Arthur and Esther
Transcription
Arthur and Esther
Please Enjoy the Following Sample • This sample is an excerpt from a Samuel French title. • This sample is for perusal only and may not be used for performance purposes. • You may not download, print, or distribute this excerpt. • We highly recommend purchasing a copy of the title before considering for performance. For more information about licensing or purchasing a play or musical, please visit our websites www.samuelfrench.com www.samuelfrench-london.co.uk Arthur and Esther A Play For Two Soloists Ross Howard A Samuel French Acting Edition samuelfrench.com samuelfrench-london.co.uk Copyright © 2014 by Ross Howard All Rights Reserved Cover photograph by Antonia Reid arthur and esther is fully protected under the copyright laws of the United States of America, the British Commonwealth, including Canada, and all other countries of the Copyright Union. All rights, including professional and amateur stage productions, recitation, lecturing, public reading, motion picture, radio broadcasting, television and the rights of translation into foreign languages are strictly reserved. ISBN 978-0-573-11461-8 www.SamuelFrench.com www.SamuelFrench-London.co.uk For Production Enquiries United States and Canada [email protected] 1-866-598-8449 United Kingdom and Europe [email protected] 020-7255-4302 Each title is subject to availability from Samuel French, depending upon country of performance. Please be aware that ARTHUR AND ESTHER may not be licensed by Samuel French in your territory. Professional and amateur producers should contact the nearest Samuel French office or licensing partner to verify availability. CAUTION: Professional and amateur producers are hereby warned that ARTHUR AND ESTHER is subject to a licensing fee. Publication of this play does not imply availability for performance. 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IMPORTANT BILLING AND CREDIT REQUIREMENTS If you have obtained performance rights to this title, please refer to your licensing agreement for important billing and credit requirements. arthur and esther was first produced at The Studio at Cherry Lane Theatre, New York on 21st August 2007. The performance was directed by Sarah Norris with lighting by David Diaz. The cast was as follows: aRTHUR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Taylor Hanes This version of the play was first produced at the Onyx Theatre, Las Vegas, on 9th November 2012. The performance was directed by Brandon Burk with lighting by Jake Copenhaver, set by Michael Morse and David Sankuer and music by Zoë Kohen Ley. The cast was as follows: aRTHUR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Taylor Hanes esther. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Breon Jenay Characters ARTHUR HUEY – Long-serving community librarian. Mid 50s. ESTHER HUEY – His wife in life. Eternally youthful. Mid 20s. Scene A low lit, empty library in the north-west of England and a brightly lit area somewhere in the afterlife. Acknowledgements Jerry L. Crawford, Sarah Norris, Jim Amstutz, Becky Coleman, Jakob Holder, Quinn M. Corbin, Oscar F. Limon, Dana Martin, Brandon Burk, Anthony Del Valle, Glenn Casale, Jayme McGhan, Lisa Easley, Timothy Trimingham Lee, Jeff Martin, Timothy Daly, Bruce Pachtman, Charles O’ Connor, Mark Muro, Peter Corkhill, Jensen Mabe, Marcel Nunis, Renee Newlove, Tom Atkinson, Stephen Barnett, Nadia Papachronopoulou, Antonia Reid, Geoff Leesley and Violet Patton-Ryder. This play is dedicated to Taylor Hanes and to Mum and Dad ARTHUR AND ESTHER (A low light up on ARTHUR. He sits behind a table with an old sports bag to one side of him and a litre bottle of water on the other.) ARTHUR. Long lost patrons. Loyal to the last. You catch me in a point of fall. (He unzips the sports bag and begins to rummage through it.) Things have…capsized. If you can grasp my meaning. But to continue…and establish things…in an accurate manner, I must make it clear that I am not “lost at sea”. No not at all. Nor do I feel like I’m “up the creek without a paddle”. (His rummaging increases with purpose.) It’s important I think… I think it’s important to get your metaphors in order. Water related or otherwise. (He pulls out a tub of paracetamol. He studies the label.) ESTHER. (in the darkness, she speaks in a rapid tempo, a heightened sort of monotone) In over your head, out of your depth, heavy, so, so heavy, pushing, pushing down, pulling you down, push— heavy again, very heavy, heavy, light, light now, light, feeling light, light, dark, darker, darker, black. ARTHUR. Things are bad, have gone bad…but I do know where I am. By God, I do know that. It’s what to do next…or rather how. (He attempts to open the tub but somehow is unable to do so.) (Bright lights up on ESTHER. They are almost blinding at first. She looks down at herself, what she is wearing. She looks at her hands with a sort of wonder, she touches her face, runs them down her body etc.) ESTHER. Where are we now? Look at me. Look at you. Who are you? Crikey, look at…my hands! (She grabs her backside. She smacks her backside. She looks down at her 9 10 ARTHUR AND ESTHER breasts.) Well! This place is different! So who are you, seriously? Sorry, blimmin’ ’eck. I mean, hello. Hi, what are your names? So we’ve moved. Why’ve we moved? You seem a little, I don’t know, little nervous. You know really don’t be, it’s fine honestly – yeah, yeah, no, me too. I’m nervous. Where are we? ARTHUR. I do know where I am. By God, I do know that. It’s what to do next…or rather how. I’ve already decided what I’m going to do. As for why…well I just want to have my say first. And somebody to listen. (He bangs the tub on the edge of the table.) They’re closing my library and I’m going to kill myself. (He again tries to open it more forcefully but is just as unsuccessful.) On deciding the method, one of the perks of being a librarian…and of a library, has always been that information – on any given thing I might add – is always right there under your nose. Now with the internet, they say it’s all at your fingertips. People seem to be getting lazier and lazier. The joy of searching for something and finding it, like you’re a…persistent detective trying to crack a case…that’s…gone. I foresee a time when everyone will just have wires stuck on to their head, wires trailing behind them as they walk, and every thought process they might have or question they have will be answered immediately by a supersonic electronic boost. A cocktail of megabytes, volts and megawatts surging into the brain and PDF, MP3, zip-zap documents opening with a flickering, scrolling speed. Accompanied by the flashing pop up box telling you you’ve won a yacht. So congratulations for thinking. Or thinking about thinking. (He reads the label on the tub.) I sound… I know. But civilization is crumbling. (He takes out a pair of glasses from the top pocket of his shirt under the sweater.) ESTHER. It’s been like this from the start, don’t you think? No explanations. Just to wait. You can say a little something. It’s okay, really. Anything? So why are you here? What did you do? (A beat) Wait, wait, wait. I asked ARTHUR AND ESTHER once, I said, “Are we in Purgatory or something?” but they just smiled at me all condescending like I was asking if Father Christmas and his reindeer had been here yet. I think they also thought I was being ungrateful and were kind of offended. Well he did. Thingumybob. He looked like he was put out a little. You know the one I’m talking about? Looks a bit like Burt Reynolds from that movie White Lightning? Everyone else just comes and goes but he’s the only one I really see all the time. Where was he before, I wonder? He’s the one I always see. I nearly asked him if he was God once but I thought that after the whole Purgatory thing it could get round here that I’d gone crackers. (A beat) Besides, he seems more like he’s in the administration side of things. But eh, just imagine. That he was God. What an anti-climax, I’m just saying. But I mean, he’s handsome. If you like that kind of thing, I suppose. And most people do. Funny. ARTHUR. My father used to say “Melvil” – that wasn’t my name but when my father spoke you listened – “Melvil, there is nothing like the smell of a book.” (He puts his glasses on and immediately takes them off.) And I think he’s right. My father loved books and kept a respectable library at home as well as the one he kept here between these four walls. (He wipes the glasses with his sleeve, breathes on them and polishes.) At the dinner table we would quiz him on the opening line of any literary masterpiece you can think of and he would recite it word perfect. But just weeks before he died he confessed that he had only read the opening two pages of every great novel written in the English language and never went beyond. (He puts the glasses on and pushes them to the end of his nose.) I admitted to him that on nights I couldn’t sleep I would sneak downstairs for something to eat and catch him systematically bending the spines in four different places of his newly delivered paperbacks and putting them on the shelves giving them the look of having been read. (He reads the 11 12 ARTHUR AND ESTHER top of the cap of the paracetamol tub.) He apologised and just asked me not to tell Mother. I never did. But when I visit his grave from time to time and read the epitaph which my mum suggested, it breaks my heart… “Here lies Alvin Frank Huey 1926-1987. Loving husband to Mary. Loving father to Arthur. He lived his life cover to cover.” (Silence) ESTHER. So come on, where the hell are we? I know we’re not in Hell. I mean you all look great! (Silence) You’re welcome. And me too. (Touches her face) I mean, I can tell, and the food here’s cracking! And eh, come on, we don’t really have to lift a finger, do we? I mean, in some ways, we’ve come up trumps. It’s also quite temperate for another thing and there’s no blasting furnace or senseless whippings or anything like that. So it’s not Hell. You know what I’m on about. No one’s running around wailing and tearing at their hair or raping and torturing the new arrivals or anything like that, are they? No forced sing-alongs. I mean, can you imagine? Crikey. But maybe that’s on the other wing. Who knows? (A beat) You don’t, do you? I mean you can tell me. ARTHUR. But back to the…of where I was going. Where I started. The method. Since it was published in 1982, we have had a book in the library, 28 Ways to Terminate Your Existence and Questions You May Have by Montgomery Swank. A Canadian. ISBN 0453527941. We kept it in our “Personal Development” section at first. (He slowly and precisely turns the cap of the paracetamol.) It’s a well-known book among librarians as we frequently have to re-order it. For reasons you would imagine. It’s seldom returned once checked out. Testimony to the accuracy of the content, I suppose. (He opens the tub with an unnecessary force and the paracetamol shoot out. He prowls the floor collecting the pills, wiping them on his sleeve and putting them back into the tub.) We later kept it under “Restricted Use”. I wouldn’t regard myself as a penny pincher – it’s just one book – nevertheless, it all ARTHUR AND ESTHER adds up. Just out of curiosity and given the history we had with that particular book, I would monitor what kind of people would be looking at it. Mostly it was medical students and the like, which I thought was all innocent enough. You did get others who seemed to have more of a vested interest, but it wasn’t my place to interfere. I never felt right about that kind of thing. (He takes two paracetamol with water.) But anyway, when they told me of their plans to close the library they offered me a settlement and said I could keep as many books as I had room for at home. For some reason, I could only think of the Swank book and I took it home with me that night. They came by yesterday and boxed everything up and today they took everything away. They left me the keys so I could say goodbye to the carpet and windows and then I’m to lock up and switch the lights off, they said. (He reaches into the sports bag and pulls out a petrol can and a large box of matches.) ESTHER. They don’t tell us anything. It’s not like it’s bad here, I mean don’t think I’m complaining but you can tell we’re in a different place now, that’s all I’m saying. Like something really amazing is going on just over there somewhere and we’re stuck here. Somewhere just nearby. Like you can hear it, feel it, smell it almost. Up on the next floor or across the river or what have you. It’s just a feeling you get, you know? Almost like we’re in Birkenhead. You know? With Liverpool just over there in the distance. I don’t know, I’ve never spent much time in that neck of the woods if truth be told. Merseyside. But I once went to a pottery class and there was a lady who was from there and she wasn’t all that bad really and she said it was alright. So I suppose when I put it like that it comes highly recommended. (A beat) I know Southport of course. Formby. They’re not Blackpool. But that’s just me. I don’t know where you stand on all that. The Battle of the Beaches. As nobody calls it. No, this is not Hell. Can’t be. It just doesn’t have that…ambience. No. So where are you 13 14 ARTHUR AND ESTHER all from? Geographically speaking? You know, it’s so cosmopolitan here, if people spoke to one another I think we’d really learn a lot about things. ARTHUR. “Huey” as a last name came solely from my father. Our family name is Dewey, which is an influential name in the development of libraries across the United States of America. My great-grandfather is Melvil Dewey. If you have heard of the Dewey Decimal Classification System, well that was his idea. He came up with it when working as an assistant librarian at university over there. He was only there for three years, and that’s what he did while he was there. So you could say we have libraries in the blood in our family. ESTHER. Just no children here. Strange. I sort of miss them. It must be just a life on earth kind of thing, kids. Makes sense, I suppose. We never had children, Arthur and I. I mean, I couldn’t, you know. Or he couldn’t. Or something. One of the two anyway, or both. I mean, they could never really tell us why. That library, that was his baby. (A beat) If I could do it all again, I’d have been a mother. We’d have made that happen somehow. I’d have made sure about that. A boy would have been just cracking. He’d have been a little smasher. Maybe two boys. A pair of sons. Daughters are all well and good, but, well there’s all kinds of things that can go wrong or happen to daughters. They grow up so fast. Especially these days. Down there. But sons – as long as they stay out of prison they’ll be just fine really. (A beat) Something the both of you can share and invest in. Something together. Keep the whole planet ticking along. Human beings with your physical likeness, you know, just walking around on earth, swinging arms gently in the pouring rain…or even just standing there looking all serious, eating an apple or what have you. Maybe they’d have liked waving to strangers. Not like they were – like they weren’t with it, you know. I just ARTHUR AND ESTHER mean they’d have been real friendly types. Eh, they’d have been right little belters. ARTHUR. Great-grandfather Dewey also helped found the community of Lake Placid too. During their Great Depression his son, Godfrey, my grandfather, was president of the organizing committee of the 1932 Winter Olympics which were to take place there. He donated some of the family land to be used for construction of a bobsleigh run. It was then that the two-crew event as we now know it was introduced. (He unscrews the top of the petrol can, sniffs the contents and grimaces. He screws the top back on.) Despite being born into such circles, my father wanted to be exposed to more and at the age of nineteen went to Europe, defeated Hitler, found himself in Lancashire carrying a slight limp and a smuggled German officer pistol, and met my mum at a bus stop. She was a Roget. As in the thesaurus. And the Dewey family were delighted with the prospect of uniting with the Rogets. Two of the great families in the history of reference. But my mother’s family were all mill workers from Ramsbottom, partially illiterate and no relation. With the very real threat of disownment from the Dewey family once they found out, my father changed his last name to Huey, married my mother and they stayed right here. He took the community library position here. When I was old enough I became his assistant. When he died, I was captain of the whole ship. Until last week. ESTHER. They’d have been right little smashers. I’m sure of that. Still, it’s not everything. And it’s really no excuse when it comes down to it and no one can say for sure if that would have changed things any. And I really did try to keep things going for the both of us… “keep things going”… I mean, I don’t mean it was as bad as all that, I mean me and Arthur, well we’re talking about twenty-nine years. I just mean I’d do things because I loved him. I still love him. Even 15 Hungry for More? This is a Sample of the Script Buy the full script and explore other titles www.samuelfrench.com www.samuelfrench-london.co.uk Titles are subject to availability depending on your territory.