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PEOPLE + IDEAS Jewelry DESIGN Precious Metals An inside look at the wearable art of Christy Klug Studios by Bristel Bowen The union between fine art and craft has never been simple and is often misunderstood. Fine art is by nature luxurious, contemporary, and seemingly unattainable for most. While craft is considered a form of creation for the people—it’s simple, classic and candid. When Christy Klug, a self-taught metal smith, took on the world of wearable art, she wasn’t under any illusion that it would be easy. “I strive to bridge the gap between fine art and craft,” said Christy. “It’s an intersection that has always intrigued me because of the challenge of producing pieces that are contemporary yet timeless. I’m constantly evolving to marry the intimate scale and personal quality of jewelry with art. ” Christy was inspired to design jewelry after studying stained glass at the School of the Museum of Fine Arts in Boston. In discovering how the stained glass artists of post-World War II Germany manipulated the lead between their panes in such a way that the lead itself became a central artistic element, she was driven to explore the power of tension and line and apply it to other things. She eventually found a medium to express that power in a way that was feminine and wearable for everyday. Using her skills as a sketch artist, she could create pieces of art that could be worn as a form of expression. For Christy, the act of creating is very intimate and personal, much like the act of purchasing a coveted piece of Photo: Sam Klug Artist Christy Klug in her Austin, Texas studio. She uses charcoal sketch and stained glass as a form of inspiration for her work in metals. jewelry for most women. In her Austin, Texas studio, Christy creates very small quantities of finely crafted pieces that are contemporary, yet calm and subtle. Her collection includes earrings, necklaces, pins, rings, cuffs and pendants. Each is a piece of art that becomes more interesting the longer you wear it. “One of my clients shared a story with me about the experience of wearing my jewelry. She said she saw another woman wearing one of my pieces while out at a restaurant, and the two of them were immediately drawn to one another. They knew right away that they had something in common, and it became an instant point of pride and conversation,” Christy said. “I’m always so amazed and flattered to hear those stories—it really speaks to the power of wearing something you feel truly beautiful in, something you know is uniquely strong and intimate at the same time. That’s what wearable art is to me.” While most of Christy’s clients are women, many men approach her during shows and have CONTEMPORARY CULTURE//MAGAZINE 17 PEOPLE + IDEAS Jewelry DESIGN Photo: Joelle Andrew From top left clockwise: Christy’s initial sketches compliment the finished pieces on her workbench. Christy uses a tree stump as the perfect work surface for her craft. Works in progress in Christy’s studio. Despite the rigor and discipline it takes to master the craft of metal-smithing and enamel work, Christy never lets the technique determine the look of the finished piece. even commissioned custom pieces. Often, other artists will seek her out to commission a piece as well. For example, the Choral Conductor for the Grant Park Music Festival at Millennium Park in Chicago purchased a pin from Christy at a show and then commissioned a second piece to wear on his lapel while he conducts. A friend of that conductor then commissioned a third piece to present as a gift to honor his 15th year conducting. The conductor loved Christy’s sketches so much that she included them with the custom pin. For many, it’s that fully-transparent, almost narrative creative process that goes into each piece that makes Christy’s work so appealing. “Metal and enamel work has a strong, masculine element to it—it feels down to earth in way that appeals to men as well as women. I love that men can use my work to accessorize in a way—to be fully, individually expressive—and still feel like themselves. Women, on the other hand, feel feminine and honest. The experience of wearable art is fluid, and that’s what makes it art.” Statement Pieces Photo: Hap Sakwa Christy’s work is currently on display in galleries across the country, including Patina Gallery in Santa Fe, De Novo Gallery in Palo Alto and the Houston Center for Contemporary Craft. 18 CONTEMPORARY CULTURE//MAGAZINE Photo: Joelle Andrew For Christy, the act of creation is intensely personal. She visits museums, peruses art books and magazine, draws and sketches. In the end, it is important to her that the work feel good on, be beautiful, and be feminine—none of which would come easy, for most, when manipulating metal and melting enamel from it’s roughest form into stylized, custom pieces. But for Christy, it has become innate—a quality that shows in every piece. Because of its surprising universal appeal and unrivaled technical merit, Christy’s work has been showcased in galleries and shows across the country and internationally, from Sao Paulo, Brazil to Montreal, Canada to Sante Fe, New Mexico and New York, New York. She has won numerous awards, and will participate in the upcoming SOFA Exposition in Chicago in October, as well as the Smithsonian Craft2Wear show and the Philadelphia Museum of Art Craft Show. Despite the rigor and discipline it takes to master the craft of metal-smithing and enamel Photo: Artist Pink Pin Photo: Sam Klug Christopher Bell Pin work, Christy never lets the technique determine the look of the finished piece. That’s where the fine art element of her work constantly reappears; the ultimate goal is to create something beautiful and subtle, not something that is overworked and impersonal. “Perhaps because I’m self-taught, it has been pure artistic passion that’s driven me to master the technique, materials and design of handcrafted jewelry. Even in this stage of my career, I feel that I’ve recently crossed a threshold of technical execution that allows me to pursue my creative vision without limits.” “I’m constantly rewarded by the creation of wearable art—it’s an organic process that celebrates the confident individual who seeks out and selects jewelry to highlight her own sense of style and drama. Everyone craves that type of honest beauty, and I’m inspired to craft it.” For more information on shows and galleries where you can view Christy Klug’s work, visit www.christyklug.com. Photo: Artist Photo: Artist Split Bomb Choker Big Bangle