Docente di Lettere: Paola Ponte
Transcription
Docente di Lettere: Paola Ponte
Docente di Lettere: Paola Ponte Title: THE AGE OF LEOPARDI Interdisciplinary module - Literature - English - Art Duration: 12 h SUB-TOPIC TO COME ACROSS A WRITER/AUTHOR → To know Leopardi thoroughly! Reading of “Small moral works” particularly Dialogue between a goblin and a gnome. CONTENT OBJECTIVES - To describe the basic opinion (view, idea) of the Romanticism. - To compare the other writers of romantic literature - To work and use the image of romantic painter - To build own romantic art production - To write a poetry on a romantic way - To recognize the structure of a text - To link visual language to verbal language - Memorization of words or short parts of a dialogue - To develop communication skills - To respect other student’s work LINGUISTIC - To know and create new words about the theory of Romanticism OBJECTIVES - To ask and answer questions about romantic literature - To understand satirical language - To identify important concepts with key words - To understand an English text with dialogues LANGUAGE (FUNCTIONS AND LANGUAGE) - LANGUAGE: infinity badly, dark life, indifferent nature, alone, deadly sadness, boredom... - To create new word from prefixes and suffixes. - FUNCTIONS: to use paradigm, name, adjective PRE-KNOWLEDGE - Basic concepts of romantic literature and art - To be able to reading and understanding literary texts (Small Moral Works by Leopardi) in a nearly autonomous way with the help of a dictionary PROCEDURES STAGES Step I: Materials (web Rising student’s motivation and interest. resources, video, Discussion in L1 about their previous sheet, flash-card, knowledges of different literary movements in games...) the 19th century, particularly Romanticism movement. It was used method of cooperative learning, Step II: Students are divided in four groups. Students read the “Dialogue between a gnome and goblin” of Leopardi. The teacher give each collaborative learning, jigsaw, and reciprocal teaching group one different work about turning (Lezione partecipata finding out and sorting out. e intedisciplinare per un apprendimento Step III: Students give a title for each paragraph of the dialogue and complete a graph with key words. Step IV: Students read statements and decide if they are true or false. Step V: - To find or write a romantic poetry - To realize a theme of dialogue - Creative activities of invention → to give a personal interpretation of dialogue → students find the current theme (subject, topic, motif) on pessimism cosmic and on disappointment of modern progress about the Dialogue - To solve a crossword collaborativo) - To complete the sentences - To choose a picture on romantic way and give a title, an idea or an emotion - The students ask the questions: *What do you see in the pictures? *What do you think about? Step VI: “Everybody is useful but nobody is indispensable” → the gnome and the goblin often refer to this idea. Students read what they say and use the key information and complete a graph. Step VII: Activity about cognitive and linguistic development → brainstorming. Step VIII: Activity of iconography analysis to support the independent expression and the personal observation of romantic picture. Step IX: The teacher asks the students to close their eyes and imagine a romantic name or adjective and after they draw it. Step X: Students give a personal performance as dialogue also with the music. PRE-TASK - To tune the students through creative Tuning in Activating motivation with game or visual language prior-knowledge (image, picture, etc.) - To learn by creativity → the teacher, with the students, prepares paper material, made of reference words and images. - Connecting new and old → the teacher proposes, thanks to the students, a new knowledges chart with those students have already acquired and that they have learnt from the reading of Leopardi’s Dialogue. - The teacher underlines the words key, reference inside the dialogue, like a help to understand easier the text, using plain markers of the speech and emphasizing basic ideas in bold print (way of scaffolding) → What I know / What I learnt - The teacher proposes, after, exercises with sentences to complete (language frame). TASK 1.Finding out Discovery learning - To suggest activities of analysis to facilitate the autonomous and personal expression of the literary part which has been studied - Development of the abilities of comparison - The teacher provides explanatory and visual material, establishing a connection with the discipline → Copies of the Italian and English text are provided to students 2.Sorting out Organising information - To use the contents through personal activities (games, theater-craft, animation, creation of bookmarks) - To build own romantic art production - To suggest activities of creative production to become familiar with the (Small work) (Dialogue) - Each students draws the project for a bookmark - To do a role-play. - To work about reciprocal interaction POST TASK - Language reflection/awareness - Self-assessment - Assessment - To identify some idioms, verbs, also in special situations. - To develop a critical mind to improve students’ ability EVALUATION STANDARDS The achievement of predifined objectives will be evaluate, as far as knowledge and competences are involved. In particulare: - The general knowledge of debated contents - The ability to use L2 correctly in writing, speaking, listening and reading to transmit the debated contents - The acquired level of cognitive abilities - The level of autonomy and originality acquired in the personal work. EVALUATION PROCESS There will be an ongoing evaluation, while the work is in progress. The students will know about their evaluation process, that will be expressed through a four-levels system of emoticons. They will non get any numerical evaluation while their work will be in progress. It will be assigned at the end of the work, to express the value of the emoticons that each student has got. FROM LOTS listening speaking reading writing TO HOTS memorising understanding applying comparing interpreting recognising analysing name name name name MAKE REFERENCE TO TAXONOMY ↓ LA TAVOLA TASSONOMICA Apprendimenti elementari - Memorizzare - Automatismi disciplinari - Eseguire procedimenti automatizzati - Automatismi cognitivi Apprendimenti intermedi - Descrivere le conoscenze - Applicare e controllare le conoscenze Apprendimenti superiori - Convergenti - Analisi - Sintesi - Metodo - Divergenti - Intuizione - Invenzione evaluating creative DIALOGUE BETWEEN A GOBLIN AND A GNOME (“Small moral works” of Leopardi) GOBLIN: Here you are, Beelzebub’s son! Where are you going? GNOME: My father has sent me to find out what on earth these rogues men are scheming; he is suspicious about something, because they haven’t taken the quarrel since quite a long time, and in his whole realm you see nobody. He thinks they are doing something against him, if to sell and buy by sheep, not by gold or silver, hadn’t been back; or if the civil peoples weren’t satisfied with paper notes for money, as they did several times, as the barbarians do; or if Licurgo’s laws hadn’t been borne, this looks the least believable to him. GOBLIN: You are waiting for them to no avail: they are all dead, the ending of a tragedy told where all the characters died. GNOME : What do you want to deduce? GOBLIN : I want to deduce the men are all dead, and the race is disappeared. GNOME : Oh, this is a news. But, so far, nobody has tried to think. GOBLIN: Silly, don’t you think that the gazettes never have published, when the men are dead? GNOME: You tell the truth. Now, how would we know the world news? GOBLIN: Which news? The sunrise or sunset, or it’s hot or cold, or here and there it has rained or snowed or it has been windy? Because, as the men disappeared, the fortune removed its bandages and after it wore its glasses and hung the wheel on a pivot, is sitting with folded arms, looking at the world things without it lays its hands on something: there are no realms or empires that swell or burst as bubbles, because they are all vanished, there aren’t any wars and every year it looks like each other as eggs.1 GNOME: You couldn’t know what day is of the month, because the almanacs never will be published. GOBLIN: It won’t be bad that the moon, for this reason, won’t lose its way. GNOME: And the week days will be nameless. GOBLIN: What? Do you fear, if you don’t call them by their name, they won’t come? Or, maybe, do you think they will go back if you call them, that once passed? GNOME: You couldn’t number the years. So we’ll pass ourselves off young people when we will be old, and as we won’t count the passed age, we’ll be less troubled and when we’ll be very old, we won’t expect our death from day today. GOBLIN: GNOME: But how did those rascals die? In part they fought among one another, in part they sailed, in part they ate one another, in part, not a few, they killed themselves, in part they rotted into idleness, in part they had gone off their had because of the books, in part they caroused and they came corrupt for a thousand other things. At the end they studied the way to go against nature and to come to no good.2 GOBLIN: 1 What I know (remembering) Ariosto → Astolfo sulla Luna → Il monte di tumide vesciche veduto da Astolfo sulla Luna. What I learnt → (analysing) → L’uomo è arrogante, presuntuoso, pieno di sé → Pessimismo storico → L’umanità non esisterà più, distrutta non da eventi naturali catastrofici, come potrebbe capitare al giorno d’oggi, ma perché ha perseguito, in mille modi, la sua stessa fine. Le guerre finalmente avranno termine. La fine dell’uomo, nulla toglie alla Terra → inessenzialità dell’uomo → antropologia negativa. I ragazzi hanno scoperto e analizzato una positività → l’inessenzialità dell’uomo porta purtroppo a considerare gli anni uguali gli uni agli altri “si assomigliano come uovo e uovo” → “Every year I looks like each other as eggs”. È vero, le guerre non ci sono più, ma anche la capacità di sentirsi diversi non c’è più. Ecco, la grandiosa capacità dell’uomo di differenziarsi! 2 Favola o terribile presagio di una Terra che ritrova la sua bellezza senza l’umanità? Gli allievi lavorano su attualizzazioni → “Topical subject” con questa tematica → Relazione con l’ambiente → Brainstorming → Activities of tuning and finding out GNOME: Anyway, I don’t know how the whole race of animals can become extinct, as you tell. GOBLIN: You who knows the geology, should know that the case isn’t new and there were several kinds of animals in former times, which there aren’t today, except some petrified bones. Moreover, those poor creatures, used no device that, how I told you, the men used to go to ruin. GNOME: It may be so. I’d like one or two of that rabble raised from the dead and to know that they would think when they see the other things, though the man kinds is extinct, still last and go on as it was, when they thought that the whole world was made and kept only for them. GOBLIN: They didn’t want to realize that the world is made and kept for the goblins. GNOME:You are crazy if you mean what you are saying. GOBLIN: Why? Of course I do. GNOME:Eh, fool, go away. Who doesn’t know the world is made for the gnomes?3 GOBLIN: For the gnomes, who are always underground? That’s the best thing you can hear. What do the sun, the moon, the air, the sea, the countryside do to the gnomes? GNOME: What do the golden and silver quarries, and the whole body of the earth except the outer skin? GOBLIN: Well, either they do or they don’t do, let’s leave this argument alone, because I’m persuaded that they think also the lizards and the midges and the whole world is made for their services. But everyone thinks how he wants, because nobody would get this opinion out of his head; and from me I tell you only this if I wasn’t born as a goblin, I would despair. The same thing would happen to me if I wasn’t born gnome. Now I’d know gladly what the men would say about their arrogance, when, among the other GNOME: things which they did to one and to the other, they sank thousands of arms underground and they 3 Disputa tra gnomo e folletto stole us our things against our will, telling they belonged to the mankind and the nature had hidden them and buried over there as a joke, because they wanted to try if they would find and pull out them. GOBLIN: I don’t think it’s wonderful, when they convinced themselves not only that world things were at their service, but they intended that all together, compared to the mankind, were a trifle. And the own events were called the world revolutions, and their people’s history, the world’s history, though you could number, also into the earth’s borders, maybe several other races, I don’t speak of creatures, but only of animals, how many heads of alive men: the animals, which were made specially for their use, never realized the world turned against. GNOME: Were also the mosquitoes and the fleas made for profit of the men? GOBLIN: Yes, they were I mean to practice them into the patience, like they said. GNOME: Really, they didn’t have the chance to practice the patience, if the fleas weren’t. GOBLIN: But the pigs according to Crisippo, were a piece of meat, which was prepared by the nature for the cookers and the 1arders of the men, and, because they didn’t rot, they where seasoned with souls instead with the salt. GNOME: I think, on the contrary, if Crisippo had in his brain a little salt instead of the soul, he wouldn’t have imagined a so big bad mistake. GOBLIN: Also this is another happy occasion; how many countless races of animals never have been seen or known by the men, who are their owners; or because they live in places where they never set foot, or to be so small that they anyway didn’t discover them. They didn’t notice about other several races before the last times. The same, you can say about the kind of the plants, and a thousand others. Likewise at time, with their spy-glasses, they noticed some star or planet, that till them, during thousands and thousands of years, they never had known it was alive; and at once they wrote it among their chattels: because they thought the stars and the planets were lantern candle-ends, which were put up above to light their Lordships, because at night they had a lot of things to do. So in summer’s time, when they saw to fall those small flames that some nights fall, they would have side some spirit was snuffing the stars for the service of the men. GNOME: Now they are all disappeared, the earth needs nothing, and the rivers aren’t tired to run, and the sea, even if it doesn’t serve anyone for the navigation and for the traffic, doesn’t dry.4 GOBLIN: GNOME: And the stars and the planets were born and get and they didn’t go into mourning. GOBLIN: And the sun hasn’t painted his rust-brown face like it did, according to Virgilio, for Cesare’s death: whose, I think, he had so much trouble as the statue of Pompeo had. 4 Indifferenza della natura ACTIVITY OF TUNING AND FINDING OUT THE FIRST GROUP ACTIVITIES OF CLIL EvErybody is usEful but nobody is indispensable The Gnome and the Goblin often make reference to this idea. Read what they say and use the keyinformation to complete the graph below. Since men disappeared Fortune has unbandaged her eyes, put on spectacles and attached her wheel to a pivot. She sits with arms crossed. Watching the world go round without troubling herself in the least as to its affairs. The Moon will continue her course. We shall be able to say we are young when we are old and we shall forget our cares when we cannot fix their anniversary. Besides, when we are very old, we shall not know it, nor expecting death daily. I should dearly like to resuscitate one or two of the rascals, just to know what they would think when they saw all going on as before, in spite of the disappearance of the human race. In short they (men) have arrived at their end, by endeavouring, as long as they lived, to violate the laws of nature, and to go contrary to their welfare. What do you remember? Read the following statements and decide if they are true or false by putting a tick in the correct square. If you think they are false correct them in the space provided. STATEMENT A Goblin is sent onto the Earth by his father to see what has happened to men. Fortune has been left “unemployed” by the disappearance of men Both the Gnome and the Goblin think that the world was created for their exclusive service Nature cannot follow its course because all men are dead The Goblin wishes some men could come back to see that the world goes on in spite of the disappearance of the human race. The Gnome and the Goblin say that fleas and porks were made to exercise men’s patience. TRUE FALSE x It’s a Gnome who is sent and not a Goblin x Nature follows its course and it’s completely indifferent to Men’s disappearance It’s the Gnome who wishes this. x x X X The Goblin says this but he mentions gnats and fleas Choose the best title for each paragraph of the dialogue: a) Men were the cause of their own disappearance b) The Gnome and the Goblin make fun of men’s arrogance c) Life goes on even without men d) Men are troublemakers Work on a painting The Hay Wain- John Constable - Look at the picture and answer: 1) Does this picture look real? Yes, it does, 2) What is happening in the picture? A chart carrying hay is crossing a small river. There are two people on them. A dog is looking at the scene from the bank. Focus your attention on colours, light and lines. 1) Are lines well defined? No, they aren’t. 2) What is the prevailing element of this picture? The prevailing element s nature with trees, meadows, water and the clouds in the sky. 3) Which side does the light in the picture seem to be coming from? Why? (Note the shadow) The light comes from the left. 4) Where does light come from? It comes from the Sun but it cannot be seen 5) What time of the day do you think it is in the painting? Motivate your answer. In the afternoon because of the position of shadows and the intensity of light. 6) Are there more cool or warm colours? Why? Cool and warm colours are well balanced because they are the real colours of Nature 7) Are the colours used dark or bright? They are bright. Look at the title: 1) Does the title clearly refer the scene painted by Constable?Yes, it does. Actually, it seems that the chart is not the most important element and the real “protagonist” of the painting. It is only the pretext used by the painter to represent a country landscape, a scene or rural life. Use these key words to write sentences about romanticism and the dialogue BetWeen the gnoMe and the goBlin NATURE THE GOBLIN INDIFFERENCE MEN THE GNOME PESSSIMIS DISAPPEARANC E RASCALS THE MOON TIME THE SUN Examples: 1) Men have disappeared but time goes on as if nothing had happened. 2) The Sun rises and sets even if men are dead. 3) Time is no longer scheduled by calendars and this is advantageous. 4) The disappearance of men has aroused in Nature a feeling of complete indifference. 5) The Goblin and the Gnome say men are rascals because they destroyed one another. 6) The Moon still appears in the sky and lights the darkness of night. 7) We can infer a feeling of pessimism from the Gnome and the Goblin’s words. Write a poem which sounds romantic to you. A rainbow crosses the sky The little girl smells a rose Its delicate petals with drops. Her eyes are full of love She does not know why. She is speechless But Nature fills her heart. Focus your attention on the general features of romanticism you were already familiar with and the way they are used by Leopardi in the DIALOGUE bEtwEEn A GnOmE AnD A GObLIn I ALREADY KNEW In the Romantic period Nature is a source of feelings for men, a refuge from social life Men and his emotions are the focus of poetry Romantic poetry often conveys feelings of melancholy, of regret for something that no longer exists Men become bad in contact with society but they are good by nature Romantics often regret the past Man is the pivot of poetry I HAVE ACQUIRED Nature is completely indifferent to men Life without Men on Earth is better The tone is ironical here. The two protagonists don’t think life was better before the disappearance of Men Men have disappeared because they have destroyed one another in different ways The Gnome and the Goblin think the present is much better than the past Men are rascals Dialogue between a gnome anD a goblin Before you read. Activity n.1.BRAINSTORMING What comes to your mind if you think about the word “extinction”? EXTINCTION What comes to your mind if you think about the word “war”? WAR Read the passage. Activity n.1 The Earthis threatened by a lot of dangers.Mention some related to the environment. Activity n.2. Divide the dialogue into paragraphs and give a title to each of them. Activity n.3 In the dialogue the gnome and the goblin are disappointed and pessimistic about the world. What are the main reasons why the youth can feel pessimistic or disappointed nowadays? Activity n.4. What is the attitude of Nature towards Man in this dialogue? Choose the adjectives that best define it and circle them. helpful careless indifferent worried comprehensive annoyed understanding maternal Activity n.5 Very often in English you use prefixes and suffixes to change the meaning of words. Find examples in the dialogue and write them down together with their base form. Activity n.6. In the dialogue there are a lot of irregular verbs. Write ten of them together with their infinitive and past participle. Infinitive past simple past participle 1) 2) 3) 4) 5) 6) 7) 8) 9) 10) ACTIVITY OF TUNING, FINDING OUT AND SORTING OUT THE SECOND GROUP INTERACTIVE EXPERIMENTAL ACTIVITY OF LITERATURE BUILD A GAME OF GIACOMO LEOPARDI TO LEARN MORE ABOUT HIS GREAT PERSONALITY PUZZLE N. 1 : 3; 8; 7 (initials) THE ARY (THE SOLITARY SPARROW) PUZZLE N. 2 : 3; 8; 2; 7 THE OF (THE SATURDAY OF VILLAGE) PUZZLE N. 3: 8 RESOLVE THE PUZZLE IN ITALIAN AND TRANSLATE IN ENGLISH CA (RECANATI) PUZZLE N: 4 8; 6 RESOLVE THE PUZZLE IN ITALIAN AND TRANSLATE IN ENGLISH OPE LI (OPERETTE MORALI) TWISTED WORDS Delete all the names listed in the chart written in across, down. The remaining letters give the title of a poem written by Giacomo Leopardi (do not count the last two letters). t O S I A S R I P s C N M E D E H A A I D historical Recanati operettas boredom idylls cosmic Y R I L T C O L E S y I v M L T T R l i a S T O E C B l o A R C O O d LINOTIPIA DEFINITIONS: Z C O S M I C B L E O P A R D A T L I N O R R E S A P S A D N P L E S F O D I E I T O N C N T N A I N T I T B H R A O T M I R S S 1 Giacomo Leopardi wrote “Everything is bad...everything is to the end of evil”. Had the author landed the cosmic or historic pessimism ? 2 Who is the greatest italian poet of the nineteenth century? 3 What is the state of mind that accompanied Giacomo Leopardi in his lifetime? E 4 Where did Giacomo Leopardi die? 5 Who was the first tutor of Giacomo Leopardi? E 6 What does the photo mean? 8 Synonimus with boredom, anxiety, death. M N O C R S E 7 Resolve the puzzle number 2 A E Y ACROSS: A T J T U R I O N S D A Y T C O F V I L H L A G E I L N E L A S S O E F V S O T P I I S L O E N A I I R R I C T Y E T I A C T E S R M Y T T E D I U DOWN: A S S P A R R O W 1 What is the name of the journal and philosophical apparatus notes of Giacomo Leopardi? 2 Which ancient language Giacomo Leopardi knew better than anyone else? 3 Resolve the puzzle number 3 (italian language) 4 What was the first poem of the Idylls? 5 Disease which struck Giacomo Leopardi? 6 What current has joined Giacomo Leopardi? 7 What pessimism is the one described in the first part of “Zibaldone”? 8 Resolve the puzzle number 4 (resolve in italian and traslate in English) 9 In what month was Giacomo Leopardi born? 10 What is the main theme of the poem “Infinite”? 11 Resolve the table “twisted words” 12 In his youth, what movement had Giacomo Leopardi supported? 13 Resolve the puzzle number 1 TWISTED WORDS Delete all the names listed in the chart written in across, down. The remaining letters give the title of a poem written by Giacomo Leopardi (do not count the letters “w” and “k”). t O H y w v I P I R l B D E S E k O Y R T C w R historical Recanati operettas boredom idylls cosmic L E O A C E L T R N O D S T I A S O o A C T M M w S A I I i k s L w C a LINOTIPIA 1Z 1C O S M I DEFINITIONS: C B 2L E O P A R D 6L I 4N A 5T 4 O R 3R E S A 5P 3S A D N P L E S F O D I E I T O N C N T N A I N T I B 7 T 7H 6R A O T M I R S S 1 Giacomo Leopardi wrote “Everything is bad...everything is to the end of evil”. Had the author landed the cosmic or historic pessimism ? 2 Who is the greatest italian poet of the nineteenth century? 3 What is the state of mind that accompanied Giacomo Leopardi in his lifetime? E 4 Where did Giacomo Leopardi die? 5 Who was the first tutor of Giacomo Leopardi? E 6 What does the photo mean? 8 Synonimus with boredom, anxiety, death. A N O C R S E 7 Resolve the puzzle number 2 8M E Y ACROSS: A 11 T 10 9J T U R I O N S D A Y 13 T 12 C O F V I L H L A G E I L N E L A S S O E F V S O T P I I S L O E N A I I R R I C T Y E T I A C T E S R M Y T 8T E D I U DOWN: A S S P A R R O W 1 What is the name of the journal and philosophical apparatus notes of Giacomo Leopardi? 2 Which ancient language Giacomo Leopardi knew better than anyone else? 3 Resolve the puzzle number 3 (italian language) 4 What was the first poem of the Idylls? 5 Disease which struck Giacomo Leopardi? 6 What current has joined Giacomo Leopardi? 7 What pessimism is the one described in the first part of “Zibaldone”? 8 Resolve the puzzle number 4 (resolve in italian and traslate in English) 9 In what month was Giacomo Leopardi born? 10 What is the main theme of the poem “Infinite”? 11 Resolve the table “twisted words” 12 In his youth, what movement had Giacomo Leopardi supported? 13 Resolve the puzzle number 1 The Romanticism Solve this crossword and complete the sentences below using the words found: E J E X N L O D S T G E I V W C L H I M E S B R M C E M U D A M U D S V N I U E N D S A W S T Q D I K P T Z T G D S O I U G X F U H N K D N E L F D I P N C E M D EXOTICISM-GENIUS-ELSEWHERE-MADNESS-TITANISMUNDEFINED 1)In another time, temporal exoticism 2)The poet, in this time, is considered a genius 3)The space was considered undefined 4)Period when the romantic poet is considered a “big man”: titanism Write down a sentence that explains the characteristics of each movement. ROMANTICISM A lot of subjectivism, tension towards the infinite, tragic vision of the life, attention for the history,... Friedrich “The walker in front of the sea of fog” NATURALISM The reality and the human psychology can be treated in the literature, with the same rigorousness of the scientific metode,… Rousseau “Scenes of Apremont” DECADENTISM No positivistic and materialistic tendencies, no conformist attitudes, seer poet, who sees and hears mysterious and invisible worlds. That time is considered the exasperation of the Romanticism. Ramon Casas “Jove Decadent” THE MAGIC OF THE ROMANTIC POETRY The Romanticism is the art of presenting to the people literary works that procures them the greatest possible pleasure. The Romanticism is a flame that burns in a piece of ice , and that flame warms the hearts and minds of the people who read the poems. The Romanticism can make beautiful emotions, it excites you, and in this feel it melts the ice in you, turning it into steam. This steam envelops your mind, making you fully immerse into the world that poetry creates around you. “This is the magic of romantic poetry” INTERACTIVE EXPERIMENT OF ITALIAN LITERATURE HAVE FUN TO DISCOVER HIDDEN THEMES IN THE OPERETTA NORALE: “DIALOG OF A GOBLIN AND A GNOME” OF GIACOMO LEOPARDI DIALOGUE OF A GOBLIN AND A GNOME Read the summary of the dialogue and choose among the keywords listed ones you feel will best and enter them in the map The meeting of the goblin and the gnome The goblin, wonder spirit of the air, and the gnome, tiny being who lives underground, meet. The gnome said he was net by his father to understand what has happened to the human race. It suspects that the mankind has disapperaed because it do not happen harm in the world. The incredulous goblin suspects they are all dead, and also he suspects the race is extincted. The doubts about the future without the man The two beings reflect on the aftermaths that might happen if the human race were extinct. They are sure in the world there would be no more wars, kingdoms to conquer or conquered. And there would be no more the passage of time and the calendars, too Even luck while noting the facts would not intervene more. The stupidity of the man The goblin and the gnome continue the dialog listing the motivations of the extinction of man. The human race has destroyed itself with the wars and the suicides, with the idleness, squeezing the brains on the books and finally meditating all possible strategies of life also against nature. In the past some speciesIn the past some species became extinct but not their with will (for example the dinosaurs for a meteorite); instead, the human race has come to destruction for his stupidity. The human presumption The dialogue continues to be ironic about the mad presumption of the man that believes to be the center of the universe and the purpose of creation. What would the stupid men think if they will be awakened and they will saw in fact the human race is not the center of the universe and the nature perpetuates the cycle inexorably? The man would understand not all things in the world were created for his service, almost enslaving everything with selfishness, without realizing the imminent revolt of the nature. The absurd claim of the man Both says the man believs to be the centre of the Universe: "The earth does not feel I will needless to her." The nature perpetuates her cycle inexorably (the rivers are the same, the stars and the planets born and set, the sea do not dries up and the Sun shines equally). The dialogue ends mocking the vanity of the man. The goblin and the gnome are ironic about the men who consider the nature and everything that is done especially for the exclusive use of their spiece. KEY WORDS 1. The perdition 11. The rabble 2. The presuption 12. The death 3. The centrality of the man in the Universe 13. The arrogance 4. The good of man kind 14. The moon 5. The failure to comply of man for nature 15. Extinct animals 6. The human eccentricity on other species 16. The woman 7. The selfish 17. The peace 8. The cockiness of the mankind 18. The human limit 9. The awakening: the awareness of being nothing 19. The unhappiness 10. The happiness 20. The stupidity BRAIN STORMING The centrality of the man in the Universe Moon Presumption Selfish Arrogance The cockiness of the mankind Human limit Unhappiness Human eccentricity THE HUMAN ABSURDITY Death The awakening: the awareness of being nothing Rabble Extinct animals Perdition Stupidity The failure to comply of the man for nature DO YOU REMEMBER ? Now, without looking at the text, answer the following questions with true or false. Finished answering, check in the text your questions and write "RIGHT" if you answered correctly or "WRONG" if you gave a wrong answer. I check my answers I think it is true The man thinks he is not the center of the Universe The goblin is a wondering spirit of the air Io think it is false X X RIGHT WRONG RIGHT RIGHT The gnome suspects the mankind is hidden under the ground X RIGHT The mankind became extinct because of a meteorite X RIGHT The nature interrupted his course after the extinction of mankind X The humankind believed that the whole word was made and maintained only for him X The mankind respected the nature X WRONG RIGHT WRONG The gnome and the goblin were sorry for the extinction of the humankind X RIGHT If the mankind were awake, it would not be surprised X RIGHT The humankind thinks the stars and the planets bright the sky to illuminate their homes X The dialogue end mooking the eccentric thinking of the humankind. Leopardi express his pessimism to the ignorance of the humankind RIGHT X X RIGHT RIGHT GIVE A TITLE TO EACH PARAGRAPH Assign to each paragraph the title you deem suitable: 5)THE PRESUMPTION OF MANKIND 6)THE UNCERTAINTY OF THE FUTURE 7)THE STUPIDITY OF MANKIND 1 THE STUPIDITY OF THE MANKIND The man arrives at his extinction with wars, suicides, with the idleness, with the ignorance, squeezing the brains on the books and pondering always new strategies even in no compliance for the nature 2 THE PRESUPTION OF THE MANKIND The man believes to be the center of the Universe, he thinks the nature maintains hs cycle only for his presence on the Heart 3 THE UNCERTAINTY OF THE FUTURE The two beings reflect on how the world could be without the minkind: there would be no wars, kingdoms to conquer, insults to the nature,... MEDITATION ON THE THOUGHT OF GIACOMO LEOPARDI Write what you thought before and after reading this dialogue What I thought before knowing the dialogue of Giacomo Leopardi? What I learnt after analyzing the dialogue of Giacomo Leopardi? I believed the presence of man on Earth was almost essential I understood the man is nothing compared to the power of nature I thought the human race could with his study I understood the man is a victim of his arrogance uncover many secrets of nature and fragility Man lives on Earth, and often acts like he'd The man is presumptuous, constantly challenges never need any other animal or plant species, the nature and the effects are there for all to see believes that everything is created for his desire The man with the use of force thinks he has no rivals Every day we see the man with his strength produces only wars, gozzovigli, death and misery. ANALISE A PAINTING Title: “Salisbury Cathedral” Author: “Constable” General impressions: 8)Do the things in this painting look real? -Yes, they do. 9)What does it look like has happened to everything in the painting? -It seems there was a heavy storm. Look at colour, light and lines: •Are there more straight lines or curved lines? -There are more curved lines. •Are there more living or non-livin subjects in the painting? -In my opinion, they are equivalent. •From which direction does the light in the peinture seem to be coming? -It arrives from the left, on the top. •What do you think is causing the light? -The cause is the sun, obscured by clouds. •What time of the day do you think it is supposed to be in the painting? -In the afternoon. •Are there more cool colours or warm colours? Why? -There are more cool colours. •Are the colours dark or bright? -They are dark. •Which objects are in the foreground, the middle ground and the backgrond? -In the backgruond there is a small city, surronded by some trees and on the left there's a Gothic Cathedral; in the middle ground, there is a big tree arounded by some bushes, and also there's a farmer in a carriage who is crossing a brook; at last, there is an old and destroyed fence that is surronded by some weed. The title of the painting: •What's the meaning of the title? -The title represents the Salisbury Cathedral. •In your opinion, why are there so many clouds? What they represent? -Im my opinion, there are so many clouds because the painter wanted to represent a landscape with the presence of bad weather, so it cause concern and anxiety, making the whole thing look even more grim and gloomy, thanks to the large shadow that they do OTHER EXERCISES THE ROMANTICISM, THE ELF AND GNOME 1) ROMANTIC POETRY: by Shelley Tempo Mare insondabile! le cui onde sono anni, Oceano del tempo, le cui acque di profonda pena sono salmastre per il sale delle lacrime degli umani. Tu diluvio inarginabile, che nel tuo flusso e riflusso cingi i limiti di ciò che è mortale, e nauseato di prede, eppure gridi per una ancora, e vomiti i tuoi relitti sulla sponda inospitale, infido nella bonaccia, e terribile nella tempesta, chi metterà gemme su di te, mare insondabile? Time Unfathomable Sea! whose waves are years, Ocean of Time, whose waters of deep woe Are brackish with the salt of human tears! Thou shoreless flood, which in thy ebb and flow Claspest the limits of mortality, And sick of prey, yet howling on for more, Vomitest thy wrecks on its inhospitable shore; Treacherous in calm, and terrible in storm, Who shall put forth on thee, Unfathomable Sea? 2) WORDS RELATED ENVIRONMENTAL DESTRUCTION AND ENVIRONMENTAL ISSUES: pollution, atomic bombs, war, harmful gases, waste, recycling 3) ACTUALIZE A THEME OPERETTA:disappearance of the human race: the human race today is "lowering" Now why do not you think only the most essential things but often those most useless. 4) QUESTIONS AND ANSWERS ABOUT ROMANTICISM: - Who are the most important writers of romanticism? The most important writers of romanticism are Leopardi, Hugo, Foscolo; Berchet, Shelley. - What is the cosmic pessimism? The cosmic pessimism is when all the time in life the man is unhappy. - What is the century of romanticism? The century of romanticism is about 1830 although it was born much earlier. 5) CROSSWORD: Words: Cosmic pessimism Storic pessimism Sentimentality Pain “A Silvia” ASILVIASERIYTOPTIAGORTEI RETAURSHVBJKDEFNKJVHGK IOIOITRTRTRTVGVHVHGJVGD STORICPESSIMISMHTTPIOYIII COSMICPESSIMISMGYUIIGJHV JIGYSENTIMENTALITYYYYUIREI PAINFETYJHJVHRJGHKRHGHUKI CASPAR: TRAVELLER IN A SEA OF FOG this picture shows the theme of infinity because the protagonist is looking towards the horizon that is not well defined and therefore I express this emotion of undefined and the same time infinite. TURNER: SHIPWRECK This framework expresses to me terror because an issue of romance is own the nightmare of fear and then this framework seems to me significant. CLOUDS: CONSTABLE this work expresses indefiniteness because if I look at the sky I think there may be a life beyond the earthly and this creates in me the hope of a better life, of an elsewhere that is really a romantic theme. COMPLETE THE FOLLOWING SENTENCES: 1. Giacomo Leopardi was a …………….. 2. ............ Is a theme of romance 3. Giacomo Leopardi wrote the operetta "…………………….” 4. ………… was a painter of the romanticism 5. WORDS: writer of romance; infinity; the dialog of a goblin and an elf; Turner. WITH KEYWORDS,WRITE TITLE FOR EACH PARAGRAPH: THE RACE IS LOST - THE WORLD WILL GO AHEAD WITHOUT EVEN WITHOUT MEN - THERE IS A COMPARISON WITH VIRGIL 1. ................. the goblin and gnome understand that men are all dead, and that the race is lost. Then they wonder how the world will go on. 2. ................... the goblin and gnome wonder how the world without men will be, and they understand that the world will go on without men because they are not essential. 3. .................... the goblin and gnome say that if the sun has not stopped shining when important people died as Virgil or Julius Caesar then it continue to shine if men have disappeared. PUT A TICK OR A CROSS WHETHER YOU THINK THE STATEMENTS BELOW ARE TRUE OR FALSE. STATEMENT the goblin and gnome not meet but one dreams of talking to each other The goblin and gnome speak and discuss how the man has disappeared and how the loss will affect the world. luck is not named in 'operetta Celebrities are not named the earth will be conditioned by the disappearance of man the goblin and gnome are not in favour of the disappearance of man I THINK TRUE IT’S I THINK FALSE T T T T T T IT’S I CHECKED MY ANSWERS SENTENCEOF SUPPORT FOR UNDERSTANDING THE DIALOGUE: The reference words of dialogue between the goblin and gnome are: - Men are villains, - The race is lost, - You will know most of the new worlds because the newspapers will no longer be printed, - Men are dead warring with each other, being in idleness or studying desperately on the books, - earth does not care if the men are dead or alive because life goes on the same. IN EVERY BOX WRITE THE WORD SHOWN THAT CONTAINS INFORMATION ABOUT THE ROMANTICISM AND LYING IN DIALOGUE BETWEEN ONE AND ONE FOLLETTO GNOME. - The gnome says the father has sent him to look where they are hunted those scoundrels men because they are afraid that they're plotting something against, but do not really know that they are all dead and that THE RACE IS LOST. -the gnome and goblin discuss the PROBLEMS THAT THERE WILL BE NO MEN and won’t be printed more gazettes. -THE MEN ARE MISSING because they killed each other or were too long on the books or have too bummed. -THE SUN COONIT PLASTER FACE because after all the land does not change anything because it will continue to do its normal life every day. - THE LUCKY HAS REMOVED THE BAND FROM ITS EYES that took off the blindfold and is now watching the world without interfering. THE MEN ARE ALL DEAD WHAT I HAVE ACQUIRED BY CARRYING THIS WORK? Carrying out this work on the module CLIL, I have gained a deeper study are some topics of the program such as the romance literature and dialogue between a goblin and gnome of Giacomo Leopardi, and also I have also learned to invent exercises regarding these topics. HOW HAVE YOU LEARNT YOUR KNOWLEDGE PREVIOUSLY? I have learnt earlier that it only with the study of romantic movements I have studied operettas moral Leopardi’s. ANALISE A PAINTING: CASPAR DAVID FRIEDRICH: A MAN AND A WOMAN IN CONTEMPLATION TO THE MOON, 1819 GENERAL IMPRESSION: - Which objects are real and which have changed their appearance? In my opinion there are real objects because the subject of this picture is a couple of people who look at the moon and in the foreground there are the branches of a tree that "framing" the scene. - Do the things look realin this painting? In my opinion, this picture is fully real because there are no fantastic objects or contexts. - Are there more straight lines or curved lines? In this picture there are mostly curved lines and in fact I think the picture looks curved. - What time of day do you think it is supposed to be in the painting? The time of day when this picture is set is the late evening because the moon is high in the sky and then it indicates the evening if not the night. - What’s the meaning of the title? The title meaning is that two people are looking at probably love because they are contemplating. -CROSSWORDS Words: Cosmic pessimism Storic pessimism Sentimentality Pain “A Silvia” ASILVIASERIYTOPTIAGORTEI RETAURSHVBJKDEFNKJVHGK IOIOITRTRTRTVGVHVHGJVGD STORICPESSIMISMHTTPIOYIII COSMICPESSIMISMGYUIIGJHV JIGYSENTIMENTALITYYYYUIREI PAINFETYJHJVHRJGHKRHGHUKI -COMPLETE THE FOLLOWING SENTENCES: Giacomo Leopardi was a writer of romanticism The infinity is a theme of romanticism Giacomo Leopardi wrote an operetta:” dialogue of an elf and a gnome” Turner was a painter of the romanticism. - WITH KEYWORDS,WRITE TITLE FOR EACH PARAGRAPH: The race is lost: the goblin and gnome understand that men are all dead, and that the race is lost. Then they wonder how the world will go on. The world will go ahead without even without men: the goblin and gnome wonder how thewill be world without men, and they understand that the world will go on without men because they are not essential. There is a comparison with Virgil: the goblin and gnome say that if the sun has not stopped shining when important people died as Virgil or Julius Caesar then it continues to shine if men have disappeared -PUT A TICK OR A CROSS WHETHER YOU THINK THE STATEMENTS BELOW ARE TRUE OR FALSE. STATEMENT the goblin and gnome don’t meet but one dreams of talking to each other The goblin and gnome speak and discuss how the man has disappeared and how the loss will affect the world. luck is not named in 'operetta Celebrities are not named the earth will be conditioned by the disappearance of man the goblin and gnome are not in favour of the disappearance of man I THINK IT’S TRUE I THINK FALSE T IT’S I CHECKED MY ANSWERS The goblin and gnome meet T T T T T Luck is named in operetta Celebrities Are named for example Virgil. The earth won’t be conditioned by the disappearance of man The goblin and gnome are in favour of the disappearance of man. IN EVERY BOX WRITE THE WORD SHOWN THAT CONTAINS INFORMATION ABOUT THE ROMANTICISM AND LYING IN DIALOGUE BETWEEN ONE AND ONE FOLLETTO GNOME. - The gnome says the father has sent him to look where they are hunted those scoundrels men because they are afraid that they're plotting something against, but theydo not really know that they are all dead and that THE RACE IS LOST. -the gnome and goblin discuss the ISSUES THAT THERE WILL BE NO MEN as one will not be printed more gazettes. -THE MEN ARE MISSING because they killed each other or were too long on the books or have too bummed. -THE SUN WON’T PLASTER FACE because after all the land does not change anything because it will continue to do its normal life every day. -THE LUCK HAS REMOVED THE BAND FROM THE EYES that took off the blindfold and is now watching the world without interfering. ISSUES THAT THERE WILL BE NOT MEN THE RACE IS LOST THE MEN ARE ALL DEAD THE LUCK HAS REMOVED THE BAND FROM THE EYES THE SUN WON’T PLASTERFACE ACTIVITY OF TUNING, FINDING OUT AND SORTING OUT THE THIRD GROUP SCAFFOLDING (WORDS OF REFERENCE) All deaths Lost race The fortune wakes up No wars Years are equal Do not expect the death Do not keep in mind The years, the month and the days Deaths during Navigation Deaths of cannibalism Suicidal's deaths Deaths of idleness Died in wars Deaths of study Humankind Vanished selfishness For they alone Men exploited Gnomes and animals THE ROMANTICISM Francesco Hayez- Il bacio Il termine "Romanticismo" deriva dall'inglese, che nella metà del XVII secolo indicava quei generi letterari, come i romanzi cavallereschi, che rappresentavano vicende fantastiche all'interno di un'ambientazione storica più o meno accurata. Accanto a questo primo significato si sviluppò e alla fine prevalse nel XVIII secolo quello di "pittoresco", riferito non solo a quanto veniva artisticamente raffigurato, ma soprattutto al sentimento che ne veniva suscitato. Non è possibile definire il Romanticismo in senso unico poiché si tratta di un fenomeno complesso che assume connotazioni diverse a seconda delle nazioni in cui si sviluppa. Nel movimento romantico non c'è un riferimento preciso a un sistema chiuso di idee che possa compiutamente definirlo ma esso fa piuttosto riferimento a un "modo di sentire" a cui gli artisti del tempo adeguarono il loro modo di esprimersi artisticamente, pensare e vivere. The term "Romanticism" comes from to English, who in the mid-seventeenth century meant those literary genres such as romances, representing fantastic events in a historic setting more or less accurate. Next to this first meaning is developed and ultimately prevailed in the eighteenth century to "picturesque", referring not only to what was artistically portrayed, but especially the feeling that he was aroused. You can not define Romanticism in one way because it is a complex phenomenon that has different attributes depending on the countries in which it develops. In the Romantic movement there is a precise reference to a closed system of ideas that can fully define it but it does rather on a "way of feeling" in which artists of the time conformed to the way they express themselves artistically, think and live. ANALYSE A PAINTING “Viaggiatore in un mare di nebbia” Caspar David Friedrich Olio su tela Questions: 1. Do the things in this painting look real? 2. What does it look like has happened to everything in the painting? 3. What’s the meaning of the title? 4. Are there more coldcolours or warm colours? Why? 5. Are the colours dark or bright? ANALYSE A PAINTING SOLUTIONS Answers: 1. The painting represents a man with his back turned to the viewer. He is standing on a cliff, and looking on the fog from above. 2. The painting is static because there is no action, in fact it depicts a moment of meditation. 3. The title “Viaggiatore in un mare di nebbia” (Wanderer above the Sea of Fog) describes a state of mind of the man in the picture: looking down at the fog he feels like a traveler in the middle of a sea of fog. This sea of fog could represent the unknown. 4. The background is dominated by cold colours, mostly white and light blue; whereas the foreground where the man is standing, is dominated by a warm brown for the cliff. The man himself is wearing a very dark green suit. a cold colour but contrasting with the white background. 5. The painting portrays a clear contrast between dark and light colours: the cold colourof the dark suit contrasts with the light background, as does the dark brown colour of the cliff. Soluzioni Complete with the missing words. HISTORICAL - 18th - LYRIC - GERMANY - FEELING - LEOPARDI - COSMIC - HISTORICAL MANZONI - FOSCOLO 10)The Romanticism develops in the 18th century. 11)The Romanticism was born in Germany. 12)Leopardi , Manzoni and Foscolo are the most important authors of romantic literature. 13)Historical pessimism: nature is conceived of a kindly mother. Unhappiness is determined by the man himself. 14)Cosmic pessimism: Leopardi realizes that even nature not only affects the man himself. 15)The important values in the modern consciousness are the fantasy, the feeling and the emotions. 16)Literary genres privileged are two: the lyric poetry and historical novel. Soluzioni Do questions and answers on the romantic literature. •When does the Romanticism develops? The Romance develops in the 18th century. •Where was Romanticism born? The Romance was born in Germany. •Who are the most important authors romantic literature? The most important authors are: Leopardi, Foscolo and Manzoni. •What is Leopardi’s work based? Leopardi’s work is based on several ideas grouped into a single work, “The Zibaldone”. •What historical and cosmic pessimism do? Historical pessimism: nature is conceived of a kindly mother. Unhappiness is determined by the man himself. Cosmic pessimism: Leopardi realizes that even nature not only affects the man himself. •What are the important values in the modern consciousness? The important values in the modern consciousness are the fantasy, the feeling and emotions. •What were the literary genres favored by the Romantic artists? Literary genres privileged were two: the lyric poetry and the historical novel. SOLUZIONI F G L I S B A C D H R F N B N O S T S M O G M P O O A M Q P C D H W X P I R N Z S M O K E R Q A T O S N O W Y L J X L P A W O X A O K F L M K O T U Z I N C K G R U M L S R S H D O P A B E T F E M T O I L U E R K T I R E F U S A L S F A B H O W Z C G L M D W V C S F N B W E A P O N Q R I E U A V Z X D Y F S T N D L A C H R Y N A T O R Y - Weapon - Oil - Cannon - Smoke - Lachrynatory - Refusals - Smog - Acid - Deforestation - Pollution - Bazooka DO YOU REMEMBER? (SOLUTION) Put sign whether you think the statements below are true or false. Read the fact file, check the wrong answers. I I THINK… THINK…IT'S I CHECKED MY STATEMENT IT'S TRUE FALSE ANSWERS 1. the poet felt estranged. X T 2. the poet was fascinated by the negative X T T the poet was fascinated by elsewhere. 3. the poet wasn't fascinated by elsewhere 4. in the operetta "dialogo di un folletto e di x X T uno gnomo": they are waiting for the end of the world. 5. they think humans are intelligent. 6. they tell about the newspapers. x 7. the poet was fascinated by society. x 8. the goblin says, the humans are all alive. x T T the poet wasn’t fascinated by society. T the goblin says, the human are all die. x T T the gnome is afraid, beacause, if the humans die, the journals wont be pubblicated 9. the goblin is indifferent to the weather. 10.the gnome is indifferent to the weather. x T they think humans aren’t intelligent. x My sweet poetry DREAM ACTIVITY OF SORTING OUT THE FOURTH GROUP MY BOOKMARKS BOOKMARK: I imagined that this elf’s sitting on a tree listening to music that comes from far and from this reflection I found this sentence: The music is the most romantic of all the arts, you could almost say that it alone is romantic, because only the infinite is its theme. HOFFMANN trivialpursuit my game TRIVIAL GAME ON LEOPARDI Canti and Operette Morali 1) How many Operette Morali are there altogether? (24) 2) What is the name of the yellow flower that can be found in the title of one of Leopardi’s poems? (the broom) 3) What is the main theme of “Il sabato del villaggio?” (waiting for the festivity is better than the festivity itself) 4) What’s the name of the collection L’Infinito is part of? (Idilli) 5) In which month of the year does the poet tell Silvia: “E tu solevi così menare il giorno?” (May) 6) How does Leopardi define “l’ermo colle” in the poem “L’infinito”? (caro) 7) How are Silvia’s eyes defined in the poem Leopardi wrote to her? (ridenti e fuggitivi) 8) List the titles of four “Operette Morali”. 9) Quote two themes of “Il passero solitario”. (vagueness/indefinite) 10) Are the Operette Morali written in verses or prose? (prose) 11) What is the role played by “Il passero solitario” in the Idilli? (it’s an introduction) Leopardi’s life. 1) 2) 3) 4) 5) 6) 7) Where and when was Leopardi born? (Recanati/1798) Who were his parents? (Count Monaldo and Adelaide Antici) What did he start writing in 1819? (The Zibaldone) What did he write in 1824? (the Operette Morali) When did he die and how old was he? (in 1837/ he was 39) Who helps him to leave Recanati? (his friends) What is the idea that Leopardi has about Nature? (at first it is considered a caring mother and then a stepmother) 8) What encouraged Leopardi to look for a refuge in his studies? (his mother’s worries about the family financial situation) 9) Who did Leopardi write a lot of letters to? (Pietro Giordani) 10) Why did Leopardi go to Milan? (he accepted a publishing job) 11) What are the subjects that Leopardi learnt during his years of intense study? (Sanskrit, Hebrew, Astronomy, French, English, Greek and Latin) Romanticism. 1) In V. Hugo’s opinion what is the most important feature of modern literature? (the grotesque) 2) Who wrote the most important Manifesto of Italian Romanticism? (Giovanni Berchet) 3) Who wrote “L’uomo della sabbia”? (Theodor Hoffman) 4) What kind of novels did Balzac and Stendhal write? (realistic novels) 5) 6) 7) 8) Who is the forerunner of historical novel in Italy? (Alessandro Manzoni). In which work can the Manifesto of French romanticism be found? (Cromwell by V. Hugo) Where was “Romanticism” born? (Germany) What are the most important representatives of Italian Romanticism? (Foscolo, Manzoni, Leopardi) 9) What does Romanticism give new value to? (fancy, passions, feelings, human emotions) 10) What’s the title of Ugo Foscolo’s epistolary novel? (Le Ultime lettere di Jacopo Ortis) 11) What is the most important representative of gothic novel in the U.S.A? Dialogue between a Goblin and a Gnome. 1) Which insects are mentioned by the Gnome in his dialogue with the goblin? (mosquitoes and fleas) 2) Who represents Leopardi, the Gnome or the Goblin? (the Goblin) 3) Why have the Men disappeared from the Earth? (wars, mutual destruction, opposition to Nature, laziness, going beyond human limits) 4) How does Nature react when Man disappears from the Earth? (indifference) 5) Who sends the gnome to try and understand why there are no longer men on the Earth? (his father) 6) Which subject is the gnome very good at? (Geology) 7) Which are the newspapers mentioned by the goblin and the gnome? (the gazette) 8) In the goblin’s opinion the disappearance of years has got advantages. Which ones? (ageing is impossible, it is impossible to be worried about the past, death is no longer waited for with anxiety) 9) Which weather conditions will continue to exist in spite of the disappearance of Man? (heat, cold, rain, snow and wind) 10) What’s the key word of the work? (indifference) 11) In the goblin’s opinion what does Fortune take off and put on? (he takes off a blindfold and puts on a pair of glasses) English 1. 2. 3. 4. 5. 6. 7. 8. What’s the English for the word “passero”? (EAGLE, ROBIN, CROW) What is the English for “folletto”? (GOBLIN) What is the grammar tense mentioned by Leopardi in one of his poems? INFINITIVE) What is the English for “Giacomo”? (JAMES) What are the two colours mentioned in the title of Flaubert’s masterpiece? (Red and Black) How would you say “Leopardi è morto nel 1837? Leopardi has died/died/is dead? (DIED) What was Leopardi’s father like? (he was very strict) Do you remember the name of three Italian cities that Leopardi visited? (Rome, Florence, Milan, Naples, Pisa, Bologna) 9. Use the letters of the word RECANATI to form 3 more English words (it, eat, tea, care, nice, …) 10. Why can’t you visit Leopardi’s home on 1st January? (Because it’s closed) 11. Was Leopardi an only child? (No, he had brothers and sisters) Curiosities 1) Which sign of the Zodiac was Giacomo Leopardi born under? (Cancer) 2) Leopardi was born nine years after an important historical event. Which one? (The French Revolution) 3) Which province does Recanati belong to? (Macerata) 4) Where was Leopardi buried? (Naples) 5) After Leopardi’s death, his body ran the risk of being thrown into a grave with many others. Why? (because in Naples there was the plague and this is what the Law established) 6) Does palazzo Leopardi still exist in Recanati? (Yes, Leopardi’s descendants live in it) 7) What was the tower of “Il passero solitario” beheaded by? (a lightning) 8) An Italian singer composer mentions Leopardi in one of his songs whose title is “Canzone per Piero”. Who is it? (Francesco Guccini) 9) How much is the ticket to enter Leopardi’s house in Recanati? (5 euros) 10) How many books are there in Leopardi’s library approximately? (about 20,000) 11) Which of these two portraits represents Leopardi? (both) HOW TO PLAY TRIVIAL PURSUIT Each player or team of players has a playing piece which has room to fit six pieces of pie in it. The aim of the game is to “win” the six pieces by answering questions about different topics that in this case are: 1) Canti and Operette Morali(ORANGE) 2) Leopardi’s Life(PINK) 3) Romanticism(YELLOW) 4) Dialogue between Goblin and Gnome(BLUE) 5) English(GREEN) 6) Curiosities(BROWN) Each topic corresponds to a different colour. Players begin in the middle of the board and they can decide to take one of the different paths out of the centre of the board. Each path leads to a space marked with a specific colour. The player rolls the die and moves the playing piece a number of spaces according to the number rolled. The player lands on a space and has to answer a question which is related to the colour of the space. If the answer is correct the player goes on playing, if it’s not his turn is over. Order of play passes in a clockwise rotation. To get a “piece” a player has to land on the colour piece he needs which is placed at the end of each “spoke” on the outer rim. When the payer has got the six “pieces”, one for each colour,he has to reach the middle of the board again to win. Traduzione Come giocare a TrivialPursuit. Ogni giocatore o squadra ha un segnalino che ha sei “spicchi”. Lo scopo del gioco è vincere i sei spicchi rispondendo a domande su argomenti diversi che sono: 1) Canti e Operette morali (ARANCIONE) 2) Vita di Leopardi (ROSA) 3) Romanticismo (GIALLO) 4) Dialogo tra un folletto e uno gnomo (BLU) 5) Inglese (VERDE) 6) Curiosità (MARRONE) Ogni argomento corrisponde ad un argomento diverso. I giocatori iniziano dal centro del tabellone e possono scegliere di seguire il percorso che vogliono. Ogni percorso porta ad uno spazio contrassegnato da un colore diverso. Il giocatore lancia il dado e muove il segnalino di tanti spazi a seconda del numero ottenuto. Il giocatore arriva su una casella e deve rispondere ad una domanda relativa al colore della casella stessa. Se la risposta è corretta il giocatore continua a giocare, se non lo è passa il turno ad un avversario. Il gioco segue un senso orario. Per vincere lo spicchio il giocatore deve arrivare sulla casella del colore che gli serve posizionata alla fine di ogni “raggio” sul perimetro esterno. Quando il giocatore ha i sei spicchi, uno per ogni colore, deve nuovamente raggiungere il centro del tabellone per poter vincere. THE STUDENTS CLOSE THEIR EYES AND IMAGINE A ROMANTIC NAME OR ADJECTIVE AND AFTER THEY DRAW IT CLOSE YOUR EYES FOR A SECOND AND IMAGINE AN "OBJECT" ROMANTIC AND DRAW IT: When I think of romanticism I can think of a person who writes and then I thought of putting image as a feather to write as they used once. Si presenterà, per il giorno 10 marzo 2015, un video musicato di animazione teatrale sul Dialogo di Leopardi (attività di sorting out).