Klavirsko_tekmovanje_knjižica - Društvo Consortium musicae

1. mednarodno klavirsko.
tekmovanje “Aci Bertoncelj” 2012.
1st International Piano Competition.
“Aci Bertoncelj” 2012.
Velenje, 26.–28. oktober 2012
V sodelovanju z /
in cooperation with
Aci Bertoncelj (1939-2002)
“Človekov pogled naj bi bil poln
upanja zazrt v prihodnost. Pride
pa čas, ko se nehote ozreš nazaj
na pot, ki so vanjo vtisnjene
tvoje sledi. Če je ta pot ostala
pusta in samotna, se tolažiš z
mislijo, da si njim, ki bodo prišli
za tabo, le utiral stopinje, če pa
se ti pogled ustavi na bogatem
žitnem polju, ki si ga zasejal, te
razveseli tudi pogled na žanjce
in žanjice, ki si jim s svojo
setvijo omogočil uživati sadove
tvojega in svojega dela.“
Aci Bertoncelj
“A view of a man, full of hope
should be cast into the future.
Though the time comes when
you look back spontaneously on
the path marked by your traces.
If their path remains barren and
solitary, you are comforted by the
thought of having paved the steps
together with those following you;
but still if your gaze rests on the
cornfield that you sowed with
seeds, you might rejoice at the
sight of the harvesters who, by
your sowing, can enjoy the crops
of your and their efforts.“
Aci Bertoncelj
nastopal po Evropi, ZDA, Kanadi in Izraelu. Sodeloval je s številnimi tujimi in domačimi vrhunskimi glasbeniki: Ivry Gitlisom,
Heinrichom Schiffom, Andreasom Reinerjem, Ireno Grafenauer, Marjano Lipovšek, Igorjem Ozimom, Cirilom Škerjancem,
Dejanom Bravničarjem in mnogimi drugimi. S Škerjancem in
Bravničarjem je dolga leta zelo uspešno nastopal v Triu Tartini,
deloval pa je tudi kot pianist-solist v Ansamblu Slavko Osterc.
S posebno afiniteto se je loteval slovenskih sodobnih skladb,
mnoge so bile napisane prav zanj, tuja pa mu nista bila niti
jazz in improvizacija. Njegove interpretacije so kritiki opisovali
kot polne poleta, jasno začrtanih glasbenih vsebin, slogovno
jedrnate in tehnično brezhibne. Prejel je mnoge visoke nagrade. Za zasluge, ki jih je imel pri razvoju sodobnih slovenskih
klavirskih del, je prejel (prvo) častno članstvo v Društvu slovenskih skladateljev. Plošča, ki jo je posnel skupaj z violončelistom
Heinrichom Schiffom za diskografsko hišo EMI je bila nagrajena z Grand prix du disque Edison. Za svojo, skoraj 40-letno
prisotnost na domači in mednarodni glasbeni sceni je prejel še
nagrado Prešernovega sklada za pianistične dosežke (1972),
nagrado Mesta Ljubljane in Društva slovenskih skladateljev.
O Aciju Bertonclju
Aci Bertoncelj je na glasbene odre prišel kot čudežni otrok. S
poukom klavirja je začel pri prof. Zorki Bradač, nadaljeval pa
na ljubljanski Akademiji za glasbo v razredu prof. Hilde Horak.
Pomembno so nanj vplivala nadaljna leta študija v Parizu pri
Pierru Sancanu in v Rimu pri Guidu Agostiju. Izpopolnjeval se
je tudi v Salzburgu, kjer sta bila njegova mentorja Carlo Zecchi
in Hans Leygraf.
Od leta 1979 je deloval kot profesor klavirja na Akademiji za
glasbo v Ljubljani. Klavir je mnoga leta poučeval tudi na mednarodnih mojstrskih tečajih v Viktringu na avstrijskem Koroškem
in na srednji stopnji Glasbene šole Fran Korun Koželjski v Velenju. Vzgojil je številne generacije slovenskih pianistov, mnogi so
danes pedagogi tudi na Glasbeni šoli Fran Korun Koželjski.
Bil je eden najpomembnejših pianistov takratnega jugoslovanskega glasbenega prostora. Kot solist in komorni glasbenik je
.4.
About Aci Bertoncelj
celist Heinrich Schiff. For his 40-year contribution to music developments he received the France Prešeren award (1972, for piano
interpretations), the City of Ljubljana Award and an Award of the
Society of Slovene Composers.
From his early years, Aci Bertoncelj was considered a prodigy. He
started his piano lessons under Prof. Zorka Bradač, and continued
at the University of Ljubljana, Academy of Music, in the class of
Prof. Hilda Horak. Studies under Pierre Sancan (Paris) and Guido
Agosti (Rome) further defined him. He completed his education in
Salzburg under Carlo Zecchi and Hans Laygraf.
He was a piano professor at the University of Ljubljana, Academy
of Music from 1979. He also taught international piano courses
at Viktring (Carinthia, Austria) for many years and at the Music
Highschool Fran Korun Koželjski in Velenje. He educated many
generations of Slovene pianists, many of whom are teachers at
the Fran Korun Koželjski music school today.
He was one of the most influential pianists at the time in the
former Yugoslavia. As a soloist and member of chamber groups
he performed in Europe, the US, Canada and Israel. He collaborated with numerous top foreign musicians including Ivry
Gitlis, Heinrich Schiff, Andreas Reiner etc., and domestic musicians including Irena Grafenauer, Marjana Lipovšek, Igor Ozim,
Ciril Škerjanc, Dejan Bravničar and many others. Along with Ciril
Škerjanc and Dejan Bravničar he performed very successfully in
Trio Tartini. He was a soloist for the Slavko Osterc Ensemble.
He had a particular affinity for modern Slovene classical music
and many pieces were written for him. In addition, he performed
jazz and improvization. Musical critics described his interpretations as exhilarating with clearly defined musical content, a crisp
style and technically perfect. He received numerous prestigious
awards. He was the first honorary member of the Society of
Slovene Composers for his contributions to the development of
Slovene piano music. He received the Grand prix du disque Edison
award for a CD (published by EMI) recorded together with the
.5.
vsa tolkala in saksofone v vseh različkih, harmoniko…). Ob gradnji
nove šole smo se že povezovali z drugimi profesorji, ki so poučevali po Evropi in nam bili pripravljeni pomagati: Igor Ozim, Branko
Slokar, Oto Vrhovnik, Franci Žibert, István Römer.
Aci je bil prvi, ki je prišel »skoraj za stalno« med nas. Prevzel je
pianistični razred in na naši srednji šoli vzgojil celo vrsto danes
znanih in priznanih pedagogov, korepetitorjev in koncertantov. Da
to ni bilo samo »poučevanje«, ampak širše – koncertno usmerjanje, kažejo tudi koncerti, ki jih je skupaj s svojimi dijaki organiziral
in izvajal. Naj omenim samo dva koncerta, s katerima je jasno
pokazal svojo umetniško vizijo in zapriseženost slovenski glasbi
in ju je prenašal celo VAL 202:
• koncert v počastitev 80-letnice skladatelja Pavla Šivica –
1. 3. 1988,
• koncert v počastitev življenjskega jubileja skladatelja
Primoža Ramovša – 18. 3. 1996.
V spomin Aciju Bertonclju
Aci Bertoncelj je tudi odločno »zastavil« svojo besedo, skupaj s
takratnim dekanom Akademije za glasbo, mag. Marjanom Gabrijelčičem, pri dogovorih in načrtih za ustanovitev univerzitetnega
pedagoškega programa Instrumentalna pedagogika z Univerzo
v Mariboru. Za ta program je sestavil krajšo pripravo študijskega
programa, ki je vključevala tudi dela slovenskih avtorjev, ki naj bi se
izvajala na letnih izpitih iz klavirja na Visoki glasbeni šoli v Velenju!
Zakaj v spomin Aciju:
Prof. Aci Bertoncelj je bil med prvimi slovenskimi akademskimi
profesorji, ki je spoznal in to tudi glasno povedal, da moramo
v Sloveniji mladim pianistom (seveda tudi drugim instrumentalistom in pevcem) omogočiti akademski študij poleg Ljubljane,
ki je v njegovem času delovala v zelo skromnih prostorih, glasbeno neprimernih in večinoma z iztrošenimi instrumenti, še kje
drugje, saj bomo sicer postali »glasbeno nerazviti«. In kje drugje
kot v Velenju, ki je v tistem času zgradilo (s samoprispevkom
državljanov) najsodobnejšo glasbeno šolo v Srednji Evropi, ki je
imela možnost poučevanja vseh instrumentov (tudi orgle, harfo,
Aci! Za vse kar si storil in kar si še nameraval storiti: iskrena hvala.
V imenu vseh velenjskih prijateljev glasbe,
Mag. Ivan Marin
Predsednik Častnega odbora tekmovanja
.6.
In memory of Aci Bertoncelj
Prof. Aci Bertoncelj was the first among his academic colleagues
who took on nearly a full time position here in Velenje. He established and led the piano department at Music Highschool and
educated a whole line of recognized educators, accompanists and
concert pianists. The fact that he was not only interested in teaching, but also in improving the artistic potential of his students, is
demonstrated in concerts that he organized and conducted with
his students. Allow me to mention two concerts where he clearly
demonstrated his artistic vision and dedication to Slovene music.
Both concerts were broadcasted on the Slovene national radio
station, VAL 202 live:
• Concert for composer Pavel Šivic's 80th Birthday, 1. 3. 1988
• Concert to comemorate composer Primož Ramovš, 18. 3.
1996.
Why do we remember Aci Bertoncelj?
Prof. Aci Bertoncelj was among the first Slovene academics who
recognized and publicly acknowledged the importance of higher
education for young pianists as well as other young musicians.
At the time, academic studies of music at the Academy of Music
of the University of Ljubljana were conducted in very humble surroundings with little room as well as inadequate and worn-out
instruments. Therefore, he was a great supporter of expansion of
academic studies beyond Ljubljana. Otherwise – in his opinion –
Slovenia was going to fall back in terms of musical development.
And where else would circumstances enable us to accomplish
his vision better than in Velenje, where the most modern music
school in Central Europe was under construction from voluntary
public funds, at the time? Students could learn any kind of instrument including the organ, harpsicord, percussion instruments,
saxophones and accordion. At the time of construction, collaborations were established with many professors working abroad
who were willing to help, including Igor Ozim, Branko Slokar, Oto
Vrhovnik, Franci Žibert and István Römer.
Along with the formal Dean of the Academy of Music from the
University of Ljubljana, Mag. Marjan Gabrijelčič, Prof. Aci Bertoncelj also strongly advocated the establishment of the university
level program, Instrumental Pedagogics, in collaboration with the
University of Maribor. In support, he prepared suggestions for the
curriculum and a list of pieces by Slovene composers to be performed during annual exams.
Therefore, Aci, for everything you have done and everything you
intented to do for musical development in Velenje and Slovenia:
thank you very much!
In the name of all music enthusiasts in Velenje,
Ivan Marin, MA
Chairman of the Honorary Committee
.7.
O naši šoli
Naj zaključim z mislijo: »Znanje je bogastvo, ki ga je vredno plemenititi vse življenje, glasba pa je univerzalna energija, ki povezuje vse ljudi sveta.«
Glasbena šola Fran Korun Koželjski Velenje je ena najpomembnejših in največjih vzgojno-izobraževalnih inštitucij s področja
glasbe v Sloveniji. Vsako leto se na šoli izobražuje na osnovni in
srednji stopnji skoraj tisoč učencev in dijakov. Z odličnimi prostorskimi pogoji, ne samo za slovenske razmere, temveč tudi izven
naših meja, ponuja možnost našim učencem in dijakom, da ob
visoko strokovno izobraženem kadru posegajo po najprestižnejših nagradah in priznanjih - tako doma kot v tujini.
Boris Štih, prof.
Ravnatelj Glasbene šole Fran Korun Koželjski Velenje in
Predsednik organizacijskega odbora tekmovanja
Vsi ti žlahtni dosežki so posledica tega, da poleg osnovnega poslanstva, izobraževalnega procesa, veliko pozornosti namenjamo dodatnemu izobraževanji v smislu mojstrskih šol in raznih
seminarjev z vodilnimi pedagogi iz celega sveta.
Poleg naštetega smo veliko pozornosti namenjali organizaciji regijskih, državnih in mednarodnih tekmovanj. Tako ni naključje, da
v letu, ko obeležujemo deseto obletnico smrti našega klavirskega
poustvarjalca in pedagoga prof. Acija Bertonclja, ki je mnogo let
deloval kot pedagog tudi na naši šoli, organiziramo 1. mednarodno klavirsko tekmovanje »Aci Bertoncelj«. V preteklosti smo dokazali, da takšne izzive znamo in zmoremo organizirati na najvišjem
kakovostnem nivoju in prepričan sem, da bo tudi tokrat tako.
Veseli me, da je prijavljenih več kot petdeset tekmovalcev iz
sedmih držav, ki bodo tekmovali v treh težavnostnih kategorijah.
Vsem tekmovalcem želim uspešne tekmovalne nastope in dobrodošli v Velenju.
.8.
About our school
The »Fran Korun Koželjski« Music School in Velenje, is one of the
largest and most influential educational institutions for music in Slovenia. Nearly one thousand students attend classess at the primary
and secondary/high school level every year. A combination of excellent facilities and highly educated teaching staff provide a nurturing
and stimulating environment for students enabling them to achieve
the highest honours at various domestic and international competitions. These achievements are related to a continuous emphasis on
master courses and summer schools led by respected domestic and
international music educators.
Over the years, our school has organized numerous regional, national and international competitions. So, it is no coincidence that we
have decided to organize the 1st international piano competition “Aci
Bertoncelj” on the 10th anniversary of his passing to commemorate
his efforts as a musical artist and educator. We have demonstrated
in the past that we are willing and able to organize such competitions with great success and I am certain this competition will be no
exception. I am delighted to welcome more than fifty competitors
from seven countries who entered this competition in three categories. To all the competitors I wish all the best and welcome to Velenje.
Let me conclude with the following thought: “Knowledge is wealth to
accumulate all your life, music is the universal energy which binds
people from allover the world.”
Boris Štih, prof.
Director of »Fran Korun Koželjski« Music School and
Chairman of the Organizing Committee of the Competition
.9.
Častni odbor tekmovanja
Honorary committee of the
competition
• Ivan Marin, predsednik
• Bojan Kontič (župan MO Velenje)
• Maja Klinar-Bertoncelj
• Ivan Marin, chairman
• Bojan Kontič (mayor of Velenje Municipality)
• Maja Klinar-Bertoncelj
Organizacijski odbor
tekmovanja
•
•
•
•
•
•
Organizing committee of
the competition
Boris Štih, predsednik
Katja Žličar Marin, vodja tekmovanja
Jerneja Grebenšek
Urška Šramel Vučina
Sanja Mlinar Marin
Ana Avberšek
•
•
•
•
•
•
.10.
Boris Štih, chairman
Katja Žličar Marin, competition manager
Jerneja Grebenšek
Urška Šramel Vučina
Sanja Mlinar Marin
Ana Avberšek
Komisija Junior / Jury Junior
Marija Skornšek,
predsednica / president
Jožica Grebenšek
Maja Klinar-Bertoncelj
Komisija A in B / Jury A and B
Renata Neuvirt
(Slovenija / Slovenia),
predsednica / president
László Baranyay
(Madžarska / Hungary)
Ruben Dalibaltayan
(Hrvaška / Croatia)
.11.
Rita Kinka
(Srbija / Serbia)
Oleg Marshev
(Rusija-Italija / Russia-Italy)
Nagrade
Kategorija JUNIOR:
Pokrovitelja kategorje Junior sta Pika Nogavička in Festival Velenje.
Kategorija B:
1. NAGRADA: 1000 €,
2. NAGRADA: 500 €,
3. NAGRADA: 300 €
Kategorija Junior ima značaj revije. Vsi tekmovalci dobijo priznanje za udeležbo (Zlato/Srebrno/Bronasto) in simbolno nagrado.
Posebna priznanja:
• Priznanje za najbolje izvedeno sodobno skladbo (po l. 1945),
• Priznanje za najbolje izvedeno slovensko skladbo,
• Priznanje za najbolje izvedeno obvezno skladbo,
• Priznanje GŠ Fran Korun Koželjski.
Podeljene bodo tudi posebne nagrade:
• Nagrada za najbolje izvedeno Debussyjevo skladbo,
• Nagrada za obetavnega mladega pianista,
• Nagrada publike,
• Zlata pika - najvišje priznanje Festivala Velenje.
Kategorija A:
1. NAGRADA: 500 €,
2. NAGRADA: 300 €,
3. NAGRADA: 200 €
Foto: Peter Marinšek!!!
Posebna priznanja:
• Priznanje za najbolje izvedeno sodobno skladbo (po l. 1945),
• Priznanje za najbolje izvedeno slovensko skladbo,
• Priznanje za najbolje izvedeno obvezno skladbo,
• Priznanje GŠ Fran Korun Koželjski.
.12.
Awards
Category B:
1. PRIZE: 1000 €,
2. PRIZE 500 €,
3. PRIZE: 300 €
Category JUNIOR:
Category Junior is sponsored by Pippi Longstocking and Festival
Velenje.
Category Junior has the features of a show. All contestants are
awarded (Gold/Silver/Bronze) and a symbolic prize.
• Award for the best performed Debussy composition,
• Award for the promising young musician,
• Award granted by the public,
• Golden dot - award granted by Festival Velenje.
Special awards:
• Award for the best performed contemporary composition
(after 1945),
• Award for the best performed Slovene composition,
• Award for the best performed compulsory composition,
• Award granted by the Music School Fran Korun Koželjski.
Category A:
1. PRIZE: 500 €,
2. PRIZE: 300 €,
3. PRIZE: 200 €.
Special awards:
• Award for the best performed contemporary composition
(after 1945),
• Award for the best performed Slovene composition,
• Award for the best performed compulsory composition,
• Award granted by the Music School Fran Korun Koželjski.
.13.
Urnik / Timetable
ČETRTEK / THURSDAY, 25. 10. 2012
19.30
Rita Kinka, recital / piano recital
Velika dvorana / Great Hall
PETEK / FRIDAY, 26. 10. 2012
Tekmovanje Kategorija B (1. etapa) / Competition Category B (stage 1):
Velika dvorana / Great Hall
10.00
I. del / Part I
15.00
II. del / Part II
17.00
Otvoritev razstave posvečene Aciju Bertonclju / "Aci Bertoncelj" Exhibition Opening Preddverje Modre dvorane / Blue Hall lobby
SOBOTA / SATURDAY, 27. 10. 2012
Tekmovanje Kategorija A / Competition Category A:
10.00
I. del / Part I
15.00
II. del / Part II
Velika dvorana / Great Hall
NEDELJA / SUNDAY, 28. 10. 2012
10.00
Tekmovanje Kategorija B (2. etapa) / Competition Category B (stage 2)
Velika dvorana / Great Hall
Kategorija Junior / Category Junior:
Orgelska dvorana / Organ Hall
10.00
Dopoldanski koncert / Morning concert
14.00
Popoldanski koncert / Afternoon concert
19.30
Svečani zaključni koncert in podelitev nagrad / Closing concert and prize
awarding ceremony
.14.
Orgelska dvorana / Organ Hall
Kategorija Junior
Category Junior
Kategorija Junior ima značaj revije.
• Starost: do 11 let (rojeni 2001 in mlajši)
• Program: Ena ali več skladb po izboru tekmovalca.
• Trajanje: Nastop ne sme presegati 6 minut.
Category Junior has the features of a show.
• Age: up to the age of 11 (born in 2001 and later)
• Program: One or more compositions chosen by the contestant.
• Duration: The performance should not exceed 6 minutes.
1
Brunšek Rok Tadej
Slovenija /
Slovenia
Cokan Patricija
Slovenija /
Slovenia
• D. Cimarosa: Sonata in G Minor
• P. I. Tchaikovsky: April (The Seasons, Op. 37a)
• B. Glavina: Uspavanka morskemu konjičku
2
• L. van Beethoven: Gertrude’s Dream Waltz
• I. Berkovič: Toccatina
3
Čelan Matjaž
Slovenija /
Slovenia
• M. Clementi: Sonatina in D Major, Op. 36/6
4
Čerček Maja
Slovenija /
Slovenia
• J. S. Bach: Two-Part Invention No. 1 in C Major, BWV 772
• F. Chopin: Waltz in A Minor, Op. posth.
• D. Kabalevsky: Seven good-humored Variations, Op. 51/4
.15.
• L. van Beethoven: Menuet in C Major
5
Dresler Dora
Slovenija /
Slovenia
Ernst Manca
Slovenija /
Slovenia
• S. Maykapar: Tale
• S. Bortkiewicz: It is Quite Certain (From Andersens fairy tales,
Op. 30)
• P. Šivic: Miki pleše (Iz Mikijevega godu)
6
• W. Gillock: French Doll
• M. Aaron: The Breakers
7
Feguš Jerca
Slovenija /
Slovenia
Horvatić Lana Lucija
Hrvaška /
Croatia
• M. Clementi: Sonatina in C Major, Op. 36/3, 1. Spirituoso
• C. Debussy: Le petit nègre
• W. Gillock: Summer Storm
8
• J. Haydn: Variations in C Major, Hob. XVII/5
• Y. Nakada: Etude in C Major
9
Hrovat Jure
Slovenija /
Slovenia
• C. Debussy: Golliwog's Cakewalk (Children’s Corner)
10
Jezdimirović Luka
Srbija /
Serbia
• J. Haydn: Sonata in E Major, Hob. XVI/31, 1st Mov.
• P. Šivic: Polž in svinčeni vojak
• V. Mokranjac: Three Dances
.16.
11
Jordan Borut
Slovenija /
Slovenia
• M. Tomc: Cigančki plešejo
• D. Kabalevsky: Sonatina (30 Children’s Pieces, Op. 27)
• C. Debussy: Le petit nègre
12
Kren Iris
Slovenija /
Slovenia
• J. S. Bach: Two-Part Invention No. 4 in D Minor, BWV 775
• C. Debussy: The Little Shepherd (Children’s Corner)
• L. M. Škerjanc: Nočna, Quasi valse
13
14
Matajič Marko
Slovenija /
Slovenia
Mežnar Anamarija
Slovenija /
Slovenia
• W. A. Mozart: Sonata in C Major, KV 545, 1. Allegro
• E. Grieg: Puck (Lyric Pieces, Op. 71)
• C. Debussy: Serenade for the Doll (Children’s Corner)
• J. S. Bach: Little Prelude No. 4 in D Major, BWV 936
• M. Bonsack Kalan: Pomladni valček
15
16
Pal Laura
Slovenija /
Slovenia
Podgorelec Anej
Slovenija /
Slovenia
• Fr. Kuhlau: Sonatina No. 2 in G Major, Op. 88, 1. Allegro assai
• C. Debussy: Mazurka
• J. S. Bach: Little Prelude No. 3 in C Minor, BWV 999
• F. Chopin: Cantabile
• W. A. Mozart: Sonata in C Major, KV 545, 1. Allegro
.17.
• J. S. Bach: Little Prelude No. 3 in D Minor, BWV 935
17
Pogačar Neža
Slovenija /
Slovenia
• J. Haydn: Sonata in D Major, Hob. XVI/4, 1st Mov.
• E. Grieg: Arieta (Lyric Pieces, Op. 12)
• E. Grieg: Puck (Lyric Pieces, Op. 71)
18
Radović Marija
Srbija /
Serbia
• J. S. Bach: Two-Part Invention No. 6 in E Major, BWV 777
• D. Despić: Duo pastorale, Alla marcia, Giuoco, Caccia
• G. Gershwin: Prelude No. 1 (Three Preludes For Piano)
19
Repas Ana
Slovenija /
Slovenia
• C. Debussy: Le petit nègre
• P. I. Tchaikovsky: The Sick Doll (Album pour enfants, Op. 39)
• M. Kozina: Divertimento No. 1 in A Minor
• L. van Beethoven: Sonatina in F Major, 1. Allegro assai
20
Ševerdija Nika
Hrvaška /
Croatia
• A. Gretchaninov: Happy meeting, Returning home (Grandfather’s
Book, Op. 119)
• B. Glavina: Gozdne ptice
• E. Grieg: Watchman’s song (Lyric pieces, Op. 12)
21
Škrbec Nejc
Slovenija /
Slovenia
• B. Bartók: Bagatelle, Op. 6/2, Allegro giocosso
• F. Liszt: Galop de Bal
.18.
• G. P. Telemann: Fantasia in G Minor, TWV 33:8
22
Špehar Boris
Srbija /
Serbia
• C. Debussy: Le petit nègre
• T. Hirayoshi: The Midnight Fire Festival
• J. S. Bach: Little Prelude No. 8 in F Major, BWV 927
23
Tovšak Neža
Slovenija /
Slovenia
24
Veternik Neja
Slovenija /
Slovenia
• J. S. Bach: Two-Part Invention No. 8 in F Major, BWV 779
25
Vodošek Anja
Slovenija /
Slovenia
• J. Haydn: Sonata in G Major, Hob. XVI/G1, 1. Allegro
• B. Martinu: I Think I Should Go To Sleep, What Shall We play Now?
Tag? (Spring in the Garden)
• C. Debussy: The Little Shepherd (Children’s Corner)
• F. Chopin: Polonaise in G Minor, Op. posth.
• J. S. Bach: Little Prelude No. 8 in F Major, BWV 927
26
Zagode Vitomir
Janez
Slovenija /
Slovenia
• J. Haydn: Sonata in G Major, Hob. XVI/G1, 1. Allegro
• F. Chopin: Klavierstück in E flat Major, KK IV b, No. 10
• F. Chopin: Polonaise in G Minor, Op. posth.
.19.
Kategorija A
Category A
Starost: do 15 let (rojeni 1997 in mlajši)
Age: up to the age of 15 (born in 1997 and later)
Program:
• obvezna skladba - ena izmed naštetih skladb C. Debussyja:
Arabesque št. 2, G-dur (Deux Arabesques), Doctor Gradus ad
Parnassum (Children’s Corner), The snow is dancing (Children’s
Corner), Prélude (Suite bergamasque), Passepied (Suite
bergamasque), Voiles (Préludes Livre I),
• prvi stavek iz sonate skladateljev J. Haydna, W. A. Mozarta ali
L. van Beethovna,
• ena ali več skladb po izbiri tekmovalca.
Program:
• obligatory piece – one of the listed compositions by
the composer C. Debussy: Arabesque Nr. 2, G-dur (Deux
Arabesques), Doctor Gradus ad Parnassum (Children’s
Corner), The snow is dancing (Children’s Corner), Prélude
(Suite bergamasque), Passepied (Suite bergamasque), Voiles
(Préludes Livre I),
• 1st movement of the sonata by composers J. Haydn, W. A.
Mozart or L. van Beethoven,
• one or more compositions chosen by the contestant.
Trajanje: Nastop ne sme trajati manj kot 15 minut in ne sme
presegati 20 minut.
Duration: The performance should not last less than 15 minutes
and it should not exceed 20 minutes.
• C. Debussy: Doctor Gradus ad Parnassum (Children’s Corner)
1
Beno Stela
Hrvaška /
Croatia
• W. A. Mozart: Sonata No. 10 in C Major, KV 330, 1. Allegro moderato
• F. Mendelssohn: Etuda in F Minor, WoO 1
• F. Mendelssohn: Rondo Capriccioso in E Major, Op. 14
.20.
• C. Debussy: Prélude (Suite Bergamasque)
2
Borkovič Luka
Slovenija /
Slovenia
• W. A. Mozart: Sonata No. 17 in B flat Major, KV 570, 1. Allegro
• F. Chopin: Nocturno in B flat Minor, Op. 9/1
• F. Chopin: Polonaise in E flat Minor, Op. 26/2
3
Božanić Ivan
Hrvaška /
Croatia
• C. Debussy: Passepied (Suite Bergamasque)
• L. van Beethoven: Sonata No. 3 in C Major, Op. 2/3, 1. Allegro con brio
• J. Brahms: Ballade in G minor (Klavierstücke, Op. 118)
4
Bucik Eileen
Slovenija /
Slovenia
• C. Debussy: Prélude, Clair de Lune (Suite Bergamasque)
• L. van Beethoven: Sonata No. 1 in F Minor, Op. 2/1, 1. Allegro, 2. Adagio
• S. Rachmaninoff: Prelude in G sharp Major, Op. 32/12
• C. Debussy: Voiles (Préludes Livre I)
5
Djedović Dunja
Srbija /
Serbia
• L. van Beethoven: Sonata No. 7 in D Major, Op. 10/3, 1. Presto
• J. S. Bach: Prelude and Fugue No. 10 in E Minor, BWV 855 (WTK I)
• F. Chopin: Etude in G flat Major, Op. 10/5
.21.
• C. Debussy: Arabesque No. 2 in G Major (Deux Arabesques)
6
Dunjić Đurđija
Srbija /
Serbia
• W. A. Mozart: Sonata No. 14 in C Minor, KV 457, 1. Molto allegro
• J. S. Bach: Three-Part Invention No. 12 in A Major, BWV 798
• C. Czerny: Etude in D Minor, Op. 740/12
• C. Debussy: Arabesque No. 2 in G Major (Deux Arabesques)
7
Frigan Josip
Hrvaška /
Croatia
• L. van Beethoven: Sonata No. 6 in F Major, Op. 10/2, 1. Allegro
• S. Rachmaninoff: Prelude in D Minor, Op. 23/3
• R. Schumann - F. Liszt: Widmung
• C. Debussy: Arabesque No. 2 in G Major (Deux Arabesques)
8
Jurjovec Jan
Slovenija /
Slovenia
• W. A. Mozart: Sonata No. 6 in D Major, KV 284, 1. Allegro
• J. S. Bach: Two-Part Invention No. 7 in E Minor, BWV 778
• I. Berkovič: Variations on a Russian Folk Song in A Minor
• C. Debussy: The Snow is Dancing (Children’s Corner)
9
Kljun Maša
Slovenija /
Slovenia
• W. A. Mozart: Sonata No. 12 in F Major, KV 332, 1. Allegro
• J. S. Bach: English Suite No. 3 in G Minor, BWV 808, 1. Prélude
• J. Brahms: Ballade in G Minor (Klavierstücke, Op. 118)
.22.
• C. Debussy: Voiles (Préludes Livre I)
10
Kropfitsch Theresa
Avstrija /
Austria
• J. Haydn: Sonata in E flat Major, Hob. XVI/2, 1. Moderato, 2. Andante, 3.
Menuett
• J. S. Bach: Prelude and Fugue No. 9 in E Major, BWV 854, (WTK I)
• F. Mendelssohn: Etude in F Major, Op. 104 b/2
• F. Chopin: Polonaise in A Major, Op. 40/1
11
Kulišić Danilo
Bosna in
Hercegovina
/ Bosnia and
Herzegovina
• C. Debussy: Doctor Gradus ad Parnassum (Children’s Corner)
• L. van Beethoven: Sonata No. 21 in C Major, Op. 53, 1. Allegro con brio
• P. I. Tchaikovsky: Nocturne in C sharp Minor, Op. 19/4
• C. Debussy: Passepied (Suite Bergamasque)
12
Oprešnik Lara
Slovenija /
Slovenia
• L. van Beethoven: Sonata No. 17 in D Minor, Op. 31/2, 1. Largo - Allegro
• R. Schumann: Allegro (Faschingsschwank aus Wien, Op. 26)
13
Pavlakovič Blaž
Slovenija /
Slovenia
• C. Debussy: Doctor Gradus ad Parnassum, Jimbo's Lullaby, Serenade for
the Doll, The Snow is Dancing, The Little Shepherd, Golliwog's Cakewalk
(Children's Corner)
• J. Haydn: Sonata in F Major, Hob. XVI/23, 1. Allegro moderato
.23.
• C. Debussy: Arabesque No. 2 in G Major (Deux Arabesques)
14
Radovanović Ivana
Srbija /
Serbia
• J. Haydn: Sonata in E flat Major, Hob. XVI/49, 1. Allegro
• F. Liszt: Valse Oublièe No. 1
• S. Prokofiev: Spring Fairy, Summer Fairy, Autumn Fairy, Winter Fairy (Ten
Pieces from the Ballet »Cinderella«, Op. 97)
• C. Debussy: Prélude (Suite Bergamasque)
• J. Haydn: Sonata in E Minor, Hob. XVI/34, 1. Presto
15
Rožič Anja
Slovenija /
Slovenia
• P. Ramovš: Sarkazmi No. 2, 3
• F. Chopin: Mazurka in C sharp Minor, Op. 63/3
• V. Ukmar: Zamaknjenost (Ekspresije za klavir)
.24.
.25.
Kategorija B
Category B
Starost: do 19 let (rojeni 1993 in mlajši).
Program:
Age: up to the age of 19 (born in 1993 and later).
Program:
1. etapa:
• obvezna skladba - ena izmed naštetih skladb C. Debussyja:
Toccata (Pour le piano), Jardins sous la pluie (Estampes),
Mouvement (Images I), Le vent dans la plaine (Préludes Livre
I), Les collines d’Anacapri (Préludes Livre I), La danse de Puck
(Préludes Livre I), Les tierces alternées (Préludes Livre II), Feux
d’artifice (Préludes Livre II), Pour les »cinq doigts« (d’aprés
Monsieur Czerny) (Etudes Livre I), Pour les Octaves (Etudes
Livre I), Pour les huit doigts (Etudes Livre I), Pour les Degrés
chromatiques (Etudes Livre II), Pour les Notes répétées
(Etudes Livre II),
• prvi stavek iz sonate skladateljev J. Haydna, W. A. Mozarta ali
L. van Beethovna,
• ena ali več skladb po izbiri tekmovalca.
Stage 1:
• obligatory piece – one of the listed compositions by the
composer C. Debussy: Toccata (Pour le piano), Jardins sous
la pluie (Estampes), Mouvement (Images I), Le vent dans
la plaine (Préludes Livre I), Les collines d’Anacapri (Préludes
Livre I), La danse de Puck (Préludes Livre I), Les tierces
alternées (Préludes Livre II), Feux d’artifice (Préludes Livre
II), Pour les »cinq doigts« (d’aprés Monsieur Czerny) (Etudes
Livre I), Pour les Octaves (Etudes Livre I), Pour les huit doigts
(Etudes Livre I), Pour les Degrés chromatiques (Etudes Livre
II), Pour les Notes répétées (Etudes Livre II),
• 1st movement of the sonata by composers J. Haydn, W. A.
Mozart or L. van Beethoven,
• one or more compositions chosen by the contestant.
Trajanje: Nastop ne sme presegati 15 minut.
Duration: The performance should not exceed 15 minutes.
2. etapa:
• preostali stavki sonate skladateljev J. Haydna, W. A. Mozarta
ali L. van Beethovna, katere 1. stavek je bil izveden v 1. etapi,
• ena ali več skladb po izboru tekmovalca, od tega obvezno
eno reprezentativno delo romantike.
Stage 2:
• other movements of the sonata by composers J. Haydn,
W. A. Mozart or L. van Beethoven, whose movement was
performed in the first stage,
• one or more compositions selected by the contestant; one of
these is a compulsory work representing Romantics.
Trajanje: Nastop ne sme trajati manj kot 20 minut in ne sme presegati 25 minut.
Duration: The performance should not last less than 20 minutes
and it should not exceed 25 minutes.
.26.
1. etapa / Stage 1
• C. Debussy: Mouvement (Images I)
1
Apor Szüts
Madžarska
/ Hungary
• L. van Beethoven: Sonata No. 22
in F Major, Op. 54, 1. In tempo d'un
menuetto
• F. Liszt: Hungarian Rhapsody No. 8 in F
sharp Minor
• C. Debussy: Pour les huit doigts (Études
Livre I)
2
Dadić Ana
Hrvaška /
Croatia
• L. van Beethoven: Sonata No. 21 in C
Major, Op. 53, 1. Allegro con brio
• F.Liszt: Concert Paraphrase of
'Rigoletto', S.434
.27.
2. etapa / Stage 2
• L. van Beethoven: Sonata No. 22 in F
Major, Op. 54, 2. Allegretto - Più allegro
• F. Schubert: Adagio and Rondo in E
Major, Op. 145 (D. 506)
• G. Gershwin: Rhapsody in blue
• L. van Beethoven: Sonata No. 21 in C
Major, Op. 53, 2. Introduzione. Adagio
molto - attacca, 3. Rondo. Allegretto
moderato - Prestissimo
• F. Liszt: Consolation in E Major, S 172/2
• S. Prokofiev: Sonata No. 3 in A Minor,
Op. 28
1. etapa / Stage 1
• C. Debussy: Feux d’artifice (Préludes
Livre II)
3
Dovhanj Tihana
Hrvaška /
Croatia
• L. van Beethoven: Sonata No. 24
in F sharp Major, Op. 78, 1. Adagio
cantabile- Allegro ma non troppo
• S. Rachmaninoff: Prelude in C sharp
Minor, Op. 3/2
• S. Rachmaninoff: Etude-tableau in C
sharp Major, Op. 33/9
• C. Debussy: Jardins sous la pluie
(Estampes)
4
Dujaković
Danica
Srbija /
Serbia
• L. van Beethoven: Sonata No. 26 in E
flat Major, Op. 81a, 1. Das Lebewohl:
Adagio - Allegro
• F. Chopin: Etude Op. 10, No. 5, G-flat
Major
.28.
2. etapa / Stage 2
• L. van Beethoven: Sonata No. 24
in F sharp Major, Op. 78, 2. Adagio
cantabile- Allegro vivace
• J. S. Bach: Prelude and Fugue in B flat
Minor, BWV 867 (WTK I)
• F. Liszt: Sonetto 104 del Petrarca
(Années de pèlerinage – Deuxième
année – Italie, S161)
• F. Chopin: Nocturne in C Minor, Op. 48/1
• L. van Beethoven: Sonata No. 26 in E
flat Major, Op. 81a, 2. Abwesenheit:
Andante espressivo, 3. Das
Wiedersehen: Vivacissimamente
• S. Rachmaninoff: Prelude in G Major,
Op. 32/5
• F. Liszt: Concert Paraphrase of
'Rigoletto', S.434
1. etapa / Stage 1
• C. Debussy: Feux d'artifice (Préludes Livre
II)
5
Gergely Kovács
Madžarska
/ Hungary
• L. van Beethoven: Sonata No. 17 in D
Minor, Op. 31/2, 1. Largo - Allegro
• R. Schumann: Sonata No. 2 in G Minor,
Op. 22, 1. So rasch wie möglich
• C. Debussy: Jardins sous la pluie
(Estampes)
6
Golob Kristina
Slovenija /
Slovenia
• W. A. Mozart: Sonata No. 12 in F Major,
KV 332, 1. Allegro
• J. S. Bach: Prelude and Fugue No. 3 in C
sharp Major, BWV 848 (WTK I)
7
Jančar Tim
Slovenija /
Slovenia
2. etapa / Stage 2
• L. van Beethoven: Sonata No. 17 in D
Minor, Op. 31/2, 2. Adagio, 3. Allegretto
• F. Chopin: Etude in C Minor, Op. 25/12
• F. Liszt: Légende No. 2 »St. François de
Paule marchant sur le flots« , S .175/2
• W. A. Mozart: Sonata No. 12 in F Major,
KV 332, 2. Adagio, 3. Allegro assai
• F. Chopin: Balade No. 1 in G Minor, Op.
23
• C. Debussy: Feux d’artifice
(Préludes Livre II)
• L. van Beethoven: Sonata No. 2 in C
sharp Minor, Op. 27, 2. Allegretto, 3.
Presto agitato
• L. van Beethoven: Sonata No. 2 in
C sharp Minor, Op. 27, 1. Adagio
sostenuto
• F. Chopin: Scherzo No. 1 in B Minor, Op.
20
• J. Matičič: Toccata
• F. Chopin: Prelude No. 15 in D flat
Major, Op. 28
.29.
1. etapa / Stage 1
8
9
Jones Luke
Pušnik Špela
Velika
Britanija
/ Great
Britain
Slovenija /
Slovenia
• C. Debussy: Les collines d'Anacapri
(Préludes Livre II)
• L. van Beethoven: Sonata No. 21 in C
Major, Op. 53, 1. Allegro con brio
Rippert Péter
Madžarska
/ Hungary
• L. van Beethoven: Sonata No. 21 in C
Major, Op. 53, 2. Introduzione, 3. Rondo
• A. Scriabin: Etude in C sharp Minor, Op.
2/1
• F. Chopin: Etude in A Minor, Op.10/2
• J. Brahms: Variations on a Theme by
Paganini, Op. 35, Book 1
• C. Debussy: Toccata (Pour le piano)
• L. van Beethoven: Sonata No. 6 in F
Major, Op. 10/2, 2. Allegretto, 3. Presto
• L. van Beethoven: Sonata No. 6 in F
Major, Op. 10/2, 1. Allegro
• M. Moszkowski: Etude No. 8 in C Major,
Op. 72
• C. Debussy: Jardins sous la pluie
(Estampes)
10
2. etapa / Stage 2
• L. van Beethoven: Sonata No. 18 in E
flat Major, Op. 31/3, 1. Allegro
• S. Rachmaninoff: Etude-Tableau in E
flat Minor, Op. 33/6
.30.
• J. S. Bach : Prelude and Fugue No. 5 in
D Major, BWV 850 (WTK I)
• J. Brahms: Rhapsody No. 2 in G Minor,
Op. 79
• L. van Beethoven Sonata No. 18 in
E flat Major, Op. 31/3, 2. Scherzo, 3.
Menuetto, 4. Presto con fuoco
• F. Liszt: Mephisto- Waltz in A Major No.
1, S. 514
1. etapa / Stage 1
• C. Debussy: Toccata (Pour le piano)
11
12
13
Spengler
Krisztina
Verhovnik
Barbara
Zoltán Németh
Madžarska
/ Hungary
Slovenija /
Slovenia
Madžarska
/ Hungary
2. etapa / Stage 2
• W. A. Mozart: Sonata No. 13 in B flat
Major, KV 333, 1. Allegro
• W. A. Mozart: Sonata No. 13 in B flat
Major, KV 333, 2. Andante cantabile, 3.
Allegretto gracioso
• J. S. Bach: Prelude and Fugue in C
Minor, BWV 871 (WTK II)
• F. B. Mendelssohn: Fantasy in F sharp
Minor, Op. 28
• C. Debussy: Les tierces alternées
(Préludes Livre II)
• L. van Beethoven: Sonata No. 8 in C
Minor, Op. 13, 2. Adagio cantabile, 3.
Rondo: Allegro
• L. van Beethoven: Sonata No. 8 in C
Minor, Op. 13, 1. Grave – Allegro di
molto e con brio
• F. Chopin: Scherzo in B flat Minor, Op.
31
• C. Debussy: Bruyères (Preludes Livre ll)
• M. Moszkowski: Etude in A flat Major,
Op. 72/11
• C. Debussy: Toccata (Pour le piano)
• J. Haydn: Sonata in C major, Hob.
XVI/50, 2. Adagio, 3. Allegro molto
• J. Haydn: Sonata in C Major, Hob.
XVI/50, 1. Allegro
• F. Chopin: Mazurka in E Major, Op. 6/3
• F. Chopin: Etude in A flat Major, Op.
10/10
.31.
• F. Liszt: Mephisto-Waltz in A Major No.
1, S. 514
• B. Bartók: Romanian Dance No. 1,
Allegro vivace (Two Romanian Dances
Op. 8a)
Beležke / Notes
.32.
Beležke / Notes
.33.
Sponzorji / Sponsors
Organizator se opravičuje za morebitne napake in
si pridržuje pravico do sprememb.
The organizer at all times reserves the right to alter
the existing program and has the right for changes.
Izdal / Published by: Društvo Consortium musicae Velanensis
Uredila / Editor: Katja Žličar Marin
Jezikovni pregled / Revision: Marjan Voglar
Prevod / Translation: Vasilisa Sazonov, Matthew Kerrigan
Oblikovanje / Design: opa:celica
Tisk / Press: Eurograf, d.o.o.
250 izvodov / Copies
Velenje, oktober 2012
www.velanensis.si
www.gsvelenje.si
.36.