How To Use This Brand Standards ... Universal Standards
Transcription
How To Use This Brand Standards ... Universal Standards
Universal Standards How To Use This Brand Standards Guide Our brand standards program is a reflection of our management philosophy: While Colliers seeks to decentralize authority and responsibility to the local level, our collective interests are only served if we work in an orchestrated manner. The following materials serve as a reference guide that will help us, collectively, build the Colliers International brand. These standards were developed after careful review of our brand design systems and consultation with our colleagues around the globe. While these materials are intended to provide a comprehensive overview, it is impractical for us to anticipate every possible application of design for Colliers. In the end, design is about making good choices. With your authority for making design choices comes the responsibility to manage our brand design with the consistency and the quality of these standards. These materials will significantly help you to understand the overall look and feel, tone and manner of Colliers International — and make good decisions. This resource, coupled with ongoing communications between your partners on the global marketing team, will help us jointly make the best decisions for the development of a clear and consistent image for Colliers International. Colliers Around the World Colliers International is a global organization and, therefore, a global brand. While the reach and scale of our organization offers us unique advantages, it also presents some unique challenges to brand management. We recognize that individual markets need to communicate to different audiences in different ways. Sydney is not San Diego. Budapest is not Beijing. However the 100+ markets we serve does not give us the license to be 100 different Colliers. Like any large organization, there will be a natural tendency for service lines, brokerage groups or markets to express themselves as being “different” within Colliers. While this may meet a narrow need or satisfy an individual creative interest, it does not serve the overall interests of the company. Most questions about brand standards surface during a specific design assignment, i.e. the need to develop a brochure or newsletter. Design decisions must respect the ability to create a relevant, high-performance communications device. At the same time, we have a responsibility of stewardship to assure that each communications piece positively contributes to the net market impression of Colliers. These brand standards have been developed to provide local flexibility within a global framework. The Colliers International Name There is incredible power in a name. Over time, our name becomes shorthand for the reputation and goodwill we’ve earned in our communities. The Colliers International brand name is an asset that must be protected. In each communications piece, the full name of “Colliers International” should be used in the following ways: • As the first use in headlines/subheads, and • With the first mention of the brand name in all written copy. In subsequent mentions you may use the full “Colliers International” name or, at your discretion, the abbreviated name of “Colliers.” No other derivative names of “Colliers” are permitted. Universal Standards The Colliers Tagline Our position must be reinforced at every point of contact —— internally and externally. An important element in supporting our position is what we say about ourselves in our communications. To further enhance the position we have chosen the following tagline, which will be used for Colliers International worldwide. Our Knowledge is your Property We believe this provides a strong link to the Colliers International offer: to accelerate your success by making our knowledge your property. Colliers Brand Personality and Tone Companies have personalities, just as people do. Some are stuffy, some casual. Some are exciting, some reassuring. In order for the marketplace to have a clear impression of Colliers, we must not only stand for certain values, we must have consistent personality traits that reflect our position. These traits are expressed in everything we do. They show up in our presentations, our staff development, our marketing, and our service delivery. They must be expressed at every point we touch the client market. The more consistency, the clearer the message. The Colliers International position should reflect these attributes: Creative, Young-minded, International, Dynamic, Inventive, Successful, Forward-thinking, Sharp, Enterprising and Insightful Typography, Color and Imagery The visual identity for Colliers International includes many elements, beginning with the logo. Like a piece of symphony music, our design system has been composed so that each of the instruments play a role, reflecting and complementing each other. In visual design, these instruments include the careful selection of typography, color and imagery. The orchestration of our design system relies on the use of these elements — and limiting the intrusion of additional, extraneous visual queues. These visual standards are not a starting-point to be used in addition to other color systems, image styles and typography. Because the impression we are trying to make is specific, the very nature of our design standards is to be narrow and precise. There is sufficient range in this system for your creativity. Only consistent execution of this image will increase the effectiveness of our brand design system. Image Resolution Refer to the wireframe in the back of the book for printing recommendations (e.g. digital or off-set). When printing off-set, image resolution should be at least 300 ppi (pixels per inch). When printing digitally, image resolution should be at least 150 ppi. 72 ppi is not acceptable for any print medium; However, 72 ppi is acceptable for interactive and web usage. Universal Standards4 Logo THE COLLIERS LOGOMARK Like most people, our clients and prospects face the challenge of too much information and not enough time. As their ability to absorb information is limited, they try to more efficiently sort and filter information. As a result, visual design — and specifically a logo — can become a very effective communications tool. The Colliers International logo is a simple, visual icon by which the public can immediately identify and associate the goodwill and image of our company. With each experience a customer has with Colliers, an impression is recorded and filed-away in the customer’s mind. Our logo serves as a visual prompt, enabling customers to quickly associate and recall that impression. Standard/Suggested Size 28 mm Our Knowledge is your Property 2 mm Typeface: 12.5 pt Gill Sans Light Italic, tracking 0, (“Knowledge”) Typeface: 12.5 pt Gill Sans Light, tracking 0, (all else in tagline) TAGLINE The logo may be used with or without the tagline, however the tagline should be used whenever possible, formatted as shown above. Our Knowledge is your Property ✓Logo with tagline, formatted correctly. ✓Logo without tagline. Universal Standards4 Logo INAPPROPRIATE USAGE OF THE LOGO Below are examples of unacceptable usages of the identity. These should be avoided as they undermine the strength and clarity of the brand. ✗ Do not place the identity over a distracting pattern. ✗ Do not stretch the identity horizontally. COLLIERS INTERNATIONAL ✗ Do not stretch the identity vertically. ✗ Do not use alternative typography in place of the logotype. ✗ Do not alter the pre-configured identity elements. ✗ Do not place on a colored background unless the logo has a 2 pt white border. Universal Standards4 Logo LOGO PLACEMENT Optimal placement of the logo is at the bottom right, used in conjunction with the blue footer bar. For this usage use a 2 pt white border around the logo to set it apart from the blue footer bar. No other colors or weights of borders are ever to be used as borders on the logo. ✓Logo on white with blue footer bar. .375 inch .375 inch Shown actual size. Logo is not allowed closer than .375 inch to the edge of the page vertically and horizontally. Universal Standards4 Color Core Colors USING COLOR CORRECTLY IN THE COLLIERS LOGO The Colliers logo may be reproduced in full color (CMYK or PMS spot color), Colliers Blue only, or black. No other colors or combinations of colors are permitted. Full color is preferred. One-color logos should be used only when budget or technical factors limit the use of color. Examples are given below. ✓Full color (preferred) ✓Colliers Blue 100% ✓Black 100% REPRODUCING COLOR ACCURATELY IN PRINT The following color values will aid you in reproducing the Colliers color palette faithfully in print. Build your digital files to these specifications and express them to your print service provider to ensure that the colors of the Colliers brand are consistent. COLOR VALUES WHEN REPRODUCED IN PANTONE© SPOT COLOR: and PANTONE® 541 and PANTONE® 485 and PANTONE® Process Blue PANTONE® 123 Colliers Blue COLOR VALUES WHEN REPRODUCED IN CMYK PROCESS COLOR: and and CMYK 100/55/0/35 CMYK 0/100/100/0 and CMYK 100/10/0/10 CMYK 0/16/100/0 Colliers Blue PANTONE® and other Pantone, Inc. trademarks are the property of Pantone, Inc. Universal Standards4 Fonts Core Fonts FONTS Colliers uses variations of two fonts for all company related marketing and communication materials (examples below). HEADLINES BODY COPY Font: Gill Sans Regular Font: Goudy Oldstyle Regular Alternative Font: Arial Regular Alternative Font: Times New Roman Regular Size: 18 pt - 22 pt Size: 10 pt - 12 pt Style: All caps or upper and lowercase Style: Upper and lowercase Color: Colliers blue, white or Colliers Blue Color: Black or white SUBHEADS SIDE BARS/TABLE OF CONTENTS Font: Gill Sans Regular Font: Gill Sans Regular Alternative Font: Arial Regular Alternative Font: Arial Regular Size: 10 pt -12 pt Size: 10 pt Style: All caps or upper and lowercase Style: Upper and lowercase Color: Colliers blue, black or white Color: Black or white PULL-OUT QUOTES CAPTIONS Font: Goudy Oldstyle Italic Font: Goudy Oldstyle Regular Alternative Font: Times New Roman Italic Alternative Font: Times New Roman Italic Size: 10 pt Size: 9.5 pt - 12 pt Style: Upper and lowercase Style: Upper and lowercase Color: Black or white Color: Black or white FONT FAMILY ALTERNATIVE FONT FAMILY Gill Sans Arial Gill Sans Light Arial Regular Gill Sans Light Italic Arial Italic Gill Sans Regular Arial Bold Gill Sans Italic Arial Bold Italic (Captions should be smaller than body copy.) Gill Sans Bold Goudy Oldstyle Times New Roman Goudy Oldstyle Italic Times New Roman Goudy Oldstyle Regular Times New Roman Italic Goudy Oldstyle Bold Times New Roman Semibold Times New Roman Bold Times New Roman Bold Italic Times New Roman Extra Bold Universal Standards4 Color and Fonts Expanded Palette for Project Marketing We have expanded our color palette and alternative font set to offer greater flexibility when creating brochures, portfolios and newsletters on behalf of clients. The core Colliers colors are highlighted in grey below. The expanded color palette and font options may be used for Project Marketing purposes only. COLOR PALETTE Pantone CMYK RGB Web 100/51/0/80.5 1/16/31 1101F Core Colors 100/51/0/57.5 3/33/68 32144 Pantone CMYK RGB Web 541 100/55/0/35 7/56/114 173871 70% 541 70/35.7/0/21 64/96/144 406090 40% 541 47/27/7/.78 134/152/185 8698B9 123 0/16/100/0 248/178/17 FFB310 70% 123 0/21/65.8/0 254/201/178 FEC94E 40% 123 0/12/27.6/0 254/224/149 FEE095 70% PROCESS 100/169/200 4BA9CB 40% PROCESS 40/3.6/0/2.4 150/204/223 96CCDF Pantone CMYK RGB Web 100/9/0/56 0/64/84 04054 100/9/0/23 1/98/128 16280 PROCESS 100/10/0/10 0/130/209 189B4 Pantone CMYK RGB Web 0/100/91/50 126/0/50 7E05 0/100/91/27 185/0/9 B909 485 0/100/100/0 238/50/36 FF0000 EXPANDED FONT FAMILY (usage for headlines only) Rotis Semi Sans Goudy Albertus Futura Rotis Sans Serif Light Goudy Italic Albertus Light Futura Book Rotis Sans Serif Light Italic Goudy Regular Albertus Regular Future Book Oblique Rotis Sans Serif Italic Goudy Bold Albertus Italic Futura Bold Rotis Sans Serif Extra Bold Eurostile Bauhaus Eurostile Regular Bauhaus Light Stone Sans Trade Gothic Eurostile Bold Bauhaus Medium Stone Sans Medium Bauhaus Bold Stone Sans Italic Futura Bold Oblique Rotis Sans Serif Bold Trade Gothic Light Trade Gothic Medium Avant Garde Gothic Trade Gothic Oblique Avant Garde Book Amazone Trade Gothic Bold Avant Garde Book Oblique Amazone Regular Avant Garde Medium Avante Garde Bold Stone Sans Bold Universal Standards4 Acceleration Line COLLIERS ACCELERATION LINE The Colliers Acceleration Line is a stand-alone iconic element — a visual manifestation of our promise to “accelerate success.” Like the Nike “swoosh,” it is a surrogate identity for the Colliers logo, not a border, frame or underline for other elements. • The Line should be used as reinforcement of the Colliers logo identity where large amounts of copy or imagery can diminish the visual impact of the Colliers brand; • The Line is an opportunity to reinforce the brand and should be included on all corporate marketing and communication materials. It is not required on project marketing materials; • The Line should be used with good judgment and should be consistent with other uses of the Acceleration Line; • The Line should always be positioned near the top right corner of the page, right flush, so that it appears to be racing off the page. It should not bleed off the top of the page; • The Line should have at minimum .25 inches of clear (empty) space above and below, without image, type or other elements. A clear space of .75 inches is recommended whenever possible; • The Line should never be re-sized, stretched, rotated, skewed or distorted from its original height-to-width ratio and horizontal orientation; • The Line should only be used on white or Colliers Blue (PMS 541) backgrounds. The Line should never be placed on any other color background, photo or texture/pattern; • For oversized documents, banners etc., the Line will have to be enlarged for visibility. For banners that are oriented horizontally (landscape) the bar may be sized up to approximately 25% of the entire length of the banner. For vertically oriented banners (portrait) the bar may be enlarged to approximately 40% of the width of the entire banner. The height-to-width ratio of the bar should never be altered; • The left edge of the Acceleration Line fades to white when using white backgrounds, and blue when using blue backgrounds. These elements are not interchangeable. Be sure to use the proper Acceleration Line on the proper background. An Acceleration Line that fades to white will look unsatisfactory on a blue background; • The CD at the back of this book contains several versions of the Acceleration Line. • The dimensions of the Line are standardized and not to be changed from their original size which is 2.125 x 0.169 inches; Suggested .75 inches/19.05 mm below edge of page or other elements. ✓Acceleration Line positioned in upper right of page or spread, with proper empty space above and below. Minimum .25 inches/6.35 mm from edge of page or other elements. Universal Standards4 Acceleration Line USAGE OF THE ACCELERATION LINE Below are examples of acceptable and unacceptable usages of the Acceleration Line. Unacceptable uses should be avoided as they undermine the strength and clarity of the brand. ✓Correct size, not stretched (2.125 x 0.169). ✗ Do not stretch the Line horizontally or vertically. ✓Colliers blue 100% is the only acceptable background ✗ Make sure the left edge of the Line fades into the color other than white. ✗ Do not use the Line on top of photographs or patterns. background color. There are separate files for blue and white backgrounds. ✗ Do not place the Line on a background other than white or Colliers blue (PMS 541). Universal Standards4 Acceleration Line USAGE OF THE ACCELERATION LINE For oversized documents, trade show banners, posters, etc., the Acceleration Line will have to be enlarged for visibility. For vertically oriented banners (portrait) the Line may be enlarged to approximately 40% of the width of the entire banner (measured from the right edge). 40% width of banner, from right edge. For banners that are oriented horizontally (landscape) the Line may be sized up to approximately 25% of the entire length of the banner (measured from the right edge). The height-to-width ratio of the Line should never be altered. 25% width of banner, from right edge.