News sector Blooming marvellous
Transcription
News sector Blooming marvellous
News sector Blooming marvellous The creative work of former stage manager and props master Elana-Marie Snyman attracted plenty of interest when her cardboard ‘King of Protea’ was chosen for the CCDI Handmade Collection in 2011. Viewers were amazed at how she transformed this simple material into a beautiful and refreshing work of threedimensional sculpture. Elana-Marie, whose business Kreasie specializes in theatrical props, costumes and handmade crafts, has continued exploring this unusual medium. She held her first exhibition at KKNK this year in April and it included a self-portrait set in a landscape of proteas. Everything was made from corrugated cardboard, and Elana-Marie shared photos of her work with us. Contact: Elana-Marie Snyman | www.kreasie.co.za www.facebook.com/kreasiehandmade | 072 601 2500 c/o Oude Libertas & Adam Tas Street, Stellenbosch. Elana-Marie Snyman has transformed cardboard into a remarkable selfportrait. Handy with leather The SA Leather Academy is a major player and trainer in the art of hand crafted leather in South Africa. Based in Vanrhynsdorp, founder Frik van Jaarsveld teaches how to make bags and products outside a formal workshop environment. Trainees come from as far afield as Dubai, Brazil and Belgium and Southern Africa to learn from a master how to make leatherware to international standards.. Because all leather craft tools are imported, in short supply and not always of optimal quality, the Academy has launched an ingenious tools-making programme in which scrap metal and old, secondhand tools are transformed into useful, hard-working tools of the leather trade. of his ideas include: An exhibition of handcrafted leather industry suppliers; a workshop of techniques ranging from making gun cases to boot-making and museum artefact maintenance and restoration; a workshop on tool maintenance and manufacturing incorporating recycling; discussions on leather, its properties and uses for different products; a national competition of top quality, totally handmade products; and discussions on ideas and methods for small manufacturers to enter the world market. Contact: Frik van Jaarsveld www.leatherclassics.co.za www.leatheracademy.co.za | http://leathersa.blogspot.com 072 221 0200 | F 086 638 4969 | [email protected] Tools such as edge bevellers, stitch punches, edge creasers, rivet seaters, cutting circles and line punchers are made using old vehicle valves; second-hand tools are transformed into cantle pliers and lacing nippers; and old broom handles bcome mallets. “This action has resulted us in being able to add a basic set of tools for each new student,” says Frik. “The retail value of this would have been R2000, but now it is free as part of our training programme.” Cape Craft & Design Institute June 2012 Frik also has plans to present a conference on the handmade leather industry during the weekend of 17-18 November. Some 4 An array of handmade leather tools. SA Leather Academy trainees Michael GeertsPhotographs: and Edwin VosHirt withand Carter. handmade tools. Shop of the month Art in the Forest Art in the Forest is aptly named due to its spectacular position deep in Cecilia Forest in Constantia, with superb views of the peninsula and the valley below. This outlet is an established, multi-faceted destination for lovers of beautiful things. Now, with interest and demand for fine ceramics growing, the owners have transformed the existing large gallery area into a retail space showcasing a large collection of fine ceramics. Curated by master ceramicist Anthony Shapiro, the retail space will show new ceramic exhibitions every two months. Supporting this beautifully situated outlet also helps several good causes. Ceramic classes and workshops are offered throughout the year. All profits from sales go towards the Light From Africa Foundation which uses the money to offer free clay therapy workshops/classes to orphaned and vulnerable children, as well as their carers. The foundation is also committed to supporting housing for foster families through Home from Home, as well as regular financial help to orphanages and safe houses. The entrance to ‘Art in the Forest’. (Pic credit: Gregor Rohrig) The current exhibition until end June consists of black and white ceramics, which were curated by Anthony Shapiro to complement the recent FASHION in the FOREST event. Works were carefully selected from regional and national ceramic artists, including Lisa Firer, Loren Kaplan, Sarah Walters, Janice Rabie, Rika Herbst, Kate van Putten, Mervyn Gers, Noleen Read, Hennie Meyer, Madoda Fani, Carolyn Heydenrich, Karen Kotze, Shelley Maisel, Clementina van der Walt and more. High quality ceramics on show at Art in the Forest. Contact: Erf 839 Constantia, Rhodes Drive, Constantia Nek | [email protected] | 021 794 0291 | www.lightfromafrica.com | www.facebook.com/lightfromafrica. Directions: GPS Co-ordinates: S34 00 27.9 and E 18 24 36.3 | At the Constantia Nek traffic circle, take a left (at the fruit sellers). Travel uphill on the dirt road towards the boom gate, which is the entrance into Cecelia Forest. Carry on for about one kilometre, the gallery is visible on your right. Product month of the Description: ‘Protect Us’ is a sustainable range of ceramics and textiles conceptualised by Amy Burton, that aims to create awareness about the endangered animals of South Africa. The range includes the riverine rabbit, the rhino, the blue swallow, the elephant and the wild dog. The ceramic range consists of bowls, beakers, egg cups and tea-light candle holders. The bowls and cups are thrown on a pottery wheel from white earthenware clay. These are then decorated with delightful illustrations of the endangered animals using decals. The egg-cups and tea-light holders are slip-cast in stoneware for durability. Price: R120 - eggcups and tea lights R120/R140 - small or medium bowls R100/R140 - small or medium beakers Production: 100 per week per product Contact: Toni Burton | 021 789 1491 | F 021 789 1491 | 084 556 6423 | [email protected]. Cape Craft & Design Institute June 2012 Zizamele ‘Protect us’ range 5 Craft producers make over R382 000 at Decorex Cape Starting in 1994 as an unknown interior design and décor exhibition, Decorex SA has grown into a leading lifestyle show with cutting-edge and high end lifestyle brands. So it was fitting that Western Cape craft producers notched up sales and orders worth over R382 000 at Decorex Cape - a 62% increase on 2011, when they made some R239 224. The CCDI took over R69 000 in sales at its collective shop, which stocked items from 55 craft producers. A further 16 craft producers (with their own stands, under the umbrella of the CCDI) made over R200 000 in sales during the event, plus taking additional orders worth at least R112 000. The products ranged from textiles and ceramics to jewellery, lighting and handcrafted pens. The craft producers travelled from as far afield as Wilderness, George and Barrydale in the Klein Karoo. One of the most successful stands was Recycabilia from Capri, Cape Town, which reported R30 000 in sales during Decorex, and orders worth R10 000, with more still coming in. “We sold a mix of our products - eco-friendly, recycled wooden frames and decor for the home and garden,” said owner Vikki van Zyl. “Our new, just-launched coloured chalkboards did really well.” Such successes, at Decorex and other retail channels, have enabled Vikki to move her production from a home garage to a small factory off Kommetjie Road, where she employs one full-time worker and more casual workers during busy times. Market support programme manager Fran Stewart attributed the success to growing professionalism among craft producers, many of whom have attended CCDI business and creativity workshops. CCDI styling advice for craft producers, and highly trained, helpful salespeople at the collective shop, also contributed. The striking craft products attracted compliments and customers at Decorex. fltr: Recreate | Chic Fusion | Professor Pedrp | Blossom Creations. CCDI creative exercise inspires calligraphers Cape Craft & Design Institute June 2012 A creative exercise developed by the CCDI’s workshop facilitator, Karen Stewart, has been adopted by local calligraphy fans – and the results are stunning. 6 The exercise (taken from Karen’s colour workshop for the design cluster) asks participants to fold an A3-sized piece of paper into small squares, then to search magazines for blocks of colour the size of the folded squares. The colours are arranged and stuck down to form a palette. A mask is then made of paper with three square holes cut into it. This mask is used to randomly select three colours. “The idea is that this helps participants to break their colour habits, which we all generally have and struggle with,” explained Karen. Colour palettes produced in Karen's colour workshop. Bev Gillespie, a calligrapher and mentor of a local group of young stone lettercarvers (lettersinstone.org.za) was so inspired by this exercise that she adopted the technique for a workshop that she ran for the Cape Friends of Calligraphy, the local Western Cape guild. She took it a step further by asking participants to use the three colours to make a calligraphic composition. Contact: Bev Gillespie [email protected] | [email protected]. The design cluster is made up of four separate days of training and introduces participants to innovative ways at relooking at how colour, texture, line and pattern are currently used in their work and to find creative ways of introducing them to their products. Also look out for the new design cluster in August which expands on the foundations laid in the first design cluster course. Contact: karen. [email protected] Examples of the colour calligraphy. Training unit boosts the Cape craft sector It’s now over 18 months since Alan Winde, MEC for Finance, Economic Development and Tourism for the Western Cape, snipped the red ribbon to formally open the CCDI’s Creative Enterprise Training Unit. The CCDI staff has been even more enthusiastic and efficient in these inspiring new surroundings, and the successful operation of the unit also enabled the CCDI to show the need and cost-effectiveness of an in-house business skills facilitator and mentor. Since those early beginnings in November 2010, the unit’s offerings have grown tremendously, largely due a grant from the Culture, Arts, Tourism, Hospitality and Sport Sector Training Authority (Cathsseta). The Cathsseta funding has also been used to develop new resources - training material, fact sheets and a business toolkit – for use in the unit, and throughout the sector through website access. From April to September 2011, the grant was used to get the facility properly operational and furnished. It has become a vibrant meeting place for craft producers, providing skills training, support and networking opportunities. During this period, 1532 people attended the various CCDI events and activities in the unit. “The finalisation of the training facility, and equipping the CCDI’s learning environments, has been the most significant success of the Cathsseta project,” reports CCDI Business Support Programme manager Sarah Polonsky, who worked closely with Cathsseta’s project manager Sibongile Mbokazi. Marcia Horst from Mozambique holds some products designed at the CCDI training unit during a project sponsored by the Kellogg Foundation. MEC Winde with a group of past CCDI learners, who graduated during the opening of the CCDI Creative Enterprise Training Unit. meet the BUSINESS SUPPORT Staff The team at Business Support offers training and learnerships to develop skills in creativity, business management, production and marketing. There is also mentoring and a referral system for craft enterprises. You will always get a friendly welcome and helpful assistance when you visit the spick and span premises of the Creative Enterprise Training Unit. Cape Craft & Design Institute June 2012 KAREN Joyce Mxangashe Office Cleaner: CETU JOYCE EUNICE Agnes Petersen Creative Training Unit Receptionist AGNES SARAH Eunice Freeman Creative Training Unit Admin Assistant Eugene Newman Business Development Facilitator Karen Stewart Creative Workshop Facilitator EUGENE Dammon Rice Creative Training Unit Co-ordinator DAMON Sarah Polonsky Business Support programme manager 7 Pashasha pop-up shop Twelve craft producers from throughout the peninsula, who had taken part in a retail readiness workshop with the Cape Craft and Design Institute (CCDI), tested out their new-found skills at a pop-up shop in The Fringe on Friday 11 May. Their handmade products, on sale at the CCDI’s Creative Enterprise Training Unit, included jewellery, leather bags, decor items, children’s ware, cards and homeware. “The shop was an opportunity for craft producers to put into practice the learnings from the workshop and to get feedback from the public,” said CCDI creative training unit co-ordinator Dammon Rice. The craft producers are based all over Cape Town – Mitchell’s Plain to Claremont, Khayelitsha to Sea Point. Some had the following feedback: Maura Assam of African Inspirations, based in Claremont, sold handmade cushions: “I realised that you have to cater for the market – you might love making something for your own home, but after meeting retailers I now know more about which products will sell.” Melanie Pierce of Quiver, based in Noordhoek, makes homeware inspired by indigenous flora: “The CCDI’s help has been invaluable. The wonderful lecturers were very supportive. I can now say I have a business.” Mairame Sow, of Suare Africa, from Claremont, sold her leather products. Maura Assam of African Inspirations, based in Claremont, sold handmade cushions. Mairame Sow, of Suare Africa, from Claremont, makes leather products: “All in all the workshop was very informative and I learnt a lot.” The CCDI organises numerous business support and creativity workshops. Fees are generally R30/day for CCDI-registered craft producers, and R550/day for non-CCDI registered people. (Registration is free). To book for a workshop contact: CCDI Creative Training Unit admin assistant Eunice Freeman 021 461 4696 | [email protected]. Melanie Pierce of Quiver, based in Noordhoek, showed homeware inspired by indigenous flora.cushions. Storage solutions competition Cape Craft & Design Institute June 2012 A Western Cape furniture design initiative, now in its fifth year, has evolved into a national competition with a new brand name ‘Jigsaw’. 8 The Western Cape Furniture Initiative is focusing this year on storage solutions for small spaces such as township shacks, small inner city apartments, students’ quarters and corporate offices. “Designers are asked to find a way to maximise resources and materials to create a design that has more than one function,” say the organisers. “The proposals should encapsulate socially and environmentally responsible design solutions, using your discretion in determining the type of items to be stored, and how. “ There is R75 000 in prizes to be won. The competition is divided into two categories – a closed competition for registered students and an open competition. Both category entrants must be 18 years or older and live in South Africa; and it must be possible to massproduce or batch-produce the storage pieces. In the design stage, a quarter scale model must be submitted. Judges will be looking for originality, innovation and ease of manufacturing and assembly. In the manufacturing stage, factors such as eco-friendly materials, commercial viability and functionality come into play. Deadlines: Entries close: 12 October 2012 Finalists announced: 1 November 2012 Finalists to manufacture designs: 15 February 2013 Finalists’ furniture displayed and winners announced: Design Indaba Expo 2013 Contact: Western Cape Furniture Initiative | The Hostel 86 Commercial Street Cape Town | 021 447 6406 | F 021 447 0376 | [email protected].