BETTINA LOCKEMANN

BETTINA LOCKEMANN
CURRICULUM VITAE
CONTACT INFORMATION
home address
An der Eiche 7A, D. 50678 Köln
Germany
[email protected]
webhttp://archivalien.de/en/
EDUCATION
2007
PhD in Art History, Stuttgart State Academy of Art and Design, Germany
1999
Diploma in Fine Art Photography and Media Art (equivalent to MFA)
with distinction, Academy of Visual Arts Leipzig, Germany
1994
Desktop-Publisher (Vocational Training), CIMdata Academy, Berlin, Germany
1993
Gesellenbrief (Certificate of Apprenticeship) in Photography, Free University Berlin, Germany
PROFESSIONAL APPOINTMENTS/EMPLOYMENT
Academic
2010—2015
Professor: Practice and Theory of Photography, Department for Communication Design, Braunschweig University of Art, Braunschweig, Germany
2009­—2010
Visiting Professor: Photography, Merz Akademie Stuttgart, Germany
2009­—2010
Adjunct Professor: Art Photography, Stuttgart State Academy of Art and Design,
Germany
2007—2009
Adjunct Professor: Aesthetics and Theory of Art, Stuttgart State Academy of Art
and Design, Germany
2008
Adjunct Professor: Art Photography, F+F School for Art and Media Design,
Zurich, Switzerland
2007—2008
Adjunct Professor: Art Photography: Academy of Visual Arts, Leipzig, Germany
2000—2004
Lecturer and Researcher (staff): Research Project Visuelle Kompetenz im
Medienzeitalter (Visual Competence in the Media Age), Stuttgart State Academy
of Art and Design, Germany
Bettina Lockemann | Curriculum Vitae
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Graphic Design
1999—2000
Graphic Designer, VIVA Fernsehen GmbH (German music television station),
Cologne, Germany
1997—1999
Freelance Graphic Designer: Lambert and Lambert (formerly Lambert
and Ott), Duesseldorf, Germany: exhibition catalogues, magazines, print and
online 1995
Intern: Graphic Designer, Lambert and Ott, Düsseldorf, Germany
1994—1995
Desktop-Publishing Specialist, Druckplan, Leipzig, Germany
Freelance/Miscellaneous
2010Curator: On the localization of the private, Stuttgart Photography Summer 2010, Stuttgart, Germany (student exhibition)
2010Curator: momentum, Stuttgart Photography Summer 2010, Stuttgart, Germany (student exhibition)
2007—2014
Founding Member of the producers’ gallery Loris in Berlin, Germany
2005
Assistant to the Curator (Inke Arns): Dispersed Moments of Concentration. Urban
and Digital Spaces, Hartware Medienkunstverein, Dortmund, Germany
2004
Jury Member: Grant of the State of North Rhine-Westphalia for a Female Media Artist, Dortmund, Germany
2004
Lecturer and Supervisor: International Student Workshop: Heimatwechsel, in
cooperation with Hartware Medienkunstverein and medien_kunst_netz Dortmund, Germany, collaboration with Antoni Muntadas (New York, USA) and Daniel Garcia Andújar (Valencia, Spain)
2000—2010
Supervisor for Parkett (Swiss art magazine) at Art Cologne, Cologne, Germany
1997—1998 Intern and Co-Curator (Judy Lübke): Weimar Lab, Media Lab of Eigen + Art
gallery, Leipzig, Germany
1997—1998 Student Organizer: National Student Workshop künstlich, vermutlich, Academy of
Visual Arts, Leipzig, Germany
1995—1997
Student Supervisor: Computer Lab, Academy of Visual Arts, Leipzig, Germany
1995—1997
Student Instructor: Digital Image Processing (Photography Department) and
Online Research for Art Historians (Media Art Department), Academy of Visual
Arts Leipzig, Germany
1994—1996
Jury Member: German Youth Photography Award, Remscheid, Germany
1993—1994
Lecturer: Photography, Adult Education Center Kreuzberg, Berlin, Germany
1993
Photographer, Free University, Berlin, Germany
1992
Assistant: Photo Artist Michael Schmidt (U-NI-TY; Waffenruhe)
Bettina Lockemann | Curriculum Vitae
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PUBLICATIONS
Artist Books and Magazines
2015
État d'Urgence. Paris, 14 novembre 2015, private publication, Cologne 2015.
2015
archivalien | documents, Blurb, books on demand, 2015.
2013
From the Periphery, Salzburg: Fotohof edition, 2013.
2011
Contact Zones, (monographic exhibition catalogue), ed. by Hans D. Christ/Iris
Dressler, Württembergischer Kunstverein Stuttgart, Ostfildern, Germany 2011,
Hatje Cantz Verlag.
2008 EP/2006/K., Berlin: Office for Image Affairs, 2008.
1999
Plan, (with Elisabeth Neudörfl), Leipzig: Institut für Buchkunst,1999.
Theory—Monographic Books
2008
Das Fremde sehen. Der europäische Blick auf Japan in der künstlerischen Dokumentarfotografie, Bielefeld: transcript Verlag, 2008.
2002
Sammeln: Erinnern – Erneuern – Transformieren, Werkstatt Wort Bd. 2, ed. by
Christoph Türcke, Leipzig: Academy of Visual Arts, 2002.
Edited Books
2016
Ilka Becker/Bettina Lockemann et al. (eds.), Fotografisches Handeln/Agency in
Photography, Marburg: Jonas Verlag, 2016 (in preparation).
2004
H.D. Huber/B. Lockemann/M. Scheibel, Visuelle Netze. Wissensräume in der
Kunst, Ostfildern/Ruit: Hatje Cantz Verlag, 2004.
2002
H.D. Huber/B. Lockemann/M. Scheibel (eds.), Bild Medien Wissen,
Munich: kopaed Verlag 2002.
1999
Bettina Lockemann and foto.media.projekte (eds.), künstlich, vermutlich,
Leipzig: Academy of Visual Arts Leipzig, 1999.
Theory—Papers
2016
“The Power of Place,” in: Kerstin Schmidt und Julia Faisst (eds.), The Place of
Photography, in: Spatial Practices, Brill/Rodopi (in preparation).
2016
“After Fukushima: Strategies of Photographic Visualization,” in: Bettina Gockel
(ed.), Japan – Photography and Photographers, Berlin, de Gruyter
(in preparation).
2016
“Unbestimmtheitsstellen in der dokumentarischen Fotografie,” Let's Mix All
Media Together & Hans Dieter Huber, ed. by Hannelore Paflik-Huber, Ostfildern:
Hatje Cantz, 2015, 206-216 (June 2016).
2015
“Beyond the Decisive Moment: Temporality in Paul Graham's ‘A
Shimmer of Possibility’,” Image [&] Narrative, ed. by Alexander Streitberger and
Jan Baetens, Brussels, 17-30..
Bettina Lockemann | Curriculum Vitae
2014
“The City as Contact Zone,” Visual Resources, Volume 30, Number 4,
October 2014 (Taylor & Francis), 354-372.
2013
“A Phenomenological Approach to the Photobook,” Imprint. Visual
Narratives in Books and Beyond, ed. by Hans Hedberg/Gunilla Knape/
Tyrone Martinsson/Louise Wolthers, Gothenburg: Art and Theory Publishing, 2013, 83-127.
2010 “Maskierung und Demaskierung von Macht. Paul Grahams fotografische
Sicht auf Japan,” Kritische Berichte: The Phoenix of Hiroshima. Entwürfe einer
neuen Identität im Bild, 2/2010, 63-72.
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2008 “Dokumentarfotografie. Zur Entwicklung eines Begriffs,” Rundbrief
Fotografie, Vol. 15, No. 4 (2008), 14-17.
2007
“Constructing the World. Documentary Photography in Artistic Use,”
Visual Culture Revisited. German and American Perspectives on Visual
Culture(s), ed. by R. Adelmann et al., Cologne: Herbert von Halem Verlag, 2007, 141-152.
2004
“Das Fremde sehen. Der Blick auf Japan in Paul Grahams Künstlerbuch
‘Empty Heaven’,” Printed Matter: Fotografie im/und Buch, ed. by Barbara Lange,
Leipzig: Leipzig University Press, 2004, 125-135.
2004
“Netzkunst als Konzeptkunst,” Visuelle Netze. Wissensräume in der Kunst, H.D.
Huber/B. Lockemann/M. Scheibel, Ostfildern/Ruit: Hatje Cantz Verlag, 2004,
39-51.
2004
“Vom Grenzraum zur Grenzüberschreitung. Grenzen und Globalisierung
im künstlerischen Diskurs,” Visuelle Netze. Wissensräume in der Kunst, H.D.
Huber/B. Lockemann/M. Scheibel, Ostfildern/Ruit: Hatje Cantz Verlag, 2004,
145-163.
2004
“Bedingungen der Integration von Online-Medien in die Ausbildung von
KunsterzieherInnen,” http://www.vk.abk-stuttgart.de.
2002
“Jenseits der Netzkunst,” Bild Medien Wissen, ed. by H.D. Huber/B. Lockemann/M. Scheibel, Munich: kopaed Verlag 2002, 257 - 272.
2002
Methodisch-didaktische Ansätze in der Ausbildung von KunststudentInnen im Bereich Online-Medien, http://www.vk.abk-stuttgart.de.
2001
“Saying Goodbye to the Wild West. Thoughts about Net.art on the
Threshold of Institutionalisation,” http://art.net.dortmund.de.
2000
“objects in this mirror may be closer than they appear,” Vom Realismus der Bilder,
ed. by K. Sachs-Hombach and K. Rehkämper, Magdeburg: Scriptum Verlag, 2000, 185-192.
1996
“Medien, Bilder,” European Media Arts Festival Osnabrück 1996 (catalogue), ed.
by H. Nöring/A. Rotert/R. Sausmikat, Osnabrück: EMAF, 1996, 254-257.
Bettina Lockemann | Curriculum Vitae
Reviews and Miscellaneous Texts
2014
“Ueno Park”, Klasse. Buch. 64 Positionen aus der Klasse Eißfeldt, ed. by
Braunschweig University of Art, Heidelberg: Kehrer, 2014.
2012
“An Almost Casual Gaze. On Lara Almarcegui's ‘Guide to the Wastelands of Lea Valley. 12 Empty Spaces Await the London Olympics’,” Status. 24
Contemporary Documents (catalogue), ed. by Daniela Janser/Thomas
Seelig, Winterthur: Fotomuseum Winterthur, 2012, 78-79.
2009
“Shinkichi Tajiri: The Berlin Wall,” http://archivalien.blogspot.com.
2008
“Robert Frank: The Americans,” http://www.booksports.de.
2008
“Judith Joy Ross: Living with War,” http://www.booksports.de.
2008
“Helen Levitt: Fotografien 1937 – 1991,” http://www.booksports.de.
2007
“Elisabeth Neudörfl: Super Pussy Bangkok,” http://www.booksports.de.
2007
“Dorothea Lange: Impounded,” http://www.booksports.de.
2007
“Paul Graham: American Night,” http://www.booksports.de.
2006
“Seeing the Other,” http://www.archivalien.de.
2005
“Die Welt ist nicht genug,” http://www.archivalien.de.
2004
“Code Orange: Washington im Krieg,” spector cut+paste 3, 158-160.
2002
“schon mal hier gewesen,” http://www.archivalien.de.
GRANTS AND AWARDS
2013
Deutscher Fotobuchpreis, Germany, “Nominated 2014”-Predicate for the
publication From the Periphery
2013
Research Commission of Braunschweig University of Art, Germany,
Publication Grant
2013
Arts Foundation North Rhine-Westphalia, Germany, Publication Grant
2010
Arts Foundation North Rhine-Westphalia, Germany, Exhibition Grant
2005 Arts Foundation North Rhine-Westphalia, Germany, Exhibition Grant
2000
International Bauhaus Award 2000, Honorable Mention, Bauhaus Dessau,
Germany
1998
West German Public Broadcasting Company (WDR) and the Academy of
Media Arts Cologne 1st prize: kurz + schön contest
(cooperation with Caroline Hake)
1997
Institut für Buchkunst Leipzig, Germany, Publication Grant for the artist
book Plan (cooperation with Elisabeth Neudörfl)
1997
Koerber-Foundation, Germany, German Study Award, 3rd prize
5
Bettina Lockemann | Curriculum Vitae
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1993
Photographers’ Guild Berlin, Germany, 1st prize, Competition of Apprenticeship
Exams
1991 and 92
Deutscher Jugendfotopreis (German Youth Photography Competition), awardee in
multiple categories
FELLOWSHIPS
2009
Arts Foundation North Rhine Westphalia, Germany, Young Talent Fellowship
2008
Berlin University of the Arts, Germany, admission to the Mentoring-Program for female artists/researchers
2007
Federal State of Baden-Wuerttemberg, Germany, admission to the
Mathilde-Planck-Lehrauftragsprogramm for female artists/researchers
2006
German Institute for Japanese Studies Tokyo, Japan, Dissertation Fellowship
2005—2007
Federal State of Baden-Wuerttemberg, Germany, Postgraduate Scholarship
2003 German-American Fulbright-Commission, Visual Culture Tertiary Fellowship, Amherst College in Amherst/MA, USA
2001
Minstry of Culture, North Rhine-Westphalia, Germany, Fellowship for a
Female Media Artist 1993
Federal Ministry of Education and Research, Germany, admission to the
Education Program for Gifted Youth
SOLO EXHIBITIONS
2013
From the Periphery, gallery of the Braunschweig University of Art,
Braunschweig, Germany (artist book)
2013
From the Periphery, Loris – gallery for contemporary art, Berlin, Germany
(artist book)
2012
Eden Olympia (with Jens Lüstraeten), Loris – gallery for contemporary art, Berlin,
Germany
2011
undocumented, Loris – gallery for contemporary art, Berlin, Germany
2010
Contact Zones, Württembergischer Kunstverein Stuttgart, Germany (catalogue)
2009
Undetermined Terrain, Loris - gallery for contemporary art, Berlin, Germany
2008
Contact Zone, Loris - gallery for contemporary art, Berlin, Germany
2003 Code Orange, GEDOK-Galerie Stuttgart, Germany
2003
Fringes of Utopia, Büro Spors, Berlin, Germany
2002
been here before, Kunstverein Oberwelt, Stuttgart, Germany
1999
objects in this mirror may be closer than they appear, Kunstverein
Leipzig, Projektgalerie Elsterpark, Leipzig, Germany
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SELECTED GROUP EXHIBITIONS
2016
Fotografia Europea 2016. La via Emilia. Strade, viaggi, confini, Bologna, Italy
(May-July 2016)
2015
Under Surveillance, Ricus Aschemann – Gallery for Photography, Hanover,
Germany (catalogue)
2014
Unterwegs nach dem Mehr, Fotofestival f/stop, D21 Kunstraum Leipzig, Germany
2014
Land in Sight, Loris – gallery for contemporary art, Berlin; Germany 2013
The Way Things Are, Union Gallery, London, Great Britain
2013
Nach Lage der Dinge, Loris – gallery for contemporary art, Berlin, Germany
2013
Spiegelnde Kulissen, ARD Hauptstadtstudio, Berlin, Germany
2012
Cairo: Open City. Testimonies of an Ongoing Revolution, Museum for
Photography, Braunschweig, Germany
2012
Research – Reality as Material, Ratskeller, Lichtenberg, Berlin, Germany
2011
The Best of All Possible Worlds, Carpe Diem Art & Research, Lisbon, Portugal
2010 Diamonds & Pearls, Loris – gallery for contemporary art, Berlin, Germany
2010 Interior Views, Gallery of the International Culture Center Cracow,
Poland (catalogue)
2009 Under Cover I – special editions in books, boxes & rolls, Gallery Barbara
Wien, Berlin, Germany
2009
Art Dialogue: Moving Ahead Together, Wuhan, China (catalogue)
2009
Interior Views, San Juan, Mendoza, Cordoba: Argentina (catalogue)
2008 Heterotopias of the Mundane. Young Berlin Artists Seeing Space,
video screening at Scala cinema, Berlin, Germany
2008
Interior Views, Goethe-Institute Washington DC, USA (catalogue)
2007 The Best of All Possible Worlds, Loris – gallery for contemporary art, Berlin
2007
Interior Views, Ex-Convento del Carmen, Guadalajara, Mexico (catalogue)
2006
Annual Contributions, Württembergischer Kunstverein Stuttgart, Germany
2005
2005 Pingyao International Photography Show, Pingyao, China (catalogue)
2005
Trial of Power, Künstlerhaus Bethanien, Berlin, Germany (catalogue)
2005
Dispersed Moments of Concentration. Urban and Digital Spaces,
hartware medien kunst verein, Dortmund, Germany (catalogue)
2005
Expanded Media, Württembergischer Kunstverein Stuttgart, Germany
2004 Research – discovered! Picture archives of the invisibilities, International
Photography Triennial Esslingen, Villa Merkel, Esslingen, Germany (catalogue)
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2002
not far away from reality, Kunstverein hartware, Dortmund, Germany (catalogue)
2002
Trade. Commodities, Communication, and Consciousness in World
Trade Today, Nederlands Foto Instituut, Rotterdam, The Netherlands (catalogue)
2001
Trade. Commodities, Communication, and Consciousness in World
Trade Today, Fotomuseum Winterthur Switzerland (catalogue)
2001
new ideas – old tricks, Kunstverein hartware, Dortmund, Germany (catalogue)
2000
Sublime, Künstlerhaus Duende, Rotterdam, The Netherlands
2000
Positions, Attitudes, Actions, International Photography Biennial Rotterdam,
The Netherlands (catalogue)
1999
Arte & Communicazione‚ 99. Forum Internazionale della TV,
dell‘Audiovisivo e dell‘Editoria multimediale di qualita, Musei D‘Arte
Contemporanea, Rome, Italy
1998
sub fiction, 3. Werkleitz Biennial, Saxony-Anhalt, Werkleitz, Germany (catalogue)
1997
Labland, medialab of Eigen+Art gallery, Leipzig, Germany (catalogue)
1996
Videonale Bonn (catalogue)
1996
European Media Arts Festival Osnabrück (catalogue)
LECTURES AND PRESENTATIONS
Artist Presentations
2015
Constructing the Urban Landscape, Good Children Gallery, New Orleans,
Louisiana, USA
2013
Artist Talk with Dr. Barbara Könches/Arts Foundation North Rhine Westphalia,
Germany, Düsseldorf Photo-Weekend
2011
undocumented, “Studio Real—Kunst und Dokument,” ACC Galerie/Bauhaus
University Weimar, Germany
2010
The World is not Enough, Zurich University of the Arts, Zurich, Switzerland
2010
Encounters in the Contact Zone, Württembergischer Kunstverein Stuttgart,
Germany
2009
Exploring Places, Academy of Visual Arts Leipzig, Germany
2009
Documentary Projects, Faculty of Architecture, Middle East Technical University,
Ankara, Turkey
2009
Exploring Territories, PIST art space, Istanbul, Turkey
2008
Encounters in the Contact Zone. European Influences in Japan in the
photography project ‘Contact Zone’, “Contact Zone,” Loris – gallery for
contemporary art, Berlin
2005
The World is not Enough, Kunstraum Kreuzberg/Bethanien, Berlin, Germany
Bettina Lockemann | Curriculum Vitae
2002
been here before, Kunstverein Oberwelt e.V., Stuttgart, Germany
2000
The International City, “Event City,” Bauhaus Dessau
9
Invited Talks (Academic)
2015
From the Periphery, Bauhaus University Weimar
2015
Conceptual Documentary: Constructing the World in Images, Southeastern
Louisiana University, Department for Fine and Performing Arts, Hammond,
Louisiana, USA
2014
From the Periphery. Housing Estates and the Car-Oriented City,
department for media studies, University of Applied Sciences, Potsdam, Germany 2014
After Fukushima. Strategies of Photographic Visualization, “Geography of
Photography: Japan – Photography and Photographers,” Zurich University,
Switzerland
2012 Phenomenology and the Photobook, Hasselblad Foundation, Gothenburg, Sweden
2010 Seeing the Other. The European View of Japan, 3rd International Photobook
Festival, Kassel, Germany
2009
Seeing the Other, “Pictorial Flows. Visuality and Mediality in a Global Context,”
interdisciplinary excellence cluster ”Asia and Europe in a Global Context,”
Heidelberg University, Heidelberg, Germany
2009
Encounters Within the Contact Zone, “Cultural Memory and Border Identities
Between Narrative Construction and ‘iconic turn’,” Faculty of Philosophy,
University Madrid, Spain
2007
Seeing the Other. The European View on Japan in artistic Documentary
Photography, “Japanese Photography,” Academy of Visual Arts Leipzig in
cooperation with the Institute of Japanology, Leipzig University, Germany
2005
Constructing the World. Documentary Photography in Artistic Practice,
“Visual Culture Revisited. German and American Perspectives on Visual
Culture(s),” JFK-Forum, Free University, Berlin, Germany
2001
Using Media in the Arts, IG Medien, Bad Urach, Germany
2001
Saying Goodbye to the Wild West. Thoughts about Net.art on the Threshold of
Institutionalisation, “art.net.dortmund under construction,” hartware medien kunst
verein, Dortmund, Germany
Conference Activity/Other
2016
Agency in Photography. Exploring Photography as Performative, Helsinki
Photomedia Conference 2016, Aalto University, Helsinki, Finnland (March 2016)
2015
Panel Member: Past is Wow, Fotodoks, Festival für aktuelle
Dokumentarfotografie, Maximiliansforum München
2014
The Power of Place. Photographing the Holocaust Today, Helsinki Photomedia
Conference 2014, Aalto University, Helsinki, Finnland
Bettina Lockemann | Curriculum Vitae
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2014
Panel Member: Herausforderungen der Architekturfotografie, Gallery for
Photography, Hanover, Germany
2014
Beyond the Decisive Moment. Temporality in Paul Graham’s ’Shimmer
of Possibility’, “Photofilmic Images,” Brussels, Belgium
2013
The City as Contact Zone, College Art Association (CAA), New York, USA
2012
Panel Member: Fotografie ist mehr als Kunst. Zur Vielfalt fotografischer Weisen
in Bezug auf ihren Status in der Kunst, Stuttgart State Academy of Art and Design,
Stuttgart, Germany
2012
A Phenomenological Approach to Photography, Helsinki Photomedia
Conference “Images in Circulation,” Aalto University, Helsinki, Finnland
2010
Undetermined Terrain. The Urban Experience between Europe and Asia,
“Cityscapes in History. Creating the Urban Experience,” Center for Advanced
Studies, Ludwig-Maximilians-University, Munich, Germany
2007
Thinking Non-Linear – Working Cross-Linked, “Kunst in Bewegung – Das
Flüchtige in der Kunst,” Landesinstitut für Lehrerbildung und Schulentwicklung
Hamburg, Germany
2005Moderator: Veränderte Berufsprofile im Medienzeitalter, “Kulturelle Bildung im
Medienzeitalter. Projekte Praxis Perspektiven,” Munich, Germany
2003
Seeing the Other. Seeing Japan in Paul Graham's Artist Book ‘Empty Heaven’,
“Fotografie im Buch II,” Department of Art History, Leipzig University, Germany
2003
The Internet as Extension of Artistic Practice, Bad Emser Medienkunsttage 2003:
“Virtuelle Utopien – Grenzenlose Möglichkeiten? Die Relevanz neuer Technologien in Kunst und Gesellschaft,” Bad Ems, Germany
2003
Panel Member: Interdisziplin Medienkunst, Transmediale Media Festival, Berlin,
Germany
Campus Talks and Conferences
2014
Agency in Photography: Concept, organization, and realization of the conference
at Braunschweig University of Art, Braunschweig, Germany (July 10/11 2014),
in cooperation with Prof. Dr. Ilka Becker.
speakers: Ulrike Bergermann (Braunschweig), Kerstin Brandes (Oldenburg),
Florian Ebner (Essen), Peter Geimer (Berlin), Hilde Van Gelder (Leuven), Lilian
Haberer (Cologne), Susanne Holschbach (Berlin), Marco Poloni (Berlin/
Lausanne), Jens Schröter (Siegen), Alexander Streitberger (Louvain)
2014
Critical Documentary, “Die Kunst zu kritisieren,” Braunschweig University of Art
2013
Considerations on a Phenomenology of the Photographic Image, “The
Photographic Dispositif,” Braunschweig University of Art
2009
Seeing the Other. Views of Japan, Stuttgart State Academy of Art and Design,
Stuttgart, Germany
Bettina Lockemann | Curriculum Vitae
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2008 Begegnungen in der Kontaktzone. Europäische Einflüsse in Japan im Fotoprojekt
‘Contact Zone’, “Positionen der Fotografie,” F+F Schule für Kunst und
Mediendesign Zurich, Switzerland
2006
Seeing the Other. The European View on Japan in Contemporary Artistic
Documentary Photography, History & Humanities Study Group, German Institute
for Japanese Studies, Tokyo, Japan
2004
Visuelle Kompetenz im Medienzeitalter (Abschlussveranstaltung): Concept,
organization and realization of the conference, Stuttgart State Academy of Art and
Design, in cooperation with Prof. Dr. Hans Dieter Huber and Michael Scheibel
speakers: Hans Dieter Huber (Stuttgart), Gabriele Lieber (Bonn), Bettina
Lockemann (Stuttgart), Wilfried Matanovic (Berlin), Andreas Opiolka (Stuttgart),
Hartmut Preuß (Stuttgart), Hans Peter Radolko (Stuttgart), Michael Scheibel
(Stuttgart)
2004 How to Integrate Online Media in Art Education, “Visuelle Kompetenz im
Medienzeitalter,” Stuttgart State Academy of Art and Design, Stuttgart, Germany
2003
Visual Competence in the Media Age,“Edutain,” Karlsruhe, Germany
2002
Online-Medien in der Kunstausbildung: Concept, Organization and realization of
conference/workshop, Stuttgart State Academy of Art and Design, in cooperation
with Prof. Dr. Hans Dieter Huber and Michael Scheibel
speakers: Kirsa Geiser (Berlin), Hans Dieter Huber (Stuttgart), Bettina
Lockemann (Stuttgart), Michael Scheibel (Stuttgart), Michael Wetz (Tübingen)
2002
Methodological-didactic Approaches in using Online Media in Art
Education, “Online-Medien in der Kunstausbildung,” Stuttgart State Academy of
Art and Design, Stuttgart, Germany
2001
Bildkompetenz und Wissensvernetzung: Concept, organization and realization of
the conference, Stuttgart State Academy of Art and Design, in cooperation with
Prof. Dr. Hans Dieter Huber and Michael Scheibel
speakers: Kunibert Bering (Düsseldorf), Sigmar-Olaf Tergan (Tübingen), Dragan
Espenschied/Alvar C. Freude (Stuttgart), Gui Bonsiepe (Cologne), Kai-Uwe
Hemken (Bochum), Karl R. Gegenfurtner (Gießen), Christiane Heibach (Erfurt),
Holger Friese (Berlin), Gabi Reinmann-Rothmeier/Frank Vohle (Augsburg),
Stefan Römer (Cologne), Urs Hirschberg (Cambridge/Massachusetts)
TEACHING EXPERIENCE
Braunschweig University of Art, BA and MA (Winter 2010/11­—Summer 2015)
every semester
Studio Art (photographic practice)
Braunschweig University of Art, PhD
Summer 2015
Doctoral Colloquium (graduate program “The photographic Dispositif”) in
cooperation with: Prof. Dr. Katarina Sykora, Prof. Dr. Victoria von Flemming,
Prof. Dr. Ilka Becker, Prof. Dr. Linda Hentschel, Prof. Dr. Heike Klippel et al.
Bettina Lockemann | Curriculum Vitae
Summer 2014
Winter 2013/14
12
Doctoral Colloquium (graduate program “The photographic Dispositif”) in
cooperation with: Prof. Dr. Katarina Sykora, Prof. Dr. Victoria von Flemming,
Prof. Dr. Ilka Becker, Prof. Dr. Linda Hentschel, Prof. Dr. Heike Klippel et al.
Doctoral Colloquium (graduate program “The photographic Dispositif”):
Theories of the Dispositif, in cooperation with: Prof. Dr. Katarina Sykora, Prof.
Dr. Victoria von Flemming, Prof. Dr. Ilka Becker, Prof. Dr. Linda Hentschel, Prof.
Dr. Heike Klippel et al.
Braunschweig University of Art, MA
Summer 2015
Bilder der Erinnerung/Images of Memory (photographic practice and theory)
Summer 2014
Evidence. Fotografie als/und Beweis/Evidence. Photography as/and Proof
(photographic practice and theory)
Winter 2013/14 Störbilder. Scheitern als produktives Verfahren/Residual Images. Failure as
Failure as Effective Method (photographic practice and theory), team teaching
with Prof. Dr. Ilka Becker
Summer 2013
Bilder des Krieges/Images of War (theory)
Winter 2012/13 Strategien des Dokumentarischen. Eine kritische Betrachtung des
Dokumentarbegriffs/Strategies of the Documentary. A Critical Review of the Term
‘Documentary’ (theory)
Summer 2012
Von Orten und Nicht-Orten/Of Places and Non-Places (theory)
Winter 2011/12 Fremdes Sehen/Seeing the Other (photographic practice and theory), team
teaching with Prof. Dr. Katharina Sykora
Summer 2011
Amerikanische Landschaften. Der fotografische Blick auf die USA vom
19. bis ins 21. Jahrhundert/American Landscapes. The Photographic View on the
USA from the 19th through the 21st Centuries (theory)
Winter 2010/11 Mehr als ein Foto? Betrachtungen Konzeptioneller Fotografie/More than a
Photograph? Examinations of Conceptual Photography (theory)
Braunschweig University of Art, BA
every summer
Summer 2014
Winter 2013/14
Summer 2013
Winter 2012/13
Summer 2012
Winter 2011/12
Summer 2011
Winter 2010/11
Einführung in die Geschichte und Theorie der Fotografie/Introduction to the
History and Theory of Photography (theory)
Sehen – analysieren – schreiben/Seeing—Analyzing—Writing (theory)
Die Welt vor meiner Tür. Erzählungen des Alltags/The World on my Doorstep.
Narratives of Everyday Life (photographic practice)
Zwischen Wildnis und Wasteland. Zum Verhältnis zwischen uns und der
Welt, die uns umgibt/Between Wilderness and Wasteland. On the Relation Between
Us and the Surrounding World (photographic practice)
Die Stadt, in der ich lebe/The City I Live In (photographic practice)
Zur Verortung des Privaten/On the Contextualization of the Private
(photographic practice)
Aesthetic Journalism. Fotografische Erkundungen gesellschaftlicher
Zustände/Aesthetic Journalism. Photographic Explorations into Social Conditions
(photographic practice)
Stadt und Stadtrand. Fotografische Erkundungen des urbanen Raumes/City and
Suburb. Photographic Explorations of Urban Space (photographic practice)
Der Mensch und die Menge/The Man in the Crowd (photographic practice)
Bettina Lockemann | Résumé
13
Merz Akademie Stuttgart, BA (Winter 2009/10—Summer 2010)
two semesters
Summer 2010
Winter 2009/10
Strategien des Dokumentarischen/Strategies of the Documentary (theory)
Zwischen Wildnis und Wasteland. Zum Verhältnis zwischen uns und der
Welt, die uns umgibt/ Between Wilderness and Wasteland. On the Relation
Between Us and the Surrounding World (photographic practice)
Mein Zimmer, mein Haus, meine Straße. Zur Verortung des Privaten/My Room,
My House, My Street. On the Contextualization of the Private
(photographic practice)
Stuttgart State Academy of Art and Design, all levels (Winter 2007/08—Summer 2010)
three semesters
Summer 2009
Winter 2008/09
Summer 2008
Winter 2007/08
Studio Art (photographic practice)
Die andere deutsche Fotografie-Schule: Kreuzberger Werkstatt für Fotografie/
The Other German Photography School: Kreuzberg Workshop for Photography
(theory)
Angewandte Bildwissenschaften/Applied Image Studies (theory)
Dokumentarfotografie von den Anfängen bis zu aktuellen künstlerischen
Positionen/Documentary Photography from the Beginning to Contemporary
Positions in the Arts (theory)
Ästhetik als Ästhetik. Ästhetik im Spannungsfeld von Wahrnehmung und Kunst/
Aesthetics as Aesthetics. Aesthetics Between Perception and Art (theory)
F+F Schule für Kunst und Mediendesign Zürich, all levels
Summer 2008
Identität/Identity (photographic practice)
Academy of Visual Arts Leipzig, first year
Winter 2007/08
Von An- und Abwesenheit. Bilder über Menschen/On Presence and Absence.
Pictures about People (photographic practice)
Stuttgart State Academy of Art and Design, all levels,
Research Project: Visual Competence in the Media Age (Winter 2000/01—Winter 2003/04)
three semesters
Summer 2003
Winter 2002/03
Winter 2001/02
Grundlagen der Online-Medien/Online-Media Basics (web practice/net art)
Bedingungen der Grenze/Conditions of the Border (web practice/net art)
Hypertextstrukturen: Auf der Suche nach Schnittstellen zwischen dem analogen
und dem digitalen Bilduniversum/Hypertext Structures. Searching for Interfaces
Between the Analogue and the Digital Picture-Universe (web practice/net art)
Website für das Fach Kunstgeschichte/Wesite for the Art History Department
(web practice/net art)
DEPARTMENTAL/UNIVERSITY SERVICE
Braunschweig University of Art
Grant: Digital Image Production/Digital Photo-Studio, German Research Foundation (DFG)
(320.000 Euro), 2013/2014
Bettina Lockemann | Résumé
14
Co-applicant and cooperator in the graduate school The Photographic Dispositif, funded by DFG
under the direction of Prof. Dr. Katharina Sykora, 2013—ongoing
Advancement of BA and MA degree programs, Department of Communication Design
Cooperation with several degree programs of the university (fine arts, art theory, media studies)
Cooperation with the Braunschweig Photography Museum
Excursions to destinations in Germany and abraod (e.g. Cairo/Egypt, Tokyo/Japan, Kassel/Germany)
Expert reviewer for the German Academic Exchange Service and in university appointment
procedures
Braunschweig University of Art: University Committees
Expert Commission Communication Design
University Senate
Admission Commission Communication Design (chair)
Research Commission
Planning Commission Teachings
Stuttgart State Academy of Art and Design (Research Project Visual Competence in the Media Age)
Conception and coordination of new content for art education study programs
Development of curricular structures for teaching net.art content in art education programs
Planning, organization, and realization/edition of symposia and publications
SELECTED MEDIA COVERAGE
Catalogues
2015
Under Surveillance, ed. by Maik Schlüter/Ricus Aschemann, Berlin: Revolver
Publishing, 2015 (in press).
2011
Contact Zones, (monographic exhibition catalogue), ed. by Hans D. Christ/Iris
Dressler, Württembergischer Kunstverein Stuttgart, Ostfildern: Hatje Cantz
Verlag, 2011.
2007“EP/2006/K.,” Interior Views. Photographic Explorations in the European
Parliament, Munich: Goethe-Institute, 2007, 106-117.
2007
“Code Orange, Trial of Power, ed. by Maik Schlüter, Frankfurt/Main: Revolver
Publishing, 2005, 8-9.
2004
“Fringes of Utopia,” Research – discovered! Picture archives of the invisibilities.
6th International Photography Triennial Esslingen 2004, ed. by Andreas Baur
with Ludwig Seyfarth, Frankfurt/Main: Revolver Publishing, 2004, 116-127.
2002
“Position Iⅈ Border Patrol,” hartware 2002, ed. by H.D. Christ and I. Dressler, Dortmund: hartware medien kunst verein, 2002.
Bettina Lockemann | Résumé
2001
15
“International City,” Trade. Commodities, Communication, and Consciousness in
World Trade Today, ed. by T. Seelig/U. Stahel/M. Jaeggi, Zurich: Fotomuseum
Winterthur, 2001, 136-139.
2001“Plan,” Positions, Attitudes, Actions. Social and political commitment in
photography. Foto Biennale Rotterdam 2000, ed by F. Gierstberg, Rotterdam:
Nederlands Foto Instituut, 2000, 166-169.
1998
“1. Livesource Ostdeutschlands,” sub fiction. 3. Werkleitz Biennale, Bd. 1, ed. by
Werkleitz Gesellschaft e.V., Tornitz: Werkleitz Biennale, 1998, 198-201.
Print
2015
Katharina Sykora: “An den Rändern Europas—Fotografische Grenzgänge.
Unbestimmtes Terrain,” Europa: Entgrenzungen, ed. by Gregor Maria Hoff,
Innsbruck: Tyrolia, 2015, 137–156.
2015
Maria Böhme: “Die Asse wird Kunst,” Braunschweiger Zeitung, 15.01.2015.
2013
Harald Duin: “Asphalt, Poller, Leere—Fotos aus dem Auto,” Braunschweiger
Zeitung, 7.6.2013.
2011
Thomas Wiegand: “Plan,” Deutschland im Fotobuch, ed. by Manfred Heiting,
Göttingen: Steidl, 2011, 278-279.
2010
Thomas Wiegand: “Dokumentarfotografie als Kunst. Der europäische Blick auf
Japan,” Rundbrief Fotografie, Vol. 17 (2010), Nr. 2, 30-31.
2010
Georg Leisten: “Ansichten der urbanen Einöde,” Stuttgarter Zeitung, 1.2.2010.
2007
Sara Burkhardt: Netz Kunst Unterricht, Munich: kopaed, 2007,
(chapter 1; chapter 4).
2004
Johannes Meinhardt: “Recherche entdeckt! Bildarchive der Unsichtbarkeit.
6. Internationale Foto-Triennale Esslingen,” Kunstforum International, Bd. 173,
379.
2002
Matthias Weiß: “art.net.dortmund. Vom Museum zur Community und zurück,”
Borderline: Strategien und Taktiken für Kunst und soziale Praxis, ed. by AG
Borderline-Kongress, Wiesbaden: Books on Demand, 2002, 223-230.
2002
“Unsichtbare Grenzen erkunden. NRW-Medienkunst-Stipendiatin Bettina
Lockemann stellt Arbeiten vor,” WAZ, 23.1.2002.
2000
“Landschaft der Erinnerung”, NRZ, Mülheim/Ruhr, 21.9.2000.
2000
Hans Dieter Huber: “Digging the Net - Materialien zu einer Geschichte der Kunst im Netz,” Bilder in Bewegung. Traditionen digitaler Ästhetik, ed. by Kai-Uwe
Hemken, Cologne: Dumont, 2000, 158-174.
2000
Beatrice Tobler: “Blicken und Angeblickt werden. Live-Kameras im Internet,”
TSANTSA 5/2000, 68-75.
1999
“Virtuelle Stadt,” Edit. Papier für neue Texte, No. 21.
1996
“Revolution Nr. 3,” Camera Austria No. 54 (1996).
Bettina Lockemann | Curriculum Vitae
16
Website Publications
2015
“A Conversation with Bettina Lockemann,” Mommy, ed. by Susan Silas and
Chrysanne Stathacos, http://www.mommybysilasandstathacos.com/2015/04/03/
a-conversation-with-bettina-lockemann/
2008
Thomas Wiegand: “Was ist ein Fotobuch?”
http://www.kasselerfotoforum.de/index.php?cat_id=7
2008
Cathy Munroe Hotes: “Bettina Lockemann,” (Blog),
http://nishikataeiga.blogspot.com/2008/02/bettina-lockemann.html
2003
Meike Niepelt & Claudia Tillmann: “Cam.art is what you make it. Ein
kulturwissenschaftlicher Blick auf Webcam-Kunst,”
http://www.webcam-projekt.de/main.htm
1999
Hans Dieter Huber: “Orte des Missverständnisses. Die Grenzen des Visuellen bei
Bettina Lockemann,” http://www.hgb-leipzig.de/ARTNINE/huber/index.html.
INTERNATIONAL EXPERIENCE
11|2014—02|2015
Research Sabbatical: New Orleans, USA, research and photography project:
New Orleans: Post-Shrinking City (working title)
02|2009—03|2009
Residency: Istanbul and Ankara, Turkey, photography project:
Undetermined Terrain, Arts Foundation of North Rhine Westphalia
04|2006—06|2006
Postgraduate Researcher: German Institute for Japanese Studies Tokyo,
Japan
06|2003
Visual Culture Tertiary: Amherst College, Amherst/Massachusetts, USA, German-American Fulbright-Commission
03|2003—04|2003
Residency: Washington DC and New York City, USA, photography project: Code Orange
12|2001—01|2002
Residency: Los Angeles, Las Vegas, San Diego, USA, photography project: Fringes of Utopia
02|1998—03|1998
Residency: Denver/Colorado and Arizona, USA, photography and video
projects: Landscape and Open Space
08|1994—09|1994
Study Period: Nice, France, Alpha B Language School, Education Program
for Gifted Youth, Federal Ministry of Education and Research
06|1993—07|1993
Residency: New England and New York City, USA, photography project: Street Photography
07|1990
Residency: Republic of Ireland, photography project:
Landscape Photography
09|1987—06|1988
Exchange Student: Portland High School, Portland/Maine, USA,
US High School Diploma
Bettina Lockemann | Curriculum Vitae
LANGUAGES
German (native)
English (excellent command, spoken and written)
French (elementary level, can read with dictionary)
Italian (beginner level)
Turkish (beginner level)
Japanese (beginner level)
Chinese (beginner level)
PROFESSIONAL MEMBERSHIPS/AFFILIATIONS
2007—2014
Founding Member: Producers' Gallery Loris, Berlin: planning and
organization; programming and supervision of gallery website
1995
Founding Member: Artist Collaborative Büro für Bildangelegenheiten
(Office for Image Affairs) with Elisabeth Neudörfl
17