with list of main publication sand catalogue of compositions

Transcription

C.V.
(December 2016)
Name:
Dr. Javier Alejandro Garavaglia
Date of birth:
th
24 October 1960
Nationality:
Natural of Argentina, shares also the German and Italian citizenships.
Websites:
MAIN: http://icem-www.folkwang-uni.de/~gara/
SHORT PERSON DESCRIPTION:
Composer, performer (viola/electronics), and academic born in Buenos Aires, Argentina. He shares the German and
Italian citizenships.
Main specialisms in music composition include instrumental and electroacoustic composition (acousmatic, interactive
and multimedia). His composition focuses on how the intention of music can reach audiences, regardless of the means
(either instrumental, or electronic or mixed) and therefore, the dramaturgy of music is at the forefront of both his
compositional work and of his research in the area. His compositions are frequently performed in Europe, the Americas
and Asia since 1990 and include works for solo instruments, chamber music, ensemble, big orchestra and electronic
media. Some electroacoustic works can be found on commercially available CD releases (e.g. by Cybele in Germany).
With regard to his vast experience in academia, he possesses 20 years of teaching experience at both undergraduate
and postgraduate levels in Germany and the UK. Main topics of his teaching are: instrumental and electroacoustic
composition, sound design, audio post-production and mastering, Foley for video and film, recording and mixing
techniques, computer manipulation of sound with different software packages (e.g. Max, Csound, PD, Supercollider,
etc.) spatial audio, sound synthesis, music theory and history, music production and computer music notation (Finale).
In 2005 he co-designed with the British company Pro Music International the recording and post-production studios at
London Metropolitan University.
Several publications about main topics of research in journals, books and also online (in Spanish, German and
English).
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Main topics of research (practice and theory):
Composition of contemporary music (instrumental, electronic/acousmatic and interactive, including multimedia).
Granular Spatialisation for acousmatic and real-time electronics music using high-density loudspeaker arrays.
Full automation of interactive music and multi-track diffusion of acousmatic music.
Dramaturgy of music: intention and reception of music.
Worldwide recognised instrumentalists and conductors have interpreted his music, such as: Minguet Quartett
(Germany); Ensemble ARS NOVA (Sweden) conducted by André Chini; Luxembourg Sinfonietta, conducted by Marcel
Wengler (Luxembourg); Ensemble of the Conservatorio Santa Cecilia Roma (Italy) conducted by Alfredo Santoloci;
Ensemble Connecticut College, conducted by Michael Adelson (USA); Esther Lamneck (Tárogató, USA); Lesley Olson
(flute, USA); Susan Fancher (saxophone, USA); Christianne Schultz (flute, Germany); Saúl Martín (flute, Argentina);
Noah Hock (viola, USA); Lubomir Mitzev (viola, Bulgaria); Borislav Yotzov (bass clarinet, Bulgaria);; Kevin Casseday
(double-bass, USA); Seung Hye Kim (piano, Korea); Matthew Davies (bass clarinet, USA); Eduardo Deluca
(saxophone, Argentina); Jorge Variego (clarinet, Argentina); Nikola Lutz (saxophone, Germany), Klaus Schöpp (flute,
Germany); Enzo Filippetti (saxophone, Italy); Anja Brezavšček (flute, Slovenia); Matjaž Porovne (violin, Slovenia); Jože
Kotar (clarinet, Slovenia); Milan Hudnik (cello, Slovenia); Nina Prešiček (piano, Slovenia); Steven Loy (conductor,
USA).
ACADEMIC POSITIONS
Current position:
Special lecturer status at the University of West England (UWE) and the University of West London (UWL).
Past positions:
2014 – 2016: Associate Professor - Sir John Cass Faculty of Art, Architecture and Design, London
Metropolitan University.
2003 – 2014: Senior Lecturer, Course leader and acting Head of area (the latter 2005 – 2014) at the CASS
Faculty, London Metropolitan University.
1996 – 2003: lecturer at ICEM – Folkwang Hochschule Essen. Most relevant topics taught: electronic
composition; computer music notation; introduction to working with UNIX based systems.
Since 1986: Freelance composer and performer worldwide
1986 – 1990: conducting choirs in several private and state secondary schools in Argentina.
1984 – 1990: Music teacher (primary and secondary schools) at various institutions in Argentina
Research Supervision:
Since 2003: MA and Ph.D. supervisions at London Metropolitan University in the field of music composition,
sound manipulation for artistic purposes, music technology and music education.
Ph.D. completions: two (2010 and 2013)
Ph.D. Examinations: two (2014 and 2016)
Experience also as independent chair of VIVA VOCE examinations in the UK.
EDUCATION
Degrees awarded (from last to first):
(1) Ph.D. by Prior Output awarded by London Metropolitan University (2010).
Name of Thesis: ‘The Dramaturgy of Music: its Impact on my Composition’. The main subject of this doctorate
is the consideration of some of his past compositions (since 1994) and their contextualisation through the
dramaturgy of music (a total of six pieces, which cover a variety of styles, including pure orchestral
compositions, interactive pieces, ensemble pieces with electronics and pure acousmatic pieces). Supervision
team: Prof. Simon Emmerson (De Montfort University, UK), Lewis Jones (London Metropolitan University).
Examiners: Prof. Leigh Landy (De Montfort University, UK) and Prof. Peter Nelson (University of Edinburgh,
UK).
(2)
Postgraduate studies (1990 – 1995).
Degree: Künstlerische Abschlussprüfung im Studiengang Komposition in den Studienrichtungen Instrumentale
und Elektronische Komposition at the Folkwang Hochschule-Essen (Germany) under the supervision of
Professor Nicolaus A. Huber (1990-1992) (composition) and Professor Dirk Reith (electronic composition)
(1990-1995).
(3) BA/MA (1980-1986).
Facultad de Arte y Ciencias Musicales de la Universidad Católica Argentina (Buenos Aires - Argentina).
Two degrees, both awarded the Golden medal for the best degree 1986:
a. Licenciado in Music (composition) and
b. Professor in Music (composition). This is an overseas degree, which included teaching and
learning at all levels, including HE and therefore, equivalent to an HEA fellowship in the UK.
Early education:
1974-78: Secondary school: Colegio San Román (Buenos Aires - Argentina).
Additional musical education:
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Guitar (under the supervision of Horacio Ceballos - Buenos Aires - Argentina / 1974-1979)
Piano (under the supervision of Liliana Sainz - Buenos Aires - Argentina / 1979-1984)
Viola (under the supervision of Professor Tomás A. Tichauer - Buenos Aires - Argentina / 1982-1990)
Choir and orchestral conducting. Facultad de Arte y Ciencias Musicales de la Universidad Católica
Argentina (Buenos Aires – Argentina / 1986-1988)
Computer Literacy:
Pro Tools, Nuendo, Logic Pro, Digital Performer, Max, Csound, Finale, Audiosculpt, SoundHack, Waves
Restoration Tools, Final Cut Pro, Quicktime Pro, Compressor, DVD Studio Pro, Adobe Acrobat, Adobe
Premiere, Adobe Acrobat, Adobe Dreamweaver, Adobe Audition, Adobe Photoshop, Adobe diverse CODEC
programmes such as HandBrake and MPEG Streamclip, VLC, MS Word, MS Excel, MS Powerpoint, Grace
(LISP), Pure Data, XCode.
MAIN RESEARCH GRANTS, COMMISSIONS AND AWARDS:
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(2015) Commission: composition of DUO SPECTRALIS for viola and Tárogáto and live-electronics
(MAX). Commissioned by Prof. Dr. Lamneck (NYU – USA). Premiere of the piece: June 2015 - NYCEMF.
Tárogató: Esther Lamneck, viola: Javier Garavaglia
Grant: NYU (New York University): U$ 2500.
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(2010) Commission: composition and invitation to perform a new acousmatic piece at the Internationales
Klangkunstfest, _tiefklang Festival (Berlin, September 2010). Premiere of Miniaturstück I.
Grant/funding: by Stadt Berlin und die Gesselschaft für neue Musik: € 1500.
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(2008) Commission: composition and invitation to perform a new piece for viola and electronics at the
Internationales Klangkunstfest „Farb-laut“ in Berlin, Germany. Premiere of farb-laut E - Violet, for viola
and MAX in 5.1 surround sound (Berlin 01.11.2008).
Grant/funding: Stadt Berlin und die Gesselschaft für neue Musik: € 1500.
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(2008): Award for best paper dealing with the conference theme for CMMR/NTSMB 2008 ‘Genesis of
Meaning in Sound and Music’ for the paper Music and Technology: What impact does Technology have
on Music’s Dramaturgy. (Denmark)
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(2005): Commission: composition of Hoquetus for Tárogáto (or soprano saxophone) and electronics
(MAX). Commissioned by Prof. Dr. Lamneck (NYU – USA). Premiere of the piece: April 2005 – Florida
Electroacoustic Music Festival. Tárogató: Esther Lamneck.
Grant: NYU (New York University): U$ 2500.
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(2001-2003) Commission: composition of L.S. (waiting for changes) for small orchestra. Commission by
the Luxembourg Sinfonietta (Luxembourg). Premiere of the piece: 30.11.2003 Luxembourg Sinfonietta
conducted by Marcel Wengler - Cercle Municipal Luxembourg.
Grant/funding: Luxembourg Sinfonietta: € 5000.
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(2001) Finalist in category B for the MUSIC NOVA 2001 competition (organised by the Czech Music
Council and the Czech Society for Electroacoustic Music) for Spectral Colours.
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(1999) Commission: Music for the Film ”Immaculate Springs” by Dominique A. Faix by the Firm Interartes
(Mediengestaltung Filmproduktion GmbH) in Essen - Germany.
Funding from Mediengestaltung Filmproduktion GmbH Essen: € 4000.
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(1998): Interdisciplinary research: composition of the music for the multimedia project Color Code, with
the support of the Ministerium für Wissenschaft und Forschung des Landes Nordrhein-Westfallen, in
cooperation with the University of Bielefeld, the Fachhochschule Bielefeld, the Folkwang-Hochschule
Essen and the group "Multimedia und Kunst" (all based in Germany). Premiere: November 26th 1998.
The funding from the Ministerium für Wissenschaft und Forschung des Landes Nordrhein-Westfallen for
the whole project for all institutions involved was DM 120000 (ca. € 60000).
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(1997): Award „TRIMARG 97“ ”Consejo Argentino de la Música” (Internacional Music Council
(UNESCO)) for the piece LABERINTO (..”palabras, poemas”..)
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(1996): Mention award from the „Tribuna Nacional de Música Electroacústica „ in Argentina (UNESCO)
for the piece Arte Poética (II. Stanza)
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(1995): FOLKWANG-PREIS for composition 1995 (Essen-Germany) doted with 10000 DM (equivalent
to ca. € 5000).
RESIDENCIES:
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2015: Virginia Tech (Virginia, USA) – practical development of new research “Granular Spatialisation” for
theory and practical application in musical composition and installations at the Spatial Audio Workshop.
http://www.vtnews.vt.edu/articles/2015/08/080315-icat-audioworkshop.html
Further short residencies and master-classes:
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2013: University of Hull (UK)
2009: Keele University (UK)
City University New York (USA)
St. Thomas University, Fredericton, New Brunswick (Canada)
2008: Folkwang Hoschule Essen (Germany)
2006: University of Chicago (USA)
University of North Carolina Greensboro (USA)
2003: Berklee College Boston (USA)
LIST OF MAIN CONFERENCES ATTENDED
2016:
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International Computer Music Conference (ICMC) 2016 – Utrecht, Netherlands (paper + composition)
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7 New York City Electroacoustic Music Festival – NYC, USA (composition)
BEAST FEAST 2016 – Birmingham, UK (joint presentation with Eric Lyon – Virginia Tech, VA, USA)
2015:
2014:
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International Computer Music Conference (ICMC) 2015 – Denton, Texas, USA (composition)
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BEAST FEAST 2015 – Birmingham, UK (presentation)
EMUFEST - Festival Internazionale di Musica Elettroacustica – Rome, Italy (composition)
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Festival "NOW!" Parallelwelten - "Parallelwelten elektronisch" - Essen, Germany (composition)
Reihe "Ambitionierte Konzerte" BLAUES RAUSCHEN Experimentelle Klänge von hier und anderswo Flottman Hallen – Herne, Germany (composition)
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SMAC/SMC 2013 - Stockholm, Sweden (paper)
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International Computer Music Conference (ICMC) 2012 – Ljubljana, Slovenia (composition)
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9 International Symposium on Computer Music Modelling and Retrieval (CMMR 2012) Music and
Emotions (paper/poster)
Visionen - Festival für Klang und Bewegte Visuelle Kunst – Hannover, Germany (composition)
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Re:NeW Digital Arte Festival 2011 – Copenhagen, Denmark (composition)
International for the Electronic Arts (ISEA) 2011 – Istanbul, Turkey (paper)
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IX Festival Internacional de la Imágen – Manizales, Colombia (compositions/paper presentation)
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International Community for Auditory Display (ICAD) 2009 – TIMELESS SOUND – Copenhagen Denmark (paper)
Schluesselwerke-Festival – Cologne, Germany (composition)
2013:
2012:
2011:
2010:
2009:
2008:
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2006:
2005:
2004:
2003:
2002:
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17 Annual Florida Electroacoustic Music Festival – Gainesville, Florida, USA (composition)
2008 Computers in Music Modelling and Retrieval (CMMR) & Network for Cross-Disciplinary Studies of
Music and Meaning Conference (NTSMB) - Genesis of Meaning in Digital Art. – Copenhagen, Denmark
(paper)
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International Computer Music Conference (ICMC) 2007 – Copenhagen, Denmark (composition/paper)
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Festival SONOIMAGENES 2007 – Buenos Aires, Argentina (composition/paper presentation)
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International Computer Music Conference (ICMC) 2006 – New Orleans, USA (composition)
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Mindplay Conference – London Metropolitan University, London, UK (presentation)
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International Computer Music Conference (ICMC) 2005 – Barcelona, Spain (composition)
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Festival SONOIMAGENES 2005 – Buenos Aires, Argentina (composition/paper presentation)
EXPO 966, Sonic Arts Network Festival 2005 – Scarborough, UK (composition)
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9 Biennial Symposium on Arts and Technology – New London, Connecticut, USA (composition/paper
presentation)
MAXIS II Festival, University of Leeds, UK (composition)
Scarborough Electro – Acoustics / SEA 03 – Scarborough, UK (composition)
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Musica Nova Sofia Festival 2002 – Sofia, Bulgaria (2 compositions)
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4 NWEAMO Festival 2002 – San Diego, Califronia, USA (composition)
Festival SONOIMAGENES 2002 – Buenos Aires, Argentina (composition)
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2007:
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2001:
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Musica Nova Sofia Festival 2001 – Sofia, Bulgaria (composition)
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8 Biennial Symposium on Arts and Technology – New London, Connecticut, USA (composition/paper
presentation)
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International Computer Music Conference (ICMC) 2000 – (Berlin, Germany) (composition)
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Festival SONOIMAGENES 2000 – Buenos Aires, Argentina (composition)
VII Festival Ecuatoriano de Música contemporánea – Quito, Ecuador (composition)
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8 Annual Florida Electroacoustic Music Festival – Gainesville, Florida, USA (2 compositions)
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7 Annual Florida Electroacoustic Music Festival – Gainesville, Florida, USA (composition/paper
presentation)
7. Internationales Vilém-Flusser-Symposium "Für eine Philosophie der Fotografie" - Idee und Wirkung –
Bielefeld, Germany (composition)
2000:
1999:
1998:
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1997:
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IV Brazilian Symposium for Computer Music – Brasilia, Brazil (composition)
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5 Annual Florida Electroacoustic Music Festival – Gainesville, Florida, USA (paper presentation)
International Computer Music Conference (ICMC) 1996 – Hong-Kong (composition)
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II Brazilian Symposium for Computer Music – Canela, Brazil (composition/paper presentation)
1996:
1995:
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PROFESSIONAL QUALIFICATIONS/MEMBERSHIPS
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Sound and Music (UK)
2008, 2009, 2014, 2015 & 2016: Juror of the New York City Electroacoustic Music Festival (City
University of New York, USA - http://www.nycemf.org)
2014:
Juror
of
the
ICMC/SMC
conference
in
Athens,
Greece
(http://www.icmc14smc14.net/committees/music-committee.html)
1999 – 2008: Associate Director of the Annual Florida Electroacoustic Music Festival. (University of
Florida, USA - http://legacy.arts.ufl.edu/music/composition/femf.html)
Since 2007: ILAMS (Iberian & Latin American Music Society, UK) – (2008-2010, secretary of the board)
Since 1999: EMF (Electronic Music Foundation, USA), permanent subscriber.
Since 1997: DeGeM (Deutsche Gesellschaft für Elektroakustische Musik e.V., Germany),
Since
1996:
GEMA
(Gesellschaft
für
musikalische
Aufführungsund
mechanische
Vervielfältigungsrechte, Germany)
Since 1996: ICMA (International Computer Music Association)
1996-2007: GNMR (Gesellschaft für Neue Musik Ruhr) – (2001-2007, member of the board).
ELECTROACOUSTIC WORKS ON CD:
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Cybele – Germany
http://www.cybele.de
Electronic Music Foundation – USA http://www.emf.org/
Universidad Nacional de Lanús - Argentina
http://www.unla.edu.ar/index.php
Dr Javier A. Garavaglia
List of Publications
PAPER IN PROCEEDINGS BOOK OF INTERNATIONAL CONFERENCE
Granular Spatialisation, a new method for sound diffusion in high-density arrays of speakers and its application at
the Spatial Audio Workshop residency at Virginia Tech (August 2015) for the composition of the acousmatic piece
Spatial Grains - Soundscape No 1, for 138 speakers.
Proceedings of the 42st International Computer Music Conference 2016. H. Timmermans (Ed.), HKU University of
the Arts Utrecht, HKU Music and Technology (2016), pp. 27–32.
Author: Javier A. Garavaglia
ISBN-10: 0-9845274-5-1 / ISBN-13: 978-0-9845274-5-8
Available at: http://www.icmc2016.com/proceedings.pdf
COMPOSITION IN INTERNATIONAL FESTIVAL CATALOGUE WITH DVD
Hören::multisensorial – Internationales Klangkunstfest Berlin 2014 - Jubiläums Edition 2004-2014, edited by
Thomas Gerwin (Berlin : Inter-Art-Project, 2015)
This catalogue includes descriptions of all of the pieces included in the program of this jubilee edition of the
International Sound Art Festival between September and October 2014. The Festival featured on this occasion the
piece WOODEN WORLDS on 25.9.14 at the Bibliothek in Luisenbad, Berlin. The attached DVD provides highlights
of the piece during that performance. The piece is mentioned in pages 38-39.
ISBN 978-3-00-048620-3
Available at: http://d-nb.info/1068880511 (if this link doesn’t work by clicking, just copy and paste it to your browser)
Long Paper SMAC/SMC 2013: "Full automation of real-time processes in interactive compositions: two related
examples" in Proceedings of the Sound and Music Computing Conference 2013 edited by Roberto Bresin, KTH
Royal Institute of Technology, Stockholm (2013), pp. 164-171.
ISBN 978-91-7501-831-7
Available at: http://www.speech.kth.se/smac-smc-2013/
Title: ‘WOODEN WORLDS - An Audiovisual Performance with Multimedia Interaction in Real-time’, in Re‐new /
IMAC 2011 Proceedings, edited by Morten Søndergaard, Aalborg University Press, 2012, pp. 57-62.
Authors: Javier A. Garavaglia & Claudia Robles Angel
ISBN: 978.87.7112.037.0
Available at:
http://vbn.aau.dk/da/publications/renew--imac-2011-proceedings(b971563b-0bc3-4e6e-a58f-8d3eb01c79f8).html
ARTICLE IN PROCEEDINGS BOOK OF INTERNATIONAL CONFERENCE
Title: ‘Music Dramaturgy and Human Reactions: Music as a Means for Communication’ in Proceedings of the 9th
International Symposium on Computer Music Modelling and Retrieval (CMMR 2012) Music and Emotions, edited by
Mitsuko Aramaki, Mathieu Barthet, Simon Dixon, Richard Kronland-Martinet & Solvi Ystad, Queen Mary - University
of London and Laboratory of Mechanics and Acoustics (LMA, France), 2012 - pp. 112-127 (no ISBN)
AVAILABLE at:
http://www.cmmr2012.eecs.qmul.ac.uk/sites/cmmr2012.eecs.qmul.ac.uk/files/pdf/CMMR2012ProcceedingsFinal.pdf
ARTICLE ONLINE- INTERNATIONAL CONFERENCE
Title: ‘WOODEN WORLDS - Aesthetical and Technical aspects of a Multimedia Performance using Real-time
Interaction’ in Proceedings of the ISEA 2011 (September 2011, Istanbul, Turkey)
Authors: Javier A. Garavaglia and Claudia Robles Angel.
Click here to read the article online
or go to the link below, and then click the corresponding link for the paper:
http://isea2011.sabanciuniv.edu/user/461.html
ARTICLE IN BOOK
Title: ‘Raising Awareness About Complete Automation of Live-Electronics: a Historical Perspective’ in Auditory
Display, 6th International Symposium CMMR/ICAD 2009, Copenhagen, Denmark, May 2009. Revised papers
Lecture Notes in Computer Science - LNCS 5054
Springer Verlag. Berlin, Heilderberg (2010) pp. 438-465
ISSN 0302-9743
ISBN-10 3-642-12438-0 / Springer Verlag. Berlin, Heilderberg, New York.
ISBN-13 978-3-642-12438-9 / Springer Verlag. Berlin, Heilderberg, New York.
The article can also be found ONLINE at:
http://www.springerlink.com/content/77q5w164360847g8/?p=5324c40b7a7a47698f55d9f9ad4e4b06&pi=22
ICAD 2009 – TIMELESS SOUND –– Copenhagen - Denmark
Title: "Full Automation In Live Electronics: Advantages and Disadvantages"
Proceedings of the 2009 ICAD Conference
Edition: Kristoffer Jensen. May 2009. Publisher: Re:New – Digital arts Forum (Denmark) pp. 112-118.
ISBN: 978-87-7606-033-6
Available at: http://www.icad.org/Proceedings/2009/Garavaglia2009.pdf
COMPOSITION AVAILABLE ON CD
RE-NEW 09 Festival - Denmark
farb_laut E - VIOLET for viola & MaxMSP
Recorded live on April 4th, 2009 at the C.U.N.Y. Graduate Center, NYC, USA. Viola: Javier A. Garavaglia.
Article in Book / Excerpts of composition’s recording on attached Audio CD (Feb. 2009)
Internationales Klangkunstfest farb_laut - Ausstellung, Konzerte und Symposium, edited by Thomas Gerwin.
Book contains: Garavaglia's CV and programme notes to the piece farb_laut E - VIOLET for viola & MaxMSP (in
German), p. 17 & p.47.
Attached Audio CD contains (Track 2) excerpts (7 min and 34 sec) of the premiere of the piece farb_laut E VIOLET for viola & MaxMSP in Berlin (Nov. 1st 2008, Teehaus im Englischen Garten) Viola: Javier A. Garavaglia.
ISBN: 978-3-00-026998-1
ARTICLE IN ONLINE JOURNAL
JMM - The Journal of Music and Meaning
http://www.musicandmeaning.net
JMM 7, Fall/Winter 2008
Invited Paper:
‘Music and Technology: What Impact Does Technology Have on the Dramaturgy of Music?’
ISSN 1603-7170
Available at: http://www.musicandmeaning.net/issues/showArticle.php?artID=7.2
ARTICLE IN BOOK
Title: ‘Live-electronics: Procesamiento del sonido en tiempo real. Perspectiva histórica - Distintos métodos y
posturas.’
Escritos sobre Audiovisión - Lenguajes, Tecnologías, Producciones - LIBRO 3 - Compilation by Susana
Espinosa - Colección Humanidades y Arte / Serie Audiovisión - 2008 - Ediciones de la UNLa (Lanús, Argentina), pp.
161-174.
ISBN 978-987-1326-20-4
(Article published in Spanish)
CMMR/NTSMB 2008 - Genesis of Meaning in Digital Art –– Copenhagen - Denmark
Title: ‘Music and technology: What impact does technology have on music’s dramaturgy?’
Proceedings of the 2008 Computers in Music Modelling and Retrieval (CMMR) and Network for Cross-Disciplinary
Studies of Music and Meaning Conference (NTSMB) - Genesis of Meaning in Digital Art.
Edition: Kristoffer Jensen. May 2008. Publisher: Re:New – Digital arts Forum (Denmark), pp. 99-108.
ISBN: 978-87-7606-027-5
ARTICLE
inventionen 2008 - Musik für mehr als einen Lautsprecher – Programmbuch
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Internationale Tagung SMC08 – 23 July to 3 August 2008. Konzerte und Installationen.
Programme notes: Pathétique, p. 45 (in German).
Publisher: 2008, PFAU – Verlag – Postfach 102314 – D – 66023 Saarbrücken.
ISBN: 978-3-89727-392-4
ICMC 07 – Denmark – Copenhagen
Title: ’Sound&Media Studios @ Londonmet, Commercial Rd.’
Proceedings of the 2007 International Computer Music Conference, Volume 1. Edition: The International Computer
Music Conference Association (USA) and Re:New – Digital arts Forum (Denmark). August 2007. Publisher: Suvisoft
Oy Ltd, Finland, pp. 303-306.
ISBN: 0-9713192-5-1
Available at: http://quod.lib.umich.edu/i/icmc/bbp2372.2007.065/1
COMPOSITION AVAILABLE ON COMMERCIAL CD
GRANULAR GONG: CD ’Festival Internacional Sonoimágenes 2005’ – VOLUMEN 1/ Colección SONIDOS Y
VISIONES DEL SUR / Música electroacústica de compositores nacionales e internacionales’, edited by the
Universidad Nacional de Lanús , Argentina (2005).
ARTICLE IN JOURNAL
Title: ‘NINTH for viola and MAX-MSP’
MITTEILUNGEN Nr. 44
Editor: Deutsche Gesellschaft for Elektroakustische Musik. (2003) (pp. 57-63)
Publisher: PFAU – Verlag – Postfach 102314 – D – 66023 Saarbrücken.
ISSN: 1435 – 5884
(Article published in English)
Overture (in memoriam T.A.T.): CD DeGeM (Deutsche Gesellschaft for Elektronische Musik) CD Nr. 7 (Cybele
960.207 - Germany) (2003)
Arte Poética (I): CD Florida Electroacoustic Music Festival - VOLUME 1 (EMF-USA) (2002)
Title: ‘An approach to Music's dramaturgy with the interaction of technological devices. A composer's review of
"NINTH (music for viola & computer)" for viola and MAX-MSP’.
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9 Biennial Symposium on Arts and Technology at Connecticut College (New London - CT - USA 2003).
Paper in Proceedings Book (no ISBN)
Overture (in memoriam T.A.T.): CD Ex-Machina Vol. 6 (Cybele 960.106 - Germany) (2001)
Title: ‘Composition principles for Spectral colours for Ensemble and Tape’.
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8 Biennial Symposium on Arts and Technology at Connecticut College (New London - CT - USA 2001).
Paper in Proceedings Book (no ISBN)
ARTICLE
KlangRaum Kreuzeskirche 99 – Programmbuch.
Programme notes: Overture (im memoriam T.A.T.), pp 119-120.
Publisher: 1999, PFAU – Verlag – Postfach 102314 – D – 66023 Saarbrücken.
ISBN: 3-89727-065-X
(Published in German)
Arte Poética (I): CD Ex-Machina "TANGENT" (Cybele 960.102 - Germany) (1996)
COMPOSITION COMMISSION – INTERDISCIPLINARY RESEARCH PROJECT: COLOR CODE (1998)
Music for the multimedia project Color Code by the Gruppe ANIMATO, for quadraphonic tape, viola, live-electronics
(MAXMSP) and computer graphics on two screens, with the support of the Ministerium für Wissenschaft und
Forschung des Landes Nordrhein-Westfalen, in cooperation with the Universität Bielefeld, the Folkwang-Hochschule
Essen and the research group ”Multimedia and Kunst”.
II Brazilian Symposium on Computer Music – Canela (Brazil, 1995).
Title: ‘THE NECESSITY OF COMPOSING WITH LIVE – ELECTRONICS. A short account of the piece "Gegensätze
(gegenseitig)" and of the hardware (AUDIACSYSTEM) used to produce the real-time processes on it’.
Paper in Proceedings Book (SBC-UFRGS) - pp. 65-71.
Editor: Eduardo Reck Miranda. Publisher: Gráfica Editora Pallotti – Brazil. 1995 (no ISBN)
Future publications and topics of research (not including compositions):
(1) Long article: Computer Music Journal (40:4), to be published at the end of 2016: Projecting Sound with
High-Density Loudspeaker Arrays: Implementing Granular Spatialisation Inside the Cube Concert Hall.
Spatial Audio Workshop Residency, Moss Arts Center, Virginia Tech, 10-14 August 2015.
(2) Prosodic cues, inflections and usage in musical composition and performance (interdisciplinary research)
(3) Catharsis and its influence in the reception of music’s dramaturgy.
Dr Javier A. Garavaglia
Catalogue of compositions
(compositions in the public domain including date and country of the world premiere)
1.
4 Piezas for oboe, viola and piano (Argentina - 1989)
2.
Timbres (después de 4 Piezas) for oboe, viola and piano (Argentina - 1989)
3.
LABERINTO (... „palabras, poemas“...) for 4 singers and chamber ensemble based on poems by Jorge Luis
Borges, Alejandra Pizarnik and Marcelo Gasparini. (Germany - 1991)
4.
„T.T“ (Spiel für Tommy und seine Bratsche) for viola solo. (Germany - 1991)
5.
„M.H.0.C“ (Spiel 2 über ein Jazz Thema und 5 Töne), for bass wind quintet. (Germany - 1991)
6.
Spiel 3 (über ein Jazz Thema) for wind quintet (Germany - 1992)
7.
Spiel 3 b (5 Stücke über ein Jazz Thema) for string quintet. (Germany - 1993)
8.
pizz. for quadraphonic tape. (Germany - 1993)
http://icem-www.folkwang-uni.de/~gara/Media/PIZZ.mp3
9.
Gegensätze (gegenseitig) for alto flute, quadraphonic tape and live - electronics. (Germany - 1994)
10. „Poème du temps qui ne passe pas “ (…“ del otro lado del muro“...), music scenes for bass, soprano, flute (&
alto flute), cello, piano and percussion (Germany - 1994)
11. Arte Poética (I) for quadraphonic tape, based on the poem „Arte poética“ by Jorge Luis Borges (Germany - 1995)
12. Arte Poética (II. Stanza) for quadraphonic tape, based on the poem „Arte poética“ by Jorge Luis Borges (Germany
- 1996)
13. Contraries (resonances) for alto flute, quadraphonic tape and live-electronics. (Germany - 1997)
14. AM STEG (Spaces), for stereo tape (Brazil - 1997).
15. Overture (in memoriam T.A.T.) for quadraphonic tape. (Germany - ZKM - 1997)
http://icem-www.folkwang-uni.de/~gara/Media/overture.mp3
16. Arte Poética (stanzas III to VII) for quadraphonic tape, based on the poem „Arte poética“ by Jorge Luis Borges
(USA - 1998)
17. Color Code, multimedia project for quadraphonic tape, viola, live-electronics (MAXMSP) and computer graphics on
2 screens. Commission: Ministerium für Wissenschaft und Forschung des Landes NRW. (Germany/Bielefeld - 1998)
http://icem-www.folkwang-hochschule.de/~gara/Media/COLOR_CODE_Visuals_Gruppe_Animato_Music_Javier_Garavaglia.mp4
18. T.A.T. (a man’s life), for quadraphonic tape, viola, bass clarinet and live-electronics (USA - 1999)
19. Poppekstive for octophonic tape (USA - 1999)
20. Spectral Colours for ensemble and tape (USA - 2001)
http://icem-www.folkwang-uni.de/~gara/Media/01_Spectral_Colours_ICMC07_Copenhagen.mp3
21. Granular Gong for octophonic tape (USA - 2001)
22. NINTH (music for viola & computer) for viola and MAXMSP (USA - 2002)
23. DJ (1): about Riffs and Noises for computer (MAXMSP) (USA - 2003)
http://icem-www.folkwang-uni.de/~gara/Media/DJMIX1.mp3
24. L.S. (waiting for changes) for chamber orchestra (Luxembourg - 2003)
http://icem-www.folkwang-uni.de/~gara/Media/LS_waiting_for_changes.mp3
25. Ableitungen des Konzepts der Wiederholung (for Ala) for viola and Computer (MAXMSP) (USA - 2004)
26. Hoquetus for Tárogáto (or soprano saxophone) and MAXMSP (USA - 2005)
27. Pathétique acousmatic piece for multi-track diffusion system (5.1 or 8.0 - MAXMSP) (Portugal - 2007)
http://icem-www.folkwang-uni.de/~gara/Media/Pathetique_StereoMix.mp3
28. Interzones (A-E/B) for piano, double bass and tape [6 channels] (USA - 2007)
http://icem-www.folkwang-uni.de/~gara/Media/Interzones_Florida_FINAL_Edit_070422.mp3
29. Intersections (memories) for clarinet in B and live- electronics in 5.1 Surround spatialisation (MAXMSP) (USA 2008)
30. ‘+’ improvisation for viola, sampler, diverse instruments and MAXMSP by Javier A. Garavaglia, Thomas Gerwin and
Ralf Haarmann (Germany – 2008)
31. farb-laut E –VIOLET for viola and real-time electronics in 5.1 surround spatialisation (MAXMSP) (Germany - 2008)
http://icem-www.folkwang-uni.de/~gara/Media/FarbLaut_E_Violet.mp3
32. Miniaturstück I, acousmatic piece (octophonic) (Germany - 2010)
http://icem-www.folkwang-uni.de/~gara/Media//miniaturstueck_1_stereo_MIX_02.mp3
33. Wooden Worlds, multimedia project for viola, video in real-time, photography, live-electronics and octophonic
sound design by Claudia Robles-Angel and Javier A. Garavaglia. (World Premiere “Kölner Musiknacht”, Cologne,
Germany- 2010)
http://icem.folkwang-uni.de/~gara/Media/WW_reNew2011_trimmed_860x540_96kbits.mov
34. Confluences (Rainbows II) for flute, violin, clarinet in B, cello, piano & live-electronics in 5.1 surround sound. World
Premiere: ICMC 2012 (Slovenia - 2012)
http://icem.folkwang-uni.de/~gara/Media/Confluences_ICMC2012.m4v
35. Meditations (tiny gongs), acousmatic piece (octophonic) (USA - 2014) - World Premiere: NYCEMF 2014 (NYC)
http://icem-www.folkwang-uni.de/~gara/Media//MEDITATIONS_StereoMIX00_130821.mp3
36. DUO SPECTRALIS, for viola, tárogáto and live-electronics in 5.1 surround sound (USA - 2015) - World Premiere:
NYCEMF 2015 (NYC)
http://icem.folkwang-uni.de/~gara/Media/Garavaglia_Duo_Spectralis_NYCEMF_2015_HH_JG-desktop.mp4
37. Spatial Grains – Soundscape No 1, acousmatic music for 134 loudspeakers and 4 subwoofers (USA – 2015 /
CUBE at Virginia Tech - Virginia)
http://icem.folkwang-uni.de/~gara/Media/Garavaglia_SoundscapeNo1_Binaural.mp3
38. MULTISENSORIAL – eine Konzertperformance für die Sinne, collaborative work by Javier A. Garavaglia, Thomas
Gerwin and Claudia Robles-Angel (Germany – 2016 / Künstlerforum Bonn)
http://icem.folkwang-uni.de/~gara/Media/01164CUT.mp4
PLEASE NOTE: for scores in PDF format of most of the pieces above, please go to the following link, and click the score link for the
desired piece: http://icem.folkwang-uni.de/~gara/Garavaglia_Catalogue.htm

with list of main publication sand catalogue of compositions

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