London Musicals - Over The Footlights
Transcription
London Musicals - Over The Footlights
2001 17 HIGH SPIRITS London run: Bridewell, January 10th – February 3rd Music & Lyrics: Hugh Martin & Timothy Gray Director: Raymond Wright Choreographer: Alison Pollard Musical Director: Nathan Martin Cast: Gay Hamilton (Madam Arcati), James Staddon (Charles Condomine) Sarah Payne (Ruth), Kate Graham (Elvira), Geoffrey Abbott, Lilo Milward, Nigel Pilkington Notes: This was its first revival in 37 years, and its modest, well-crafted and unpretentious skill was generally warmly welcomed. See: Original London run: Savoy Theatre, November 1964 MAPP AND LUCIA London run: Jermyn Street, February 13th – March 3rd Music: William Hetherington Book & Lyrics: Peter Benedict Director: Peter Benedict Musical Director: Trevor Defferd Cast: Gaye Brown (Elizabeth Mapp), Aimi Macdonald (Emmeline Lucas), Peter Gale (Georgie Pillson), Roz McCutcheon (Diva Plaistow), Becky Barnes (Quaint Irene), Richard Pescud (Major Benjy), Maureen Marsh (Grosvenor), Charles Grant, Paddy Glynn Songs : A Bachelor Life, Notes: Based on the stories by E.F.Benson (and following a long-running TV series with Geraldine McEwan and Prunella Scales) this small-scale musical, with a piano quartet, was praised for the humour of the book and performance, but generally the music was found wanting. Photo by Guy Chapman Associates Story: Set in the late1930s where the widowed small-town and pretentious Lucia – real name Emmeline Lucas- is looking for new worlds to conquer. With her toupéed co-conspirator, Georgie Pillson, she takes up residence in Tilling, only to do battle with the resident dragon, Elizabeth Mapp. Lucia shakes the village with her piano soirees and pageants and both women fight to destroy the other’s reputation, leading to a fateful check-mate. Aimi Macdonald, Gaye Brown & Peter Gale 2001 18 THE SECRET GARDEN London run: Aldwych Theatre, February 27th (111 performances) Music: Lucy Simon Book & Lyrics: Marsha Norman Director: Adrian Noble Choreographer: Gillian Lynne Musical Director: Chris Walker Producer: Royal Shakespeare Company Cast: Eliza Caird/Tamsin Egerton Dick/Natalie Morgan (Mary ), Philip Quast (Archibald), Peter Polycarpou (Dr Neville Craven), Meredith Braun (Lily), Eddie Brown/Adam Clarke/ Luke Newberry (Colin), Linzi Hateley (Martha), Craig Purnell (Dickon), Dilys Laye (Mrs Medlock), Duncan Smith, Freddie Davies, Ray C Davis Songs: There’s a Girl, The House Upon the Hill, I Heard Someone Crying, A Fine White Horse, Show Me the Key, Lily’s Eyes, The Girl I Mean to Be, Come Spirit Come Charm, How Could I Ever Know? Story: The spoiled, lonely Mary Lennox, orphaned by a cholera epidemic in India, is sent to live at Misselthwaite Manor in Yorkshire with her Uncle Archibald. Archibald is still in mourning for his wife, Lily, who died ten years earlier in childbirth, and is grief-stricken for Colin, his bedridden ten year old son – and thus the house is suffused with gloom and mystery. Mary discovered a secret garden, formerly Lily’s, and in revitalising it, she restores life to her sick cousin and her miserable uncle. Notes: A previous musical version of “The Secret Garden” ran at the King’s Head in January 1987 – music by Steven Markwick and book and lyrics by Diana Morgan. This different version had opened on Broadway in April 1991, running for 706 performances with Rebecca Luker and Mandy Patinkin. Its UK premiere was first seen at the Royal Shakespeare Theatre at Stratford-upon-Avon in November 2000. The West End run was a short one – just 9 weeks. MY FAIR LADY (2nd Revival) London run: Lyttleton, March 15th – June 30th Transfer: Drury Lane, July 21st (873 performances) Music: Frederick Loewe Lyrics & Book: Alan Jay Lerner Director: Trevor Nunn Choreographer: Matthew Bourne Musical Director: Nick Davies Producer: Cameron Mackintosh & Royal National Theatre This hugely-praised revival won four Olivier Awards, including Best Musical, and awards for Martine McCutcheon and Matthew Bourne. From the outset Martine McCutcheon was plagued with throat problems, and very frequently missed performances, being replaced (to much acclaim!) by her understudy, Alexandra Jay. By December, with five months left on her contract, it was clear that Martine McCutcheon could not continue, and she was replaced with Joanna Riding (who went on to win a further Olivier Award for the show as Best Actress in a Musical in 2003). The show ran two years at Drury Lane, finishing at the end of August, 2003. (It was revived for a 12 city UK tour in September 2005, ending in August 2006. This tour starred Amy Nuttall and Lisa O’Hare as Eliza, Christopher Cazenove as Henry Higgins, Russ Abbot and Gareth Hale as Doolittle, and Honor Blackman and Hannah Gordon as Mrs Higgins.) See original London production: Drury Lane, April 1958 First revival: Adelphi, October 1979 Martine McCutcheon & Jonathan Pryce Photo by Michael Le Poer Trench Cast: Jonathan Pryce (Henry Higgins), Martine McCutcheon (Eliza Doolittle), Dennis Waterman (Alfred P. Doolittle), Nicholas Le Prevost (Colonel Pickering), Caroline Blakiston (Mrs Higgins), Mark Umbers (Freddy Eynsford-Hill), Patsy Rowlands (Mrs Pearce), Jill Martin, Sévan Stephan, Ann Emery 2001 19 HELLO AGAIN London run: Bridewell, March 19th – April 14th Music & Lyrics: Michael John LaChiusa Director: Clive Paget Choreographer: Jenny Arnold Musical Director: Christopher Frost Producer: Anthony Field, Keith Stanley etc Photo by Houston Rogers Cast: Ellen O’Grady (The Whore), Matt Rawle (The Soldier), Golda Rosheuvel (The Nurse), Mark Stobbard (The College Boy), Jenna Russell (The Young Wife), Charles Shirvell (The Husband), Dominic Brewer (The Young Thing), Michael Cahill (The Writer), Anita Louise Combe (The Actress), Nigel Richards (The Senator) Songs: Got A Little Time, Tom, Safe, The One I Love, Silent Movie, Mistress of the Senator, The Bed Was Not My Own. Michael Cahill, Nigel Richards & Jenna Russell Story: This is the story of a series of love affairs among ten characters during the ten different decades of the 20th century, ranging from scenes onboard the Titanic, to inside a New York cinema, from a prostitute and a soldier in 1900 to a prostitute and a senator in the 1980s. Notes: Based on Arthur Schnitzler’s 1897 play “La Ronde” this musical adaptation closely follows the structure of the original, using some original dialogue. However, each scene is set in a different decade of the 20th Century (not necessarily in chronological order), so the musical style covers a wide range from opera to disco but also introduces “leitmotifs” which links all the characters and their experiences together. He also altered the gender of Schnitzler's "Little Miss" to the sexually ambiguous "Young Thing" to introduce a homosexual element into his century of sexual partnerships. It was originally produced off-Broadway in December 1993 and ran for 101 performances. This London premiere received widely mixed notices: for most it was a brilliant, bitter-sweet and superb show; but for some it was a sordid, vulgar, smutty piece of trash. PETER PAN—A Musical Adventure London run: Royal Festival Hall, April 26th – one special performance Music: George Stiles Lyrics: Anthony Drewe Book: Willis Hall Director: Julia McKenzie & Jonathan Butterell Musical Director: David Charles Abell Cast: Sheila Hancock (Narrator) Joe McFadden (Peter Pan), Laura-Michelle Kelly (Wendy), Jenna Russell (Mrs Darling), John Thaw (Mr Darling/Captain Hook), Tim Healy (Smee), Graham Bickley, Joanna Thaw, Nathaniel Kelly, Jorim Kelly Notes: A one-off concert-version, semi-staged, to present a “work in progress”. 2001 20 THE BLUES BROTHERS (3rd Revival) London run: Whitehall Theatre, May 2nd (189 performances) Music: Various Director: David Leland Choreographer: Michael King Musical Director: Steve Parry Cast: Brad Henshaw (Jake), Simon J. Foster (Elwood), Antonio Fargas (Guest Star) Mike Henry, Alana Mariue, Joe Speare (The Bluettes). Notes: Original London Production: Whitehall Theatre, September 1991 First Revival: Comedy Theatre, Sep 1994 Second Revival: Apollo Theatre, December 1996 Photo by Maria Ramstrom Back again, ten years after its West End debut, still touring, but now seemingly tired and played-out according to the majority of critics. It ran until October. Simon Foster, Antonio Fargas & Brad Henshaw IS THERE LIFE AFTER HIGH SCHOOL? London run: Bridewell, May 2nd – 26th Music & Lyrics: Craig Carnelia Book: Jeffrey Kindley Director: Matthew Ryan Choreographer: Sam Spencer-Lane Musical Director: Martin Lowe Cast: Robert Finlayson, Penny-Belle Fowler, Helen Hobson, Julie Jupp, Mark Lacey, Vincent Leigh, Eliza Lumley, Stephen Matthews, Alastair Parker Songs: The Kid Inside, Things I Learned in High School, Second Thoughts, Nothing Really Happened, Beer, Diary of a Homecoming Queen, Thousands of Trumpets, Fran and Janie, I’m Glad You Didn’t Know Me Photo by Ivan Kyncl Story: The show uses songs and monologues to recall the joys, terrors, envies, hates, and loves that most teenagers experience throughout their four years at High School. There is no set, no plot, no characters, it is a kind of teenage “Chorus Line” without the anger, intensity and angst. Notes: Originally performed on Broadway in May 1982, the show flopped after 48 previews and just 17 official performances. It was first seen in London as a series of late-night performances at the Donmar Warehouse in July 1985 performed by cast-members of currently running West End shows, including Caroline O’Connor, Rosemarie Ford and Mark Hutchinson. This was its first full UK staging. 21 LITTLE SHOP OF HORRORS (1st Revival) Cast: Chris Vincent (Seymour), Sarah-Jane Bourne (Audrey), Richard Swerrun (Orin), Harry Dickman (Mushnik), Mark Edison (Audrey II Manipulation), John Danbury (Audrey II Voice), Hayley Ince, Alice Redmon, Laura Roxburgh Notes: See Original London production: Comedy Theatre, October 1983 Sarah-Jane Bourne as Audrey ALL YOU NEED IS LOVE London run: Queen’s Theatre, May 29th (111 performances) Music & Lyrics: Lennon & McCartney Devised by: Jon Miller & Pete Brooks Director: Jon Miller & Pete Brooks Choreographer: Nigel Charnock & Katie Prince Musical Director: Chris Booker Notes: A cast of 12 perform no less than 54 Beatles songs – a kind of sung-through song-and-dance compilation, with some of the songs being given unusual interpretations – a concert rather than a musical. It lasted just 14 weeks. CLOSER TO HEAVEN London run: Arts Theatre, May 31st – 13th October Music & Lyrics: Neil Tennant & Chris Lowe (The Pet Shop Boys) Book: Jonathan Harvey Director: Gemma Bodinetz Choreographer: Peter Darling Musical Director: Christopher Nightingale Cast: Paul Keating (Straight Dave), Stacey Roca (Shell Christian), David Burt (Vic Christian), Frances Barber (Billie Tricks), Paul Broughton (Bob Saunders), Tom Walker (Mile End Lee), David Langham (Flynn) Songs: Shameless, Call Me Old Fashioned, For All of Us, Positive Role Model Story: Straight Dave, escaping the troubles of Ireland, gets a job as a dancer at a gay club and falls in love with Shell Christian, the daughter of Vic, the debauched owner of the club. The club’s disco diva is the raunchy Billie Tricks, and a regular is the sleaze-bag record producer, Bob Saunders. But Straight Dave is about to find his true sexual preference when he meets another club regular, Mile End Lee, a cockney rent-boy drugdealer, and poor Dave is doomed to lose his true love when Lee dies of an accidental overdose. Notes: The message that a life of drug abuse, nightclubbing and promiscuous sex will leave you ravaged and lonely came over more as a warning than a sermon, and the Pet Shop Boys’ songs received much praise. However, this was very much aimed at a niche market. Photo by Hugo Glendenning Photo by Roy Tan London run: Landor Theatre, May 17th – June 9th Music: Alan Menken Lyrics: Howard Ashman Director-Choreographer: Paul Tate Musical Director: Dan Jackson 2001 ELEGIES FOR ANGELS PUNKS AND RAGING QUEENS (2nd Revival) London run: Bridewell, June 19th – July 7th Music: Janet Hood Book & Lyrics: Bill Russell Director: Omar F. Okai Musical Director: Rowland Lee Cast: A cast of 28 performers Photo by Bill Russell Notes: Original London run: King’s Head, Nov 1992/ Drill Hall Jan 1993 First revival: Comedy Theatre, June 1993 Matthew Fraser Holland SONG OF SINGAPORE London run: May Fair Theatre, July 2nd (80 performances) Music & Lyrics: Erik Frandsen, Michael Garin, Robert Hipkens & Paula Lockheart Book: Allan Katz Director: Roger Redfarn Choreographer: Michelle Hardy Producer: Chichester Festival Theatre Cast: Beatrice Grace (Chah-Li), Elio Pace (Freddy S. Lyme), Issy van Randwyck (Rose), Richard Brightiff (Hans van der Last), James Lailey (Spike Spauldeen), Miles Russell (Trunk Johnson), Neil Gore (Inspector Kurland) , James Wilson (Jug Jug A-Razor), Julian Tucker (Carstairs Motley), Martin Roach (Slam Dunk). Songs: We’re Rich, I Can’t Remember, Serve it Up, Harbour of Love, Foolish Geese, Never Pay Musicians What they’re Worth, There’s a Dead Man at the Bar Story: It’s Singapore, 1941, and the Chinese hostess, Chah-Li welcomes customers to her dingy nightclub. Even though the invading Japanese are not too far away, Freddy S. Lyme and his band play on, accompanying the dizzy chanteuse, Rose, who has lost her memory. Freddy’s band includes Hans van der Laast (trombone), Spike Spauldeen (clarinet), and Trunk Johnson (trumpet) and other bizarre musos. A corrupt policeman, Inspector Kurland, (“tall, dark and underhanded”), is trying to smuggle a set of Hindu jewels out of the country before the Japanese arrive, and gets involved in some fishy business with a red herring and a bleeding corpse alongside the bar. Just as the Japanese arrive, the amnesiac Rose suddenly remembers who she is - she is the long-lost pilot Amelia Earhart – and so she can rescue her beloved bandsmen by flying them all to safety – and off they fly to Hawaii – the date December 7th 1941. Notes: A glorious piece of nonsense of the Bob Hope-Bing CrosbyDorothy Lamour “Road” films type, this was first produced off-Broadway in 1991 where it ran for 459 performances. The first UK production was at the Minerva Chichester for three weeks in 1998 – and this revival was the same production with just a few cast changes. It ran for just 10 weeks. Issy van Randwyck 22 2001 23 GONDOLIERS London run: Apollo Theatre, July 3rd – 10 week season. Music: Sir Arthur Sullivan Lyrics: W.S. Gilbert Adaptation: John Doyle Director-Choreographer: John Doyle Musical Director: Sarah Travis Producer: Bill Kenwright & Watermill Theatre Notes: Eight actor-musician-singers performed all the roles and played all the music in this completely re-written version, which abandoned nearly all Gilbert’s dialogue and all Sullivan’s original orchestration in favour Mafia and spaghetti gags and boogie-woogie/ cool jazz/easy listening . The production had originated at the Watermill, Newbury, where John Doyle had been pioneering a new kind of approach to musicals using actormusicians accompanying themselves as they perform. This had brought interesting new interpretations to his earlier “Irma la Douce”, “Cabaret” and “Carmen”, but it was generally felt not to have worked with such a period piece as Gilbert & Sullivan’s “The Gondoliers”. It was booked into the Apollo for a limited ten week season. SHOUT London run: Jermyn Street, July 5th – 28th Music: Various Devised by Philip George & David Lowenstein Director: Philip George Choreographer: David Lowenstein Musical Director: Paul Knight Cast: Sophie-Louise Dann, Lizzie Deane, Hilary O’Neill, Catherine Porter, Gemma Wardle, Carle Griffiths Songs: Goldfinger, Georgy Girl, To Sir With Love, Son of a Preacher Man, Puppet on a String, Those Were the Days, Twenty-Four Hours from Tulsa Notes: An all-girl musical revue in which six performers sing a treasure trove of some 43 Sixties pop hits interspersed with fashion and beauty tips from “Woman’s World”, advice on Women’s Lib and stern admonishments from an Evelyn Home-type agony aunt. Louise Dann & Lizzie Deane Photo by Roy Tan Photo by Laurence Burns Cast: Karen Mann, Mike Afford, Elizabeth Marsh, Mark Crossland, Rebecca Arch, Josephine Baird, Eddie Burton, Christopher Dickins 2001 24 WHERE’S CHARLEY? (1st Revival) Cast: Cameron Blakely (Charley), Lottie Mayor (Amy Spettigue), Alistair Robins (Jack Chesney), Karen Evans (Kitty), Mary Lincoln (Donna Lucia D’Alvadorez), Philip York (Sir Francis Chesney), Christopher Godwin (Mr Spettigue), John Conroy (Brassett) This was its first revival in 43 years. Notes: Original London production: Palace Theatre, February 1958 ONE TOUCH OF VENUS London run: King’s Head, July 30th – September 2nd Music: Kurt Weill Lyrics: Ogden Nash Book: S.J. Perelman & Ogden Nash New adaptation: Timothy Childs Director: Timothy Childs Choreographer: Nichola Treherne Musical Director: Kate Young Photo by Helena Berg Cast: Peter Land (Whitelaw Savory), Giselle Wolf (Molly Grant), Kim Medcalf (Venus), Michael Gyngell (Rodney Hatch), Gina Murray (Gloria), Mark White (Dr Rook/Zuvetli), Garry Kilby (Dr Crippen, etc), Amber Sinclair, Jody Hall, Paul Tate Songs: How Much I Love You, I’m a Stranger Here Myself, West Wind, Foolish Heart, The Trouble With Women, Speak Low, That’s Him, Wooden Wedding Story: Whitelaw Savory has acquired a 3,000 year old statue of Venus and proudly displays it in his New York museum, under the watchful eye of his P.A., Molly Grant. Rodney Hatch, an innocent and nervy barber from Ozone Heights, wanders into the museum, and jokingly puts his fiancée’s engagement ring on the statue’s finger. The statue immediately comes to life, and a series of complications begin. Whitelaw falls in love with Venus, but she prefers Rodney who is firstly accused of stealing the statue and then of murdering his whining, man-eating fiancée, Gloria, after Venus has magicked her off to the North Pole. But Venus becomes disillusioned with the world of 1940s New York: there’s Dr Rook, a mad prison shrink; Zuvetli, a knife-wielding Egyptian determined to take the statue back to his homeland; women prisoners in the city jail obsessed with Dr Crippen; and, worst of all, there’s the prospect of becoming a barber’s wife in Ozone Heights. She decides to return to life as a marble statue. Luckily for Rodney, enter a girl who looks exactly like his Venus, and, of course, they fall in love and will live happily ever after! Kim Medcalf & Michael Gyngell Notes: The role of Venus was originally intended for Marlene Dietrich, but when she turned it down it was offered to Mary Martin, for her first starring role on Broadway. It opened in October 1943 and ran for 567 performances. This was its London premiere and was intended as a try-out for a New York revival, but unfortunately the September 11th Twin Towers attack changed all plans, by which time it was too late to consider a West End transfer, even though the production received excellent reviews. Photo by Alastair Muir London run: Open Air, July 26th - 16th August Music & Lyrics: Frank Loesser Book: George Abbott Director: Ian Talbot Choreographer: Gillian Gregory Musical Director: Catherine Jayes 2001 25 SONGS FOR A NEW WORLD London run: Bridewell, August 13th – September 15th Music & Lyrics: Jason Robert Brown Director: Clive Paget Choreographer: Sam Spencer-Lane Musical Director: Christopher Frost Cast: Craig Purnell, Sarah Redmond, Nigel Richards, Golda Rosheuvel Songs: The New World, On the Deck of a Spanish Sailing Ship 1492, Just One Step, The River Won;lt Flow, Stars and Moon, The Steam Train, The World Was Dancing, Surabaya-Santa, King of the World, I’d Give it All for You, Flying Home, Hear My Song Story: This show is a cross between a musical and a song cycle, being an abstract musical containing a series of songs all connected by theme rather than narrative. The show features four performers who do not actually play the same characters throughout the show but who do have consistently developing character arcs nonetheless. The composer himself described the show as being “. . . about one moment. . . .about hitting the wall and having to make a choice, or take a stand, or turn around and go back." Notes: The original off-Broadway production ran for just 28 performances in 1995, but thereafter it was much revived at smaller theatres and college venues in spite of its vocally demanding score. The music encompasses a wide range of styles, including pop, gospel, jazz and classical music. PEGGY SUE GOT MARRIED London run: Shaftesbury Theatre, August 20th (64 performances) Music: Bob Gaudio Lyrics: Jerry Leichtling Book: Arlene Sarner & Jerry Leichtling Director: Kerry Robinson Choreographer: Sergio Trujillo Musical Director: Olly Ashmore Producer: Paul Elliott, Dunca Weldon, Mirvishes, etc Cast: Ruthie Henshall (Peggy Sue), Andrew Kennedy (Charlie), Melanie Marcus (Delores), Tim Howar (Michael), Gavin Lee (Richard), Sara Weymouth (Evelyn), Terence Hillyer (Jack), Samuel James (Danny) Songs: Crown of Love, New Car Smell, You Still Sing To Me, Yesterday Tonight, When You Get a Girl Alone, Two Kinds of Fire, Bad Girls Do What Good Girls Won’t, Bongo Beat, You’re Carrying My Dreams, This Time Around. Notes: This was based on the 1986 Francis Ford Coppola film. In spite of mostly good reviews and an eventual Olivier nomination for Ruthie Henshall, the show closed after just eight weeks. It was one of the many shows which suffered when tourism collapsed following the 9/11 events. It subsequently toured the UK and, as a result, apparently recovered its investment. Ruthie Henshall & Tim Howard Photo by Tristram Kenton Story: It’s 1985 and the 42 year old Peggy is about to get divorced from Charlie, her former high-school sweetheart. In her old prom dress she goes alone to the school’s Class Reunion Dance, but she faints under the stress, and, when she comes round, it is 1960 and she is 17 again, but with the insight and experience of her grown-up self. Once again she faces competition from Delores, the High School bitch . Will she still settle for Charlie the second time around? Or will she elope to Paris with Michael, the leather-jacketed beat poet? Or even with Richard, the nerdy, toothy and bespectacled class scientist? And, second time round, will she heed the advice of her mother, Evelyn? 2001 26 PIRATES OF PENZANCE (3rd Revival) London run: Open Air Theatre, August 27th - September 8th Music: Arthur Sullivan Lyrics: W.S.Gilbert Director: Ian Talbot Choreographer: Gillian Gregory Musical Director: Catherine Jayes Cast: Gary Wilmot (Pirate King), Karen Evans (Mabel), David Alder (Major General), Joshua Dallas (Frederic), Su Pollard (Ruth), Giles Taylor, Mark Roper, Sara Hillier, Alison Crowther, Eileen Hunter, Catrin Darnell, Sue O’Brien, Pierre Fabre, Ramin Karimloo Notes: This was the same production which had played the 2000 season at the Open Air, but with a new cast, and it had been touring in the meantime. Original London Production of this version: Drury Lane, May 1982 First revival: London Palladium, March 1990 Second revival: Open Air, July 2000 Gary Wilmot & Su Pollard GREASE (3rd Revival) London run: Dominion Theatre, October 22nd – November 3rd Music & Lyrics: Jim Jacobs & Warren Casey Additional songs: Barry Gibb, John Farrar, Louis St Louis, & Scott Simon Director: David Gilmore Choreographer: Arlene Phillips Musical Director: Stephen Owens Producer: Paul Nicholas & David Ian Cast: Craig Urbani (Danny Zuko), Haley Flaherty (Sandy), Nina French (Rizzo) , Matthew Cutts (Kenickie), Emma Cannon (Marty), Tanya Caridia (Frenchy), Richard Taylor Woods (Sonny), Rebecca Cameron, Peter Jamieson, Jason Packett, paul Burnham, Barnaby Thompson, Lorraine Graham. Back in the West End for two weeks only before commencing a nine month UK tour. Notes: See Original London production, New London Theatre, June 1973 First revival, Astoria Theatre, June 1979 Second revival: Dominion July 1993 (transfer Cambridge Oct 1996) 2001 27 KISS ME KATE (4th Revival) London run: Victoria Palace, October 30th (343 performances) Music & Lyrics: Cole Porter Book: Sam & Bella Spewack Director: Michael Blakemore Choreographer: Kathleen Marshall Musical Director: Gareth Valentine Cast: Brent Barrett (Fred Graham), Marin Mazzie (Lili Vanessi), Colin Farrell (Harry), Nancy Anderson (Lois Lane) , Michael Berresse (Bill Calhoun), Teddy Kempner & Jack Chissick (Gangsters) , Kaye E. Browne (Hattie, )Nolan Frederick (Paul), Nicolas Colicos (Harrison Howell) Notes: Original London Production March 1951 1st revival, Coliseum, December 1970 2nd revival: Old Vic/Savoy, May 1987 3rd revival: Open Air Theatre, July 1997 Teddy Kempner, Brent Barrett & Jack Chissick RAGS (2nd Revival) London run: Bridewell, November 2nd – December 2nd Music: Charles Strouse Lyrics: Stephen Schwartz Book: Joseph Stein Director: Matthew White Choreographer: Norma Atallah Musical Director: Joe Townsend Cast: Sally Ann Triplett (Rebecca), Louis Constantine/Sam Morris (David), David Bardsley (Nathan Hershkowitz), Davor Golub (Saul), Alicia Davies (Bella Cohen), John Levitt (Avram), Jon-Paul Hevey (Ben Levitowitz), Susan Humphries, Sarah Counsell, Gareth Williams Notes: This was the third time “Rags” had been staged in London, and it was also the third different version of the show. This time the production reverted to the (original) 1986 Broadway version as far as the running-order and plot development was concerned, but combined this with the cut-down scenery and reduced cast numbers of the rewritten 1991 American Jewish Theatre version. This Bridewell version used a four-piece Klezmer band (the other versions had been scored for full orchestra and two pianos respectively.) As always, the show received mixed notices, but there was unanimous praise for Sally Ann Triplett as Rebecca. Original London run: Kenneth More Theatre, November 1992 First revival: Spitalfields Market Opera, July 1996 Photo by Alastair Muir This was a transfer from Broadway, with Marin Mazzie and Michael Berresse repeating the roles they had played in New York, where the show had opened in November 1999 and run for 881 performances. (The show interpolates one extra Cole Porter song – “From this Moment On”). It won several awards on Broadway and was lavishly praised by the London critics. It closed on August 24th after nearly ten months. 2001 28 OVER MY SHOULDER London run: Jermyn Street, November 6th – December 2nd Music: Various Book: Richard Stirling Director: Stewart Nicholls Musical Director: Ben Stock Cast: Anne Rogers (Jessie Matthews), Suzy Bloom (Young Jessie), Abigail Langham (Rosie Matthews/ Sheilah Graham), Stephen Carlisle (Fred Astaire/Harry Lytton), Andrew Halliday (Sonnie Hale), Duncan Wisbey (C.B. Cochran/ Bing Crosby), Ben Stock, Daniel Fine Songs: Room with a View, Dancing on the Ceiling, Everything’s in Rhythm with my Heart, A Room with a View, My Heart Stood Still, Let’s Do It, When You’ve Got a Little Springtime in your Heart, Gangway Story: The life-story of Jessie Matthews begins as she waits in an ante-room at the Palace to collect her OBE, and then, in flashback, goes back to her early days in Berwick Street Market and her rise to the very top as Britain’s biggest revue and film star of the 1920s and 30s, only to fall from her perch because of marital scandals and mental problems. She then made a remarkable comeback in the 1960s in the radio serial “Mrs Dale’s Diary” and with some remarkable stage performances. Photo by Ash Scott-Lockyer Notes: This marked the return to the West End of Anne Rogers after decades away. She had been in the original production of “The Boy Friend” and had even played the lead in the first US tour of “My Fair Lady”. Her performance was received with delight. RENT (1st Revival) London run: Prince of Wales, December 4th – January 26th Music, Lyrics & Book: Jonathan Larson Director: Paul Kerryson Choreographer: Mykal Rand Musical Director: Karl Pendlebury Photo by Francis Loney Cast: Adam Rickitt (Mark Cohen), Damien Flood (Roger), Debbie Kurup (Mimi), Neil Couperthwaite (Angel), Mykal Rand (Tom), Helen York (Maureen), Wendy Mae Brown (Joanne), Jason Pennycooke, Jane Doyle, Gilz Terera, Tracy Kashi, Delroy Atkinson, Tom Kavanan, Zeph, Yildiz Hussein. Notes: This was a production from the Leicester Haymarket which was playing an eight week West End engagement prior to a UK tour. Original London production: Shaftesbury Theatre, May 1998 Adam Rickitt & Damien Flood 2001 29 AROUND THE WORLD IN EIGHTY DAYS London run: BAC Main, December 5th – January 12th Music & Lyrics: Various Book: Phil Willmott Director: Phil Willmott & Caitriona McLaughlin Choreographer: Jack Gunn Musical Director: Annemarie Lewis Thomas Cast: Bill Ward (Phileas Fogg), Timothy Mitchell (Passepartout), Rae Baker (Queen Aouda), Chevaun Marsh (Katy O’Flaherty), Phil Willmott (Captain Fix), Jane Lucas (Miss Fotherington), Shirley Barr (Queen Victoria), Alan Atkins (Disraeli), Nick Smithers (Sherlock Holmes), Paul Oliver (Dr Watson) Story: Phileas Fogg accepts a wager from Captain Fix: he will circumnavigate the world in 80 days, a bet which attracts the interest of such diverse Victorians as Disraeli, Sherlock Holmes, Dr Watson and the mighty Queen Victoria herself. Accompanied by his valet, Passepartout, the first port of call is Paris, where Passepartout’s fiancée, Katy O’Flaherty, works in a seedy nightclub; then there’s the jungle and the exotic, feisty Queen Aouda; a dragon in Hong Kong; a gay elephant called Eugene; an encounter with Miss Fotherington - Captain Fix’s jilted lady; adventures in an opium den and in the Wild West – all accomplished in spite of Captain Fix’s dastardly attempts to scupper the whole undertaking. Notes: The annual Phil Willmott musicals at the BAC were a highlight for many reviewers, though this year one or two felt he had bitten off a little more than he could chew with this rambling and somewhat untidy show, using existing tunes, folk songs and music hall numbers. However, its good-hearted, silly humour and sheer energy of a 23-strong cast launching into waltzes, polkas on a tiny stage won over the vast majority. THE ROSE AND THE RING London run: Hen & Chickens, December 7th – January 5 Music: Michael Jeffrey Book & Lyrics: Peter Morris Director: Lucy Skilbeck Musical Director: Michael Jeffrey Cast: Julie-Alanah Brighten (Fairy Blackstick), Paul Keating (Prince Giglio),Joanna Kirkland (Rosalba/Betsinda), Ben Caplan (Prince Bulbo), Louisa McCarthy (Angelica), Sally Bourne (Countess Gruffanuff), Oliver Senton (Padella), Jeremy Worsnip (Valoroso), Ben Heathcote, Andrew Prosser Story: Fairy Blackstick is a no-nonsense fairy responsible for two magic gifts, the rose and the ring. Anyone who gets hold of these magic items is immediately irresistible to others. There are two Princesses- Angelica and Rosalba. Angelica is spoilt and haughty, and to prevent Rosalba going the same way, Fairy Blackstick has magically turned her into a maidservant called Betsinda. And, of course, there are two Princes: the slightly soppy Prince Giglio and the goofy Prince Bulbo. Both princes keep falling in and out of love with different ladies (depending on who has the magic gift at the time. And the plot is further complicated by the wicked Countess Gruffanuff, who fancies becoming Queen herself, and her henchman, Padella and Valoroso. Finally Fairy Blackstick has to sort out the whole mess and ensure a happy ending. Photo by Richard Hadley Songs: Be Mine, I Can Hardly Wait, Machismo, Oops Paul Keating & Julie-Alanah Brighten Notes: Based on William Makepeace Thackeray's comic novella, this version was staged earlier in 2001 at New York’s National Music Theatre Network. It played a four week Christmas season at the tiny Hen & Chicken venue – just 54 seats – and would not normally qualify for inclusion as a “West End” musical, except the casting contained two top names – Paul Keating and Julie-Alanah Brighten - and its authors had previously collaborated on the award-winning musical “Escape from Pterodactyl Island”. The show was highly praised for its charm, wit and delightful score 2001 30 SOUTH PACIFIC (3rd Revival) London run: Lyttleton, December 12th – April 27th Music: Richard Rodgers Lyrics: Oscar Hammerstein II Book: Hammerstein & Joshua Logan. Director: Trevor Nunn Choreographer: Matthew Bourne Musical Director: Stephen Brooker Producer: Royal National Theatre Co Cast: Lauren Kennedy (Nellie Forbush), Philip Quast (Emile), Edward Baker-Duly (Lt. Cable), Sheila Francisco (Bloody Mary) , Nick Holder (Luther). This major revival at the National Theatre interpolated two songs that had been cut from the original production: “My Girl Back Home” and “The Time is Now”. It was staged with some grainy newsreel projections, and there was an attempt at “gritty realism” by ensuring the crew of GIs were tubby, sweaty and a long way from the usual dancing chorus boys. There was the usual criticism that taxpayers’ money should not be used to subsidise commercial musicals at the National Theatre, but it was generally agreed this was an excellent production of a now slightly dated show. Photo by John Haynes Notes: See Original London Production, Drury Lane Nov 1951 1st revival: Prince of Wales Theatre, Jan 1988 2nd revival: Drill Hall, Sep 1995 Lauren Kennedy & Nick Holder RETURN TO THE FORBIDDEN PLANET (2nd Revival) London run: Savoy Theatre, December 13th – January 19th 2002 Music: Various Book: Bob Carlton Director: Bob Carlton Choreographer: Carole Todd Musical Director: Julian Littman Producer: Bill Kenwright & Richard Temple Cast: Sarah Beaumont (Miranda), James Earl Adair (Dr Prospero), Adrian Cobey (Captain Tempest), Diana Croft, Scott Finlay, Zita Frith, Cameron Gordon, Christine Holman, Nick Lashbrook, Jane Milligan, Philip Reed, Frederick Ruth This re-worked version had transferred from Bob Carlton’s base at the Queen’s Theatre Hornchurch for a limited return season in the West End. Notes: Original London production: Cambridge Theatre, September 1989 First revival: Shaftesbury Theatre, December 1995
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