List of published texts (2015)
Transcription
List of published texts (2015)
PUBLISHED TEXTS URSULA BIEMANN Positionen zur postkolonialen Diskussion, Kunst, Kulturkontakt und Kulturkonflikt in der Shedhalle Zürich, MOMA (1995) I do not intend to speak about, just speak nearby, Die Filme von Trinh T. Minh-ha, Fabrikzeitung Zürich, 1996 KunstproduzentInnen im Aussendienst, Hors Sol (1996) Interview in Environ 27 ans ou un peu plus, art et féminismes, Sous-sol, Genève Kültür: Modernisierung, Kunst und Gender in Istanbul, article MOMA (1996) Global Food, art ad in Vor der Information, Vienna (1996) Free Zone Plan, art ad in geld.beat.sythetik, ID-Archiv, Berlin/Amsterdam (1996) Strategien der Identität in den 90er Jahren, Glarner Nachrichten (13. August 1996) Ethno-x-centric reflections on the national expo and the national museum, catalogue text Platzwechsel, Kunsthalle Zürich (1996) Spaces In-between , "Problématique" text, Journal of political studies IV, Toronto (1996) Foreign Services, Fabrikzeitung, Zurich (1996) Postkoloniale Praxis, Zyma Art Today (Juni 1996) Kültür – Modernisierung, Kunst und Gender in Istanbul, MOMA (5/ 1996) Kunst- und Ausstellungspraxis im postkolonialen Raum, Kültür (1997) Kulturelle Territorien, Orte der Identität, Kültür (1997) Fighting for representational space - women in the media have to act, Zebra, magazine for audiovisual activities, Copenhagen (December 1997) Gender ist das grosse Ding, Interview mit Gayatri Ch. Spivak for WoZ together with Yvonne Volkart (January 1998) Performing the Border, ANYP Nr. 9, Berlin and Munich (1999) Performing the Border, next Cyberfeminist International, old boys network (Sept 1999) Performing the Border – die Grenze als Metapher für Differenz und Gewalt, iz3W Nr. 241 (1999) Politik ist eine kulturelle Domäne, interview by Sigrid Weber, iz3W Nr. 240 (September 1999) www.iz3w.org Performing the Border, video cult/ures, Museum für Neue Kunst ZKM Karlsruhe and Dumont Köln (October 1999) Performing the Border, photo-text piece in: Migration findet statt, cfd-dossier (2/1999) Performing the Border: Gender, bodies and technology at the cross-point of private desire and public space, ZED magazine, Center for Design Studies, London (2000) Entretien avec Ursula Biemann, in: Expériences du divers, Presses Universisté de Rennes (2000) Performing the Border: on Gender, Transnational bodies, and Technology, in: Globalization on the Line: Gender, Nation, and Capital at U.S. Borders, ed. by Claudia Sadowsky (2001) Performing the Border, On gender, transnational bodies and technology, in: Dialoge & Debatten, Verlag für moderne Kunst Nürnberg, 2001 The city of chips, Superumbau- Zeitung für den Leidenschaftlichen Urbanisten, (2001) Writing Desire, Feminist Media Studies journal, March 2001 Female Geobodies Resignifying the economic within sexual difference, n.paradoxa, July (2001) Remotely Sensed. A topography of the global sex trade, Feminist Review, 2001 Been there and back to nowhere - Wenn sich Kunst und Migration verschwestern. FRAZ, August 2001, and in Female Sequences, June 2002 Performing the Border, Rethinking Marxism, Journal of Economics, Culture, Society, Fall 2002 Remote Sensing, an interview with Ursula Biemann by Imre Szeman, Review of Education/Pedagogy/Cultural Studies, 24.1/2 (2002 Writing Desire, Art Suisse, 1.02 artist page in: very cyberfeminist international – obn conference reader, July 2002 Geographic Bodies in: Remote Sensing – Laboratories of Art and Science, vice versa, Berlin, 2002 Das Begehren nach Eroberung in: Im Handgepäck Rassismus – Beiträge zu Tourismus und Kultur, iz3w, Freiburg, 2002 artist page in: cyberfem spirit/spirit of data, Edith Russ-Haus for media art, Oldenburg Digitaler Versuch, das Reale zu berühren, ein Gespräch zwischen Ursula Biemann und Sören Grammel, WOZ, May 30 , 2002 Writing Desire, Schweizer Kunst/Art Suisse/Swiss curated by Annette Schindler, Art 1.02, 2002 Globale Geographien des Geschlechts, interview mit Vina Yum, Malmoe, 02/01 Wien Geografien des Überlebens, Festivalkatalog, Kurzfilmtage Oberfhausen, 2002 Geography and the politics of Mobility, introduction to exhibition catalog, Generali Foundation, The geographic act of performing borders, Festivalkatalog, Femme Totale, Dortmund 2003 Remote Sensing: routing female bodies in the age of geographic information systems, Total, NL, 2003 Performing Border: The Transnational Video, Stuff it, vide essay in the digital age, Voldemeer/Springer, 2003 Visuelle Geografien des Geschlechts, Dispersion - Kunstpraxis und ihre Vernetzung, Olympe feministische Arbeitshefte, 2003 Videogeographien, “Another art history is possible"? - Globalisation and hierarchisation in art and science, Deutscher Kunsthistorikerverband, Leipzig, 2004 Performing the border - sur le genre, les corps transantionaux et la technologie, Multitude 15, Winter 2004 Remote Sensing - Visual Geographies of Gender, Tourisms, Fundacio Tapies, Barcelona, 2004 Ecrire une contre-géographie, Appel au Temoin, Le Quartier, Quimper, 2004 Writing Desire, Globalisation and hierarchisation in art and science, Deutscher Kunsthistorikerverband, Leipzig, 2004 The Clash of Sexuality and Technology on the Border – Speculation as an artistic method, in Olympe Feministische Arbeitshefte 20, Provokation. Personen, Debatten, Fakten, 2004 Caspian Crude, Tracer catalog, Tent/Witte de With, Rotterdam Zeitzonen – wie tägliche Migration einen Grenzraum verändert, iz3W 2004 On Smugglers, Pirates and Aroma Makers, Sarai Reader 05 ‘Bare Acts’, Sarai Media Lab Delhi Fields of High Productivity, 3-page insert in Lettres Copenhagen, April 05 Logging the Spanish-Moroccan borderlands, Re-Act Catalog, Nikolaj Copenhagen Contemporary Art Center, April 2005 Europlex, Re-Act catalogue, Nicolaj Copenhagen Contemp Art Center, 2005 Europlex, The Need To Document catalogue, Kunsthaus Baselland, 2005 Videogeographien, Grenzbespielungen – visuelle Politik in der Übergangszone, ed. Beatrice von Bismarck, Walther König, 2005 Black Sea Files, B-Zone, becoming Europe and Beyond, ed. Anselm Franke, Actar, 2006 Sahara Panels, After the Fact, Berlin Photography Festival 2005 Visual track for Gender in Motion, Limmatverlag 2007 Forced Transit, A Dialogue on Black Sea Files and Contained Mobility, (engl/Spanish) Black Sea Files, Multitude 28, Spring 2007 Videographies of Navigating Geobodies, Transnational Feminism in Film and Media, Palgrave, 2007 Counter Geographies. An artistic practice _ Territori di frontiera Metodi e tecniche per los studio, interview with Anna Nufrio, Inside, Contemporary sulture magazine, automn 2008, 6271 Black sea files an Interview by Roberta Bertoldi on Osservatorio Balcani e Caucaso, October 2008 Interview Ursula Biemann by Liberty Paterson, Kopenhagen, cultural magazine http://kopenhagen.dk/interviews/interviews/interview_ursula_biemann/ Writing Video - Writing the World, SUM magazine for contemporary art, Copenhagen Nr. 1, 2009 Geography and the Politics of Mobility reprinted in Situation, ed Claire Doherty, Documents of Contemporary Art series, co-published by Whitechapel and The MIT Press, 2009 Writing Video - Writing the World, Transit, webmagazine, UCBerkeley. 2009 Counter-Geographies in the Sahara, Art & Research: Volume 3 Number 1 (Spring/Summer 10) Imaging Global Mobility, 2009 Meret Oppenheim Award Publication, Kunstbulletin 2010 Counter-Geographies in the Sahara, Mobilität und Herrschaft, University of Munich, 2010 Interview with Ursula Biemann by Juan Vincente Aliage in Geopolitics and artistic discourses in/on North Africa, the Middle East and the Islamic World, at Cendeac (Art Documentation Centre of Murcia), 2010 Territori di frontiera. Metodi e tecniche per lo studio, Intervista a Ursula Biemann Anna Vincenza Nufrio in: Europa. Il Margine indistinto, No Mad// Yuzu Lab, 2010 The Maghreb Connection. Circuitos globales. Circuits globals. Global Circuits. La geografía del arte y las nuevas configuraciones del pensamiento crítico, ACCA Catalan Association of Art Critics, Barcelona, 2011 X-Mission, Media, Labor, Mobility, University of California, Santa Barbara, 2011 Counter-Geographies in the Sahara, Geohumanities: Art, History, Text at the Edge of Place, Association of American Geographers, Spring 2011 A Post-Territorial Museum, interview with Beshara Doumani by Ursula Biemann, A Prior, 2011 Videographies of Navigating Geobodies/Videografías de geocuerpos en tránsito. The Personal is Political: Feminism and Documentary, INAAC, Instituto Navarro de las Artes Audiovisuales y la Cinematografía, 2011 Counter-Geography as Political Aesthetic Practice, Paderborn, 2012 Contained Mobility, Psychoanalytisches, 2012 This is not a pipeline: Thoughts on the politico-aesthetics of oil, Interview with Ursula Biemann, by Andrew Pendakis, in: Imaginations, Journal of cross-cultural image studies, Sept 6, 2012 Black Sea Files, Anywhere but now – Landscapes of Belonging in the Eastern Mediterranean, publ. Heinrich Böll Foundation Middle East, 2012 Writing Video – Writing the World – Videogeographies as cognitive medium, in:Border Grossing, Exhibition catalogue, Kunsthallen Brandts, Odense, DK, 2012 Interview with Ursula Biemann by Juan Vicente Aliaga, in: Geopolitics and artistic discourses in/on North Africa, the Middle East and the Islamic World, Cendeac (Art Documentation Centre of Murcia) 2012 Egyptian Chemistry in: Contemporary Art and the Politics of Ecology, ed. TJ Demos, Third Text no. 120 Jan 2013 Black Sea Files, Documents of Contemporary Art, Whitechapel Gallery London and MIT Press Cambridge Massachussets, ed. Julian Stallabrass, 2013 „Counter-Geographies in the Sahara and X-Mission“ in: New Mobilities Regimes: Mobility and Power in the Social Sciences and the Arts, Susanne Witzgall, Ashgate, 2013 Videogeographies, Black Well Companion on Migration, Alex Juhasz, Black Well, 2014 Egyptian Chemistry - from post-colonial to post-humanist matters in The Postcolonial Museum: The Pressures of Memory and the Bodies of History, ed. Iain Chambers, Ashgate, 2014 Metachemistry in: Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environment and Epistemology, eds Heather Davis and Etienne Turpin, Ann Arbor: MPublishing/Open Humanities Press, 2014 On the Metachemistry of Oil and Water in: World of Matter, ed. Inke Arns at all, Sternberg Press Berlin, 2014 The Cosmopolitical Forest in: The Other Order of Things, Frame Visual Art Finland, Helsinki, 2015 Selva juridica in: Selva cosmpolitica, Museo de Arte Contemporanea, Bogota, 2015 The Cosmopolitical Forest in: Geo-Humanities, Routledge, 2015 Deep Weather in: Border Topographies, Geo-Humanities, Routledge, 2016