May 2008 Issue
Transcription
May 2008 Issue
AGB Nielsen Media Research May 2008 Issue 10 United, Our Care From All Over the Country for the Earthquake-hit Area Thoughts Behind the Popular Drama Love in Countryside II Summary of 2007 Guangzhou TV Market TAM TrailBlazers in the Digital Broadcasting World FOREWARD ChinaTAM Issue 10 ChinaTAM May 12, 2008, which should have been an ordinary day after the Mother’s Day, turned into a day that has struck each and every Chinese as a life-long memory. On that day, immense number of people lost their parents, children and homes; on that day, enormous number of people lost their lives. How can we forget such a day, when numbers being updated on all media every day? As of May 29, the death toll reached 68,516 in Sichuan Wenchuan earthquake with a total of 365,399 injured and 19,350 others missing. With more than 15.14 million people evacuated, a total of 45.54 million people have been affected in this major quake. What is fortunate during the disaster though, is the love shown after the quake. We should be grateful to all the media especially TV stations, for joining the whole country as well as the world together and passing on the love to the quake-hit area. Not all numbers are cruel. Let us see some more numbers that represent our love and power for people affected. According to the general headquarters of quake relief under the State Council, As of May 29, Donations from home and abroad to China's quake-hit areas had reached 37.307 billion yuan, with 27.99 billion yuan of cash in place and 10.403 billion yuan in cash forwarded to the earthquake-affected areas. All levels of governments had inputted 20.938 billion for the quake-resistance and disaster relief. Media have always been concerned about the people in quake-hit areas in their own way. At 15:20 on May 12, CCTV News channel started the special program one hour right after the quake, with continuous update from the site. According to AGB Nielsen, 10 minutes afterwards, i.e. 15:30, ratings of CCTV News channel continued to go up till after 3 hours of live broadcasting. CCTV News, CCTV1 and Sichuan Satellite TV offered special programs one after another from the evening of the 12th till 2am of the 13th. While from the 12th to 14th, audience totally changed their behaviors which resulted in the high ratings of CCTV News from 20:00 till midnight. Other local TV stations also joined the report and focused on the rescue progress. From May 15 to 21, there have been 47 national channels (including 11 CCTV channels and 36 Satellite channels) broadcasting quake resistance news programs. During the 7 days, a total of more than 80% audience watched such programs via national channels. 89 nationwide and local channels broadcasted the “Love Donation 2008 – largescale donation event – Earthquake Resistance and Disaster Relief Series” on May 18th. According to AGB Nielsen’s data, over 40% audiences watched the event via 39 nationwide channels. At the end of the event, the donation had reached 1.51429 billion yuan. “There’s always some power that makes us weep.” Yes, such a saying still touches us today. Let us pray: may those gone rest in peace and we alive become stronger! If you have any opinions or suggestions, please contact us: [email protected] 01 COMPANY UPDATES ChinaTAM Issue 10 02 Sharing and Caring All of AGB Nielsen Media Research’s Staff Mobilization to Aid Little Wenxiang On April 15, 2008, Mr. Frank Chang, HR Director of AGB Nielsen Media Research China (hereinafter AGB Nielsen for short), leading his party on behalf o f M a n a g i n g D i r e c t o r, Ms. Linda Chang, went to At Wenxiang’s home. Frank is presenting the donation to Wenxiang’s mother. Wuhan, hometown of Lan Shoutang of Meter Dept. in Guangzhou branch and visited his sick young son, Wenxiang. The visit aimed at not only offering the donation collected in just one week to Wenxiang’ s mother, but it is more important to extend the sincere blessing of all the staff to Wenxiang and the family. When found suffering from congenital hydronephrosis, Wenxiang’s life has shifted the centre from school to hospital. Inevitably, shuttling from hospital and school has finally forced him to quit study. In a recent reexamination, the physician-in-charge formally proposed that Wenxiang’ s condition had worsened and the fundamental solution at present is preemptive kidney transplantation. Once knowing about Wenxiang’s condition, the HR Dept. of Guangzhou branch promptly consulted with the Insurance Company and immediately utilized the public fund insurance to reimburse partial medical expenses for Wenxiang. Shortly after, the HR Dept. sent out “the compassion donation proposal” to encourage all the staff in the big family to lend their helping hands to Wenxiang, and by doing so, relieving his pain and sharing his burden. “The compassion donation proposal” was delivered via emails and posters, informing all the staff of Wenxiang’s condition. Thus, colleagues from all regional branches immediately give their positive response. They not only donate money with generous heart but also continually expressed their sincere wishes to Wenxiang through telephone or mail, hoping him an early recovery and a quick return to the joyful campus. As the bread-winner in the family, Lan Shoutang serves as an on-site engineer in AGB Nielsen. Due to the special feature of this position, Lan is unable to accompany his family members most of the time. Even when Wenxiang’s diagnosis was confirmed, he did not take care of his son until Wenxiang’s severest period. Regarding the help from the company, Lan Shoutang especially entrusted the HR Dept. to issue a thank-you letter to all the staff. In the letter, he mentioned, “Though I am not acquainted with all the staff, I treasure perpetually your kindness of saving people in desperate. Your aid let me feel that AGB Nielsen is no other than a warm big family.” Thanks to the donating activity for Wenxiang, our staff’s hearts join tightly once again. As a colleague said during the donation, “Seeing people’s compassion and aid to Wenxiang, all of us feel warm in heart spontaneously. This feeling is from AGB Nielsen, our big family ...that compassion and love is regardless of size, region, people and time...Love is boundless.” “Sharing and Caring”, all the staff in AGB Nielsen wishes Wenxiang a soon recovery! Using TAM Data Properly to Drive the Development of China’s Digital TV On 29 April 2008, Ms. Shirley Chang, Client Service Director of AGB Nielsen Media Research (hereinafter AGB Nielsen for short),China, invited by the European Ms. Shirley Chang, Client Service Director Union Chamber of AGB Nielsen Media Research China is delivering a speech at the breakfast seminar. of Commerce in China (EUCCC), delivered a great presentation, namely, "The status & future of China’s TV industry – an observation based on TAM". Theme of the breakfast seminar held by EUCCC in Shanghai was “Digital TV and Mobile Content”. Shirley focused on the current situation and challenges for China’s DTV development and provided cases to show the significance of proper use of the TAM data. In the seminar Shirley with the analysis of TV industry structure explained the importance of reliable TAM data during the DTV Age with fiercer competition in content. Digital TV, as an inevitable trend in the global TV industry, has become the focus of media industry all over the world. Shirley looked deeply into the background of the global situation, and compared the development of DTV in several major countries based on which she introduced the development of China’s DTV to the guests using detailed first-hand statistics. Latest data from AGB Nielsen also showed that in Q1 of 2008, viewing time of the digital TV subscribers was more than that of non-digital in the markets covered by AGB Nielsen (including 10 provinces/municipal cities and 1 provincial capital). For both all day and prime period, DTV subscribers spend longer time watching TV than the non-digital, of which the differences are respectively 18% and 19%. COMPANY UPDATES Shirley pointed out that with the Digital TV Age’s approaching, audience are distracted due to the increasing number of channels. To China’s digital TV subscribers, what they want is no longer more channels but high-quality content .Facing the irregular competition between TV stations and also the downfall of media taste, Shirley emphasized the importance of proper use of TAM data and implementation of segmentation in ratings data, towards the evaluation of program performances and quality improvement. AGB Nielsen, as world’s well-known TAM company, has been always keeping abreast with the times and now is able to measure ChinaTAM Issue 10 03 DTV in 15 countries and areas, which cover America, Europe, Middle East and Asia Pacific. China's relentless push on its technologies' infrastructure has seen tremendous changes shortly. It now focuses its attention to Mobile Content and Digital TV. During the seminar, another guest speaker, Mr. Nuno Petro from McKinsey & Co, was invited too. 30 attendants are all from well-known global companies, including Atradius Credit Information Consulting Co.,Ltd., KPMG, L’Oreal and JWT etc. AGB Nielsen has been a member of EUCCC since Sep. 2007. 8 Essays Awarded the Scholarship of AGB Nielsen Media Research in 2007 Early this May, 8 essays writed by 7 students from SJTU, Jinan Univ. and Shenzhen Univ. were awarded Outstanding Students’ Essay Scholarship and Excellent Students’ Essay Scholarship of AGB Nielsen Media Research (thereinafter AGB Nielsen for short) in 2007. academic researches on the current situation, problems and development of China TV media by promoting joint projects with universities. The Scholarship shows the commitment, through the leading technology and experience of TAM industry flooding into the universities. Aiming at driving the academic progress in TAM industry and encouraging more teachers and students to pursue academic study by utilizing AGB Nielsen’s research materials, AGB Nielsen set up the special scholarship in partner universities in 2007, to reward the students who have achieved excellent result in TV media research. “It’s appreciated that I was given such an opportunity together with precious advice from AGB Nielsen, which would play an important role in the future in my study and career. I will write more excellent essay in 2008 to enter the competition.” the Outstanding Students’ Essay Scholarship winner Li Kaixuan said. Since its establishment in July last year, the Scholarship has been drawing a lot of attention; meanwhile the company has provided them with a large amount of data and analysis support. After setting up laboratories with universities, AGB Nielsen not only invited elites of the industry for lectures, but also arranged for staff to be dedicated to training, together with on-site software instructions in order to help the students make better use of the data and improve the quality of their essays. Judges of the essays include experts from SJTU, Jinan Univ. and Shenzhen Univ. as well as professionals from AGB Nielsen. Currently, 2008 Scholarship of AGB Nielsen is in the beginning stage. Based on last year’s experience, AGB Nielsen will offer more all-rounded support to more teachers and students in the universities. The students who were awarded the Scholarship, all applied AGB Nielsen’s first-hand data, combining with their own research, have carried out deep analysis from the aspects of audience and TVR etc. For instances, "TV audience comparison between urban and non-urban areas in Guangdong", "Effect of Seamless Advertising of Shanghai Channel Young", etc. In the end, Li Ye from Jinan Univ., Zhu Xiaowei and Liu Jiaqiong from SJTU and Li Kaixuan from Shenzhen Univ. were awarded Outstanding Students’ Essay Scholarship with the premium of RMB 2000; and Feng Shaowen from Jinan Univ., Wang Shuai from Shenzhen Univ., etc. were awarded Excellent Students’ Essay Scholarship with the premium of RMB 1000. Since its enterance into the China, AGB Nielsen has been contributing to the educational development. Dr. Colussi, Chairman of Management board of AGB Nielsen once said that AGB Nielsen would carry out a series of Professor Guoliang ZHANG, Dean of School of Media & Design, SJTU presented the award of AGB Nielsen produced certification of honour to Liu Jiaqiong, the Outstanding Students’ Essay Scholarship winner Mr. Derek Chen, Deputy Director of Client Service, South China of AGB Nielsen attended the essay scholarship presentation ceremony held by Jinan Univ. Award List Name School Award Li Ye Jinan University Outstanding Award Zhu Xiaowei Shanghai Jiao Tong University Outstanding Award Liu Jiaqiong Shanghai Jiao Tong University Outstanding Award Li Kaixuan Shenzhen University Outstanding Award Feng Shaowen Jinan University Excellent Award Wang Shuai Shenzhen University Excellent Award Hu Wei Shanghai Jiao Tong University Excellent Award INDUSTRY NEWS WORLDWIDE ChinaTAM Issue 10 04 World AdSpend Strength in Developing Countries Number of IPTV Households Reaches 14mn Worldwide ZenithOptimedia downgraded its combined growth forecasts for North America and Western Europe this year from 4.4% to 3.8% in its first advertising expenditure forecasts of 2008, as consumer and business confidence is negatively impacted by current economic conditions. However, says the report, growth continues to strengthen elsewhere, and Zenith increased its 2008 forecasts for the rest of the world from 10.9% to 11.1%. The number of households worldwide receiving IPTV services has reached 14mn, compared to 4.7mn in 2006, according to research firm Parks Associates. In a new whitepaper entitled “TV Services in Europe: Update and Outlook”, the company calculates that Europe leads other regions worldwide and accounts for nearly 60% of IPTV households. The region reportedly experienced a growth rate of 250% between 2006 and 2007 for IPTV services. Developing market dynamism will maintain global ad growth above ten-year average despite sluggish growth in the developed world. Developing markets will contribute 63% of ad expenditure growth between 2007 and 2010, and increase their share of the global ad market from 27% to 33%. Asia Pacific will overtake Western Europe in 2010 to become second-largest ad market. Zenith predicts continued above-trend growth thanks to dynamism in Asia Pacific, Central & Eastern Europe, Latin America and the Middle East. TV ad expenditure by 2010 is forecast to reach $204.6 billion and account for 37.6 of the ad market, ranking No.1 among all kinds of medium over the next three years. (Source: Research Brief) Europe, China Lead Digital Cable Drive At Cable Congress 2008(Madrid) in April, It’s known that the take-up of digital cable services in Europe is growing fast and should almost catch up that in the US in 2012. According to data produced by Screen Digest, there were 14 million homes in the EU 27 countries at the end of 2007, as opposed to 37 million in the US. However, China is the fastest growing digital cable market in the world and is expected to become its largest at the end of 2009. Screen Digest also predicts that the number of VOD-enabled cable homes in Europe should reach 25 million by the end of 2009 and that the number of HD homes will rise from its current level of just over one million to 30 million by 2012. (Source: boradbandtvnews.com) One of the key recommendations of the whitepaper is that operators should examine network and customer premise equipment upgrades for features and applications that can personalise the entire television experience and build customer loyalty. (Source: iptv-news.com) Pay TV Strong in Asia Asia’s pay-TV and broadband industries continue to benefit from economic growth, investment and competition, according to a report published by Media Partners Asia (MPA). The report measures the consumption and value of multichannel video and broadband services over multiple distribution networks, including cable, satellite, fibre, ADSL and mobile, across 16 markets in Asia Pacific.Over the past five years, the region’s pay-TV and broadband industries have grown at an average annual rate of 22 per cent, generating more than $53 billion in sales in 2007. According to MPA, this revenue base could climb at a CAGR of 11 per cent to reach $86 billion by 2012. Over a longer time frame, MPA sees industry revenues growing at a CAGR of 8 per cemt to approach $120 billion by 2017. (Source: advanced-television. com) INDUSTRY NEWS NATIONWIDE ChinaTAM Issue 10 05 Over 200mn Audience Watching TV Everyday in China Concerning the Earthquake Disaster After May 12th’s Wenchuan earthquake in Sichuan, Chinese people paid high attention to the earthquake situation and emergency rescue. According to the audience measurement results from AGB Nielsen Media Research (hereinafter AGB Nielsen for short), the concern of Chinese people to the relevant TV report has been increasing since May 12th, watching relatively long time every day. It is showed according to the data that over 50 million audiences watched special earthquake news on TV on May 12th within the measuring areas of AGB Nielsen. From May 13th to 14th, more than 200 million audiences watched disaster relief news on TV per day, and average viewing time per viewer exceeded 70 minutes. For the general public who concerned the earthquake-hit but could not go there personally, watching TV to know the latest news in earthquake-hit is the main channel to fight against the disaster with the people in disaster area together. On May 18th, the State Council published the announcement that May 19th to 21st is China National Mourning Days. According to the data from May 15th to 21st of AGB Nielsen, on May 19th, the first mourning day, the current affairs programs for disaster relief in nationwide channels (CCTVs and satellite TVs) reached the peak of audiences, and over 280 million audiences watched the programs, 59% of the universe AGB Nielsen covered. From May 15th to 21st, over 400 million audiences watched programs, which means over 80% of the universe watched the earthquake related news via nationwide channels within 7 days. It is also showed that 89 nationwide and local channels broadcast the Love Donation 2008 - large-scale donation event – Earthquake Resistance and Disaster Relief Series on May 18th. And over 200 million audiences watched the event via 39 nationwide channels, among which, the TVR of CCTV 1 reached 3.0% that night, which means over 56 million audience watched that event via CCTV 1. (Source: chinanews.com & Southern Metropolitan News). *Remark: the data in this article is from the China markets AGB Nielsen covers currently, including 11 provinces (municipalities) and 2 capitals of provinces. They are Beijing, Shanghai, Tianjin, Chongqing, Guangdong, Zhejiang, Jiangsu, Shandong, Fujian, Liaoning, Hunan, Chengdu and Wuhan. In addition, the nationwide channels measured consist of 16 CCTVs and 38 satellite channels. China – ASEAN Wish to Enhance the Communication and Cooperation in Radio and TV In the China-ASEAN Radio and TV Summit held in Beijing on April 22nd, the officials of China and ASEAN expressed their wishes to enhance the communication and cooperation in Radio and TV. Wang Taihua, Minister of the SARFT, mentioned that China pays great attention to the communication and cooperation in Radio and TV with the countries in ASEAN. Currently, China has signed Radio and TV cooperation agreement with most of countries in ASEAN. The Chief of Culture and News Dept. of Secretarial of ASEAN suggested both TV stations can broadcast more excellent programs of the other party, and set up liaison system for the other party’s reporters. Tian Jin, Deputy Minister of SARFT suggested that both parties should encourage and support the communication and cooperation in joint report, program exchange, joint program producing, technology exchange, and staff training in Radio and TV organizations; besides, he mentioned that SARFT supports the local Radio and TV organizations in Guangxi, Yunnan, etc. to utilize regional advantages to explore the cooperation channels and methods with the TV organizations in ASEAN. Following that Summit, Guangxi TV station and NBT jointly carried out the first “China Guangxi TV Broadcasting Week” in Thailand on May 8th. From May 8th to 14th, NBT broadcast 7 TV features offered by Guangxi TV successively at 17:30, such as Beautiful Guangxi, The Image of ChinaASEAN Expo, etc., to introduce the natural scenes, ethical cultures, social economy development in Guangxi and the communication and cooperation events between Guangxi and Thailand or other ASEAN to Thai audience. The Acting Director of NBT expressed that the broadcasting week will make Thai audience understand China in multi-aspects. Since Zhuang and Thai people has intimate relationship, Guangxi has become the main gateway for China to connect with Thailand and other ASEAN countries. He wished to offer Guangxi audience a Thailand TV Broadcasting Week soon. (Source: xinhuanet.com & people.com.cn) INDUSTRY NEWS NATIONWIDE China Becomes Big Country of RFT, and will Encourage “Go Out” of RFT On May 8th, Wang Taihua,Minister of SARFT,stated in the national Radio, Film and TV (RFT for short) external work conference held in Nanning, Guangxi, that as China had became a big country of RFT worthy of the name, the external work of RFT should be covered in the integrated strategy improving national cultural power, utilizing the market player function of state-owned and private corporations to establish the “Go Out ”strength. Minister Taihua WANG introduced that currently our external work of RFT have had a sound material foundation, and we have strength in programs producing, transmission covering, infrastructural facilities and technology progress; meanwhile, we had accumulated valuable experiences in RFT “Go Out” project. In the following period, we should not only enlarge the overseas’ coverage, but also enhance the innovation of program content and broadcasting channels in the external work of our RFT. Currently, we are carrying out the projects, such as China TV Great Wall Platform, Chinese, English and Multi-language Global Broadcasting Network; CCTV has owned 84 million overseas audience while China Radio International has set up 11 all-frequency FM radios out of China, and the programs in Xinjiang, Tibet, inner Mongolia, Yunnan, and Guangxi has covered the neighboring countries; and exports of film and television products and services, especially the oversea sales of films keep increasing. (Source: xinhua.net) SARFT Intends to Establish Cultural Criteria of Drama Appraisal In the China TV Arts 50s’ Anniversary Forum held by SARFT on May 5th, the minister of Drama Administration Dept. stated that the next step is to establish the cultural criteria of drama appraisal, which must be related with TVR to appraise a drama comprehensively. He mentioned that TVR are only broadcast standard, but can not be considered as the only criterion to appraise excellent drama. In addition, he pointed out that realistic theme drama was the mainline of China TV industry all along, which made TV the most popular entertainment today and is also the honorable tradition in China TV industry. Drama is suitable to reflect the life with historic background, and can also reflect the personal change in historic time; it is the good opportunity for TV development. (Source: chinanews.com) ChinaTAM Issue 10 06 Many Local TV Stations Take Great Efforts on Special Programs of Disaster Relief The disaster situation of Wenchuan earthquake in Sichuan pulls the heartstrings in the Radio & TV industry. Dragon TV, CQ Satellite TV, and other local TVs initiated to the report of earthquake resistance and disaster relief from the night of May 14th. Later many other TVs also replaced their entertainment programs to disaster relief reports. Dragon TV launched “Special Report Focusing on Wenchuan Earthquake” and live broadcast it all day; JS Satellite TV then launched benefit-free performance for disaster relief “Sing Love Together”, and one of emotional programs went to frontline to search moving stories; SZ Satellite TV launched live program “Earthquake Resistance and Disaster Relief - Love in Shenzhen”, and then jointly conducted the donation evening show with Phoenix TV, which was the first donation performance in provincial Satellite TVs; HN Satellite TV cancelled all entertainment programs in the week of mourning days, replaced by dynamical reports of earthquake resistance and disaster relief; HN Entertainment Channel was the first medium that cancelled all commercials since the night of May 18th, which was decided on May 14th. 6 channels in CQ broadcast system made special live report,broadcasting the info. from authorities. CQ Mobile TV broadcast the related news for the audience in the way synchronously, and www.cbg.cn also announced the latest news. (Source: China Journalism Review) SARFT will Establish Exit Mechanism Channel Certificate can be Cancelled On April 9th, the leader of discipline inspection team in SARFT, who is from CPC Central Commission for Discipline Inspection, mentioned in the conference of national correcting of vogue that, according to the prominent problems in channel and program operation and administration, SARFT studied to establish the exit mechanism recently to place severer punishment by repealing the channel certificate or stopping the programs. To strengthen program supervision, based on the mechanisms of audio and video receiving, talks, feedback, and criticism, SARF T established audience complain and feedback mechanism – 5 recording telephones and websites available in 24 hours daily. Besides, it established rectification, warning, and cancelling punishment and periodical reminder mechanisms. Meanwhile, it established the Detailed Regulations on Radio and TV Program Supervision to manage the vulgar program and punishment methods, which is the basis of content and quality appraisal and punishing on related broadcasters. (Source: xinhua.net) NEWS RELEASE ChinaTAM 07 Issue 10 United, Our Care From All Over the Country for the Earthquake-hit Area - Over 80% audience nationwide watching the current affairs programs for earthquake resistance After May 12th’s Wenchuan earthquake in Sichuan, Chinese people paid high attention to the earth-quake situation and emergency rescue. According to the audience measurement results from AGB exceeded 70 minutes. From May 15th to 21st, Cumulatedly over 80% audiences of the universe AGB Nielsen covered watched the current affairs programs for earthquake resistance via nationwide channels within 7 days. At 14:28 on 12th of May, an earthquake Magnitude 8.0 in Wenchuan, Sichuan Province put over 100,000 people into the desperate situation. At 15:20, CCTV-News started to broadcast the special program only an hour later, updating continuously the quake information. According to AGB Nielsen, 10 minutes afterwards, i.e. 15:30, TVR of CCTV News continued to go up till after 3 hours of live broadcasting. Nielsen Media Research (hereinafter AGB Nielsen for short), the concern of Chinese people to the relevant TV report has been increasing since May 12th, not only every viewer was keeping relatively long viewing time per day, but also the total number of audience was growing gradually. CCTV News, CCTV1 and Sichuan Satellite TV offered special programs one after another from the evening of the 12th till 2am of the 13th. TVR of CCTV News were still on the growing till midnight. While from 12th to 14th, audience totally changed their behaviors which resulted in the high ratings of CCTV News from 20:00 till midnight. Compared with the same period during the last week, there was an obvious ratings growth. (See Figure 1) It is showed that the average viewing time per viewer, who watched special earthquake news on May 12th within the measuring areas of AGB Nielsen, was 27 minutes. From May 13th to 14th, more than half the audiences watched disaster relief news per day, and average viewing time per viewer Figure 1: The TVR trend comparison in all day parts - CCTV- News TVR % 2.5 5/ 5 2 5 / 12 1.5 1 0:30 1:00 1:30 1:30 0:00 0:00 1:00 23:30 23:30 0:30 22:30 23:00 22:00 22:00 23:00 21:30 21:30 22:30 20:30 21:00 20:00 20:00 21:00 19:30 19:30 20:30 18:30 19:00 18:00 18:00 19:00 17:30 17:30 18:30 17:00 17:00 15:30 16:00 15:00 15:30 16:30 14:30 15:00 16:30 14:00 14:00 14:30 16:00 13:00 13:30 13:00 13:30 12:00 11:30 11:30 12:30 11:00 11:00 12:30 10:30 10:30 12:00 10:00 10:00 10:00 9:00 9:30 9:30 9:30 8:30 8:00 7:30 6:30 7:00 6:00 5:00 5:30 4:30 4:00 3:30 2:30 3:00 0 2:00 0.5 TVR % 3 5/ 6 2.5 2 5 / 13 1.5 1 9:00 8:30 8:00 7:30 7:00 6:30 6:00 5:30 5:00 4:30 4:00 3:30 3:00 2:30 0 2:00 0.5 TVR % 3 5/ 7 2.5 2 5 / 14 1.5 1 Remark: 2008/5/5 - 2008/5/14; CCTV - News; all day; all individual 4+ (Universe: 484,967,994) 1:30 1:00 0:30 0:00 23:30 23:00 22:30 22:00 21:30 21:00 20:30 20:00 19:30 19:00 18:30 18:00 17:30 17:00 16:30 16:00 15:30 15:00 14:30 14:00 13:30 13:00 12:30 12:00 11:30 11:00 10:30 9:00 8:30 8:00 7:30 7:00 6:30 6:00 5:30 5:00 4:30 4:00 3:30 3:00 2:30 0 2:00 0.5 Source: AGB Nielsen Media Research During the period, the experts expressed that the quick response of CCTV showed the huge influence of traditional mainstream media, becoming the main channel for Chinese people to know the info. most effectively. On May 19th, the first mourning day, over 60% audiences watched the current affairs programs for disaster relief in nationwide channels, reaching the peak of audiences in the 10 days. Since the quake happened, all TV stations have been involved in the report on the rescue progress. According to AGB Nielsen’s data, there have been 11 CCTVs and 36 satellite TVs, broadcasting the quake resistance news from 15th to 21st May. During the 7 days, Over 80% audience nationwide of the universe AGB Nielsen covers watched the related news via those national channels. Over 40% audiences watched the Love Donation 2008 - largescale donation event – Earthquake Resistance and Disaster Relief Series on May 18th via 39 nationwide channels, among which, over 56 million audiences watched that event via CCTV 1. *Remark: the data in this article is from AGB Nielsen's current China markets -11 provinces (municipalities) and 2 capitals of provinces - BJ, SH, TJ, CQ, GD, Zhejiang, JS, SD, FJ, LN, HN, CD and WH. In addition, the nationwide channels measured consist of 16 CCTVs and 38 satellite channels. INDUSTRY REPORT ChinaTAM Issue 10 08 Thoughts Behind the Popular Drama Love in Countryside II Coco Xu (Client Service, AGB Nielsen Media Research Shenyang) Without good-looking actors and actresses, or luxurious topdressing and affected dramatics, the countryside-themed drama Love in Countryside(hereinafter LIC for short) II hit the screen out of everyone’s expectation . According to data from AGB Nielsen Media Research (hereinafter AGB Nielsen for short), the drama, premiered on CCTV1 during Feb 10th to Mar 1st, has achieved outstanding performance in several markets. Table 1: Top 5 programs during 18:00-22:59 in markets where Love in Countryside II was No.1 Market Ranking Program name Channel TVR(%) 1 2 3 4 5 1 2 Love in Countryside II Huan Zhu Ge Ge II Nu Ren Hua Tian Di You Qing 8 Yi Nan Wang 2 (2) Love in Countryside II Live Smiling Da Guo Nian (Spring Festival) CCTV1 Hunan Satellite CCTV8 CCTV8 CCTV8 CCTV1 Liaoning TV City Channel 18.53 2.69 2.15 2.09 1.97 20.15 3.43 Shenyang TV1 (News) 2.19 Liaoning 1. Love in Countryside II Hitting Screens Nationwide Shenyang As a local drama, LIC II laureled the first in the list of TV drama rating in the Northeast region, with ratings in Liaoning and Shenyang markets even reaching 18.53% and 20.15%. In Great Beijing (including 18 districts), Tianjin and Shandong, LIC II jumped to 7.1%, 8.23% and 6.56% during prime time (18:00-22:59) which is the time slot that channels compete most, topping the rating against other simultaneous hot dramas during prime time in all the three areas. (See Table 1) Tianjin Great Beijing In addition, it not only had an outstanding performance in Northern market, but also had a good return in Central and South China. Especially in JS, FJ, FZ, WH and ZJ etc., it was among top 10 TV dramas during prime period. Shandong 3 4 Tian Mi Mi 5 1 Huan Zhu Ge Ge II Love in Countryside II Shenyang TV3 (Film/Drama) Hunan Satellite CCTV1 2 Night Runner Tianjin TV3 (Film/Drama) 6.91 3 Confrontment Tianjin TV3 (Film/Drama) 6.84 4 Shang Men Nu Xu Tianjin TV2 (Entertainment) 5.24 5 1 2 3 4 5 1 2 Tianjin TV2 (Entertainment) CCTV1 BTV4 (Film&Drama) BTV4 (Film&Drama) Hunan Satellite BTV4 (Film&Drama) CCTV1 Qilu TV 4.77 7.10 5.31 4.32 4.00 3.95 6.56 5.38 Qilu TV 5.26 4 Love with no regret Love in Countryside II Nu Ren Yi Bei Zi Qian Jun Yi Fa Huan Zhu Ge Ge II Wei Lie Ru Ming Ce Love in Countryside II Bu Bu Jing Hun Hei Bai Ren Sheng (Life of Black and White) Chuang Guan Dong Shandong Satellite 4.52 5 Cang Hai Ying Xiong Qilu TV 4.35 1 CCTV1 4.46 Jiangsu Satellite 3.03 3 Love in Countryside II Li Xiaohuan and Miao Cuihua Nu Ren Hua CCTV8 2.94 4 Shen Tan Di Ren Jie CCTV4 1.80 5 Liao Zhai Qi Nu Zi Jiangsu TV Film&Drama 1.46 3 2 Jiangsu 2. Bigger Gap Between Northern and Southern Regions Compared With Love in Countryside I 2.13 2.07 8.23 Remark: 2008/02/10-2008/03/01;18: 00-22:59; all individual 4+; Top 5 dramas; 6 markets Source: AGB Nielsen Media Research Figure 1: TVR comparison of Love in Countryside I and II TVR% 21 20.15 Love in Countryside I 15 Love in Countryside II 18 7.1 5.1 Sh en ya n Ti g an ji Be n ij in C he g ng Fu du zh o W u Ha uh ng an zh Na ou C njin ho n g G gq ua in ng g zh G Sh o u re an at g Sh ha G an i re gh at a G Be i ua ij in ng g d Z h o ng ej ia ng 1.3 1.1 0.9 1.3 0.74 1.2 0.82 1.04 0.49 0.77 1.71 2.54 1.39 1.34 1.18 1.28 3.39 3.26 2.12 2.51 3 1.88 2.69 6 6.15 3.78 9 8.23 6.35 12 9.8 From the data of 11 key cities and 4 provincial markets of AGB Nielsen in 2006 and 2007, LIC I and II both had higher TVR in the north compared with those in the south. However, the difference is larger when it comes to LIC II. TVR of LIC II in SY, TJ, BJ, WH and NJ surpassed LIC I with SY outperforming others thanks to a growth of 10.35% (See Figure 1). In CD, FZ HZ, CQ, GZ and SH,TVR of the LIC II are lower than those of LIC I. In the 4 provincial markets, Great BJ and ZJ had higher TVR for LIC II while Great SH and GD lost ground in the TVR of LIC II comparing with LIC I . It is obvious that growing markets are mainly in the north while shrinking are predominantly in the south. Therefore TVR of LIC II presented a picture that the strong north get stronger while the weak south get weaker. Remark: LIC I (2006/09/30-2006/10/16);LIC II (2008/02/10-2008/03/01);4+; 11 cities/ 4 provincial regions: Great Shanghai, Great Beijing, Guangdong, Zhejiang Source: AGB Nielsen Media Research INDUSTRY REPORT ChinaTAM Issue 10 09 3. Reasons Behind the Gap Between the North and the South of LIC II (1) North: retaining original audience while attracting new According to AGB Nielsen’s data, TVR of audience with primary school or below of LIC I is 6.91% and households with 800yuan minus income contributed 5.29%, thus audience with little education and less income contributed most in the ratings of LIC I. However, more audience with higher education and income joined the audience when LIC II Figure 2: TVR in Great Beijing of target audience, Love in Countryside I and Love in Countryside II was broadcasted. Audience with senior high school education rose from 3.77 to 8.51; while audience with college education TVR% Love in Countryside I 10 Love in Countryside II 8.51 8 6.91 6.89 6.76 6.29 5.29 4.21 3.77 4 7.37 6.56 5.75 6 8.16 im Pr also be seen in Tianjin, Wuhan and Shenyang. (See Figure 2 LIC II retained the original audience and also further attracted 4.09 more audience with higher education and income. High TVR can only been reached when different target audience are satisfied. The result also eliminated the doubts towards 0 y plus income rose from 4.09 to 8.16. Same performance can and Table 2) 5.51 2 ar or above grew to 6.56 from 4.21. Audience with an 1500 d an b o el w Ju ni S or c o ho l Se ni S or c C o ho ol le l ge d an R a M v bo B e 80 0 d an b o el w R M B 0 80 R M - 0 15 B 15 0 00 d an a v bo e audience quality of this kind, showing that such themed drama can also attract high-end audience. Remark: Love in Countryside I (2006/09/30-2006/0/16) ;Love in Countryside II (2008/02/102008/03/01);4+;Great Beijing Source: AGB Nielsen Media Research Table 2: TVR of Love in Countryside I and Love in Countryside II in Tianjin, Wuhan and Shenyang Tianjin Wuhan Shenyang I II I II I II Primary School or below 6.82 6.77 2.58 2.34 5.20 23.32 Junior High School 7.20 8.49 3.16 3.34 9.82 22.26 Senior High School 5.24 8.65 3.46 3.64 11.27 17.96 College or above 6.84 7.99 3.59 3.77 11.20 17.25 RMB 800 or below 6.28 7.21 2.88 3.10 9.15 19.80 RMB 800-1500 6.46 10.12 4.63 3.64 10.35 20.61 RMB 1500 or above 6.84 9.36 2.55 4.30 17.38 20.91 Remark: Love in Countryside I (2006/09/30-2006/0/16) ;Love in Countryside II (2008/02/10-2008/03/01);4+;Tianjin, Wuhan, Shenyang Source: AGB Nielsen Media Research INDUSTRY REPORT ChinaTAM Issue 10 10 (2) South: loss of the original loyal audience According to AGB Nielsen’s data, comparing with all other audience groups with dropping TVR of LIC II, age group of 15-24 had an increase in TVR. In GD, it grew from 0.52 to 0.61; While in CQ it went up to 1.23 from 0.91 and in CD, it’s from 0.72 to 0.82 (See Figure 3 and Table 3). Although LIC II grasped more young audience compared with LIC I, small increase in such age group could not make up for the great loss of the original loyal audience. Figure 3: TVR comparison of Love in Countryside I and Love in Countryside II in Guangdong Table 3:TVR of Love in Countryside I and Love in Countryside II in Chongqing, Chengdu and Shanghai Chongqing Chengdu Shanghai LIC I LIC II LIC I LIC II LIC I LIC II 2.54 1.71 2.69 1.88 1.05 0.82 1.15 0.91 1.06 1.23 0.89 0.72 0.96 0.82 0.43 0.45 0.13 0.16 25-34 2.42 2.12 1.64 2.18 0.45 0.39 35-44 45-54 55+ 1.35 1.55 5.33 1.20 0.82 3.08 1.67 2.33 6.38 1.67 1.23 3.24 1.27 1.26 1.63 1.55 1.34 0.86 Total population 4-14 15-24 That audience of 55 or above contributing the biggst TVR to LIC I with 2.33 shows that old audience was the main target for LIC I. While for LIC II, ratings of 55 or above dropped from 2.33 to 0.94, a decrease for 2.5 times. This resulted in overall TVR drop from 1.30 to 0.89. Loss of the dominant audience R resulted in lower TVR in these markets compared with LIC I. Remark: Love in Countryside I (2006/09/30-2006/10/16);Love in Countryside II (2008/02/102008/03/01);4+;Chongqing, Chengdu and Shanghai Source: AGB Nielsen Media Research 4. Non-urban Audience That can not be Neglected According to AGB Nielsen’s data in Great Beijing, althought non-urban audience accounts for 5% of the total TV population, their contribution can not be neglected. Urban audience occupied 87% in LIC I, which means only 13% were non-urban; while urban audience accounted for 91% in LIC II, with the other 9% from non-urban. However, TVR from nonurban audience for both dramas offered far bigger ratings than those of urban audience. For LIC I, ratings of non-urban reached 11.79 which were 2.5 times of the urban; While for LIC II, it was up to 12.62 in non-urban which were 1.9 times of urban. (See Figure 4) 3 TVR% Love in Countryside I Love in Countryside II 2 1.68 1.37 1.44 1.3 0.89 0.89 0.68 1 0 All e Ag 4 -1 4 A 0.9 0.52 0.61 1 ge 5 -2 4 A 2 ge 5 -3 4 A 3 ge 5 -4 4 A 2.33 1.17 1.11 4 ge 5 -5 4 0.94 55 e Ag + Remark: Love in Countryside I (2006/09/30-2006/10/16);Love in Countryside II (2008/02/10 -2008/03/01);4+;Guangdong Source: AGB Nielsen Media Research Figure 4: Profile & TVR of urban and non-urban audience for Love in Countryside I and Love in Countryside II in Great Beijing Profile% 100 90 80 70 60 50 40 30 20 10 0 TVR% 87 14 91 11.79 12.62 12 10 8 6.81 4.67 LIC I Urban 6 13 LIC II Urban Profile LIC I Nonurban 4 9 LIC II Nonurban 2 0 TVR Remark: Love in Countryside I (2006/09/30-2006/10/16);Love in Countryside II (2008/02/10 -2008/03/01);4+;Great Bejing Source: AGB Nielsen Media Research Through the popularity of LIC II and similar dramas, we can see a group with huge potential, i.e., non-urban audience. Along with the economic development and increasing consuming level in non-urban area, it brings serious questions to all media insiders that how to produce works that meets the demand of non-urban TV population, how to better cater their viewing requirement and how to improve their viewing behavior. In other words, when we try hard to occupy more in urban market where is an increasingly competitive market, the non-urban market with huge potential is neglected. It is a question worthy of consideration that how to maximize the benefit in this market. In this article, we analyzed the different performances in northern and southern areas. In north, LIC II expanded to higher-educated audience with higher income based on retaining the strong group of the old audience; And in south, despite the increasing number of young audience, the fact that loss of the old audience brought drops in the TVR was inevitable. Meanwhile we also saw the huge potential in the non-urban audience. Structure of TV audience keeps changing while level of audience’s taste has been improving. We hope those in the TV industry would continue to target their market and produce more works with both high reputation and popularity. INDUSTRY REPORT ChinaTAM Issue 10 11 Summary of 2007 Guangzhou TV Market Wei Meng (Chief Editor Office, Southern TV) Guangzhou TV market experienced a big change in 2007, which on one hand suffered from drop in viewing time, and on the other saw more intense competition due to the increasing number of channels. I. Change of Competition Structure of 2007 Guangzhou TV Market 1. Market Competition Environment Due to the total transfer to digital in cable TV network of Guangzhou city, audience can receive a lot more channels which added to competition. The transfer brought changes from 2 aspects: one is the change or swap of channels frequency, which led to the change of audience’s original preferences and the time it took the audience to choose the channels and the channels to attract the audience again; the other is that number of channels have grown up to 82 which is an increase of 30 channels in cable TV network of Guangzhou city. The 30 news channels include Action Movie, Documentary, City Play, Channel Young, CHC Action Movie, New Cartoon, China Cuisine, English Learning, Tianyuan I-go, Liang Zhuang, Charming Music, Great Sports, Golden Life, Colourful Stage, Game, Channel Max, Dragon TV Finance, Law Life, Cartoon Show, Health Channel, Channel Joy, CHC Family Theatre, Golf, European Football, CCTV9, CCTV12, Qinghai Satellite, MASTV, Guangzhou Digital TV Guide,Tibet Satellite. In 2008, cable TV in provincial network will be totally transferred to digital; by then the viewing situation will be changed due to the channel frequency change or swap. 2. Competition Structure (1) TVB HK is still the strongest media which accounts for over one-fifth of the market share (see Figure 1). Compared with last year, there have been increase both all day and evening time, while in the evening the increase was as high as 4% (see Table 1). The only TV station from Mainland that can compete with TVB is Southern TV during the Chinese New Year and Golden week in May. Market share of Southern TV during these 2 periods are 24.1% and 22.2%, with TVB stayed as 21.2% and 19.1% meanwhile. (2) Among the 3 strongest local media, Guangzhou TV is No. 1 with the share of 3.7%. Although it ranked top, it has a drop of 2.6% in the evening period. Being No. 3, Southern TV has drops both in all day and evening periods, which are -9.9% and -5.8%. This is mainly due to the decrease of channel number from 6 to 5 in 2006. TVS5 Science and Education channel was reformed as Guangdong News channel thus now belongs to Guangdong TV. There are 2 channels added to Guangdong TV, i.e. Guangdong News and Guangdong Jiajia Cartoon channel, which led to more power during competition. (See Figure 1 and Table 1) (3) When the number of digital TV channels have increased, individual channels fall in the category of “other channels” due to the lack of release condition. From the doubled share of Other Channels, we can see the crash to cable TV channels from digital channels. (See Figure 1 and Table 1) (4) Other provincial Satellite channels (excluding Guangdong) have always been a strong contributor to the Guangzhou TV viewing market. Although the share is less than 8%, it has increased both in all day and evening period compared with last year. (See Figure 1 and Table 1) Tianjin Satellite and Hebei Satellite enjoyed the biggest net growth in all day share, in 2007 of 0.38% and 0.25%. Net growth are both 0.12% which means a growth rate of 46.2% and 92.3% respectively. Meanwhile the most significant drop belongs to Beijing Satellite and Gold Eagle Cartoon, with a net growth of -0.15% and -0.13% in ratings which mean a growth rate of -68.2% and -12% compared with the year before. The launch of Guangdong Jiajia Cartoon channel at the end of 2006 was one of the barriers for the development of Gold Eagle and Toonmax TV. (5) Oversea channel Phoenix Satellite TV suffered from drop both in all day and evening periods by about one-fourth. Hong Kong ATV and CETV had decrease of one-fifth. Star TV and MTV strengthened the power of competition. (See Figure 1 and Table 1) Figure 1: 2007 market shares of TV stations in Guangzhou MTV 0.8% Star TV 2.8% Other provincial satellite TV 7.2% Others 2.7% Southern TV 16.2% CETV 1.4% Phoenix Satellite 1.5% HK ATV 4.3% Guangdong TV 13.9% TVB 22.1% Guangzhou TV 18.0% CCTV 9.1% Remark:2007/1/1-2007/12/31;Guangzhou;all day;all individuals 4+ Source: AGB Nielsen Media Research INDUSTRY REPORT ChinaTAM Issue 10 12 Table 1: 2007 market share changes of TV stations in all day and evening periods Variables TV Station all day 2006 Share % 2007 Share % 18:00-24:00 net growth % growth rate net growth % growth rate Southern TV 17.98 16.20 -1.78 -9.9% 2006 Share % 2007 Share % 15.73 14.81 -0.92 -5.8% Guangdong Groups 13.57 13.89 0.32 2.4% 14.16 14.43 0.27 1.9% Guangzhou TV 17.36 18.01 0.65 3.7% 20.36 19.83 -0.53 -2.6% -8.0% CCTV Groups 9.30 9.06 -0.24 -2.6% 7.10 6.53 -0.57 TVB HK 21.85 22.10 0.25 1.1% 26.55 27.60 1.05 4.0% HK ATV 5.62 4.32 -1.30 -23.1% 5.39 4.32 -1.07 -19.9% Phoenix Satellite 2.07 1.46 -0.61 -29.5% 1.46 1.09 -0.37 -25.3% CETV 1.79 1.42 -0.37 -20.7% 1.70 1.41 -0.29 -17.1% Star TV 2.61 2.81 0.20 7.7% 2.06 2.29 0.23 11.2% MTV 0.63 0.78 0.15 23.8% 0.46 0.54 0.08 17.4% Other provincial Satellite 6.39 7.24 0.85 13.3% 4.41 4.89 0.48 10.9% Others 0.83 2.71 1.88 226.5% 0.62 2.26 1.64 264.5% Remark:2007/1/1-2007/12/31;Guangzhou ;all day;all individuals 4+ Source: AGB Nielsen Media Research (6) There have been 3 stages during the competition of Mainland TV stations and oversea ones in Guangzhou, which are oversea dominant - all square - Mainland channels dominant. Market share of Mainland channels first surpassed oversea ones in 2005; while in 2007, the market share has increased to over 67%, which means a dominant position for 3 years in a row and a net increase of almost 2%. It increased significantly in all day, with growth rate of 2.6%. (See Table 2) (7) “20-80” is common in the TV viewing market. Although top 10 channels’ share dropped, it still accounts for more than 60% of the all day market and more than 70% of the evening. (See Table 2) (8) Mandarin channels show strong growth. Although the 9 Cantonese channels (Hong Kong Jade channel, Southern Film & Drama, Guangzhou 34, Guangdong Zhujiang, Hong Kong ATV, Southern Satellite, Guangzhou News, Guangzhou Sports and Guangzhou Sports) occupy 55% of the market, Mandarin channels has shortened the gap with them by an increase rate of 6%. (See Table 2) (9) Children’s cartoon channels (including CCTV Children, Southern Children, Guangzhou Children, Golden Eagle Cartoon, Toonmax Cartoon, Guangdong Jiajia Cartoon) experienced a rapid growth, with a increase rate of 35% all day and 27% in the evening period.(See Table 2) Table 2: 2007 market share change by category in all day and evening periods all day Variables Channels 2006 Share % 2007 Share % 18:00-24:00 net growth % growth rate 2006 Share % 2007 Share % net growth % growth rate China Mainland Channels 65.43 67.11 1.68 2.6% 62.38 62.75 0.37 0.6% Oversea Channels 34.57 32.89 -1.68 -4.9% 37.62 37.25 -0.37 -1.0% TOP 10 Channels 65.62 64.42 -1.20 -1.8% 72.09 71.77 -0.32 -0.4% Cantonese channels 61.93 59.70 -2.23 -3.6% 69.34 68.12 -1.22 -1.8% Mandarin channels 38.07 40.30 2.23 5.9% 30.66 31.88 1.22 4.0% Children's cartoon channels 3.53 4.75 1.22 34.6% 2.81 3.56 0.75 26.7% Remark:2007/1/1-2007/12/31;Guangzhou ;all day;all individuals 4+ Source: AGB Nielsen Media Research 3. Competition of Channels (1) The top 5 channels keep 54% of the market share, which are 21.17% of Jade, 9.49% of Guangzhou 34, 8.24% of Zhujiang, 6.96% of Southern Film & Drama and 4.42% of Guangzhou News. Among the top 10 channels, there are 4 from Southern TV and they are Southern Film & Drama, Southern Entertainment, Southern Satellite and Southern Children. (See Table 3) (2) For channels such as Jade, Guangzhou 34, Zhujiang and Guangzhou News, etc. they have a much stronger position in evening period than all day. (See Table 3) (3) None of the satellite channels from other provinces were in Top 20 (see Table 3), Top 3 satellite channels from other provinces, which are Hunan Satellite, Gold Eagle Cartoon and Anhui Satellite, are listed as No. 25, 28 and 32 with the share of 1.03%, 0.95% and 0.66% respectively. INDUSTRY REPORT ChinaTAM Table 3-1: Top 20 market share in Guangzhou 2007 Issue 10 13 Table 3-2: Top 20 market share in Guangzhou 2007 Ranking Channel (All day) 2006 2007 Difference Ranking Channel (18:00-24:00) 2006 2007 1 Jade channel 20.80 21.17 0.37 1 Jade channel 25.45 26.47 Difference 1.02 2 Guangzhou 34 9.65 9.49 -0.16 2 Guangzhou 34 12.04 11.20 -0.84 3 Guangdong Zhujiang 7.81 8.24 0.43 3 Guangdong Zhujiang 9.43 9.59 0.16 4 Southern Film & Drama 6.90 6.96 0.06 4 Southern Film & Drama 5.72 6.78 1.06 5 Guangzhou Cable News 4.15 4.42 0.27 5 Guangzhou Cable News 5.11 5.32 0.21 6 Hk ATV 5.18 3.95 -1.23 6 Hk ATV 4.93 3.95 -0.98 -1.08 7 Star TV 2.61 2.81 0.20 7 Southern Satellite 3.38 2.30 8 Southern Entertainment 3.43 2.70 -0.73 8 Star TV 2.06 2.29 0.23 9 Southern Satellite 3.44 2.38 -1.06 9 Southern Entertainment 2.75 2.25 -0.50 10 Southern Children 1.65 2.30 0.65 10 Southern Economy 2.66 1.87 -0.79 11 Southern Economy 2.56 1.87 -0.69 11 Southern Children 1.22 1.62 0.40 12 Guangdong Sports 2.35 1.81 -0.54 12 Guangdong Sports 1.82 1.44 -0.38 -0.29 13 CCTV5 1.82 1.56 -0.26 13 CETV 1.70 1.41 14 CCTV6 1.39 1.48 0.09 14 Guangdong News 0.89 1.36 0.47 15 Phoenix TV 2.07 1.46 -0.61 15 CCTV5 1.42 1.20 -0.22 16 International 2.07 1.46 -0.61 17 CETV 1.79 1.42 -0.37 16 Guangzhou Cable Film & Drama 1.05 1.13 0.08 18 CCTV3 1.24 1.31 0.07 17 18 19 20 Mingzhu Guangdong Public Phoenix TV International 1.10 1.22 1.46 1.46 1.13 1.12 1.09 1.09 0.03 -0.10 -0.37 -0.37 19 Guangdong Public 1.21 1.28 0.07 20 Guangzhou Cable Sports 1.65 1.28 -0.37 Remark:2007/1/1-2007/12/31;Guangzhou ;all day;all individuals 4+ Source: AGB Nielsen Media Research (4) Southern Children, Guangzhou Economy and Zhujiang channels had the biggest increase within all the Mainland channels, with a net increase of 0.65%, 0.52% and 0.43%. While Southern Film & Drama, Jade and Guangdong News have become stronger in the evening period (see Table 4). The net growths are 1.06%, 1.02% and 0.47% respectively. (5) HK ATV, Southern Satellite and Southern Entertainment though had a rather remarkable drop which was 1.23%, 1.06% and 0.73%. Significant drop during evening period happened to Southern Satellite, ATV and Guangzhou 34, with the decrease of 1.08%, 0.98% and 0.84%. (See Table 4) Table 4: Top 10 significant change of channels in Guangzhou during all day and evening periods 2007 Ranking All Day Evening Period Channel 2006 2007 Net Growth Ranking share% share% growth% rate Channel 2006 2007 Net Growth share% share% growth% rate 1 Southern Children 1.65 2.3 0.65 39.4% 1 HK ATV 5.18 3.95 -1.23 -23.7% 2 Guangzhou Economy 0.48 1 0.52 108.3% 2 Southern Satellite 3.44 2.38 -1.06 -30.8% 3 Guangzhou Zhujiang 7.81 8.24 0.43 5.5% 3 Southern Entertainment 3.43 2.7 -0.73 -21.3% 4 Jade 20.8 21.17 0.37 1.8% 4 Southern Economy 2.56 1.87 -0.69 -27.0% 5 Guangdong Jiajia 0.03 0.37 0.34 1133.3% 5 Phoenix TV 2.07 1.46 -0.61 -29.5% 1 Southern Film & Drama 5.72 6.78 1.06 18.5% 1 Southern Satellite 3.38 2.30 -1.08 -32.0% 2 Jade 25.45 26.47 1.02 4.0% 2 HK ATV 4.93 3.95 -0.98 -19.9% 3 Guangdong News 0.89 1.36 0.47 52.8% 3 Guangzhou 34 12.04 11.20 -0.84 -7.0% 4 Southern Children 1.22 1.62 0.40 32.8% 4 Southern Economy 2.66 1.87 -0.79 -29.7% 5 Star TV 2.06 2.29 0.23 11.2% 5 CCTV1 1.53 0.94 -0.59 -38.6% Remark:2007/1/1-2007/12/31;Guangzhou ;all day;all individuals 4+ Source: AGB Nielsen Media Research Drop of HK ATV is due to changes of shareholding structure and management strategy. In May 2007, the Cha’s family became the major shareholder and a modification was made on 10 Aug, which was mainly for Jade channel. The popular drama program at 7:00pm was replaced by local Hong Kong news which led to a significant drop of ratings. However this also brought relief to the Mainland competitors who have drama programs at 7:00pm. Phoenix Satellite’s downtrend was also due to the modification in 2007, after which Cumulated Average viewing time per viewer dropped from 27 minutes to 17 minutes despite the increase of reach rate from 13.8% to 14.6%. Furthermore the viewing time dropped in all categories of programs. (See Figure 2) INDUSTRY REPORT ChinaTAM Issue 10 14 II. Audience Behaviors Change in Guangzhou Market 2007 Figure 2: Average Viewing Time per Target Viewer of Phoenix TV 45 1. Audience Scale Average Viewing Time per Viewer(Minutes) 2006 2007 36 In 2007 with the decrease of audience number, average viewing time per viewer also dropped which led to a 10% reduction in TVR. 27 18 (1) Ratings: Average ratings of all day and evening periods have dropped by 0.8% and 0.5% respectively. (See Figure 3) (3) Average viewing time per viewer: 16 minutes decrease for all day period and 10 minutes less during evening period. (See Figure 3) 4 + 55 ind ivi du ind al ivi inc du om al ind inc e< om ivi 10 du e1 00 al 00 inc 0om 19 ind e2 99 ivi du 00 al 029 inc 99 om e> 30 Pr 00 im ar yS ch oo lo Ju rb nio elo rh w i gh Se Sc nio ho rh ol igh Sc Co ho lle ol ge or ab ov e 4 -5 45 4 35 -4 4 -3 25 14 -2 4- 15 le ale Fe m all ind ivi du (2) Reach rate: Audience who watch TV all day has dropped by 6% while there’s an increase in the evening time which is 0.3%. (See Figure 3) Ma als 0 4+ 9 Remark:2006/1/1-2007/12/31;Guangzhou;all day;all individuals 4+; Southern Phoenix TV,Guangzhou Phoenix TV Source: AGB Nielsen Media Research Figure 3: Changes of TVR, Reach Rate and Average Viewing Time per Viewer in Guangzhou 2007 2. Audience Structure TVR % 2006 2007 (1) Age: audience between 35-44 accounts for the most which was 21%, second to which are audience between 15-24 and audience above 55, which both account for 18%. (See Figure 4-3) 2000-2999 60.5 60.8 254 2006 2007 238 176 13.5 12.9 All day All day 18:00-24:00 18:00-24:00 All day 18:00-24:00 Remark:2006/1/1-2007/12/31;Guangzhou;all day; all individuals 4+; all channels Source: AGB Nielsen Media Research Figure 4-2: Audience Structure in Guangzhou 2007 College or above <1000 44% 20% 2006 2007 29.6 12.5 11.7 (3) Income: audience with monthly salary of RMB 2000 and below accounts for 78%; meanwhile those who earns above RMB 3000 only accounts for 2%. (See Figure 4-1) >3000 2% 31.1 Average Viewing Time per Viewer (minutes) 186 (2) Education: the largest group is audience with senior high school/technical secondary school which accounts for 36%. (See Figure 4-2) Figure 4-1: Audience Structure in Guangzhou 2007 Reach Rate % Figure 4-3: Audience Structure in Guangzhou 2007 Primary School or below 18% 4-14 15% 55+ 18% 24% 15-24 1 6% 45-54 12% Junior high School 35-44 21% 36% Income Remark:2007/1/1-2007/12/31;Guangzhou;all day;all individuals 4+;all channels Source: AGB Nielsen Media Research 25-34 1 8% 22% Senior high School 1000-1999 34% Education Age INDUSTRY REPORT ChinaTAM 15 Issue 10 3. Viewing Changes of Target Audience (1) Viewing time of children, parents and high-income audiences have grown while it is decreasing with audience between 15-24 as well as low-income. (See Figure 5) Average viewing time per viewer(minutes) 350 5 -1 100 50 -12 -19 -15 -20 -22 -20 1 -1 -6 -9 -10 50 0 -8 -11 -12 0 -5 -10 -8 -13 -12 Pr 55 im + or ary b S Ju nio elowchoo rh l igh Se Sc nio ho rh ol igh Sc Co h oo lle ge l or ab ov e 45 -5 4 15 -2 4 414 le ale -1 -4 -9 -16 Fe m -30 -15 -20 <1 00 0 10 00 -1 99 9 20 00 -2 99 9 200 -10 -10 -26 3 Evening 150 period 100 0 -16 -27 0 10 -4 -11 -14 25 -3 4 35 -4 4 All day Difference 2007 6 3 200 150 2006 >3 00 0 300 250 Ma (2) As for all day period, group 4-14, group 35-44 and group with income of RMB 3000+ all have grown in viewing time, which are respectively 3 minutes, 6 minutes and 5 minutes. There is decrease to various extents for all the other groups. The most significant decrease happened to group 15-24, group with college education and above as well as to the group with income of RMB 1000 and below. The decreases are 27 minutes, 22 minutes and 26 minutes. (See Figure 5) Figure 5: Average viewing time and change for target groups in Guangzhou 2007 Remark:006/1/1-2007/12/31;Guangzhou;all day;all individuals 4+;all channels Source: AGB Nielsen Media Research (3) In the evening, only groups who have increased their viewing time are group 4-14 and group 35-44, and the increase are 3 minutes and 1 minute. There are decreases in all the rest, among which group 15-24 had the biggest drop which was 16 minutes. (See Figure 5) Table 5: Market share for each channel in 2007 as for each target group Target audience 4-14 15-24 25-34 35-44 45-54 55+ <1000 1000-1999 2000-2999 >3000 Male Female Primary School or below Junior high School Senior high School College or above Student Self-employed Laid-off/retired/jobless Government official Workers 4. Preferences of Target Groups to Each Channel (1) Favorite channel to group 4-14 is Southern TV which is the second choice for audience of group 35-44, group with income of 1000 below, Female and audience with junior high/technical school education. (See Table 5) (2) Guangzhou TV has more attention from audience with income of RMB 3000+ and laidoff/retired/jobless audience. (See Table 5) (3) Rest of the audience prefers HK TVB. (See Table 5) Southern TV 23.8 15.1 14.6 18.0 14.5 16.0 18.1 15.3 16.3 15.7 16.5 17.4 21.1 17.9 15.0 13.9 19.5 18.4 15.9 15.0 16.2 Guangdong TV 12.0 12.8 13.8 14.0 13.1 15.7 13.3 14.9 13.3 12.5 14.3 13.2 14.0 14.5 13.9 12.1 11.6 14.3 15.1 13.6 14.1 Guangzhou TV 12.7 16.2 17.8 16.9 20.4 21.1 17.3 18.5 17.3 19.4 18.1 17.3 16.1 16.8 18.6 19.5 14.0 17.3 20.0 17.8 18.4 CCTV HK TVB 6.0 6.1 9.9 9.8 9.9 11.6 7.6 10.5 11.2 12.7 10.6 7.6 7.4 8.8 9.5 11.5 5.5 8.6 11.0 9.5 10.5 22.2 27.3 23.5 19.7 23.1 18.6 22.9 21.5 20.3 19.3 20.1 24.0 20.0 21.8 22.4 24.4 25.6 19.2 19.6 24.0 21.2 Remark:2007/1/1-2007/12/31;Guangzhou;all day;all individuals 4+ Source: AGB Nielsen Media Research III. Programs Viewing for Guangzhou Market in 2007 Figure 6: Broadcasting share of programs in Guangzhou in 2007 40% 2006 2007 Broadcasting share 23.4% 24.5% 20% 11.9% 13.1% 10.5% 8.6% 1.5% 1.2% or ts re isu Le th Yo u E Inf duc or at ma ion tio n Do cu Sc me i-T nt ec ary h Fil m s Cu N rre ew nt s aff air on t en rto Ca a am Remark:2006/1/1-2007/12/31;Guangzhou;all day;all individuals 4+;all channels Source: AGB Nielsen Media Research 1.4% 1.3% 1.7% Sp 2.6% Ta lk 2.3% 2.2% 2.2% w& 3.4% vie 3.5% 3.5% 0% er 5.1% 5.0% Int 10% En The four most broadcasted categories are dramas, entertainment programs, cartoons and news, with the respective shares of 36%, 25%, 12% and11%, which in total accounts for more than 80% of all programs. Shares of dramas, entertainment programs and cartoon have risen compared with last year. (See Figure 6) 36.1% 30% Dr (1) Broadcasting share 35.3% ter tai nm 1. Viewing Situation of Each Category of Program INDUSTRY REPORT ChinaTAM After Jiajia Cartoon channel was launched at the end of 2006, there are 3 cartoon channels in the market including Gold Eagle Cartoon and Toonmax TV, and the broadcasting time (2) Viewing Share Issue 10 16 increased tremendously which surpassed news program as No. 3 for 2007. (See Figure 6) Figure 7: Viewing share of various programs in Guangzhou 2007 33.4% 33.5%33.3% 33.1% 20% 13.0% 6.1% 2.9% 5.9% 0.7% 2.7% 2.9% 2.0% 1.7% 1.6% 1.0% Sp or ts Int er vi Yo uth Le isu re E Inf duc or at ma ion tio n Do c Sc ume i-T nt ec ary h En ter tai nm en t m Fil Ca rto on am a Dr Cu N rre ew nt s aff air s 0.4% 0.4% 0.5% Ta lk 6.4% 6.8% 0% Remark:2006/1/1-2007/12/31;Guangzhou;all day;all individuals 4+;all channels Source: AGB Nielsen Media Research Figure 8: Resource utilization efficiency of categories in Guangzhou in 2007 4 2006 2007 Resource utilization efficiency 0.7 0.4 0.6 0.3 0.3 0.2 nm en t Ta lk er Int tai ter th E Inf duc or at ma ion tio n a am isu Le Dr re m Fil Do c Sc ume i-T nt ec ary h 0.5 0.6 En 0.7 0.2 rre New nt s aff air 0 0.8 w& 0.8 vie 0.9 0.9 1 ts 1.1 1.2 or 1.4 on 1.2 rto 0.9 Ca 2 Sp 2.5 2.5 Yo u 3 3.2 Cu Compared with 2006, there are more audience prefer documentary and education& information programs in 2007. Resource utilization efficiency of documentary went up from 0.9 to 2.5 while education& information programs went from 0.2 to 0.8. Meanwhile it experienced a drop in both entertainment and sports programs. (See Figure 8) 4.4% 7.3% ew & 10% (3) Resource utilization efficiency From the point of resource utilization efficiency, news, documentary, film and leisure programs are on the top, which are 3.2, 2.5, 1.4 and 1.2. These are the only 4 categories achieved a higher output than input. (See Figure 8) 2006 2007 Viewing share 30% s In 2007, viewing share of news programs surpassed dramas for the first time and became audience’s favorite program that drew the most attention. Second to news is dramas followed by cartoon. Meanwhile entertainment programs dropped to the fourth from its traditional third position with nearly half of the original viewing time. (See Figure 7) 40% Remark:2006/1/1-2007/12/31;Guangzhou;all day;all individuals 4+;all channels Source: AGB Nielsen Media Research 2. TV Program Ranking Table 6: Top 20 programs of all Mainland channels in 2007 Ranking Description(grouped) Channel TVR(%) Share(%) Counter 1 2 2007 Guangzhou Chinese Spring Festival Fireworks Show Guangzhou 34 15.90 44.14 1 Popular Comics Selection Guangdong Zhujiang 10.11 27.17 1 3 Local Husband and Out-of-town wife Guangdong Zhujiang 9.58 28.09 208 4 Popular Comics Selection Broadcasting Show Guangdong Zhujiang 9.02 25.79 1 5 Guangzhou TV News (18:30) Guangzhou 34 8.34 30.05 364 6 Weather Forecast (19:00) Guangzhou 34 7.75 24.23 365 7 Mu Mian Hua de Chun Tian Guangzhou 34 7.38 20.35 36 8 Tears of the Wife Guangzhou 34 7.23 19.54 46 9 Sui Tang Heors 2 Xue Rengui Guangzhou 34 6.50 17.36 32 10 Special Student 2 TVS4( Film & Drama) 6.19 21.67 2 11 CCTV 2007 Chinese Spring Festival Show CCTV1 6.10 16.79 1 12 Daily News (19:00) Guangzhou News 5.76 16.75 315 13 2007 PRC 8th Minorities Traditional Sports Games Guangzhou 34 5.70 14.93 1 14 New Marriage Era Guangzhou 34 5.68 16.22 2 15 Huan Zi Cheng Long Guangzhou 34 5.64 16.26 42 16 Manchester United Visit to Asia (Guangzhou vs ManUN) Guangdong Sports 5.63 15.80 1 17 Today’s Focus (21:00) Guangdong Zhujiang 5.61 14.92 361 18 Lei Heng Jian Guangzhou 34 5.57 15.11 33 19 Jie Da Huan Xi TVS4( Film & Drama) 5.49 23.00 254 20 Feng Shen Bang – Feng Ming Qi Shan Guangzhou 34 5.36 15.64 38 Remark:2007/1/1-2007/12/31;Guangzhou;all day;all individuals 4+;all Mainland channels Source: AGB Nielsen Media Research INDUSTRY REPORT ChinaTAM Issue 10 17 TAM TrailBlazers in the Digital Broadcasting World Jorge Papanicolau (Media Instruments) Looking back at the history of electronic audience measurement devices, the waters of TAM were quite calm in the 1980's when the first peoplemeters were installed around the world - in 1976, the first peoplemeter panel was installed in Italy(500HHs), in 1984 in the UK and in 1987 in the United States, just to mention the three largest TV advertising markets in the western world at that time. And, to top it, the broadcasting universe was analog. All that was expected from a measuring device was to detect the tuned frequency of the TV set, or of the cable set top box, and associate that frequency of the TV set, or of the cable set top box, and associate that frequency with a channel. The only "difficulty" for the meter was to detect the signal source, the antenna or the cable set top box, for example - and know which frequency corresponded to which channel/station for each platform in each household. The information was collected from the meters during the night polling process, and this was all the complexity to be found. A peaceful and unchallenging time for engineers and technicians working in the industry who, however, were always trying to come up with innovative solutions to lower down the burden of panel members who were asked to push a button to declare their presence in front of the nowadays close to extinction species of the cathode ray screen. The 1990's witnessed the growth of Cable TV, and the corresponding availability of up to one hundred channels per household in some countries, putting some pressure on panel sample sizes. But as long as the signals were analog, nothing changed from the technological side of TAM. It was still an age in which stations and frequency channels were interchangeable, so much so that many stations around the world were named after the channel numbers allocated to them. But this started to change when the threat of digital television broadcasting became clear to the TAM industry - at least to the most sharp witted - by the end of that decade. Luckily enough for the engineering departments of the TAM suppliers, in those early years of the introduction of digital services - whether terrestrial, cable or satellite - as the penetration was so low that the impact on the existing panels was minimal. H o w e v e r, t h e t h r e a t was clear, and the first words of the cherished "frequency" meter's obituary were written at that time: “He could not cope with the harshness of the digital era". Several stations were time multiplexed on one frequency, and this made digital television unmeasurable for the traditional frequency meters. The traditional monogamous marriage of a station and a frequency was over, and polygamy was now the name of the game: each frequency was now linked to many digital channels. The days of the "frequency" meter were gone in this brave new digital world. Based on the figures provided at that time by the different TAM suppliers, almost 100,000 meters that measured the broadcast frequency were being used to measure analog TV ratings. Engineers - that group of the human beings blessed with he gifts of foresight, inventive, planning and productivity - did not remain with their arms crossed, mourning the death of their beloved creature. As soon as the first clouds of the digital storm were glimpsed on the horizon of the broadcasting landscape, they put their minds to work to give birth to the old king's successor. The task, however, proved to be overwhelmingly challenging. Different techniques were implemented, but none of them managed to solve the problem of digital signals arriving to the TV sets through a myriad of set-top boxes, which varied according to the diverse platforms, DTT, digital satellite and digital cable, and diverse service providers and devices manufacturers. To make matters worse, during the first years of the twenty first century new set-top boxes arrived that could decode all type of digital services - video, audio, Internet - transmitted over the same platform, and offer interactive services thanks to the large scale development of two-way networks. The new techniques, that at the beginning were called "nonfrequency" measurement systems -in the same way as the automobiles were originally called "horse-less" carriages- were slowly deployed following the adoption rate of digital TV in the TAM panels. One of them was to embed in the television signal, active codes - video, audio or both - identifying the broadcasting station. Other companies implemented one form or another of video frame recognition, or had to rely on custom modification of the digital receivers to get an output out of a serial port including the tuning information that could be read by the meter. A highly intrusive solution consisted of installing a so called "tuner meter" connected both to the TV set and all the ancillary devices (VCR, DVD player, PVR, set-top boxes, etc.) in such a way that all tuning activity was done through the meter. The problems associated with these technologies soon became known within the industry. To begin with, the number of different manufacturers from all over the world making different types of digital decoders became so huge INDUSTRY REPORT that any solution based on custom modifications to each of them was impractical. What about active encoding? In this case, the TAM providers evidently need the cooperation of all the broadcasters transmitting in the country. As the number of broadcasters increases, making sure that encoders, proprietary technology supplied by the TAM company, are installed by all of them (and their associated networks or distributors) at all the existing transmission facilities becomes a daunting task. This is assuming that everyone in the industry has accepted to encode, a fact that is not granted. The use of the built-in codes that are part of the broadcasting standard, namely not inserted by the TAM supplier, referred to as “Service Information” codes could be used if the SI was available, that is, the set-top box had an output port where the meter could look for it. This solution was implemented, for example, in the case of service providers that had specified to their decoders’ manufacturers the inclusion of this port (Sky, for example, in many countries). However, the vast majority of decoders used for free DTT do not yet offer this possibility. Another proposed solution was “Picture Matching”, installed in Vancouver, Canada in 1998, which works as follows: a meter connected to the TV set samples the screen’s luminosity at a predefined number of points, makes some calculations and compares the results with those obtained at a reference site where the same process is done for all channels so as to identify which program (and station) was being watched. This solution does not work well in the presence of interactivity because wherever a menu is opened (volume, EPG, info button, channel scroll up and down by means of the navigation keys, etc.) the image on the TV set necessarily differs from the one on the reference site. The same is true for some other features available in TV sets, such as picturein-picture and picture-and-picture (i.e. two programs sideby-side on the screen). More recently, the introduction of different screen formats has complicated things further for this technology. Last but not least, “Picture Matching” can not resolve the case of simulcast transmissions, which are frequent in some television markets. Because of its less than acceptable recognition rates, this solution is usually combined with other technologies implemented in the same peoplemeter as, for example, Teletext code readers (if present). Another solution promoted in the early stages of digital broadcasting was the one known as video or audio matching. The idea was to capture the analog video or audio signal of the TV set, namely the content that had already been ChinaTAM Issue 10 18 decoded from the digital stream, generate samples out of it, digitize and compress them and finally compare them with corresponding samples made at a reference site. Whenever a “match” would be found, based on discretionary acceptance thresholds, the unknown piece of content could be assigned to a channel. This idea, abundantly described in the available bibliography of those days, was never implemented given some inherent limitations of the idea and the enormous amounts of memory and computing power required. It was in this context that AGB Nielsen Media Research came up at the end of the last century with a revolutionary concept: audio signature correlation technology. Instead of comparing audio or video samples, in whatever compression format, these samples were still audio or video files; the idea was to describe the content by means of “signature” univocally associated to it. Instead of embedding codes in the audio or video stream, a “code” could be generates out of it. The groundbreaking assumption was incredibly simple to formulate: “the content is the code!” All that was needed was to generate and store these “signatures” on the household meter and later compare them to similar signatures created at a reference site. There was no room for the idea of a “best match” in this new technological space: a signature is either similar or different, that provides unrivalled levels of accuracy in this type of content recognition method, as false positives were ruled out. A new universal, independent (i.e. no collaboration from the broadcasters was requested), non-intrusive technology and method was now available that provided measurement of all kinds of TV platforms and associated devices, including the highly feared Personal Video Recorders that were allowing unusual , at that time, levels of time-shifted viewing. Customers around the world welcomed the solution, which became popularly known as “audio matching”, although it was conceptually different from the original audio matching ideas. Introduced by AGB Nielsen in 2001 in the United Kingdom, the audience measurement systems based on audio signatures have now become the state-of-the-art solution in the industry and have been adopted by most of the TAM suppliers in recent years, although their performance has not been proven in some of the most demanding conditions, as has been the case with AGB Nielsen Media Research’s mature and reliable solution. However, the challenges keep mounting-fragmentation, Video-on-Demand, Internet TV, Mobile Viewing are, amongst others, the new clouds on the TAM horizon-and innovative ideas are badly needed. What will come next? TV PROGRAM RANKING ChinaTAM Issue 10 19 Taiwan According to the TVR data from AGB Nielsen Media Research in Taiwan in April 2008, Love in Taiwanese on FTV is still incomparable, sitting easily on top of the ratings. Destiny Love on TTV, fresh blood to the list last month, remains the runnerup with the rate over 4%, which means more than 10 million people watched it every minute. They Kiss Again starring by Joe Zheng and Ariel Lin has come to a sound end on April 27 after lasting on the screen for more than 4 months. Different from the naive romance in Kiss, more character of daily life was added in the sequel. Under the performance of the beautiful young couples, the ordinary and trivial days turned out to be full of the warmth and joy. The open-end ending provided the development of the dramas with numerous possibilities. TV dramas on the list shows few changes, basically in compliance with last month with only a fresh face from the introduction of a Japanese TV drama Oshin. CTV has always taken predominant TV dramas in mainland China and other Asian countries as a breakthrough to reach the market. The Japanese classic inspirational TV drama Oshin was once shown on Hunan Satellite TV in 2006. The well-described indomitable, strong, kind-hearted Oshin enjoys a wide popularity. The heavy bomb-tear effect can not be underestimated. Oshin sits steadily on the 8th of the list from its debut. It is believed that with the development of the life of the hero Oshin, the rate is expected a further rise. Taiwan Top10 TV Dramas - April 2008 Ranking 1 2 3 4 5 6 7 8 9 10 Tv Drama Love Destiny Love I Must Succeed Ji Gong They Kiss Again Chu Wai Ren Sheng About Taiwan Oshin Mazu Huan Xi Lai Dou Zhen Channel FTV TTV SANLI FTV CTV FTV SANLI CTV TTV CTS Avg,Ratings(%) 6.39 4.62 3.40 3.08 2.91 2.34 2.24 1.89 1.78 1.71 Remark:2008/04/01-2008/04/30;all Individuals 4+ ( universe:21,707,000) 000s 1387 1004 737 668 632 508 487 410 387 372 Language Taiwanese Mandarin Taiwanese Taiwanese Mandarin Taiwanese Taiwanese Janpanese Taiwanese Mandarin Category Family Youth Encouragement Ancient Comedy Youth Encouragement Legend Encouragement Ancient Family Data provided exclusively : AGB Nielse Media Research (Taiwan) | Peoplemeter South Korea According to the TVR data from AGB Nielsen Media Research in South Korea in April 2008, the rank shows few changes. No.1 to no.5 TV dramas remained the same as last month, with Ugly and Pretty and Lee San continuing their unconquerable rating legend as the top two. Two shining spots this week were brought about by the recent two hot youth idol dramas On Air and My Last Scandal. Since the shooting, On Air has been the hottest topic under the Korean media. Its popularity is not only from the glamorous key crew, all-star cast Kim Ha Neul, Park Yong-ha, Beom soo lee, Song Yoon A from Korea, but also from many guest pop stars in it. And the most crucial part is the unique topic. Through in-depth description of the special profession of the four heroes in the drama, it focuses on the underlying rule in Korea entertainment industry. My Last Scandal is considered the middle-aged version of Full House. It tells a story about an ordinary housewife who comes across a pop star to whom she gave first love. Because of the excellent performance by Jun-ho Jeong and Choi Jin Sil, two fine-acting actor and actress absent from the screen for a while, the drama enjoys a wide popularity and has crowded out another drama on MBC Park Jeong Geum from the list. The great historical teleplay King and I had its ending on 1st April, by taking the advantage of which, it returned to the 9th after a long absence, leaving a perfect close to the screen. With the end of the 120-episode early morning drama Even So Love on MBC and the impending ending of the absolute winner Ugly and Pretty in the middle of May, it is certain that there will be a fierce new competition next month. South Korean Top10 TV Dramas - April 2008 Ranking 1 2 3 4 5 6 7 8 9 10 TV Drama Ugly and Pretty(미우나고우나) Lee San(이산) Mom's Dead Upset(엄마가뿔났다) The First Wives Club(조강지처클럽) I'm Happy(행복합니다) On Air(온에어) My Last Scandal(내생애마지막스캔들) Madam in Ahyeon-dong(아현동마님) King and I(왕과나) Even So Love(그래도좋아) Channel KBS1 MBC KBS2 SBS SBS SBS MBC MBC SBS MBC Remark:2008/04/01-2008/04/30;all individual 4+;nationwide _ 11 market Avg. Rating(%) 15.8 12.4 11.6 10.5 9.4 8.8 8.5 7.3 7.0 6.9 Category daily /Family comedy Mon & Tue /Grand chronicle Weekend /Family Weekend /Life/Ethic Weekend/Family /Romance Wed&Tue/Realistic theme Weekend/Romance daily/Family /Romance Mon & Tue/Grand chronicle daily morning/Family /Romance Data provided exclusively by:AGB Nielsen Media Research(South Korea) | Peoplemeter TV PROGRAM RANKING ChinaTAM Issue 10 20 Thailand According to the TVR data from AGB Nielsen Media Research in Thailand in April 2008, the top 10 dramas are all made in Thailand, the same as last month. CH3 launches a robust bounce. Although it only takes 3 positions in the top 10, it covers the heavyweight top 1 and 2. Phayak Sao Zaeb E-Lhee shows the most obvious rise by jumping from the 6th last month to the first with an average rating of 14.3%, which means more than 80 million people watched it every minute. With three dramas on CH7 leaving the list The Mixed Taste, Dragon’s Kingdom, and The Country Music, 3 new ones Cutie Hone, The 9th Army and Lorelei, Daughter of the Forest take their places with high-profile debut, among which the most eye-catching one is Cutie Hone. It directly rises to the top 5 on the list. Thailand Top 10 TV Drama - April 2008 Ranking TV Drama Channel 000s Avg. Ratings(%) Category 1 Phayak Sao Zaeb E-Lhee CH3 8680 14.3 Thailand 2 Escape From Heaven(Sa-wan Bieng) CH3 8443 13.9 Thailand 3 Get Some Time to See(Joh Wela Ha Koh) CH7 8036 13.2 Thailand 4 Bondmaid(Narag Tard) CH7 7291 12.0 Thailand 5 Cutie Hone(Ta-Harn Ying Hua JaiI Whaew) CH7 6544 10.8 Thailand 6 The 9th Army(Thong 9) CH7 6532 10.7 Thailand 7 Sang Thong CH7 6428 10.6 Thailand 8 Lorelei, Daughter of the Forest(Re-Rai Look Sao Pah) CH7 5763 9.5 Thailand 9 Ther Kue Cheewit CH7 4432 7.3 Thailand 10 Admiring Mdm. Western(Chom-Phoo Kaem Mam) CH3 4354 7.2 Thailand Remark:2008/04/01-2008/04/30;all Individual 4+ (Universe: 60,849,000) Selected channels:CH3; CH5; CH7; CH9; NBT; TITV; TPBS Data provided exclusively: AGB Nielsen Media Research(Thailand) | Peoplemeter In the ratings rank of foreign dramas in Thailand, TV dramas from Korea and Mainland China occupied 4 positions each while the other 2 were Meteor Garden 2-2 from Japan and Alias, which is an ABC produced Emmy Awards winner. Idol drama The 1st Shop of Coffee Prince by MBC, which reached top rank in Taiwan, is No. 1 while another history-themed drama Four Guardians also achieved good result while broadcasted in Thailand. Korean dramas are predominant in Thailand by their exquisite idol dramas and grand historythemed series. Culture-themed dramas about old times in China such as Journey to the West, Strange Tales of a Lonely Studio and Suitang Hero Biographies II are also widely recognized by Thailand audience by the legend, anecdote and intense stories. Thailand Top 10 Foreign TV Drama - April 2008 Ranking TV Drama Channel Catogory Avg.Rating(%) 000s 1 The 1st Shop of Coffee Prince CH7 Korea 6.2 3765 2 Meteor Garden 2-2 CH7 Japan 5.9 3542 3 The Merchant CH3 Korea 5.2 3147 4 Journey to The West CH3 China 4.9 2969 5 Four Guardian CH3 Korea 4.6 2806 6 Princess Hours CH7 Korea 3.7 2231 7 Alias CH7 United States 2.5 1547 8 Strange Tales of a Lonely Studio CH3 China 2.4 1484 9 Drawing Sword CH7 China 2.2 1323 10 Suitang Hero Biographies II CH3 China 1.8 1089 Remark:2008/04/01-2008/04/30;all individual 4+ (Universe: 60,849,000) Selected channels:CH3; CH5; CH7; CH9; NBT; TITV; TPBS Data provided exclusively: AGB Nielsen Media Research(Thailand) | Peoplemeter Are you only getting part of the picture? AGB Nielsen Media Research The full picture on Chinese TV AGB Nielsen Media Research China 8/F, World Trade Tower, No.500 GuangDong Road, Shanghai 200001, China Tel. +86 21 6362 1999 · Fax +86 21 6362 0999 www.agbnielsen.com Television Audience Measurement Television Audience Measurement Switch on to China Fine tune your picture China. Both a fascinating country and a vast, emerging market for the world’s advertisers. But how can you be sure you are sufficiently informed to make the most cost-effective and efficient use of your TV adspend - in this complex, multi-channel, multi-platform society? AGB Nielsen Media Research We are the world leaders in television audience measurement. Our high quality service is used in 26 countries, ranging from mature markets such as Australia and Italy to the new, dynamic economies of Asia and Africa. Our clients include many national and multi-national brand leaders and their agencies. Investing in China Since 2005 we have been operating our unique UNITAM system in China. We are committed to providing a comprehensive, state-of-the-art system and have steadily expanded our Chinese operations to cover sixteen provinces / municipalities, with plans to increase our coverage even further. This investment is just part of our ongoing commitment to Asia and the Pacific Rim countries. WULANHAOTE AKSU BEIJING NEDONG SHANGHAI GUANGZHOU Television audience specialists AGB Nielsen Media Research is a company with a single specialism – television audience measurement. We stand or fall by our expert knowledge of this one specialist area and, as a result, our technology and software tools are regarded by the industry as best in class. China is truly enormous. Its “villages” may have populations of three million people, never mind the towns and cities. So how can an audience measurement system take account of the immense variations in communities, lifestyles, spending powers and populations? Rural and urban coverage AGB Nielsen Media Research has a total population strategy for data collection. Our service records viewership both in urban centres and in outlying, non-urban areas, giving our clients information across 68% of the population, 85% of the GDP and 86% of the advertising spend. Terrestrial and new media viewing Our unique UNITAM system uses digital recognition technology to record all types of in-home television viewing. So, regardless of whether our viewers are watching analogue or television on the internet, we will capture what they are viewing. 06 The full picture on Chinese TV Geographic, demographic and day-part analysis Because we have comprehensive data right down to a local level, we can break down audience figures to give our clients a complete analysis of reach, as appropriate for their brand profiles and campaign media planning. So we can tell you who is watching and how, where, when and if your message is reaching your market. There is no other television audience data available at this micro-level in China. The real story Our data and reports “tell it like it is”. This means you get information that you can trust, free from editorial overview; reports which are meaningful and independent; data you can plan with. Right for you Straight talking doesn’t mean we can’t customise your data, of course. We can produce tailored reports to whatever level of sub-analysis and detail you require, covering both your own brands and campaigns and those of your competitors. Only TAM Because AGB Nielsen Media Research is a specialist in television audience measurement, you get our whole attention on your TAM needs. We won’t want to sell you focus groups one day and review audience figures the next. Television Audience Measurement Television Audience Measurement Switch on to China Fine tune your picture China. Both a fascinating country and a vast, emerging market for the world’s advertisers. But how can you be sure you are sufficiently informed to make the most cost-effective and efficient use of your TV adspend - in this complex, multi-channel, multi-platform society? AGB Nielsen Media Research We are the world leaders in television audience measurement. Our high quality service is used in 26 countries, ranging from mature markets such as Australia and Italy to the new, dynamic economies of Asia and Africa. Our clients include many national and multi-national brand leaders and their agencies. Investing in China Since 2005 we have been operating our unique UNITAM system in China. We are committed to providing a comprehensive, state-of-the-art system and have steadily expanded our Chinese operations to cover sixteen provinces / municipalities, with plans to increase our coverage even further. This investment is just part of our ongoing commitment to Asia and the Pacific Rim countries. WULANHAOTE AKSU BEIJING NEDONG SHANGHAI GUANGZHOU Television audience specialists AGB Nielsen Media Research is a company with a single specialism – television audience measurement. We stand or fall by our expert knowledge of this one specialist area and, as a result, our technology and software tools are regarded by the industry as best in class. China is truly enormous. Its “villages” may have populations of three million people, never mind the towns and cities. So how can an audience measurement system take account of the immense variations in communities, lifestyles, spending powers and populations? Rural and urban coverage AGB Nielsen Media Research has a total population strategy for data collection. Our service records viewership both in urban centres and in outlying, non-urban areas, giving our clients information across 68% of the population, 85% of the GDP and 86% of the advertising spend. Terrestrial and new media viewing Our unique UNITAM system uses digital recognition technology to record all types of in-home television viewing. So, regardless of whether our viewers are watching analogue or television on the internet, we will capture what they are viewing. 06 The full picture on Chinese TV Geographic, demographic and day-part analysis Because we have comprehensive data right down to a local level, we can break down audience figures to give our clients a complete analysis of reach, as appropriate for their brand profiles and campaign media planning. So we can tell you who is watching and how, where, when and if your message is reaching your market. There is no other television audience data available at this micro-level in China. The real story Our data and reports “tell it like it is”. This means you get information that you can trust, free from editorial overview; reports which are meaningful and independent; data you can plan with. Right for you Straight talking doesn’t mean we can’t customise your data, of course. We can produce tailored reports to whatever level of sub-analysis and detail you require, covering both your own brands and campaigns and those of your competitors. Only TAM Because AGB Nielsen Media Research is a specialist in television audience measurement, you get our whole attention on your TAM needs. We won’t want to sell you focus groups one day and review audience figures the next. Television Audience Measurement The bigger picture on audience measurement The China service from AGB Nielsen Media Research is just part of our commitment to the dynamic economies of Asia and the Pacific Rim. To find out more about our full range of services in these countries, please feel free to contact our local offices listed below, or alternatively please contact our Global Communications office in Switzerland on +41 41 624 5920. For general information about AGB Nielsen Media Research and our services please visit us at www.agbnielsen.com. AGB Nielsen Media Research Asia Pacific Region Australia AGB Nielsen Media Research Pty Ltd. 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