Document 6473267

Transcription

Document 6473267

Aces High.................................................... Iron Maiden ............................................. 4
Africa ........................................................... Toto......................................................... 5
A glezele Yash ............................................ Soundtrack from Ghetto.......................... 6
Aline ............................................................ Adamo..................................................... 7
A little help from my friends......................... Joe Cocker.............................................. 8
Altijd heb ik je lief ........................................ Clouseau................................................. 9
Aqualung ..................................................... Jetro Tull ............................................... 10
Back in black ............................................... AC / DC................................................. 11
Back on the chain gang............................... The pretenders...................................... 12
Bad Case of loving you ............................... Robert Palmer....................................... 13
Beats of Love .............................................. Nacht und Nebel ................................... 14
Ben je daar vannacht .................................. Clouseau............................................... 15
Blauw .......................................................... The Scene............................................. 16
Bohemian Rhapsody................................... Queen ..............................................17-18
Born to be Wild............................................ Steppenwolf .......................................... 19
Boys are back in Town................................ Thin Lizzy.............................................. 20
Breathless ................................................... The corrs............................................... 21
Brothers in Arms ......................................... Dire Straits ............................................ 22
Brown eyed Girl........................................... Van Morrison......................................... 23
Bubbly ......................................................... Colbie Caillat......................................... 24
Buona Sera/Oh Marie ................................. Dean Martin .......................................... 25
Burn in Hell.................................................. Twisted Sister ....................................... 26
Californication ............................................. Red Hot Chilly Peppers......................... 27
Can the can................................................. Suzy Quatro .......................................... 28
Can’t help falling in love with you ................ Elvis Presley ......................................... 29
Closer.......................................................... Dido....................................................... 30
Cocaine ....................................................... The Cream ............................................ 31
Coquette...................................................... Paul Mccartney ..................................... 32
Come together ............................................ The Beatles........................................... 33
Cose della vita............................................. Eros Ramazzotti.................................... 34
Crack on the Wall........................................ Mc Drake / Covens ............................... 35
Crazy Train.................................................. Ozzy Osbourne ..................................... 36
Crocodile Rock............................................ Elton Joh ............................................... 37
Dancing barefoot......................................... Patti Smith............................................. 38
Devils and dust............................................ Bruce Springsteen ................................ 39
Diamonds and Rust..................................... Joan Baez / Judas Priest ...................... 40
Don’t bother................................................. Shakira.................................................. 41
Don’t get me wrong ..................................... The Pretenders ..................................... 42
Don’t let the sun .......................................... George Michael..................................... 43
Do you want to dance ................................. Cliff Richard .......................................... 44
Driving my life away .................................... Eddie Rabbit ......................................... 45
Eloise .......................................................... Barry Ryan ............................................ 46
En Dans ...................................................... Clouseau............................................... 47
Everything I do—I do it for you.................... Brian Adams ......................................... 48
Far away ..................................................... The ditch ............................................... 49
Four Aces.................................................... The Scabs............................................. 50
Final Countdown (the)................................. Europe .................................................. 51
First cut ....................................................... Rod Stewart .......................................... 52
Freedom (90) .............................................. George Michael..................................... 53
Fun Kosev biz Kitev ................................... Soundtrack from Ghetto........................ 54
1
Great balls of fire......................................... Jerry Lee Lewis..................................... 55
Hammer to fall............................................. Queen ................................................... 56
Hard Times.................................................. The Scabs............................................. 57
Helene......................................................... Rock Voisine ......................................... 58
Hero ............................................................ Mariah Carey ........................................ 59
Hit me with your best shot........................... Pat Benatar ........................................... 60
How long blues............................................ Leroy Carr /Eric Clapton ....................... 61
Huis met een tuintje .................................... Eddy Smets........................................... 62
I believe in this thing called love.................. The Darkness........................................ 63
Iedereen is van de Wereld .......................... The Scene............................................. 64
I Feel good .................................................. James Brown ........................................ 65
Ik sta op wacht ............................................ Bobbejaan Schoepen............................ 66
I love Rock & Roll........................................ Joan jett ................................................ 67
If it makes you happy .................................. Sheryl Crow .......................................... 68
I’m only happy when it rains........................ Garbage ................................................ 69
In de stille Kempen...................................... Jo Vally ................................................. 70
Ironic ........................................................... Alanis Morissette................................... 71
It’s propably me........................................... Sting...................................................... 72
I saw her standing there.............................. The Beatles........................................... 73
I see the lies in your eyes............................ The machines ....................................... 74
I walk the line .............................................. Johhny Cash ......................................... 75
I want to hold your hand.............................. The Beatles........................................... 76
I want you.................................................... Bob Dylan ............................................. 77
I would stay ................................................. Kresip.................................................... 78
Jerusalem.................................................... Anouk.................................................... 79
Je t’attend.................................................... Axelle Red............................................. 80
Jump ........................................................... Van Halen ............................................. 81
Killing in the name of................................... Rage against the machine .................... 82
Kissing a Fool.............................................. George Michael..................................... 83
Knock on wood............................................ Bill Withers ............................................ 84
Laat me nu toch niet alleen ......................... Clouseau versie .................................... 85
La grange .................................................... ZZ top.................................................... 86
Layla............................................................ Erik Clapton .......................................... 87
Like a hurricane........................................... Neil Young ............................................ 88
Links 2 3 4 .................................................. Rammstein............................................ 89
Listen to the music ...................................... Dooby Brothers ..................................... 90
Living after midnight .................................... Judas Priest .......................................... 91
Living Doll.................................................... Cliff Richard .......................................... 92
Loetse, bolleke, zoetse ............................... Biezebaase ........................................... 93
Lost ............................................................. Anouk.................................................... 94
Mary had a little lamb .................................. Stevie Ray Vaughan ............................. 95
Master of puppets ....................................... Metallica...........................................96-98
Meisjes ........................................................ Raymond Van Het Groenewoud ........... 99
Mia .............................................................. Gorky .................................................. 100
Michel.......................................................... Anouk.................................................. 101
Money ......................................................... Pink Floyd ........................................... 102
Money for nothing ....................................... Dire staits ............................................ 103
My Favorite mistake .................................... Sheryl Crow ........................................ 104
Mystery Train .............................................. Paul Butterfield /Elvis .......................... 105
My way ........................................................ Frank Sinatra ...................................... 106
2
Not an addict ............................................... K’s Choise........................................... 107
N’Oubliez jamais ......................................... Joe Cocker.......................................... 108
No voices in the sky .................................... Motorhead........................................... 109
Number of the Beast ................................... Iron Maiden ......................................... 110
Ode to my Family ........................................ The Cranberries .................................. 111
Orgasmatron ............................................... Motorhead........................................... 112
Pinball Wizard ............................................. The Who ............................................. 113
Popsicle toes............................................... Michael Franks.................................... 114
Pretty Fly ..................................................... The Offspring ...................................... 115
Que sera, sera ............................................ Jo Leemans ........................................ 116
Radio........................................................... The Corrs ............................................ 117
Reb Motenyu............................................... Soundtrack from Ghetto...................... 118
Riders on the storm..................................... The Doors ........................................... 119
Right next door............................................ Robert Cray......................................... 120
Route 66...................................................... The Rolling Stones.............................. 121
She.............................................................. Elvis Costello ...................................... 122
She’s got the look........................................ Roxette................................................ 123
Run baby run............................................... Sheryl Crow ........................................ 124
Shifrale’s portret .......................................... Soundtrack from Ghetto...................... 125
Sir Duke ...................................................... Stevie Wonder .................................... 126
Smoke on the water .................................... Deep Purple ........................................ 127
Somebody to love ....................................... Queen ................................................. 128
Sometimes I’m Happy ................................ Nat King Cole...................................... 129
Still loving you ............................................. Scorpions ............................................ 130
Street Spirit ................................................. Radio head.......................................... 131
Stupid Girl ................................................... Garbage .............................................. 132
Swanee ....................................................... Al Jolson ............................................. 133
Swentibold................................................... Clouseau............................................. 134
Symphony of Destruction ............................ Megadeth ............................................ 135
Take this waltz ............................................ Leonard Cohen ................................... 136
Tell me sweet little lies ................................ Fleetwood Mac.................................... 137
Thank you (for loving me) ........................... Bon Jovi .............................................. 138
The house is Rockin’................................... Stevie Ray Vaughan ........................... 139
The Wild one ............................................... Suzy Quatro ........................................ 140
This is the life .............................................. Amy McDonald.................................... 141
True colors .................................................. Cyndi Lauper....................................... 142
Time ............................................................ Pink Floyd ........................................... 143
t Smidje ....................................................... Laïs ..................................................... 144
Tulpen uit Amsterdam ................................. Koos Alberts........................................ 145
Turn back time ............................................ Cher .................................................... 146
Twee ogen zo blauw ................................... Willy Derby.......................................... 147
Twist and Shout .......................................... The Beatles......................................... 148
Voor haar .................................................... Gene Thomas ..................................... 149
Wake me up before you go go ................... Wham.................................................. 150
Wanted, dead or alive ................................. Bon Jovi .............................................. 151
Wasted days and wasted nights ................. Freddie Fender ................................... 152
When the cookie jar is empty ...................... Michael Franks.................................... 153
Whiter shade of Pale................................... Procul Harum ...................................... 154
Wicked Games............................................ Chris Isaak .......................................... 155
You’re gorgeous.......................................... Baby Bird ............................................ 156
3
ACES HIGH
(IRON MAIDEN)
Intro 1 :
Tempo = 160
Intro 2 :
There goes the siren that warns of the air raid
Then comes the sound of the guns sending flak
Out for the scramble we've got to get airborne
Got to get up for the coming attack.
Jump in the cockpit and start up the engines
Remove all the wheelblocks there's no time to waste
Gathering speed as we head down the runway
Gotta get airborne before it's too late.
Running, scrambling, flying
Rolling, turning, diving, going in again
II: 8/8 Em
I CM
Run,
live
to
II: 8/8 Gm
I EbM
FM I Gm
Run,
DM I Em
live to
fly,
fly,
I CM
fly
DM :II
to
live,
do or
die
I EbM FM :II
fly
to
live. Aces high.
Instrumentaal :
Solo (Refrein) + instrumentaal (X4)
Move in to fire at the mainstream of bombers
Let off a sharp burst and then turn away
Roll over, spin round and come in behind them
Move to their blindsides and firing again.
Bandits at 8 O'clock move in behind us
Ten ME-109's out of the sun
Ascending and turning our spitfires to face them
Heading straight for them I press down my guns
Bridge + Refrein + intro 2
4
AFRICA
(TOTO)
Intro :
II BM
D#m
I G#m
BM
I
I hear the drums echoin tonight, she has only
I AM
C#m
G#m
I AM (thema) /G# I
C#m
:II (X3)
whispers of some quiet conversa - tion
She's coming in twelve thirthy flight the moolight winds
Reflect the stars that guide me toward salva-tion
I stopped an old man along the way
Hoping to find some old forgotten words of ancient melo-dies
II BM
D#7
I G#m
He turned to me as if to say
II: F#m
DM
AM
I C#m
I
II
hurry boy it's waiting there for you
I AM
EM :II (X3)
Gonna take a lot to drag me away from you
There's nothing that a hundred men or more could ever do
I bless the rains down in Africa
II F#m
DM
I AM
C#m
I EM /G# I F#m . . /G# II
Gonna take some time to do the things we never had
II: AM (thema) I C#m
:II
The wild dogs cry out in the night
As they grow restless longing for some solitary company
I know that I must do what's right
Sure as kilimangiaro rises like olimpus above the seranget-ti
I seek to cure what's deep inside Frightened of this thing that I've become
Refrein
Solo :
:II
II BM D#m I G#m BM I AM C#m I 2/4 G#m I AM (thema) /G# I C#m
I BM D#7 I G#m
I AM
I C#m
II
I
hurry boy it's waiting there for you
Gonna take a lot to drag me away from you
There's nothing that a hundred men or more could ever do
I bless the rains down in Africa (X4)
Gonna take some time to do the things we never had
:II (ad lib)
5
A GLEZELE YASH
(SOUNDTRACK FROM GHETTO)
II: Cm
I Cm Fm
Cm .
I
Ven okh nem a bisele yash, oy-oy
I Cm
Fm
I BbM
G7
:II
Finkelts alts un glantst, finkelts alts un glantst
Kh’gib a vorf di puste flash, oy-oy
Un ikh gey a tants, un ikh gey a tants
II: Cm
I Fm
BbM
I
Oy, oy tsuker-zis, halt mir bay di hent
I BbM
GM
I G7
Cm
:II
Flekhtn beygelekh di fis, di neshome brent
Instrumentaal : II Cm I Fm Cm II
Vos mir shiger, ver mir vayb, oy-oy
Veys ikh zey di shlek ! Veys ikh zey di shlek !
Mitn ershhtn kelishik vayn, oy-oy
Shvimen zey avek, Shvimen zey avek
Oy, oy, tsuker-zis, brider, kumt in kon
Lomir vayzn vind un vist, vos a kabtsn kon !
Oy, oy, tsuker-zis, brider, kumt in kon
Lomir vayzn vind un vist, vos a kabtsn kon !
Instrumentaal : II: Cm I
I
I
:II
Vos mir dayges, ver mir zorg, oy-oy
Shtrof nit far di reyd, Shtrof nit far di reyd
Gib mir, gotenyu, af borg, oy-oy
Khotsh a tropn freyd, khotsh a tropn freyd
Oy, tate tsuker-zis, s’redele zikh dreyt
S’kostn tsores halb um zist, shpringt tsezetstrerheyt !
Oy, tate tsuker-zis, s’redele zikh dreyt
S’kostn tsores halb um zist, shpringt tsezetstrerheyt !
Instrumentaal : II Cm I
I
I (relanto)
II
Ven ikh nem a bisele yash, oy-oy
Bin ikh gornit der, Bin ikh gornit der
Kh’gib a vorf di puste flash, oy –oy
Un ikh gey a sher. Un ikh gey a sher.
II Cm
I G7
Cm
II
di neshome brent
6
ALINE
(ADAMO)
II
Intro: II CM I EM I FM I GM
J'avais dessi
II: CM
I EM
I FM
I GM (break)
:II
né sur le sable, son doux visage qui me souriait.
Puis il a
plu sur cette plage, dans cet orage, elle a disparu. Et j'ai cri
II: CM
é,
ré,
EM
I FM
GM
:II
crié, Aline, pour qu'elle revienne. Et j'ai pleu
pleuré, oh! j'avais
trop de peine. Je me suis as
sis au près de son âme, mais la belle dame s'était enfuie. Je l'ai cher
chée sans plus y croire, et sans un espoir, pour me guider. Et j'ai cri
é, crié, Aline, pour qu'elle revienne, et j'ai pleu
ré, pleuré, oh! j'avais trop de peine. Je n'ai gar
dé que ce doux visage, comme une épave sur le sable mouillé. Et j'ai cri
é, crié, Aline, pour qu'elle revienne, et j'ai pleu
ré, pleuré, oh! j'avais trop de peine...et j'ai cri
é, crié, Aline, pour qu'elle revienne. et j'ai pleu
ré, pleuré, oh! j'avais trop de peine...
7
A LITTLE HELP FROM MY FRIENDS
(JOE COCKER)
Tempo = 150
Intro : II: 3/4 GM I DM/F# I AM I :II
II: AM . /E I AM . /E :II
II: /A
I EM/G#
What would you do
I EM
I DM/F#
I /B /C# /D
I
if I sang out of tune,
I
I AM
I AM /B /C# :II
Would you stand up and walk out on me ?
Lend me your ears and I'll sing you a song,
and I'll try not to sing out of key.
II: GM
I DM/F#
I AM
I
Oh, I get by with a little help from my friends
high with a little help from my friends
try with a little help from my friends
:II (X4)
Mm, I get
Mm, gonna
What do I do when my love is away (Does it worry you to be alone ?) No , no
How do I feel by the end of the day, (Are you sad because you're on your own ?)
II: GM
I DM/F#
I AM
I
:II (X3)
No, I get by with a little help from my friends. Mm, I get
high with a little help from my friends.
Mm, gonna
try with a little help from my friends
II GM I DM/F# I AM I (Break) II
II AM /C# /E II
II F#m
I
I
I F#m /E /C#
I
Do you need anybody,
I AM (break) I
I
I AM /C# /E I
I need somebody to love
I F#m
I
I
I
I
Could it be anybody,
II: EM
I
I
I
:II
All I need is someone, who knows where I’m going, somebody who knows
Refrein
Would you believe in a love at first sight, Yes I'm certain that it happen all the time
What do you see when you turn out the light I can't tell you but I know it's mine,
Refrein
II GM I DM/F# I AM I (Break) II
II AM /C# /E II
II F#m
I
I
I F#m /E /C#
I
Do you need anybody,
I AM (break) I
I
I AM /C# /E I
I need somebody to love
I F#m
I
I
I
I
Could it be anybody,
II: EM
I
I
I
:II
Oh, it’s got to somebody………………..
Refrein (ad lib)
8
ALTIJD HEB IK JE LIEF
(CLOUSEAU)
Intro: II: AM C#m I DM GM :II
II: AM
I C#m
I GM
I EM
E7 :II
Elke keer als jij me aankijkt, dan voel ik dat ik thuis ben
Elke keer als ik aan jou denk, dan weet ik dat ik juist ben
II AM
I DM
.
.
/ C# I Bm
Je redt me uit m'n bange dromen,
I AM
I C#m
I EM
I
Je liefde leidt me door de nacht
I DM
I EM
II
Mocht ons ooit iets overkomen, weet dan dat ik op je wacht. Want m'n
II: AM
C#m
I DM
GM
:II
Lief, altijd heb ik je lief, ik kan niet zonder jou be
Staan, altijd heb ik je lief, ik kan niet zonder jou
Een hart dat zegt ik heb je nodig, dat zegt ik hou van jou
Zo'n hart maakt woorden overbodig, en ik blijf het altijd trouw
Je laat de zon weer voor me schijnen, je bent m'n passie en m'n kracht
Mocht je op een dag verdwijnen, weet dan dat ik op je wacht, want m'n
Refrein
Solo : II CM I Em I BbM I GM I
I CM
II AM
I Em
I BbM
I C#m
Mocht je op een dag verdwijnen,
I EM II
I DM
I EM
II
weet dan dat ik op je wacht, want m'n
Refrein (X2)
9
AQUALUNG
(JETHRO TULL)
Intro 1 :
Strophe 1 :
Sitting on a park bench, eyeing up little girls with bad intent.
Snot running down his nose, greasy fingers smearing shabby clothes, hey Aqualung
Drying in the cold sun, watching as the frilly panties run, hey Aqualung
Feeling like a dead duck, spitting out pieces of his broken luck, oh Aqualung
II: Gm
I FM
I
I CM
I
Sun streaking cold, an old man wandering lonely.
I CM/Bb
I Gm
I FM
I
:II
Taking time, the only way he knows.
Leg hurting bad, as he bends to pick a dog end
He goes down to a bog to warm his feet.
II FM I
II
Feeling alone, the army's up the road, sal
vation a la mode and a cup of tea.
Aqualung my friend, don't you start away uneasy, you
poor old sod, you see it's only me.
II FM I
II
II: Gm (break)
I FM
I
I Gm
:II
Do you still remember, the December's foggy freeze
when the ice that clings on to your beard is screaming agony.
And you snatch your rattling last breaths, with deep-sea diver sounds,and the
II C7/Bb
I GM
I FM
I
II
flowers bloom like madness in the spring.
Bridge (1 + 2)
Solo :
II Gm I
I FM I
I EbM I
I FM I
II: Gm I
I FM I
I
I Cm I
I
I BbM I I
:II
I FM
I Gm :II (X8)
Di, di, di……… (Bridge X2)
Aqualung my friend, don't you start away uneasy,
you poor old sod, you see it's only me.
Reprice intro
Strophe 1
Intro 1 + II Db5 I Eb5 I FM I II
10
BACK IN BLACK
(AC / DC)
Tempo = 106
Intro :
II: (intro )
:II
Back in black, I hit the sack, I've been too long I'm glad to be back, yes, I'm
let loose from the noose, that's kept me hanging about I've been
looking at the sky, 'cause it's gettin' me high forget the hearse, 'cause I never die I
got nine lives, cat's eyes abusin' every one of them and running wild. 'Cause I'm
back,
back,
back,
yes, I'm back Well, I'm
yes, I'm back, well, I'm
ack (Well) I'm back in black, yes, I'm back in black
Back in the back of a Cadillac, number one with a bullet, I'm a power pack, yes, I'm
in a bang with a gang, They've got to catch me if they want me to hang . Cause I'm
back on the track and I'm beatin' the flack, Nobody's gonna get me on another rap
So look at me now I'm just makin' my play, don't try to push your luck, just get out of my
way .. Well, I'm
Refrein
Solo :
Refrein
Instrumentaal :
Refrein
Solo 2 (fade out)
11
BACK ON THE CHAIN GANG
(THE PRETENDERS)
Tempo = 150
Intro : II: DM I AM I GM
II: DM
I
:II (X4)
I AM
I GM
I
:II
I found a picture of you,
o-o-oh
You had hijacked my world at night.
To a
place in the past we've been passed out of, o-o-oh
No we're back in the fight…
II Em
I AM
I Em
I AM
I
We're back on the train, yeah
I Em
I AM
O-oh,
II DM
I AM
I GM
I
II
back on the chain gang
Circumstance beyond our control,
o-o-oh
The phone, TV and the news of the world
Got in the house like a pigeon from Hell, o-o-oh
Threw sand in our eyes and descended like flies
And put us back on the train, yeah
O-oh, back on the chain gang
Solo (intro) + II DM (break) I
II: Dm
II
I AM
:II (X4)
The powers that be,
that force us to live like we
do. Bring me to my knees, when I see what they've done to you
Instrumentaal : II: Dm I AM
:II
II: Dm
I AM
:II
Well, I'll die as I stand here today, knowing that deep in my heart
They'll fall to ruin one day, For making us pa - a -a
rt
II AM
I
II: EM
I BM
II: EM
I BM
II
I AM
:II
I AM
I
:II (X4)
I found a picture of you,
o-o-oh,
those were the happiest days of my life
Like a break in the battle was your part, o-o-oh
In the wretched life of a lonely heart. he
II F#m
I BM
I F#m
I BM
I
Now I'm back on t train, yeah
I F#m
I BM
I EM
I BM
II
O-oh, back on the chain gang
II: EM I BM :II (ad lib)
12
BAD CASE OF LOVING YOU
(ROBERT PALMER)
Tempo = 150
Intro :
The hot summer
II: EM (intro)
I
night
I DM EM
I
I
fell like a net,
I AM
I BM
I've got to
I EM
I
:II
find
my baby yet.
you
to soothe my head,
blue heart to red
II EM
I need
turn my
I
I
I
I
Doctor, doctor, give me the news, I've got a bad case of lovin' you
I AM
I
I BM
I
I
No pill's gonna cure my ill, I've got a bad case of lovin'
I EM (intro)
I
I DM EM
I
II
you.
A pretty
face
don't make no pretty heart,
that,
buddy, from the start.
cute,
a little bit shy,
I ain't that kind of guy
I learned
You think I'm
momma,
Refrein
Solo (intro)
II AM
I
I EM
I know you like it,
I AM
Tell me,
I /C#
I
I
you like it on top
I BM
momma,
I
II
are you gonna stop?
Intro (X1)...You had me
down,
21 to zip;
smile of
Judas on your lip.
Shake my
fist,
knock on wood,
I've got it
bad, and I've got it good
Refrein
13
BEATS OF LOVE
(NACHT UND NEBEL)
Intro : II: Am I
I
I
:II
It
II Am
I
I
I
I
rains on the street, my heart sends me beats. It
I DM
I
I Am
I
II
rains on the street, my heart sends me beats...Beats of
II: DM
I
I Am
I
:II
love beats of love, beats of love, beats of lo o o o ove. Beats of
love beats of love, beats of love, beats of lo o o o ove... ……..it
rains in my heart, ‘cause you threw me a dart. It
rains in my heart, ‘cause you threw me a dart… Beats of
Refrein
II Am
I
:II
1 2 3 5 6 7 me and my babe go to heaven
1 2 3 5 6 9 me and my babe gonna have a good time..La la
II: DM
I
I Am
I
:II
la la la la la la la, La la la la la la, la la la la, la la…….la la
la la la la la la la, La la la la la la ha……………………
II Am I
II
it
rains in my heart, ‘cause you threw me a dart. It
rains in my heart, ‘cause you threw me a dart. Beats of ...
Refrein (repeat and fade)
14
BEN JE DAAR VANNACHT
(CLOUSEAU)
Tempo = 125
Intro : II BbM I EbM I BbM I EbM I
I BbM I
I
I
II
Elke
II: BbM
morgen,
slapen,
I
/Ab
I EbM
FM
:II
Heb ik een probleem, ohoh..Ik kan niet
Ik voel me zo alleen, ohoh. En ik
II Gm/D
I Dm
I EbM
I Cdim
I
denk dat dit alleen maar mij overkomt want ik zit hier maar te wachten tot je binnenkomt
I BbM
I AbM
I EbM
I
FM
Elke morgen, dezelfde vraag
II: BbM
Ben je
I EbM
daar vannacht,
daar vannacht
II BbM
II
:II
ben je
ben je
I AbM
I EbM I FM (accent)
daar vannacht, ik wil alleen maar bij je
zijn…
II
Elke
morgen (elke morgen), Denk ik weer terug, ohoh Aan elke
avond (elke morgen). Het ging weer veel te vlug, ohoh. En ik
denk dat dit alleen maar mij overkomt, het wordt tijd dat je vanavond weer 'ns bij me komt
Elke morgen (elke morgen) dezelfde vraag..ben je
Refrein
II: BbM
I
I
I
Hoohoo oohoohoo………….
:II (X4)
Ben je
Refrein (X2)
15
BLAUW
(THE SCÈNE)
Tempo = 130
Intro :
II: GM
I CM
I GM
I
:II
Ik heb vannacht gedronken en gezien,
Hoe geen vrouw ooit krijgt wat ze verdient.
II GM
I CM
Het
I Csus4
I CM
I
zien duurt één seconde, de gedachte blijft voor altijd.
I GM
I CM
I GM
Ik
I
II
heb vannacht gedronken en gezien.
Ik
heb vannacht gekeken en beleefd
Hoe geen vrouw ooit terugkrijgt wat ze geeft.
Er
is geen macht ter wereld die niet vroeg of laat opzijtrapt. Ik
heb vannacht gekeken en beleefd en
II: CM
I Csus4 I GM
I
Blauw, blauw, blauw
II CM
:II
Keer ik terug naar jou
I Csus4 I GM
I CM
I
Blauw, blauw, blauw, Yeah,
I GM
I CM
I GM
blauw.
I
II
Ik
heb zojuist gedronken en gezien
Hoe jij van mij nooit krijgt wat je verdient? Als
weer een die altijd vooruit en daarom nooit opzijkijkt. Ik
heb vannacht gekeken en gezien
Refrein
II: GM
I Am
I G7/B
I CM
I
En het zien duurt een seconde, de gedachte blijft voor altijd
I GM
Blauw.
I CM
I GM
I
:II
Dus hier
kom ik aan, hier ben ik, lief, ik geef mezelf aan jou,
Blauw
Outro :
16
BOHEMIAN RHAPSODY
(QUEEN)
Is this the real life, is this just fantasy, caught in a landslide, no escape from reality, open your eyes, look up to the skies and see I'm just a poor boy, I need no sympathy, because I'm easy come, easy go,
A little high, little low, anyway the wind blows, doesn't really matter to me,
II BbM I
II
- to me -,
II BbM
I Gm
I Cm
I Cm
Fm I
Mama, just killed a men, put a gun against his head, pulled my trigger, now he's dead,
I BbM
I Gm
I Cm
I Am7 .
/Ab /G
I
Mama, life had just begun, but now I've gone and thrown it all away I Cm7/E
I Cm9
Mama, ooo,
I EbM
I Fm
I BbM
I
didn't mean to make you cry, if I'm not back again this time toBbM/D
I Cm
I EbM
I 2/4 F#m/Eb Fm7/Eb I 4/4 BbM I
II
morrow, carry on, carry on, as if nothing really matters II BbM
I Gm
I Cm
I Cm
Fm I
Too late, my time has come, sends shivers down my spine, body's aching all the time,
I BbM
I Gm
I Cm
.
/B
/ Bb
I Am7 /Ab /G I
Goodbye everybody, I've got to go, gotta leave you all behind and face the truth I Cm7/E
I Cm9
I Fm
Mama,
ooo,
I don't want to die, I sometimes wish I'd never been born at all -
Solo (zie bijlage):
II AM
I BbM
I
II: EbM BbM/D I Cm
I Fm /E /Eb /D I BbM
I DbM /C /B Bbdim II AM I
I
I
I
:II
II
I
I
I see a little silhouetto of a man, scaramouch, scaramouch will you do the Fandango I DbM/Ab
I CM/G
I AM (break)
I (no chords)
I
Thunderbolt and lightning - very very frightening me -Gallileo, Gallileo, Gallileo, Gallileo,
I AM
I 2/4 I 4/4
I
I
II
Gallileo figaro - Magnifico—But I'm just a poor boy and nobody loves me I AbM/Eb
I
I AbM
EbM/G
I /F/Eb /D /C /Bb . II
He's just a poor boy from a poor family, spare him his life from this monstrosity II (no chords)
I
II: EbM /Bb EbM
I BbM
:II
Easy come easy go, will you let me go, Bismillah! No, we will not let you go, let him go Bismillah! We will not let you go - let him go
Bismillah! We will not let you go - let him go
II: BbM
I
:II
Will not let you go - let him go, will not let you go - let him go
I /B /A /D /Db I /Ab /Bb /Eb
. I (no chord)
No, no, no, no, no, no, no—
I AbM
I EbM AbM
I
Mama mia, mama mia, mama
I DM
Gm
I Ddim
I
mia let me go, Beelzebub has a devil put aside for me, for me -for
I Dm7b5 I
I
II
me Instrumentaal :
II BbM
I
EbM
I BbM
I 2/4
I
So you think you can stone me and spit in my eye I BbM
I
EbM
I AbM
II
So you think you can love me and leave me to die 17
II Fm
I BbM
Oh
Baby - Can't do this to me baby -
I AbM/F
I Fm
BbM
I BbM
I AbM/F
BbM
I
II
Just gotta get out - just gotta get right outta here Instrumentaal :
II Cm
Gm
I Cm
Gm I Cm
Abdim
I Cm7/Bb
I
Nothing really matters, anyone can see, nothing really matters, nothing really matters to
I EbM
I
I Bdim/D Bbm/Db I Cm
I
me …..
I Cm FM I BbM
I FM
II
anyway the wind blows...
18
BORN TO BE WILD
(STEPPENWOLF)
Tempo = 150
Intro :
get your motor running,
lookin' for adventure,
II: GM
head out on the highway
in whatever comes our way
AM
I EM
:II (X4)
here and god are gonna' make it happen
take the world in a love embrace
fire all of your guns at once and
explode into space
I like smoke and lightning, heavy metal thunder
racin' with the wind, and the feeling that that I'm under…
Bridge… (Like a ..)
II EM
I
I GM
I
I
true nature's child, we were born, born to be wild.. we can
I AM
I GM
climb so high,
II: EM
I DM
I EM
I
II
I never want to die
I EM
I DM
:II
born to be wild
born to be wild
Solo (intro)
II: EM
I
:II
II (drumbreak) I
II
Strophe 1
Bridge
Refrein
Solo (intro—ad lib)
19
THE BOYS ARE BACK IN TOWN
(THIN LIZZY)
Intro :
II Ab5
I C5
I Db5
I
I
Guess who just got back today, them wild-eyed boys that’d been away
I C5
I F5
I Bb5
I
I
Haven’t changed, had much to say, but man, I still think them cats are crazy
I Ab5
I C5
I Db5
I E5
I
They were asking if you were around, how you was, where you could be found
I Eb5
I F5
I Bb5
I
II
Told them you were livin’ downtown, drivin’ old men crazy.
II: (intro X4)
:II
The boys are back in town, the boys are back in town
The boys are back in town, the boys are back in town
Instrumentaal :
You know that chick that used to dance a lot, every night, she’d be on the floor, shakin’ what she’s got
Man, when I tell ya she was cool, she was red hot. She was crazy….
And that time over at Johnny’s place,Well, this chick, she got up and slapped Johnny’s face,
Man we just fell about the place, if that chick don’t wanna know, forget her.
Refrein + instrumentaal (X4)
Break : II: Gb5 I Db5 I C5 I F5 I Bb5 I
I F5 I
:II
Friday night they’ll be dressed to kill, down at Deano’s bar ‘n grill
The drink will flow, and the blood will spill,and if the boys wanna fight, you better let ‘em.
That jukebox in the corner blasting out my favourite song, the nights are gettin’ warmer,
it won’t be long, won’t be long ‘till summer comes, now that the boys are here again.
Refrein (intro X6—1ste 2 enkel legato akkoorden)
Instrumentaal 2 :
Instrumentaal 2 :
Instrumentaal 1 (X8)
20
BREATLESS
(THE CORRS)
Go on go on, leave me breathless, come on
Intro :
Instrumentaal :
II: BM
I F#M
I C#m
I G#m
F#M
:II
The daylight's fading slowly, the time with you is standing
still. I'm waiting for you only, the slightest touch and I feel
II: EM
F#M
I BM
:II
weak, I cannot lie, from you I cannot hide, and I'm
II EM
F#M
I G#m
I EM
I F#M
II
losing the will to try, Can't hide it (can't hide it), can't fight it (can't fight it), So
II: EM
I AM
I BM (break 4th time)
:II (X4)
go on, go on, come on, leave me breathless
Tempt me, tease me, until I can't deny
This loving feeling (loving feeling), make me long for your kiss
Go on (go on), go on (go on), Yeah...Come on, Yeah...
Instrumentaal
And if there's no tomorrow, and all we have is here and now
I'm happy just to have you, you're all the love I need somehow
It's like a dream, Although I'm not asleep, And I never
want to wake up, ,Don't lose it (don't lose it), don't leave it (don't leave it)
Refrein + intro (X2)
Solo (instrumentaal)
II: EM
F#M
I BM
:II
And I can't lie, rom you I cannot hide
II EM
F#M
I G#m
I EM
I F#M
II
And I've lost my will to try, can't hide it (can't hide it), can't fight it, (can't fight it)
So go on, (go on) go on, (go on), come on, leave me breathless
Tempt me, tease me, until I can't deny
This loving feeling (loving feeling) Make me long for your kiss
Go on, (go on) go on, (go on) come on, leave... me breathless
Go on... go on!
21
BROTHERS IN ARMS
(DIRE STRAITS)
Intro: II: G#m EM :II (X4) IIG#m I
II
These mist covered
II EM
F#M I F#M
I BM
Mountains,
II G#m
are home now for me
D#m I D#m
return to
I G#m
I F#sus4 F#M
and always will be
D#m I D#m
I F#sus4 F#M
I
Someday you’ll
I EM
I C#m7 F#sus4
your valley and your farms
EM
II
But my home is
I EM
the low lands
I G#m
Bsus4 I BM
I
and you'll no longer
II
burn, to brothers in arms
Solo : II: G#m EM :II (X4) IIG#m I
II
Through these fields of de
II EM
F#M I F#M
I BM
struction,
D#m I D#m
Suffering,
I EM
I F#sus4
as the battles raged higher,
D#m I D#m
I EM
hurt me so bad,
I G#m
II
baptisms of fire, I've witnessed all your
II G#m
I G#m
Bsus4 I BM
I F#sus4 F#M
I
I C#m7 F#sus4
in the fear and alarm.
EM
F#M
and though they did
I
You did not
II
Desert me, my brothers in arms
II
Solo 2 : II: G#m EM I C#m EM /F# :II G#sus2 I
There's so many different
II G#m
I F#M BM
Worlds,
I EM
I F#M
so many different suns,
I G#m
I F#M
World,
BM
I
and we have just one
I EM
I EM
II
but we live in different ones
Solo 3 : II: G#m EM I C#m EM /F# :II (X4) I G#sus2 I
II
Now the sun's gone to
II EM
F#M I F#M
hell,
I BM
II
and the moon's riding high, let me bid your fare
II G#m
D#m I D#m
well,
I EM
everyman has to die.
I G#m
D#m I D#m
starlight,
I G#m
war,
Bsus4 I BM
I EM
and every line on your palm .
EM
I F#sus4 F#M
I F#sus4
F#M
I
But its written in the
I C#m7
F#sus4
I
We're fools to make
II
on our brothers in arms
Solo 4 : II: G#m EM I C#m EM /F# :II (ad lib)
22
BROWN EYED GIRL
(VAN MORRISON)
Tempo = 150
Intro: II: GM I CM I GM I DM :II
II: GM
I CM
I GM
I DM
:II
Hey, where did we go, days when the rains came ?
Down in the hollow, playing a new game,
Laughing and a-running, hey, hey, skipping and a-jumping
In the misty morning fog with, our, our hearts a-thumping. And
II: CM
I DM
I GM
I (Em)
:II
you,
my brown-eyed girl,
You, my brown-eyed girl.
Whatever happened, to Tuesday and so slow
Going down to the old mine with a transistor radio.
Standing in the sunlight laughing, hide behind a rainbow's wall,
Slipping and a-sliding, all along the waterfall. With
you, my brown-eyed girl,
You, my brown-eyed girl. Do you
II DM
I
II
remember when we used to
II: GM
I CM
I GM
I DM
:II
sing, Sha la la la la la la la la la la dee dah, just like that
Sha la la la la la la la la la la dee dah. La dee dah.
Instrumentaal : II GM I
I
I
II
II GM I CM I GM I DM II (bass and drums)
So hard to find my way, now that I'm all on my own.
I saw you just the other day, my, how you have grown!
Cast my memory back there, lord, sometime I'm overcome thinking about
Making love in the green grass, behind the stadium. With
you, my brown-eyed girl,
You, my brown-eyed girl. Do you
II DM
I
II
remember when we used to
II: GM
I CM
I GM
I DM
:II (ad lib)
Sing, Sha la la la la la la la la la la dee dah, Laying in the green grass
Sha la la la la la la la la la la dee dah
Dee dah dee dah dee dah dee dah dee dah dee
Sha la la la la la la la la la la la la
Dee dah la dee dah la dee dah la
D-d-d-d-d-d-d-d-d-d...
23
BUBBLY
(COLBIE CAILLAT)
:II
Intro : II: AM I AM7 I DM I AM
Will you count me in?
II: AM
I AM7
I DM
I AM
:II
I've been awake for a while now, you've got me feelin' like a child now
Cause everytime I see your bubbly face, I get the tingles in a silly place..It starts in my
II AM
I AM7
I DM
I AM7 I
Toes, and I crinkle my nose, where ever it goes, I always know, that you make me
I AM
I AM7
I DM
I AM
II
Smile, please stay for a while now, just take your time, where ever you go
The rain is fallin' on my window pane, but we are hidin' in a safer place
Under cover stayin dry and warm, you give me feelins that I adore….they start in my
Toes, make me crinkle my nose, where ever it goes, I always know, that you make
me smile, please stay for a while now, just take your time, where ever you go
II AM
I DM
What am I gonna say,
II DM
I AM7
I DM
EM II
when you make me feel this way
II
I just-mmm.. They start in my
Toes, make me crinkle my nose, where ever it goes, I always know, that you make
me smile, please stay for a while now, just take your time, where ever you go
Instrumentaal : II: AM I AM7 I DM I AM :II
I've been awake for a while now, you've got me feelin' like a child now
‘Cause every time you hold me in your arms, I’m comfortable to feel your warmth..it starts
in my
Soul, and I loose al control, when you kiss my nose the feeling shows, ‘cos
You make me smile baby, just take your time now holding me tight.
Where ever you go……
‘cos you make me smile…….
24
BUONA SERA/ OH, MARIE
(DEAN MARTIN)
Tempo = 120 / 205
Intro: II EbM I BbM I
I EbM
II
Buona
II EbM
I
I
I BbM
I
sera signorina buona sera, it is time to say goodnight to Napoli, Though it's
I BbM
I
I
I EbM I
hard for us to whisper buona sera, with that old moon above the Mediterranean sea. In
I EbM
I
I
I
I
the morning signorina we'll go walking, where the mountains and the sign come in to
AbM
I Abm
I EbM
I BbM
I
Sight, and by the little jewelry shop we'll stop and linger, while I buy a wedding ring for
I EbM
I Eb7
I AbM
/A
I EbM
BbM
I
your finger. In the meantime let me tell you that I love you. Buona sera signorina kiss me
I EbM
(I BbM
I EbM (break)
II:
Goodnight. Buona sera signorina kiss me goodnight
:II (X4))
pa pooh…...
(2/2 verdubbelen)
Buona sera signorina buona sera, it is time to say goodnight to Napoli. Though it's
hard for us to whisper buona sera, with that old moon above the Mediterranean sea
In the morning signorina we'll go walking, where the mountains and the sign come in to
sight. And by the little jewelry shop we'll stop and linger, while I buy a wedding ring for
your finger, in the meantime let me tell you that I love you. Buona sera signorina kiss me
goodnight.
Solo: strophe
II Abm
I
I EbM
I
By the little jewelry shop we'll stop and linger,
I BbM
I
I EbM
I
I
buy a wedding ring for your finger
I Eb7
I
In the
I AbM
I /A
I
meantime let me tell you that I love you.
I EbM
I BbM
I
while I
Buona
I /Eb /E /F /F# I G7
II
sera signorina kiss me goodnight.
II: CM
I
I
Oh Ma
I
I
rie, oh Marie, Oh Marie, oh Marie. In your
I CM
I
I GM
I
I
arms I'm longin' to be, longin' to be. Oh
I GM
I
I
I
I
Baby, baby, Tell me you love me, tell me you love me. Kiss me
I GM
I
I CM
I
I
once while the stars shine above me, shine above me. Oh Ma
I CM
I
I
I
I
rie, oh Marie, hey hey Marie, hey Marie.
I CM
I C7
I FM
I
arms I'm longin' to be, longin' to be..
I FM
I
In your
I
Oh
I CM
I
I
baby, baby, Tell me you love me, tell me you love me. Hey Ma
I CM
I GM
I CM
I
:II
rie, hey Marie, hey Marie, hey Marie
Solo: strophe
25
BURN IN HELL
(TWISTED SISTER)
Tempo = 210
Intro :
(X4)
Intro 2 ;
II: (intro 2) :II
II EM .
/E /F# II
welcome to the abandoned land, come on in child, take my hand
II GM
I Em
/E /F# I GM
here there's no work or play,
I GM
I Em
I Em
/E /F#
I
only one bill to pay
/E /F#
I GM
/F#
I FM
I
there's just five words to say, as you go down, down, down…
II: B5 E5 .
. I E5
I C5 E5 .
.
II
you're gonna burn in
I E5
:II
hell,
oh, burn in hell
II E5
I
I /G . /F# /E
I /F#
/G /F# I BM EM . . I
I CM EM . . I
you can't believe all the things i've done wrong in my life.
I E5
I
out even
I /B . /A /G
trying i've
II A5
I /B
lived on the
I
I
/A /G I BM EM . . I
edge of
I .
.
a
I
with
I CM EM . . I
knife.
II
well,
. /B /D /F# I
I've played with fire, but I don't want to get myself
II: E5
I . . /B /D /F# :II
burned
I A5
to thine
I
I
I
I
own self be true, so I think that it's time for a
I BM
I
I (lick)
I (Break)
turn
II
before I burn in
II B5 E5 .
.
I E5
I C5 E5 .
.
. I E5
hell,
I
oh, burn in
I B5 E5 .
. I E5
I F#5
I BM
II
hell
take a good look in your heart, tell me what do you see?
it's black and it's dark, now is that how you want it to be?
it's up to you, what you do will decide your own fate
make your choice now for tomorrow may be far too late...and then you'll burn in
hell (hear no evil, don't you, see no evil, don't you) , oh, burn in
hell (lay no evil down on me)
you're gonna burn in
hell (speak no evil, don't you, think no evil, don't you) oh, burn in
hell (play with evil, 'cause i'm free)
Solo (strophe)
hear no evil, don't you, see no evil, don't you,
lay no evil down on me you're gonna burn in
hell speak no evil, don't you, think no evil, don't you
play with evil, 'cause i'm free, you're gonna burn in
hell, hear no evil, don't you, see no evil, don't you
……………...
26
CALIFORNICATION
(THE RED HOT CHILLY PEPPERS)
Intro : II: Am I FM :II (X4)
II: Am
I FM
:II
Psychic spies from China, try to steal your mind’s elation
Little girls from Sweden, dream of silver screen quotations. And
IICM
GM
I FM
Dm
II
if you want these kind of dreams, it’s Californication
II: Am I FM :II
It’s the edge of the world, and all of western civilization
The sun may rise in the East, at least it settles in the final location
It’s understood that Hollywood, sells Californication
II: Am I FM :II (8/8)
II: Am
I FM
:II (X4)
Pay your surgeon very well, to break the spell of aging
Celebrity skin is this your chin, or is that war your waging
First born unicorn, hard core soft porn
II: CM
GM
I Dm
Am :II (X3)
Dream of Californication , dream of Californication
II CM
GM
I Dm
II
Dream of Californication , dream of Californication
II: Am I FM :II
Marry me girl be my fairy to the world, be my very own constellation
A teenage bride with a baby inside, getting high on information
And buy me a star on the boulevard, it’s Californication
II: Am I FM :II
Space may be the final frontier, but it’s made in a Hollywood basement
Cobain can you hear the spheres, singing songs off station to station
And Alderon’s not far away, it’s Californication
Born and raised by those who praise,
control of population every body’s been there and I don’t mean on vacation
Refrein
Solo : II: F#m I DM :II Bm DM I AM EM II
II : F#m I DM :II: Bm DM I AM EM :II (X3)
II: Am I FM :II
Destruction leads to a very rough road, but it also breeds creation
And earthquakes are to a girl’s guitar, they’re just another good vibration
And tidal waves couldn’t save the world, from Californication
Pay your surgeon very well, to break the spell of aging
Sicker than the rest, there is no test but this is what you’re craving
Refrein (X2)
Outro : II: Am I FM :II
27
CAN THE CAN
(SUZY QUATRO)
Tempo : 135
Intro :
II: (drums) I
II AbM
I
I
I
I
I
:II (X2)
II
Well you
II: DbM
I
I AbM
I
:II
call your mama tiger, and we all know you are lying…
And your
boyfriends name is Eagle, and he lives up in the sky (high, high) … Watch out the
II BM
I BbM
I DbM
I CM
I
tiger don't claw the eagle's eye, but let the eagle take the tiger by surprise (scratch out her
I EbM
I
eyes) …
II
So make a
II: AbM
BbM
I AbM
stand for a man honey,
can …
man in the can honey,
while you can.
can ....
Can……….
II EbM
I
BbM
:II (X6)
try to can the
Put your
get him
Can the
Can the
if you
I AbM
I
can ..
II
Well your
sister's got the feline touch, she touches up your mind ...And your
eagle lover likes his little bit of evil loving all the time ...Don't let the
cat get into the eagle's nest at night, because the eagle could say "yes" without a fight
(scratch out her eyes) So make a ......
Refrein (+ drums)
Instrumentaal : II: AbM BbM I
:II (‘can the can’) X8
II AM BM I
II
II BbM DbM I BbM DbM :II (X2)
Break : II BbM . . . I BbM .
Honey…..
Honey
.
. II
Refrein (+2—in Bb)
28
CAN’T HELP FALLING IN LOVE
(ELVIS PRESLEY)
II: FM
Am I Dm
I Gm
FM I CM
C7 I BM A7 I
Wise men say only fools rush in,
I Dm Gm
I FM
C7 I FM
but I
can't
:II
help falling in love with you
Shall I
stay, would it be a
II Am
E7
I Am
sin
If
I
can't
E7 I
Like a river flows surely to the sea,
I Am
E7
I Am
D7
I Gm
C7 I
darling so it goes, some things are meant to be
take my hand, take my whole life too, for I can't
Like a river flows surely to the sea
Darling so it goes, some things are meant to be
take my hand, take my whole life too, for I can't
help falling in love with you. for
II BM
I
A7
can't
I Dm
Gm
I FM
C7
I F6
II
29
CLOSER
(DIDO)
Intro : II DM I GM II
So
II: DM
I GM
:II
leave your taxi waiting, and turn and close my door and
sit back down where you were sitting a little closer then before
II DM
I GM
Em
I
When you look that serious It just makes me want you more, and
I Bm
AM
I Em
II
I've been meaning to tell you, the closer you
II: DM
I AM
I F#m
I GM
:II
get, the better I feel, the closer you are, the more I see,why everyone
says I look happier, when you're around, the closer you get, the better I
II DM
II
feel
And
yes I know you're nervous, never seen you so unsure
You haven't touched your food tonight, and you're drinking more and more
And there's no need to hurry, take you're time I'll still be here
And I've been meaning to tell you
Refrein (X2)….the better I feel
II: DM
I AM
I
We've been circling for time baby
I F#m
I GM
:II
We're coming down to land tonight
The wait is over and now it's easy
Everything is fine
Refrein
The closer you get, the better you see
The closer you are, the more I see,
Why everyone says that I look happier
When your around
The closer you get,
the better I feel
30
COCAINE
(THE CREAM—ERIK CLAPTON)
Intro: II: EM /B I DM :II
If you wanna hang out, you've gotta take her out: Cocaine. If you
wanna get down, get down on the ground: Cocaine
II EM
DM
I CM
B7 (break) II
She's alright, she's alright, she's alright,
II: EM /B I DM
:II
Cocaine
If you got that lose, you wanna kick them blues: Cocaine, when your
day is done, and you wanna ride on Cocaine
Refrein
Solo
If your day is gone, and you wanna ride on: Cocaine, Don't forget this
fact: You can't get it back: Cocaine
Refrein
31
COQUETTE
(PAUL MCCARTNEY)
Intro:II CM I FM I CM I GM II
II: CM
I
I GM
I
I
Tell me, why you keep fooling, little coquette,
I GM
I
I CM
I CM GM :II
making fun of the one who loves you?
Breakin' hearts you are rulin', little coquette,
true hearts tenderly dreaming of you.
II C7
I
I FM
I FM
. /E /Eb I
Someday you'll fall in love, like I fell in love with you.
I D7
I
Maybe
I GM
I G7
II
the one you love, will just be foolin' too. and
when you are alone with all your regrets,
you’ll find, my little coquette, I love you.
Solo : strophe (X2) + refrein + strophe
II: CM
I
I GM
I
I
Tell me, why you keep fooling, little coquette,
I GM
I
I CM
I CM GM :II
making fun of the one who loves you?
Breakin' hearts you are rulin', little coquette,
true hearts tenderly dreaming of you.
II C7
I
I FM
I FM
. /E /Eb I
Someday you'll fall in love, like I fell in love with you.
I D7
Maybe
I
I GM
I G7
II
the one you love, will just be foolin' too. and
when you are alone with all your regrets,
you’ll find, my little coquette, I love you.
II: CM/E /G I /F# /F :II (ad lib)
32
COME TOGETHER
(THE BEATLES)
Tempo = 80
Intro :
II DM
I
I
Here come old flat top, he come groovin' up slowly. He got
I
I
I
juju eyeballs, he want holy rollers, he got
I AM
hair
I
down
I
to his knees,
I GM (break)
I
II
got to be a joker, he just do what he please
Instrumentaal (X4)
He wear no shoeshine, he got toe jam football. He got
monkey finger, he shoot Coca Cola. He say
I know you, you know me,
one thing I can tell you is you got to be free. Come to
II Bm
.
gether,
. AM I GM . AM break II
right now,
over me
Instrumentaal (X4)
He bag production, he got walrus gumboot. He got
Ono sideboard, he one spinal cracker. He got
feet down below his knees,
hold you in his armchair, you can feel his disease..Come to
gether,
right now
over me
Instrumentaal (X2)
Solo : II: DM
I
I
I
:II
Instrumentaal (X2)
He roller coaster, he got early warning. He got
muddy water,he one Mojo filter, he say
one and one and one is three
Got to be good looking, 'cause he's so hard to see..Come to
gether,
right now
over me
Instrumentaal (X4)
II DM
I
I
I
:II (ad lib)
Come together, yeah, come together, yeah
33
COSE DELLA VITA
(EROS RAMAZZOTTI)
Tempo = 90
Intro: II: EM I
I
I .
.
. (/E /F) :II (X4)
II F#m DM :II (X4)
II: F#m
DM
I AM EM
/F (/A) :II (X4)
Sono umana situazioni,
quei momenti fra di noi
i distacchi e i ritorni, da capirci niente poi
II: Bm/D
AM
I EM
:II
gia...come vedi,
sto pensando a te....si...da un po'
Instrumentaal : II: F#m DM I AM EM :II
They're just human contradictions, feeling happy, feeling sad
these emotional transitions, all the memories we've had
yes, you know it is true that
I just can't stop thinking of you. No, I
II AM
EM/G#
I Bm
I
just can't pretend, all the time that we spent could die,
I AM
I F#m
I
feel it again, all the love we felt then.
Confi
I AM
EM/G#
I Bm
I
nanti di cuore solo che ognuno sta,
I AM
EM
wanna
dietro
I Bm
II
gli steccati degli orgogli suoi...sto pensando a
II: F#m DM I AM EM :II
te,
sto pensando a noi...
Instrumentaal : II: G#m EM I BM F#M :II
II: G#m
EM
I BM F#M
/G (/B) :II (X4)
Sono cose della vita,
vanno prese un po'cosi
Some for worse and some for better, but through it all we've come so far
II: C#m/E
BM
I F#M
:II
Gia'... come vedi, io sto ancora in piedi...Perche
II: G#m
I EM
I BM
Sono umani tutti i sogni miei ,
What is life without a dream to hold?
II: Am
FM
I CM
GM
Yes,
II CM
CM
but what future does it hold?
ma la vita poi dov'e
I GM
:II
you know it is true,
GM/B
I just can't stop thinking of you...Questa
I Dm
notte che pasa piano accanto a me,
I CM
:II
:II
It's part of life together,
Sono cosa della vita,
II: Dm/F
I F#M
con le mani io li prenderei, si perche
take my hand and never let me go
GM/B
I CM
I Am
I
cerco di affrontarla, afferrarla. If our
I Dm
I CM
GM
I
hearts miss a beat or get lost like a ship at sea, I want to remember, I can never for
I Dm
I
II
get
II: Am
FM
I CM
GM :II (X4)
Can't stop thinking of you, Sto pensando a noi
Can't stop thinking of you…….
34
CRACK ON THE WALL
(COVENS/MC DRAKE)
Intro: I II GM F#m/A I GM/C F#m/C# I DM
II: Em
I
I EM
I DM
I
II
:II
4 o’clock in the morning, as I leave your closing door
I knew that I was warned, this would start as before, but the
II CM
I
I B7
I
I
light in the bedroom kept the shadows fro
zen, dear, with
I CM
I
I DM
I Em
II
out the movements, they would quickly dissapear..I knew that
II: AM
I GM
I CM
I DM
:II
crack on the wall would open wide and show the feelings deep inside, the
Crack on the wall that kept inside, the fading world I’d left behind….
II DM II
II: GM F#m/A
I
I
I GM/C F#m/C#
I DM
I EM
:II
pray, I
may, use this fantasy to my will
say, you may, use some witchery to my thrill
II EM II
II: Em
I
I DM
I
:II
Haven’t slept for a forthnight, seeing flashes of you here
Clutched on relics tonight, the ones you made dissapear…but
II CM
I
I B7
I
I
I can take care of myself, tearing pieces as they fall
I CM
I DM
I Em
I
II
I will follow my own voices, as they come in and they call….I knew the
Refrein + II DM
II
I have to
II: AM
EM
I C#m
:II
I DM
I
seal that crack down, kick on my heels,
get off my back and know how it feels…
because I
Can’t hold you back from taking me back to the world on beyond, making no deals………
II EM II
II: AM
I GM
I CM
I DM
:II
crack on the wall would open wide and show the feelings deep inside, the
Crack on the wall that kept inside, the fading world I’d left behind….
II DM II
II: GM F#m/A
I
I
II GM F#m/A
I GM/C F#m/C#
I DM
I EM
:II
pray, I
may, use this fantasy to my will
say, you may, use some witchery to my thrill
I GM/C F#m/C#
I DM
I EM
II
II Am/C II
35
CRAZY TRAIN
(OZZY OSBOURNE)
Tempo = 138
Intro 1 (Basgitaar) :
Intro 2 (gitaar) :
Crazy, but that's how it goes,
millions of people living as foes
Maybe it's not too late, to
learn how to love and forget how to hate
Mental wounds not healing
Life's a bitter shame, I'm
going off the rails on a
crazy train (X2)
I've listened to preachers, I've listened to fools
I've watched all the dropouts, who make their own rules
One person conditioned to rule and control
The media sells it and you live the role
Refrein
II: (Intro 1 X2 :II
I know that things are going wrong for me, you gotta listen to my words, Yeh-h
Solo : II: F#5 . . E5 I D5 . . C#5 I B5 . A5 G#5 I F#5 :II (X4) + intro 1 & 2 samen
Heirs of a cold war, that's what we've become, Inheriting troubles I'm mentally numb
Crazy, I just cannot bear, I'm living with something that just isn't fair
Refrein + intro 1
36
CROCODILE ROCK
(ELTON JOHN-ORIGINEEL IN G)
Tempo = 150
Intro: II FM
I
I BbM I
I Am I
I CM I
I
II
I re
II: FM
I
I Am
I
I
member when rock was young, me and suzie had so much fun. Holding
I BbM
I
I CM
I
:II
hands and skimming stones. Had an old gold chevy and a place of my own. But the
biggest kick I ever got, was doing a thing called the crocodile rock. While the
other kids were rocking round the clock, we were hopping and bopping to the crocodile
rock.Well
II Dm
/C Dm
/C I Dm /C
Dm
/C
Dm
I G7
I
II
crocodile rocking is something shocking, when your feet just can’t keep still
I C7
I
I FM
I
I
I never knew me a better time and I guess I never will
I DM
I
I G7 (break)
I
I
Oh lawdy mama those friday nights when suzie wore her dresses tight. And
I C7
I
I BbM
the crocodile rocking was out of sight.
I BbM CM
II
But the years
Instrumentaal : intro
went by and the rock just died, Suzie went and left us for some foreign guy. Long
nights crying by the record machine, dreaming of my chevy and my old blue jeans
But they’ll never kill the thrills we’ve got, burning up to the crocodile rock
Learning fast as the weeks went past, we really thought the crocodile rock would last
Refrein
Instrumentaal
II: FM
I
I Am
I
I
member when rock was young, me and suzie had so much fun. Holding
I BbM
I
I CM
I
:II
hands and skimming stones. Had an old gold chevy and a place of my own. But the
biggest kick I ever got, was doing a thing called the crocodile rock. While the
other kids were rocking round the clock, we were hopping and bopping to the crocodile
rock.Well
Refrein
Instrumentaal (ad lib)
37
DANCING BAREFOOT
(PATTI SMITH)
Tempo = 110
Intro : II: Em AM I Em AM :II
II: Em
She
she
DM
I Em
AM
:II (X4)
is benediction,
she
is the root connection, she
is addicted to thee
is connecting with he
here I go and I don't know why, I fell so ceaselessly
could it be he's taking over me...
II: GM
I AM
I CM
I DM
:II
I'm dancing barefoot, heading for a spin
some strange music draws me in, makes me come on like some heroin/e
II: Em AM I Em AM :II
she is sublimation, she is the essence of thee
she is concentrating on he, who is chosen by she
here I go and I don't know why, I spin so ceaselessly,
could it be he's taking over me...
Refrein
Solo (Strophe + Refrein)
II: Em AM I Em AM :II
she is re-creation, she, intoxicated by thee
she has the slow sensation that he is levitating with she ...
here I go and I don't know why, I spin so ceaselessly,
'til I lose my sense of gravity...
Refrein
Solo : II: Em DM I Em AM :II (ad Lib)
(oh god I fell for you ...)
the plot of our life sweats in the dark like a face
the mystery of childbirth, of childhood itself
grave visitations
what is it that calls to us?
why must we pray screaming?
why must not death be redefined?
we shut our eyes we stretch out our arms
and whirl on a pane of glass
an afixiation a fix on anything the line of life
the limb of a tree
the hands of he and the promise that s/he is
blessed among women.
38
DEVILS AND DUST
(BRUCE SPRINGSTEEN)
Intro : II: DM I
:II
I got my finger on the
II: DM
I
I GM
trigger,
I DM
I
but I don't know who to trust,
I AM
Eyes
I
I look into your
I DM
I
There's just devils and dust
:II
We’re a long, long way from
home Bobbie, home's a long, long way from us, feel the dirty winds
blowin',
devils and dust
Got god on my
II GM
I
I DM
Side
I
I'm just trying to survive
I GM
I AM
I GM
Survive, kills the things you love, fear is a powerful thing,
I DM
I
can Trust,
I DM
I GM
I
I
turn your heart black you
I AM
take your God filled soul,
I
I
but if what you do to
I
fill it with devils and
II
dust
II DM I
II
Well I dreamed of you last
night,
in a field of blood and stone, blood began to
Dry, smell began to rise. Well I dreamed of you last
Night, in a field of mud and bone, your blood began to
Dry, smell began to rise…..got god on our
Side, we're just trying to survive. but if what you do to
Survive. kills the things you love, fear's a powerful thing, turn your heart black you
can trust. take your God filled soul. fill it with Devils and dust. Take your God fearin'
II GM
I AM
I DM
I
II
Soul, fill it with devils and dust
Solo : II: DM I
I DM
I GM
I AM I DM
I
I
I
:II
Now every woman and every
man,
Wills,
they want to take a rightous stand, find the love with God
the faith that he commands
I've got my finger on the
Trigger, tonight faith just ain't enough; when I look inside my
Heart. There's just devils and dust
Brigde (2nd)
Outro solo : II: DM I
I DM
I GM
I AM I DM
I
I
I
:II
39
DIAMONDS AND RUST
(J. BAEZ / JUDAS PRIEST)
Tempo = 135
Intro : II: Em
I /G /F# . /G /F# . I Bsus4
II Em
I
I BM
I CM
:II
I
I
I'll be damned, here comes your ghost again,
I GM
I
I DM
usual,
I
it's just that the moon is full,
I Em
I
but that's not un
I
and you decided to
II
call…
And
here I sit, hand on the telephone, hearing the
voice I'd known, a couple of light years ago, headed straight for a
fall…
But we
II: CM
I DM
I
both know what memories can bring, they bring Diamonds and
I Em
I
:II
Rust…
Yes we
both know what memories can bring, they bring Diamonds and
Rust…..Now I
II: Bm
I
I
see you standing with brown leaves all around and snow in your
I AM
I
:II
hair…
Now we're
smiling out the window of the crummy hotel over Washington
Square….
Our
II CM
I
I
breath comes in white clouds, mingles and hangs in the
I GM
I
I
air..
Speaking
I FM
I
strictly for me
I BM
I
I
we both could've died then and
I CM
I DM
II
there
Intro (X2)
Now you're telling me you're not nostalgic.. Then give me
another word for it, you were so good with words, and at keeping things
vague.. ‘cause
I need some of that vagueness now, It's all come back too
clearly, yes, I love you dearly, And if you're offering me diamonds and rust, I've already
paid
Refrein
II: CM
I DM
I Em
I
:II (ad lib)
Diamonds, Diamonds and Rust
40
DON’T BOTHER
(SHAKIRA)
Intro : II Am I
I CM
I (NC)
II
She’s
II: Em
I
been to private school,
I Am
pratices Tai Chi,
you deserve,
II: GM
I
I
and she speaks perfect French.
I
perfect friends,
I CM
I CM
I
She’s got the
:II
Oh isn’t she cool…..
She
she’d never lose her nerve.
She’s more than
she’s just far better than me…… Hey
I DM/F#
I Am
I CM
:II
Hey, so don’t bother, I won’t die of deception. I
promise you won’t ever see me cry, don’t feel sorry.
don't bother, I’ll be fine, but she’s waiting. The
ring you gave to her will lose its shine. So don’t
bother,
be unkind
Instrumentaal : II: GM I DM/F# I Am I CM :II (X4)
I’m sure she doesn’t know, how to touch you like I would
I beat her at that one good. Don’t you think so?
She’s almost 6 feet tall, she must think I’m a flea
I’m really a cat you see, And it’s not my last life at all. Hey
Refrein (X2) + instrumentaal (ad lib)
41
DON’T GET ME WRONG
(THE PRETENDERS)
Tempo = 200
Intro : II CM I
I Am
I Dm
I GM
I
I
I
I
I
I
I
I
I
I
I
I
I
I
II
Don’t get me
II: CM
I
I
I
I
Wrong,
If I’m looking kind of
I Am
I
I
I
I
dazzled
I see
I Dm
I
I
I
I
neon lights
I GM
Whenever you walk
I
I
I
:II
by..
Don’t get me
wrong,
I take a ride….
mystic moon
with the tide…
if you say hello and
Upon a sea where the
is playing havoc
Don’t get me
(repeat chords strophe)
wrong…….
Don’t get me
wrong……………….…if I’m acting so dis
tracted……………. I’m thinking about the
fireworks………….. That go off when you
smile………………………... Don’t get me
II CM
I
I
I
Wrong………………..
I Am
I
I
If I split like light re
I
I
I
fracted………………………
I Dm
I
I GM
I’m only off to
I
I
Wander……..….
II CM
Across a moonlit
I
I
I
II
mile
II: GM
I
I
I
:II
Once in awhile,
two people meet
Seemingly for no reason, They just pass on the street
Suddenly thunder, showers everywhere
Who can explain the thunder and rain, but there’s something in the air
Instrumentaal (2 X strophe)
Don’t get me wrong,
fashion…..
morrow……..
yesterday…
If I come and go like
I might be great to
But hopeless
. Don’t get me
wrong…
passion’
II: Dm
. If I fall in the ’mode of
.. It might be unbe
I
I GM
lievable…
I Am
I
I
But let’s not say so
I
long..
tastic… Don’t get me
wrong
I
I
:II
it might just be fan
II: Am
I
:II
42
DON’T LET THE SUN
(GEORGE MICHAEL)
Intro : II CM I /Bb I FM/A I FM II
II: GM
I
I FM CM I CM I
I cant light no more of your darkness,
I FM
I
I GM
all my pictures seem to fade to black and white
I
:II
Im growing tired and time stands still before me,
frozen here on the ladder of my life
Its much too late to save myself from falling,
I took a chance and changed your way of life
II GM
I
I FM CM I CM I
But you misread my meaning when I met you,
I FM
I
I CM
I GM
/F II
closed the door and left me blinded by the light
II CM
I /Bb
I Am7
I D7/F#
Dont let the sun go down on me, although I search myself, its always someone else I see
I CM
I FM
I CM
I /Bb I
Id just allow a fragment of your life to wander free,
but
I FM
I Dm /E
FM GM I CM I
II
losing everything is like the sun going down on me
I
II CM I /Bb I FM/A I FM II
I cant find, Oh, the right romantic line
But see me once
and see the way feel
Dont discard me baby don't, just because you think I mean you harm
Just because you think I mean you harm, oh
But these cuts I have, cuts I have, they need love, They need love, they need love to help them heal
Refrein (X2)
43
DO YOU WANNE DANCE
(CLIFF RICHARD)
Tempo = 170
II
Intro : II (drums) I
Well do you
II: GM
I CM
I GM
I CM
I
wanna dance and hold my hand? Sqeeze me baby I’m your man, Oh
I GM
I CM
baby,
I GM
do you wanna dance?
I
:II
Well do you
wanna dance under the moonlight? Squeeze and hug me all through the night. Oh
baby, do you wanna dance?
II: GM
I CM
DM
:II (X4)
Do you do you do you do you wanna dance
Solo : refrein
Refrein
Well do you wanna dance to a rock’n’roll band? Come on baby, give me your hand
Oh baby, do you wanna dance?
Well do you wanna
dance under the moonlight? Squeeze and hug me all through the night. Oh
baby, do you wanna dance
Refrein (X2)
Solo :Refrein (ad lib)
44
DRIVIN' MY LIFE AWAY
(EDDIE RABBIT)
Tempo = 170
Intro : II EM I
I
I
II
Well the
II: EM
I
I
I
I
midnight headlight find you on a rainy night, steep grade up ahead slow me down makin
I AM
I
I EM
no time,
I
:II
gotta keep rollin
those
windshield wipers slappin out a tempo, keepin perfect rhythm with the song on the
Radio,
gotta keep rolling
II EM
I
I DM
Ooh
I
I
I'm driving my life away,
I AM
I
I EM
better way,
I EM
looking for a
I
I
for me
I
I DM
ooh
I
I
I'm driving my life away,
I AM
I
looking for a
II
sunny day
Instrumentaal : II C#m I
I E7
I
I AM I
I
I
II
II
Well the
truck stop cutie comin' on to me, tried to talk me into a ride said I wouldn't be
Sorry,
but she was just a baby. well
waitress pour me another cup of coffee, pop me down jack me up shoot me out headin
down the highway, lookin for the morning
Refrein
Instrumentaal
II: EM
I
I
I
I
midnight headlight find you on a rainy night, steep grade up ahead slow me down makin
I AM
I
no time,
I EM
gotta keep rollin
I
:II
those
windshield wipers slappin out a tempo, keepin perfect rhythm with the song on the
Radio,
gotta keep rolling
Refrein (ad lib)
45
ELOISE
(BARRY RYAN)
Intro: II CM
I
I
I Gm
II: FM
I Dm
I
I 2/4 Gm II
I
I
I
I DM
I
Ev'ry night I'm there, I'm always there she knows I'm there and
I Gm
I DM (break)
heaven knows
I Gm
I DM (break) :II
I hope she goes
I find it hard to realize that love was in her eyes, It's
dying now, she knows I'm crying now
II GM
I GM7/F#
I G7/F
I EM
II
And ev'ry night I'm there I break my heart to please, EloII
Dm
I
I A7
ise,
I
II
Eloise
Instrumentaal : II: DM I GM I DM I AM :II
you know I'm on my knees - yeah
I said please
II FM
I
I A7 I
II
You're all I want so hear my prayer
My Eloise is like the stars that please the night
The sun that makes the day, that lights the way
And when that star goes by, I'll hold it in my hands and cry
Her love is mine,
my sun will shine
And ev'ry night I'm there I break my heart to please
Eloise, Eloise
Instrumentaal: II: DM I GM I DM I AM :II
II FM
I
I A7 I
II
Instrumentaal : II (vertragen) DM I FM I GM I B7 I
II: BM
I
I G#m
I
I C#m
I
II
I G#M
I
;II
My Eloise, I'd love to please her, I'd love to care but she's not there
And when I find you, I'd be so kind, You'd want to stay, I know you'd stay
And as the days grow old, the nights crow cold, I wanna hold her
near to me,
I know she's dear to me
And only time can tell and take away this lonely hell , I'm
on my knees
to Eloise
And ev'ry night I'm there I break my heart to please
Eloise, Eloise
You are my life so hear my prayer.
You are the price, I know you're there.
46
EN DANS
(CLOUSEAU-ORIGINEEL IN EB MIN)
Tempo = 120
Intro: II: Dm I CM I Am/C I Dm :II
II: Dm
I CM
I Am/C
I Dm
:II (X4)
Soms wil je van de wereld verdwijnen, je voelt je anders , ze staren je aan.
In een hoek dreig je weg te kwijnen, je zoekt een plek waar je heen kan gaan.
Willen of niet je wordt beoordeeld, ik zie mezelf in jou.
Hier bij ons wordt echt geen spel gespeeld, hier is een plaats voor jou. Kom er
bij en dans , we kunnen samen de wereld aan.. voel je
vrij en dans , laat iedereen dus maar begaan
Laat onze nacht het ritme leiden, je zal het zien het gaat vanzelf.
Want muziek kan een mens bevrijden, je beweegt en je bent jezelf.
Welke kleur of overtuiging, muziek kent geen rang of stand, nee.
Ze kan alleen je blik verruimen, alle stoelen aan de kant. Kom er
bij en dans , we kunnen samen de wereld aan. Voel je
vrij en dans , een valse noot is toegestaan. Kijk naar
mij en dans , laat iedereen dus maar begaan.
II Gm
I FM
I CM
I Dm
I
straks is het januari, het leven is al veel te kort,
I EbM
I FM
we leven vandaag,
I AM
I
II
beweeg dus onbezorgd yeah yeah
II: (a capella)
I
I
I
:II
Kom erbij (whoeeew ) en dans ( yeaaah), we kunnen samen de wereld aan.
Voel je vrij ( yeahyeah ) en dans (oooow) laat iedereen dus maar begaan. Kom er
II: Dm (tutti)
I CM
I Am/C
I DM
:II
bij
en dans ,
we kunnen samen de wereld aan. voel je
vrij en dans , laat iedereen nu maar begaaaaaaaan.
whoeehoeehoee
47
EVERYTHING I DO
(BRIAN ADAMS-ORIGINEEL IN C)
Tempo = 66
II
Intro: II AM I EM I DM/F# I EM
Look into my
II AM
I EM
eyes -
you will see, what you mean to me.
I DM/F#
I AM
I EM
I EM
I
Search your
I DM/F#
I AM
EM
II
heart - search your soul and when you find me there you'll search no more. Don't
II Bm
I EM/B
I Bm
I EM/D
E7
I
tell me it's not worth tryin' for, You can't tell me it's not worth dyin' for. You know it's
I AM
I EM
I AM
I
II
true, everything I do - I do it for you
Look into your heart - you will find, there's nothin' there to hide. Take me as I
am - take my life, I would give it all - I would sacrifice. Don't
Refrein
II GM
I CM
I GM
I DM
I
There's no love - like your love, and no other - could give more love. There's
I AM
I EM
I Bm
I EM
II
nowhere - unless you're there, all the time - all the way
II (no chords) II
Solo : II: DM I
I AM I
:II
Oh - you can't
II Bm
I EM
I Bm
I EM
I
tell me it's not worth tryin' for, I can't help it - there's nothin' I want more. I would
I AM
I EM
I DM
I Dm
II
fight for you - I'd lie for you, walk the wire for you - ya I'd die for you
II (no chords) II
II AM
I EM
Ya know it's true, everything I do -
I DM
I AM
II
I do it for you
48
FAR AWAY
(DITCH)
Intro : II: Bm I
II: Bm
:II + II: Bm I GM I DM I F#M :II
I
I
I .
F#M .
. :II
Let the wind, blow me to eternal blizz
I wanna know what your final answer is
II: Bm
I GM
I DM
I F#M
Follow me you can have my sanity
dignity
Set me
free
II: Bm
I GM
I DM
I F#M
:II
you can have my
:II (X4)
Take me far away from here, before I close my eyes
Take me far away from here, before I lose my mind
Instrumentaal : II: Bm I GM I DM I F#M :II
Born again in a world that doesn’t care
Wondering if this life would take me there
Follow me you can be my enemy, you can be my
Destiny, set me free
Refrein
II GM
I
I DM
I F#M
I
Take me far, take me far away from here, be
I Em
I
fore
I lose my mind
II: GM I
I F#M
I DM I
I
II
I
Imagine we go now baby
I F#M
I
I Bm (F#M) I (break 2nd) :II
Untill we go……….feel the sun indide of me….
Refrein
49
FOUR ACES
(THE SCABS)
Intro: II: Em I DM I GM I
:II (X4)
There are
II: Em
I DM
I GM
I
:II (X3)
times you look forward to what’s comin’
times to look back upon the past
born till the day that you are dyin’
There are
From when you’re
You always
II CM
I DM
I
Hope
that the good times last
I GM
II: Em I DM I GM I
II
:II
And you
know you’re sailin’ the Titanic, yeah you
know in the end there’s the sea. No reason
why you should start a panic, ‘cause you found
out this is the place to be
II: CM
I DM
:II
Maybe I don’t let it show
Maybe you don’t even know,
II Em
I DM
honey
but if you
I GM
I
would put two and two together
I CM
I DM
I GM
I
You’d know I
I
II
got four aces in a row
II: Em I DM I GM I
:II
One day you
find your dog days are over, you realise a lot is left for you to do. And you
try not to look over your shoulder, ah but you
Will ‘cause there’s chances that you blew
Refrein
Solo (strophe)
Maybe I don’t let it show honey
Maybe you don’t even know. But if you
would put two and two together You’d know I
got four aces in a row. You got ‘em
II: CM
I DM
I GM
I .
too cause you harvest what you sow
stake on a single throw
.
(DM GM) :II
Life is a
50
(THE) FINAL
COUNTDOWN
(EUROPE)
Intro 1 : II /B /F# .
. I
I
I
II
Intro 2 :
Intro 3 : intro 2 met gitaar + II F#m II
II F#m
I
I
I Bm
We're leaving together,
I F#m
I
I F#m
And maybe we'll come back,
I DM
I
but still it's farewell
I EM
/ G#
I AM
I
to earth, who can tell?
I AM
/G#
I F#m
I
I guess there is no one to blame, we're leaving ground (leaving ground)
I DM
I C#5
I (break)
I
II
Will things ever be the same again? It's the final
II (intro 2—1ste 4 maten X2)
countdown...
We're heading for Venus and still we stand tall
Cause maybe they've seen us and welcome us all
With so many light years to go and things to be found
I'm sure that we'll all miss her so.
Refrein + II F#m I
II
Solo :
II: Bm I AM I DM I G5 /F# I
I EM I AM I Bm I F#m (C#5 * ) :II (*) = 2nd time
Break :
II: F#m . . . /C# I DM . . . I Bm . . . /D5 I EM
I F#m EM I A5 D5 I C#5
I
:II (intro 2)
I
It’s the final
Refrein (ad lib)
51
(THE) FIRST CUT IS THE DEEPEST
(ROD STEWART—ORIGINEEL IN C)
Intro: II: DM I AM
:II (x4)
I would have
II: DM
AM
I GM
AM :II (X4)
given you all of my heart, but there's
someone who's torn it apart, and she's
taken just all that I had, but if you want I'll
try to love again. Baby I'll
II DM
GM
I AM
II
try to love again but I know
II: DM
AM
I GM
AM :II (X4)
The first cut is the deepest, baby I
know the first cut is the deepest, but when it
come to being lucky she's cursed, when it
come to loving me she's the worst
II DM
GM
I AM
II
I still
want you by my side, just to
help me dry the tears that I've cried. And I'm
sure going to give you a try, and if you want I'll
try to love again, baby I'll
Refrein
Solo : II: DM
GM
I AM
:II (X4)
I still
want you by my side, just to
help me dry the tears that I've cried, but I'm
sure gonna give you a try, 'cause if you want I'll
try to love again. baby I'll
Refrein
Outro: II: DM I AM :II (ad lib)
52
FREEDOM—90
(GEORGE MICHAEL)
Intro: II: /B CM I / A BbM I / E FM I /B CM :II
I won't let you down,I will not give you up, gotta have some faith in the sound
It's the one good thing that I've got
I won't let you down, so please don't give me up, cause I would really, really love to stick around, oh yeah
II: /B CM I / A BbM I / E FM I /B CM :II
II: GM
I FM
I CM
I
:II
Heaven knows I was just a young boy, didn't know what I wanted to be
I was every little hungry schoolgirl's pride and joy, and I guess it was enough for me
To win the race? A prettier face! Brand new clothes and a big fat place on your rock and roll TV
But today the way I play the game is not the same, no way, think I'm gonna get myself happy
II: Cm
I /Bb
I think there's something you should know, I think it's time I told you so,
I /A
I /Ab
There's something deep inside of me, there's someone else I've got to be
I
II
Take back your picture in a frame, take back your singing in the rain
I just hope you understand, sometimes the clothes do not make the man
II: CM
I BbM
I FM
I CM
:II
All we have to do now, is take these lies and make them true somehow
All we have to see, is that I don't belong to you, and you don't belong to me yea yea
II: /B CM I / A BbM I / E FM
I /B CM :II
Freedom, Freedom, Freedom, You've gotta give for what you take
Freedom, Freedom, Freedom You've gotta give for what you take
Heaven knows we sure had some fun boy, what a kick just a buddy and me
We had every big shot good-time band on the run boy, we were living in a fantasy
We won the race, got out of the place, I went back home got a brand new face for the boys on MTV
But today the way I play the game has got to change, Oh yeah,Now I'm gonna get myself happy
Bridge + Refrein
Instrumentaal : II: CM :II (X8)
Well it looks like the road to heaven but it feels like the road to hell
When I knew which side my bread was buttered, I took the knife as well
Posing for another picture, everybody's got to sell
But when you shake your ass, they notice fast, and some mistakes were built to last
That's what you get, that's what you get, that's what you get,`
I say that's what you get, that's what you get for changing your mind
That's what you get for changing your mind
That's what you get, That's what you get, And after all this time
I just hope you understand, sometimes the clothes do not make the man
Refrein
II: /B CM I / A BbM I / E FM
I /B CM :II (ad lib)
53
FUN KOSEV BIZ KITEV
(SOUNDTRACK GHETTO—ORIGINEEL FMIN)
Intro : II: Dm I Am I EM I Am :II
II Am
II
Fun
II Am
I CM
I
kosev biz kitev,
I Dm
I Am
I Dm
I Am
II
Iz a brikele faranen, Iz a brikele faranen… A
II: Am
I Dm
I
vu der Baal-shem, avu der Baal-shem, Shpat
I EM
I Am
:II
sirn iz gegan’en. A
vu der Baal-shem, avu der Baal-shem, Shpat
sirn iz gegan’en
II Am
II
Fun
kosev biz kitev,
Iz a taykhele faranen, Iz a taykhele faranen, A
vu der Baal-shem, avu der Baal-shem, zikh
Toyvlen iz gegan’en. A
vu der Baal-shem, avu der Baal-shem, zikh
Toyvlen iz gegan’en
II Am
II
Fun
kosev biz kitev,
Iz a veldele faranen, Iz a veldele faranen. A
vu der Baal-shem, avu der Baal-shem, Oyf
hisboydedes iz gegan’en. A
vu der Baal-shem, avu der Baal-shem
Oyf hisboydedes iz gegan’en
Instrumentaal : II: GM (Dm) I Am I EM I Am :II
II Am
II
Fun
kosev biz kitev
Zaynen feygelekh faranen, Zaynen feygelekh faranen. A
vu der Baal-shem, avu der Baal-shem, Lernen
shire iz gegan’en. A
vu der Baal-shem, avu der Baal-shem, Lernen
shire iz gegan’en
54
GREAT BALLS OF FIRE
(JERRY LEE LEWIS)
Intro: II . . . /G /A /B II
II CM (break)
I
.
.
. /C /Bb /G I
You shake my nerves and you rattle my brain
I FM (break)
I .
.
. /F /F /F# I
Too much love drives a man insane
I GM (break) .
. /G /G /F#
I FM (break) .
. . I
You broke my will, oh what a thrill
I CM (break)
I
II
Goodness gracious great balls of fire
II CM
I
I FM
I
I
I learned to love all of Hollywood Money, You came along and you moved me honey
I GM
I FM
I CM (break)
I
II
I changed my mind, looking fine, goodness gracious great balls of fire
II FM
I
I CM
I
I
You kissed me baba, woo.....it feels good
I FM
I
Hold me baba,
I GM (break)
I
learn to let me love you like a lover should
I GM (break) I GM (break) I GM
Your fine,
I
I
II
so kind, I'm a nervous world that your mine mine mine mine-ine
I cut my nails and I quiver my thumb, I'm really nervous but it sure is fun
Come on baba, you drive me crazy, goodness gracious great balls of fire
Solo : strophe
Well kiss me baba, woo-oooooo....it feels good
Hold me baba, I want to love you like a lover should
Your fine, so kind, I got this world that your mine mine mine mine-ine
I cut my nails and I quiver my thumb, I'm real nervous 'cause it sure is fun
Come on baba, you drive me crazy, goodness gracious great balls of fire.I say
II CM (break)
I
II
goodness gracious great balls of fire...oooh...
55
HAMMER TO FALL
(QUEEN)
Intro : II : AM DM I AM DM I AM DM I EM AM : II
II: AM
DM
I AM
DM
I AM DM
I EM
AM :II
Here we stand or here we fall, history won't care at all
Make the bed light the light, lady Mercy won't be home tonight yeah
II: AM
I
I
You don't waste no time at all,
It comes to you as to us all,
I EM
AM :II
don't hear the bell but you answer the call
we're just waiting for the hammer to fall
Instrumentaal (intro)
Oh ev'ry night and every day, a little piece of you is falling away
But lift your face the Western Way, build your muscles as your body decays yeah
Toe your line and play their game yeah, let the anaesthetic cover it all
Till one day they call your name, you know it's time for the hammer to fall
II EM
I F#M
I EM
I AM . . DM I AM . . GM I DM . . I
Rich or poor or famous, for your truth it's all the same (oh no oh no)
I EM
I F#M
I EM
I AM . . DM I EM
I
Lock your door the rain is pouring, through your window pane (oh no)
I EM
I AM
I Em
II
Baby now your struggle's all in vain
Solo : II AM /G# I F# /E I AM I EM AM : II
I EM AM I EM AM I EM
II DM I
II
II
For we who grew up tall and proud, in the shadow of the mushroom cloud
Convinced our voices can't be heard, we just wanna scream it louder and louder louder
What the hell we fighting for? Just surrender and it won't hurt at all
You just got time to say your prayers, while your waiting for the hammer to hammer
to fall
II : AM DM I AM DM I AM DM I EM AM : II (X6)
It's gonna fall,
hammer..you know..hammer to fall
While you're waiting for the hammer to fall
56
HARD TIMES
(THE SCABS)
Tempo = 75
Intro : II: GM DM I FM CM :II
II: GM
DM
I FM
CM
:II (X4)
I gave you a hard time, I told you the news
there's no "I'm sorries" 'cause there ain't no excuse
the things I've been doin', the things that I say
the road to ruin between you and me
Solo : II: GM DM I FM CM :II
my reasons for cheating, I don't know what to say
maybe it's nature, havin' its way
you know that I love you, but that's easy to say
you'd make me proud of you if you would stay
II: Am
Em
I GM
DM
I
I promised you sunshine, I promised you you'd be all mine
I Am
Em
I GM
I DM
II
instead of the good times, a killer came and took you heart away..I gave you
II: Am
Em
I GM
DM
hard times, baby
truth and lies..
II: Am
Em
I GM
DM
hard times, baby
I Am
:II
I told the
I gave you
I
I told the
Em
I GM
(lick)
II
truth and lies..
I was silly believing my lies could last
'cause sooner or later the rumour would spread
I often wonder how the things would be
if you hadn't found out the truth about that girl and me
can't promise you sunshine, can't promise you you'll be all mine
I'll try to be honest, unlike the first time it won't slip my mind
Refrein
Solo (Strophe)
II: Am
Em
I GM
DM
I
I promised you sunshine, I promised you you'd be all mine
I Am
Em
I GM
I DM
II
instead of the good times, a killer came and took you heart away..I gave you
Refrein (X2)
II (enkel gitaar) II
I look out the window, I watch the street kids grow
life was so easy when I was that old
there were no lies and things to be told
just lullabies and time to grow old
57
HELENE
(ROCK VOISINE)
Intro : II: Gm I BbM I EbM I FM :II
II: Gm
I BbM
I EbM
I FM
:II
Seul sur le sable, les yeux dans l'eau, mon rève était trop beau.
L'été qui s'achève, tu partiras, a cent mille à lieux de moi. Comment ou
blier ton sourire? Et tellement de souvenirs.
II Gm I BbM I EbM I FM II
Nos jeux dans les vagues près du quai, je n'ai vu le temps passer. L'amour sur la
plage déserté, nos corps brûles, enlacés. Comment t'ai
mer si tu t'en vas dans ton pays loin là-bas?
II: BbM
EbM :II
Helen things you do, make me crazy 'bout you.
II BbM
EbM
I Cm
Pourquoi tu pars, reste içi!
II: BbM
I F7 II
J'ai tant besoin d'une amie.
EbM :II
II BbM
EbM
I Cm
I EbM
I
Pourquoi tu pars si loin de moi, là ou le vent te porte, loin de mon coeur qui
Solo : II: BbM
bat.
II: BbM
I FM
I EbM I (/Eb /D /Bb) :II
EbM :II
II BbM
EbM
I Cm
I F7 II
Pourquoi tu pars, reste içi. Reste encore juste une nuit!
Seul sur le sable, les yeux dans l'eau,mon rève était trop beau. L'été qui s'a
chève, tu partiras, à cent mille à lieux de moi.. Comment t'ai
mer si tu t'en vas, dans ton pays loin là-bas?
II: Gm
I BbM
I EbM
I FM
:II
Dans ton pays loin là-bas,
dans ton pays loin de moi.
58
HERO
(MARIAH CAREY)
Intro : II EM I C#m I AM I F#m (BM) II
There's a
II EM
I /D
hero,
I
If you look inside your heart, You don't
I /C#
I AM
BM
have to be afraid of what you are.
I EM
I /D
answer,
II
There's an
I
if you reach into your soul and the
I CM
I BM
II
sorrow that you know, will melt away
II: EM
I C#m
I
And then a hero comes along, with the strength to carry
I AM
I F#m
:II
on, and you cast your fears aside, And you know you can
Survive, so when you feel like hope is gone. Look in
side you and be strong, and you'll finally see the truth That a
II EM
I ( C#m
B7) II
hero lies in you
It's a long road, when you face the world alone, No one
reaches out a hand, for you to hold. You can
find love, if you search within yourself and the emptiness you felt will disappear
Refrein
II: CM
GM
I GM
DM
:II
Lord knows that dreams are hard to follow
But don’t let anyone, take them away
Hold on, there will be tomorrow
II CM
GM
I BM
II
In time you’ll find the way
Refrein
II EM I C#m I AM I F#m
(BM)
II
That a hero lies in you…...
59
HIT ME WITH YOUR BEST SHOT
(PAT BENATAR)
Tempo = 125
Intro :
Well you’re the
II: EM
I C#m
I BM
I
:II
real tough cookie with the long history of breaking little hearts, like the one in me
That’s o.k., lets see how you do it, put up your dukes, lets get down to it!
II: (intro X2)
I
I
Hit me with your best shot!
hit me with your best shot!
Hit me with your best shot! Fire a
way!...
You
:II
Why don’t you
come on with a come on, you don’t fight fair, but that’s o.k., see if I care!
Knock me down, it’s all in vain. I’ll get right back on my feet again!
Refrein
Solo : II: EM . . /D# I C#m .
.
AM I BM
I
:II
Intro (X2)
Well you’re the
real tough cookie with the long history, of breaking little hearts, like the one in me. Before
I put another notch in my lipstick case, you better make sure you put me in my place
Refrein
Outro = intro (X4)
60
HOW LONG BLUES
(LEROY CARR / ERIK CLAPTON)
II: CM
I C7
I
How long, baby how long, has that
I FM
I Fm
I
evening train been gone? How
I CM
I G7
I
long, how how long, baby how
I CM
I
:II
long?
Went to the station, didn't see no train.
Down in my heart, I have an aching pain.
How long, how how long, baby how long?
I feel disgusted, I feel so bad
Thinking 'bout the good time that I once have had.
I could see the green grass growing on the hill;
I ain't seen no greenback on a dollar bill.
You're gonna be sorry, you'll feel so blue.
When you want me, baby, I declare I won't want you.
Don't have no money for to ride the train.
I would ride the rods, baby, to be with you again.
How long, baby how long
Must I keep my, my watch in pawn?
61
HUIS MET EEN TUINTJE
(EDDY SMETS)
Intro : II FM
I Gm
I . /A /Bb /B I CM
II
Ik heb een
II: FM
I
I CM
I
I
huis met een tuintje gehuurd,
I
in
I
een
I FM
gelegen
I
I
gezellige buurt.
I FM
I F7
I BbM
En als ik
I
I
zo naar m'n bloemetjes kijk,
I FM
I CM
I FM
net als een koning, zo rijk…..
voel ik me
I
:II
Ik heb een
huis met een tuintje gehuurd, gelegen
in een gezellige buurt,
en als ik
zo naar m'n bloemetjes kijk, voel ik me
net als een koning, zo rijk
Instrumentaal: II FM I BbM I Bdim I CM (break) II
II: FM
I Gm
I CM
I FM
:II (X3)
Ieder mens, die heeft z'n verlangens, en met wat geduld
Worden vaak z'n heim'lijke wensen plotseling vervuld
Zo is 't met mij kortgeleden eveneens gegaan
II Dm
I
I Gm
I CM
II
Ik heb met een klein bedragje wonderen gedaan
Refrein
Instrumentaal: II FM I BbM I Bdim I CM (break) II
Zit ik in m'n tuin te genieten van de zonneschijn
Dan wil ik met niemand meer ruilen, want ik voel me fijn
Zandvoort, met z'n vrees'lijke drukte, trekt me niet meer aan
En voor pootjebaden heb ik een teil met water staan
Refrein
62
I BELIEVE IN THIS THING CALLED LOVE
(THE DARKNESS)
Intro :
II : (intro)
I
I
I
:II
Can't explain all the feelings that you're making me feel
My heart's in overdrive and you're behind the steering wheel
II: EM F#m I
:II
Touching you, touching me
I EM
F#m
I AM . . /Bb I BM
I
II
touching you, god you're touching me
(X3)
I believe in a thing called love, just listen to the rhythm of my heart
There's a chance we could make it now, we'll be rocking 'til the sun goes down
I believe in a thing called love
II C#m . . /B /C# I DM
II
Ooh!
Solo : intro (X2)
II (intro zonder AM & BM ) I
I
I
:II
I wanna kiss you every minute, every hour, every day
You got me in a spin but everythin' is A.OK!
Refrein (‘’Guitar!”)
Solo : intro (X4)
Refrein (drums only) que op C#m)
Solo : Intro (ad lib)
63
IEDEREEN IS VAN DE WERELD
CD 20
Intro: II GM I
(THE SCÈNE ORIGINEEL IN B)
I
I
II
II: GM
I BbM
CM
I GM
I
Dit is voor de misfits die je her en der alleen ziet staan.
onder straatlantaarns eten, en drinken bij de volle maan
:II
Die
Die is voor degenen die je overal herkent
en
deze is voor jou en mij, eant dit is ons moment. En ik
II GM FM
I BbM
GM
I GM
FM
I BbM . (break) . II
hef het glas, op jouw gezondheid, jij staat niet alleen.
II: GM
I BbM
CM
Ieder
I GM
een is van de wereld, en de wereld is van iedereen
een is van de wereld, en de wereld is van
I
:II
Ieder
Deze is voor iedereen die passie heeft, en die voor passie gaat
In het donker kan ik jou niet zien, Maar ik weet dat jij daar staat.
Solo : II: BbM I
II: GM
II: GM
I
I
I
I
I
:II
I
I
:II
I
:II
Rood zwart wit geel jong oud man of vrouw. In het
donker kan ik jou niet zien, maar deze is van ons aan jou..en ik
Bridge
Refrein (X4)
Outro :
64
I FEEL GOOD
(JAMES BROWN)
Tempo = 145
Intro :
Wo! I feel
II: D7
I
good,
I G7
I
good,
I.
I
A7
good,
nice,
nice,
nice,
I
I knew that I wouldn't of.
I D7
I
I feel
I
I
I knew that I wouldn't of.
I .
G7
so good,
I (intro)
So
I
I got you..
:II
Wo! I feel
like sugar and spice.
like sugar and spice
so nice,
I got you
I feel
So
Bridge :
II G7
I
I D7
When I hold you in my arms,
I G7
I
I
I know that I can do no wrong. and when I
I A7
I
II
hold you in my arms, my love won't do you no harm..
nice,
nice,
nice,
I
and I feel
like sugar and spice I feel
So
so nice,
I got you.. Wo! I feel
nice,
nice,
nice,
like sugar and spice…
so nice, I got you
I feel
So
Bridge
Refrein
and I feel nice,
like sugar and spice I feel
nice,
like sugar and spice.. So
nice, so nice, well I got you
Wo! I feel good, I knew that I wouldn't of. I feel
good,
I knew that I would.
So
II: . A7
good,
good,
good,
I . G7
so good,
so good,
so good,
I (intro)
'cause I got you..
'cause I got you
'cause I got you
I
:II
so
So
65
IK STA OP WACHT
(BOBBEJAAN SCHOEPEN)
Intro : II: BbM I
:II
Ik sta op
II FM
I
I BbM
wacht
en denk aan jou,
I EbM
I FM
af,
I
I
je schreef me
I BbM
I
bleef mij niet trouw
I Gm
I
I BbM
datenhart
I
jij die brief
I EbM
I
waarom schreef
I BbM
I
I
en liet je mij alleen
I
wacht
I
is niet van steen,
I EbM
I
Ook een sol
Ik sta op
I BbM
I
I
mijn hart doet pijn
I Gm
I FM
Krijg ik ver
I BbM
I
II
Lof dan staat er niemand bij de trein.
II BbM
I
I Gm
I
Ik had ge
I
hoopt dat jij op mij zou wachten, maar jij kreeg
I FM
I
I BbM
I
I
plotseling andere gedachten.
'k Heb mij ver
I Gm
I
I
gist in jou,
I Gm
I BbM
I
mijn Marjolein,
I FM
I BbM
het valt niet
I
II
mee om weer alleen te zijn
Refrein
Bij de kazernepoort sta ik nu steeds te dromen, ik zie daar
meisjes gaan en ook weer komen,
jij bent er
niet meer bij, mijn Marjolein.
Zoals het
was zo zal het nooit meer zijn
Refrein
Outro = intro
66
I LOVE ROCK N' ROLL
(J. HOOKER/A. MERRILL)
Intro :
Tempo : 94
Lick 1
II: E5
I E5 (lick1)
I
I saw him dancin' there by the record machine,
I E5
I
I B5 (lick 1)
I
knew he must a been about seventeen. The
I A5
B5
I 2/4 E5
I 4/4 A5
I
beat was goin' strong, playin' my favorite song
I A5
an' I could
I (no chord)
I
tell it wouldn't be long till he was with me yeah me, , and I
I (no chord)
I B5
II
could tell that it wouldn’t be long that he was with me yeah me, singin'
II: E5
I A5
B5
:II
I love rock n' roll, so put another dime in the jukebox, baby
I love rock n' roll, So come an' take your time an' dance with me
II E5
I E5 (lick 1) II
He smiled so I got up and' asked for his name
That don't matter, he said, ‘cause it's all the same
Said can I take you home where we can be alone
An' next we were movin' on, He was with me, yeah me
Next we were movin' on, he was with me, yeah me, singin'
Refrein
II E5
I E5 (lick 1) II
Solo : II E5 I
II A5
I
B5
I B5 II
I 2/4 E5
I 4/4 A5
I
Said can I take you home where we can be alone.
I A5
I (no chord)
I
Next we’re movin’ on and he was with me, yeah me, and we’ll be
I (no chord)
I (no chord)
II
moving on and singing that same ol’ song, yeah with me, singing
Refrein (a Capella)
Refrein (tuti X4)
67
IF IT MAKES YOU HAPPY
(SHERYL CROW)
Tempo = 95
Intro : II: GM
I Gsus4
:II (X4)
I've been
II: GM
I Gsus4
long,
I GM
I Gsus4
I
a long way from here
I GM
I Gsus4
I GM
I CM
Csus4
:II
Put on a poncho, played for mosquitos, and drank til I was thirsty again. We went
searching through thrift store jungles.
Found Ge
ronimo's rifle, Marilyn's shampoo and Benny Goodman's corset and pen, Well,
II CM
I DM
o.k. I made this up.
II Am
I CM
I CM
happy,
I Am
I DM (break)
I GM
I DM
It can't be that bad.
I
If it makes you
I CM
happy,
II
I promised you I'd never give up. If it makes you
II: GM (*)
I Gsus4
then why the hell are you so sad.
:II
You get
down,
real low down… You
isten to Coltrane, derail your own train, Well who hasn't been there be
fore? I come round, around the hard way. Bring you
comics in bed, scrape the mold off the bread and serve you french toast again. Well,
o.k. I still get stoned, I'm not the kind of girl you'd take home. If it makes you
Refrein (X2)
(*) II Em I
Instrumentaal : II Am I
I Am I
II
I Em
I GM
I
I Gsus4
I
II
We've been
far,
far away from here
Put on a poncho, played for mosquitos, and everywhere in between. Well,
o.k. we get along, so what if right now everything's wrong?
Refrein (X2)
68
I’M ONLY HAPPY WHEN IT RAINS
(GARBAGE)
Tempo = 120
I’m only happy when it
II G#m
I F#M
rains,
I EM
I C#m
I
I’m only happy when it’s complicated and though I know you can’t ap
I EM
I F#M
I G#m
preciate it,
I F#M
I’m only happy when it rains.
I EM
I C#m
news is bad,
I BM
I
You know I love it when the
I EM
I F#M
why it feels so good to feel so sad,
I
I
II
rains
II: C#M
I G#M
I AM
I BM
:II
Pour your misery down, pour your misery down on
me. Pour your misery down, pour your misery down on
I F#M
I F#M (break)
me.
II G#M
II
I F#M
rains,
I EM
I C#m
I
I feel good when things are going wrong.
I EM
I F#M
I only listen to the
I BM
sad, sad songs.
I
II
I’m only happy when it rains
Solo : II: C#M I G#M I AM I BM
II (no chord)
:II
II
I only smile in the
dark
my only comfort is the night gone black.
I didn’t accidentally
tell you that,
I’m only happy when it rains. You’ll get the message by the
time I’m through When I complain about me and you I’m only happy when it
rains
II: C#M
I G#M
I AM
I BM
:II (X3)
Pour your misery down, pour your misery down on me….pour….
II C#M
I G#M
I AM
I
I
Pour your misery down, You can keep me company, as
I BM
I F#M
long as you don’t care.
II G#m
rains.
I EM
I F#M
II
I EM
I C#m
You want to hear about my new obsession.
I F#M
deep depression.
II: G#m
I (no chord)
I
I’m riding high upon a
II
I EM
I C#m
:II (ad lib)
rains...pour some misery down on me, I’m only happy when it
rains....pour some misery down on me, I’m only happy when it
rains...pour some misery down on me…
pour some misery down on me…
pour some misery down on me…
pour some misery down on me
69
IN DE STILLE KEMPEN
(JO VALLY)
Intro : II: 12/8 AM EM I BM EM :II
II EM
I AM
I
In de stille Kempen op de purperen hei
I F#m
BM
I EM
BM I
Staat een eenzaam huisje met een berk erbij
I EM
C#M
I F#m
C#m I
Op een zomeravond in ‘t gedroom alleen
I BM
C#m
I F#m
B7
II
Kwam ik ongeweten langs dit huisje heen. Hoe
II EM
BM/F#
EM
.
I EM
I
schoon op de wereld, de zomerse hei, dat
I EM
C#m
I F#m
B7
I
is hier op aarde, de hemel voor mij. Hoe
I BM
I
I
schoon nog de wereld, de zomerse hei, dat
I BM
EM
I F#M
BM
EM
.
II
is hier op aarde, de hemel voor mij
II: AM EM I BM EM :II
In dat eenzaam huisje zat een meisje, ach
Lijk ik nergens anders ooit een meisje zag
Door het venster keek ze mij verlegen aan
Schoof ‘t gordijntje toe en is maar opgestaan
Refrein
II FM
I BbM
I
Maar wat heeft de liefde ook hier niet verricht
I Gm
CM
I FM
CM
I
Want nu schuift ‘t gordijntje nooit meer voor mij dicht
I FM
DM
I Gm
Dm I
Door het open venster dat men vroeger sloot
I CM
Dm
I Gm
C7
II
Lach ik op ons kindje op haar moeders schoot
Refrein (transpose +1)
II CM
FM
I GM
Dat is hier op aarde, de he
CM
I 2/4 FM II
mel voor
mij
Outro : II BbM FM I CM FM II
70
IRONIC
(ALANIS MORISSETTE)
Intro: II: EM7 F#6/4 I EM7 (/B /A# /F#) :II
II: F#M/A#
Bsus2 I F#M/A# G#m7
:II (X5)
An old man turned ninety eight, he won the
lottery
and died the next day. It's a
black fly in your chardonnay, It' a
death row pardon 2 minutes too late!
Isn't it Ironic? Don't you think? It's like
II: F#M BM
I F#M
G#m
:II (X3)
rain___ on your wedding day, It's a free
ride___ when you've already paid,
It's the good advice___ that you just didn't take,
II AM
EM
I F#M
II
and who would of thought, it figures?
Mister play-it-safe was afraid to fly, he packed his
suitcase and kissed his kids good__bye, he waited his
whole damn life to take that flight, And as the
plane crashed down he thought, 'well isn't this nice?',
Isn't it Ironic? don't you think? It’s like……..
Refrein
II: EM7 F#6/4 I EM7 (/B /A# /F#) :II
Well life has a funny way of sneakin' up
On you when you think everything's okay and everything's going ri__ght,
and yeah well, life has funny way of helping you out when everyhthing blows
up in your fa__ce,
A traffic jam, when you’re already late. No
Smoking sign on your sigaret break. It’s like
Ten thousand spoons, when all you need is a knife. It’s
Meeting the man of your dreams, and then meeting his beautiful wife
Isn't it Ironic? don't you think? A little Ironic, yeak I realy do think..It’s like…
Refrein
II: EM7
I F#6/4
:II (ad lib)
And you know well life has a funny way of sneaking up on you,
Life has a funny way-funny way, of helping you out,
helping you o__ut
71
IT’S PROBABLY ME
(STING)
Intro: II: CM I
:II
If the night turned
II Em
I
I
I
cold and the stars looked down, and you hugh yourself on the cold cold ground.
I Am7
I Bm7
I Em
I
I
You wake the morning in a stranger's coat, no one would you see
I Am7
I Bm7
I Em
I Em/C# I
You ask yourself, who'd watch for me, my only friend, who could it be
I CM
I B7
I Em I
II
It's hard to say it, I hate to say it, but it's probably me. When your belly's
empty and the hunger's so real, And you're too proud to beg and too dumb to steal
You search the city for your only friend, no one would you see. You ask your
self, who could it be, A solitary voice to speak out and set you free
I hate to say it, I hate to say it, but it's probably me
II Am7
I DM
I
You're not the easiest person I ever got to know
I Gadd9
I Em /F# /G /B I
And it's hard for us both to let our feelings show
I Am7
I DM
I
Some would say I should let you go your way
I Gadd9
I GM
II
You'll only make me cry
I Am7
I Bm7
I Em
I Em/C#
I
If there's one guy, just one guy, Who'd lay down his life for you and die
I CM
I B7
I Em I
II
Solo : II: Am7 I Bm7 I Em I
:II (X4)
When the world's gone crazy and it makes no sense
There's only one voice that comes to your defense
The jury's out and your eyes search the room
And one friendly face is all you need to see
I Am7
I Bm7
I Em
I Em/C#
I
If there's one guy, just one guy, Who'd lay down his life for you and die
II: CM
I B7
I Am I A7
:II (ad lib)
…………...
72
I SAW HER STANDING THERE
(THE BEATLES-ORIGINEEL IN E)
Tempo = 160
Intro : II D7 I
I
I
II
Well, she was
II D7
I
I G7
I D7
I
just 17, you know what I mean, And the
I D7
I
I A7
I
I
way she looked was way beyond compare.
I D7
I
I G7
So
I Bb7
I
how could I dance with another (ooh) . And I
I D7
I A7
I D7
I
II
saw her standin’ there.
Well
she looked at me, and i, I could see. That be
fore too long I’d fall in love with her.
She wouldn’t dance with another (whooh). And I
saw her standin’ there.
Well, my
II G7
I
I
I
I
heart went boom, when I crossed that room, and I
I G7
I
I A7
I
I G7
I
held her hand in mine…
II
whoah we
danced through the night, and we held each other tight, and be
fore too long I fell in love with her. Now I’ll
never dance with another (whooh) Since I
saw her standing there
Solo (strophe)
Refrein
Whoah, we danced through the night, and we held each other tight, And be
fore too long I fell in love with her. Now
I’ll never dance with another (whooh). Since I
saw her standing there
II: D7
I A7
I D7
Since I saw her standing there…..
I
:II
Since I
73
I SEE THE LIES IN YOUR EYES
(THE MACHINES)
II
Intro : II EM DM I AM (break)
I see the lies in your
II: AM
DM
I AM
Eyes,
EM
I DM
I
I
but they don't hurt me anyway, whatever you say, I know there are
I AM
DM I AM
Others.
EM
:II
Eyes
lovers
and yet I love you just the same, I know your game still we stay
II AM
I 2/4 AM
I DM
AM
I
you know my needs and my doubts, and with you I feel fine, when I
I AM
I DM
bleed and reach out,
II 2/4 AM
I 4/4 GM
go out on your
AM
I
I know you are mine, but you
I EM
own, and when you come home
Eyes, but they don't hurt me anyway, whatever you say,
Others…………
I (break)
II
I know there are
Eyes, and yet I love you just the same, I know your game, still we stay
lovers
your card's a joker when he plays, could be diamonds or spades, it must be
hard to love both ways, part of life behind shades. I love the way you give in
your secret is no sin…...I see the lies in your eyes.
Solo (strophe)
I see the lies in your eyes, and yet I love you just the same, I know your game
II: AM
DM
:II (X4)
still we stay lovers ……..still we stay lovers…..still we stay lovers
74
I WALK THE LINE
(JOHNNY CASH)
Intro : II FM I BbM I FM I CM I
I GM
II: CM
I
I
:II
I keep a
II: GM
I CM
close watch on this heart of mine,
eyes wide open all the time,
II FM
:II
I keep my
I keep the
I CM
I
ends out for the tie that binds, because you're
I GM
I CM
II
mine, I walk the line.
II: FM
I
:II
I find it
very, very easy to be true. I find my
self alone when each day is through, Yes, I'll
admit that I'm a fool for you, because you're
mine, I walk the line
II: FM
I
:II
As sure as
night is dark and day is light, I keep you
on my mind both day and night, and happi
ness I've known proves that it's right, because you're
II: FM
I
:II
You've got a
way to keep me on your side, you give me
cause for love that I can't hide, for you I know I'd
even try to turn the tide, because you're
II: FM
I
:II
I keep a
close watch on this heart of mine, I keep my
eyes wide open all the time, I keep the
ends out for the tie that binds, because you're
II: CM I
:II (ad lib)
75
I WANT TO HOLD YOUR HAND
(THE BEATLES)
Tempo = 135
Intro : CM /F II: DM . . CM /F :II (X3) DM I D7 II
Oh yeah,
II GM
I DM
I Em
I Bm
I
I’ll tell you something, I think you’ll understand. When
I GM
I DM
I Em
I BM
I
I’ll say that something, I want to hold your hand,
I CM
DM
I GM
Em I CM
I want to hold your hand,
DM
I GM
I want to hold your hand.
II
Oh
please, say to me, you’ll let me be your man. And
please, say to me, you’ll let me hold your hand.
Now let me hold your hand, I want to hold your hand.
II Dm
I GM
I CM
I Am
I
And when I touch you I feel happy inside.
I Dm
I GM
I CM
I DM
I
It’s such a feeling that my love I can’t hide, I can’t
I DM
I DM
I D7
I
II
hide, I can’t hide.
Yeah,
you’ve got that something, I think you’ll understand. When
I’ll say that something, I want to hold your hand,
I want to hold your hand, I want to hold your hand.
And when I touch you I feel happy inside.
It’s such a feeling that my love
I can’t hide, I can’t hide, I can’t hide. Yeah,
you’ve got that something, I think you’ll understand. When
I’ll feel that something, I want to hold your hand,
I CM
DM
I GM
Em I CM
DM
I BM
II
I want to hold your hand, I want to hold your hand.
I CM
DM
I GM (accent)
II
I want to hold your hand,
76
I WANT YOU
(BOB DYLAN)
Intro : II FM I Am/E I Dm I CM I FM I
II
The
II FM
I Am/E
I
guilty undertaker sighs, the lonesome organ grinder cries, the
I Dm
I CM
I
silver saxophones say I should refuse you. the
I BbM
I CM
I
cracked bells and washed-out horns, blow into my face with scorn, But
I Dm
I CM
II
it's not that way, I wasn't born to lose you.
II FM
I Am/E
I Dm
I
I CM
I
want you, I want you, I want you so bad, Honey, I
I FM
I
want you.
II
The
drunken politician leaps, upon the street where mothers weep, and the
saviors who are fast asleep, They wait for you. And
I wait for them to interrupt, me drinkin' from my broken cup, and
ask me to open up the gate for you.
Refrein
II FM
I Am/E
I
Now all my fathers, they've gone down, true love they've been without it. But
I Dm
I CM
II
all their daughters put me down, 'cause I don't think about it.
Well, I return to the Queen of Spades, and talk with my chambermaid. She
knows that I'm not afraid, to look at her. She is
good to me, and there's nothing she doesn't see.
She knows where I'd like to be but it doesn't matter.
Refrein
Now your dancing child with his Chinese suit, he spoke to me, I took his flute.
No, I wasn't very cute to him, Was I?
But I did it, though, because he lied, because he took you for a ride
And because time was on his side, and because I . . .
Refrein
Solo (refrein)
77
I WOULD STAY
(KRESIP)
Intro : II Bm AM I GM7 I Bm AM I GM7 II
II: Bm
AM
I GM7
:II (X4)
If this is true, I thought then, what will I think. Will I
stay but rather I would get away. I'm
scared that I won't find a thing. And a
fraid that I'll turn out to be alone. But I
II Bm
DM
I AM
GM
I
I have to learn, have to try, have to trust I have to
I Bm
DM
I 2/4 AM
I 4/4 GM
I
II
Cry. Have to see, have to know that I can be myself. And If I
II: Em
DM
I CM
I Em DM
I CM :II
could I would stay, and if they're not not in my way. I'll
stare here in the distance, but I'll grow up to be just like you. But I'll
II Em
DM
I CM
II
grow up to be just like you
Intro
I see it all I'm sure but do I know what's right I thought
I knew, but it turns out the other way. I'm
scared that I won't find a thing and
afraid that I'll turn out to be alone
Bridge
Refrein
I want to tell you, why would I try to
You are all that I can see now, Why would I try to
And I want to tell you, why would I try to
You are all I can see now, I know I'll try to
Bridge
Refrein
78
JERUSALEM
(ANOUK)
Tempo = 130
Intro :II: BM I
I CM . . /D I BM
II: BM (Bassguitar only)
:II
I
I CM
I BM
:II
Sir can you tell me how to get to Jerusalem, 'cause I have kinda lost my way
Sir will you help me get there as fast as I can, tomorrow might be too late. 'Cause
things ain't what they used to be, your love for life is gone you see
Am I fighting things I cannot see
People always tellin' me how sweet and simple life could be
They say you might as well live before you die. But one thing I
II B5
I G5
I C5
I BM
I
know for sure, I am a danger to myself, how come. Yeah one thing I
I B5
I G5
I C5
I E5
II
know for sure, I need some guidance, to get me out of this hellhole. JeII BM
I CM
I BM
I
II
rusalem, can you help me find my way back to Jerusalem, yeah
It took me quite a while to get into Jerusalem, 'cause I had kinda lost my way
I want to save me from myself so here I am, I hope it's not too late
'Cause things ain't what they used to be, My love for life is gone you see
I am so afraid to love, 'Cause of the way I've been hurt before
I think by now it's time for me to leave
Bridge
Jerusalem, can you help me find my way back to Jerusalem
II BM
I CM
I CM
II
Jerusalem, can you help me find what I have lost
Solo (intro)
Things ain't what they used to be, My love for life is gone you see
I don't wanna die this way, wishing that I could turn back time
Wasted time, there is work to be done
Bridge
Jerusalem, can you help me find my way back to Jerusalem
Jerusalem, can you help me find what I halost, yeah yeah
ve
‘Alright”………..
79
JE T’ATTENDS
(AXELLE RED)
Intro : II: FM GM I Am :II (X3) II FM I GM II
II: FM
GM
I Am
:II (X3)
Tous ces gens qui passent autour de moi
Dans la ville
Ces gens qui courent et qui marchent au pas
II FM
I GM
II
Ou vont-ils
Est-ce le vent qui les pousse, Vers
d'invisibles rêves
Que voient-ils au bout de leur course, quand le
II FM
I GM
G#dim
I Am II
brouillard se leve, réponds-moi,
II FM
GM
I CM
I
II
je t'attends, je t'attends, je t'attends
Tous ces gens qui se serrent dans leurs bras
Sur leurs coeurs,
Qui n' savent plus ce que c'est d'avoir froid
D'avoir peur
Est-ce la terre qui retient leurs pas
Ou le ciel qui est trop lourd
Ils marchent à l'écard du hasard
II FM
I GM
G#dim
II
Que savent-ils de l'amour
II FM
GM I GM/B CM I FM
GM
I CM I
Cent fois, sans toi, j'ai cherché ma route
I FM
GM I GM/B CM I FM
Sans foi
ni
I GM (G#dim
I Am * )
II
loi, seule avec mes doutes, Je t'attends
Je t'attends, je t'attends, je t'attends
Solo : II: FM GM I Am :II (X3)
I FM
I GM II
Tous ces gens qui passent autour de moi
Dans la ville
Ces gens qui courent et qui marchent au pas
Ou vont-ils
Est-ce le vent qui les pousse, Vers
d'invisibles rêves
Que voient-ils au bout de leur course, quand le
brouillard se leve, réponds-moi,
Bridge (X2—*)
Refrein (X4)
80
JUMP
(VAN HALEN)
Intro :
II: CM
X4
I
I
I GM .
.
. :II (X4)
I get up
, and nothing gets me down.
You got it
tough. I’ve seen the toughest around. And I
know, baby, just how you feel. You’ve got to
roll with the punches to get to whats real. Oh cant you
II: Am
GM
I FM
CM/E I
see me standing here, I’ve got my back against the record
II: FM
CM/E I GM
Machine,
seen.
mean ?
:II (X3)
I aint the worst that youve
Oh cant you see what I
Might as well
II: (intro) :II (X3)
jump. jump ! Might as well jump. Go ahead,
jump. jump ! Go ahead, jump.
Aaa-ohh hey you ! how said that ? Baby how you been ?
You say you dont know, you wont know until we begin. Well cant you
see me standing here, Ive got my back against the record machine
I aint the worst that youve seen.
Refrein
solo (gitaar): II: GbM AbM I DbM :II (X4)
II CM I
II
Solo 2 (keyboards) : II CM I
I GM I
I AM I
I GM I
I FM I
I
I BbM I
I
I AbM I
I
I CM (vertragen) I
II
Intro (X2)
Refrein (ad lib)
81
KILLING IN THE NAME OF
(RAGE AGAINST THE MACHINE—ORIGINEEL IN D)
Intro : II E5 I
I
I
II
Bassline :
Guitarline :
Guitar/Bassline :
Killing in the name of!
Instrumentaal :
II (lick instrumentaal) II (X4)
Some of those that work forces, are the same that burn crosses (X4) Huh!
Killing in the name of!
Killing in the name of
And now you do what they told ya, and now you do what they told ya (X12)
Those who died are justified, for wearing the badge, they're the chosen whites
You justify those that died by wearing the badge, they're the chosen whites (X2)
II (lick instrumentaal) II (X4)
Some of those that work forces, are the same that burn crosses (X4) Huh!
Killing in the name of! Killing in the name of
And now you do what they told ya, And now you do what they told ya (X8)
Those who died are justified, for wearing the badge, they're the chosen whites
You justify those that died by wearing the badge, they're the chosen whites
Solo :
Come on! Come on!
II: E5 (ad lib rhythm ) ;II einde = solo schema
Fuck you, I won't do what you tell me, Fuck you, I won't do what you tell me
Motherfucker! (intro gtrline X1)
82
KISSING A FOOL
(GEORGE MICHAEL)
Intro: II DM I B7/D# I Em7 I Gm AM II
You are
II: DM
I B7/D#
I Em7
I Bb5
A7
:II
far,
when I could have been your star, You listened to people, who scared you to death, and from
my heart,
Strange that you were strong enough, to even make a start, but youll never find, peace of mind, til you
listen to your heart,
II: DM
I B7/D#
I
People,
You can never change the way they
I Em7
I Gm
AM
:II
feel,
better let them do just what they
will,
for they will,
If you
let them, steal your heart from you,
People,
fool,
You,
all,
will always make a lover feel a
but you knew I loved
we could have shown them
we should have seen love
II DM C#7/E I Bm7 B7 II
through,
II: Em7
I AM
Fooled me with the tears in your eyes,
Covered me with kisses and lies, so good
II Dm7
I G7
bye,
But
I CM
I A7
II
please dont take my heart, You are
:II
I
far, Im never gonna be your star, Ill pick up the pieces and mend my heart,
Maybe Ill be strong enough, I dont know where to start, but Ill never find peace of mind, While I listen to
my heart,
People, You can never change the way they
feel, Better let them do just what they
will, For they will, If you
let them, steal your heart, And
people, Will always make a lover feel a fool,
But you knew I loved you, we could have shown them all, but re
II Em7
I Bb7
I
member this, every other kiss, that you ever give long as we both live when you
I DM
I CM
B7
I
need the hand of another man, one you really can surrender with, I will
I Em
I BbM
I
wait for you, like I always do, theres something there, That
I A7
I Em7
I AM I
II
cant compare with any other,
You are
II DM
I B7/D#
I Em7
I Bb5
A7
I
far,
when I could have been your star, You listened to people, Who scared you to death, and
from my heart,
Strange that I was wrong enough, To think youd love me too.
I Bb7
A7
I DM
I Bb7
A7
I DM7 II
I guess you were kissing a fool, You must have been kissing a fool.
83
KNOCK ON WOOD
(BILL WITHERS)
Intro: II: EM I GM AM . . I DM I DM BM AM /G :II
I don't want to
II A7
I
I
I
lose you, this good thing,
I E7
I
I
Do, I will
I A7
I
that I got 'cause if I
I
I
surely, surely lose a lot. 'Cause your
I
I
I
I
Love is better, than any love I know. It's like
I E7
I A7
I E7
I
I
thunder, lightning, the way you love me is
I A7
I
frightening.
II E7 (break)
II
I'd better
I EM
knock, on wood,
I GM AM . . I DM
baby.
I DM BM AM /G
II
Well I'm not super
stitious about you , but I can't take no chance. You got me
spinnin', baby, baby I'm in a trance. 'Cause your
love is better, than any love I know. It's like
thunder, lightning, the way you love me is
frightening. I'd better
knock, on wood, baby.
Break: II F#M I G#M I AM I CM BM II
Ain't no secret, that woman, she fills my lovin' cup. She see's
to it, that I get enough, just one touch from her. You know it
means so much……..It's like
thunder, lightning, the way you love me is frightening. .I'd better
knock (knock knock) on wood baby.
Outro : II EM I GM AM . . I DM I DM BM AM /GI EM (stop) II
84
LAAT ME NU TOCH NIET ALLEEN
(CLOUSEAU VERSIE)
Tempo = 70
Intro : II EM
II
Laat me nu toch niet al
II BM
I AM
I EM BM
I EM
I
leen, radeloos en verlo
ren.
I BM
I EM BM I C#m AM
I AM
Sloop die muren om me
II
heen, help me zo bij jou te komen
II: EM
I BM
I AM
I EM
BM
:II
Laat me eens je gezel zijn, wees de gids die me zal lei den.
Want ik ben reeds lang op reis, En zo moe, kom en bevrijd me
II C#m
I G#m
I BM
Neem me mee naar je land,
I G#m
I C#m
I BM
I C#m AM
Leid me naar je land, laat me in jouw
II BM
I AM
I EM BM
I AM
I EM
II
wolken wonen. Laat me nu nu toch niet
I EM
Alleen, neem mijn hand en toon me.
I BM
I
vol muziek en vol dromen
I
De weg die leidt naar jou
I EM BM II
Alleen, help me zo bij jou te komen
Neem me mee naar je land, vol muziek en vol dromen
Leid me naar je land, laat me in jouw wolken wonen. Laat me nu toch niet al
II BM
I AM
I EM BM
I EM
leen, radeloos en verlo
ren.
I BM
I EM BM I
I AM
I
Sloop die muren om me
heen, help me zo bij jou te komen
II: EM I BM I AM I EM BM :II
Laat me nu toch niet alleen…
Radeloos en verloren (pa pa pa pah…)
85
LA GRANGE
(ZZ
(ZZ--TOP)
Intro :
Rumour spreadin a-round in that texas town
bout that shack outside la grange, And you know what I’m talkin about.
Just let me know if you wanna go to that
home out on the range. They gotta lotta nice girls.
Have mercy.
A haw, haw, haw, haw, a haw.
A haw, haw, haw.
Well, I hear its fine if you got the time
And the ten to get yourself in. A hmm, hmm.
And I hear its tight most evry night, but now
I might be mistaken. Hmm, hmm, hmm, hmm.
Have mercy.
Solo : II: CM (intro + 3) :II (X16)
Break :
Intro
Solo (Am)
86
LAYLA
(ERIK CLAPTON)
Intro :
(X6)
Tempo = 110
II C#m
I G#m
I
What'll you do when you get lonely
I C#m
.
/B
/D
I EM
I
And nobody's waiting by your side?
I F#m
BM
I EM
AM I
You've been running and hiding much too long.
I F#m
BM
I EM
II
You know it's just your foolish pride.
II: (intro)
I
:II
Layla, you've got me on my knees.
Layla, I'm begging, darling please.
Layla, darling won't you ease my worried mind.
I tried to give you consolation
When your old man had let you down.
Like a fool, I fell in love with you,
Turned my whole world upside down.
Refrein
Let's make the best of the situation
Before I finally go insane.
Please don't say we'll never find a way
And tell me all my love's in vain.
Refrein (X2)
Outro = intro
87
LIKE A HURRICANE
(NEIL YOUNG)
Intro : II Am I
I FM I
II: Am
I GM I
I
I Em I GM II
I
I GM
I
I
Once I thought I saw you in a crowded, hazy bar,
I FM
I
I Em
I GM
:II
dancing on the light from star to star.
Far across the moon beams, I know that's who you are.
I saw your brown eyes turning once to fire.
II CM GM
I FM
.
.
GM I CM
GM
I FM
GM I
You are like a hurricane: there's calm in your eye.
I CM
GM I FM .
.
GM I FM
I
I
And I'm getting blown away. There's somewhere safer where the feelings stay.
I FM
I
II
I wanna love you but I'm getting blown away.
Instrumentaal (intro X1)
I am just a dreamer, but you are just a dream,
and you could have been anyone to me.
Before that moment you touched my lips, that perfect feeling when time just slips
away between us and our foggy trips.
And I'm getting blown away.
There's somewhere safer where the feelings stay.
Instrumentaal : II: Am I
I GM I
:II
Solo : (intro X8)
You are just a dreamer, and I am just a dream,
and you could have been anyone to me.
Before that moment you touched my lips, that perfect feeling when time just slips
away between us and our foggy trips.
And I'm getting blown away. There's somewhere safer where the feelings stay.
Outro : intro ad lib
88
LINKS 2 3 4
(RAMMSTEIM)
/Bb
Intro :
(X4)
Kann man Herzen brechen, können Herzen sprechen
kann man Herzen quälen, kann man Herzen stehlen
II (bass) II
Sie wollen mein Herz am rechten Fleck, doch
seh' ich dann nach unten weg, dann schlägt es
Links, Links!
Können Herzen singen, kann ein Herz zerspringen
können Herzen rein sein, kann ein Herz aus Stein sein
Sie wollen mein Herz am rechten Fleck doch
seh' ich dann nach unten weg, dann schlägt es
Links Links! Links! Links!
Links Zwo Drei Vier,
II: E5
I G5
I A5
I .
. A5 /Bb :II
Links Zwo Links Zwo Links Zwo Drei Vier Links
Links Zwo Links Zwo Links Zwo Drei Vier Links.. Links Zwo Drei Vier
Instrumentaal (clean thema)
Kann man Herzen fragen, ein Kind darunter tragen
kann man es verschenken, mit dem Herzen denken
Sie wollen mein Herz am rechten Fleck doch
seh ich dann nach unten weg
dann schlägt es in der linken Brust
der Neider hat es schlecht gewusst
Links! Links! Links! Links Zwo Drei Vier Links
Solo (over thema) (/F# /G /A /B -> /E /B)
Links Zwo Drei Vier
Links Zwo Links Zwo Links Zwo Drei Vier
89
LISTEN TO THE MUSIC
(THE DOOBY BROTHERS-ORIGINEEL IN E)
Tempo = 105
Intro : II: C#M I C#M C#sus4 :II
II: C#M
I
I
I A#m
II
Don’t you feel it growin’, day by day, people gettin’ ready for the news, some are
I G#M
I F#M
I
happy, some are sad, oh,
I C#M
I C#M C#sus4
:II
we got to let the music play
What the people need, Is a way to make ’em smile, It ain’t so hard to do if you know
how, gotta get a message, get it on through, oh now mama, don’t you ask me why
II A#m
I F#M
I A#m
I F#M
I
Oh, oh, listen to the music. Oh, oh, listen to the music. Oh,
I A#m
I F#M
I D#M
I F#M
I
II
oh, listen to the music, all the time
II: C#M I C#M C#sus4 :II (X4)
Well I know, you know better, everything I say, meet me in the country for a
Day, we’ll be happy, and we’ll dance, oh, we’re gonna dance our blues away. And
if I’m feelin’ good to you, and you’re feelin’ good to me, there ain’t nothin’ we can’t do or
say, feelin’ good, feeling fine, oh, baby, let the music play
Refrein
II C#M
I BM
I A#m
I C#M
I
Like a lazy flowing river, surrounding castles in the sky
I C#M
I BM
I A#m
I
II
And the crowd is growing bigger, list’nin’ for the happy sounds, and I got to let them fly
Refrein (ad lib)
90
LIVING AFTER MIDNIGHT
(JUDAS PRIEST)
Tempo = 130
Intro : II: drums only I
:II
Intro 2 :
II (intro 2) II
Living after midnight, rockin' to the dawn
Lovin' 'til the morning, then I'm gone, I'm gone
II: E5
I
I /G E5
I /G E5
:II
I took the city 'bout one A.M,
loaded, loaded
I'm all geared up to score again, loaded, loaded
II G5
I
I F#5
I B5
II
I come alive in the neon light, that's when I make my moves right
Refrein
Got gleaming chrome, reflecting steel, loaded, loaded
Ready to take on every deal, loaded, loaded
My pulse is racing, I'm hot to take, this motor's revved up, fit to break
Refrein
II: A5 (sus4) I
I E5
I /G
/E
/D
/E
:II
I'm aiming for ya,
I'm gonna floor ya
My body's coming,
II B5
all
I D5 B5
II
night long
Solo : intro
The air's electric, sparkin' power, loaded, loaded
I'm getting hotter by the hour, loaded, loaded
I set my sights and then home in, the joint starts flying when I begin
Refrein (ad lib)
91
LIVING DOLL
(CLIFF RICHARD)
Tempo = 130
Got myself a
II AM
I
I
I
cryin', talkin', sleepin', walkin', livin' doll.
I AM
I
I
Gotta do my
I Bm
I E7
best to please her, just cos she's a livin' doll.
I AM
I
I F#m
I
eye and that is why she satisfies my soul.
I AM
I E7
I AM
only walkin', talkin', livin' doll.
II DM
I
I
Got a rovin'
I
Got the one and
I (break)
II
Take a look at her
I AM
I
I
hair, it's real, and if you don't believe what I say, just feel. I'm gonna lock her
I AM
I
I E7 (break)
I
up in a trunk, so no big hunk, can steal her away from me.
II
Got myself a
cryin', talkin', sleepin', walkin', livin' doll. gotta do my
best to please her, just cos she's a livin' doll. Got a rovin'
eye and that is why she satisfies my soul. Got the one and
Instrumentaal: Strophe
Take a look at her hair, it's real, and if you don't believe what I say, just feel.
I'm gonna lock her up in a trunk, so no big hunk, can steal her away from me.
Got myself a cryin', talkin', sleepin', walkin', livin' doll. Gotta do my
best to please her, just cos she's a livin' doll. Got a rovin'
eye and that is why she satisfies my soul. Got the one and
92
LOETSE, BOLLEKE
(BIEZEBAASE)
Tempo = 90
Intro: II CM GM I Dm I FM I
II: CM
II
I GM
I
'k è u liere kenne, oan de Veuruit in ne café. Gij
I Dm
I FM
:II (X4) II FM (2de/4de keer) II
woar guul alliene, ik oa ne moat of draaie mee.
'k woare nog moar binne en 'k keek een beetse rond,
en 'k zag u ginter zitte, 'k krege 't woater in mijne mond.
Ge dronk van uwe kaffee en 'k zaaie :" jonges ezuu een lijf !".
'k moest iets onderneme, want ge woar veur maa.
'k wiste nie wa zegge, dat es van mijn gewente nie,
moar 'k ben mij kome zette en 'k zaaie :" meiske, luistert hier !".
II: CM
GM
I Dm
:II (X4)
Scheetse, loetse, bolleke, zoetse, lieveke, schatse, boterkoekske,
wilde mee maa trouwen oastemblieft ?
Want
scheetse, loetse, bolleke, zoetse, lieveke, schatse, boterkoekske,
'k è liever een vrouwe dan een lief !
II FM
I
II
G'èt mij zitte bekijke, van wa ne schûwen ès mij da,
mee zijn gruute muile en zijnen tralala.
Moar ge moest uuk lache, ge vond et toch een beetse wijs,
en als ik û zag lache, zei ik :" jonges, w'èm hier prijs !
Refrein
II Am
I CM
I Am
I GM
I
En dienen avond es't ons algelijk gebeurd, en vanaf toens krijge z' ons nuunt nemier ui
I GM
II
tien gescheurd. We zijme
II: CM
I GM
I
nû al drij joar tuupe en 't goat precies nog goe,
I Dm
I FM
:II (X4) II FM (2de keer) II
't zal wel blijve duure, oam' alletwieë ons beste doen.
Moar 'k goa hout vasthaawe, ge weet nuunt, dat es woar.
Moar normaal gezien blaave'm altijd bij malkoar.
Refrein (X2)
93
LOST
(ANOUK)
Intro : II 12/8 GM I DM/F# I CM9 I DM/F# II
II: GM
I DM/F#
I
If roses are meaned to be red, and violets to be blue
I CM9
I DM/F#
:II
Why isn't my heart, Meaned for you
My hands belong to touch you, but I can better breathe
Story's that make me mad, right in front of me
II GM
I DM/F#
I
I get lost in this world, I even get lost in this song and when the
I CM
I DM/F#
II
lights go down, that's where we all been found
This music is irresistable, your voice makes my skin cross
Innocent and pure, I guess you heard it all before
Mister inaccestable, will this ever change? One thing that we are
meaned to say,
or still the picture in afraid
I get lost in this world, I even get lost in this song, and when the
lights go down, that is where we all been found….I.. I get
II GM
I DM
I
lost in this world, I.. I get lost in your eyes and when the
I CM
Am
I DM
II
lights go down, that's where we all been found.. yeah yeah..
Solo : II GM I DM I CM Am
II GM
I DM
II
I DM
I
Lost in this world, I get lost in your eyes and before the
I CM
Am
I DM
II
lights go down am I the only one?
II: GM
I DM
I CM
Am
I DM
:II
Ooohh.. heeyy.....ooohhh.. yeaahh…(3x)
94
MARY HAD A LITTLE LAMB
(BUDDY GUY / STEVIE RAY VAUGHN)
II A7
Mary had a little lamb,
I B7
went ,
I A7
I
I E7
I
I
his fleece was black as coal, yeah. And everywhere the child
I E7
that little lamb was sure to go now.
I
:II
He followed her to
school one day, which broke the teachers rule. But what a time did they
Have
that day at school.
Tisket! Tasket! baby A green and yellow basket
I wrote a letter to by baby And on my way I past it.
95
MASTER OF PUPPETS
(METALLICA)
Tempo = 220
Intro :
Thema 1 :
Thema 2 :
Thema 3 :
II:4/4 Em (thema 3) I
I
I 5/8
:II (X4)
End of passion play, crumbling away,
I’m your source of self-destruction
Veins that pump with fear, sucking darkest clear, leading on your deaths construction
Taste me you will see, more is all you need, You’re dedicated to, how Im killing you
Thema 4 :
II: (Thema 4
I
I
I
:II
Come crawling faster, Obey your master
96
Your life burns faster, Obey your
master, master
II E5
I 2/4 E5
I 4/4 G5
I
I
Master of puppets Im pulling your strings
I C5
I 2/4 B5
I 4/4 A5
I
I
Twisting your mind and smashing your dreams
I D5
I 2/4 C5
I 4/4 B5
I (!!)
Blinded by me, you cant see a thing,
II B5
I 2/4 D5
I 4/4 C5
I (!!)
Just call my name, `cause I’ll hear you scream
II E5 (break) . . I F5 (break) . . II
Master, Master
II E5
I 2/4 E5
I 4/4 C5
I
I
Just call my name, `cause Ill hear you scream
Master, Master
Thema 2
Needlework the way, never you betray, Life of death becoming clearer
Pain monopoly, ritual misery, chop your breakfast on a mirror
Refrein (thema 4)
Instrumentaal (tokkel) : II: 2/4 E5 I 4/4 D5 I C5 I A5 B5 I 2/4 D#5 :II (X12—4 laatste dist.)
Thema 5
II: (Thema 5)
I
:II (X4)
Master, master, wheres the dreams that I’ ve been after?
Master, master, you promised only lies
Laughter, laughter, all I hear and see is laughter
Laughter, laughter, laughing at my cries
II G5 I
I F#5 I
II
Taste me….
Solo : Thema 3 (X4 ) + Thema 4 (X2) +
Thema 6
97
Instrumentaal : thema 2 (X2)
II: (Thema 3)
I
I
I 5/8
:II (X4)
Hell is worth all that, natural habitat,
Just a rhyme without a reason
Neverending maze, drift on numbered days, now your life is out of season
I will occupy, I will help you die, I will run through you, now I rule you too.
Refrein (Thema 4)
II E5
I 2/4 E5
I 4/4 G5
I
I
Master of puppets Im pulling your strings
I C5
I 2/4 B5
I 4/4 A5
I
I
Twisting your mind and smashing your dreams
I D5
I 2/4 C5
I 4/4 B5
I (!!)
Blinded by me, you cant see a thing,
II B5
I 2/4 D5
I 4/4 C5
I (!!)
Just call my name, `cause I’ll hear you scream
Master, Master
Instrumentaal (Thema 3)
98
MEISJES
(RAYMOND V/H GROENEWOUD)
Tempo = 110
Intro :
II: AM
I
I GM
I
I
Meisjes,
ze maken ons kapot meneer, ze maken ons zo
I DM
I
I AM
zot meneer,
I
:II
mmmm meisjes
Meisjes, ze zijn toch zo bizar meneer, ze komen zelden
klaar meneer, staat niet in statitistieke meisjes
II: EM
/G /G# I EM
I AM
/C /C# I AM
:II
Olalala meisjes, ze komen goed van pas
Olalala meisjes, doen zij nog steeds de was
II EM
/G /G# I EM
II
Olalala meisjes, maskes
II D9 I DM I Dsus4 I CM DM II
Meisjes, ze zijn zo welgebouwd meneer. Snapt u waar ik van
hou meneer, amelings meisjes
Meisjes, ze zijn het andere soort meneer. De passionele
moord meneer, meisjes
Olalala meisjes, ze komen goed van pas
Olalala meisjes, ik wou dat ik er een was
Mamijmoemiemeisjes, Ze komen goed van pas
Olalala meisjes
Neem me mee, neem me mee
Solo (Strophe)
II: AM
I
I GM
I
I
Meisjes zijn het allermooist op aard, niets dat hun schoonheid evenaart
I DM
I
I AM
I
:II
Zeg dat Van het Groenewoud het gezegd heeft
Meisjes zijn het allermooist op aard, niets dat hun schoonheid evenaart
Zeg dat Van het Groenewoud het gezegd heeft
……………
99
MIA
(GORKY)
Intro : II: Am I GM CM . . :II
II: Am
I GM
CM
:II
Toen ik honger had, kwam ik naar je toe, je zei
Eten kan, als je de afwas doet
Mensen als jij moeten niet moeilijk doen
Geef ze een kans voor ze stom gaan doen
II: FM
I GM
CM
:II
De middenstand regeert het land
Beter dan ooit tevoren
Mia heeft het licht gezien, ze zegt
Niemand gaat verloren
II: Am I GM CM :II (X4)
Voorlopig gaan we nog even door
Op het lichtend pad, het verkeerde spoor
Mensen als ik vind je overal. Op de
Arbeidsmarkt, in dit tranendal
Sterren komen, sterren gaan
Alleen Elvis blijft bestaan
Mia heeft nooit afgezien, ze vraagt
Kun jij nog dromen
De middenstand regeert het land
Beter dan ooit tevoren
Mia heeft het licht gezien, Ze zegt
Niemand gaat verloren
Kun jij nog dromen
Kun jij nog dromen
II: Am I GM CM :II (ad lib)
100
MICHEL
(ANOUK—ORIGINEEL IN EB)
Intro : II: D9 I /A I /G I
II: D9 I /A
I /G
:II (X4)
I
:II (X4)
Hey Michel how's life are you ok
I wonder if you ever think of me
It's been 9 years since that kiss
I can't help but reminisce
Hey Michel do you remember
II DM
I GM
I AM I
:II
We walked the street to the beat, Hand in hand you and me
Smiling faces so in love, hoping that they all could see
That we belonged together you and me against the world, but
we found out the hard way cause it wasn't meant to be
II: D9
I /A
I /G I
:II
Now it's you and her I see
You were my first and worst love
And so it only could go wrong
But ain't that just the way you learn, hey
Michel I just wanted to let you know
That someone else has stolen my heart
And now another girl has caught your eye
That doesn't mean I don't think of you
I am just hoping she'll treat you right, do you remember how we
walked the street to the beat, hand in hand you and me
Smiling faces so in love, hoping they all could see
That we belonged together you and me against the world, but
we found out the hard way cause it wasn't meant to be
II: D9
I /A
I /G I
:II
Now it is you and her I see, It was
just a silly dream , hey Michel,
Do you remember…….
101
MONEY
(PINK FLOYD)
Intro :
X8
II: 7/4 Bm7
I
I
I
:II
Money,
get away. Get a good job with more pay and you're okay.
Money, it's a gas. Grab that cash with both hands and make a stash.
II F#m7
I Em
I
New car, caviar, four star daydream, think I'll buy me a football
I Bm7
I
II
team.
Money, get back. I'm all right Jack keep your hands off of my stack.
Money, it's a hit. Don't give me that do goody good bullshit. I'm in the
high-fidelity first class travelling set and I think I need a
Lear jet.
Solo (blues schema 7/4 in Bm )
Money, it's a crime. Share it fairly but don't take a slice of my pie.
Money, so they say Is the root of all evil today. But if you
ask for a raise it's no surprise that they're giving none a
way, away…..
102
MONEY FOR NOTHING
(DIRE STAITS)
Tempo : 134
Intro :
II: Gm7
I CM
I Gm7
I BbM CM I
Now look at them yo-yo's that's the way you do it, you play the guitar on the M.T.V.
I Gm7
I
I FM
I Gm7
:II
That ain't workin' that's the way you do it, money for nothin' and chicks for free
Now that ain't workin' that's the way you do it, lemme tell ya them guys ain't dumb
Maybe get a blister on your little finger, maybe get a blister on your thumb
II EbM
I BbM
I EbM
I FM
I
We gotta install microwave ovens, custom kitchen deliveries
I Gm7
I CM
I DM
I EM
II
We gotta move these refrigerators, we gotta move these colour TV's
Instrumentaal (Intro)
Refrein
I shouldda learned to play the guitar, I shouldda learned to play them drums
Look at that mama, she's got it stickin' in the camera, man we could have some fun
And he's up there, what's that? Hawaiian noises?
Bangin' on the bongoes like a chimpanzee
that ain't workin' that's the way you do it, get your money for nothin' and chicks for free
Refrein + Instrumentaal
Now that ain't workin' that's the way you do it, you play the guitar on the M.T.V.
That ain't workin' that's the way you do it, money for nothin' and your chicks for free
Money for nothin' chicks for free, money for nothin'
(I want my, I want my, I want my MTV, ……)
chicks for free
103
MY FAVORITE MISTAKE
(SHERYL CROW)
Tempo = 105
Intro : II: Bm I
II: AM
I
I
:II
I Bm
I AM
I woke up and called this morning,
I CM
I GM
I Bm
I
the tone of your voice was a warning
I Bm
I
:II
That you don't care for me anymore
I made up the bed we sleep in, I looked at the clock when you creep in
It's six AM and I'm alone.
II DM
GM
I Em
CM
I
Did you know when you go it's the perfect ending
I DM
GM
I Em
I
To the bad day I was just beginning
I DM
GM
I Em
When you go all I know is
I GM (*)
I
CM
I
you're my favorite mis
I CM
I
II
take
II: Bm
I
:II
Your friends act sorry for me, they watch you pretend to adore me
But I'm no fool to this game.
Now here comes your secret lover, she'll be unlike any other
until your guilt goes up in flames.
Did you know when you go it's the perfect ending
To the bad day I'd gotten used to spending
When you go all I know is you're my favorite mis
II: GM
I
I CM
take,
take…
I
:II
you're my favorite mis
Well
II Bm
I BbM
I FM
I GM
I
maybe nothing lasts forever, even when you stay together
I Bm
I BbM
I FM
I Em
I
I don't need forever after, but it's your laughter won't let me go, so I'm
I Em
II
holding on this way
Solo : (Refrein 1)
Did you know could you tell you were the only one
That I ever loved? Now
everything's so wrong
Did you see me walking by, did it ever make you cry?
Now you're my favorite mis
II: GM
I
I CM
take,
take,
II BM I
I
:II
Yeah you're my favorite mis
You're my favorite mistake
II
104
MYSTERY TRAIN
(PAUL BUTTERFIELD / ELVIS PRESLEY)
II: A7
I
I E7
I
:II
Train I ride, sixteen coaches long
Train I ride, sixteen coaches long . Well that
II B7
I A7
I E7
I
II
long black train got my baby and gone
Train train, comin' 'round, 'round the bend
Train train, comin' 'round the bend
Well it took my baby, but it never will again (no, not again)
Train train, comin' down, down the line
Train train, comin' down the line
Well it's bringin' my baby, 'cause she's mine all, all mine
105
MY WAY
(FRANK SINATRA)
II CM
I Em
I Gm6
I A7
I
And now, the end is near; and so I face the final curtain.
I Dm
I Dm7
I G7
My
I CM
friend, Ill say it clear, Iill state my case, of which I’m certain. I’ve
I CM
I C7
I FM
I Fm
I
lived a life thats full. I’ve traveled each and evry highway; and
I CM
I G7
I F6
I CM
more, much more than this, I did it my
way.
:II
Re
grets, Ive had a few; but then again, too few to mention. I
did what I had to do, and saw it through without exemption. I
planned each charted course; each careful step along the byway, but
more, much more than this, I did it my way. Yes, there were
I CM
I C7
I FM
I
I
times, Im sure you knew, when I bit off more than I could chew. But through it
I Dm7
I G7
I Em7
I Am
I
all, when there was doubt, I ate it up and spit it out. I faced it
I Dm7
I G7
I F6
all and I stood tall; and did it my
I CM
II
way. I’ve
loved, Ive laughed and cried. I’ve had my fill; my share of losing.
And now, as tears subside, I find it all so amusing. To
think I did all that; And may I say - not in a shy way, No, oh
no not me, I did it my way. For what is a
man, what has he got? If not himself, then he has naught. To say the
things he truly feels; and not the words of one who kneels. The record
shows I took the blows—and did it my way!
106
NOT AN ADDICT
(K’S CHOISE)
Intro: II: AM I C#m I BM I
Oohoo (19x)
:II
II: AM
I C#m
I BM
I
:II
Breath it in and breath it out, and pass it on it's almost out . We're
so creative and so much more, We're high above, but on the floor. It's not a
II: EM
F#m I AM
:II
habit, it's cool , I feel alive If you don't
have it your on, the other side
II AM II
The deeper you stick it in your vein, The deeper the thoughts there's no more pain
I'm in heaven, I'm a god, I'm everywhere, I feel so hot It's not a
II: EM
F#m I AM
:II (X3)
habit, it's cool I feel alive If you don't
have it your on the other side I'm not an
addict (maybe that's a lie)
II AM II
II: AM
I C#m
I BM
I
:II (X3)
Oohoo
It's over now, I'm cold, alone I'm just a person on my own
Nothing means a thing to me Oh, nothing means a thing to me . It’s not a
Refrein ( 2nd ) II AM II
II EM
I DM
I BM
I
I
Free me, leave me, watch me as I'm going down
I EM
I DM
I BM
I
I CM
I (break) II
Free me, see me. Look at me I'm falling And I'm falling.........
II: EM
I
:II (X4)
It is not a habit, it is cool I feel alive I feel.......
It is not a habit, it is cool I feel alive
Refrein ( 2nd )
II: EM F#m I AM
I'm not an addict,
I'm not an addict.
:II (ad lib)
I'm not an addict,
107
N’OUBLIEZ JAMAIS
(JOE COCKER)
Tempo = 90
Intro: II: Gm I /F# I FM I /E :II
II: Gm
I /F#
I FM
I /E
:II
Papa, why do you play, all the same old songs, Why do you sing with the melo
dy, cause down on the street somethings goin' on, there's a new beat, and a brand new
II: EbM
I Gm
:II (X3)
song, he said, In my life, there was so much anger,
still I have no regrets,
just like you, I was such a rebel
II EbM
I F7
So dance your own dance, and never forget
II: Gm
I (break)
II
N'oubliez ja
I BbM
I FM
I CM :II
mais, I heard my father say, every generation has it's way, a need to disobey
N'oubliez jamais, it's in your destiny, a need to disagree, when rules get in the way
N'oubliez jamais
Instrumentaal : II Gm I BbM I FM I CM II
Mamma, why do you dance, to the same old songs, Why do you sing only the harmo
ny, down on the street, something's goin' on, there's a new beat and a brand new
Song, She said, In my heart theres a young girls passion
For a life long duet
and someday soon, someone's smile will haunt you
So sing your own song and never forget
Refrein
Instrumentaal : II Gm I BbM I FM I CM II
II: EbM
I BbM
I Gm
I FM
/E :II
What is this game, searching for love or fame, it's all the same
One of these days you say that love will be the cure, I'm not sure
II (break) II
Refrein
Instrumentaal (ad lib)
108
NO VOICES IN THE SKY
(MOTORHEAD)
Tempo = 220
Intro : II: Db5 I
II: Db5
I Eb5 I
:II (X4)
I
I Eb5
I
:II
Nobody gives a damn about anybody else,
Think everyone should feel, the way they feel themselves,
Rich men think that happiness, is a million dollar bills,
So how come half of them O.D. on sleeping pills,
II: Db5
I
I Eb5
I
:II
Eye for eye,tooth for tooth, you all know what I mean,
what's the use of a cry for help, if no one hears the scream,
II Eb5
I
II
no one hears the scream,
II: Ab5
I Db5
I Eb5
I
:II (X4)
No voices in the sky,
confusion blinds the eye,
Can't take it with you when you die,
No voices in the sky…….
The ones dedicate the flags, to make you brave,
They also consecrate, the headstone on your grave,
Ritual remembrance, when no one knows your name,
Don't help a single widow, learn to fight the pain,
Bridge
Refrein
Solo :
II Eb5 I
II: F5 I
I F5 I
I Db5 I
I Eb5 I
I
:II
II
Politicians kissing babies for a good luck,
T.V.preachers sell salvation for a buck,
You don't need no going cross, to tell you wrong from right,
The world's worst murderers were those who saw the light.
Bridge
Refrein (X2)
II: Ab5 I Db5 I Eb5 I
:II (solo—ad lib)
109
THE NUMBER OF THE BEAST
(IRON MAIDEN)
Intro + strophe :
I left alone, my mind was blank,
I needed time to think to get the
memories from my mind. What did I
see, can I believe, that what I saw that night was real
and not just fantasy. Just what I
saw, in my old dreams, were they reflections of my warped mind staring back at me
Cos in my dreams, it's always there, the evil face that twists my mind and brings me to despair
Break 1 :
I
I D5
I
I
I . /B /C /C /C /C /B /G :II
The night was black was no use holding back, ‘cos I just had to see was someone watching me
In the mist dark figures move and twistv was all this for real or some kind of hell
II: C5 I G5/B
I C5
I D5 :II
6 6
6
the Number of the Beast
Hell and fire was spawned to be released
II D5 I
II
Torches blazed and sacred chants were praised, as they start to cry hands held to the sky
In the night the fires burning bright the ritual has begun, Satan's work is done
666 the Number of the Beast
Sacrifice is going on tonight
Break 2 : II: D5 . E5 D5 I E5 . F5 E5 I F5 . G5 F5 I G5 :II (X4)
Solo : II: Bb5 I F5 :II (X4)
Break 3 :
Solo 2 : II: D5 I F5 I G5 I Bb5 C5 :II (X6) - basgitaar octaven laatste 2 keren)
This can't go on I must inform the law, Can this still be real or some crazy dream
but I feel drawn towards the evil chanting hordes, they seem to mesmerise me...can't avoid their eyes
666 the Number of the Beast
666 the one for you and me
II (intro + strophe 1) II
I'm coming back I will return, And I'll possess your body and I'll make you burn
I have the fire I have the force , I have the power to make my evil take its course
Tempo = 195
Break 1
110
ODE TO MY FAMILY
(THE CRANBERRIES)
Intro : II: DM I Bm I F#m I GM :II (X3)
Du– du—du—du (1ste 2 keren)
II: DM
I Bm
I F#m
I DM
:II
Understand the things I say, dont turn away from me, ‘cause I spent
half my life out there, you wouldnt disagree
D’you see me, d’you see, do you like me, do you like me standing there
D’you notice, d’you know, do you see me, do you see me, does anyone care. Unhappi
ness, wheres when I was young, and we didnt give a damn, ‘cause we were
Raised to see life as a fun and take it if we can
My mother, my mother she hold me, did she hold me, when I was out there
My father, my father, he liked me, Oh he liked me, does anyone care
II DM I Bm I F#m I GM
II
Under
stand what Ive become, it wasnt my design, and people every
where think, something better than I am. But
I miss you, I miss, cause I liked it, I liked it, when I was out there
D’you know this, d’you know, you did not find me, you did not find, does anyone care
Unhappiness was when I was young, and we didnt give a damn. cause we
were raised to see life as fun and take it if we can
My mother, my mother she hold me, did she hold me, when I was out there
My father, my father, he liked me, oh he liked me, does anyone care
II: DM I Bm I F#m I GM
:II (ad lib)
Does anyone care, does anyone care, …………….
Du-du-du-du, ………...
111
ORGASMATRON
(MOTORHEAD)
Tempo = 130
Intro : II: Eb5
:II (X8)
I
II: Eb5
I
I
I
:II
I am the one, Orgasmatron, the outstretched grasping hand…
image is of agony,
my servants rape
the land
II Ab5
I
I
Obsequious and arrogant,
I Eb5
I
I
I
clandestine and vain…
I
My
Two
I
I
thousand years of misery, of torture in my name
I C5
I
I F5
I
I
Hypocrisy made paramount, paranoia the law, my
I Eb5
I
I B5
Db5
I Eb5
I
II
name is called religion, sadistic, sacred whore.
II: Eb5
I
:II (X3)
I twist the truth, I rule the world, my crown is called deceit
I am the emperor of lies, you grovel at my feet
I rob you and I slaughter you, your downfall is my gain
And still you play the sycophant and revel in you pain
And all my promises are lies, all my love is hate
I am the politician, and I decide your fate
II Eb5
I
II
Solo 1 : II: C5 I
II C5
I
II Eb5 I
:II: Eb5
I F5
I
I
:II (X2)
II
I B5 Db5 I Eb5 II
Intro (X4)
I march before a martyred world, an army for the fight
I speak of great heroic days, of victory and might
I hold a banner drenched in blood, I urge you to be brave
I lead you to your destiny, I lead you to your grave
Your bones will build my palaces, your eyes will stud my crown
For I am Mars, the god of war, and I will cut you down.
II Eb5
I
II
Solo 2 (=solo 1)
112
PINBALL WIZARD
(The Who—origineel in Dm )
Intro 1 :
Intro 2 :
II: Csus4 I CM . . /Bb :II (3 & 4de keer)
Ever
II CM
/Bb I CM
/Ab I
since I was a young boy, I've played the silver ball. From
I BbM
/Ab I BbM
/Gb I
Soho down to Brighton, I must have played them all. But I
I AbM
/Gb I AbM
I
ain't seen nothing like him, in any amusement hall...That
I GM
I (break)
I
deaf dumb and blind kid, sure plays a mean pin ball !
Instrumentaal :
He stands like a statue, becomes part of the machine.
Feeling all the bumpers, always playing clean.
He plays by intuition, the digit counters fall.
That deaf dumb and blind kid, sure plays a mean pin ball !
Instrumentaal
II: FM GM CM .
:II
He's a pin ball wizard, there has got to be a twist. A
II FM GM CM
I AbM
I EbM
I
II
pin ball wizard, S'got such a supple wrist.
II: Ebm
/ Db
I Ebm
:II
'How do you think he does it? I don't know!
What makes him so good?'
He ain't got no distractions, can't hear those buzzers and bells, Don't
see lights a flashin', plays by sense of smell.
Always has a replay, 'n' never tilts at all...That
deaf dumb and blind kid, sure plays a mean pin ball. (+ instrumentaal)
I thought I was, the Bally table king.
But I just handed, my pin ball crown to him. (+ intro 2)
Even my usual table, he can beat my best. His
disciples lead him in, and he just does the rest. He's got
crazy flipper fingers, never seen him fall...
That deaf dumb and blind kind, sure plays a mean pin ball.!!!!!
II Ebm I
II (ad lib)
113
POPSICLE TOES
(MICHAEL FRANKS)
Intro : (lick /E /G /A /C) II: A7 /G I /F# /F (lick) : II (X4) II . E7 . Eb7 I E7 . . . II
II A7
I
I D7
I
I
When God gave out rythym, he sure was good to you. You can
I A7
I B7
I E7
I
I
add, subtract, multiply and divide by two.
I A7
I
I
I D7
I
I
know today's your birthday, and I did not buy no rose. But I
I A7
I E7 .
.
. Eb7 I D7
I A7
II
wrote this one instead, and I call it --- "Popsicle Toes".
I Am7
I D9
I GM7
I Gm7 I
Popsicle Toes
I C9
I FM7
I CM7
Popsicle Toes
I F9
I /Eb
I
are always froze.
I BbM7
I
Popsicle Toes,
I Bbm7
I
I Eb9
I
you're so
I Abm7
I Db9 (lick)
II
brave to expose all those Popsicle Toes.
- You must have
been Miss Pennsylvania with all this pulchritude. How come you
always load your Pentax when I'm in the nuce? We ought to
have a birthday party, and you can wear your birthday clothes. Then we can
hit the floor and go explore those --- Popsicle Toes.
Solo (Refrein 1ste 8 maten+ intro)
- You got the
nicest North America this sailor ever saw. I like to
feel your warm Brazil and touch your Panama. But your
Tiera del Fuegos are nearly always froze. We gotta
see-saw until we unthaw those --- Posicle Toes.
Refrein
Instrumentaal (lick) - ad lib
114
PRETTY FLY
(THE OFFSPRING)
Tempo = 142
I
I
I
:II
Intro 1 : II (no chords)
Give it to me baby, uh huh, uh huh (X3)
And all the girlies say I'm pretty fly for a white guy
Intro 2 :
Uno dos tres cuatro cinco cinco seís
You know its kinda hard just to get along today
Our subject isn't cool, but he fakes it anyway
He may not have a clue, and he may not have style
But everything he lacks, well he makes up in denial ..So
don't debate, a player straight, you know he really doesn't get it anyway. Gonna
play the field, and keep it real, for you no way, for you no way.
So if
you don't rate, just overcompensate, at least you'll know you can always
go on Ricki Lake
The world needs wannabes, hey, hey, do that brand new thing!
II (intro 2)
II
And all the girlies say I'm pretty fly for a white guy
He needs some cool tunes, not just any will suffice
But they didn't have Ice Cube so he bought Vanilla Ice
Now cruising in his Pinto, he sees homies as he pass
But if he looks twice, they're gonna kick his lily ass!
Bridge
Now he's getting a tattoo yeah, he's getting ink done
He asked for a 13, but they drew a 31. Friends say he's
trying too hard and he's not quite hip
But in his own mind he's the, he's the dopest trip
Uno dos tres cuatro cinco cinco seís
Bridge II: G5 D5 G5 I A5 E5 A5 :II (X3)
The world loves wannabes
Let's get some more wannabes
Hey, hey, do that brand new thing!
115
QUE SERA SERA
(JO LEEMANS)
II 12/8 CM
I GM
I
Que sera sera, wat zijn moet, dat zal zo zijn, de toekomst die
I DM
D7
I GM
.
DM
D7
I
blijft geheim, Que sera sera , wat moet zijn, zal
I GM
II
zijn.
Toen ik een
II GM
I DM
D7
I
heel klein meisje was vroeg ik mijn moeder : Wat zal ik zijn ?
I DM
D7
I DM
GM
II
Zal ik heel knap zijn en wordt ik rijk ? Weet jij wat zij toen zei :
Refrein
En toen ik al wat groter was, vroeg ik de juffrouw : Wat zal ik doen ?
Wordt ik artiste of stewardess ? Haar wijze raad was toen :
Refrein
Toen ik mijn hart verloren had, vroeg ik mijn liefste : Weet jij wat ons wacht ?
Zal de zon schijnen, dag in dag uit ? Mijn liefste zei toen zacht :
Refrein
En nu ik zelf al kinderen heb Vragen ze : Moeder, wat zal ik zijn ?
Zal ik heel knap zijn en wordt ik rijk ? Mijn antwoord zal steeds zijn :
Refrein
II CM
GM
.
. II
Que sera, sera
116
RADIO
(THE CORRS)
Intro: II: Bsus2 I Bm7 I A6 I Esus2 :II
II: Bsus2
I Bm7
I
It's late at night and I'm feeling down, there're a
I A6
I Esus2
:II
couple standing on the street, sharing summer kisses and silly sounds
II Bsus2 I Bm7 I A6 I Esus2 II
So I step inside, pour a glass of wine, with a
full glass and an empty heart I search for something to occupy my mind
II : F#M
I D6
I F#M
I D6
:II
But you are in my head,
swimming forever in my
head,
tangled in my dreams, swimming forever
II D6 II
II: EM
I AM . .
So listen to the radio
So listen to the radio,
/B I C#m
I BM
:II
And all the songs we used to know
remember where we used to go
Now it's morning light and it's cold outside
Caught up in a distant dream, I turn and think that you are by my side
So I leave my bed and I try to dress
Wondering why my mind plays tricks, and fools me into thinking you are there
Bridge
Refrein
Instrumentaal: II: Bsus2 I Bm7 I A6 I Esus2 :II
Bridge
Refrein
117
REB MOTENYU
(SOUNDTRACK FROM GHETTO—ORIGINEEL IN CM)
Intro : II: AM I Dm AM I Gm I AM :II
II AM
I
I
I
I
Zogt der rebe reb Motenyu, a gut morgn dir, gotenyn
II: Dm
I Gm
I Dm
I AM
:II
Nem arop fun undz dayn kas, vet men ton kedin vekedas
Nem arop fun undz dayn kas, Vet men ton kedin vekedas
II Dm
I
I
I AM I
Oy, tsadikim, tsadikim geyen bam
I Dm
I
I Gm
I AM
II
Oy, reshoyim, reshoyim faln bam
II : AM
I Dm
AM
I Gm
I AM
:II
Bim, bam, biri-biri-bam, Bim-bam, bim-bam, biri-biri-bam.
Bim, bam, biri-biri-bam, Bim-bam, bim-bam, biri-biri-bam.
Instrumentaal : II: AM I Dm AM I Gm I AM :II
Zogt der rebe reb Motenyu, a gut helf dir, gotenyu
Der tog iz heys, di milkhome iz shver, nor men lozt nit aroys dos gever
Der tog iz heys, di milkhome iz shver, nor men lozt nit aroys dos gever
Refrein
Zogt der rebe reb Motenyu, a gutn ovnt dir, gotenyu
Der tod iz avek, ikh hob alts gemakht, gibshe mir a gutinke nakht.
Der tod iz avek, ikh hob alts gemakht, gibshe mir a gutinke nakht.
Bim, bam, biri-biri-bam,
Bim-bam, bim-bam, biri-biri-bam.
Bim, bam, biri-biri-bam,
Bim-bam, bim-bam, biri-biri-bam.
118
RIDERS ON THE STORM
(THE DOORS)
Intro: II: Em I
:II (X13)
II: Em
I
I
Riders on the storm,
I Am
I
I
riders on the storm.
In
I
I Em
to this house we´re born,
I DM
I
Into this world we´re thrown.
I CM
I Em
I
Like a
I
:II
dog without a bone, an actor out on loan, riders on the storm. There´s a
killer on the road, his brain is squirmin´ like a toad. Take
a long holiday, let your children play. If ya
give this man a ride, sweet family will die, killer on the road, yeah.
Solo (strophe)
Girl ya gotta love your man, girl ya gotta love your man.
Take him by the hand, make him understand. The
world on you depends, our life will never end, gotta love your man, yeah
Solo : II: Em I
:II (X12)
Riders on the storm, riders on the storm. In
to this house we´re born, into this world we´re thrown. Like a
dog without a bone, an actor out on loan, riders on the storm
II: Em
I
:II(ad lib)
Riders on the storm, Riders on the storm
Riders on the storm, Riders on the storm
Riders on the storm
119
RIGHT NEXT DOOR
(ROBERT CRAY)
Intro : II: Cm I
:II
I can
II Cm
I EbM
I
hear the couple fighting right next door.
Their
I FM
I Cm
EbM
:II
angry words sound clear through these thin walls. Around
midnight I heard 'im shout "Unfaithful one", and I
knew right then the axe was gonna fall.
It's because of
II BbM
I Cm
me
II
It's because of me
I heard him shout "Who is he", she mumbled low. He said
"Baby, don't you lie to me nomore".
And I'm
listening through these thin walls silent o' shame
As she called out my name I was right next door.. It's because of
II: BbM
I Cm
me
me
:II
It's because of me...because of
It's because of me….oh, she was
II : AbM
BbM
I Cm
:II (X4)
right next door and I'm such a strong persuader
She was just another note on my guitar
She's gonna lose the man that really loves her, in the
silence I can hear their breaking hearts
Solo :
II EbM I Cm I BbM AbM I GM
II: AbM
BbM I Cm
II
:II (X4)
Intro
At daybreak I can hear him pack, say goodbye
I can hear him slam the door and walk away. Right next
door I can hear that woman start to cry. I should
go to her, but what would I say.. it's because of
me
me
It's because of me...Because of
Young heart
Bridge (X2)
Solo : II: AbM BbM I Cm :II (X4)
Intro (ad lib)
120
ROUTE 66
(THE ROLLING STONES)
Tempo = 165
Intro : II: AM I
:II
Well if
II: AM
I DM
I AM
I
II
you ever plan to motor west,
just take
I DM
I AM
I
I
I
my way that's the highway that's the best.
I EM
I DM
I AM
I
Get your
:II
kicks on Route 66 …
Well it
winds from Chicago to L.A. More than
2000 miles all the way … Get your
kicks on Route 66….
Well
II AM (break)
I AM (break)
I AM (break)
I
I
goes from St. Louie down to Missouri, Oklahoma City looks oh so pretty. You'll
I DM
I
I AM
I
I
see
Amarillo and Gallup, New Mexico,
I EM
I DM
I AM
I
II
Flagstaff, Arizona and don't forget Winona Kingman, Barstow, San Bernadino, would
you get hip to this kindly tip. And go
take that California trip...Get your
kicks on Route 66….
Solo : strophe
II AM (break)
I AM (break)
I AM (break)
I
I
goes from St. Louie down to Missouri, Oklahoma City looks oh so pretty. You'll
I DM
I
I AM
I
I
see
Amarillo and Gallup, New Mexico,
I EM
I DM
I AM
I
II
Flagstaff, Arizona and don't forget Winona Kingman, Barstow, San Bernadino, would
you get hip to this kindly tip. And go
take that California trip...Get your
kicks on Route 66….get you
II: EM
I DM
I AM
kicks on Route 66 …
I
:II
get your
121
SHE
(ELVIS COSTELLO)
Intro : II CM Ebdim I FM GM II
II CM
I Ebdim
I FM
She, May be the face I can't forget, a trace of pleasure or regret
May be my treasure or the price I have to pay
She may be the song that summer sings
May be the chill that autumn brings
May be a hundred different things
Within the measure of a day.
She
May be the beauty or the beast
May be the famine or the feast
May turn each day into a heaven or a hell
She may be the mirror of my dreams
A smile reflected in a stream
She may not be what she may seem
Inside her shell
She
Who always seems so happy in a crowd
Whose eyes can be so private and so proud
No one's allowed to see them when they cry
She may be the love that cannot hope to last
May come to me from shadows of the past
That I'll remember till the day I die
She
May be the reason I survive
The why and wherefore I'm alive
The one I'll care for through the rough and ready years
Me I'll take her laughter and her tears
And make them all my souvenirs
For where she goes I've got to be
The meaning of my life is
She, she, she
122
SHE’S GOT THE LOOK
(ROXETTE)
Intro : II: AM I
I
I
:II
II: AM
I GM
I
Walking like a man, hitting like a hammer, she's a juvenile scam. Never was a quitter,
I DM
I AM
:II
tasty like a raindrop, she's got the look.
Heavenly bound cause heaven's got a number when she's spinning me around, kissing is
a colour. Her loving is a wild dog, she's got the look. She's got the
II: AM
I
I CM
GM
I AM :II
look. She's got the look. What in the world can make a brown-eyed girl turn blue.
When everything I'll ever do I'll do for you,
and I go:
II FM
I GM (break)
I AM
I
II
la la la la la she's got the look.
Fire in the ice naked to the t-bone is a lover's disguise.
Banging on the head drum, shaking like a mad bull, she's got the look.
Swaying to the band, moving like a hammer she's a miracle man.
Loving is the ocean, kissing is the wet sand, she's got the look.
Refrein
Solo : II: EM I AM :II (X4)
II: GM DM I AM :II
Walking like a man, hitting like a hammer, she's a juvenile scam.
Never was a quitter, tasty like a raindrop, she's got the look. And she goes:
II AM
I GM
I DM
I AM
II
na na na na na na na na. …………..She’s got the look
Refrein (X2)
II: AM
I GM
I DM
I AM
:II
na na na na na na na na. …………..She’s got the look
123
RUN, BABY, RUN
(SHERYL CROW)
II 6/8EM
I
I G#m
I
I
She was born in November 1963, the day Aldous Huxley died
I F#m
I
/G#
I
And her mama believed, that every man could be free, so her
I A7
I
/B
mama got high, high, high
I
And her
I C7
I
I
daddy marched on Birmingham, singing mighty protest songs and he
I Am7
I
I
pictured all the places, that he knew that she belonged, but he
I FM
I BbM
I
failed and taught her young, the only thing she's need to carry
I BM
I
On,
II
he taught her how to
II: EM
I C#m
I G#m
I BM
:II
Run baby run baby run baby run, baby run (X2)
II A7
I C7
:II
Past the arms of the familiar, and their talk of better days, to the
comfort of the strangers,
slipping out before they say so
II DM
I BM
long,
I EM
I
baby loves to
I
II
run
She counts out all her Money, in the taxi on the way to meet her plane
Stares hopeful out the window, at the workers fighting Through the
pouring rain, she's searching through the stations
For an unfamiliar song, and she's pictures all the places
Where she knows she still belongs, and she smiles the secret smile
Because she knows exactly how to carry on
So run baby run baby run baby run, baby run (X2)
From the old familiar faces and their old familiar ways, to the
comfort of the strangers, slipping out before they say so
Long baby loves to run
Solo : II: EM
I C#m I Abm I BM :II (ad lib)
124
SHIFRALES PORTRET
(SOUNDTRACK FROM GHETTO)
Intro : II Bm I Em I Bm I
II Bm
II
I Em
I
Oyf der vant links fun mayn bet
I Bm
I
I
Hengt mayn tokhter Shifrales portret
I Bm
I AM
I
Oft mol in der mit der nakht,
I Bm
/A
I AM /C#
DM
II
Ven ikh benk nokh ir un trakht,
II: Bm
I Em7
:II
Ze ikh, vi zi kukt oyf mir,
Her ikh, vi zi redt…
II: F#M
I Em7
:II
‘tateshi ! Kh’veys, es iz dir bang,
S’vet der krig shoyn nisht gedoyerb lang.
II Em7
I
I
Kumen vel ikh bald tsu dir,
I Gm
I F#M
II
S’klapt der friling shoyn in tir.’
I Bm
I Em
I
Shmeykhlt lib tsu mir un redt
I Em7
I Bm
II
Shifrales portret…..
II Bm II
125
SIR DUKE
(STEVIE WONDER)
Intro :
Bassline :
II BM
I G#m
I G9
I F#9
I
Music is a world within itself, with a language we all understand
I BM
I G#m
I G9
I F#9
F9
With an equal opportunity, for all to sing, dance and clap their hands.
:II
But just be
cause a record has a groove, don't make it in the groove, but you can
tell right away at letter A when the people start to move
II: BM
I F#m7
They can feel it all over,
They can feel it all over,
I EM
/D# C#m
F#M :II
they can feel it all over people
they can feel it all over people
Instrumentaal :
µ
Music knows it is and always will,
be one of the things that life just won't quit
But here are some of music's pioneers,
that time will not allow us to forget. For there's
Basie, Miller, Sachimo, and the king of all Sir Duke. And with a
voice like Ella's ringing out, there's no way the band can lose
You can feel it all over, you can feel it all over people
You can feel it all over, you can feel it all over people (repeat X4)
Can't you feel it all over, come on let's feel it all over people
You can feel it all over, everybody-all over people
126
SMOKE ON THE WATER
(DEEP PURPLE)
Tempo = 115
Intro :
X6
X4
We all came out to Montreux, on the Lake Geneva shoreline
To make records with a mobile, we didn't have much time
Frank Zappa and the Mothers, were at the best place around
But some stupid with a flare gun, burned the place to the ground
II C5
I Ab5
I G5
I
II
Smoke on the water, fire in the sky
I C5
I Ab5
II + Intro X2
Smoke on the water...
They burned down the gambling house, it died with an awful sound
Funky & Claude was running in and out, pulling kids out the ground
When it all was over, we had to find another place
But Swiss time was running out, it seemed that we would lose the race
Refrein
Solo :
II C5
I
I F5
I
II
Thema (X2)
We ended up at the Grand Hotel, it was empty cold and bare
But with the Rolling truck Stones thing just outside, making our music there
With a few red lights and a few old beds, we make a place to sweat
No matter what we get out of this, I know we'll never forget
Refrein
Outro = intro
127
SOMEBODY TO LOVE
(QUEEN)
Intro:
I CM
I DM II
GM DM/F# II 2/2 Em
Can anybody
find me somebody to love?
DM/F# I Em
I GM AM
I DM
I
II 2/2 GM
Each morning I get up I die a little, can barely stand on my feet. Take a
I GM
DM/F# I Em
I AM
I DM
I
look in the
mirror and cry , Lord what you're doing to me I have
I GM
AM
I DM/F#
I DM
AM/C# I DM CM
II
spent all my years in believing you, but I just can't get no relief, Lord!
II GM
I
I GM DM/F# I Em
Somebody, somebody , Can any body find
I GM I DM/F# I Em I CM
I DM
II
love?
I work
Em7/C I DM
me somebody to
I
hard every day of my life , I work till I ache my bones At the
end I take home my hard earned pay all on my own - I get
down on my knees , and I start to pray till the tears run down from my eyes , Lord somebody - somebody, Can anybody find me - somebody to
I GM I
I G7
I II
love?
(He works hard)
II CM
I
I
I
I
Everyday - I try and I try and I try - But
I FM
I
I Fm
I
I
everybody wants to put me down , they say I'm goin' crazy
I AM
I
I
I
I
They say I got a lot of water in my brain , Got no common sense , I got
I A7
I DM
II: GM/D DM :II (X4)
I got nobody left to believe,
Yeah - yeah yeah yeah Oh Lord
Solo (strofe)
Somebody - somebody, can anybody find me somebody to
love?
Got no feel, I got no rhythm, I just keep losing my beat I'm
ok, I'm alright , Ain't gonna face no defeat I just
gotta get out of this prison cell , Someday I'm gonna be free, Lord!
II: GM
I
:II (ad lib)
Find me somebody to love
Can
II GM DM/F# I Em
I CM
I DM
I GM
Any body find me somebody to
love?
I
II
128
SOMETIMES I’M HAPPY
(NAT KING COLE)
Intro : II: Fm7 I Gb9 :II
II: Fm7
I Gb9
:II (X4)
Sometimes I'm happy, sometimes I'm blue.
My disposition, depends on you.
II Fm
I BM
I Fm
I A7
I
I never mind, the rain from the sky
I Fm
I Abm
If I can find,
I Gbm
I AbM7 II
the sun in your eyes.
Sometimes I love you, sometimes I hate you.
But when I hate you, it's 'cause I love you.
II Fm
I BM
I Fm
I A7
I
That's how I am, so what can I do?
II: Fm7
I Gb9
:II
I'm happy when I'm with you.
Solo : strophe (X2) + refrein + strophe
Sometimes I love you, sometimes I hate you.
But when I hate you, It's 'cause I love you.
That's how I am, so what can I do?
II Fm
I AbM
I DbM I
II
129
STILL LOVING YOU
(THE SCORPIONS)
Intro :
II: Gm
I
I
Time, it needs time, to win back your love again. I will be
I AM
I DM
:II
there, I will be there.
Love, only love, can bring back your love someday. I will be
Instrumentaal (intro X2)
Fight, babe, I'll fight, to win back your love again. I will be
Love, only love, can break down the walls someday. I will be
II: Gm
EbM
I BbM
FM : II
If we'd go again, all the way from the start,
I would try to change, the things that killed our love.
II Gm
Cm
I DM
Gm
I
Your pride has build a wall, so strong, that I can't get through. Is there
I EbM
I FM
II:Gm (intro)I
I EbM
I D7(vertragen):II
really no chance, to start once again? I'm loving you.
Try, baby try, to trust in my love again. I will be
Love, your love, just shouldn't be thrown away. I will be
Your pride has build a wall, so strong, that I can't get through.
Is there really no chance, to start once again?
Yes I've hurt your pride, and I know, what you've been through. You should
give me a chance, this can't be the end. I'm still loving
II: Gm
EbM
you.
you,
you.
I BbM
I'm still loving
I need your love. I'm still loving
Still loving you, baby…
FM :II
Solo : II: Gm EbM I BbM FM :II
130
STREET SPIRIT (FADE OUT)
(RADIOHEAD)
Intro:
II: Am (intro X4) I
:II
Rows of
houses, all bearing down on me
I can feel their blue hands touching me
All these things into position, all these things we'll one day swallow whole
II: Am (intro) I
:II
And
fade out again and fade out
This machine will, will not communicate, These
thoughts and the strain I am under
Be a world child, form a circle, Before we all
go under
And
fade out again and fade out again (refrein X 2 )
Instrumentaal (refrein X2 )
Cracked eggs, dead birds, scream as they fight for life
I can feel death, can see its beady eyes
All these things into position,
all these things we'll one day swallow whole ...And
fade out again and fade out again (refrein X2 )
Instrumentaal (refrein ad lib)
Immerse your soul in love
131
STUPID GIRL
(GARBAGE)
Tempo = 120
Intro : II: F#m
I BM
:II (gitaar lick ‘E’ & ‘D#’) X4
II: F#m (bas & drums only) I BM
:II (X6)
You pretend you’re high,
You pretend you’re anything,
need, is what you get
II: Ebm
I Abm
you pretend you’re bored
just to be adored. And what you
:II (X4)
Don’t believe in fear,
don’t believe in faith
Don’t believe in anything, that you can’t break
II: F#m
I BM :II (X4)
You stupid girl,
you stupid girl
All you had you wasted, all you had you wasted
Instrumentaal : II: F#m I BM :II (X4)
What drives you on what drives you on, Can drive you mad can drive you mad
A million lies to sell yourself, is all you ever had
Don’t believe in love, don’t believe in hate
Don’t believe in anything, that you can’t waste
You stupid girl, you stupid girl
Can’t believe you fake it, can’t believe you fake it
Instrumentaal : II: F#m I BM :II (X8)
Don’t believe in fear, don’t believe in pain
Don’t believe in anyone, that you can’t tame
All you had you wasted, all you had you wasted
You stupid girl…….
132
SWANEE
(AL JOLSON—GEORGE GERSWIN)
Intro : II Dm I Gm I Dm I A7 II
II Dm
I
I
I
I
I've been away from you along time, I never thought I'd miss 'ya so
I Gm
Dm
I Gm
Dm I Dm
I A7
I
Somehow I feel, your love is real, near you I wanna be.
I Dm
I
I
I
I
The Birds are singing it is songtime, the banjos strumming soft and low
I Gm
Dm I Gm
Dm
I Dm
I
II
I know that you, yearn for me too swanee you're calling me
II DM
I
I GM
I DM
I
Swanee - how I love ya, how I love ya, my dear old swanee. I'd give the
I Bm7/A
/Bb I Bm7
world to
I DM
I A7
/C#
be, among the folks in
I
I DM
I
D-I-X-I-E-ven though my
I GM
I DM
I
mammy's waiting for me, praying for me down by the swanne. The folks up
I F#m
I Bm
I A7
I DM
II
north will see me no more when I get to that swanee shore
Birdwhistle : II: A7 I DM I A7 I DM
:II
I love the old folks at home
Refrein
133
SWENTIBOLD
(CLOUSEAU)
Tempo = 120
Intro: II: CM BbM I BbM CM :II
Het
II: CM
BbM
I BbM
CM
:II
zomert eeuwig in het land, waar ik van hou, hier
dansen alle mensen in de straat, waar ik van hou
II CM
FM
I BbM
I
kroegen sluiten veel te laat, da's waar ik zo van hou. De
I CM
BbM
I BbM
CM
II
vrouwen zijn hier goed gebouwd, da's wat me bezighoudt
II FM
I CM
I FM
I CM
I
Welkom in het land van Swentibold, welkom in het aards paradijs
I FM
I CM
I BbM
I CM
II
Welkom in het land van Swentibold, welkom in dit feestpaleis, welkom
Instrumentaal : II: CM BbM I BbM CM :II
Be
taal hier met de glimlach, meer wordt er niet gevraagd. maar
weet U als 't aan mij lag, dan werd de prijs verlaagd. De
Swenti's spreken swentisch, dat is volstrekt normaal en
wie het niet gewend is gebruikt gebarentaal
Refrein
Instrumentaal
II: CM
I FM
I CM
I BbM
CM
:II (X4)
Swentibold, Swentibold, Swentibold, droomparadijs
Swentibold, Swentibold, Swentibold, betaalbare prijs
Swentibold, Swentibold, Swentibold, uw droomparadijs..
II: a capella
I
I
:II
Mocht U soms gaan dromen, over 't land van Swentibold
vraag dan onze koning, waar hij Paola vond
Refrein
II: BbM
I CM
:II
welkom in dit feestpaleis
134
SYMPHONY OF DESTRUCTION
(MEGADETH)
Tempo = 140
You take a mortal man, and put him in control
Watch him become a god, watch peoples heads a'roll
A'roll...a’roll……
Just like the Pied Piper, led rats through the streets, We
dance like marionettes, Swaying to the Symphony ... Of Destruction
Acting like a robot, its metal brain corrodes
You try to take its pulse, before the head explodes
Explodes...explodes…………...
Refrein
Solo : Refrein +
The earth starts to rumble, world powers fall
A'warring for the heavens, a peaceful man stands tall
Tall...and tall………….
Refrein (X2)
135
TAKE THIS WALTZ
(LEONARD COHEN—ORIGINEEL IN B)
Intro : II 3/4 CM I Gsus4 I GM I
II
II 3/4 CM
I
I Am I
I CM
I /B
I Am I
I
Now in Vienna there's ten pretty women,
there's a shoulder where Death comes to cry.
There's a
I FM
I
I GM
I
I FM
I
I CM
I /B
I
lobby with nine hundred windows, there's a tree where the doves go to die.
There's a
I Am
I
I
I
I Dm
I Dsus2/A I Dm
I
II
piece that was torn from the morning, and it hangs in the Gallery of Frost
II FM
I
I CM
I /B
I
Ay,
Ay, Ay, Ay,
take this
I Am
I
I Dm
I
I FM I
waltz, take this waltz, take this waltz with the clamp on its jaws …
I GM
I
II
Oh I
want you, I want you, I want you, on a chair with a dead magazine. In the
cave at the tip of the lily, in some hallways where love's never been. On a
bed where the moon has been sweating, in a cry filled with footsteps and sand
Ay,
Ay, Ay, Ay,
take this
waltz, take this waltz, take its broken waist in your hand
II CM I
II
This
II Am
I
I
I
I
waltz, this waltz, this waltz, this waltz, with its
I Dm
I
I Am
I
I Dm
I
I CM
very own breath of brandy and Death, dragging its tail in the sea
I
I GM
I
II
There's a
concert hall in Vienna, where your mouth had a thousand reviews. There's a
bar where the boys have stopped talking, they've been sentenced to death by the blues. Ah, but
who is it climbs to your picture, with a garland of freshly cut tears?
Ay, Ay, Ay, Ay, take this waltz, take this waltz
Take this waltz it's been dying for years
There's an attic where children are playing, where I've got to lie down with you soon. In a
dream of Hungarian lanterns, in the mist of some sweet afternoon. And I'll
see what you've chained to your sorrow, all your sheep and your lilies of snow
Ay, Ay, Ay, Ay , take this waltz, take this waltz
With its "I'll never forget you, you know!"
II CM I
II
This waltz, this waltz, this waltz, this waltz, with its
very own breath of brandy and Death, dragging its tail in the sea. And I'll
II CM
I
I Am I
I CM
I /B
I Am I
I
dance with you in Vienna, I'll be wearing a river's disguise.
The
I FM
I
I GM
I
I FM
I
I CM
I
II
hyacinth wild on my shoulder, my mouth on the dew of your thighs.
And I'll
bury my soul in a scrapbook, with the photographs there, and the moss
And I'll yield to the flood of your beauty, my cheap violin and my cross
And you'll carry me down on your dancing, to the pools that you lift on your wrist
Oh my love, Oh my love, take this waltz, take this waltz
It's yours now. It's all that there is
II: CM I
Am I /B
La, la, la….la, la, la
:II
II: Am I
I FM I
I
:II (ad lib—fade out)
I Dm I
I CM I
136
TELL ME LIES
(FLEETWOOD MAC)
Tempo = 125
Intro:
II: F#m
I
I
I
/E I
If I could turn the page, In time then I'd rearrange just a
I DM
I
day or two…
I
I
I AM
:II
Close my, close my, close my eyes..
But I couldn't find a way, so I'll settle for one day to
believe in you, Tell me, tell me, tell me lies
II: F#m
I AM
I DM
I EM
:II (X3)
Tell me lies, Tell me sweet little lies
(Tell me lies, tell me, tell me lies)
Oh, no, no you can't disguise (You can't disguise, no you can't disguise)
Tell me lies, Tell me sweet little lies
Although I'm not making plans I hope that you understand there's a
reason why….Close your, close your, close your eyes. No more
broken hearts, We're better off apart let's
give it a try..Tell me, tell me, tell me lies
Refrein + intro
If I could turn the page; in time then I'd rearrange just a
day or two….close my, close my, close my eyes…
But I couldn't find a way, so I'll settle for one day to
believe in you...tell me, tell me, tell me lies
Refrein (ad lib)
137
THANK YOU FOR LOVING ME
(BON JOVI)
Tempo = 65
Intro: II: DM I GM I Bm I AM :II
It's
II: GM
I DM
:II
hard for me to say the things, I want to say sometimes. There's
no one here but you and me, and that broken old street light. Lock the
II Bm
GM
I AM
/G
I
doors, we'll leave the world outside,
I DM
GM
I AM
II
all I've got to give to you are these five words when I thank
II DM
I GM
you
I AM
I DM
for loving me, for being my eyes,
I Bm
/A
I E7
A7
I DM
GM
You
I AM
when I couldn't see, for parting my
I DM
GM
Lips, when I couldn't breathe, thank you
I
I AM
for loving me,
I
thank
II
for loving me
I never knew I had a dream, until that dream was you
When I look into your eyes, the sky's a different blue. Cross my
heart, I wear no disguise
If I tried, you'd make believe, that you believed my lies
Refrein
II GM
I AM
I
You pick me up when I fall down, you ring the bell before they count me out
I EM
.
/F#
/G
I CM
.
DM
E7 II
If I was drowning you would part the sea, and risk your own life to rescue me
II AM
I
II
Solo : II DM I GM I AM I DM
II
Lock the
II Bm
GM
I AM
I
Doors, we'll leave the world outside,
I DM
GM
I .
CM
.
AM (break) II
All I've got to give to you, are these five words when I
Refrein
When I couldn't fly, Oh, you gave me wings, you parted my
Lips, when I couldn't breathe, thank you for loving me…..
Outro = Intro
138
THE HOUSE IS A ROCKIN’
(STEVIE RAY VAUGHAN)
Intro: II: BM
I
:II (X4)
Well...The
II: BM
I
:II
house is a rockin' don't bother knockin', yeah...The
house is a rockin' don't bother knockin', yeah...The
II F#M
I
I BM
I
II
house is a rockin' don't bother come on in
II: BM
I
:II
Kick off your shoes start losin' the blues
This old house ain't got nothin' to lose
I EM
I
I BM
I
I
Seen it all for years start spreadin' the news,
II F#M
I
we got
I BM
I
II
room on the floor come on baby shake sumpin' loose
Refrein
Solo (Strophe) + II F#M I
I BM
I
II
Walkin' up the street you can hear the sound
Of some bad honky tonkers really layin' it down
They've seen it all for years and got nothin' to lose
So get down on the floor shimmy 'til you shake sumpin' loose
Refrein
139
THE WILD ONE
(SUZY QUATRO)
Intro: II: GM I
I
I
:II
"All my life I've wanted to be somebody, and here I am.
I know what I've got, and there ain't nobody gonna take it away from me.
So let me tell ya what I am!" ….I'm a
II: GM
I
I
I
red-hot fox. I can take the knocks, I'm a hammer from hell. Honey, can't you tell? I'm the
I CM
I
I GM
wild one.
I
:II
Yes, I'm the wild one …
I'm a
touched-up freak on a winning streak, I'm gonna own this town. You can't hold me down
I'm the wild one. Yes, I'm the wild one….Well it
II DM .
.
(break) I DM
ain't no use.
I DM . DM .
.
.
(break)
I
Turn me loose
I (break) . .
DM
I
I
II
More...more...I can't keep score ….
I've got my
head screwed on, and the days are gone, when you kept me down, and you pushed me
'round , I'm the wild one. Yes, I'm the wild one … I'm a
blue-eyed bitch and I wanna get rich, get out of my way 'cause I'm here to stay..I'm the
wild one. Yes, I'm the wild one.. Well it
II DM .
.
(break) I DM
.
.
(break)
I
ain't no use. Turn me loose
I DM . DM .
I (break) .
. DM I 2/4 DM I EM
II
More...more...I can't keep score...YEAH!
Instrumentaal : II: AM /G I
I DM
I
I AM
I
I /B /C /C# I
I
:II
Well it
II EM .
.
(break) I EM
ain't no use.
I EM
. EM
.
.
(break)
I
Turn me loose
. I (break) .
.
EM I
I
II
More...more...I can't keep score ..
II: AM
I
I'm a
I
I
I
red-hot fox. I can take the knocks, I'm a hammer from hell. Honey, can't you tell?
I DM
I
I'm the wild one.
I AM
I
Yes, I'm the wild one …
:II
I'm a
touched-up freak on a winning streak, I'm gonna own this town. You can't hold me down
II: DM
I
I AM
I
:II
I'm the wild one. Yes, I'm the wild on
She’s the wild one, yes, she’s the wild one
….
Outro : II DM EM I AM II
140
THIS IS THE LIFE
(AMY MCDONALD)
Intro : II C#m I AM I EM I G#m II
Oh the
II: C#m
I
I AM
I
I
wind whistles down, the cold dark street tonight, and the
I EM
I
people they were dancing
I G#m
I
to the music vibe,
:II
And the
boys chase the girls with the curls in their hair, while the
shy tormented youth sit way over there. And the
songs they get louder, each one better than be
fore. And you're singing the
Songs, thinking this is the life, and you wake up in the
morning and your head feels twice the size Where you gonna
go? Where you gonna go? Where you gonna sleep
Tonight ? And you're singing the
Songs, thinking this is the life, and you wake up in the
morning and your head feels twice the size Where you gonna
go? Where you gonna go? Where you gonna sleep
tonight? Where you gonna sleep
II: C#m I AM I EM I G#m :II
tonight?
So your heading down the road in your taxi for four
And you're waiting outside Jimmy's front door
But nobody's in and nobody's home 'til
four
So you're sitting there with nothing to do
Talking about Robert Riger and his motley crew
And where you're gonna go and where you're gonna sleep
tonight
Refrein (X2)
II: C#m I AM I EM I G#m :II
Where you gonna sleep tonight?
Refrein (ad lib)
141
TRUE COLORS
(CYNDI LAUPER—ORIGINEEL IN G)
Tempo = 90
Intro : II: Em7 DM I GM CM :II
You with the
II: Em DM/F# I GM
CM9
:II
sad eyes,
don't be discouraged, oh I
realize it's hard to take courage, in a
world full of people you can lose sight of it all and the
darkness inside you can make you fell so small. But I see your
II CM GM
I DM
I
true colors shining through. I see your
I CM
GM
I CM
DM
I
true colors, and that's why I love you so
I CM
GM
I DM
Em
I
don't be afraid to let them show your
I CM
GM
I CM
GM
I
true colors, true colors are
I DM
II: Em7
DM I GM
beautiful like a rainbow …
CM
:II
Show me a
smile then, don't be unhappy, can't re
member when I last saw you laughing if
this world makes you crazy and you've taken all you can bear you
call me up because you know I'll be there
Refrein
Instrumentaal : II: Em DM/F# I GM CM9
:II
if
II: Em DM/F# I GM
CM9
:II
this world makes you crazy and you've taken all you can bear you
call me up because you know I'll be there
Refrein (intro X1)
142
TIME
(PINK FLOYD)
Intro :
II: EM I F#m :II (X4)
II F#m I AM I EM I F#m II
II: F#m
I AM
. Asus4 AM I
Ticking away the moments that make up a dull day
I EM
I F#m
:II
Fritter and waste the hours in an offhand way.
Kicking around on a piece of ground in your home town
Waiting for someone or something to show you the way.
II: Dmaj7
I Amaj7
:II
Tired of lying in the sunshine staying home to watch the rain.
You are young and life is long and there is time to kill today.
II Dmaj7
I C#m7
I
And then one day you find ten years have got behind you.
I Bm7
I EM
F5
II
No one told you when to run, you missed the starting gun.
Solo: strophe (X4) + refrein
And you run and you run to catch up with the sun but it's sinking
Racing around to come up behind you again.
The sun is the same in a relative way but you're older,
Shorter of breath and one day closer to death.
II: Dmaj7
I Amaj7
:II
Every year is getting shorter never seem to find the time.
Plans that either come to naught or half a page of scribbled lines
I Dmaj7
I C#m7
I
Hanging on in quiet desparation is the English way
I Bm
I Bm7
FM/B
II
The time is gone, the song is over, thought I'd something more to say.
II: Em I AM :II
II: Em
I AM
:II (X4)
Home, home again,
I like to be here when I can
When I come home, when I’m tired, it’s good to warm my bones beside the fire.
II CM
I Bm
I
Far away, across the field, the towing of the iron bell
I Am
I GM
FM
/Eb
I DM
II
Close the faithfull, to their knees, hear the softly spoken magic spell.
143
‘T SMIDJE
(LAÏS)
Intro: II: Dm I
I
I
:II
Instrumentaal : II Dm
I
I
I
I
I Dm/ F /E Dm . I BbM CM I AM /C Dm . II
I BbM CM
Wie wil
II: Dm
I
:II
horen een historie, al van ene jonge smid, die ver
brand had zijn memorie, daaglijks bij het vuur verhit, was ik
II BbM CM
I Dm/F
/E
Dm
I BbM
CM
I AM
/C
Dm . II
nog, nog met mij nen hamer, was ik nog met geweld op mijn aambeld.
'k geef den bras van al dat smeden, ik ga naar de Franse zwier. 'k wil mij
tot den trouw begeven, nooit een schoner vrouw gezien, was ik
nog, nog met mijnen hamer, was ik nog met geweld op mijn aambeld
Instrumentaal
't Is de schoonste van de vrouwen, maar nooit was er zo'n serpent. Nooit kan
zij haar bakkes houden, nooit is zij eens wel content, was ik
Nooit mag ik een pintje drinken, nooit mag ik eens vrolijk zijn, nooit kan
ik iemand beschinken met een glaasje bier of wijn, was ik
Instrumentaal + Solo (X4)
'k Geef den bras van al dat trouwen, werd ik maar eens weduwnaar. 'k zou mij
in een hoeksken houden, en mij stellen uit gevaar. was ik
nog, nog met mijnen hamer, was ik nog met geweld op mijn aambeld, was ik
144
TULPEN UIT AMSTERDAM
(WILLEM EMMINCK)
Intro : II 12/8 DM GM I Am D7 GM D7 II
Als de
II GM
I
I Am
I
I
lente komt dan stuur ik jou, tulpen uit Amsterdam. Als de
I D7
I
I GM
I
I
lente komt pluk ik voor jou, tulpen uit Amsterdam. Als ik
I GM
G7
I CM
I
I
wederkom breng ik voor jou, tulpen uit Amsterdam. Duizend
I CM
GM
I D7
GM
I
gele, duizend rode, wensen jou het allermooiste. Wat mijn
I CM
I GM
I Am
D7
GM
.
II
mond niet zeggen kan, zeggen tulpen uit Amsterdam.
145
IF I COULD TURN BACK TIME
(CHER)
Tempo = 110
Intro : II: BM
I Bsus4 BM .
.
.
:II
If I could
II BM
I Bsus4 BM
turn back time,
I BM/E
I Bsus4/E BM/E . . .
if I could find a way …
I BM/C#
I Bsus4/C# BM/C# . . . I F#M
back those words that hurt you and you'd
II: F#M
BM
I EM
F#M
I
I'd take
I
II
stay
:II (X4)
I don't know why I did the things I did
I don't know why I said the things I said
Love's like a knife it can cut deep inside
Words are like weapons, they wound sometimes
II: EM
G#m
I F#M
:II
I didn't really mean to
hurt you; I didn't wanna see you
II EM
I F#M
II
go, I know I made you cry, but baby if I could
II: BM
I
I EM
turn back time,
I
I
if I could find a way,
I C#m
I
I'd take
I F#M (/B) I ( /E
back those words that hurt you, and you'd stay …
/F# )
:II
If I could
reach the stars, I'd give them all to you
Then you'd love me, love me, love me like you used to do….If I could turn back
II: F#M
BM
I EM
F#M
:II (X3)
Time...My world was shattered, I was torn apart
Like someone took a knife and drove it deep in my heart
You walk out that door I swore that I didn't care..But I
II F#M
I
II
lost everything darling then and there
Too strong to tell you I was
Sorry, too proud to tell you I was
wrong , I know that I was blind, and ooh, if I could
Refrein
II: F#M
BM
I EM
F#M
:II (X4)
If I could turn back time (X4)
Bridge 1
Refrein
II: DM
I
I GM
turn back time,
I Em
I
I
if I could find a way,
I
I AM
back those words that hurt you, and you'd stay …
I'd take
I
:II
If I could
reach the stars, I'd give them all to you
Then you'd love me, love me, love me like you used to do….
146
TWEE OGEN ZO BLAUW
(WILLY DERBY)
Intro : II 12/8 CM /B /A /G I /F /E /F /G I GM G#dim II
II CM GM CM
. I FM
CM I FM CM/E FM CM I Dm GM CM .
II
Als de
II CM
I CM
Dm
GM
I
lente de bomen en struiken, weer met geuren en kleuren bestrooit. Dan be
I CM
I CM
GM
CM
.
I
gint ook het hart te ontluiken, want de liefde verandert toch nooit. Elke
I Am
Em7
I Am
FM
Em7
I
jongen kiest zich dan een meisje, en hij fluistert haar zachtjes in 't oor. Het sinds
I CM
FM
I CM
GM
CM
.
II
eeuwen geliefkoosde wijsje, en dat vindt in haar hartje gehoor
II CM
GM
CM .
I FM
CM
I
Twee ogen zo blauw, zo innig en trouw
I FM
CM/E
FM
CM I Dm
GM
CM
.
II
Al mijn geluk zijn die kijkers van jou, twee ogen zo blauw
II transpose +1 II
Heeft hij haar tot zijn vrouwtje gekozen, blij het oog op de toekomst gericht. Gaat hun
pad ook niet altijd op rozen, iets toch maakt dat hun levensstrijd licht. Want bij
vreugde en leed hen beschoren, verschijnt dra, wat voor immer hen bindt. Als de
eersteling hen wordt geboren, moeder zingt, bij de wieg van haar kind
Refrein (+1)
II transpose +2 II
Als de grijsaard, vermoeid en versleten, niets in 't leven van waarde meer acht. Als door
allen verlaten, vergeten, hij alleen op het einde maar wacht. Is hem
toch de herinn'ring gebleven, die hem koestert in 't eenzaamste uur. 't Is zijn
laatste sprank warmte in 't leven, en hij neuriet, bij het knappende vuur
Refrein (+2)
II GM
DM/F#
GM
DM I Em
AM
DM
.
II
Al mijn geluk zijn die kijkers van jou, twee ogen zo blauw
147
TWIST AND SHOUT
(THE BEATLES)
Tempo = 125
Well, shake it up,
II: DM
I GM
AM
:II
baby, now, (shake it up, baby), Twist and
shout. (twist and shout) C’mon c’mon, c’mon, c’mon,
baby, now, (come on baby) Come on and work it on
out. (work it on out).
Well, work it on
out, honey. (work it on out) You know you look so
good. (look so good) You know you got me
goin’, now, (got me goin’) Just like I knew you
would. (like I knew you would). Well, shake it up,
out. (work it on out)
You know you twist your
little girl, (twist, little girl). You know you twist so
fine. (twist so fine) Come on and twist a little
closer, now, (twist a little closer) And let me know that you’re
mine. (let me know you’re mine). Well, shake it up,
out. (work it on out).
You know you twist your
little girl, (twist, little girl). You know you twist so
fine. (twist so fine) Come on and twist a little
closer, now, (twist a little closer) And let me know that you’re
mine. (let me know you’re mine). Well, shake it, shake it, shake it,
baby, now. (shake it up baby) Well, shake it, shake it, shake it,
baby, now. (shake it up baby) Well, shake it, shake it, shake it,
baby, now. (shake it up baby)
148
VOOR HAAR
(GENE THOMAS-ORIGINEEL IN B)
Intro: II AM BM II
II: EM
I BM
I BM
I C#m
BM
:II
Er gaat een vreugde van haar uit, ook als ze zwijgt blijft ze boeien
Ik ben zo graag, zo graag bij haar, zij doet mijn hart open bloeien. Ze
II F#m
I BM
I
weet het niet maar zij bepaalt de dromen van mijn ziel. en haar
I EM
/D#
I AM
I F#m
EM
I AM
BM
II
liefde kleurt de inhoud van het leven dat ik wil. Mijn leven lang wil ik bij haar zijn. Voor
II: EM
I C#m
I AM
I BM
:II
haar ga ik door het vuur, het wordt een avontuur, een wondermooi verhaal. Aan
haar verkoop ik mijn ziel, in ruil voor wat ik wil, een leven lang met haar. Voor
II EM
I AM
I EM
I AM
II
haar
Duizend e-mails stuur ik haar, dag en nacht, ik kan niet slapen
Ik ben er zeker van dat god, met oog op mij, haar heeft geschapen. En
zelf hoe mooi Borsato al zijn liedjes voor haar zingt, Er is
niemand die dit meisje zo met hart en ziel bemint. Mijn leven lang wil ik bij haar zijn
Voor haar ga ik door het vuur, het wordt een avontuur, een wondermooi verhaal
Aan haar verkoop ik mijn ziel, in ruil voor wat ik wil, een leven lang met haar
II AM
I EM
I AM
I BM
I
Voor haar
II AM
I EM
I C#m I BM
II
Voor
haar ga ik door het vuur, het wordt een avontuur, een wondermooi verhaal. Aan
haar verkoop ik mijn ziel, in ruil voor wat ik wil, een leven lang met haar. Voor
II: EM
I C#m
I AM
I BM
:II
Haar…. Ooh Hoo...Een leven lang met haar
Het is een wondermooi verhaal, Ja, ik ga door het vuur. Voor
II EM
II
haar
149
WAKE ME UP BEFORE YOU GO GO
(WHAM)
Intro : II: .
.
. /G /A /G I CM . /G /A /G :II (X4)
Jitterbug,
Jitterbug,
Jitterbug, Jitterbug. You put the
II: CM
I
I Dm
I CM
:II
boom boom into my heart, you send my soul sky high when your loving starts
Jitterbug into my brain, goes a bang bang bang till my feet do the same, if
II Dm
I Em
I
something's bugging you,if something ain't right, my
I FM
I Em
I
best friend told me what you did last night
I Dm
I Em
I
Left me sleeping in my bed,
I FM
I GM
I
I was dreaming but I should have been with you instead. Wake me
II: CM
I
I Dm
I CM
;II
up before you go-go, don't leave me hanging on like a yo-yo. Wake me
up before you go-go, I don't want to miss it when you hit that high. Wake me
up before you go-go,'cause I'm not planning on going solo. Wake me
II CM
I
I EbM Dm
II: BbM/C I Am/C I CM I
:II
up before you go-go, take me dancing tonight,
I wanna hit that high
You put the grey skies out of my way, you make the sun shine brighter than Doris Day. You turn a
bright spark into a flame, my beats per minute never been the same. 'Cause
you're my lady I'm your fool. It
makes me crazy when you act so cruel
Come on baby lets not fight. We'll go dancing
everything will be alright. Wake me
Refrein
Instrumentaal : II: CM I
I Dm
I CM :II
jitterbug, jutterbug
Cuddle up baby move in tight
We'll go dancing tomorrow night
It's cold out there but its warm in bed
They can dance, we'll stay home instead
Instrumentaal : II: CM I
I Dm
I CM :II
jitterbug
Refrein (X2)
150
WANTED—DEAD OR ALIVE
(BON JOVI)
Intro :
Intro 2 :
II: DM
I CM
GM
I
It's all the same but all the names have changed
I CM
I GM
F9
. DM :II
Everyday it seems we're was - ting a - way
A - nother place where the faces are so cold
Drive all night just to get - back - home. I'm a
II CM
GM I F9
DM
II: CM
GM
I GM
F9 .
DM :II
Cowboy on a steel horse I ride, Wanted (wanted) Dead or A - live
Wanted (wanted) Dead or A - live
Intro
Sometimes I sleep, at times it's not for days
And people I meet always go their sep'rate ways
At times you tell the day by the bottle that you drink
At times when you're a -lone all you do is think. I’m a
Refrein
Intro
Solo (Strophe)
Refrein
I walk these streets, a guitar on my back,
I play for keeps Cos I might not make it back
I've been everywhere and still I'm standin' tall
I've seen a million faces . . . And I've rocked 'em all, ‘cos I’m a
Cowboy, on a steel horse I ride, I’m wanted (wanted), Dead or alive, well I’m a
Cowboy, I’ve got the night on my side, I’m wanted (wanted), dead or alive.and I
Ride (and I ride),
dead or alive,
I still
try (I still die),
dead or alive
II: GM 9 .
DM :II (X4)
Dead or alive,
dead or alive
Intro (X2—vertragen)
151
WASTED DAYS AND WASTED NIGHTS
(FREDDY FENDER)
Tempo = 70
Intro : II Eb+/G
I (no chord)
II
Wasted days and wasted
II:12/8 CM
Nights,
I
I GM
I GM
I
me,
I
I have left for you behind.
I
for you don't belong to
I CM
FM I CM Eb+/G .
your heart belongs to someone else.
you,
when I know that you're not true
II FM
FM
I CM /Bb /A
when you're the blame for making me blue…
I
I CM
I
I G7
I
I G7
lonely, prayed for you only, my love.
You
II
I
I was so
Eb+/G
.
.
II
Why should I keep loving
and why should I call your
II CM
name,
/G
.Don't you re
member the day, that you went away and left me.
I D7
:II
II CM
name,
.
FM
I CM
(break)
II
when you're the blame for making me blue
Solo (strophe 1 + 2)…..Don't you remember the day, that you went away and left me.
I was so
lonely, prayed for you only, my love…
Wasted days and wasted
Nights,
I have left for you behind.
me,
your heart belongs to someone else.
for you don't belong to
II CM
FM
I CM FM CM .
II
name, when you're the blame for making me blue
152
WHEN THE COOKIE JAR IS EMPTY
(MICHAEL FRANKS)
Intro: II: BbM I CM :II (X4)
II: BbM
I CM
When the cookie jar is empty,
glum
cookie jar is empty
thumb
II: BM
:II (X4)
baby gets so
When the
baby sucks her
I C#M
:II (X4)
Baby breaks her dishes
and she won't eat her
peas
Baby never
misses
when she throws her spoon at
me
II: BbM
I CM
:II (X6)
Leo is high as I am leaving,
love is the web that she is weaving .When the
cookie jar is empty
Baby don't act
right
When the
cookie jar is empty
Baby cries all
night
Baby gets so sassy, How can I
explain?
Baby moves her chassis Like a locomotive
train
Virgo is high as I'm returning;
Love is the candle she is burning
Solo : II: AM I BM
:II (X3)
II AM I DM (break) II
II: BbM
I CM
When the cookie jar is empty,
glum
cookie jar is empty
thumb
II: BM
:II (X4)
baby gets so
When the
baby sucks her
I C#M
:II (X4)
Baby breaks her dishes
and she won't eat her
peas
Baby never
misses
when she throws her spoon at
me
Virgo is high as I'm returning;
Love is the candle she is burning
Solo : II: AM I BM
:II (ad lib)
153
WHITER SHADE OF PALE
(PROCOL HARUM)
Tempo = 75
Intro: II CM CM7/B I Am Am7/G I F6 FM7/E I
I Dm Dm7/C I GM G7/F
I CM F6
I GM FM
II CM
CM7/B
I Em7 G7/D I
II
I Am Am7/G
I F6
We skipped the light fandango,
I GM
G7/F
I Em7
I FM7
Am7/E
II CM
Was
I GM
CM7/B
I Dm Dm7/C
another drink
Dm7/C I
I Am
Em7/G I
the crowd called out for more.
The room was humming harder
I Am7 Em7/G
I Dm
turned cartwheels cross the floor.
G7/D I CM
I was feeling kind of sea sick,
FM7/E
I Em7
G7/D I CM
CM7/B
I
as the ceiling flew away. When we called out for
I FM7 Am/E
I Dm7
G7
II
the waiter brought a tray. And so it
CM7/B I Am
that later,
G7/F
I Em
Am7/G I F6
FM7/E
I Dm
Dm7/C I
as the miller told his tale
G7/D
I CM
F6
that her
I CM GM II
face at first just ghostly, turned a whiter shade of pale.
Solo : intro
She said there is no reason , and the truth is plain to see,
as I wandered through my playing cards, she would not let me be.
One of sixteen vestal virgins who were leaving for the coast
and although my eyes were open widethey might just as well been closed. And so it
II CM
Was
I GM
CM7/B I Am
that later,
G7/F
Am7/G I F6
FM7/E
I Dm
Dm7/C I
as the miller told his tale. That her
I Em
G7/D
I CM
F6 G7
I CM (break) II
face at first just ghostly, turned a whiter shade of pale.
Solo : intro…’and so it’...
II CM
Was
I GM
CM7/B I Am
that later,
G7/F
Am7/G I F6
FM7/E
I Dm
Dm7/C I
as the miller told his tale. That her
I Em
G7/D
I CM
F6 G7
I CM (break) II
face at first just ghostly, turned a whiter shade of pale
154
WICKED GAMES
(CHRIS ISAAK)
Intro : II: Bm I AM I EM
II: Bm
I
:II
I AM
I EM
I
:II
The world was on fire, no one could save me but you.
Strange what desire will make foolish people do
I never dreamed that I'd meet somebody like you
And I never dreamed that I'd lose somebody like you
No, I don't want to fall in love (This love is only gonna break your heart)
With you ………..with you
What a wicked game you play, to make me feel this way
What a wicked thing to do, to let me dream of you
What a wicked thing to say, you never felt this way
What a wicked thing to do, to make me dream of you
And I don't wanna fall in love (This love is only gonna break your heart)
And I don't want to fall in love (This love is only gonna break your heart)
With you….
Instrumentaal : II: Bm I AM I EM
I
:II (X4)
World was on fire, no one could save me but you
Strange what desire will make foolish people do
I never dreamed that I'd love somebody like you
I never dreamed that I'd lose somebody like you
With you ………..no, I ………………………...
Nobody loves no one
155
YOU’RE GORGEOUS
(BABY BIRD)
Intro : II: CM
II:CM
I FM
I
CM I FM
I FM
:II
:II (ad lib)
Remember that tank top you bought me.
You wrote 'You're Gorgeous' on it.
You took me to your rented motor car and filmed me on the bonnet.
You got me to hitch my knees up and pulled my legs apart.
You took an instamatic camera and and pulled my sleeves around my heart.
Because you're gorgeous I'd do anything for you.
Because you're gorgeous our love will see us through.
Because you're gorgeous I know you'll get me through.
You said my clothes were sexy, you tore away my shirt.
You rubbed an ice-cube on my chest snappes me 'til it hurt.
Because you're gorgeous I know you'll get me through.
I FM I CM I FM :II
Instrumentaal : II: CM
Ba ba ba ba ba ba ba ba ba
You said I wasn't cheap. You paid me twenty pounds.
You promised to put me in a magazine on every table in every lounge.
Because you're gorgeous I know you'll get me through. I
know you'll get me through.
156

Document 6473267

Transcription

Similar documents

We Dance

GIFTS GIVEN TO A BABY CARDS COL

– Developing Rhythm Guitar Lesson DR6a Pearl Jam’s 'Just Breathe’ Travis Picking 4:

1. Credit Access card "`j - NABET

9.5% of Women Aged 35-54 will listen to COUNTRY 106.7 this week!

Laura Pausini If That`s Love

Nothings Gonna Stop Us Now Tab Chords And Lyrics By Starship

Public Speaking and Professional Presentation

Baby Place we!ve got the cutest little Baby Place

In the next 7 days 99420* local listeners will listen to CHYM 96.7