toba batak`s adat values on widow`s status

Transcription

toba batak`s adat values on widow`s status
2. Review of Related Literature
2.1
Defenition of widow
Widow according to the Dictionary of the Indonesia Language is a woman
who is divorced or widowed husband. Married woman is bound to have this
period namely a widow.
Additionally, Belsky (1997) says that the cause future widowhood is a
common problem experienced by women because women who have been
widowed tend not to marry again because they feel that they will never find
another man as good as her first.
Being a widow means a woman will become a single parent for her
children. After father as a leader of the family has die children will lose a father
figure, where the role of women as mothers try to stabilize the situation with a
dual role as a mother and a father for their children.
In Toba Batak society, the end of a marriage can be caused by 2 things:
1.
Because of the death
If one party dies, then by itself who live just one person. Means that, if the
husband dies it means the wife alone and widowed. Toba Batak culture widow
can be mated with the brother of her late husband. Things like this happen if the
first marriage of the widow have children who were born. However, if this fatality
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did not leave as a girdle is usually the relationship between the family of the man
with the woman's family would also be ended, although it is customary they
actually still have the bond between Hula-hula and Boru.
According to the customary law of marriage in Toba Batak, if from older
marriage there are children the property or the pauseang relics belong to the
husband become the wife’s property along with her children. When the wife
(widow) want to get married again with others who are not from the family of her
late husband, so the property or pauseang the wife could not be hers but still
belongs to her children.
2.
Caused of Divorce
Marriage in Toba Batak end may also be caused due to the divorce even
though divorce is not allowed in the Christian religion. Padao-dao is the
description of divorce in Toba society, many reasons that lead to divorce from
husband's arbitrary action that goes beyond the limits of the wife, the wife can not
give offspring to the family of the man (remember that Batak Toba interesting
lineage from men or Patrilineal people). Divorce like this usually happens at the
insistence of the family or a demand.
Any divorce must involve Dalihan Na Tolu that once were legalize their
marriage. When the marriage ended due to a divorce then it can have certain
consequences such as, relationships as Hula-hula and Boru will not harmony as
before because of the hurt and impact to the children of their marriage. And when
a divorce because the wife, so about the property there is a shift, namely the
women family were obliged to return the sinamot (wedding present) and cannot
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sue the pauseang. Those are the weighing sanctions given by the indigenous Toba
Batak against the divorce, with the intention that not to easy to get divorced.
2.2
The History of Toba Batak
There are 2(two) opinions about the history of Toba Batak according a
paper that the writer read.
A. Based on Place
According to Simanjuntak (2006:25) there are 2 (two) based on place of
delivery, the place which became the origin appearance of batak people are :
a. From the north ( where is not known from where explained), which of
these place and then moved to country shifted to the southern
Philippines and Sulawesi, which later became the Bugis and Makassar.
Then they set sail for the south Sumatera, Lampung, and they landed
on Barus by the west coast of Sumatera. Finally, they headed on the
Lake Toba, Samosir.
b. From India, they moved to Burma, and then to Sumatera after they had
set sail from Malay. From there, they headed Tanjung Balai/Pangkalan
Brandanand finally arrived at Lake Toba.
B. Myth
According to the myth which was told by the ancestors of Batakness, the
history of Batak people was from a princess who came from the heaven called “
Siboru Deak Parujar” which paired by Debata Mulajadi Na Bolon (God) with
Siraja Odap-Odap who also came from the heaven. From the marriage of Siboru
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Deak Parujar and Siraja Odap-Odap, the twins were born named Siraja Ihat
Manisia and Boru Ihat Manisia. Then, Siraja Ihat Manisia and Boru Ihat Manisia
got married, because there was no other lineage, and this is the beginning of an
ancestuous marriage ( incest forbidden) in Batak tribe. After marriage they live in
Sianjur Mula-mula.
From the marriage of Siraja Ihat Manisia and Boru Ihat Manisia, three
sons were born with name Siraja Miok-miok, Patundal Nabegu and Siaji LapasLapas. Until now, the lineage of Patundal Nabegu and Siaji Lapas-Lapas news
were unknown of their existences.
Siraja Miok-Miok had a son name Eng Banua who also had three (3) sons
name Siraja Bonang-Bonang, Siraja ujung Ace, and Siraja Lapung Jau. The story
told, Siraja Ujung Ace ran to Aceh and become the lineage of Aceh people, and
Siraja Lapung Jau ran to Java and become the lineage of Javanese and
Minangkabau. But now the truth is still asked.
From Siraja Bonang-Bonangwas born Guru Tantan Debata who had a son
namely Siraja Batak. Siraja Batak was the first ancestor of the tribe Batak (
Siahaan 1982 :3).
The children of Siraja Batak , namely :
a.
Guru Tatea Bulan
Guru Tatea Bulan and Siboru Baso had got married and they had nine (9)
children consisting of five (5) they are :
•
Siraja Biak-biak
•
Tuan Saribu Raja
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•
Limbong Maulana
•
Sagala Raja
•
Malau Raja
And four (4) daughters, they are:
•
Siboru Pareme
•
Siboru Anting Sabungan
•
Siboru Biding Laut
•
Siboru Nan Tinjo
Limbong Maulana became the lineage of Limbong family name, Sagala raja
became the lineage of Sagala family names, and Malau raja became the lineage of
Malau family names. Tuan saribu raja had three wifes, one of them was his sister
Siboru Pareme, who gave a son named Siraja Lontung. The second wife named
Nai Mangiring Laut, who gave a son namely Siraja Bo-bor. And his third wife
was Harimau ( tiger) who also gave a son namely Babiat.
b.
Raja Isombaon
Raja Isombaon had three (3) sons, namely :
•
Tuan Sori Mangaraja
•
Raja Asi-Asi
•
Sangkarsomalindang
Tuan Sori Mangaraja had three wives, two of them got intermarriage with
his cousin which from Guru Tatea Tulan, they were Siboru Anting Sabungan and
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Siboru Biding Laut and his third wife namely Siboru Sanggul Haomason. From
the three wives, Tuan Sori Mangaraja had three children, namely:
•
Tuan Sorba Dijulu or Nai Ambaton from his wife Siboru Anting Sabungan
•
Tuan Sorba Dijae or Nai Rasaon from his wife Siboru Biding Laut
•
Tuan Sorba Di Banua or Nai Suanon from his wife Siboru Sanggul
Haomason.
This lineage was become the time of appearance the Batak family names.
Batak tribe and all family names came from Siraja Batak lineage untill this
generation.
2.3
The Relationship Dalihan Na Tolu with the Kinship in Batak
Dalihan NaTolu
is the identify of Batak ethnic. Vergouwen (2004)
“Masyarakat dan Hukum Adat Batak Toba” says that Dalihan Na Tolu is the
element of kinship in Toba Batak society. So, the sub-ethnic of Toba Batak is
connected each other. Dalihan Na Tolu from another side is stove that has three
foot ( tungku berkaki tiga), there prop up each other.
Part of Dalihan Na Tolu becomes the base principle in society system of
Batak, such Toba Batak, Mandailing-Angkola-Sipirok-Padang Lawas Batak,
Simalungun Batak, Karo Batak, and Pak-Pak Dairi Batak (Gultom 1992:2). It
means that Dalihan Na Tolu is the basic of principle which is used as a system of
community and kinship structure in Toba Batak society. It is still valid in Toba
Batak society.
Any rules must be based on three structures of Dalihan Na Tolu, the Hulahula, boru and Dongan sabutuha, that these provisions and the kinship system is
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prevailing in the community and it is used in the process of marriage, it is not
deviate from the basic principles Dalihan Na Tolu.
From the religion aspect, Dalihan Na Tolu describes about the human
relation with the creator (God). Called banua toru, banua tonga (earth), and
banua ginjang (the heaven). Tobing (1963) says that the Batara Guru, Bala
(Mangala) Sori, and Bala (Mangala) Bulan is the deligation by the Hula-hula,
Dongan Sabutuha, and Boru.
The analogy of the three stoves represent a social structure in Toba Batak
society, namely : Hula-hula, Boru and Dongan sabutuha. They have a matter and
responsibility as a doer of the responsibility on their position in one time. In
Dalihan Na Tolu, their surname is absolute their position.
Dongan sabutuha as one of the parts of Dalihan Na Tolu has a meaning.
Namely, Dongan sabutuha is the family that contents father, mother, and the
children. In the Toba Batak family, it is called “saripe”. The children who are
born from a mother called sabutuha ( one stomach), but the son is the next
generation of their father’ surname, and the daughter ( who has gotten married)
will follow their husband’ surname.
Hula-hula means the brother of their wife (wife giver) for another group or
clan. The hula-hula will present if there is a relationship of marriage. In Toba
Batak society, hula-hula is the source of blessing “pasu-pasu”. It is caused Tulang
(uncle) like mata ni ari binsar (sun shines). “somba marhula-hula” is the
important idiom to be remembered
by Batak tribe. For Batak tribe, the
economical of their Tulang is not a size for the blessing.
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A daughter and her husband will be called as Boru in a party which is
done by Hula-hula ( wife giver). Commonly, Boru is the girl, but in custom of
Toba Batak, Boru is the clan that recipient’s wife, example : the girl who has got
married, will follow her husband’s clan and her husband will be Boru in the
recipient’s wife family. In batak tribe, “Elek marboru” is the idiom must be
applied to their Boru, because of Boru is the important thing in custom of Batak
tribe.
In Toba Batak society, the system of Batak kinship hold an important rule
in having a good relation between personality or society with its environtment.
The kinship in Toba Batak :
•
Amang
: Father, calls respect for the man
•
Inang
: Mother, calls respect for elder woman
•
Amangtua
: Father’s elder brother, the husband of mother’s elder sister
•
Inangtua
: Mother elder’s sister, the wife of father’s elder sister
•
Amanguda
: Father’s little brother, the husband of mother little sister
•
Inanguda
: Mother’s litte sister, the wife of father’s little brother
•
Amangboru
: Husband of father’s sister
•
Namboru
: Father’s sister
•
Tulang
: Mother’s brother (uncle)
•
Nantulang
:Wife of Tulang
•
Opung
: Grandmother or Grandfather
•
Akkang
: A call to elder sister to sister or brother to brother
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•
Anggi
: A call to the little sister to sister or brother to brother
•
Pariban
: Namboru’s daughter for girl or Tulang’s daughter for boy
•
Ito
: A call of brother to sister, or sister to brother
•
Bere
: A call from the mother’s brother to son of mother
2.4 Adat Values of Toba Batak
Toba Batak Cultural Ecology great influence in the formation,
preservation and cultural value changes Toba Batak. Harahap (1987:142)
says that the strong influence of traditional religion and the high intensity of
the challenges of living in communities Toba Batak personality has formed
a firm and resilient to face the challenges of life. In this case there are nine
(9) values Toba Batak’s culture that remains embedded in the Toba and
described in a sequence based on the frequency of the requirement.
1.
Kinship
34.33%
2.
Religion
17.25%
3.
Hagabeon
12.32%
4.
Legal
12.25%
5.
Advances
6.87%
6.
Conflict
5.28%
7.
Hamoraon
4.58%
8.
Hasangapon
3.70%
9.
Auspices
3.52%
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From the description above clearly visible details of each cultural values
and their relation to one another. Position Kinship and Religious values are higher
than any value, proving that indeed the primordial spirit of Toba Batak has strong
ethnic and religious as well as all the typical Toba Batak people. It is a unique
personality that Toba Batak dynamic figure, or horas (hard) and tenacious in
togetherness and independence but have conflicted in solidarition simultaneously.
Similarly, the behavior of the embodiment of Toba Batak well as family members,
as Batak, Indonesia as a nation and as a world citizen.
1.
Kinship
Relationships between people in public life set in Toba Dalihan Na Tolu
kinship system. Relationship with the system has been taught to children since he
began to recognize the closest environment, those closest in his life, especially the
mother, father and siblings. Along with the introduction of others was introduced
to her clan and the values contained in the complete understanding of the
principles clan Dalihan Na Tolu (hula-hula, dongan sabutuha and Boru). Early
socialization is said that the call of kinship complete with key words contained in
the vocabulary in relation Dalihan Tolu. So people are very adept Toba exposure
associated with kinship clans pedigree. Everyone has a position as Toba Batak
suhut, hula-hula and Boru. No one just sits as the position of the hula-hula, and
even Boru suhut alone. So this kinship Toba Batak educate people to be
democratic and transparantic. Another thing that characterizes the Toba Batak
kinship, in terms of relationships. Strong solidarity Toba teaches people to always
be friends rejoice at once divides grief, so that non-Toba Batak people will be able
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to understand the behavior of the Toba Batak solidarity. The traditional advice is
considered very important wherever located or wander.
2.
Religion
Religious covers a part of a religious life, both traditional religion or
religious who come later that regulates to do with the creator and its relation to
mankind and the environment. A religious in cultural values was very high, toba
though a lot of influence into people's lives was toba there are trust ancestors who
remain coloring behavior was, religious people even though the behavior of
religious it ' s very strongly opposed by religion of protestant christianity as the
religion was wide following on the ground. The religious behavior among others:
entomb back the bones of the ancestor, give an offering to parents and hula-hula,
give ulos to boys and girls, and various customary behavior the other.
3.
Hagabeon
An in offensive one traditional hagabeon was famous delivered at the
time of the ceremony of marriage is an expression that is hoped that it will be to
newlyweds endowed with boys and girls. The concept of hagabeon derived from
thinking that the force that tough to build only come from number of people who
much. A measure of hagabeon is large families and an advanced age at once into
a role model of society. Religious and hagabeon closely related once, the honor
and glory was obtained only with blessings Mulajadi Na Bolon of being in reality
due to hula-hula.
The the kinship relation which is strong in the social life of culture of the
toba prove to be in family involvement male and female of the element Dalihan
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Na Tolu. The involvement of this continuous sustainable so that his descendants
shall not lose his identity though be in various influence non- Toba Batak was.
Hula-hula is the grantor happiness, the tranquility inward and also a source of
advances.
The obidient ofboru tohula-hulais a religious obidient. That shows in this
umpasa( proverb),
Ia tambur bonana
kalau subur pohonnya
Rugunma dohot punsuna
pucuknya pun rimbun
Ia gabe maradongkon hula-hula
mulialah pemilik hula-hula
Songon i ma dohot boruna
begitu jugalah dengan borunya
Hula-hula do bona ni ari, bona ni ari hangoluan, na manumpak
manggabei di angka boruna, tudoshon mata ni ari bona ni hangoluan, na
mangalehon sondangdohot halasan tu nasa na tinompa. That means hula-hula is
a day source of life, day who forges sublimity of happines to the boru, and to
source of life, as the sun who gives light and pleasure to all beings.
4.
Legal
Legal traditional awareness containing meaning religion while legal
formal awareness law containing meaning relationship between humans.
Traditional legal rules is coming from Debata Mulajadi Na Bolon by hula-hula,
through ancestors governing human relations with man and the natural
surroundings. And formal law only regulates relations among human beings.
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There are many expressions of Batak Toba which demonstrate the power
of this law called the padan (accord). Accord is the agreement, pledge, agreed to
by people who promise. Padan breach due to heavier than a violation of the law,
because the rewards of an offence is in accordance not only borne by the
offenders but also to the generations of his descendants. Padan is private and
confidential, is thought to contain the curse, spoken without any witnesses. This is
the background behind the value of keeping our promises to the Toba is very
strong.
There is also a poda or advice being taught by their ancestors. People who
do not comply will be excommunicated from poda.
5.
Hamajuon (Advances)
The Advances in the community of the Toba cannot separate with
Christian Missionary who entered the region of Batak Toba culture. There are 9
things people of Toba Batak do to reach a value of Hamajuon: with hard work,
responsibility, study, merantau, adaptation to the new environment, persistent,
meticulous and ingenious, receive updates and be honest.
6.
Conflict
Conflict in lives of Batak Toba spur independence and dynamics as well as
coaching life. The system of kinship Dalihan Na Tolu has a mechanism to resolve
conflicts through deliberations close family, meetings and meetings of indigenous
villagers. The root of the conflict lies mainly on the value of culture 3H
(Hamoraon, Hagabeon, Hasangapon) and also solved with the 3H culture.
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Dalihan Na Tolu also cannot play a role in resolving conflicts and serves as a
mediator between the two parties in conflict, where hula-hula take active part to
resolve conflicts which is has a sense of forcing, because peace in kinship very
important.
Pisang na marsomba
pisang yang menyembah
Ndang jadi tampulon
tidak boleh ditebang
Tangan manomba
tangan menyembah
Ndang jadi tulahon
tidak boleh ditolak
In the socialization process of Toba people, living in conflict become an
integral part of socialization together with other components. Since small children
are used to seeing, hearing, engaged, or involved in the conflict. Thus the child
feel and appreciate that almost every aspect of life can be a source of conflict.
Conflict is apositive aspect of socialization process involving continuous training
tobe able to analyze every issue, trains used to think the way priorities. The
process involves or involved in a conflict educate Toba Batak people to be
transparant.
7.
Hamoraon
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Arta do hasangapon in batak, molo godang hepengna, dohot bangkena
marsangap ( Ruhut, 1984: 35 ). It means that the wealth makes people come to
honor and more thoughtful. Hamoraon or wealth in daily life the toba is missi
culture prominent even been rooted before christianity enters the Batak land.
Pressure group having hamoraon against most people into a driving the toba to fix
her life.
Dynamics grabbed hamoraon no stopped. Already rich not enough, hence
to work hard to until at the level of rich highway. But center atmosphere
competition a high solidarity fixed judgments of to an end together is rich
highway. Mentality is unique; keep solidarity in the competition.
8.
Hasangapon
Hasangapon or Value the dignity, honor, and glory, including among the
cultural mission of 3H (hagabeon, hamoraon, hasangapon). If a Toba has had a
value of kinship, religion, hagabeon, legal awareness, progress, had bisuk,
wisdom in resolving conflicts, as well as successfully into the rich, then her
dignity already to the extent the honorable and glorious. Hasangapon can be said
to be the top result obtained after having success and cultural mission of 3H.
In this element Dalihan Na Tolu also serves in the attitude of mutual
respect between rights and obligations any society was. Harmony and affection
brothers is one of the requirements important to determine whether someone have
or having not hasangapon. Because harmony in the kinship can only be
maintained if people have holong ( love ). Hasangapon as one of the mission
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culture 3H is cultural values main that characterizes a Toba person was perfect to
fit the values of Toba culture. The toba who has achieved sangap standard policy,
is the grantor giver habisuhon ( wisdom ), at once become a model of society.
9.
Auspice
Auspices is the giver the giver of prosperity, wisdom, protective inner
peace, adhered to the system of kinship Dalihan Na Tolu portrayed by hula-hula.
The independence that has been ingrained put auspices became so honored. The
auspices were imposed only at critical moments, such as when the people who
auspices suffering either born or inner. Auspices usually is the ruler or King of the
hula-hula position and in his position should be followed. But even if obedience
to the Auspices kept, Toba Batak people with his personality remained unruly
manifest independence without relying on the auspice.
3. The Analysis
3.1 Kinship
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