prisoners a notable one called Barabbas.
And when they were come together,
Pilate said unto them:
And
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[
1043
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.
Pilatus: Welchen wollt ihr unter diesen
zweien, den ich euch soil losgeben?
Pilate:
whether of the twain here
will ye that I release to you?
Evangelist: Sie sprachen:
Evangelist:
Now
They
answer'd:
Chorus
Mob: Barabbas!
Barrabaml
Evangelist: Pilatus sprach zu ihnen:
Was soil
von dem
Pilatus:
Jesu,
Christus?
And Pilate said unto them:
And what shall I do now with
Evangelist:
ich denn machen mit
gesagt wird, er sei
Pilate:
Jesus,
whom
of
they
say
he
that
is
Christ?
Evangelist: Sie sprachen
Evangelist:
alle:
Chorus
Mob: Let
Lass ihn kreuzigen.
They
Him
all said:
be crucified!
Evangelist: The governor answered:
hat er denn Obels getan?
Pilate: Why, what evil hath He done?
56.
Evangelist: Der Landpfleger sagte:
Was
Pilatus:
Recitative (Soprano)
57-
He hath done only good to all.
The blind have back their sight
Er hat uns alien wohl getan.
Den Blinden gab er das Gesicht,
Die Lahmen macht' er gehend;
Er sag't uns seines Vaters Wort,
Er trieb die Teufel fort;
through
Him.
The lame again are walking;
He told us of His Father's word,
He driveth devils forth;
The mourners hath He comforted;
Betriibte hat er aufgericht't;
Er nahm die Sunder auf und an;
Sonst hat mein Jesus nichts getan.
In
Him
Beside,
a friend the sinner found.
Jesu nought hath done.
my
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[
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Aria (Soprano)
58.
Aus Liebe
will
mein Heiland
sterben,
Von einer Siinde weisst er nichts,
Dass das ewige Verderben und die Strafe
des Gerichts
From
love
unbounded,
my
from love
yes all
Saviour dieth,
He now hath
doom that lieth
For sin and guilt
Lest the eternal
Nicht auf meiner Seele bliebe.
none.
over all
beneath the sun
Be against my soul accounted.
59.
Recitative (Tenor)
Evangelist: Sie schrieen aber noch mehr,
und sprachen:
Evangelist: Then cried they out
more, and said:
Chorus
Mob: Let
Lass ihn kreuzigen.
Him
the
all
be crucified!
aber Pilatus sahe, dass
Evangelist: And when Pilate saw that
er nichts schaffete, sondern dass ein viel
all did avail him nothing, but that rather
grosser Getummel ward, nahm er Wasser,
a tumult was arising, he took water, and
und wusch die Hande vor dem Volk, und
washed his hands before the crowd, and
Evangelist:
Da
sprach:
said:
Ich bin unschuldig an dem
Blut dieses Gerechten, sehet ihr zu.
Pilate:
Evangelist: Da antwortete
Volk, und sprach:
Evangelist:
Then
people, and said:
Pilatus:
Sein Blut
Kinder.
komme
iiber
das
ganze
I
this just
am
innocent of the blood of
man; be
it
your care.
answered
the
all
ChCrus
Mob: His blood be on us and on our
uns und unsre
children!
Evangelist: Da gab er ihnen Barabbam
los; aber Jesum liess er geisseln, und
iiberantwortete ihn, dass er gekreuziget
wtirde.
A>
Evangelist: Then he released Barabbas
unto them, and when he had scourged
Jesus, forthwith he delivered Him, that
they might crucify Him.
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6o.
Recitative (Alto)
Erbarm es Gott! Hier steht der Heiland
angebunden. O Geisselung, o Schlag,
o Wunden! Ihr Henker, haltet ein!
Erweichet euch der Seelen Schmerz, der
Anblick solches Jammers nicht? Ach ja,
ihr habt ein Herz, das muss der Martersaule gleich, und noch viel harter sein.
Erbarmt euch, haltet ein!
O
gracious Lord, behold the Saviour
standeth. Now scourge they Him, and
and wound Him! Tormentors,
your hands! Are not your hearts
with pity moved, to see such anguish
meekly borne? Ah, no! Your hearts
are hard, and must be like the rock it-
smite
stay
nay,
self;
pity! Stay
more unyielding
still.
Have
your hands.
Recitative (Tenor)
62.
Evangelist: Da nahmen die Kriegsknechte des Landpflegers Jesum zu sich
in das Richthaus, und sammleten iiber
ihn die ganze Schar; und zogen ihn aus,
und legeten ihm einer Purpurmantel
an; und flochten eine Dornenkrone, und
setzten sie auf sein Haupt, und ein Rohr
in seine rechte Hand, und beugeten die
Knie vor ihm, und spotteten ihn, und
sprachen:
Evangelist: Then straightway the soldiers of the governor took Jesus into the
common hall, and gathered unto Him
the whole band of soldiers and stripped
Him, and put on Him a scarlet robe;
and, plaiting a crown of thorns, they put
it upon His head, and a reed in His
right hand, and so they bow'd the knee
before Him, and mocked Him, and said:
Chorus
Gegriisset
seist
du, Judenkonig!
Evangelist: Und speieten ihn an, und
nahmen das Rohr, und schlugen damit
sein
EVER BEFORE
in
Thee, King of the
hail
And then they spat on Him, and with
the reed they smote Him on the head.
Haupt.
H
We
Soldiers:
'Jews!
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Chorale
63.
O
O Thou with
voll Blut und Wunden,
Voll Schmerz und voller HohnI
Haupt
hate surrounded,
O Haupt, zu Spott gebunden,
Enduring shame and scorn,
Whose sacred head is wounded,
Mit einer Dornenkron'!
O Haupt, son st schon gezieret,
Mit hochster Ehr' und Zier,
Jetzt aber hoch schimpfieret:
And crown'd with cruel thorn,
Though praise and adoration
Be now denied to Thee,
And Thine but execration,
Accept them, Lord, from me.
Recitative (Tenor)
Evangelist:
Und da wurden zween Evangelist: And with Him two thieves
Morder mit ihm gekreuziget, einer zur
were crucified, one on the right hand,
Rechten, und einer zur Linken. Die
and one on the left. And they that passed
aber vortiber gingen, lasterten ihn, und
by, reviled Him, wagging their heads,
schuttelten ihre Kopfe, und sprachen:
and saying:
Gegriisset seist
du mir!
67.
Chorus
Thou that destroyest the temple of
God, and buildest it in three days, save
Thyself. Art Thou the Son of God,
come down now from the cross.
Der du den Tempel Gottes
zerbrichst,
und bauest ihn in dreien Tagen, hilf
dir selber. Bist du Gottes Sohn, so steig
herab
vom
Kreuz.
Desgleichen
auch
die
Hohenpriester spotteten sein, sammt den
Evangelist:
und
Schriftgelehrten
sprachen:
er geholfen,
helfen. 1st
Israels, so steige er nun
and the
Chorus
und kann
er
ANDREW
Offers
likewise also the chief
scribes
elders said:
He cannot
be King of Israel, let Him
come down now from the cross, and then
we will believe Him. He in God hath
trusted: let Him deliver Him now, if
He will, for He hath said: I am the Son
of God.
He
sich
der Konig
vom Kreuz, so
wollen wir ihm glauben. Er hat Gott
vertrauet, der erlose ihn nun, liistet's
ihn; denn er hat gesagt: Ich bin Gottes
Sohn.
nicht
selber
And
mocking Him, with the
und
Altesten,
Andern hat
Evangelist:
priests
saved others, Himself
save. If
He
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Recitative (Tenor)
68.
Evangelist: Desgleichen schmaheten ihn
auch die Morder, die mit ihm gekreuziget
He was reviled also by the
who were crucified with Him.
Evangelist:
robbers,
wurden.
69.
Recitative (Alto)
Ach Golgatha,
unsel'ges Golgatha! Der
Herr der Herrlichkeit muss schimpflich
Ah,
71
Und
von
.
Jesus: Eli, Eli,
und
Golgotha!
Ah, Golgotha! Unhappy Golgotha!
der
Evangelist: And from the sixth hour
there was a darkness over all the land,
until the ninth hour. And about the
ninth hour Jesus cried aloud and said:
sechsten
Stunde an ward eine Finsternis iiber
das ganze Land, bis zu der neunten
Stunde. Und um die neunte Stunde
schriee Jesus laut,
Unhappy
of glory here mid shame and
scorn must perish. The blessed Saviour
of the world upon the accursed tree now
hangs. The Lord who heaven and earth
created, of life and light is now bereft.
The sinless here for sin must perish.
Ah! how this grief doth pierce my soul!
hier verderben, der Segen und das Heil
der Welt wird als ein Fluch an's Kreuz
gestellt. Der Schopfer Himmels und der
Erden soil Erd' und Luft entzogen
werden; die Unschuld muss hier schuldig
sterben: Das gehet meiner Seele nah:
ach Golgatha, unsel'ges Golgatha!
Evangelist:
Golgotha!
The Lord
sprach:
lama sabachthani!
Evangelist: That is, My God, My God,
O why hast Thou forsaken Me! Some
of them that stood there heard Jesus cry
aloud, and they said:
lama, lama sabachthani?
Jesus: Eli, Eli,
Evangelist: Das ist: Mein Gott, mein
Gott, warum hast du mich verlassen?
Etliche aber, die da standen, da sie das
horeten, sprachen sie:
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Der
rufet
den
Chorus
Mob: He
Elias.
Evangelist: Und bald lief einer unter
ihnen, nahm einen Schwamm, und
fullete ihn mit Essig, und steckete inn
auf ein Rohr, und trankete ihn. Die
andern aber sprachen:
calleth for Elias.
And straightway one of
ran, and took a sponge, and filled
it with vinegar, and put it on a reed,
and gave Him to drink. The others said,
Evangelist:
them
however:
Chorus
Halt, halt, lass sehen, ob Elias
und ihm
komme,
helfe?
Evangelist: Aber Jesus schriee abermal
laut,
und
verschied.
72.
see
if
indeed
And
again Jesus cried aloud,
I too am departing,
part Thou not from me.
On death's lone journey starting,
My soul will feel for Thee!
When near my end I languish,
All other comfort vain,
Then draw me out of anguish,
By Thine own woe and pain.
das Herze sein,
So reiss mich aus den Angsten
Kraft deiner Angst und Pein!
Recitative (Tenor)
Evangelist: And then, behold! the veil
of the temple was rent in twain, from
the top unto the bottom. And the earth
did quake, and the rocks were rent. And
the tombs gave up their dead, and there
siehe da, der Vorhang
im Tempel zerriss in zwei Stuck, von
oben an bis unten aus. Und die Erde
erbebete, und die Felsen zerrissen, und die
Graber taten sich auf, und stanuen aut
viel Leiber der Heiligen, die da schliefen;
und gingen aus den Grabern nach seiner
Auferstehung, und kamen in die heilige
Stadt, und erschienen vielen. Aber der
Hauptmann, und die bei ihm waren,
arose many bodies of the dead, and came
out of the graves after His resurrection,
and went into the holy city, and appeared unto many. Now the centurion
and they that were with him, and were
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Elias
Him.
Then
Wird um
73-
Evangelist:
let's
When
ich einmal soil scheiden,
So scheide nicht von mir!
Wenn ich den Tod soil leiden,
So tritt du dann herfur!
Wenn mir am allerbangsten
Und
Wait,
to save
and departed.
Chorale
Wenn
Evangelist:
Mob
come
Illustrations slightly
enlarged
und bewahreten Jesum, da
sie
sahen
das Erdbeben, und was da geschah,
erschraken sie sehr, und sprachen:
Wahrlich,
(Chorus)
dieser
ist
Gottes
Sohn gewesen.
Am
Evangelist:
Abend aber kam
ein
Mann von
Arimathia, der hiess
Joseph, welcher auch ein Jiinger Jesu
war. Der ging zu Pilato, und bat ihn
um den Leichnam Jesu. Da befahl
Pilatus, man sollte ihm ihn geben.
reicher
Am
es kiihle war,
Fallen offenbar.
Am
ward Adams
Abend driicket ihn
Am Abend kam die
der Heiland nieder.
Taube wieder, und trug ein Olblatt in
dem Munde. O schone ZeitI O
Abendstunde! Der Friedensschluss ist
nun mit Gott gemacht, denn Jesus hat
sein Kreuz vollbracht. Sein Leichnam
kommt zur Ruh. Ach! liebe Seele, bitte
du, geh, lasse dir den toten Jesum
schenken,
o
o
heilsames,
The Watchers: Truly, this was the
Son of God.
Evangelist: At eventide there came a
man of Arimathea, called Joseph,
who himself was a disciple of Jesus.
He went to Pilate, and begged of him
the body of Jesus. Then Pilate commanded the body to be delivered.
rich
Recitative (Bass)
74.
Abend da
watching Jesus, when they saw the
earthquake, and those things that were
done, they feared greatly, and said:
kostlich's
Angedenken!
At eventide, cool hour of rest, Was
Adam's fall made manifest. So now at
eve our foe doth Christ subdue; At eve
returning flew, And in its
the olive bore. O lovely time! O
evening hour! The covenant of peace
with God is seal'd, For Jesus hath His
the
dove
mouth
His body sinks to rest. Ah!
beg thou His corpse. Go!
shall the dear remains neglected perish?
O precious boon, for heart and soul to
cross fulfilled.
soul,
go,
my
cherish!
76.
Recitative (Tenor)
Evangelist:
Evangelist: Und Joseph nahm den Leib,
und wickelte ihn in ein rein Leinwand.
Und legte ihn in sein eigen neu Grab,
welches er hatte lassen in einen Fels
hauen; und walzete einen grossen Stein
vor die Tiir des Grabes, und ging davon.
And Joseph
took the body,
and wrapped it in a clean cloth of linen,
and laid it in his own new tomb, which
he had hewn out in the rock; and having rolled a great stone to the door of
the tomb, he went away.
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8:30 P.M.
M.
I.
T.
CHORAL SOCIETY
Klaus Liepmann, Conductor
with the
ZIMBLER SINFONIETTA
and ASSISTING
ARTISTS
Soloists:
Phyllis Curtin, Soprano
Jeanette Coran, Soprano
Jean Harper, Alto
Cantata No.
31,
Donald Sullivan, Tenor
Paul Matthen, Bass
Erwin Bodky, Harpsichord
"The Heavens Laugh, the Earth Exults
Cantata No. 6, "Bide with Us"
Magnificat
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[
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77-
Bass:
Nun
Tenor:
Siinden
ist
Recitative
der Herr zur
Die Miih'
ist
(Soprano,
A Ito,
Ruh gebracht.
die
aus,
Tenor, Bass)
to
unsre
Him down
o'er,
He
for our
sins so
O
weary broken body! See! how
fond remorse bedew Thee,
that in my fall such bitter woes were
Thine.
Alto:
my
tears of
Sopranos: My soul shall bless Thee
all my days with thousand thanks, that
Seelenheil so wert geacht't.
Thou
hast deem'd
Chorus (with above)
Lord Jesu,
Jesu, gute Nacht!
lain
rest.
Tenor: The pains are
meekly bore.
ihm gemacht.
Alto: O selige Gebeine, seht, wie ich
euch mit Buss und Reu beweine, dass
euch mein Fall in solche Not gebracht.
Soprano: Habt lebenslang vor euer
Leiden tausend Dank, dass ihr mein
Mein
with Chorus
The Lord hath
Bass:
it
worth the
sacrifice.
rest in peace!
Chorus
Wir
The
setzen uns mit Tranen nieder,
Und rufen dir im Grabe zu:
Ruhe sanfte, sanfte ruh'!
Ruh't, ihr ausgesognen Glieder,
Believers:
In tears of grief here sit we weeping,
Hearts turned to Thee, O Saviour blest:
Rest Thee softly, softly rest.
Long, ye weary limbs, lie sleeping.
This cold stone above Thy head,
Shall to many a careworn conscience
Be a sweet refreshing pillow;
Here the soul finds peaceful bed.
Closed in bliss divine
Slumber now the weary eyes.
Euer Grab und Leichenstein
dem angstlichen Gewissen
Ein bequemes Ruhekissen
Soil
Und der Seelen Ruhstatt sein.
Hochst vergniigt,
Schlummern da die Augen ein.
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FLOWER SHOP,
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NOTICE OF MEETING
of the
FRIENDS OF THE BOSTON SYMPHONY
ORCHESTRA
The
nineteenth Annual Meeting of the Friends of the
Orchestra will be held in Symphony Hall on Wednesday
afternoon, April 8, 1953, at four o'clock for the transaction of such business as may properly come before the
meeting.
Munch
with members of the Orchestra will present a short program of music. At the conclusion of the
music the Trustees will receive our members at tea in
Mr.
the upper foyer.
Membership
our Society carries the privilege of
attending this meeting, which we hope will be the largest
on record. If you have not already joined you may do so
now
at the
Box
in
Office.
OLIVER
WOLCOTT
Chairman, Friends of the
Boston Symphony Orchestra
To
the
Trustees of
I
Inc.
member of the
Friends of the Boston Symphony Orchestra
the year 1952-1953 and I pledge the sum of $
for
ask
for
Boston Symphony Orchestra,
Symphony Hall, Boston
to be enrolled as a
the
current support of the Orchestra, covered by check herewith or
payable on
Name
Address
Checks are payable to Boston Symphony Orchestra
[
10 53
]
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SEVENTY-SECOND SEASON, NINETEEN HUNDRED FIFTY-TWO AND FIFTY-THREE
Twenty-third Program
FRIDAY AFTERNOON,
April
10,
at 2:15
SATURDAY EVENING,
PIERRE MONTEUX,
o'clock
April
11,
at
8:30 o'clock
Guest Conductor
Symphony No.
Creston
I.
II.
Introduction and Song
Interlude and Dance
Mozart
Piano Concerto in
I.
II.
III.
Op. 35
2,
B-flat
major, K. 456
Allegro vivace
Andante un poco sostenuto
Allegro vivace
INTERMISSION
Stravinsky
Suite
from the
Ballet,
"L'Oiseau de Feu"
Introduction: Kastchei's Enchanted Garden and Dance of the Fire-Bird
Supplications of the Fire-Bird
The Princesses play with Golden Apples
Dance of the Princesses
Infernal Dance of all the Subjects of Kastchei
Berceuse
Finale
Strauss
Suite
from "Der Rosenkavalier"
SOLOIST
LILI
KRAUS
This program will end about 4:00 o'clock on Friday Afternoon,
10:15 on Saturday Evening.
Scores
and information about music on this program may be seen
the Music Room of the Boston Public Library.
BALDWIN PIANO
in
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[
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JULES WOLFFERS
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DAVID BLAIR McCLOSKY
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BOSTON UNIVERSITY COLLEGE OF MUSIC, BOSTON, MASS.
DIRECTOR: PLYMOUTH ROCK CENTER OF MUSIC AND DRAMA, INC.
By Appointment CO 6-6070
LEONARD ALTMAN
Teacher of Pianoforte
135
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6-5183
7-3294
JAMES GRAY
PIANIST
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169
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LOUISE SCARABINO,
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Boston, Mass.
Rhodora Buckle Smith
Soprano
6-2049
Evenings
DR. ROSE W. SHAIN
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Boston Symphony Orchestra concert programs, Season

Transcription

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Boston Symphony Orchestra concert programs, Season

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