Norton Museum of Art 2012 - 2013 Annual Report
Transcription
Norton Museum of Art 2012 - 2013 Annual Report
1451 s. olive avenue, west palm beach, fl 33401 n o r t o n museum of art www.norton.org 2012/2013 Accomplishments NortonMuseum of Art NortonMuseum of Art 2012 /2013 Accomplishments introduction......................................... 2 curatorial............................................. 8 education.. ........................................... 56 board of trustees............................... 76 development........................................ 78 communications.................................. 92 thank you.......................................... 100 2 intro ducti o n 2 01 2 /2 01 3 b oar d of t r ust ees Kemp C. Stickney, Chair Christine Aylward Richard Barovick Ruth Baum Bruce A. Beal M. Diane Bodman Jane C. Carroll R. Reed Daniel Annie Falk Bruce Gendelman Peter Georgescu Pamela Goergen Gayle Gross Nicki Harris Harry Howell Henry Kaufman Jane Korman Gilbert C. Maurer Janine Mayville Carlos Morrison John F. Niblack Jerry Pearlman Joey Pearson John Richman Mitch Rubenstein Ralph Saltzman Jean Sharf Anne Berkley Smith Debbie Stapleton Hope Alswang visit Tuesday 10 am / 5 pm Wednesday 10 am / 5 pm Thursday 10 am / 9 pm Friday 10 am / 5 pm Saturday 10 am / 5 pm Sunday 11 am / 5 pm closed Mondays, New Year’s Day, Independence Day, Thanksgiving, and Christmas admission Members free / Adults $12 / Students $5 / Age 12 & under free All images © Norton Museum of Art except when noted. A museum’s strength lies in its collection, exhibitions, and programming. This year, the Norton was the beneficiary of an impressive array of works of art from donors and collectors. Their generosity dramatically strengthened the Museum Collection. We are deeply grateful to longtime Trustee and former Board Chair Anne Berkley Smith, who donated two Richard Diebenkorn paintings and one by Wayne Thiebaud, all from the early 1960s. They are transformative gifts to the Collection. Palm Beach resident Damon Mezzacappa gave the Norton two more significant paintings by Italian Old Masters: Lorenzo Lotto’s 16th-century oil painting Saint Onuphrius of Egypt, and Marcantonio Franceschini’s oil painting Adam and Eve with the Infant Cain and Abel, painted in 1705, are now part of the Norton’s collection of European Art. The Museum was also delighted to receive a Claude-Joseph Vernet work titled The Fishermen, painted in 1746, and an Edward Weston photograph, Shell and Rock Arrangement, 1931, printed by the photographer himself. These were among 266 important gifts of art that came into the Collection during the past year. The Curatorial overview in this report includes a complete list of art and donors. Special exhibitions and programming often spring from the Collection, as highlights of the 2012–2013 exhibition season illustrate. The Norton-originated exhibitions Annie Leibovitz, which featured 39 of the photographer’s iconic works acquired by the Norton, and Say it Loud: Art by African and African-American Artists in the Collection are wonderful examples of that. Another Norton-originated exhibition of note was Sylvia Plimack Mangold: Landscape and Trees, the second of the RAW (Recognition of Art by Women) exhibition series made possible by the Leonard and Sophie Davis Fund/ML Dauray Arts Initiative. The Museum’s goal of being a welcoming community resource was (and continues to be) achieved through year-round outreach and education programs such as PACE (Progressive Afterschool Art Community Education), which offers children in the county’s underserved communities significant, year-round exposure to art, and Norton School Partnerships, which this year include Forest Hill Community High School and Palm Beach Day Academy. Student exhibitions in the Marden Community Gallery, school tours, summer camp programs, Family Studio days, and other programs are also a part of the Museum’s outreach to Palm Beach County and beyond. A new initiative to provide greater public access — Free Thursdays for Florida Residents during the summer — proved to be wildly successful, attracting 1,000 to 2,000 visitors every Thursday in June, July, and August. The community also took advantage of the Free Saturday program, which provides residents of West Palm Beach free admission every Saturday, and free admission to residents of Palm Beach County the first Saturday of each month. Now in its third year, the Thursday evening Art After Dark series — Where Culture and Entertainment Meet! — continued to be popular with visitors, residents, and tourists. Most importantly, it has proved to be a welcoming gateway into the Museum, leading to the discovery and appreciation of great art. Art After Dark programming (and free Thursday admission for Floridians), coupled with the summer exhibition Block by Block: Inventing Amazing Architecture — which featured landmark buildings made from lego‰ bricks — and the companion exhibition Architecture in Detail: Works from the Museum Collection, was hugely successful for the Museum, ending the exhibition year on a most upbeat note. The result was one of the strongest years for attendance in the past decade. I am proud to lead a team of more than 75 talented and dynamic people who contribute so much to the Norton. I am also privileged to serve an outstanding Board of Trustees whose leadership and commitment have created so many important opportunities for this institution. Hope Alswang ex ec u t i v e d i r ector a n d c eo 4 intro ducti o n A visitor gazes at the Gaston Lachaise bust, Portrait of John Marin, in the newly reinstalled American galleries. © lila photo april 2013 6 intro ducti o n Guard Catherine Williams assists young visitors in the Block by Block exhibition. © lila photo j u ly 2013 8 curatorial may 2013 Masterpiece of the Month opened with Lucian Freud’s The Brigadier, spurring Lucian Freud: Paintings and Prints with its popularity. Organizing and presenting outstanding exhibitions and enhancing the Collection with critically important acquisitions were priorities for the curatorial division of the Norton Museum of Art in the 2012– 2013 season. And as evidenced in the succeeding pages, the Norton has continued to meet these core initiatives with excellence. We are also pleased that Ellen Roberts, Ph.D., joined the Norton as the Anne Berkley Smith Curator of American Art, bringing her expertise and scholarship to the Museum. Sixteen exhibitions and projects comprised last season, with remarkable examples of paintings, sculpture, photographs, and works on paper on view. Fashions and movies of the 1940s were also exhibited in Keep Calm and Carry On. Twelve exhibitions and a site-specific installation were organized by the Museum, including four exhibitions that celebrated the Collection. Among them were Clear Water and Blue Hills: Stories of Chinese Art and Say It Loud: Art by African and African-American Artists. The generosity of ardent supporters was evident throughout the season. The Museum presented the inaugural Rudin Prize, created as a celebration of work by emerging photographers, with an award of $20,000 to Los Angeles-based artist Analia Saban. The prize is made possible by Beth Rudin DeWoody in honor of her late father, New York City real estate developer Lewis Rudin. Alan Davis and Mary Lou Dauray made possible the second RAW (Recognition of Art by Women) exhibition. With their exceptional contribution to further this initiative, the serene paintings and prints of landscape and trees by American artist Sylvia Plimack Mangold were featured. Demonstrating their enthusiasm for contemporary photography, Muriel and Ralph Saltzman made possible the exceptional exhibition and acquisition of intriguing portraits by internationally renowned photographer Annie Leibovitz. Rob Wynne, a New York-based artist, enlivened the lobby with a brilliant installation featuring his own silkscreened wallpaper, poured glass reliefs, and exquisite beaded drawings. This was the second lobby project and the second year of support for contemporary art from Vanessa and Tony Beyer. The Norton also presented Legacy: The Emily Fisher Landau Collection. Organized by the Whitney Museum of American Art, the exhibition recognized Mrs. Landau, a Palm Beach resident, for her visionary collecting and extraordinary philanthropy through highlights from her gift of more than 300 works of art to the Whitney. Both Adam Weinberg, director of the Whitney Museum of American Art, and Leonard Lauder, chairman emeritus, joined the Norton in celebrating Mrs. Landau’s decades of adventurous support of contemporary art. Exhibitions examining historical movements and exotic locations were also presented in The Radical Camera: New York’s Photo League, 1936-1965 and Doris Duke’s Shangri La: Architecture, Landscape, and Islamic Art. Surviving members of the Photo League visited the Norton to discuss the League’s impact on furthering social causes. Marion Syms Wyeth, who was Ralph Norton’s choice for the architect of the Norton Museum of Art, was also Doris Duke’s choice to create her exquisitely detailed Hawaiian sanctuary, Shangri La, which was explored in the exhibition hosted by the Norton. Some of the many notable additions to the collection are discussed on the following pages by my colleagues who, once again, found exceptional examples 1 0 c urato ri al of art worthy of inclusion in the Museum Collection. Through the generosity of the Museum’s support groups — Contemporary and Modern Art Council, Friends of Chinese Art, and Photography Committee — as well as collectors and artists who donated art or gifts of funds to purchase art, the Works of Art Committee accepted nearly 360 artworks, which are now part of the Collection. For example, the Friends of Chinese Art contributed to the purchase of two works of art — a ninth-century white-ware ewer and a late 19th-century silk gauze surcoat that will be in a 2015 tea exhibition organized by the Norton. As we look forward to celebrating the Museum’s 75th anniversary in 2016, we are tremendously excited to add to the remarkable collection Ralph Norton assembled and gifted to the country with brilliant examples of artwork of comparable quality. We are grateful to devoted Norton Trustee Anne Berkley Smith for her gift of paintings by Richard Diebenkorn and Wayne Thiebaud, which Ellen Roberts discusses in these pages. We are also pleased to add two outstanding paintings to the historical European Collection: a panel by Lorenzo Lotto (1480–1556) — rare in the United States — thanks to the continuing generosity of Damon Mezzacappa; and the first painting by Claude Joseph Vernet (1714–1789) to enter the Collection, the gift of Eleonore and Ronald Bacher. Photographers from around the globe have enthusiastically gifted examples of their work, a tribute to Tim B. Wride, the William and Sarah Ross Soter Curator of Photography, and his relationships with these artists. Paul Hertzmann and Susan Herzig of San Francisco gifted a true masterwork by photographer Edward Weston to the collection as a show of support of the Photography Collection, which grew by more than 300 objects. The Norton Museum of Art boasted another exceptional year in 2012–2013, and the Curatorial Division is proud to contribute to its success. Cheryl Brutvan d i r ector o f c u r ato r i a l a f fa i r s c u r ator o f co n t emp o r a ry a rt dec em ber 2 01 2 Sylvia Plimack Mangold: Landscape and Trees 1 2 curato ri a l Rudin Prize for Emerging Photographers sep t. 27 – dec . 1 1 , 2 01 2 organized by the norton m useum of art c urated by tim b. w ride, w illiam and sarah ross soter c urator of p hotograp hy Exhibitions 15 Exhibitions 12 Organized by the Norton Museum of Art, one of which traveled Rob Wynne: I Remember Ceramic Castles, Mermaids & Japanese Bridges sep t. 1 8, 2 01 2 – sep t. 1 , 2 01 3 organized by the norton m useum of art c urated by c hery l brutvan, director of c uratorial affairs, c urator of contem p orary art New York-based artist Rob Wynne creates stunning and beautiful sculptures, reliefs, and installations inspired by art, literature, and nature. He created the second site-specific project for the Norton’s lobby using elements such as his signature mirrored glass reliefs. Shaped into large words and mirrored clouds, they simultaneously appear reflective and invisible. With this material, Wynne gave form to the title of this piece. In addition, he integrated the natural world related to the Norton’s proximity to the ocean through silkscreened wallpaper and glass-beaded drawings of life found above, near, and under the sea. Several works from the Museum Collection were incorporated into the installation. this installation was made possible through the generosity of vanessa and anthony beyer. d ec emb er 201 2 Beth Rudin DeWoody announces Analia Saban as the winner of the inaugural Rudin Prize. © lila photo Reinstalled objects from the Collection were arranged by theme and movement. Here, post-impressionist works are displayed in the The Jeffry M. and Barbara Picower Gallery. The Museum was proud to announce an international biennial showcase and award for emerging photographers in 2012. Finalists for the Rudin Prize were selected by a panel of five established artists. Each panelist was charged with nominating an artist who had not yet had a solo museum exhibition, and whose work was on the leading edge of contemporary photography-based art. The inaugural panel was composed of John Baldessari, Graciela Iturbide, Susan Meiselas, Michal Rovner, and Yinka Shonibare. Their five nominees were, respectively, Analia Saban (Los Angeles); Nin Solis (Mexico City); Eunice Adorno (Mexico City); Mauro D’Agati (Palermo), and Bjorn Veno (London). The exhibition culminated with awarding the inaugural Rudin Prize of $20,000 to Analia Saban. The prize is named after the late Lewis Rudin of New York City, and is generously sponsored by his daughter, Beth Rudin DeWoody. this exhibition was made possible in part through the generosity of ms. beth rudin dewoody and the photography committee of the norton museum of art. Keep Calm and Carry On: World War II and the British Home Front, 1938–1951 nov. 1 , 2 01 2 – jan. 2 0, 2 01 3 organized by the norton m useum of art c urated by guest c urator donald albrec ht This exhibition explored the gamut of England’s homefront efforts just before, during, and after the war years. While millions of British men and women served in the military overseas, England’s creative class mobilized to win the war on the home front. Drawings, posters, photographs, film, furniture, and fashion illustrated how they did so. Included were examples of how designers created fashions and furnishings to save on essential wartime materials, and how graphic artists and filmmakers produced inspirational work, convincing the country, as the era’s most famous slogan urged, to “Keep calm and carry on.” this exhibition was made possible in part through the generosity of jean s. and frederic a. sharf. corporate support was provided by wilmington trust, with additional support by the michael m. rea endowment for special exhibitions. media support was provided by the palm beach post and palm beach daily news. 1 4 c urato ri al Sylvia Plimack Mangold: Landscape and Trees dec . 9 , 2 012 – march 3 , 2 01 3 org anized by the n o rto n m u s e u m o f a rt c u rated by c he ry l br u t va n , dir ecto r o f c u ratorial affai r s , cu r ato r o f co n t em po r a ry a rt Sylvia Plimack Mangold was the second artist to be celebrated in the Norton’s RAW (Recognition of Art by Women) program. With painting as her primary medium, Plimack Mangold’s devotion to the realist tradition belies the aesthetics of the late 1960s, when she completed her studies at Yale University. Plimack Mangold’s relationship with the pared-down elements of that time — the power of space and the materials of the artist — were manifest in her canvases, with depictions of wooden floors, tapes and measures, and, eventually, nature. For the past three decades, the artist has concentrated not only on the landscape surrounding her Hudson River-area studio, but also on the individual trees comprising it, considering these subjects in paintings, drawings, and prints. This was the first exhibition devoted to Plimack Mangold’s meditation on time through her landscape and trees. raw — recognition of art by women — is a six-year project (through 2016) made possible by the leonard and sophie davis fund/mldauray arts initiative. raw’s mission is to promote living women artists working in painting and sculpture. Say it Loud: Art by African and AfricanAmerican Artists in the Collection dec . 27, 2 012 – ma rch 3 , 2 01 3 org anized by the n o rto n m u s e u m o f a rt c u rated by c he ry l br u t va n , dir ecto r o f c u ratorial affai r s , cu r ato r o f co n t em po r a ry a rt Paintings, sculpture, photographs, and works on paper by African artists and artists of African descent comprised this exhibition, which celebrated a renewed emphasis on diversity in the Museum Collection. More than 20 artists whose practices span the 20th century represented ideas and issues inspired by personal and artistic concerns. this exhibition was made possible in part through the support of the diane belfer endowment for sculpture. additional support was provided by the west palm beach chapter of the links, incorporated. Annie Leibovitz ja n . 1 7 – j u n e 9 , 201 3 org a n i z ed by t he n orton mu seu m of a rt c u r at ed by c ha r l i e sta i n b ac k, a ssi sta n t d i r ector This exhibition of the internationally renowned photographer featured 39 of her iconic photographs acquired by the Norton. The exhibition shifted the focus from Leibovitz’s elaborately staged sittings to work that is direct, straightforward, and relies on an essential element of all great portraits: a vital connection between artist and subject. Exhibition curator Charles Stainback had long admired Leibovitz’s work, but believed too much emphasis had been put on a select few images from the artist’s overall oeuvre — Whoopi Goldberg, Steve Martin, John & Yoko — that have become as famous as the people they portray. While the images in this exhibition were also of celebrities, they are quieter, more subtle, and, in some ways, more provocative and interesting than the images that made Leibovitz a household name. The celebrity of the photographer had also overshadowed much of her outstanding portraiture. This exhibition rectified that, shining a light on work that should no longer be overlooked. this exhibition was made possible through the generosity of muriel and ralph saltzman. corporate support was provided by bmo private bank, with additional funding by the mr. and mrs. hamish maxwell exhibition endowment, the photography committee of the norton museum of art, and mr. and mrs. john m. richman. media support was provided by wptv channel 5 and the miami herald. The Middle East and the Middle Kingdom: Islamic and Chinese Artistic Exchange f eb. 2 – au g . 4, 201 3 org a n i z ed by t he n orton mu seu m of a rt c u r at ed by l au r i e b a r n es, el i z a b et h b. mcg r aw c u r ator o f c h i n ese a rt Chinese art has fascinated the outside world, especially the Islamic world, for more than a millennium. Only recently has the influence of the art of Islamic nations on China been explored. (A recent example is an exhibition at the National Palace Museum in Taipei of Mughal and Ottoman jades collected by the Qianlong emperor.) This installation, complemented Doris Duke’s Shangri La, highlighted Chinese works with ties to the Islamic world. this exhibition was made possible in part through the generosity of john and heidi niblack. Legacy: The Emily Fisher Landau Collection feb. 2 1 – june 2 , 2 01 3 organized by the w hitney m useum of am eric an art. c urated by donna de salvo and dav id k iehl, w hitney m useum of am eric an art Considered one of the preeminent collectors of postwar art in the United States, Emily Fisher Landau assembled an extraordinary collection of contemporary art over the past five decades. In 2011, she donated more than 300 paintings, sculptures, photographs, and works on paper to the Whitney Museum of American Art. The exhibition included works by Richard Prince, James Rosenquist, Susan Rothenberg, Ed Ruscha, Cy Twombly, Andy Warhol, Kiki Smith, Nan Goldin, Peter Hujar, Jasper Johns, and Agnes Martin. the presentation at the norton museum of art was made possible by muriel and ralph saltzman. corporate support was provided by hollywood media corp. (mitchell rubenstein/laurie silvers), with additional support by the milton and sheila fine endowment for contemporary art and the dr. henry and lois foster endowment for the exhibition of contemporary art. media support was provided by palm beach daily news. The Radical Camera: New York’s Photo League, 19361951 m arc h 1 4 – june 1 6 , 2 01 3 organized by the jew ish m useum , new york , and the colum bus m useum of art, ohio. c urated by m ason k lein ( tjm ) and c atherine evans ( c m a) In 1936, a group of young, idealistic photographers formed an organization in Manhattan called the Photo League. The League helped validate photography as a fine art, presenting student work and guest exhibitions by established photographers. Offering classes, mounting exhibitions, and fostering community, members of the Photo League focused on social reform and the power of the photograph to motivate change. Featuring more than 150 works, The Radical Camera traced the organization’s interests, attitudes toward photography, and impact during its 15-year lifespan. major support was provided by the phillip and edith leonian foundation, the national endowment for the arts, and limited brands foundation. local presentation of this exhibition was made possible in part by mr. and mrs. william j. soter, with additional support by the gioconda and joseph king endowment for exhibitions and the sydelle and arthur i. meyer endowment fund. media support was provided by the palm beach post. Doris Duke’s Shangri La: Architecture, Landscape, and Islamic Art m arc h 2 1 – july 1 4, 2 01 3 organized by the doris duk e foundation for islam ic art. c urated by guest c urators donald albrec ht and thom as m ellins Doris Duke’s Shangri La was the first comprehensive traveling exhibition of objects from Duke’s remarkable collections within the context of Shangri La, her extraordinary Hawaii residence, and her personal role in collecting and commissioning works. Situated amid five acres of interlocking terraced gardens and pools overlooking the Pacific Ocean and Honolulu’s Diamond Head, Shangri La is a powerful reflection of Duke’s lifelong aesthetic passions. Shangri La incorporates unique architectural features such as carved marble doorways, decorated sliding panels known as jalis, gilt and coffered ceilings, and floral ceramic tiles. The interiors weave together artifacts such as silk textiles, jewel-toned chandeliers, and rare ceramics, many collected during her extensive international travels. (Marion Sims Wyeth, the architect who designed Duke’s Hawaiian home, which was completed in 1937, also designed the original Norton Gallery and School of Art building, which opened in 1941.) This exhibition brought together furnishings and objects from Shangri La, newly commissioned photographs by Tim Street-Porter, vintage photographs and films, documentation of the estate’s construction, original architectural drawings, and ephemera to explore the history and experience of this remarkable place. this exhibition was organized by the doris duke foundation for islamic art. Masterpiece of the Month The Norton spotlighted major works by iconic artists borrowed from private collections: m ay 2 – 2 9 : Lucian Freud’s The Brigadier, 2003–2004 m ay 3 0 – june 3 0: Mary Cassatt, a quartet of works on paper, 1890–1908 july 4 – 28: Dorothea Lange’s Migrant Mother, Nipomo, California, 1936 aug. 1 – 3 1 : Salvador Dalí’s Portrait of Marquis George de Cuevas, 1942 sept. 17 – oct. 13: Court Portrait of Yinli, Prince Guo, 1717 1 6 c urato ri al Block by Block: Inventing Amazing Architecture j u ne 2 0 – oct. 2 0 , 2 01 3 c u rated by mag gie e dwa r ds , cu r ato r ia l a s s ista n t This exhibition featured 10 landmark buildings, each masterfully constructed with lego® toy building bricks by artist Dan Parker. From four to nine feet tall, the architectural wonders included One World Trade Center in New York, the Seattle Space Needle, Burj Khalifa in Dubai, and Taipei 101 in Taiwan. swiss re/ 30 saint mary axe, london (the gherkin) building was made possible by a grant from the george and frances armour foundation. the hearst corporation building, new york, was made possible by a gift from mr. and mrs. gilbert c. maurer. Architecture in Detail: Works from the Museum Collection j u ne 2 0 – oct. 2 0 , 2 01 3 c u rated by ellen e . ro be rts , h a ro ld a n d a n n e be rk ley smith c ur ato r o f a m e r ica n a rt, a n d t im b. wride, william a n d s a r a h ro s s s ot e r cu r ator of photog raphy, in co n j u n ct io n w it h t h e blo ck by bloc k leg o exhibit io n From the beginning of the 20th century, architecture has fueled the imaginations of photographers, painters, and printmakers. Their efforts are well represented in the Collection. Architecture in Detail celebrated the aesthetics and achievements of the man-made environment. Lucian Freud: Paintings and Prints j u ne 27 – se pt. 1, 2 01 3 c u rated by c he ry l br u t va n , dir ecto r o f c u ratorial affai r s , cu r ato r o f co n t em po r a ry a rt This rare presentation of portraits by one of the most important painters of our time included Freud’s masterpiece The Brigadier (2003–2004), a life-sized portrait of Andrew Parker Bowles, a self-portrait, and a selection of prints from private collections. Bernard and Chris Marden Community Gallery Exhibitions: Based on Books n ov. 3, 201 2 – ja n . 6 , 201 3 Stories about Myself: Elementary and Middle School Invitational ja n . 1 7 – ma rc h 3, 201 3 Pathfinder Scholarship Awards Art Nominees Exhibition ma rc h 1 4 – may 5, 201 3 The exhibition featured more than 30 judged works by exemplary high school seniors from Martin and Palm Beach counties. Four students received college scholarships ranging from $2,000 to $4,000. Variety: Rising Seniors from the Alexander W. Dreyfoos Jr. School of the Arts may 1 6 – j u ly 1 9 , 201 3 Little Boxes: Images of Vernacular Architecture from the Museum Collection au g . 1 – oct. 1 7, 201 3 This exhibition was curated by the Museum’s summer interns, who mined the Collection of prints, drawings, and photography in a celebration of the everyday structures that punctuate the “built” environment. Traveled to Other Institutions: On the Silk Road and the High Seas: Chinese Ceramics, Culture and Commerce Crow Collection, Dallas, TX Sept. 1, 2012 – Jan. 27, 2013 Circa 1960: Figure and Form j u ne 27 – se pt. 1, 2 01 3 c u rated by ellen e . ro be rts , h a ro ld a n d a n n e be rk ley smith c ur ato r o f a m e r ica n a rt Showcasing important, recent acquisitions and loans to the Norton, the exhibition considered the ways mid-century artists such as Richard Diebenkorn, Fairfield Porter, and Wayne Thiebaud used elements of abstraction to suggest the world around them. nov em ber 2 01 2 Keep Calm and Carry On 1 8 curato ri a l Install Photos Annie Leibovitz leads Gala guests on a tour of Annie Leibovitz. © lila photo ja n uary 2013 2 0curato ri a l A crowd gathers Jenny Saville exhibition around Mary Sibande’s stunning …of Prosperity in the Say it Loud exhibition. © grayson hoffman decem beer r 22012 n ovemb 011 2 2curato ri a l february 2013 Curator Cheryl Brutvan leads a tour of Legacy: The Emily Fisher Landau Collection. 2 4 c urato ri al j un e 201 3 Block by Block: Inventing Amazing Architecture Guests at the opening of The Radical Camera: New York’s Photo League, 1936-1951 © tom brodigan ma rch 2013 © lila photo 2 6 c urato ri al dec em ber august 2 012301 1 Objects enjoy from the Visitors Circa 1920sFigure in theand Cocktail 1960: Form Culture Art exhibition during After Dark. 2 8curato ri a l A visitor engages with the newly acquired Richard Diebenkorn paintings. © lila photo n ovemb er 2 012 30 c urato ri al American Acquisitions RICHARD DIEBENKORN (American, 1922–1993) Landscape with Figure, 1963 Oil on board 15 x 16 1/2 in. (38.1 x 41.9 cm) Gift of Anne Berkley Smith, 2012.185 RICHARD DIEBENKORN (American, 1922–1993) Mission Landscape, 1962 Oil on canvas 14 x 16 1/8 in. (35.6 x 41.0 cm) Gift of Anne Berkley Smith, 2012.186 WAYNE THIEBAUD (American, born 1920) Neapolitan Pie, 1963 Oil on canvas 17 x 22 in. (43.2 x 55.9 cm) Gift of Anne Berkley Smith, 2012.187 This year, one of the Norton’s transformative donors, Anne Berkley Smith, enriched the American Collection by giving the Museum three major paintings: Richard Diebenkorn’s Mission Landscape and Landscape with Figure, and Wayne Thiebaud’s Neapolitan Pie. The first oils by these important artists to enter the Collection, these works demonstrate the trend toward representation in painting in the 1960s, as artists sought to move beyond Abstract Expressionism. Diebenkorn started as an Abstract Expressionist, but by the mid-1950s grew dissatisfied with nonobjective art and began to paint the physical world again. He described this transformation: “As soon as I started using the figure, my whole idea of my painting changed. Maybe not in the most obvious structural sense, but these figures distorted my sense of interior or environment, or the painting itself, in a way that I welcomed. Because you don’t have this in abstract painting.” Mission Landscape and Landscape with Figure are from an especially strong group of landscapes that Diebenkorn executed between 1962 and 1963. Though small in scale, these works masterfully explore the tension between the two-dimensional canvas and the three-dimensional landscape. Diebenkorn later synthesized these pictorial concerns into his most famous paintings: the Ocean Park series. Wayne Thiebaud reengaged with representation in this same era, as Neapolitan Pie demonstrates. Stimulated by the Abstract Expressionists he met when he was living in New York in 1956–1957, he experimented with non-objectivity, but became frustrated by its limitations. In 1960, he began to paint figuratively, focusing on food, inspired in part by his experience working in restaurants as a young boy. Thiebaud recalled his observation of “rows of pies, or a tin of pie with a piece cut out of it and one piece sitting beside it. Those little vedúta [views] in fragmented circumstances were always poetic to me.” Such desserts became Thiebaud’s favorite subjects. In Neapolitan Pie, he painted the pie from a tipped-up perspective, launching the viewer imaginatively into the tin’s delicious contents. Critics labeled such works Pop art, but Thiebaud maintained that they were not meant to disparage American consumerism, but to invoke nostalgia, and to apply the creamy physicality of paint to an appropriate subject. Ellen E. Roberts harold and anne berk ley sm ith c urator of am eric an art 32 c urato ri al Chinese Acquisitions other ame ric an acqu is it io n s : Ewer Chinese, Tang Dynasty (618–906), 9th century Porcelaneous stoneware, probably made at a kiln in Hebei province 6 x 4 3/4 x 4 3/4 in. (15.2 x 12.1 x 12.1 cm) Purchase, acquired through the generosity of the Friends of Chinese Art and R.H. Norton Trust, 2012.93 MARY FRANK (American, born England, 1933) Head, circa 1970s Ceramic 24 x 21 x 13 in. (61 x 53.3 x 33 cm) Gift of Midtown Payson Galleries, 2012.224 JACK LEVINE (American, 1915–2010) Portrait of Anna Weissberger, 1966 Oil on canvas 24 x 20 in. (61 x 50.8 cm) Gift from the collection of John and Joanne Payson, 2012.225 JACK LEVINE (American, 1915–2010) Jacob Wrestling with the Angel, 1975 Oil on canvas 40 x 35 in. (101.6 x 88.9 cm) Gift of Midtown Payson Galleries, 2012.223 STANTON MACDONALD-WRIGHT (American, 1890–1973) Landscape, circa 1907 Watercolor on paper 23 3/4 x 19 3/4 in. (60.3 x 50.2 cm) Gift of Alice Rudin, 2013.97 Aristocratic Ladies’ Summer Surcoat Chinese, late Qing dynasty, circa 1875-1900 Midnight blue patterned silk gauze with silk satin trim Overall 53 x 36 in. (134.6 x 91.4 cm) Purchase, acquired through the generosity of the Friends of Chinese Art, 2013.18 The two Chinese acquisitions this year will play important roles in the 2015 tea exhibition the Norton is organizing. The Museum is grateful to the Friends of Chinese Art committee, which made the acquisitions possible. This finely potted pouring vessel is covered with a minutely crackled ivory-white glaze. Various white ewers of similar form have been ascribed to the late Tang period in the ninth century, and are believed to have been produced at the Xing and related kilns in Hebei province. The author of the earliest monograph on tea, written between 760 and 780, praised Xing ware for its silvery whiteness. This ewer’s creamcolored body indicates that it is from an affiliated kiln in north China. It would have been used for hot water added to powdered tea. Suitable attire for a formal summer tea gathering, silk gauze robes were often embellished with embroidered or woven squares denoting the rank of scholar-officials who served the emperor. These scholars played a critical role in the popularization of tea drinking as a cultured activity. Commemorative portraits from the 15th century and later depict members of the scholar-official class wearing such attire while hosting elegant gatherings where tea was served. Laurie Barnes elizabeth b. m cgraw c urator of c hinese art 34 c urato ri al Contemporary Acquisitions LYNDA BENGLIS (American, born 1941) Cocoon, 1971 Purified pigmented beeswax and damar resin on wood and Masonite 36 x 5 in. (91.4 x 12.7 cm) Purchase, acquired through the generosity of the Contemporary and Modern Art Council of the Norton Museum of Art, Irene and Jim Karp, Tina Bilotti, and Bruce Beal, 2013.1 (image next page) JENNY SAVILLE (British, born 1970) Mnemosyne I, 2012 Charcoal on paper on board 89 3/8 x 70 1/16 in. (227 x 178 cm) Purchase, acquired through the generosity of the Contemporary and Modern Art Council of the Norton Museum of Art and the R.H. Norton Trust, 2013.14 Cocoon is an outstanding example of the revolutionary abstract art Lynda Benglis was making in the late 1960s. It is a simple, oblong form nearly the length of an adult arm and made from the artist’s repeated application of beeswax colored by the introduction of pigments. Its surface is physically compelling and sensual while, as an artwork, it hovers between painting and sculpture, defying the typical characteristics of either category. We willingly accept the appearance of this work today; but, at the time Benglis created it, artists were developing a visual language that eliminated evidence of human gesture, as seen in the abstract paintings of De Kooning and Pollock. Canvases were monochromatic and flat, and sculpture was geometric, often formed from industrial materials. In terms of scale, monumentality ruled. Benglis instead freely explored “unorthodox” materials in ways that were new while maintaining a physical, human presence in her distinctive abstractions. During the same period from which Cocoon dates, Benglis was pouring colorful latex on floors to make “fallen paintings” and piling up candy-colored layers of polyurethane to make a previously unseen form of sculpture — like a static flow of psychedelic lava. Benglis’s abstract art has always received the respect of her peers and her adherence to color, atypical materials, and integration of the “masculine and the feminine” has been influential to later generations of artists. Wider and deserved recognition was received in 2009 when her work was the subject of a circulating retrospective. Reflecting on her sometimes controversial earlier work, Benglis recently stated, “I was more interested in ideas, in showing that an artist can be both masculine and feminine. But, most importantly, an artist is an artist.” Cocoon is an exceptional addition to the Museum Collection and the result of generous and enthusiastic supporters of contemporary art. In 2011 the Norton presented the first retrospective of the paintings and drawings of Jenny Saville. It was made possible by the generosity of the Leonard and Sophie Davis Fund/ML Dauray Arts Initiative. Despite her name recognition, Saville’s work had been rarely exhibited publicly since her emergence in the early 1990s. Even before graduating from the Glasgow School of Art in 1992, her life-size oil paintings of naked women were admired for the frank interpretation of her subject and appreciated for her masterful handling of paint. Charles Saatchi, an advertising executive and one of England’s first major collectors of contemporary art, purchased as many as were available. Saville is exceptional not only because of her evident talent, but her bold choice to concentrate on the female form and work in a traditional medium, rather than the more typical exploration of video and installations of the period. Two decades later, Saville reinterprets the traditional theme of mother and child (or Madonna and Child); again, an unusual subject for contemporary artists and one that today is more often an example of serene bonding than a relationship filled with struggle, as suggested here. Saville’s knowledge and study of both modern and historical art continually informs her development. The masterpiece by Leonardo Da Vinci, The Virgin and Child with Saint Anne and Saint John the Baptist, 1499–1500, in the National Gallery, London, was the first reference for the drawings of which Mnemosyne I is a recent example. The title refers to the Greek goddess of memory and the mother of the nine muses by Zeus. Cheryl Brutvan director of c uratorial affairs c urator of contem p orary art 36 c urato ri al ot her co n t emp o r a ry acq u i si t i o n s: SANDOW BIRK (American, born 1964) Monument to the Constitution of the United States, 2012 Direct gravure in black ink on 9 gampi panels backed with kozo paper 48 x 63 in. (121.9 x 160 cm) Purchase, R.H. Norton Trust, 2013.9 PEDRO PARICIO (Spanish, born 1982) The Golden Player, 2012 Acrylic on canvas 38 3/8 x 51 5/16 in. (97.5 x 130.3 cm) Gift of Bruce A. Beal, 2012.172 ROB WYNNE (American, born 1950) White Butterfly, 2012 Glass beads and thread on vellum 24 x 18 in. (61 x 45.7 cm) Purchase, R.H. Norton Trust, 2013.26 ROB WYNNE (American, born 1950) I Remember Ceramic Castles, Mermaids & Japanese Bridges, 2010 Poured and mirrored glass 114 x 120 in. (289.6 x 304.8 cm) Purchase, R.H. Norton Trust, 2013.24a‑uu ROB WYNNE (American, born 1950) Octopus, 2008 Glass beads and thread on vellum 27 x 21 in. (68.6 x 53.3 cm) Gift of the artist and Gavlak Gallery, 2013.27 YUN‑FEI JI (Chinese, active United States, born 1963) The Three Gorges Dam Migration, 2009 Hand-printed watercolor woodblock mounted on paper and silk 15 7/8 x 123 1/2 in. (40.3 x 313.7 cm) Purchase, R.H. Norton Trust, 2013.19 YUN-FEI JI (Chinese, active United States, born 1963) Ghost Market, 2012 Watercolor on Xuan paper 72 x 51 11/16 in. (182.9 x 131.3 cm) Purchase, acquired through the generosity of Irene and Jim Karp and R.H. Norton Trust, 2013.4 ROB WYNNE (American, born 1950) Spider Web, 2009 Glass beads and thread on vellum 24 x 18 in. (61 x 45.7 cm) Purchase, R.H. Norton Trust, 2013.25 38 c urato ri al European Acquisitions MARCANTONIO FRANCESCHINI (Italian, 1648–1729) Adam and Eve with the Infant Cain and Abel, circa 1705 Oil on canvas 76 x 98 in. (188 x 260 cm) Gift of Damon Mezzacappa, 2012.188 LORENZO LOTTO (Italian, 1480–1556) Saint Onuphrius of Egypt, circa 1547 Oil on canvas 34 x 17 in. (85.5 x 42.5 cm) Gift of Damon Mezzacappa, 2012.171 CLAUDE-JOSEPH VERNET (French, 1714–1789) The Fishermen, 1746 Oil on canvas 30 x 39 1/2 in. (76.2 x 100.3 cm) Gift of Eleonore and Ronald Bacher, 2013.20 Thanks to the generosity of Damon Mezzacappa, works by Italian artists Lorenzo Lotto (1480–1556) and Marcantonio Franceschini (1648–1729) entered the Collection. Mezzacappa, well-known in the world of finance, is an avid art collector. He has donated works of art to the National Gallery, Washington, DC, and Princeton University Art Museum. Lorenzo Lotto is a major figure in northern Italian Renaissance painting, whose works are rare in America. Born in Venice, his most important commissions were for altarpieces, for which the Saint Onuphrius of Egypt painting was originally conceived. It is, remarkably, the sole surviving known section from a multi-figured altarpiece that depicted the Madonna of Loreto with Saints Roch, Sebastian, and Paul Hermit. Marcantonio Franceschini is a leading master in Bolognese painting. He was exceptionally skilled at large-scale compositions, such as Adam and Eve with the Infant Cain and Abel. Franceschini was a founder-member and later director of the Accademia Clementina, Bologna’s first official art academy. The gift of these two paintings is transformational to the Collection of earlier European art, as the Norton has no comparable works by Italian artists from these or periods. Seen together with northern and central Italian works, they will provide a better vision of the development of Italian painting. Due to the generosity of Ronald Bacher, a longtime resident of West Palm Beach, the Museum received the gift of a painting by French artist ClaudeJoseph Vernet (1714–1789). Vernet is the most well-known of the French landscape artists working in Rome in the 18th century. He continued the tradition of both Claude Lorrain and Salvador Rosa, painting evocative representations of the Roman countryside. In 1753, King Louis XV commissioned him to paint 15 large-scale canvases of the ports of France. The Fishermen is one of eight scenes created by Vernet that were specially commissioned in 1746 by Pierre Charles Marquis de Villette (1700–1763). The Norton painting is one of only four from the series known to have survived. This gift fills a notable lacuna in the Collection, bridging the gap that previously existed from 17th-century northern European landscapes to the works of the Barbizon School. Jerry Dobrick c uratorial assoc iate other europ ean acq uisitions: CHARLES KEITH MILLER (British, 1836–1907) HMS Victory being towed into Gibraltar Harbor, 1877 Oil on canvas, 30 x 44 in. (76.2 x 111.8 cm) Gift of Allen F. Dickerman, 2013.21 GEORGES ROUAULT (French, 1871–1958) The Lawyer, 1922 Etching, aquatint, and drypoint on paper 21 1/8 x 16 1/2 in. (53.7 x 41.9 cm) Gift of Alice Rudin, 2013.96 40 c urato ri al Photography Acquisitions EDWARD WESTON (American, 1886–1958) Shell and Rock Arrangement, 1931, printed circa 1947 Gelatin silver print 7 1/2 x 9 3/8 in. (19.1 x 23.8 cm) Gift of Paul M. Hertzmann, Inc., 2013.22 SAM TAYLOR-WOOD (English, born 1967) Five Revolutionary Seconds VII, 1997 Chromogenic development print, artist proof 11 5/8 x 78 5/8 in. (29.5 x 199.7 cm) Gift of Rita Krauss Fine Art, New York, 2012.174 EILEEN COWIN (American, born 1947) Adam and Eve (after Van Eyck), 1991 (2) Silver dye bleach (Cibachrome) prints Each 60 x 26 in. (152.4 x 66 cm) Purchase, R.H. Norton Trust, 2013.28a&b During 2012–2013, the Department of Photography added more than 300 objects to the Museum Collection. While every acquisition is important, many become pivotal additions by virtue of their subjects, their makers, the manner in which the artists have chosen to render them, and their interaction with the rest of the Collection. The three objects featured here are pivotal acquisitions. Edward Weston is indisputably atop any list that seeks to identify the masters of modern photography. Along with photographers Ansel Adams, Imogen Cunningham, and others, Weston was a founding member of Group f/64 in 1936, advocating the unmanipulated, full-frame, sharp-focus rendering of subject matter. Shell and Rock Arrangement, 1931, is an exquisite example of Weston’s mastery of both subject and process. His seemingly simple counterbalance of the radiant white and sharply spiked shape of the shell against the deep shadows and rolling contours of the rocks into which he has nestled it belies his mastery as a printer. Through the generosity of Paul Hertzmann and Susan Herzig of San Francisco, this is the first Weston image actually printed by the photographer himself to enter the Norton Collection. It ranks as a true masterwork within the Museum’s photography holdings. Five Revolutionary Seconds VII, 1997, by English artist and filmmaker Sam Taylor-Wood, is an important piece for the Collection not merely because of its masterful composition and rendering, but because of its position as a stylistic signpost, of sorts. The broad panorama that Taylor-Wood employs carries with it references to the past in its use of the early-Renaissance strategy of “simultaneous narrative,” but also grounds itself firmly in its present, establishing a modern cinematic feel that would rapidly become the lingua franca of two generations of photographic imagemakers. Eileen Cowin is part of a generation of women photographers who came of age during the 1970s and ’80s. She, like many of her contemporaries, balanced her work as an artist with that of an educator as university graduate programs in photography became part of the curricula across the nation. Adam and Eve (after Van Eyck), 1991 was part of a broader series of works that Cowin made that employed pointed references to art historical precedents. Adam and Eve is modeled after the figures rendered by Flemish master Jan van Eyck that adorn the wings of The Ghent Altarpiece, 1432. In Cowin’s versions, however, the figures are contemporary in dress and attitude. This print is the only one made at the time by the artist and, as the materials used are no longer available, this is a unique example of the artist’s work. Tim B. Wride w illiam and sarah ross soter c urator of p hotograp hy 42 c urato ri al other photog rap h y acqu is it io n s : RUTH-MARION BARUCH (born Germany, active United States, 1922-1997) Black Panther guard at the Unitarian Church in San Rafael, CA, 1968 Mother and child, De Fremery Park, Oakland, CA, 1968 Entertainer at the Free Huey Rally, Bobby Hutton Park, Oakland, CA, 1968, printed 1988 Huey P. Newton, co-founder, leader, and Minister of Defense of the Black Panther Party in Alameda Co. Court House jail, the day before his sentence was pronounced, 1968 Baby Jesus X, San Francisco, CA, 1968 Young woman at Free Huey Rally, De Fremery Park, Oakland, CA, 1968 Black Panther in doorway of Manzanita Center, Marin City, CA, 1968 Portrait of Black Panther, Marin City, CA, 1968 Black Panther feeding son, at Free Huey Rally, De Fremery Park, Oakland, CA, 1968 Eldridge Cleaver, Minister of Information for the Black Panther Party, at Free Huey Rally, Bobby Hutton Memorial Park, Oakland, CA, 1968 Couple listening, Free Huey Rally, De Fremery Park, Oakland, CA, 1968 (11) Gelatin silver prints (selenium toned) Various sizes Gift of Pirkle Jones Foundation, 2013.72, .73–.82 IAIN BAXTER& (Canadian, born England, 1936) Racing Queens, Mosport International Raceway, near Bowmanville, Ontario, 1983 Chromira print 31 1/2 x 46 1/2 in. (80 x 118.1 cm) Gift of Joan and Charles Lazarus, 2012.94 LINA BERTUCCI (American, born 1958) Natasha, 22, Graphic Designer, 2007 Sara, 22, Graphic Designer, 2007 from the series Women in the Tattoo Subculture (2) Chromogenic development prints 22 x 17 in. (55.9 x 43.2 cm) Gift of the Robert A. Lewis Collection, 2012.152–.153 JOHN BOCK (German, born 1965) Untitled, 2001 Photo collage, metal, yarn, fabric, and glue on foamcore 13 7/8 x 13 1/8 x 11 1/8 in. (35.2 x 33.3 x 28.3 cm) Gift of Rita Krauss Fine Art, New York, 2012.238 Girl standing in front of Bank of America, Haight-Ashbury, 1967 Hippies sitting on car, San Francisco, 1967, printed 2011 Hare Krishna dance in Golden Gate Park, Haight-Ashbury, 1967 Blind musician, Haight-Ashbury, 1967, printed 2012 Girl singing on steps, Haight-Ashbury, 1967 Barefoot, Haight-Ashbury, 1967 Love on a motorcycle, Haight-Ashbury, 1967 Paisley, Haight-Ashbury, 1967, printed 2012 “BE FREE,” Haight-Ashbury [sign], 1967 Girl with cat on shoulder, Haight-Ashbury, 1967 Three sitting on doorstep, Haight-Ashbury, 1967 Sailor couple, Haight-Ashbury, 1967 Gypsy couple with knife, Haight-Ashbury, 1967 from the series Haight-Ashbury (13) Gelatin silver prints Various sizes Gift of Pirkle Jones Foundation, 2013.83–.89, 2013.90–.95 THOMAS L. BOLLINGER (American, born 1959) Spiders from Mars, Paris, 2008 Bridge Simon de Beavoir, Paris, 2008 Paris Fairies, 2008 (3) Gelatin silver prints Various sizes Gift of the Robert A. Lewis Collection, 2012.154–156 MIMI BOTSCHELLER (American, born 1961) A Cradle Song (After William Blake), 2010 Archival pigment print 24 x 24 in. (61 x 61 cm) Gift of the Robert A. Lewis Collection, 2012.157 SLATER BRADLEY (American, born 1975) Doppelganger, 2001 Silver dye bleach (Cibachrome) print transverse mounted to Plexiglas 39 1/2 x 50 in. (100.3 x 127 cm) Gift of Rita Krauss Fine Art, New York, 2012.239 OLAF BREUNING (German, active United States, born 1970) 911 (medium), 1999–2000 Chromogenic development print mounted on plexi 31 1/2 x 39 1/2 in. (80 x 100.3 cm) Gift of Rita Krauss Fine Art, New York, 2012.240 ELLEN BROOKS (American, born 1946) Untitled (Red Balls), 1987 Silver dye bleach (Cibachrome) print 38 1/2 x 25 in. (97.8 x 63.5 cm) Purchase, R.H. Norton Trust, 2013.109 SANCHEZ BROTHERS (Canadian, Carlos born 1976, Jason born 1981) Masked, 2007 Archival pigment print 59 1/4 x 74 1/8 in. (150.49 x 188.28 cm) Gift of Catharine Clark Gallery, San Francisco, and Carlos and Jason Sanchez, 2012.258 ADRAIN CHESSER (American, born 1972) I Have Something to Tell You, 2003 (52) Chromogenic development (Fuji crystal archive) prints Various sizes Anonymous gift, 2013.32.1–.52 JOHN COPLANS (British, 1920–2003) Self Portrait (Feet Frontal), 1984 Self Portrait (Back View, Upright), 1985 (2) Gelatin silver prints Various sizes Gift of Rita Krauss Fine Art, New York, 2012.241–242 EILEEN COWIN (American, born 1947) Mirror Of Venus, 1988 Silver dye bleach (Cibachrome) print 39 x 47 in. (99 x 119.4 cm) Purchase, R.H. Norton Trust, 2013.108 44 c urato ri al DARRYL J. CURRAN (American, born 1935) Five Squash Blossoms, 1996 Carrotid Scan, 1995 Savoy Cabbage, 1995 (3) Archival pigment prints Each 18 x 11 3/4 in. (45.7 x 29.8 cm) Gift of the artist, 2012.229–231 CHRIS ENOS (American, born 1944) Untitled, 1976 from the series Plant/Life (12) Gelatin silver prints Each 11 x 14 in. (27.9 x 35.6 cm) Gift of the artist, 2012.173.1–.12 ROBERT FICHTER (American, born 1939) Darryl Curran’s Work ‑ Studio in a Sea of Green, 2012 St. Marks, Florida, December 30, 2011 Screamer Mountain, 2012 (3) Archival pigment (Epson K3) prints Various sizes Gift of the artist, 2012.232–234 VALERIE GEORGE (American, born 1975) Split: These Landscapes are Our Living Rooms, 2010 Archival pigment print with MP-3 player and headphones Purchase, Photography Committee of the Norton Museum of Art, 2012.254 Watch Us Go!!!, 2010 Digital video Purchase, Photography Committee of the Norton Museum of Art, 2012.255 BARBARA DE GENEVIEVE (American, born 1947) The Jock Strap, 1979, printed 2011 #11 The Pink Pistol, 1980, printed 2011 part of the series True Life Novelettes (2) Archival pigment prints Various sizes Gift of the artist, 2012.256, .257 JOHN DUGDALE (American, born 1960) Pascal, 1995 Cyanotype with artist’s frame 10 x 8 in. (25.4 x 20.3 cm) Purchase, R.H. Norton Trust, 2013.112 WILLIAM EGGLESTON (American, born 1939) Untitled, circa 1960–1965 Gelatin silver print 10 3/4 x 16 1/4 in. (27.3 x 41.3 cm) Gift of Adam Sheffer in honor of Cheryl Brutvan, 2013.17 LOUIS FAURER (American, 1916–2001) Freudian Handclasp, New York, 1946–1949, printed 1980 42nd Street Collage, New York, N.Y., 1946–1949, printed 1981 New York, N.Y. (Smooth toupee), 1948–1949, printed 1981 56th Street behind City Center on a Sunday, 1951, printed 1981 Barnum & Bailey Circus Performers, Old Madison Square Garden, New York, N.Y., 1950, printed 1980 Longchamps Restaurant, 42nd and Lexington Ave., New York, N.Y., 1946, printed 1980 Times Square, New York, N.Y., 1947, printed 1980 Ritz Bar, New York, N.Y., 1947–1948, printed 1981 Staten Island Ferry, 1946, printed 1981 Eddie, New York, N.Y., 1948, printed 1980 (10) Gelatin silver prints Each 14 x 11 in. (35.6 x 27.9 cm) Gift of Howard and Ellen Greenberg, 2012.213–.222 LUCY G. FELLER (American, 20th century) Monkey House, Monkeywood, 2006 Archival pigment print 30 x 20 in. (76.2 x 50.8 cm) Gift of the Robert A. Lewis Collection, 2012.158 ROBERT FLYNT (American, born 1956) Untitled (traviata), 1983 Gelatin silver prints with mixed media on board Overall 16 x 40 in. (40.6 x 101.6 cm) Gift of the artist, 2012.104.a–b RALPH GIBSON (American, born 1939) Untitled, 1991 Chromogenic development print 39 1/4 x 26 3/8 in. (99.7 x 67 cm) Gift from the Carol and Ray Merritt Collection, 2013.23 NEIL FOLBERG (American, born 1950) Venice, Grand Canal, 2004 Chromogenic development print 41 1/2 x 52 1/2 in. (105.4 x 133.4 cm) Gift of Joan and Charles Lazarus, 2012.95 RICHARD GILLES (American, born 1955) Silver Tanks, 2010 White Tanks, 2008 Striped Tanks, 2010 (3) Archival pigment prints Each 17 1/4 x 44 1/2 in. (43.8 x 113 cm) Gift of the Robert A. Lewis Collection, 2012.159–.161 46curato ri al NAN GOLDIN (American, born 1953) Ivy Wearing a Fall, Boston, 1973, printed 1980s Gelatin silver print 16 x 12 in. (40.6 x 30.5 cm) Gift of Rita Krauss Fine Art, New York, 2012.243 LYNN GOLDSMITH (American, born 1948) Madison Square Garden, 1978, printed 2012 Archival pigment print 16 x 20 in. (40.6 x 50.8 cm) Purchase, R.H. Norton Trust, 2013.13 BONNIE GORDON (American, born 1941) Fire Man, 1975 Eyesight, 1977 Sight and Light, 1980 Word Man, 1982 Photography, 1982 Sand Man, 1982 (6) Cyanotypes Various sizes Gift of the artist, 2012.98–.103 DENNIS GRADY (American, born 1952) Experience is the material of expression which contains possibility, 1981 The unity of experience is a sphere which oversteps its content, 1981 from Discourse on the Logic of Perception (2) Chromogenic development prints Various sizes Gift of the artist, 2012.108a–b, 2012.109a–b NAOYA HATAKEYAMA (Japanese, born 1958) Underground # 6601, 1999, printed 2000 Chromogenic development print 19 5/16 x 19 1/4 in. (49.1 x 48.9 cm) Gift of Rita Krauss Fine Art, New York, 2012.244 SUDA HOUSE (American, born 1951) Kalima, 1985, printed 2012 Juno Lucia, 1985, printed 2012 Sedra, 1986, printed 2012 (3) Archival pigment prints 16 x 20 in. (40.6 x 50.8 cm) Gift of the artist, 2012.226–.228 JEFFREY HUBERT (American, born 1956) Three Musicians, Santiago de Cuba, 2000, printed 2011 Archival pigment print 10 3/4 x 8 5/16 in. (27.3 x 21.1 cm) Gift of the artist, 2012.97 OLIVER HERRING (German, active United States, born 1964) Cheryl with Cheryl’s Features, 2007 Cheryl with Cheryl’s Features – Close Up #1, 2007 (2) Digital chromogenic prints Each 16 x 12 in. (40.5 x 30.5 cm) Gift of Rita Krauss Fine Art, New York, 2012.245, .246 LOTTE JACOBI (American, born Germany, 1896–1990) Abstraction (Photogenic), circa 1946 Gelatin silver print 14 x 11 in. (35.6 x 27.9 cm) Purchase, R.H. Norton Trust, 2013.103 HENRY HORENSTEIN (American, born 1947) Harmonica Player, Merchant’s Cafe, Nashville, Tennessee, 1978 Jukebox, Tootsie’s Orchid Lounge, Nashville, Tennessee, 1972 Playing for Tips, Tootsie’s Orchid Lounge, Nashville, TN, 1974 (3) Archival pigment prints Each 15 x 15 in. (38.1 x 38.1 cm) Purchase, R.H. Norton Trust, 2013.10–.12 PIRKLE JONES (American, 1914–2009) Mirrors, Flea Market, Marin City, CA, 1974 Three figures and vintage baby photo, Flea Market, Marin City, CA, 1976 Dice, Flea Market, Marin City, CA, 1976 Bust of Dr. Jose Hernandez, South American hero, Flea Market, Marin City, CA, 1978 from the Flea Market series (4) Gelatin silver prints (selenium toned) Each 11 x 14 in. (27.9 x 35.6 cm) Gift of Pirkle Jones Foundation, 2013.33–.36 Black Panther guard, Marin City, 1968 Black Panther couple listening, Free Huey Rally, De Fremery Park, Oakland, CA, 1968 Free Huey Rally, De Fremery Park, Oakland, CA, 1968 Kathleen Cleaver, Communications Secretary of the Black Panther Party, De Fremery Park, Oakland, CA, 1968 Black Panther demonstration, Alameda Co. Court House, Oakland, CA, during Huey Newton’s trial, 1968 Audience, Free Huey Rally, at De Fremery Park, Oakland, CA, 1968 Plate glass window of the Black Panther Party National Headquarters, the morning it was shattered by the bullets of two Oakland policemen, September 10, 1968, 1968, printed 2002 Black Panthers discussing their reading material, Bobby Hutton Memorial Park, Oakland, CA, 1968, printed 2010 Getting the Black Panther newspaper ready for national distribution, Black Panther National headquarters, Berkeley, CA, 1968, printed 2010 Black Panthers and crowd, Free Huey Rally, Bobby Hutton Memorial Park, Oakland, 1968, printed 2010 Couple listening at Free Huey Rally, De Fremery Park, Oakland, CA, 1968, printed 2012 from A Photographic Essay on the Black Panthers (12) Gelatin silver prints (selenium toned) Various sizes Gift of Pirkle Jones Foundation, 2013.37–.42, .55–.59 48 c urato ri al Mud Man, Mud Wedding, 1970 Captain Garbage, Mud Wedding, 1970 Heather & C.C. Wilcoxen, unidentified woman and Danny Joe Crumb, 1969 Blue heron and houseboats, 1970 Jean Varda and two dancers on his houseboat, 1970 Houseboats, 1970 Wayne with his parrot, 1970 Madonna and Mt. Tamalpais, 1970 Mother and child, 1969 Iasso’s torso, 1970 The Owl, San Rafael, and Madonna viewed from the hill, 1970 Leslie Dee Sirota and Jac Campbell with three friends, 1970 from the series Gate Five (12) Gelatin silver prints (selenium toned) Various sizes Gift of Pirkle Jones Foundation, 2013.43–.54 JEAN-PIERRE KHAZEM (French, born 1968) Volume 2, 2000 Chromogenic development print (transverse mounted on aluminum) 19 1/2 x 27 3/4 in. (49.5 x 70.5 cm) Gift of Rita Krauss Fine Art, New York, 2012.247 JOANNE LEONARD (American, born 1940) In My Mother’s Garden, 1991 Mixed media collage 8 1/4 x 11 in. (21 x 27.9 cm) Purchase, Norton Acquisition Fund, 2012.110 Breaking Wave, Golden Gate, San Francisco, 1952, printed 1968 Log and Golden Gate Bridge, San Francisco, 1952, printed 1968 View of San Francisco in the Rain, 1952, printed 1968 Woman with umbrella, San Francisco, 1955, printed 1968 Sunset District and Pacific Ocean, San Francisco, 1951, printed 1968 Figures in the Rain, San Francisco, 1955, printed 1968 Worker, Saratoga, California [from The Story of A Winery, Paul Masson, No. 19 in the series], 1958, printed 1968 Grape Picker, Berryessa Valley, California, 1956, printed 1968 Oak Tree and Rock, Black Hawk Ranch, California, 1954, printed 1968 Cowboy, Arizona, 1957, printed 1968 Landscape, Jackson, CA, 1948, printed 1968 Garden Detail, San Francisco, 1947, printed 1968 from Portfolio II (12) Gelatin silver prints (selenium toned), ed. 34 of 110 Each 11 x 14 in. (27.9 x 35.6 cm) Gift of Pirkle Jones Foundation, 2013.60–.71 ANNIE LEIBOVITZ (American, born 1949) Mikhail Baryshnikov and Mark Morris, New York City, 1988 Cindy Sherman, New York City, 1992 The Reverend Al Sharpton, PrimaDonna Beauty Care Center, Brooklyn, New York, 1988 Leonardo DiCaprio, Tejon Ranch, Lebec, California, 1997 Jerzy Kosinski, New York City, 1982 Keith Richards, New York City, 1980 Mick Jagger, New York City, 1980 Tom Wolfe, New York City, 1980 John Irving, New York City, 1982 Dennis Hopper and Christopher Walken, Chateau Marmont, West Hollywood, California, 1995 Brad Pitt, Las Vegas, Nevada, 1994 Agnes Martin, Taos, New Mexico, 1999 Lucinda Williams, Austin, Texas, 2001 Tom Cruise, Los Angeles, 2000 Richard Avedon with His 8x10 Sinar Camera, New York City, 2001 Yoko Ono, New York City, 1981 Hunter S. Thompson, Dulles International Airport, Virginia, 1972 Eileen Collins, Johnson Space Center, Houston, Texas, 1999 Todd Haynes and Julianne Moore, Los Angeles, 2003 Susan McNamara, Las Vegas, Nevada, 1995 Merce Cunningham, New York City, 1994 Frances McDormand, New York City, 1996 (22) Archival pigment prints Various sizes Purchase, acquired through the generosity of Muriel and Ralph Saltzman, 2012.113, .115–.124, .126, .127, .129, .130a–b, .131, .133, .139, .143, .145a–b, .147, .150 Matthew Barney, Hotel New York, Rotterdam, 1995 John Belushi, Staten Island, New York, 1981 Patti Smith, New York City, 1996 American Soldiers and Mary, Queen of the Negritos, Clark Air Base, The Philippines, 1968 Jack Pierson, New York City, 1994 Supreme Court Justices Ruth Bader Ginsburg and Sandra Day O’Connor, Washington D.C., 1997 Lil’ Kim, New York City, 1999 Othar Turner, Como, Mississippi, 2000 Ron Kovic, Santa Monica, California, 1973 R2-D2, Pinewood Studios, London, 2000 William S. Burroughs, Lawrence, Kansas, 1995 Tennessee Williams, Key West, Florida, 1974 Sean Combs with His Sons, Justin and Christian, Bridgehampton, New York, 1998 Allen Ginsberg, New York City, 1995 Spike Lee, New York City, 1988 (15) Archival pigment prints Various sizes Purchase, Norton Acquisition Fund, 2012.125, .132, .134–.138, .140–.142 .144a-b, .146, .148, .149, .151 DENNIS LETBETTER (American, born 1954) Spranger Barry as Macbeth, 1752, 1983 Henry Irving as Mephistopheles, 1885, 1983 Charles Kean as King Lear, 1858, 1983 (3) Gelatin silver prints Each 10 x 8 in. (25.4 x 20.3 cm) Gift of Dennis Letbetter, 2012.110–.112 WAYNE R. LAZORIK (American, born 1939) Untitled, 1977 Gelatin silver print 36 x 36 in. (91.4 x 91.4 cm) Gift of the Joseph Bellows Gallery, La Jolla, CA, 2012.253 David Byrne, Los Angeles, 1986 Andy Warhol, New York City, 1976 (2) Archival pigment prints Various sizes Gift of the artist, 2012.114, .128 RONALD LUSK (American, born 1961) Untitled, circa 2006 Untitled, circa 2006 (2) Silver dye bleach (Fujichrome) prints Each 12 x 8 in. (30.5 x 20.3 cm) Gift of the Robert A. Lewis Collection, 2012.162, .163 50 curato ri al ELAINE LUSTIG-COHEN (American, born 1927) Espana, Confirm By Telegram, Cortina, 1994–1996 (3) Mixed media collages Various sizes, largest 9 1/4 x 7 1/4 in. (23.5 x 18.4 cm) Purchase, R.H. Norton Trust, 2013.105–.107 DEBORAH MESA-PELLY (Cuban, active United States, born 1968) Cabin, 1999 Slide, 1998 (2) Chromogenic development prints Each 29 x 36 3/4 in. (73.7 x 93.3 cm) Gift of Rita Krauss Fine Art, New York, 2012.248, .249 CHRISTOPHER MORRIS (American, born 1958) Presidential Palace, Grozny, 1995, printed 2012 RPG Blow Back, Grozny, 1995, printed 2012 Tank Attack, Chechnya, 1995, printed 2012 RPG Launch, Chechnya, 1995, printed 2012 Street Fighters, Chechnya, 1995, printed 2012 Palace View, Chechnya, 1995, printed 2012 Street Boy, Chechnya, 1995, printed 2012 Bunker Fighter, Chechnya, 1995, printed 2012 Field Agent, Wells, Maine, 2004 Blue Eye Agent, Tampa, Florida, 2004 Garage Agent, Washington, DC, 2004 Tree Agent, Nampa, Idaho, 2005 Curtain Man, 2004 Park Agent, 2004 Warehouse Agent, 2004 (15) Gelatin silver prints Various sizes Gift of the artist, 2012.198–.212 WANGECHI MUTU (Kenyan, active United States, born 1972) Crown, 2006 Photocollage and mixed media on Mylar 37 3/4 x 22 1/8 in. (95.9 x 56.2 cm) Gift of Rita Krauss Fine Art, New York, 2012.251 EADWEARD J. MUYBRIDGE (English, active United States, 1830–1904) Man Jumping, Pole Vaulting, 1884–1886 Man, Shot Putting, 1884–1886 Man, Pitching, 1884–1886 Woman, Walking, Dressing, 1884–1886 from Animal Locomotion, 1887 (4) Collotypes Various sizes Gift of the Robert A. Lewis Collection, 2012.164–.167 ALICE O’MALLEY (American, born 1962) Nicole Eisenman, NYC, 2000, printed 2008 Gelatin silver print 22 3/4 x 17 3/4 in. (57.8 x 45.1 cm) Gift of the Robert A. Lewis Collection, 2012.168 JANE L. O’NEAL (American, born 1945) Evergreen Elm, 2006, printed 2012 Plastic-Wrapped Pepper, 2008, printed 2012 Dead Apple Cactus Flower, 2008, printed 2012 (3) Archival inkjet prints Various sizes Gift of the artist, 2012.235–237 OLIVIA PARKER (American, born 1941) On the Wall, 1983 At Some Distance, 1984 (2) Gelatin silver prints Various sizes Gift of the artist, 2012.105, .106 HOLLY ROBERTS (American, born 1951) Crow with No Arms, 1990 Man Holding His Own Hand, 1991 Snake Truck, 2007 Women on Fire, 1989 (4) Gelatin silver prints with oil paint on various substrates Various sizes Purchase, R.H. Norton Trust, 2013.5–.8 ANALIA SABAN (American, born Argentina, 1980) Folded Horizon, 2012 Gelatin silver print on resin-coated paper 16 x 20 in. (40.6 x 50.8 cm) Purchase, acquired through the generosity of the Young Friends and the Photography Committee of the Norton Museum of Art, 2013.2 Grid, 2012 Gelatin silver print on resin-coated paper 10 x 8 in. (25.4 x 20.3 cm) Purchase, acquired through the generosity of the Young Friends of the Norton Museum of Art, 2013.3 SUSUMU SAKAGUCHI (American, born Japan, 1944) Untitled, 1975 Painting on paper 24 1/2 x 20 1/2 x 1 1/2 in. (62.2 x 52.1 x 3.8 cm) Gift of Joan and Charles Lazarus, 2012.96 DAVID SCHEINBAUM (American, born 1951) Planet Asia, Sunshine Theatre, Albuquerque, New Mexico, 2001 Mos Def, Short List, Los Angeles, California, 2002, printed 2003 Yelawolf, Sunshine Theatre, Albuquerque, New Mexico, 2010 (3) Gelatin silver prints Various sizes Gift of Scheinbaum & Russek, Ltd., Sante Fe, NM, 2012.192–.194 Launchpad, Albuquerque, NM, 2009 Erykah Badu, Sunshine Theatre, Albuquerque, NM, 1/20/2003, 2003 (2) Gelatin silver prints Various sizes Purchase, R.H. Norton Trust, 2013.15, .16 SARAH SCHORR (American, born 1977) Fritzie’s Eyelashes, 2007 Chromogenic development print 23 x 19 in. (58.4 x 48.3 cm) Gift of the Robert A. Lewis Collection, 2012.169 5 2 c urato ri al CINDY SHERMAN (American, born 1954) Untitled (Mother), 2002, printed 2004 Chromogenic development print 29 1/16 x 20 in. (73.8 x 50.8 cm) Gift of Rita Krauss Fine Art, New York, 2012.252 NOELLE K. TAN (Filipino, active in the United States, born 1969) Drawing IX, 2003-2005 Drawing XVI, 2003-2005 (2) Silver gelatin prints Various sizes Gift of the artist and Civilian Art Projects, Washington, DC, 2013.29–.30 ROBERT VON STERNBERG (American, born 1939) Silvas Oil Company, Ventura, California, 2012 Arlanda Airport, Stockholm, 2011 Bastian Point, Mallacoota, Australia, 2010 (3) Archival pigment (Epson K3) prints Each 11 5/8 x 17 1/2 in. (29.5 x 44.5 cm) Gift of the artist, 2012.195–.197 DEBORAH WILLIS (American, born 1948) Christmas, 1995 Mixed media 69 x 42 in. (175.3 x 106.7 cm) Purchase, R.H. Norton Trust, 2013.104 Untitled #12, 2001-2002 Silver gelatin print Purchase, R.H. Norton Trust, 2013.31 RENA SMALL (American, born 1954) Sam Francis, 1989 Lloyd Hamrol, 1985 Margaret Smith Francis and Augustus Francis, 1989 (3) Gelatin silver prints Various sizes Gift of the artist, 2012.189–.191 DOUG STARN (American, born 1961) MIKE STARN (American, born 1961) Yellow Hands, 1982, printed 1987 (6) Gelatin silver prints Overall 60 x 36 in. (152.4 x 91.4 cm) Gift of Rita Krauss Fine Art, New York, 2012.184a-f DIANE TANI (American, born 1965) Communiqué, 1989 Chromogenic development print 15 1/2 x 19 1/2 in. (39.37 x 49.5 cm) Purchase, R.H. Norton Trust, 2013.111 ROBERT WARNER (American, born 1956) Sleeping with Scissors: A production in Seven Acts, Act 2 Scene 2 Sleeping with Scissors: A production in Seven Acts, Act 7 Scene 5 Sleeping with Scissors: A production in Seven Acts, Act 5 Scene 2 Sleeping with Scissors: A production in Seven Acts, Act 6 Scene 2 Sleeping with Scissors: A production in Seven Acts, Act 5 Scene 1 Sleeping with Scissors: A production in Seven Acts, Act 1 Scene 3 Sleeping with Scissors: A production in Seven Acts, Act 5 Scene 7 Sleeping with Scissors: A production in Seven Acts, Act 5 Scene 3 (8) Collage on cabinet card portraits Each 6 1/2 x 4 1/2 in. (16.5 x 11.4 cm) Gift of Rita Krauss Fine Art, New York, 2012.175–.182 BURK UZZLE (American, born 1938) Red Hamburgers, California, 2006 Chromogenic development print 18 7/8 x 23 3/4 in. (47.9 x 60.3 cm) Gift of the Robert A. Lewis Collection, 2012.170 T.J. WILCOX (American, born 1965) Tragedy (Sissi at the Great Gallery IV), 2007 Archival pigment print on watercolor paper with watercolor and collage 59 1/2 x 62 3/4 in. (151.1 x 159.4 cm) Gift of Rita Krauss Fine Art, New York, 2012.183 LINDA WOLF (American, born 1950) Untitled, 1980 Gelatin silver print 7 1/4 x 17 15/16 in. (18.4 x 45.6 cm) Gift of the artist, 2012.107 5 4 c urato ri al Objects Loaned to Other Institutions g eo rg e b e l lows, Winter Afternoon, 1909 to George Bellows National Gallery of Art, Washington, DC: June 10, 2012 – Oct. 8, 2012 Metropolitan Museum of Art, New York, NY: Nov. 15, 2012 – Feb. 18, 2013 g eo rg es b r aq ue , Still Life with Guitar I (Red Tablecloth), 1936 to Georges Braque and the Cubist Still Life: 1928-1945 Mildred Lane Kemper Art Museum, St. Louis, MO: Jan. 25 – April 21, 2013 The Phillips Collection, Washington, DC: June 8 – Sept. 15, 2013 m a rc ch ag a l l , Anniversary Flowers, 1947 to Chagall: Love, War, and Exile The Jewish Museum, New York, NY: Sept. 15, 2013 – Feb. 2, 2014 m a n i e r r e dawson , Wharf Under Mountains, 1913 to The New Spirit: American Art in the Armory Show, 1913 Montclair Art Museum, Montclair, NJ: Feb. 17 – June 16, 2013 lyn n e g o lo b g elfm an , Untitled, 1974 jo h n h e r s ey, Mingus Doors, from Water Wall series, 1982 two-year loan to 4th District Court of Appeals, West Palm Beach, FL: June 30, 2013 – June 30, 2015 k e i t h h a r i n g , Untitled, 1982 j u l i a n s ch n a be l, A Boy from Naples, 1985 j u l i a n s ch n a be l, Prison Rodeo, 1985 to ReFocus: Art of the 1980s Museum of Contemporary Art Jacksonville, Jacksonville, FL: Sept. 15, 2012 – Jan. 6, 2013 l ew i s h i n e , Steamfitter, 1920, printed 1996 pau l st r a n d , Wall Street, 1915 to The Radical Camera: New York’s Photo League, 1936-1951 Contemporary Jewish Museum, San Francisco, CA: Oct. 11, 2012 – Jan. 21, 2013 Norton Museum of Art, West Palm Beach, FL: March 15 – June 16, 2013 he nri m atis s e , The Two Rays, 1920 to Matisse: In Search of True Painting Centre Pompidou, Musée National d’Art Moderne, Paris, France: March 7 – July 8, 2012 Statens Museum for Kunst, Copenhagen, Denmark: July 14 – Oct. 28, 2012 Metropolitan Museum of Art, New York, NY: Dec. 4, 2012 – March 17, 2013 g eorg ia o’ke e ffe , Ranchos Church No. 1, 1929 to Georgia O’Keeffe in New Mexico: Architecture, Katsinam and the Land Montclair Art Museum, Montclair, NJ: Sept. 28, 2012 – Jan. 13, 2013 Denver Art Museum, Denver, CO: Feb. 10 – April 28, 2013 Georgia O’Keeffe Museum, Santa Fe, NM: May 17 – Sept. 8, 2013 Heard Museum, Phoenix, AZ: Sept. 28, 2013 – March 3, 2014 charl es s e l ig e r, Hidden Skeleton, 1945 to Seeing the World Within: Charles Seliger in the 1940s Mint Museum of Art, Charlotte, NC: Feb. 11, 2011 – April 29, 2012 Peggy Guggenheim Collection, Venice, Italy: June 9 – Sept. 16, 2012 Munson Williams Proctor Arts Institute, Utica, NY: Oct. 20, 2012 – Jan. 20, 2013 m ary s ib and e , …of Prosperity, 2011 to Mary Sibande, Artist in Residence Penny W. Stamps School of Art & Design, Ann Arbor, MI: Sept. 1 – Oct. 11, 2013 he nry os s awa tanne r, The Seine — Evening, circa 1900 to Henry O. Tanner: The Modern Spirit Pennsylvania Academy of the Fine Arts, Philadelphia, PA: Nov. 27, 2011 – April 15, 2012 High Museum of Art, Atlanta, GA: June 2 – Sept. 2, 2012 Museum of Fine Arts, Houston, TX: Oct. 14, 2012 – June 6, 2013 m ax w e b e r, Alone, 1926 to Models and Muses: Max Weber and the Figure Philbrook Museum of Art, Tulsa, OK: Nov. 4, 2012 – Feb. 3, 2013 5 6 j uly 2013 A family enjoys “Detail Detective” Just for Kids! gallery cards in the European galleries. © lila photo education The Norton Museum of Art hosted fascinating guest speakers in 2012–2013. Artists Sylvia Plimack Mangold, Faith Ringgold, Shahzia Sikander, and Rob Wynne introduced audiences to their work and ways of thinking. Wynne’s and Mangold’s programs were videotaped for display in the galleries. Chinese painting master Li Huayi demonstrated his art by unrolling mulberry paper on the Theater floor and painting a landscape before a rapt audience. To help public schools overcome a major hurdle in scheduling field trips, the Norton funded busing for Title-1 school students to the Museum. Thanks to generous support, the Museum hosted thousands of children for educational tours last spring after Palm Beach County School District funding for transportation was exhausted. The Museum will continue to ensure that as many students as possible have first-hand experiences with art. New partnerships with Forest Hill Community High School and Palm Beach Day Academy developed integrated lessons with teachers at both ends of the k–12 spectrum, linking the visual arts to themes in Advanced Placement English Composition and kindergarten learning. With support from Muriel and Ralph Saltzman, the Forest Hill Museum as a Classroom program culminated in student presentations on Norton artworks, while the kindergarten program resulted in a mural and school assembly. The Norton’s Progressive Afterschool Art Community Education (PACE) program continued to support young people year round in underserved areas of the community. In a special workshop at the Salvation Army Aftercare program in West Palm Beach, students created a community garden. The results, including plantings, paths, and student sculptures, received great support from the neighborhood. PACE instructors also hosted student exhibitions at six sites, including the Boys and Girls Club and the Police Athletic League. Art After Dark, the Museum’s Thursday night program, attracted large audiences all year. Live music filled the Atrium and Theater, docent-led tours and Curators’ Conversations drew standing-room-only audiences, and Free Thursdays for Florida Residents introduced new visitors to the Museum all summer. Thanks to the West Palm Beach Chapter of The Links, Inc., the community reception for the opening of Say it Loud: Art by African and African-American Artists in the Collection attracted more than 600 guests; a Block Party featuring artist Dan Parker drew more than 1,000 visitors. Long-standing programs were revitalized. The Summer Camp program hosted more than 1,350 children from around Palm Beach County. They visited Block by Block: Inventing Amazing Architecture, learning about skyscrapers and engineering through simple hands-on projects. The Summer Intern program served four college students whose professionalism and commitment ensured their success in the program. A Closer Look talks integrated gallery discussions of great artworks with power-point presentations that placed them in historical context. In conjunction with Legacy: The Emily Fisher Landau Collection, a subscription-based class titled Contemporary Art 101 introduced participants to contemporary art through conversations with curators, collectors, and art dealers. Glenn Tomlinson w illiam randolp h hearst c urator of educ ation 5 8 e ducati o n Adult Learning exhibition lectur e s e r ies More than 1,250 members and visitors heard exhibition lectures on topics ranging from the Buddhist cave temples of China to first-hand accounts of life in London during the Blitz, participation in the Photo League, as well as the thoughts of contemporary artists on their art. Speakers included Rob Wynne, Donald Albrecht, Sylvia Plimack Mangold, Barry Day (O.B.E.), Faith Ringgold, Li Huayi, Lidu Yi, Linda Komaroff, Shahzia Sikander, and members of the Photo League Sonia Handelman-Meyer, Marvin Newman, and Ida Wyman. a rtsp ea ks m arion sim s w y eth: an arc hitecture tour With more than 430 subscribers, the 2013 ArtSpeaks luncheon/lecture series drew enthusiastic responses for each of the five authors of recent books on art and design. Speakers included Carol Troyen, Kristin and Roger Servison Curator Emerita of American Paintings at the Museum of Fine Arts, Boston, who spoke about the revival of interest in American realist George Bellows; and Tom Mellins, independent curator, who engaged audiences in a wonderful tour of Doris Duke’s Shangri La, its design, rooms, and gardens. Proceeds from ArtSpeaks support museum programs for children. This event celebrated the architect who designed Doris Duke’s Shangri La, as well as so many memorable buildings in Palm Beach. Dr. Jane Day, president of Research Atlantica, Inc., led this limitedenrollment tour, beginning with an introductory talk at the Museum and followed by a bus tour with visits to several homes and sites. b r i t i sh f i l ms w i t h scot t eyma n In addition to regular programming at Art After Dark, Curators’ Conversations were a popular draw, providing visitors with a chance to speak directly with curators who shape our exhibitions and collections. The sessions were so popular during the Masterpiece of the Month program (May through October), that each curator offered two presentations per night. Author, scholar, and Palm Beach Post Books Editor Scott Eyman returned for a third-annual exhibition-related film series. This year’s program addressed British films in relation to the special exhibition Keep Calm and Carry On. Eyman introduced films such as In Which We Serve (1942) and Hope and Glory (1987), and followed each screening with an insightful commentary. a c lose r look con t emp o r a ry a rt 1 01 This new program replaced the long-running Treasure of the Month, offering members and visitors the opportunity to discuss a single artwork in the galleries with Education staff, and then adjourn to the Theater for a contextual presentation on the selected work. More than 400 participants engaged in these dialogues regarding works ranging from Teresita Fernandez’s Nocturnal to Lorenzo Lotto’s St. Onuphrius in Egypt. This limited-enrollment subscription series offered 50 members and visitors the opportunity to explore issues in contemporary art from multiple viewpoints. Each program included a staff-led discussion in the galleries, as well as a visit with community members intimately involved with the art world, including collector Jerry Fine, art dealers Sarah Gavlak and Holden Luntz, and William and Sarah Ross Soter Curator of Photography Tim B. Wride. c u rators’ conve r s at io n s this program is generously underwritten in part by the maurer family fund for arts education. this program has been generously underwritten in part by the doris duke foundation for islamic art. m usic at the norton More than 600 music fans enjoyed concerts ranging from a Latin American guitar repertoire to flute and piano duets. In addition to the Live! At the Norton concert series, this year’s musical offerings included two special programs hosted in conjunction with the Palm Beach Symphony on Thursday nights, featuring a marvelous harp, flute, and viola trio, as well as the dynamic piano duo Anderson & Roe. p ublic , college, and adult group tours Docent-led tours are at the core of the Museum’s educational mission, reaching more than 10,000 adult visitors each year. Privately scheduled group tours attracted many to the special exhibitions and the Museum Collection this year, and these groups often booked lunches and stayed throughout the day. College professors also scheduled tours for their students on subjects from art history to engineering. ArtVentures tours at 2 pm offered the public a conversational look at major artworks in the Museum. Lunchtime Lecture Tours at 12:30 pm provided a 30-minute tour format during the season. Art After Dark tours at 5:30 pm and 6:30 pm were so popular that two docents were required for each one. Special Exhibition Tours during the height of the season guided visitors through major exhibitions, while French Language Tours, offered in conjunction with the Multilingual Language & Cultural Society, were a popular addition on the second Saturday of the month, November through April. digital m edia in the galleries In 2012–2013, the Norton produced two original videos for display in the Museum to enrich visitors’ experiences of Rob Wynne’s lobby installation piece and Sylvia Plimack Mangold’s exhibition of landscapes and trees. These videos featured excerpts from the artists’ appearances at the Museum in conjunction with their exhibitions. Curatorial and design staff produced popular iPad programs for numerous installations, including Middle East and Middle Kingdom and Block by Block: Inventing Amazing Architecture. Between March 21 and Sept. 26, 2013, 1,920 visitors made more than 4,300 cell phone tour calls in the Doris Duke’s Shangri La and Architecture in Detail exhibitions. 60 e ducati o n Art After Dark Thursday Evenings Since extending hours every Thursday evening to 9 pm in early 2011, the Museum has attracted a diverse audience to a varied menu of cultural programs. Live music by an eclectic range of musicians and bands set the tone for a lively evening every week at Art After Dark. Artists’ talks and gallery tours by curators and docents provided fascinating insights into the history and context of artworks on view. Fratelli Lyon offered wine tastings and a growing variety of culinary events, as well as a terrific menu in the café. Films, DIY art projects, and many other activities made Art After Dark the place “where culture and entertainment meet.” A few special evenings included: novembe r 8: A tribute to World War II veterans in conjunction with Keep Calm and Carry On. dec ember 27 : The opening celebration of Say it Loud: Art by African and African-American Artists in the Collection, attended by more than 600 guests, with the support of the West Palm Beach Chapter of The Links, Inc. j u ly 11: A Curator’s Conversation about Dorothea Lange’s iconic photograph Migrant Mother, Nipomo California, DIY art projects related to architecture, and Chrystal Hartigan’s Songwriter’s Showcase were among the programs that drew more than 800 visitors. au g u st 8: Family Block Party attended by more than 1,000 visitors, featuring workshops by artist Dan Parker, creator of the skyscrapers in Block by Block: Inventing Amazing Architecture. © lila photo this program is made possible in part through the generosity of the addison hines charitable trust. media support provided by the palm beach post and pbpulse.com. june 0132 july 2201 Visitors dancelocal to One of many the music during musicians who the Summer Soulstice’s performed this year at silent disco Art After Dark. 62 e ducati o n Family Programs family stu dio Children and their parents participate in thematic gallery talks and create their own related artworks at Family Studio one Saturday each month. Up to 25 children, ages 5 to 12, learned about diverse artists and artforms — and express their own creativity — at each session. A materials fee covered the cost of art supplies for each student. Between October 2012 and August 2013, 229 children participated. family programs are generously underwritten by the sarah vierck mettler family fund, the andrea and charles bronfman fund for families, and the samuel rosenthal endowment for education and outreach programs. diy art projects On the first Saturday of every month through May 2013, and several Thursday nights throughout the summer, the Education Department hosted DIY Art Projects in which children and their families could take a self-guided tour and create hands-on art projects related to special exhibitions and featured works in the Museum Collection. DIY Art Projects proved particularly successful at Art After Dark during the summer, when family participation is especially high. j u st for k ids! g alle ry a rt ca r ds This past summer, the Education Department introduced Gallery Art Cards in three galleries and labels for children in a fourth gallery. The Art Cards featured questions and games to engage children with older family members in looking closely and exploring their own responses to artworks on view. Cards in the Delacorte Gallery, the Chinese Galleries, and the Kohl Gallery proved to be particularly engaging. this program is generously underwritten in part by the mr. and mrs. lewis schott endowment for education. fa mi ly days On Nov. 3, 2012, the Museum collaborated with the Palm Beach County Library System to host the annual Families Reading Together Kick-Off event with children’s author Bob Raszka. This community event, featuring a reading and discussion by the author of children’s art books, attracted more than 400 visitors. The Holiday Family Festival on Dec. 2, 2012, was a great success, offering more than 900 visitors an array of programs, including holiday music, dance performances by marvelous community groups, a magic show, face painting, a Museum Collection treasure hunt, tours, and a visit by Santa Claus. The eighth-annual Chinese Moon Festival Celebration, held on Sept. 21, 2013, drew more than 500 visitors to Curator’s Conversations and special tours; an Imperial Palace Building workshop with artist Dan Parker; a concert of music from the Qing dynasty by the Ann Yao Trio; and a reception featuring green tea and moon cakes. chinese moon festival is made possible in part through the generosity of john and heidi niblack. l eg o® p l ayro om In conjunction with the special exhibition Block by Block: Inventing Amazing Architecture, curators and educators developed a playroom alongside the exhibition where young “architects” could create their own towering skyscrapers. Throughout the five-month run of the special exhibition, thousands of young (and young at heart) visitors enjoyed this special feature of the exhibition. Community and Outreach Programs pac e ( p rogressiv e aftersc hool art com m unity educ ation) The PACE program — provided free to students and organizations — supported more than 1,000 children and teens at organizations in underserved parts of our community, including the Police Athletic League and West Palm Beach Housing Authority; Gaines Park, West Palm Beach Parks and Recreation Program; the Highridge Family Center; My Choice Community Development; Salvation Army Northwest Community Center; and the PACE Center for Girls. The PACE Program seeks to: • Foster creativity and stimulate critical thinking in a safe, supportive afterschool environment; • Provide art activities that relate to multicultural learning, the Museum Collection, and special exhibitions; • Offer PACE students three visits to the Museum each year for tours and workshops; • Provide PACE participants with opportunities to exhibit their work in their communities; • Employ excellent teaching artists who serve as positive role models for the children. this program is generously underwritten in part by dr. norman* and ruth h. rosenberg, estate of desna goldman, marmot foundation, the berlin foundation, and the christina orr-cahall endowment for community outreach. *deceased sum m er youth c am p tours Summer camp tours of Block by Block: Inventing Amazing Architecture, drew 1,350 students and their counselors to the Museum in June and July. This year, educators expanded the visits to include a hands-on paper architecture project before visiting the exhibition. Tours ended in the lego® Playroom. sum m er intern p rogram For the first time this year, the Summer Intern Program hosted exclusively college students, drawing applicants from across the country. Four successful candidates from colleges and universities in Ohio, Pennsylvania, Massachusetts, and California joined the Museum for seven weeks during which they led summer camp tours, worked with staff on research and administrative projects, and organized an exhibition, Little Boxes: Vernacular Architecture from the Collection. Readings and discussion sessions introduced the interns to the Museum profession. the intern program is generously underwritten in part by dr. norman* and ruth h. rosenberg and the chastain foundation endowment. *deceased m arden gallery p rogram Each year, the Chris and Bernard Marden Community Gallery provides an exhibition venue for hundreds of student artworks from schools whose teachers develop art and photography assignments related to the Museum Collection and exhibitions. The Gallery also serves as the venue for the annual Summer Intern exhibition, a project the interns work on with curatorial staff. p rogram s for audienc es w ith disabilities Since 2005, the Museum has partnered with VSA Palm Beach County to provide tours and hands-on workshops in the fall and spring to teen and adult participants in VSA. This year, the programs included a tour of Doris Duke’s Shangri La and a pattern and design project, as well as a tour called Architecture in Art, followed by a recycled materials architecture project. In addition, the Museum reinitiated a tour program with clients and staff at the Jerome Golden Center for Behavioral Health and at Chrysalis Health. 64 e ducati o n Free Educational Programs for Students and Teachers stu de nt learnin g t h ro u gh s ch o o l to u r s Each year, between 6,000 and 12,000 students visit the Museum for free tours that address works of art in the Collection and special exhibitions, while reinforcing age-appropriate curricular goals related to specific disciplines such as history, writing, math, and the sciences, and broader education initiatives, such as the students’ development of critical-thinking skills and creativity. Tours led between August and May serve pre-k through grade 12 students and are developed in relation to national educational standards for different grade levels. this program has been generously underwritten in part by dr. norman* and ruth h. rosenberg, the palm beach community trust fund, and the william randolph hearst endowment fund for education and outreach programs. *deceased bu sing for title-1 st u de n t to u r s Due to the challenges regarding public school funding, and thanks to generous support, in 2012-2013 the Norton Museum of Art began to cover the cost of busing students from Title-1 schools to the Museum for tours. Palm Beach County Title-1 schools represent about 60 percent of the Museum’s school tour audience per year. The Museum’s funding kicks in when the school district notifies the community that their own field trip resources are depleted. This initiative allowed thousands of children — who otherwise would not have been able to do so — to experience the Museum last spring. t eac her r esou rc e pac kets sp ec ial p roject — the m useum as c lassroom sp ec ial p roject — palm beac h day ac ademy To make the Museum’s Collection and special exhibitions accessible in the classroom, Teacher Resource Packets are available online to all teachers, and specifically to those who book class tours of the Museum. Teacher resources are developed according to specific themes related to classroom learning and national standards, as well as the Museum Collection and special exhibitions. The Museum as Classroom project with Forest Hill Community High School in West Palm Beach began in 2012. This initiative drew upon what educators had learned from the Norton School Partnerships (20042011) and, in close collaboration with principal Mary Stratos, focused on 40 students in two Advanced Placement English Composition classes at the Title-1 school. Through repeated meetings at the Museum and educators’ visits to the classrooms, students were able to select an artist, research their lives and their painting or sculpture in the Collection, select other examples of the artist’s work that they liked, then select a literary work that corresponded with the visual works. At the end of the year, these students presented their research to student colleagues, teachers, and families in power-point presentations at the Museum. As part of the program, the school received computers for student research, and students were provided with memberships to the Museum and met art collectors and program supporters Muriel and Ralph Saltzman. This program is set to expand in 2012–2013. In summer 2011, Palm Beach Day Academy invited the Museum to partner with the Academy’s Lower School to engage kindergarten and elementary school students in learning at the Museum. Throughout the year, the entire kindergarten class visited the Museum several times. They met with docents to learn about art and how Museums are a part of their community. The culmination of the program took place during a school assembly, where students presented two marvelous murals and a skyscraper sculpture based on the Museum’s New York Mural by Stuart Davis. As preparations ensued for a second year of the program, Norton educators led professional development sessions for Palm Beach Day Academy faculty members, as well as teachers and staff from other private schools in the area. p rof essi o n a l d ev elo pmen t for t eac h er s a n d a d mi n i st r ator s The Museum offers free professional development sessions for teachers and administrators throughout the year. In 2012–2013, 187 teachers and administrators took part in meetings and workshops at the Museum, where they learned ways to incorporate the visual arts into classroom teaching. Through hands-on workshops and discussion-based gallery sessions, teachers were encouraged to see the fundamental role the arts can play in engaging students. this program has been generously underwritten in part by dr. norman* and ruth h. rosenberg, the palm beach community trust fund, and the william randolph hearst endowment fund for education and outreach programs. *deceased t eac her a p p r ec i at i o n In September 2013, the Norton also hosted a Teacher Appreciation Night at Art After Dark, and announced that teachers and school administrators with valid professional IDs (pre-K through college) would receive free admission to the Museum every day. For several years, the Museum has hosted meetings for 120 elementary school principals and district administrators, as well as monthly meetings of the Palm Beach County Art Teachers Association, at no charge to the school district. this program is generously underwritten by muriel and ralph saltzman. 66 e ducati o n Cheryl Brutvan, Curator of Contemporary Art, and artist Rob Wynne at a public conversation about his work. © lila photo n ovemb er 2 012 68 e ducati o n Programming Images Tim Wride, William and Sarah Ross Soter Curator of Photography, holds a Curator’s Conversation. © lila photo j uly 2013 70educati o n Hope Alswang leads a discussion with collector Leonard Lauder and Whitney Museum director Adam Weinberg. © lila photo february 2013 72 educati o n Opening celebration of the Salvation Army Aftercare Community Garden, a Norton PACE project. © tom brodigan ja n uary 2013 74 educati o n a p ri l 2013 Docent Carol Ann Khawly conducts a tour for students from Palm Beach Day Academy. 76 may 2013 Trustees visit a private collection in Chicago. courtesy james b. hall board of trustees The addition of five new, energetic, and passionate members to the Board of Directors brought the number of Trustees to 30, giving the Museum one of the strongest Boards it has had in some time. We are thrilled that this group will steer the institution into the future. Two annual offsite Trustee meetings have become wonderful opportunities for Board members to get better acquainted with one another as well as visit other public and private collections, explore first-hand the role that other museums play in their communities, and see artists at work in their studios. This past year, the May Board meeting was held in Chicago, where a number of extraordinary private collectors opened their homes for rare glimpses of remarkable art. Norton Trustees take an active role in planning these trips, helping to ensure that their fellow Board members and their spouses have a truly intimate look at the cultural life of world-class cities, and unique access to the best that these great metropolitan centers have to offer. Thanks to the efforts of Nicki and Ira Harris, this trip was perfect in every way. The Art Institute of Chicago, with its new Modern wing by Renzo Piano, was the site of a private tour led by James Rondeau, the Frances and Thomas Dittmer Chair and Curator of Contemporary Art. The group also learned about the development of Millennium Park and the stunning Frank Gehry-designed Pritzker Pavilion. New Trustee Bruce Gendelman, an accomplished photographer, tirelessly recorded the highlights of this memorable trip. Artist Nick Cave welcomed the Trustees to his magical home and studio to see the creation of his Soundsuits. In October, the Board reconvened, this time in New York, where Trustees were hosted by Gil Maurer and The Hearst Corporation at the stunning new Hearst Tower, designed by Foster + Partners. In addition to a presentation of the most recent plans by Foster + Partners for the Norton, Trustees took advantage of a perfect fall weekend to visit two important public collections: Dia Beacon and the Storm King Art Center. The visit also included a private viewing of the remarkable home and collection of Beth Rudin DeWoody, who shared with the group her approach to collecting, and living with, a dizzying array of art and objects. A dinner at the historic Links Club, hosted by Peter and Barbara Georgescu, honored departing Board Chair Kemp Stickney and recognized the long and dedicated service of Graham Russell, who arranged and managed Trustee travel for many years. James B. Hall dep uty director 78 dec ember 2012 Mary Lou Dauray, Alan Davis, and Paul Gross at the opening of Sylvia Plimack Mangold: Landscape and Trees © lila photo development One measure of a museum’s importance is the strength of the support it receives from its benefactors. By this measure, the Norton’s sponsors have continued to ensure that the institution maintains and expands its role and relevance as an important national and international institution. The generous bequest from Valerie Delacorte provided the Norton with invaluable unrestricted funds for its operations. Corporate backing is increasingly important to promote the Norton’s message, and we are proud to note that BMO Private Bank and Wilmington Trust each contributed sponsorships to two of the Museum’s most significant exhibitions in the past year. PNC Wealth Management and Wells Fargo Private Bank provided programming assistance. Thanks to these institutions and additional corporate partners, support for the Norton increased more than 40 percent over the previous year. Foundation contributions also grew. Major grants from the Leonard and Sophie David Fund/MLDauray Arts Initiative and from the Addison Hines Charitable Trust resulted in a 16 percent increase in foundation grants. Every aspect of the Museum’s programming, from underwriting of exhibitions to support of the Norton’s popular Thursday evening Art After Dark program, was backed by foundation grants. In addition, individual benefactors played a crucial role in supplying the Museum with resources for expanding collections, mounting exhibitions, and furnishing educational and community programming. This essential support from individuals allowed the Norton’s three signature fundraising events to exceed their respective goals. The Annie Leibovitz Exhibition Gala, chaired by Tracy Smith, premiered 39 of the Norton’s newly acquired photographs by the renowned photographer. Guests were treated to a tour of the exhibition by Ms. Leibovitz, who provided commentary on her art. The annual Bal des Arts, led by Lori Gendelman, Nicki Harris, and David Ober, provided an elegant evening of dinner, dancing, and conversation. To the delight of many, BIJOUX!, the contemporary art jewelry exhibition and sale, returned for a second year. Chaired by Donna Schneier, this event included 49 international artists and attracted jewelry enthusiasts from across the country to the Norton. We are grateful for the work of Trustees and Volunteers who made these events outstanding successes. This has been a year of change in the development office. We bid farewell to Graham Russell, who retired after serving the Norton admirably in a variety of capacities for 25 years. I joined the Museum as Deputy Director for Development in March, also assuming responsibility for Membership and Special Events. Plans are already under way to strengthen all these revenue-generating departments to help provide a solid foundation and future for the Norton Museum of Art. Holly Davis dep uty director for dev elopm ent 8 0develo pmen t Development Events Rob Wynne: I Remember Ceramic Castles, Mermaids, and Japanese Bridges Lecture nov em ber 1 , 2 01 2 Dinner celebrating Rob Wynne nov em ber 1 , 2 01 2 Planned Giving Networking Reception nov em ber 1 5 , 2 01 2 Holiday Family Festival dec em ber 2 , 2 01 2 Rudin Prize Award Presentation Lunch dec em ber 4, 2 01 2 Tracy and Matt Smith Nicki Harris Donna Schneier Founder’s Circle trip to Art Basel Miami Beach dec em ber 6 , 2 01 2 Director’s Dinner Art Basel Miami Beach dec em ber 6 , 2 01 2 Cocktails and Dinner celebrating Sylvia Plimack Mangold dec em ber 8, 2 01 2 Cocktails and Dinner celebrating Keep Calm and Carry On dec em ber 1 3 , 2 01 2 Annie Leibovitz Exhibition Gala Bal des Arts The Norton Museum of Art feted iconic photographer Annie Leibovitz, who made a special appearance at a dinner held in her honor at the Museum. The gala evening, chaired by Palm Beacher Tracy Smith, drew more than 250 patrons and special friends of the Museum, who came to view the collection of 39 recently acquired portraits by Leibovitz. The evening began with a VIP champagne reception with the artist, who led a riveted audience through the exhibition with Assistant Director and exhibition Curator Charles Stainback. Leibovitz regaled the crowd with anecdotes about the photographs and her career. The dinner, attended by gala sponsors, was held in the Museum’s grand entry hall, which was transformed into a stylish, intimate dining venue. This year, the Museum hosted an artful adaptation of its Bal des Arts. Attendees were transported to the Palm Beach home of Bridget and Bill Koch for cocktails and a tour of the Kochs’ outstanding art collection. Once back at the Museum, guests sipped champagne as they toured the recently opened Annie Leibovitz exhibition with Assistant Director Charles Stainback. The evening continued with a magnificent dinner and entertainment by the Alex Donner Band. This event exceeded its goals, raising critical funds for the Museum’s collections, exhibitions, and programs. The Bal des Arts Committee included Lori Gendelman, Nicki Harris, and David Ober. f eb r ua ry 2, 201 3 january 16 , 2 013 this event was generously underwritten in part by bm0 private bank. wine provided by chateau montelena winery. BIJOUX! Preview Cocktail Party Say It Loud Opening Reception dec em ber 27, 2 01 2 Windsor Lecture and Afternoon Tea with James Canon Woodward january 1 5 , 2 01 3 w ednesday, february 27, 2 01 3 Members’ Annual Meeting january 1 7, 2 01 3 Open to the Public Cocktails and Dinner celebrating Faith Ringgold january 2 0, 2 01 3 thursday, february 28 – sunday, m arc h 3 , 2 01 3 BIJOUX!, the Norton’s five-day contemporary art jewelry fundraising event, featured the work of 49 jewelry artists from around the world. Attendees were inspired by the incredible variety of jewelry on display, and by the accompanying educational programming. Public tours of the show, a lecture by renowned artist and author Bruce Metcalf, and daily bead-making demonstrations by glass artist Nirit Dekel highlighted the program. Prior to the show’s opening, an exclusive reception was held for participating artists and major sponsors at the home of BIJOUX! Chair Donna Schneier. A preview cocktail party opened BIJOUX! to those who craved a first look at the show, then opened to the public for four days, offering visitors the opportunity to purchase one-of-a-kind, wearable works of art. participation of the israeli artists was underwritten in part by the association of israel’s decorative arts. “Because We Like It” Muriel and Ralph Saltzman Book Signing and Reception january 2 2 , 2 01 3 Founder’s Circle Breakfast and Tour: Annie Leibovitz january 3 0, 2 01 3 Founder’s Circle Miami Day Trip february 4, 2 01 3 Donors of Art Luncheon february 6 , 2 01 3 Palm Beach County Chamber of Commerce Breakfast Featuring guest speaker Hope Alswang february 1 4, 2 01 3 Cocktails and Dinner celebrating Emily Fisher Landau february 1 9 , 2 01 3 Founder’s Circle Preview of LEGACY: The Emily Fisher Landau Collection february 2 1 , 2 01 3 R.H. Norton Society Appreciation Luncheon m arc h 6 , 2 01 3 New Ideas about Old Masters Lecture and Dinner m arc h 6 , 2 01 3 Diana Society Trustee Luncheon m arc h 1 1 , 2 01 3 Donor Education Seminar m arc h 1 3 , 2 01 3 Cocktails and Dinner celebrating The Radical Camera m arc h 1 4, 2 01 3 Cocktails and Dinner celebrating Doris Duke’s Shangri La m arc h 2 1 , 2 01 3 Architecture Tour: Marion Sims Wyeth ap ril 3 , 2 01 3 8 2develo pmen t Exhibition and Gala Sponsors and Supporters enjoy the Annie Leibovitz Gala. © lila photo january 2013 8 4 develo pmen t Guests atsupporters the annual at Museum Bal ArtsArts. fundraiser. the des Bal des © lila photo fe bruary 2012 2013 8 6 develo pmen t © lila photo Museum Committees To help the Norton fulfill its mission, the Museum has a number of valuable committees comprised of Trustees, docents, staff, and volunteers experienced in their fields. The Works of Art Committee (WOAC) is one of the most prestigious on which to serve because of its paramount responsibility — acquiring artwork for the Collection. “The Committee is charged with the stewardship of the Norton’s most important asset — its art Collection — now and in the future,” explains WOAC Chair Gil Maurer. “Our primary charge is to adopt and pursue policies and objectives that assure the Collection is as relevant and significant in 2050 and 2075 as it is today.” The Committee, which relies heavily on the recommendations of Norton curators, is also responsible for reviewing loan requests from other museums. While WOAC works diligently to enhance the Collection by acquiring iconic pieces from the past, it is eager to acquire the work of living artists who may become art world icons of the 21st century. To serve on the committee, which meets four times during the season, one must be invited, and, says Maurer, meet three criteria: “Have a love of art, a curious eye, and a spirit of generosity.” The Contemporary and Modern Art Council, Friends of Chinese Art, and Photography Committee are auxiliaries of the Works of Art Committee. con t emp o r a ry a n d mod er n a rt cou n c i l The Contemporary and Modern Art Council (CMAC) of the Norton Museum of Art advances the Museum’s efforts to build and maintain a collection of contemporary art and sustain programs, projects, and related activities originated by, or in support of, the Curator of Contemporary Art. f r i en ds o f c h i n ese a rt The Friends of Chinese Art (FoCA) of the Norton Museum of Art exists to advance the Museum’s efforts to build and maintain a collection of Chinese art and to sustain programs, projects, and related activities originated by, or in support of, the Elizabeth B. McGraw Curator of Chinese Art. p hotog r a p hy co mmi t t ee The Photography Committee of the Norton Museum of Art exists to support the Museum’s efforts to build and maintain a world-class photography collection and sustain other programs, projects, and activities of the William and Sarah Ross Soter Curator of Photography. It is assumed that the Photography Committee, as advised by the curator of photography, will use up to 50 percent of its members’ dues to acquire photographs for the Collection. 2 01 2 /2 01 3 works of art com m ittee 2 01 2 /2 01 3 contem p orary and m odern art counc il Gilbert C. Maurer, Chair Dale Anderson Richard Barovick Ruth Baum Bruce A. Beal Tony Beyer Diane Bodman Jane C. Carroll Mary Ann Casey Beth Rudin DeWoody Sherry Endelson Gerald S. Fineberg Damaris Ford Pamela Goergen Nicki Harris William Kerr Jane Korman Carlos Morrison John F. Niblack Joanne Payson Joey Pearson John Richman Mitchell Rubenstein Ralph Saltzman Anne Berkley Smith Kemp C. Stickney Marlene B. Strauss Ruth Baum, Co-Chair Irene Karp, Co-Chair Mr. and Mrs. Richard Barovick Mr. and Mrs. Theodore Baum Mr. Bruce A. Beal and Mr. Frank Cunningham Mr. and Mrs. Larry Beyer Mrs. Margaret Bilotti Mr. and Mrs. Kenneth Endelson Ms. Laura Evans Mr. and Mrs. Milton Fine Mr. and Mrs. Gerald Fineberg Mr. and Mrs. Robert B. Goergen Mr. and Mrs. Richard Greenfield Mr. and Mrs. J. Ira Harris Mr. and Mrs. James Karp Mr. and Mrs. Stanley Katz Mr. and Mrs. Gilbert Kinney Mr. and Mrs. Leonard Korman Mr. and Mrs. Charles Lazarus Mr. and Mrs. Arthur Martinez Mr. and Mrs. Gilbert C. Maurer Mrs. Sydelle Meyer Mr. Burt Minkoff Mrs. Lyn Ross Mr. Mitchell Rubenstein and Ms. Laurie Silvers Mr. and Mrs. Allen Safir Mr. and Mrs. Ralph Saltzman Mr. and Mrs. Frederic Sharf Mr. and Mrs. Jerome Stern 8 8 develo pmen t © lila photo 2 012 / 2 013 frie nds o f ch in es e a rt 201 2 / 201 3 p hoto commi t t ee adult p rogram s com m ittee Mr. and Mrs. Doug Anderson Mr. and Mrs. E. William Aylward Mr. and Mrs. Willard Boothby Mrs. Jane C. Carroll Mr. Loyd F. Crawley Mr. and Mrs. Richard Davison Mr. and Mrs. Marvin Dicker Mr. and Mrs. Ted Dorf Mr. and Mrs. John Galiardo Mrs. William M. Guttman Mrs. Doris C. Hodroff Mrs. Vickie Johnston Mr. and Mrs. William Kerr Mr. and Mrs. Jay Light Mr. and Mrs. Gilbert C. Maurer Mr. and Mrs. Peter D. McLeod Mr. and Mrs. John McNiff Mr. and Mrs. John F. Niblack Mr. and Mrs. Wilson Nolen Mrs. Andrall Pearson Mr. and Mrs. Anthony Scullion Drs. Ayten and Tuncer Someren Joan Lazarus, Co-Chair Jan Robinson Willinger, Co-Chair Dale Anderson Tony Beyer Joan Daniels Beth Rudin DeWoody Nicki Harris Diane Krane Holden Luntz Gilbert C. Maurer Becky Mayer Tommy Morrison Sally Ross Soter Janine Mayville, Chair Doug Anderson Ruth Baum Jane C. Carroll Gayle Gross JoAnn Marcus Jean Sharf Jo-Anne Weingarden Glenn Tomlinson, William Randolph Hearst Curator of Education Kemp Stickney, ex-officio ex ec u t i v e commi t t ee Kemp Stickney, Chair Peter Georgescu Harry Howell Gilbert C. Maurer Janine Mayville John F. Niblack Joey Pearson Mitchell Rubenstein Hope Alswang, Executive Director audit com m ittee Jerry Pearlman, Chair Harry Howell Gilbert C. Maurer Lucy Bukowski, Chief Financial Officer Kemp Stickney, ex-officio building com m ittee Bruce A. Beal, Chair Ruth Baum Jane C. Carroll Peter Georgescu Paul Gross Leonard Korman Gilbert C. Maurer Janine Mayville John F. Niblack Joey Pearson Jean Sharf Hope Alswang, Executive Director Kemp Stickney, ex-officio com m unic ations com m ittee Janine Mayville, Chair Richard Barovick Jay Berkowitz Tony Bonvini Janice Laff Greg Martini Zach Morfogen Scott Benarde, Director of Communications Hilary Greene, Communications Coordinator Hilary Jordan, Senior Graphic Designer Kemp Stickney, ex-officio financ e com m ittee Harry Howell, Chair Diane Bodman Paul Gross Gilbert C. Maurer Jerry Pearlman John Richman Lucy Bukowski, Chief Financial Officer Kemp Stickney, ex-officio gov ernanc e com m ittee Peter Georgescu, Chair Richard Barovick Diane Bodman Jane Korman Mitchell Rubenstein Hope Alswang, Executive Director Kemp Stickney, ex-officio 90 develo pmen t m arc h 2 01 2 Charles Stainback, Assistant Director, leads the Young Friends on a private tour of Tacita Dean. © lila photo i nvestment commit t e e yo u t h, fa mi ly, a n d sc h ool p ro g r a ms co mmi t t ee 2 01 2 /2 01 3 young friends of the norton com m ittee Gilbert C. Maurer, Chair Howard Cox Milton Fine Pam Goergen Harry Howell Henry Kaufman John Richman Dan Stanton Lucy Bukowski, Chief Financial Officer Kemp Stickney, ex-officio R. Reed Daniel, Chair Christine Aylward Linda Boothby Patricia Bush B.J. Goldboro Jane Grandusky Janine Mayville Laura McSherry Susan Mosely Sally Rosanski Ralph Saltzman Mary Stratos Jacqueline Smith Glenn Tomlinson, William Randolph Hearst Curator of Education Kemp Stickney, ex-officio Daniel Kahan, Co-Chair Shanna Kahan, Co-Chair Zachary Appleman Virginia Oatley Bergés Otto Bergés Eve Bucwinski Cherryl Cannon Emily Clifford Jay Clifford Ted Cooney Angela Culveyhouse Damienne De Cristo Alexander Harvey Brandie Herbst Todd Herbst Alexander Ives Katherine Lande Bruce Langmaid Scott Moses Zak Odhwani Charles Poole Dara Ross nominating commit t e e John F. Niblack, Chair Christine Aylward Annie Falk Nicki Harris Gilbert C. Maurer Joey Pearson Mitchell Rubenstein Kemp Stickney, ex-officio pe rsonne l commit t e e Peter Georgescu Gilbert C. Maurer Janine Mayville Joey Pearson Hope Alswang, Executive Director Lucy Bukowski, Chief Financial Officer Jane Wattick, Human Resources Manager Kemp Stickney, ex-officio Young Friends of the Norton The Young Friends of the Norton is a dynamic group of young professionals in their 20s to 40s who seek to promote and advance the appreciation of, and participation in, the visual arts. Each season, the Young Friends of the Norton present exciting events that bring young professionals together. The Young Friends of the Norton enjoyed a successful 2012–2013 season, which began with a kick-off cocktail party at the Museum, featuring a curator-led tour of the inaugural Rudin Prize for Emerging Photographers exhibition. Young Friends raised funds to acquire for the Museum Collection work by Los Angeles-based artist and Rudin Prize recipient Analia Saban. The momentum continued with the Holiday Party, a celebration of Doris Duke-inspired fashion at Gypsy on Palm Beach, a private event at Art Palm Beach, and A Midseason Night’s Dream at Arcature Fine Art. At the Museum, Young Friends enjoyed special, reduced-price tickets to the Annie Leibovitz Exhibition Opening Gala and the annual Bal des Arts, as well as cocktail parties and curator-led tours celebrating the opening of special exhibitions. the young friends 2012–2013 season was generously underwritten in part by applied advertising solutions inc., bulldog marketing, lila photo, palm beach proper, and palm beach young society. 92 communications The media’s heightened interest in the Norton continued in 2012-2013. Hispanic TV station Azteca America (an affiliate of wpec News 12) covered the Museum for the first time. Jupiter magazine and the Boca Observer, among others, gave the Norton more coverage than in previous years. South Florida’s major dailies, The Palm Beach Post, Sun-Sentinel, Miami Herald; weeklies New Times and Florida Weekly; monthly, bi-monthly, and quarterly publications such as BOCA magazine, City & Shore, ArtsPaper, and Art & Culture continued to highlight the Norton on a regular basis. In addition to frequent exhibition coverage, local, regional, and national media devoted substantial space to the 2012 hiring of Deputy Director James Brayton Hall and of Ellen Roberts, Harold and Anne Berkley Smith Curator of American Art. The Museum enjoyed TV exposure on all four Palm Beach County network affiliates — wptv (nbc), wpec (cbs), wpbf (abc), and fox 29 — with coverage of the openings of the Annie Leibovitz and Block by Block: Inventing Amazing Architecture exhibitions, and the annual September closing to prepare for the coming season. Miami Public television station wpbt 2 broadcast an interview with Leibovitz. Miami npr station wlrn (91.3 fm) devoted an entire episode of its weekly Arts Beat program to an interview with Annie Leibovitz recorded at the Museum. Norton staff continued to appear with regularity on the Clear Channel and Palm Beach Broadcasting radio networks’ Sunday public affairs programs (and in psas), discussing special exhibitions, pace outreach programs, and Art After Dark. The Museum also had a hefty presence on social media, with more than 19,000 Twitter followers and more than 7,000 likes on Facebook. Blogs such as Champagne Living and Art Log also paid a lot of attention to the Norton; and the Museum’s website generated an average of 13,000 unique visitors per month. Marketing dollars from the Tourist Development Council also enabled the Museum to get out its message and notify the community of its exciting and innovative programming and exhibitions. New York PR partners Resnicow Schroeder Associates (rsa) helped generate national media attention throughout the year, including widespread coverage of the winner of the inaugural biennial Rudin Prize for Emerging Photographers as well as inclusion of next year’s David Webb: Society’s Jeweler exhibition in a Wall Street Journal article on the trend of museums presenting jewelry and fashion exhibitions. Rsa also generated coverage in national art publications such as Art in America and ARTnews, Art Info, Art Daily, and the London-based The Art Newspaper. This frequent and positive coverage occurred in conjunction with the clearly stated vision of the Museum administration: Be responsive and sensitive to the South Florida community while simultaneously becoming an institution of greater significance in the art world. And it translated into increased awareness, public good will, and attendance. That was especially evident with the Free Thursdays for Florida Residents program during summer 2013, which saw a doubling of attendance compared to most summers of the past 10 years. Scott Benarde director of com m unic ations 94communications radio wlrn 91.3 fm (NPR/Miami) 850 wftl am (Ft. Lauderdale) Palm Beach Broadcasting (wrmf 97.9 fm, wirk 103.1 fm, sunny 107.9 fm, x102.3 fm) Clear Channel Media (wrlx 92.1 fm, wavw 92.7 fm, wldi (wild 95) 95.5 fm, wkgr (The Gater) 98.7 fm, woll 105.5 fm, wbzt 1230 am, wjno 1290 am) loc a l p u b l i c at i o n s Press national pu blic at io n s Antiques and Arts Weekly Architectural Digest Art Basel Magazine Artdaily Art in America Artnet Artnews Blouin ArtInfo DuJour Magazine HuffingtonPost.com Hyperallergic Interior Design GalleristNY.com Go AirTran Inflight Magazine Modern Magazine Museum Magazine New York Times On View Real Clear Arts Sotheby’s Magazine Wall Street Journal i nternational/fo r e ign pu blicat io n s The Art Newspaper (England) Asian Art Newspaper television wpbt 2 (PBS Miami) wptv 5 (NBC) wpec 12 (CBS) wpbf 25 (ABC) wflx 29 (FOX) Azteca America (Latin) Art & Culture of Palm Beach County Art Districts Boca Forum Boca Magazine Boca Observer Boca Tribune Broward-Palm Beach New Times City & Shore Magazine Coastal Star Delray Beach Magazine Fisher Island Magazine Florida Design Florida Weekly Jewish Journal Jupiter Magazine Miami Art Exchange Miami Art Guide The Miami Herald Ocean Drive Orlando Sentinel Palm Beach ArtsPaper Palm Beacher Palm Beach Daily News Palm Beach Illustrated The Palm Beach Post Palm Beach Society The Parklander South Florida Parenting Sun-Sentinel Town-Crier Tropic Magazine The Norton already has a great photography collection. So I’m very proud to be a part of that. — Annie Leibovitz, WPTV Channel 5, jan . 1 7, 2 01 3 The Norton focuses on celebrity photographer Annie Leibovitz’s straight-up portraits, and reveals an underappreciated aspect of her talent. — Scott Eyman, The Palm Beach Post, jan . 3 1 , 2 01 3 Lucian Freud: Paintings and Prints at the Norton Museum of Art is a small exhibition, but it packs more visual firepower than shows many times its size. — John Cappola, The Miami Herald, july 28 , 2 01 3 Through its Masterpiece of the Month series, the Norton has been displaying some striking — though seldom-exhibited — works by renowned artists. — Kingsley Guy, City & Shore, aug . 1 , 2 01 3 96communications December 5, 2012 98communications RESNICOW SCHROEDER April 15, 2013 Norton Museum of Art receives nine important works of art from Palm Beach collectors Online we bsite Average of 13,000 unique visitors per month (October 2012 – September 2013) fac e book Total 7,980 likes (160 percent increase over last year) twitter 20,114 followers (288 percent increase over last year) Richard Diebenkorn (US, 1922-1993), Mission Landscape,1962. Oil on canvas, 14 x 16 1/8 in. Gift of Anne Berkley Smith. WEST PALM BEACH, FL.- The Norton Museum of Art, recognized nationally for its important collection of modern American and European art, recently accessioned into the collection nine significant works of art. These works range from Italian Old Master paintings and paintings by Richard Diebenkorn and Wayne Thiebaud to contemporary works by Jenny Saville and Lynda Benglis. These works add important dimension and depth to the museum’s European art collection and expand the museum’s growing contemporary collection. “The impact of these gifts of art—especially when they are as notable as those recently donated—cannot be overstated,” said Norton Museum of Art director Hope Alswang. “The Museum’s permanent collection has been profoundly enhanced because of the generosity of RESNICOW SCHROEDER December 4, 2012 Analia Saban Wins Norton Museum’s Inaugural Rudin Prize for Emerging Photographers By Benjamin Sutton It’s a big week in the art world, and not only because of Art Basel Miami Beach. After Elizabeth Price was named the 2012 Turner Prize winner yesterday, today West Palm Beach’s Norton Museum of Art announced that Los Angeles-based, Argentina-born artist Analia Saban is the winner of its inaugural Rudin Prize for Emerging Photographers, an award that will be given every two years. Saban was nominated by John Baldessari. “Analia Saban is leading the field in inventive, engaging new work” said the Norton’s photography curator Tim B. Wride. “Her work is characterized by combining photographic imagery with other art forms with stunning results.” The prize comes with a $20,000 purse. The other nominees were: Eunice Adorno and Gabriel Nin Solis, both of whom are based in Mexico City (and were nominated by Susan Meiselas and Graciela Iturbide, respectively); Palermo-based Mauro D’Agati, who was nominated by Michael Rovner; and Bjørn Venø, who is based in London and was nominated by Yinka Shonibare. Through a combination of gifts 1 0 0 The Hearst Corporation Palm Beach County Convention and Visitors Bureau Palm Beach County Cultural Council Palm Beach County Tourist Development Council Mrs. Andrall Pearson Mr. and Mrs. John M. Richman Mr. and Mrs. Ralph Saltzman $2 5 ,000 to $ 9 9 ,9 9 9 thank you Thank You The Norton Museum of Art is an invaluable resource, sharing great art with the residents and visitors of South Florida and preserving that art for generations to come. With its outreach and educational programs and low (sometimes free) price of admission, the Norton welcomes visitors of all ages and backgrounds to explore and engage with its extensive Collection. This is only possible through the generosity of the Norton’s donors, who recognize the vital role that art plays in the well-being of a community. With this in mind, the Norton gratefully acknowledges those who supported the Museum from Oct. 1, 2012 to Sept. 30, 2013. v isionary donors Mr.* and Mrs. Melvin Levine Mr. and Mrs. Gilbert C. Maurer Mr. and Mrs. John F. Niblack Mr. and Mrs. John M. Richman Mr. and Mrs. Ralph Saltzman Mrs. Harold Smith Mr. and Mrs. William J. Soter $2 50,000 to $ 49 9 ,9 9 9 Mr. and Mrs. John F. Niblack $1 00,000 to $2 49 ,9 9 9 A detail of Adam and Eve with the infants Cain and Abel, a gift from Damon Mezzacappa. Mrs. Glenn Bailey Mr. and Mrs. Theodore Baum Mrs. George T. Delacorte* Mr. and Mrs. Alan S. Davis The Leonard and Sophie Davis Foundation, Inc. Mr. and Mrs. Paul L. Gross Addison Hines Charitable Trust Mrs. George Andreas Mr. and Mrs. E. William Aylward Mr. and Mrs. Richard L. Barovick Mr. Bruce A. Beal Mr. and Mrs. Anthony M. Beyer BMO Private Bank The Honorable and Mrs. Samuel W. Bodman Mrs. Jane C. Carroll and Mr. Leo Arnaboldi Mrs. E. Paul Casey Chastain Charitable Foundation Ms. Beth Rudin DeWoody Mr. and Mrs. Michael Falk George and Valerie Delacorte Fund Mr. and Mrs. Peter Georgescu Mr. and Mrs. Robert B. Goergen Estate of Desna Goldman Mr. and Mrs. J. Ira Harris Hollywood Media Corp. (Mitchell Rubenstein/Laurie Silvers) Mr. and Mrs. Henry W. Howell Jr. Mr. and Mrs. James S. Karp Dr. and Mrs. Henry Kaufman Mr. and Mrs. Leonard I. Korman Mr. and Mrs. Charles Lazarus Marmot Foundation Mr. and Mrs.* Hamish Maxwell Mr. and Mrs. William E. Mayville Mr. and Mrs. John L. McGraw Mr. and Mrs. Carlos G. Morrison Dr. Norman* and Mrs. Ruth Rosenberg Mr. and Mrs. Frederic A. Sharf Ms. Laurie S. Silvers and Mr. Mitchell Rubenstein Mrs. Harold Smith Mrs. Beverly Sommer Mr. and Mrs. William J. Soter Ambassador and Mrs. Craig R. Stapleton Mr. and Mrs. Kemp C. Stickney Wilmington Trust, FSB 1 0 2 t han k yo u $10,000 to $2 4 ,9 99 Mr. and Mrs. Steven Ames Mr. and Mrs. Stephen Anbinder Dale and Doug Anderson BB&T Mr. and Mrs. Lawrence R. Beyer Mrs. Margaret S. Bilotti Crystal & Company Mr. and Mrs. Marvin H. Davidson Doris Duke Foundation for Islamic Art Mr. and Mrs. Kenneth Endelson Ms. Laura Evans and Mr. James Diack Mr. and Mrs. Milton Fine Mr. and Mrs. Gerald S. Fineberg Mr. and Mrs. Frank Ford Mr. and Mrs. Bruce Gendelman Mr. and Mrs. J. Arthur Goldberg Mr. and Mrs. Richard D. Greenfield Mr. and Mrs. Martin D. Gruss JPMorgan Chase Bank Mr. and Mrs. Stanley Katz Mr. and Mrs. Gilbert Kinney Mrs. Marion Kleinkramer Mr. and Mrs. Arthur Martinez Mrs. Elaine A. Merriman Mrs. Arthur I. Meyer Mr. and Mrs. Raymond K. Moran Palm Beach Community Trust Fund Mrs. Elizabeth Richebourg Rea Mrs. George M. Ross Mr. and Mrs. Alan Safir Mr. John C. Smith Mr. and Mrs. Matthew K. Smith Sotheby’s Mr. and Mrs. Jerome L. Stern Mr. and Mrs. Robert Stiller Mr. and Mrs. Leo A. Vecellio Jr. $2 ,500 to $9 ,9 9 9 Anonymous George & Frances Armour Foundation Art Alliance for Contemporary Glass The Association of Israel’s Decorative Arts (AIDA) Ms. Louise Austin Mr. and Mrs. Gilbert Bassin Mr. Howard Bernick Mrs. Judy Black and Mr. Richard Schlosberg Mr. and Mrs. Harold Blumenstein Mr. and Mrs. Charles R. Bronfman Mr. and Mrs. Bernard A. Brown Mr. William K. Caler Jr. Mrs. Malcolm G. Chace Mrs. Leona Chanin Christina’s Catering Mr. Howard Cox Mr. Loyd F. Crawley Ms. Grace C. Dana Mr. and Mrs. Lee Daniels Mr. Milton Dresner Mr. and Mrs. Frederick Eaton Mr. and Mrs. Stephen R. Ehrlich Ms. Susan Esson Mr. and Mrs. Charles Fabrikant Mrs. Marjorie S. Fisher Mrs. Miles Q. Fiterman Frank L. Weyenberg Charitable Trust Mr. and Mrs. Howard L. Ganek Mr. Dorsey R. Gardner and Ni Rong Mr. and Mrs. Andrew Hall Mr. and Mrs. Bruce T. Halle Mr. and Mrs. Torrence C. Harder Mrs. Kerry Healey Mr. and Mrs. Carl Hewitt Mr. and Mrs. Ashley D. Hoffman Ms. Jo Ann Hoffman and Ms. Beth Priest Mrs. Mary Hulitar Itto Willits Foundation Jack and Goldie Wolfe Miller Fund Mr. and Mrs. Joseph Jacobs Mr. and Mrs. Robert M. Jaffe Mr. and Mrs. William Johnston Mr. and Mrs. Daniel Kahan Mrs. Jeanne Kanders Mrs. Jack G. Kay Mr. and Mrs. Howard Kessler Judge and Mrs. R. Khawly Mr. and Mrs. Thomas Kirchhoff Mr. and Mrs. Sidney A. Kohl Mr. and Mrs. Brian Kosoy Ms. Diane Krane and Mr. Myles Slosberg Dr. Robert and Janice Laff Mr. and Mrs. Jeffrey Lane Mr. and Mrs. Howard Lester Mr. and Mrs. H. Irwin Levy LILA PHOTO Mrs. Ellen Liman Mr. and Mrs. Earle I. Mack Mr. and Mrs. William L. Mack Mr. and Mrs. James Mayer Mr. and Mrs. John B. McCoy Mrs. Sydell L. Miller Mr. Burt Minkoff Mr. Tom Morrison Mr. and Mrs. David H. Moscow Mr. and Mrs. Lee Munder Mrs. Beverly J. Myers Mr. and Mrs. Robert Nakushian Mr. and Mrs. Thomas J. Neff Mr. and Mrs. Wilson Nolen Palm Beach Proper Mr. and Mrs. Ellis J. Parker Mr. and Mrs. Jerry K. Pearlman PNC Bank PNC Wealth Management Mr. and Mrs. John J. Pohanka Richters of Palm Beach Mr. David Schafer Mr. and Mrs. Donald S. Schlenger Mrs. Donna Schneier and Mr. Leonard Goldberg Mr. and Mrs. Gerald S. Schuster Mr. and Mrs. Donald B. Scott Sr. Mr. Donald B. Scott Jr. Mr. and Mrs. Donald Silpe Mrs. Sylvia Slifka Mr. and Mrs. Stanley Smith SunTrust Foundation Mr. and Mrs. Alberto Vitale Mr. and Mrs. Stephen Wainger Wells Fargo Bank, N.A. Mrs. Jan Willinger Mr. and Mrs. Barry Wish r.h. norton heritage soc iety Anonymous (4) Mr. and Mrs. Carl Apfel Mr.* and Mrs. Glenn W. Bailey Natalie and Scott W.* Bates The Honorable and Mrs. William E. Benjamin II Mrs. Randi Kjekstad Bull Mr. William K. Caler Jr. Drs. Joan and Bernard Chodorkoff Mr. Richard P. Coonan Mr. and Mrs. Alexander W. Dreyfoos Jr. Mr. and Mrs. Sumner Feldberg Mrs. Shirley Fiterman Mr. and Mrs.* Henry G. Gardiner Mr.* and Mrs. Robert B. Gronlund Mr.* and Mrs. Jack Hight Mr. Stephen M. W. Hofrichter III Mr.* and Mrs. Nathaniel Jacobs The Honorable and Mrs. Harry A. Johnston II Mr.* and Mrs. Saul Kleinkramer Mr. and Mrs. Berton E. Korman Felice and Marvin* Kronfeld Baroness Erminia Landau Mrs. Bernice Levinson Mr. and Mrs. Gilbert C. Maurer Mr. and Mrs.* Hamish Maxwell Colonel and Mrs. James F. Miller Mr.* and Mrs. Melvin B. Nessel Mr. George Newburger Mr. and Mrs. John F. Niblack Mr. David J. Patten Mr. and Mrs. Kai Petersen Mr. and Mrs. Milton Prigoff Mrs. Elizabeth Richebourg Rea Mr. and Mrs. John M. Richman Mr. and Mrs. Ralph Saltzman Mrs. Donna Schneier and Mr. Leonard Goldberg Mr. and Mrs. Arnold I. Simon Mr.* and Mrs. Harold Smith Mr. Kemp C. Stickney and Ms. Edith E. Huntley Mr. Harry Striebel Dr. and Mrs. Ronald B. Swanson Mrs. T. Suffern Tailer Mr. and Mrs. Terry Wallace Mr.* and Mrs. Eric Weinberger Mr. Robert A. Wiener Gloria Winston Mr. and Mrs. Frederic D. Wolfe For changes or corrections, please contact Holly Davis, Deputy Director for Development, at (561) 832-2659. 1 0 4 t han k yo u donors of art Dale and Doug Anderson Eleonore and Ronald Bacher Bruce A. Beal Joseph Bellows Gallery, La Jolla, CA Dr. Irwin Berman Civilian Arts Projects, Washington, DC Darryl J. Curran Tacita Dean Barbara DeGenevieve Beth Rudin DeWoody Allen F. Dickerman Chris Enos Robert W. Fichter Robert Flynt Bonnie Gordon Lorraine and Sy Grabel Dennis Grady Howard and Ellen Greenberg Dr. Selma Halo and Fred Croton Paul M. Hertzmann, Inc., Vintage Photographs Doris Hodroff Suda House Jeffrey Hubert Pirkle Jones Foundation Rita Krauss Joan and Charles Lazarus Annie Leibovitz Dennis Letbetter Robert A. Lewis Carol and Ray Merritt Collection Damon Mezzacappa Midtown Payson Galleries Christopher Morris Jane L. O’Neal Olivia Parker John and Joanne Payson Alice Rudin Scheinbaum & Russek, Ltd., Santa Fe, NM Adam Sheffer Rena Small Anne Berkley Smith Drs. Ayten and Tuncer Someren Sarah Ross Soter Marcia and Robert E. Sparrow Robert von Sternberg Jan Willinger Linda Wolf Rob Wynne and Gavlak Gallery Noelle K. Tan med i a sp on sor s The Miami Herald Palm Beach Daily News The Palm Beach Post and pbpulse.com Palm Beach Young Society WPTV NewsChannel 5 norton m useum of art nam ed endowm ents Mr. and Mrs. E. William Aylward Intern Endowment Diane Belfer Endowment for Sculpture Mr. and Mrs. William E. Benjamin II General Endowment Andrea and Charles Bronfman Program Fund for Families William K. Caler General Endowment Chastain Foundation Intern Endowment George and Valerie Delacorte Endowment Fund Dreyfoos Endowment Fund Milton and Sheila Fine Endowment for Contemporary Art Florida Department of State Cultural Endowment Program Dr. Henry and Lois Foster Endowment for the Exhibition of Contemporary Art Gayle and Paul Gross Education Endowment Fund William Randolph Hearst Curator of Education William Randolph Hearst Endowment Fund for Education and Outreach Programs Janirve Foundation Education Endowment in Memory of Irving and Jeannett Reuter Kanders Endowment for Art Enrichment for School Children Gioconda and Joseph King Endowment for Exhibitions Bruce Mahon Endowment for Docent Education Maurer Family Fund Arts Education Endowment Mr. and Mrs. Hamish Maxwell Exhibition Endowment Elizabeth B. McGraw Curator of Chinese Art Elizabeth B. McGraw Building Preservation Endowment Mr. and Mrs. Joe Jack Merriman General Endowment Sarah Vierck Mettler Family Fund Sydelle and Arthur I. Meyer Endowment Fund National Endowment for the Arts John and Heidi Niblack Endowment for Chinese Art Christina Orr-Cahall Endowment for Community Outreach Michael M. Rea Endowment for Special Exhibitions Priscilla and John Richman Endowment for American Art Samuel Rosenthal Foundation Endowment for Education and Outreach Programs Mr. and Mrs. Lewis Schott Endowment for Education Donald and Linda Silpe Endowment for the Continuing Education of Docents Harold and Anne Berkley Smith Curator of American Art Endowment William and Sarah Ross Soter Photography Fund William and Sarah Ross Soter Curator of Photography Endowment *deceased 1 0 6 t han k yo u The Museum wishes to thank the docents and volunteers who devoted their time to working with the Museum and shared the Collection and exhibitions with visitors. Last year, Museum docents led more than 1,200 tours, and docents and volunteers devoted more than 13,500 hours providing vital educational outreach and visitor services. Volunteers Naomi Anderson Taylor Anderson Thomas Baker Farrah Barstrom Roger Bash Elissa Baum Lea Beinstein Yvonne Belton Marcia Beutner Ana Bishop George Bishop Verna Bittenbinder Sheila Bloom Sonja Brankovic Savannah Brown Susan Buzzard Jean Bytner Caitlin Cantor Carly Capko Marguerite Carrera Vivian Chen Jade Chung-Lee Elizabeth Closson Chris Conner Holly Coombs Jessica Consuegra Paolo Correia Kathy Cottier Ariella Cowrie Karen Crea Yvonne Cruz Diana Deresz Brooke Dodrill Shannon Donahue Jennifer Driskel Donna-Lee Erickson Wilmary Escoto Michelle Evans Robert Feller Libby Fishman Rosalie Friedmann Rulonda Fuller Pat Geltz Nina Gonzalez Lyn Gordon Sarah Griffin Roberta Groobert Nancy Grossman Russ Haidinger Jaclyn Handford Maritza Harrington Xudan He Carole Held Joanne Heron Gloria Hoffman Chelsea Horton Harriet Hurwitz Daniel Hyland Nadine Ivangine Nancy Katz Emma Kirby Martha Klein Kay Koch Florence Kram Serena Laine-Lobsinger Jordan Lane-Palmer Nicholas Larsen Doris Le Jeannie Le Eleanor Levine Li Lin Ming Lin Susan Lotman Phyllis Magarian Shahayra Majumder Ingrid Martinez Juan Matiz Amanda Mianguy Ellen Mann Ann Margulis Keeter Martinson Barbara McDonald Nicole McGowan Danielle Mercier Lana Meredith Linda Miller Nina Minervini Valerie Mishko Kaitlyn Moore Marjorie Most Meghan Murray Arlene Neivert Karli Newton David Nitz Docents Jan Northrop Jenny O’Brien David Ocampo Alovarson Odige Sunny Organ London Ott Jack Ozer Marisa Papenfuss Mildred Pariente Diane Partridge Alice Pearce Ursula Peckerman Ariana Picchetto Tirza Pletcher Carolyn Potter Joyce Potter Barbara Prine Sylvia Raftery Mary Jane Range Sallie Ransom MacKenzie Rattray Kristen Reisig Elissa Rendzia Vivien Rey Chelsea Robbins Eliane Rochefort Edye Rollins Ian Rollins Arlene Rosenbaum Tess Roy Diane Sacchetti Sarah Sadiah Kaitlyn Salley Chandler Sandy Cynthia Santiago Kelsey Satalino Eva Schlanger Rez Seyedin Enid Shames Lenny Silverberg Jim Smith Juanita Smith Micki Sokol Willa Spivak Lynne Spozarsky Annalisa Spreadborough Carole Stein Hannah Suh Kimberly Tehan James Toomey Ted Tribolati Hortense Vantresca Phyllis Verducci Kayla Viaud Elaina Voyles Sarah Ward Brianna Webster Sylvia Weinberg Chuck Werner Shirley Arffa Helene Augenblick Bud Benson Lou Ann Berkley Judy Brownstein Fredda Butowsky Nancy Carlin Mary Cory Barbara Dicker Mildred Drees Lenore Dreyfuss Harriett Eckstein Gail Elias Meg Fisher Adele Freidensohn Michael Friedlander Ilene Gerber Bernice Gershon BJ Golboro Florence Goodman Fay Graham Gayle Gross Howard Gross Renate Gross Gail Hano Robert Harris Joan Heller Jean Ellen Heron Helane Hertz Phyllis Hopman Raquel Howard Marjorie Isenberg Roman Kadron Susanne Kaletsch Jeanne Kanders Evelyn Katz Sue Keller Carol Ann Khawly Rhoda Kleid Joan Korostoff Jane Krasker Janice Laff Natalie Lederer Joan Lumb Karol Lurie Danette MacGregor Morrine Marantz JoAnn Marcus Robert Marsey Drew McAllister Laura McSherry Jean Meade Michele Misci Barbara Mitrione Sylvia Moffett Dorothy Morton Beverly Myers Jules Organ Virginia Pappalardo Richard Pelletier Harriet Pollack Hinda Pollack Nancy Purucker Howard Roberts Lucille Rockley Alice Rudin Faith Schullstrom Iris Schulman Mary Louise Schwab Marilyn Schwartz Isabel Shattuck Bei Bei She Bobbi Shorr Barbara Sider Linda Silpe Elinore Simon Anita Smith Charlyne Smith Robert Steinnagel Elizabeth Stevens Frances Stevens Alex Sussman Mary Twitty Jo-Anne Weingarden Kate Weingart Patti Zeeman 1 0 8 t han k yo u Nancy Pawlowski, PACE Instructor Sara Rabinowitz, PACE Instructor Staff Hope Alswang, Executive Director & CEO Patricia Williamson, Manager, Director’s Office James B. Hall, Deputy Director Charles Stainback, Assistant Director Regine David, Special Assistant, Director’s Office Ashley Snyder, Special Assistant, Director’s Office Hilary Jordan, Senior Graphic Designer Ashley Simmons, Graphic Designer Jamie Hoffman, Visitor Services Manager Catheryn Espino, Visitor Services Representative Diego Guiterrez, Visitor Services Representative Kelly Knapp, Visitor Services Representative Patricia Long, Visitor Services Representative Scott Rachesky, Visitor Services Representative Jane Wattick, Human Resources Manager Cheryl Brutvan, Director of Curatorial Affairs & Curator of Contemporary Art Laurie Barnes, Elizabeth B. McGraw Curator of Chinese Art Ellen Roberts, Harold and Anne Berkley Smith Curator of American Art Timothy Wride, William and Sarah Ross Soter Curator of Photography Jerry Dobrick, Curatorial Associate, European Art Maggie Edwards, Curatorial Assistant Ashley Ford, Davis Fellow Pamela Parry, Senior Registrar Aleesha Ast, Assistant Registrar John Welter, Assistant Registrar Kevin Cummins, Senior Art Handler Jason Fennell, Art Handler Glenn Tomlinson, William Randolph Hearst Curator of Education Carole Gutterman, Associate Curator of Education Jessica Kennedy, Assistant Curator of Education Marcy Koch, Assistant Curator of Education Malissa Reese, Volunteer Coordinator Yimarie Rivera, Program and Volunteer Coordinator Kitty Bowe Hearty, Education Programmer Yael Matan, Education Programmer Britt Feingold, PACE Instructor Guadalupe Lawrence, PACE Instructor Patricia Parry, PACE Instructor Holly Davis, Deputy Director for Development Graham Russell, Associate Director of Development Suzanne Crell, Assistant to the Deputy Director for Development Melissa Benilous, Senior Membership Associate Catherine Collins, Development Assistant Natalie Ellis, Grants Writer Jonathan Wemette, Grants Writer Angela Martin, Donor Relations Coordinator Katherine Matevia, Annual Giving Coordinator Rebecca Levine, Senior Special Events Coordinator Pamela Comiter, Special Events Coordinator Jaimie Hart, Special Events Coordinator Scott Benarde, Communications Director Hilary Greene, Communications Coordinator Lucy Bukowski, Chief Financial Officer Christina Imbriani, Accounting Manager Otilia Olvera, Financial Analyst Debbie Mays, Accounting Associate Lisa Nicoletti, Accounting Associate Ike Chimbandi, IT Department Head Sonia Latalladi, Facility Use Coordinator Heather Blades, Retail Operations Manager Robin Hoffenberg, Weekend Museum Store Manager Carolyn Smith, Weekend Museum Store Manager Linda Huggins, Museum Store Associate Kathy Morlock, Museum Store Associate Raymond Hall, Director of Security & Building Operations Maurice Williams, Security Manager Robert King, Assistant Security Supervisor Anthony Bell, Floor Captain Kahane Brown, Security Officer Wilbert Canzater, Security Officer Errol C. Garrick, Security Officer Nicholas Hill, Security Officer Allen Jones, Security Officer Matthew McCarthy, Security Officer Clemente Mendoza, Security Officer Eugene Mniuch, Security Officer Sharon Peterkin, Security Officer Bob Salci, Security Officer Maria Sanchez, Security Officer Herbert Thomas, Security Officer Roddrick Wesley, Security Officer Andrew Williams, Security Officer Catherine Williams, Security Officer Shibeshi Woldetekle, Security Officer Robastiano Morrero Jr., Audio/Visual Technician Willie Wilbon, Maintenance Supervisor Rocky Paulk, Assistant Maintenance Supervisor Hubert Benniefield, Maintenance Technician Lisandro Cisneros, Maintenance Technician David Harris, Maintenance Technician Jose Rafael Martinez, Maintenance Technician Robert Stanley, Maintenance Technician Kathy DeBoer, Receiving Dock Master