catalog

Transcription

catalog

RAGO
MODERN DESIGN AUCTION
MODERN CERAMICS/GLASS AUCTION
S U N D AY ,
OCTOBER 18 2015
LALIQUE
Friday, October 16, 2015 at 10am
THE JAMES AND DIANE COOK COLLECTION
Friday, October 16, 2015 at noon
E A R L Y 2 0 TH C . D E C O R A T I V E A R T S
Saturday, October 17, 2015 at 10am
MID–MOD
Saturday, October 17, 2015 at 2pm
MODERN DESIGN
Sunday, October 18, 2015 at 10am
MODERN CERAMICS AND GLASS
Sunday, October 18, 2015 at 2pm
PREVIEWS:
October 10–14, 12 noon–5:00 pm or by appointment • October 15, 12 noon–7:00 pm
Doors open October 16/17/18 at 9:00 am • Preview online at www.ragoarts.com
“The Necessity of Connoisseurship in 20th Century Design”
A talk by James Zemaitis, Visiting Curator of Decorative Arts at the Indianapolis Museum of Art.
Wednesday, October 14 at 6 pm. The auction house opens on Wednesday, October 14 at noon. A reception begins at 5 pm.
RSVP to 609.397.9374 ext. 119 or [email protected]. If you unable to reply in advance, please join us if you can. All are welcome.
IMPORTANT NOTICE TO ALL BUYERS:
The buyer’s premium for each lot purchased is 25% on the first $200,000 of the hammer price, 20% on the value between $200,000 and
$3 million.
For purchases made in the room or by phone or by absentee bid and paid for by Visa, MasterCard, Discover or PayPal: A 2% surcharge will be
added to the total invoice (hammer price, buyer’s premium as above, any applicable taxes).
For purchases made through any online bidding platform, regardless of means of payment: A buyer’s premium will be applied to the hammer
price of each lot equal to 28% on the first $200,000; 23% between $200,000 and $3 million.
IMPORTANT INFORMATION FOR PHONE BIDDERS:
Rago guarantees you a line and a phone agent for bidding until 4 PM on the day prior to an auction. After that time, we will gladly accept
your absentee bids, even during the auction (up to 30 minutes before a lot goes on the block). Changes to bid lists left with us prior to the
deadline will always be accommodated as best we can, as will follow-up phone bids for those who attend/must leave the auction and other
exceptional cases.
CONDITION REPORTS ARE NOT LISTED IN THE CATALOGUE:
If you have questions on the condition of a work, we would be glad to provide our opinion, but all works are sold according to our Terms of
Sale. Please call the Auction House for complete condition reports if you cannot view in person.
Up-to-date condition reports can be accessed by:
• Going online to www.ragoarts.com – all available condition reports will be posted along with the lot descriptions.
• Calling us at 609.397.9374
• Faxing us at 609.397.9377
• E-mailing us at [email protected]
• Speaking directly with us on the phone or in person, at the auction house from October 10.
O N L I N E B I D D I N G A V A I L A B L E A T B I D S Q U A R E . C O M and other aggregators
C O V E R I L L U S T R A T I O N S : Lots 1506 (front), 2152-2155 (back)
MODERN DESIGN
CONDITION REPORTS, INCLUDING THOSE FOR POTTERY,
ARE LISTED ONLINE ONLY – WWW.RAGOARTS.COM
Sunday, October 18, 2015
10am
PLEASE FEEL FREE TO CONTACT US FOR ADDITIONAL INFORMATION
CONTENTS:
Modern Design: Lots 1500–1840, p. 1
Shipping Information, page 338
Modern Ceramics/Galss: Lots 2000–2200, p. 243
Condition Report Form, page 341
Terms of Sale, page 334
Absentee Bid Form, page 342
Auction Staff, page 338
INQUIRIES/INFORMATION:
Specialists in Charge:
New Bidder Registration:
David Rago
609.397.9374 or [email protected]
Eliane Talec
Suzanne Perrault
Payments / Shipping:
Specialist:
Karen Davies
609.397.9374, ext. 145
Jad Attal
609.397.9374 ext 126 or [email protected]
Catalogue Subscriptions and Single Orders:
Absentee Bids:
1.866.RAGOARTS (724.6278)
ragoarts.com
Eliane Talec
Auction and Exhibition Information:
Telephone Bids:
1.866.RAGOARTS (724.6278)
ragoarts.com
Guy Benthin
609.397.9374, ext. 124 or [email protected]
Up to the Minute Information:
Condition Reports:
1.866.RAGOARTS (724.6278)
ragoarts.com
Sarah Dziamba
Fax Line for Bids/Condition Reports:
Kim Sørensen
T O M M I PA R Z I N G E R
While the industrial, organic modernism of the Eameses and other designers may come to mind as the text-book example
of mid-century design, Tommi Parzinger sang a different, yet equally provocative tune, decidedly modern, yet rooted in oldworld craftsmanship.
Born in Munich in 1903, Parzinger trained as a silversmith at the Munich School of Arts and Crafts (Kunstgewerbeschule)
in an era when both the Bauhaus and the Wiener Werkstätte stressed an interdisciplinary approach to design and applied
arts. This background surely influenced the characteristics of Parzinger’s later furniture designs: the combination of wood
and metal; custom-fabricated brass pulls and finials; metal-studded surfaces; and wrought iron bases.
Parzinger emigrated to New York City in 1932 and began designing for the Madison Avenue shop Rena Rosenthal shortly
thereafter. As early as 1938, Parzinger exhibited a blue leather-wrapped chest, studded in silver, at the annual Architectural
League exhibition. In 1939, he established Parzinger Inc. (later Parzinger Originals, in 1946).
609.397.9377
By the mid-1950’s he began to incorporate the vibrant, lacquered colors—from Delftware blue to coral red and lawn green—
which have become one of the hallmarks of his furniture. He designed projects for Salterini, Charak and Lightolier, and
model home interiors such as Morton Village in Plainview, Long Island (1952). Clients included the Mellons, the Rockefellers,
the Duponts, and Marilyn Monroe.
E-mail for Bid Forms:
S Y LV I A H O F F M A N
[email protected]
Rago is honored to offer the following thirty-two lots (1500–1531, as well as lots 875-892 in the Mid-Mod Auction), from
the family of Sylvia Hoffman.
Hoffman worked with Tommi Parzinger and his partner Donald Cameron for over forty years. A fine sterling silver vanity
set in the collection of the Cooper-Hewitt/Smithsonian Institution, designed by Parzinger and executed by Peter Reimes,
inscribed Sylvia Hoffman, establishes their relationship as early as 1938. While Parzinger designed and Cameron facilitated
the production of the pieces, Hoffman served as the office manager, interfacing with clients.
This is perhaps the most important and intact collection of Parzinger items to come to market, from one of his closest
colleagues and friends. Some pieces, such as the oil paintings, come from Parzinger’s personal collection, which Hoffman
acquired after his death in 1981. Other pieces furnished Hoffman’s homes in Nassau County and East Hampton, NY, and her
daughter’s New York City apartment. Lot 1529, a massive collection of original, exquisitely rendered drawings by Parzinger,
as well as blueprints and other ephemera, ties it all together. It is a testament to his academic training, as well as to his
creative prowess and proliferate career.
1 5 0 0 : T O M M I P A R Z I N G E R (1903 - 1981)
Woodblock print, “Caught,” and two oil on canvas paintings, New York, ca. 1950
Painted wood frames
Print signed, titled, and dated, painting signed TP
Canvas (largest): 34” x 17”
$1,500–2,000
1501:
T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Studded cabinet, New York, 1960s
Lacquered wood, enameled wrought iron, milk glass
Unmarked
34 1/2” x 69” x 16 1/2”
$12,000–18,000
RAGO ARTS AND AUCTION CENTER >
1
1 5 0 2 : T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
1 5 0 3 : T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Console table (no. 520), New York, 1960s
Walnut, laminate
Unmarked
33” x 37” x 18 1/4”
Note: Complete with original drawing
Chandelier, New York, 1950s
Nickeled brass, frosted glass, four sockets
Unmarked
38” x 21”
$7,000–9,000
$2,000–3,000
2
updated catalogue and condition information on ragoarts.com
3
1 5 0 4 : T O M M I P A R Z I N G E R (1903 - 1981)
Two oil on canvas paintings, New York, 1960s
Plated metal frames
Unmarked
Canvas (both:) 17 1/4” x 17”
$1,500–2,000
1 5 0 5 : T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Double dresser, New York, 1960s
Mahogany, lacquered wood, brass
Unmarked
30 1/2” x 66 1/2” x 18”
$4,000–6,000
4
5
1 5 0 6 : T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
1 5 0 7 : T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
1 5 0 8 : T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Illuminated sculpture, New York, 1960s
Brass, wood, enameled wood, single socket
Unmarked
21” x 12 1/2” x 3 1/4”
$3,000–5,000
6
Tall clock, New York, 1960s
Lacquered wood, enameled metal
Branded, Parzinger Originals
86” x 13 1/2” x 5”
$3,000–4,000
Rare, tall clock, New York, 1960s
Lacquered wood, brass
Impressed to base, 6411
84” x 11” x 7”
$4,000–6,000
7
1 5 0 9 : T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Two lamp tables (nos. 66 and 92), New York, 1960s
Mahogany, brass, three sockets each
One stamped, 6410, other branded, Parzinger Originals
Round table: 62” x 22” dia., square: 63” x 18” sq.
Literature: Parzinger Originals Inc. catalogue (unpaginated)
$4,000–6,000
8
9
1510:
T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
1511:
T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Faceted wall mirror (no. 603), New York, 1960s
Mirrored glass, painted wood
Unmarked
34 3/4” x 23 1/2” x 2 3/4”
Cabinet (no. 318), New York, 1960s
Mahogany, lacquered wood, brass, milk glass
32 1/2” x 85” x 19”
Note: Complete with original blueprint
Note: Complete with copy of original blueprint
$1,500–2,000
10
$5,000–7,000
11
1512:
T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
1513:
T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Wall shelf, New York, 1960s
Lacquered wood, enameled brass, milk glass
Unmarked
27 1/2” x 40” x 13”
Set of six dining chairs, two arm-, four side-, New York,
1960s
Stained and lacquered ash, upholstery
Unmarked
Armchairs: 32 1/2” x 22” x 22”, side chairs: 31 1/2” x 19” x 22”
$1,500–2,000
$5,000–7,000
12
13
1514:
T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Table lamp (no. 19), New York, 1960s
Brass, two sockets, linen shade
Unmarked
34” x 16”
Note: Complete with original drawing and blueprint
$2,000–3,000
1515:
T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Coffee table (no. 222), New York, 1960s
Matte-chromed steel, brass, lacquered wood
16 1/2” x 52” x 24”
Literature: Parzinger Originals Inc. catalogue (unpaginated
Note: Complete with original drawings and blueprints)
$3,000–4,000
14
15
1516:SENUFO
GURO
Three masks, selected by Tommi Parzinger, two
Senufo faces (Kpeli-yehe), one Guro antelope
(Zamble), Ivory Coast, first half 20th c.
Together with a small shelf designed by Parzinger
Carved and stained wood, beads, seashells, Parzinger
lacquered wood base
Unmarked
Largest (Guro): 16” x 5 3/4” x 4”
$1,000–1,500
1517:
SENUFO, ETC.
1518:BAMBARA
Letter opener and six heddle pulleys, selected by
Tommi Parzinger, Ivory Coast, first half 20th c.
Together with a shelf designed by Parzinger
Painted and carved wood, lacquered wood
Unmarked
Tallest (on base): 10 3/4” x 3” x 2”,
shelf: 3 3/4” x 40” x 6 1/2”
$1,000–1,500
16
Antelope headdress (Chiwara), selected by Tommi
Parzinger, on illuminated pedestal, Mali, first half 20th c.
Carved and stained wood, copper, nails, lacquered wood
base
Pedestal stamped, 6295
Sculpture: 47 1/2” x 10 1/2” x 3 1/2”,
pedestal: 40” x 11 1/2” sq.
1519:
T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Pair of floor lamps, New York, 1960s
Patinated brass, linen shades, double sockets
Unmarked
58” x 16” dia.
$4,000–6,000
$800–1,200
17
1 5 2 3 : T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Two side tables, New York, 1960s
Painted and stitched leather, glass
Unmarked
14 1/2” x 21” dia., 12” x 12 1/2” dia.
and blueprint
$2,000–3,000
1 5 2 4 : T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Pair of nightstands, New York, 1960s
One branded, Parzinger Originals
21 1/2” x 20 1/2” x 15 1/2”
$2,000–3,000
1 5 2 0 : T O M M I P A R Z I N G E R (1903 - 1981)
Oil on canvas painting, New York, 1960s
Gilt frame
Signed P
Canvas: 24” x 33”
$2,000–3,000
1521:
T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Coffee table, New York, 1960s
Mahogany, patterned and patinated brass
Unmarked
15” x 43” x 13”
$2,000–3,000
1 5 2 2 : T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Lacquered wood, milk glass, brass
Unmarked
21” x 24” x 19 1/2”
$2,500–3,500
18
19
1527:
T O M M I P A R Z I N G E R (1903 - 1981)
Two oil on canvas paintings, New York, 1966: “Venus” and
“Saturn”
Gilt frames
Both signed, dated, and titled
Canvas: 18” x 17”, 17 1/4” x 17”
$1,500–2,000
1 5 2 5 : T A R O Y A M A M O T O (1919 - 1994)
J O H N G W I N N (b. 1937)
1 5 2 6 : T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Two large paintings, oil and sand
on canvas and oil on canvas, USA,
1959/1970s
Yamamoto signed and dated
Yamamoto: 50” x 60”, other: 70” x 48”
1 5 2 8 : T O M M I P A R Z I N G E R (1903 - 1981)
Wall shelf, New York, 1960s
Lacquered wood, brass, milk glass
Unmarked
15” x 41” x 15 1/2”
Two oil on canvas paintings, New York, 1960s
Gilt and painted wood frames
Larger signed P
Canvas: 24” x 36”, 32” x 28”
$2,500–3,500
$1,500–2,000
Note: Retailed by Parzinger Originals
$1,000–1,500
20
21
1 5 3 0 : T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
1531:
T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Desk and chair, New York, 1960s
Enameled iron, mahogany, Parzinger upholstery,
milk glass
Unmarked
Desk: 29” x 46” x 23”, chair: 32 1/2” x 16” x 16”
Large wall mirror, New York, 1960s
Etched mirrored glass, painted wood
Unmarked
60 1/2” x 84 1/2” x 1”
$4,000–6,000
$3,000–4,000
1 5 2 9 : T O M M I P A R Z I N G E R (1903 - 1981
Collection of original blueprints, drawings, and
other ephemera, New York, second half 20th c.
Many marked with Parzinger Originals logo
Largest blueprint: 75” x 36 1/2”
$2,000–3,000
1532: NO LOT
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23
1 5 3 3 : G E O R G E N A K A S H I M A (1905 - 1990)
NAKASHIMA STUDIOS
Sliding door cabinet, New Hope, PA, 1966
Walnut, pandanus cloth
Signed with client name and George
Nakashima
32” x 71” x 22 1/2”
Provenance available: Copy of original
order card
$8,000–10,000
26
27
NAKASHIMA STUDIOS
Set of six Conoid chairs, single slab seats, New Hope, PA, 1986
Walnut, hickory
Signed and dated George Nakashima and client name
35 1/2” x 20 1/2” x 22”
$27,500–37,500
28
29
NAKASHIMA STUDIOS
Fine Minguren I dining table, New Hope, PA, 1985
Walnut, rosewood
Signed and dated
28 1/2” x 73” x 58 1/2”
$30,000–40,000
30
31
NAKASHIMA STUDIOS
NAKASHIMA STUDIOS
Double dresser, New Hope, PA, 1965
Walnut
Signed with client name
32” x 82 1/2” x 23”
Queen-size headboard, New Hope, PA, 1963
English walnut
Unmarked
37” x 96” x 3 1/2”
Provenance available: Copy of original order card
Provenance available: Copy of original order card and invoice
$8,000–10,000
32
$12,000–18,000
33
NAKASHIMA STUDIOS
NAKASHIMA STUDIOS
Pair of nightstands, New Hope, PA, 1965-1966
Walnut
Unmarked
25 1/4” x 15 3/4” x 19 1/4”
Hanging Wall Case, New Hope, PA, 1975
Walnut, woven grass cloth
14 1/4” x 60” x 12”
Provenance available: Copy of original order card and letter of
authentication from Mira Nakashima
$6,000–8,000
$6,000–8,000
34
35
NAKASHIMA STUDIOS
Set of six New chairs, one arm-, five side-, New Hope, PA, 1960
Walnut, hickory
Armchair: 39 1/2” x 25” x 24”, side chairs: 36 1/2” x 18 3/4” x 21”
Provenance available: Copy of original order card, invoice, and
letter of authentication from Mira Nakashima
$8,000–12,000
1541:
G E O R G E N A K A S H I M A (1905 - 1990)
NAKASHIMA STUDIOS
Dining table, New Hope, PA, 1960
Walnut, rosewood
Leaves signed with client name
28 1/2” x 72” x 42”, two leaves: 16”
Provenance available: Copy of original order card, invoice, and
letter of authentication from Mira Nakashima.
$7,000–9,000
36
37
NAKASHIMA STUDIOS
NAKASHIMA STUDIOS
Minguren I coffee table, New Hope, PA, 1988
Figured walnut, rosewood
Signed and dated, George Nakashima July 8, 1988
15” x 50” x 26 1/2”
Double pedestal desk, New Hope, PA
Cherry
Unmarked
28” x 72” x 30 1/2”
Provenance available: Copy of original drawing
Provenance available: Letter of authentication from Mira Nakashima
$17,500–22,500
38
$15,000–20,000
39
NAKASHIMA STUDIOS
NAKASHIMA STUDIOS
Conoid coffee table, New Hope, PA, 1965
English oak burl top, oak legs
Unmarked
13” x 62” x 25”
Set of six Grass Seated Chairs, New Hope, PA, 1966
Walnut, cord
Unmarked
27 1/2” x 23 1/2” x 19”
$4,500–6,500
$8,000–12,000
40
41
1 5 4 6 : P A U L E V A N S (1931 - 1987)
PAUL EVANS STUDIO
Patchwork sculpture, New Hope, PA, 1960s
Brazed and patinated copper, enameled steel, painted wood
Unmarked
On base: 54”, sculpture only: 24” x 27 1/2” x 11”
Provenance available: Original sketch by the artist
$15,000–20,000
44
45
1 5 4 7 : P A U L E V A N S (1931 - 1987)
DIRECTIONAL
Custom extra-long Deep Relief cabinet, USA, 1977
Welded, patinated, and polychromed steel, slate, laminated interior
Signed and dated, Paul Evans 77
37 1/2” x 144” x 21 1/2”
$40,000–60,000
46
47
1 5 4 8 : P A U L E V A N S (1931 - 1987)
DIRECTIONAL
1 5 4 9 : P A U L E V A N S (1931 - 1987)
DIRECTIONAL
Sculptured Metal dining table (PE-102), USA, 1972
Bronze, composite, glass
Signed and dated, PE 72
29 1/2” x 96” x 48”
$10,000–15,000
48
Pair of Argente side tables, New Hope, PA, 1970s
Welded, dye-painted, and scored aluminum, slate
Each interior welded PE 67
16 1/2” x 16 1/2” sq.
$9,000–14,000
49
photo courtesy Dorsey Reading
1 5 5 0 : P A U L E V A N S (1931 - 1987)
PAUL EVANS STUDIO
Tall wall-mounting sculpture, New Hope, PA, 1960s
Torch-cut, welded, patinated, and enameled steel,
painted wood
Unmarked
On wood back: 96” x 28” x 20 1/4”
Provenance: Original owner, Pennsylvania
The Evans/Powell showroomo in New Hope, PA, ca. 1959.
Standing is Evans, and seated is Phil Powell, in front of the
wall unit which would be sold to a Pennsylvania resident
and installed in his home in two sections. These, along with
several other pieces purchased at that time, are offered in
this sale for the first time.
$17,500–22,500
50
51
1551:
P A U L E V A N S (1931 - 1987)
P H I L P O W E L L (1919 - 2008)
Large wall unit, New Hope, PA, ca. 1959
Welded, polychromed, and bronzed steel, carved walnut,
marble, enameled composite, linen, 23 karat gold leaf
Unmarked
96” x 191” x 20 1/2”
Provenance: Purchased from the Evans-Powell showroom on
the corner of Waterloo and Main St. in New Hope, PA
Private collection, Pennsylvania
Published: Kimmerle (ed.), Paul Evans: Crossing Boundaries
and Crafting Modernism (2014), p. 56
$30,000–50,000
52
53
Paul Evans repurposed existing cabinets as the foundation for his metalwork
on these three early pieces (lots 1552 and 1553).
1 5 5 2 : P A U L E V A N S (1931 - 1987)
PAUL EVANS STUDIO
Pair of wall-mounting nightstands, New Hope, PA, 1960s
Polychromed wood, verdigris-patinated copper
Unmarked
13” x 15” x 11 1/2”
Provenance: Private collection, Pennsylvania
$5,000–7,000
1 5 5 3 : P A U L E V A N S (1931 - 1987)
PAUL EVANS STUDIO
Loop dresser, New Hope, PA, 1960s
Verdigris-patinated copper, bronzed and enameled steel,
polychromed wood
Unmarked
36” x 90” x 21”
$8,000–12,000
1 5 5 4 : P A U L E V A N S (1931 - 1987)
PAUL EVANS STUDIO
Custom Looped-Front cabinet, New Hope, PA, 1960s
Verdigris-patinated copper, bronzed steel, polychromed wood
Unmarked
22” x 32” x 19”
$18,000–24,000
54
55
1 5 5 5 : P A U L E V A N S (1931 - 1987)
PAUL EVANS STUDIO
1 5 5 6 : P A U L E V A N S (1931 - 1987)
PAUL EVANS STUDIO
Coffee table, New Hope, PA, 1960s
Torchcut, welded, and polychromed steel, marble, gilt wood
Unmarked
16” x 30” dia.
Sculptural coffee table, New Hope, PA, 1960s
Verdigris-patinated copper, glass
18 1/2” x 29 1/2” dia.
$15,000–20,000
$8,000–10,000
56
57
1557:
P A U L E V A N S (1931 - 1987)
P H I L P O W E L L (1919 - 2008)
Wall unit, New Hope, PA, ca. 1959
Welded, polychromed, and bronzed steel, carved walnut, slate,
woven grass cloth, 23 karat gold leaf
Unmarked
95 1/2” x 93” x 22”
Provenance: Purchased from the Evans-Powell showroom on
the corner of Waterloo and Main St. in New Hope, PA
Published: Kimmerle (ed.), Paul Evans: Crossing Boundaries
$25,000–35,000
58
59
1 5 5 8 : P A U L E V A N S (1931 - 1987)
PAUL EVANS STUDIO
1 5 5 9 : P A U L E V A N S (1931 - 1987)
PAUL EVANS STUDIO
Door knocker, USA, 1960s
Patinated cast bronze, enameled iron
Unmarked
12 1/4” x 5 1/2”
Door knocker, USA, 1960s
Patinated cast bronze, enameled iron
Unmarked
10” x 8 1/2”
Literature: Kimmerle (ed.), Paul Evans: Crossing Boundaries
Literature: Kimmerle (ed.), Paul Evans: Crossing Boundaries
$3,000–5,000
$3,000–5,000
1 5 6 0 : P A U L E V A N S (1931 - 1987)
DIRECTIONAL
1561:
P A U L E V A N S (1931 - 1987)
PAUL EVANS STUDIO
Extension dining table, New Hope, PA, 1960s
Torchcut, welded, and polychromed steel, slate, walnut
Unmarked
28 1/2” x 48” sq., two leaves: 24”
Stool (PE 35), USA, 1960s
Welded, polychromed and patinated steel,
bronze, upholstery, casters
Unmarked
18” x 18 1/2” sq.
$2,500–3,500
60
$18,000–22,000
61
1 5 6 2 : P H I L P O W E L L (1919 - 2008)
Rare wall hanging cabinet, New Hope, PA
Walnut, polychromed wood, slate
Unmarked
10 1/2” x 95 1/2” x 21 1/2”
Provenance: Private Collection,
Pennsylvania
$20,000–25,000
64
65
1 5 6 3 : P H I L P O W E L L (1919 - 2008)
Sofa, New Hope, PA, 1960s
Sculpted walnut, rosewood, upholstery
Unmarked
33 1/2” x 88” x 32”
Provenance: Original owner, purchased from the artist
$10,000–15,000
66
67
1 5 6 4 : P H I L P O W E L L (1919 - 2008)
1 5 6 5 : P H I L P O W E L L (1919 - 2008)
Tall lamp, New Hope, PA, 1960s
Laminated and turned walnut, woven shade, two sockets
Unmarked
Overall: 47” x 19 1/2” dia.
Provenance: Original owner, purchased from the artist
$9,000–12,000
Literature: Kimmerle (ed.), Paul Evans: Crossing Boundaries and
Crafting Modernism (2014), p. 56 (for the same design pictured in
the Evans-Powell showroom in New Hope, PA)
Pair of New Hope chairs, New Hope, PA, 1960s
Sculpted walnut, upholstery
Unmarked
30” x 29” x 34”
$4,500–6,500
68
69
1 5 6 6 : P H I L P O W E L L (1919 - 2008)
Coffee table, New Hope, PA
Walnut
Unmarked
17” x 48” x 33 3/4”
$3,000–4,000
1 5 6 7 : P H I L P O W E L L (1919 - 2008)
1 5 6 8 : P H I L P O W E L L (1919 - 2008)
Coffee table/bench, New Hope, PA, 1960s
Sculpted and turned walnut, rosewood
Unmarked
14” x 74 1/2” x 15 1/2”
Provenance: Original owner, purchased from
the artist
$10,000–15,000
Wall-hanging cabinet, New Hope, PA, 1960s
Walnut
Unmarked
18” x 84” x 18”
$6,000–8,000
70
71
1 5 6 9 : P H I L P O W E L L (1919 - 2008)
Mirror with shelf, New Hope, PA, 1960s
Walnut, rosewood, ebony, gold leaf, mirrored glass
Unmarked
Overall: 71” x 59” x 13 1/2”
1 5 7 0 : P A U L E V A N S (1931 - 1987)
P H I L P O W E L L (1919 - 2008)
Early wall hanging cabinet, New Hope, PA, ca. 1960
Walnut, welded and gilt steel
Unmarked
23” x 58” x 10”
Provenance: Private Collection, Pennsylvania
Provenance: Private Collection, Pennsylvania
$5,000–7,000
$7,000–9,000
72
73
1571:
P H I L P O W E L L (1919 - 2008)
1572:
W H A R T O N E S H E R I C K (1887 - 1970)
Exceptional and massive dining/conference table, New Hope, PA, 1960s
Sculpted and chip-carved walnut, wrought iron, slate
Unmarked
29 1/2” x 72” dia.
Side chair, Paoli, PA, 1957
Ash, cherry, saddle leather
Signed W.E. 1957
31” x 16 1/2” x 18”
$20,000–30,000
74
$6,000–8,000
75
1 5 7 3 : W H A R T O N E S H E R I C K (1887 - 1970)
Stool, Paoli, PA, 1970
Cherry, hickory
Signed W.E. 1970
25 1/2” x 16” x 15”
$5,000–7,000
76
Side chair, Paoli, PA, 1957
Ash, cherry, saddle leather
Signed W.E. 1957
31” x 16 1/2” x 18”
$6,000–8,000
77
1575:
1577:
Four carved wood kitchen implements: two cutting boards
and two spoons, Paoli, PA, ca. 1941-1951
Cutting boards each carved W.E. and dated, larger with
“BARNEGAT PECKS BARNEGAT”, smaller with AP
Boards: 17” x 8 1/4”, 10” x 5 3/4”, spoons: 16” and 8 1/2”
Carved walnut serving tray and spoon, Paoli, PA, 1942/1949
Both signed, dated and inscribed PECKS, board also
inscribed BARNAGAT
Tray: 28” x 14” x 1/2”, spoon: 12” x 2 1/4”
Provenance: Made by the artist for Chip Peck’s Barnegat,
New Jersey, residence
Provenance: Made by the artist for Chip Peck’s Barnegat,
New Jersey, residence
Four-piece fire tool set on wall-hanging
rack, Paoli, PA, ca. 1960
Carved wood, wrought iron, copper
Shovel signed and dated 1960
Rack: 60” x 15” x 3”
$4,000–6,000
$15,000–20,000
$4,000–6,000
78
79
1 5 7 8 : F I N N J U H L (1912 - 1989)
NIELS VODDER
Set of eight Egyptian chairs, Denmark, 1950s
Teak, upholstery
All chairs branded
35 1/2” x 21 1/2” x 23”
$18,000–24,000
80
81
1 5 7 9 : F I N N J U H L (Attr.) (1912 - 1989)
NIELS VODDER
1 5 8 0 : F I N N J U H L (1912 - 1989)
NIELS VODDER
Tambour cabinet (NV54), Denmark, 1960s
Teak, maple
Unmarked
34 1/2” x 83” x 19 3/4”
$3,000–5,000
82
Judas extension dining table, Denmark, 1950s
Teak, silver inlay
Branded
28 1/4” x 78 3/4” x 55 1/4”, two leaves: 16”
$7,000–9,000
83
1581:
T A P I O W I R K K A L A (1915 - 1985)
ASKO OY
“Rhythmic Plywood” coffee table, Finland, 1950s
Rosewood, teak, birch, brass
Branded TAPIO WIRKKALA/ ASKO/MADE IN FINLAND
14 1/4” x 49” x 24 1/2”
1 5 8 2 : P H I L I P A R C T A N D E R (1916 - 1994)
$3,000–5,000
Lounge chair, Denmark, 1940s
Stained beech, sheepskin
Unmarked
31” x 26” x 35”
Provenance: Hallands Auctions, Halmstad, Sweden,
September 2013
$9,000–12,000
84
85
1 5 8 3 : P O U L H E N N I N G S E N (1894 - 1967)
LOUIS POULSEN
1 5 8 5 : P O U L H E N N I N G S E N (1894 - 1967)
LOUIS POULSEN
Artichoke chandelier, Denmark, 1960s
Chromed and enameled metal, copper, plastic
Unmarked
Body: 18 1/2” x 24” dia.
$2,500–3,500
$3,000–4,000
1 5 8 4 : H A N S W E G N E R (1914 - 2007)
JOHANNES HANSEN
1 5 8 6 : H A N S W E G N E R (1914 - 2007)
JOHANNES HANSEN
Slat bench, Denmark, 1960s
Teak
Branded
12” x 76 1/2” x 17”
$4,000–6,000
86
Pair of indoor/outdoor sconces, Denmark, ca. 1980s
Patinated and enameled copped, single sockets
Unmarked
11 1/2” x 18” dia. x 21”
Slat bench, Denmark, 1960s
Teak
Branded
12” x 76 1/2” x 17”
$4,000–6,000
87
1 5 8 7 : F I N N J U H L (1912 - 1989)
NIELS VODDER
1 5 8 8 : F I N N J U H L (1912 - 1989)
FRANCE AND SONS
Lounge chair, Denmark, 1960
Teak, upholstery
Branded manufacturer mark
29” x 20 1/2” x 30”
$3,000–4,000
Pair of lounge chairs (no. 136), Denmark, 1950s
Teak, vinyl, brass
John Stuart retailer labels to both, upholstery
label
30” x 32” x 32”
$4,000–6,000
1 5 8 9 : F I N N J U H L (1912 - 1989)
NIELS VODDER
Poet sofa, Denmark, 1950s
Teak, upholstery
Unmarked
34” x 51” x 31”
$6,000–8,000
88
89
1 5 9 0 : P R E B E N F A B R I C I U S (1931 - 1984)
J Ø R G E N K A S T H O L M (1931 - 2007)
ALFRED KILL
1 5 9 2 : A R N E N O R E L L (1917 - 1971)
NORELL
Pair of Tall Back chairs, Denmark, 1970s
Leather, chromed steel
Manufacturer labels
41” x 28 1/2” x 28”
Pair of Ari lounge chairs and one ottoman, Sweden, 1960s
Chromed steel, leather
Unmarked
Chairs: 32” x 25 1/2” x 35”, ottoman: 16” x 25 1/2” x 26”
$4,500–6,500
$3,000–4,000
1591:
1 5 9 3 : A R N E N O R E L L (1917 - 1971)
NORELL
P R E B E N F A B R I C I U S (1931 - 1984)
J Ø R G E N K A S T H O L M (1931 - 2007)
ALFRED KILL
Pair of Tall Back chairs, Denmark, 1970s
Manufacturer labels
41” x 28 1/2” x 28”
Pair of Ari lounge chairs and ottoman, Sweden, 1970s
Chromed steel, leather
Foil labels too all pieces
Chairs: 31 1/2” x 26” x 38”, ottoman: 14” x 26” x 26”
$4,000–6,000
$3,000–4,000
90
91
1 5 9 4 : P O U L K J Æ R H O L M (1929 - 1980)
E. KOLD CHRISTENSEN
Lounge chair, Denmark, 1960s
Matte-chromed steel, leather
Manufacturer stamps and labels
28 1/2” x 25” x 26 1/2”
1 5 9 5 : P R E B E N F A B R I C I U S (1931 - 1984)
J Ø R G E N K A S T H O L M (1931 - 2007)
IVAN SCHLECHTER
$1,500–2,000
Stool, Denmark, 1960s
Leather, stainless steel, canvas
Manufacturer stamp
15 1/2” x 26 1/2” x 19 1/2”
$2,000–3,000
1 5 9 6 : H A N S W E G N E R (1914 - 2007)
JOHANNES HANSEN
1 5 9 7 : T I A S E C K H O F F (b. 1926)
GEORG JENSEN
Settee (JH-555), Denmark, 1960s
Teak, upholstery
Unmarked
31” x 57” x 31”
$6,000–8,000
92
93-piece sterling silver six-piece setting flatware service for
twelve in the Cypress pattern, Denmark, des. 1954
All stamped GEORG JENSEN STERLING DENMARK
105.9 OT weighable
$5,000–7,000
93
1 5 9 8 : P A B L O P I C A S S O (1881 - 1973)
MADOURA
1 5 9 9 : P A B L O P I C A S S O (1881 - 1973)
MADOURA
Rare glazed ceramic plaque, “’Pomona’ Woman’s Face (‘Pomona’ Visage de Femme),”
France, des. 1968-69
Stamped MADOURA PLEIN FEU EMPREINTE ORIGINALE DE PICASSO, incised J220
35/200 MADOURA
3/4” x 12 1/4” sq.
Rare glazed ceramic plaque, “Face with Goatee (Visage avec Barbiche),” France,
des. 1968-69
Stamped MADOURA PLEIN FEU EMPREINTE ORIGINALE DE PICASSO, marked J216
33/200 MADOURA
3/4” x 12 1/4” sq.
Publication: Alain Ramié, Picasso: Catalogue of the Edited Ceramic Works 1947-1971,
1988, p. 286, no. 591
Publication: Alain Ramié, Picasso: Catalogue of the Edited Ceramic Works 1947-1971,
1988, p. 289, no. 599
$8,000–12,000
94
$8,000–12,000
95
1 6 0 0 : P A B L O P I C A S S O (1881 - 1973)
MADOURA
Earthenware plate, “Bull, Rim with
Leaves (Taureaux, Marli aux Feuilles),”
France, 1957
Stamped MADOURA PLEIN FEU
EDITION PICASSO, incised EDITION
PICASSO 58/500 MADOURA K118
9” dia.
Publication: Alain Ramié, Picasso:
Catalogue of the Edited Ceramic Works
1947-1971, 1988, p. 203, no. 394
$2,000–3,000
1 6 0 1 : P A B L O P I C A S S O (1881 - 1973)
MADOURA
1 6 0 2 : P A B L O P I C A S S O (1881 - 1973)
MADOURA
Glazed earthenware vase, edition of
500, “Young Wood-Owl,” France, des.
1952
Stamped MADOURA PLEIN FEU
EDITION PICASSO
10” x 4”
Glazed earthenware plate, edition of 500, “Corrida on Black Ground
(Corrida sur Fond Noir),” France, des. 1953
Stamped MADOURA PLEIN FEU EDITION PICASSO
1 1/2” x 12 1/2” x 15”
Publication: Alain Ramié, Picasso: Catalogue of the Edited Ceramic
Works 1947-1971, 1988, p. 108, no. 198
Publication: Alain Ramié, Picasso:
Catalogue of the Edited Ceramic Works
1947-1971, 1988, p. 76, no. 135
$6,000–8,000
$2,000–3,000
96
97
1603: AFTER ALEXANDER CALDER
BON ART
1 6 0 5 : A F T E R A L E X A N D E R C A L D E R (1898-1976)
BON ART
Maguey fiber wall hanging, “Circus,” Guatemala,
1975
Embroidered Calder 75, 76/100 with copyright
mark, cloth Bon Art tag
7’ x 5’
$4,000–6,000
BON ART
Jute fiber wall hanging, “Moon,” Nicaragua, 1975
Embroidered CA 75, 22, with fabric label
4’ x 5’ 6”
Maguey fiber wall hanging, “Floating Circles,” Guatemala, 1975
Embroidered Calder 75, 6/100 with copyright mark
7’ x 5’
$4,000–6,000
BON ART
Maguey fiber wall hanging, “Sun,” Guatemala, 1975
Embroidered CA 75, 47/100, with copyright symbol and two
fabric labels
4’ x 6’
$3,000–5,000
$3,000–5,000
98
99
C.A.C. PUBLICATIONS
Hammock, Nicaragua, 1975
Manila cotton, wood
Embroidered, 75 CA/22, with
fabric label
9’4” x 7’9”
$2,000–3,000
BON ART
Jute fiber wall hanging, “Balloons,” 1975
Embroidered CA 75, 23
6’ x 4’
1608: ALEXANDER CALDER
Lithograph, “Balloons”
Pencil signed Calder and EA
Sheet: 40” x 28”
$2,000–3,000
$3,000–5,000
1 6 1 0 : N I K I D E S A I N T P H A L L E (1930 - 2002)
BON ART
1611:
N I K I D E S A I N T P H A L L E (1930 - 2002)
BON ART
Jute fiber wall hanging, Guatemala, 1970s
Embroidered NIKI, AP-, with cloth tag
7’ x 5’
Jute fiber wall hanging, Guatemala, 1970s
Embroidered NIKI
7’ x 5’
$2,000–3,000
100
$2,000–3,000
101
102
1612:
P I E R R E J E A N N E R E T (1896 - 1967)
1613:
Pair of stools from Science Department of Punjab University, Chandigarh,
France/India, 1950s
Enameled metal, teak
Stenciled markings to one
22” x 18” dia.
Pair of stools from Science Department of Punjab University, Chandigarh,
France/India, 1950s
Enameled metal, teak
Unmarked
22” x 18” dia.
Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, DesignArt-Architecture, Touchaleaume and Moreau, p. 570
Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, DesignArt-Architecture, Touchaleaume and Moreau, p. 570
$5,000–7,000
$5,000–7,000
103
104
1614:
1615:
Lounge chair from the Chandigarh administrative buildings,
France/India, 1950s
Teak, upholstery, cane
Unmarked
28 1/2” x 20 1/2” x 29”
Eight side chairs from the Chandigarh administrative buildings,
France/India, 1950s
Unmarked
29 1/2” x 18 1/2” x 19”
Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure,
Design-Art-Architecture, Touchaleaume and Moreau
$5,000–7,000
$8,000–10,000
105
1616:
CHARLES EDOUARD JEANNERET/LE CORBUSIER
Manhole cover depicting a map of Chandigarh, India,
ca. 1960
Cast iron
Inscribed “Chandigarh” in the casting
25” dia. x 4”
Literature: Le Corbusier Pierre Jeanneret: The Indian
Adventure, Design-Art-Architecture, Touchaleaume and
Moreau
1617:
Desk and chair from the Chandigarh administrative
buildings, France/India, 1950s
Stenciled markings to chair
Desk: 28 1/2” x 47 1/2” x 24”, chair: 31” x 20 1/2” x 20”
Literature: Le Corbusier Pierre Jeanneret: The Indian
Adventure, Design-Art-Architecture, Touchaleaume and
Moreau
$3,000–5,000
$3,000–4,000
1618:
Pair of lounge chairs from the Chandigarh administrative
buildings, France/India, 1950s
Stenciled markings to one
27” x 20 1/2” x 28”
$8,000–10,000
106
107
1619:
J E A N R O Y E R E (1902 - 1981)
Pair of adjustable floor lamps, France, 1950s
Wrought iron, linen shades
Unmarked
71” x 36” x 18”
$3,500–4,500
1620: AFTER JEAN ROYERE
Pair of console tables, New York, 1990s
Blackened steel, bronze, polished stone
Unmarked
36” x 48” x 20”
$7,000–9,000
1621:
C H A R L O T T E P E R R I A N D (1903 - 1999)
GALERIE STEPH SIMON
Twelve sconces, France, des. 1960
Enameled steel, plastic, double sockets
Unmarked
11 1/4” x 5” x 2 3/4”
$7,500–9,500
1622: NO LOT
108
109
1 6 2 3 : E U G E N E P R I N T Z (Attr) (1889 - 1948)
1 6 2 5 : E U G E N E P R I N T Z (Attr) (1889 - 1948)
Bookshelf, France, ca. 1935
Lacquered palmwood
Unmarked
47 1/2” x 53 1/2” x 11 1/2”
Magazine stand, France, ca. 1935
Lacquered palmwood
Unmarked
26” x 31 1/2” x 11”
Literature: Bujon and Dutko, Printz (1986), p. 202
Literature: Bujon and Dutko, Printz (1986)
$5,000–8,000
$5,000–8,000
1624: MAISON DESNY
Pair of bar stools, France, 1920s
Bronze, leather
Stamped feet, DESNY PARIS DEPOSE MADE IN FRANCE
33” x 14” dia.
$3,000–4,000
110
111
1 6 2 6 : R E N E D R O U E T (Attr.) (1899 - 1993)
1 6 2 8 : R E N E D R O U E T (Attr.) (1899 - 1993)
Corner cabinet, France, 1930s
Sycamore, satinwood, brass
Unmarked
53 1/2” x 40” x 28”
$3,000–5,000
1627:
F R A N C I S J O U R D A I N (1876 - 1958)
Pair of adjustable chairs with ottomans, France, 1920s
Walnut, cane
Unmarked
Chair (upright): 30 1/2” x 27 1/4” x 38”,
ottoman: 12” x 25” x 26”
Corner cabinet, France, 1930s
Sycamore, satinwood, brass
Unmarked
53 1/2” x 40” x 28”
$3,000–5,000
$4,000–6,000
112
113
1631:
C O L E T T E G U E D E N (Attr.) (1905 - 2000)
Card table and four chairs, France, 1950s
Gilt wrought iron, stitched leather
Unmarked
Table: 31” x 30” sq., chairs: 38” x 19” x 20”
$7,000–9,000
1 6 2 9 : R A Y M O N D L O E W Y (1893 - 1986)
COMPAGNIE D’ESTHETIQUE INDUSTRIELLE
DF-2000 cabinet, France, 1970s
Acrylic, laminated wood, enameled metal
Manufacturer label
29 3/4” x 80 1/2” x 21”
$3,000–5,000
1630: MAISON JANSEN
Sofa, France, 1970s
Unmarked
26” x 74” x 35”
$5,000–7,000
114
115
1 6 3 2 : F U L V I O B I A N C O N I (1915 - 1996)
VENINI
1 6 3 3 : E R C O L E B A R O V I E R (1889 - 1974)
BAROVIER & TOSO
Pezzato glass vase, Murano, Italy, 1950s
Three-line acid stamp Venini Murano ITALIA
7 1/2” x 7 1/2” x 5 1/2”
$4,500–6,500
Large dorico acquamare vase, Murano, Italy,
ca. 1960
Made in Italy paper label to base
14 1/2” x 4 1/4”
$7,000–9,000
116
117
1 6 3 4 : M A S S I M O V I G N E L L I (1931 - 2015)
VENINI
Three pendant lamps, Italy, 1950s
Blown glass, single sockets
Unmarked
14 3/4” x 6”
$2,500–3,500
1 6 3 5 : F U L V I O B I A N C O N I (1915 - 1996)
VENINI
1 6 3 6 : D I N O M A R T E N S (1894 - 1970)
A.Ve.M.
Oriente glass vase (no. 3122), “Olaf,” Murano, Italy, 1952-61
Unmarked
14 1/2” x 6”
Literature: Heiremans, Dino Martens Muranese Glass
Designer 1922-1963, Arnoldsche Art Publishers, 1999, p. 70
A fasce orrizontali vase, Murano, Italy, 1950s
Iridized blown glass
Unmarked
13 1/2” x 6 1/2”
$3,000–4,000
1637:MURANO
1 6 3 8 : V I T T O R I O V A L A B R E G A (1861 - 1952)
Chandelier, Italy, after 1950
Blown glass with burst gold foil, brass,
twelve sockets
Unmarked
72” x 47” dia.
Coffee table, Italy, 1930s
Lacquered birch and mahogany, glass
Unmarked
18” x 36”
$3,500–4,500
$2,000–3,000
$3,000–4,000
118
119
1642: STYLE OF PAOLO BUFFA
1 6 3 9 : F L A V I O P O L I (1900 - 1984)
SEGUSO VETRI D’ARTE
1 6 4 0 : G I O P O N T I (1891 - 1979)
SINGER & SONS
1641:
F L A V I O P O L I (1900 - 1984)
SEGUSO VETRI D’ARTE
Massive flush-mount fixture, Italy, ca. 1954
Blown glass, enameled metal
Unmarked
79 x 43 1/2” x 9”
Pair of armchairs (no. 110), Italy, 1950s
Walnut, upholstery
Unmarked
34” x 22 1/2” x 22”
Massive flush-mount fixture, Italy, ca. 1954
Blown glass, enameled metal
Unmarked
79 x 43 1/2” x 9”
Provenance: Hotel Bristol, Merano, Italy
Literature: Singer & Sons showroom
catalogue (unpaginated)
Provenance: Hotel Bristol, Merano, Italy
$5,000–7,000
Pair of lounge chairs, Italy, 1950s
Stained wood, upholstery
Unmarked
38 1/2” x 26 1/2” x 31”
$2,000–3,000
$5,000–7,000
$2,000–3,000
120
121
1643:ARREDOLUCE
1644:ARREDOLUCE
Triennale floor lamp, Monza, Italy, 1960s
Nickeled brass, enameled aluminum, marble,
stitched leather, three sockets
Unmarked
To top of post: 56 1/2”
Triennale floor lamp, Monza, Italy, 1960s
Nickeled brass, enameled steel, marble, three sockets
Stamped MADE ITALY
To top of post: 56”, base: 12” dia.
$4,000–5,000
$4,000–5,000
122
123
1645:ARTELUCE
Chandelier, Italy, 1950s
Enameled iron and aluminum, brass, three sockets
Unmarked
37” x 26” dia.
1 6 4 6 : B E R T H A S C H A E F E R (1895 - 1971)
SINGER & SONS
Nesting tables (no. 2112), Italy, 1950s
Walnut
Manufacturer label
Large table: 24” x 24” x 17 1/2”, small table: 23” x 16 1/2” dia.
Literature: Singer & Sons showroom catalogue
$4,000–6,000
1647:STILNOVO
1 6 4 8 : C A R L O B U G A T T I (1856 - 1940)
Eighteen-arm chandelier, Italy, 1950s
Brass, enameled metal
Unmarked
To canopy: 25” x 50”
$5,000–7,000
Bench, Italy, ca. 1900
Stained and painted wood, walnut, copper, brass, pewter,
vellum, upholstery
Unmarked
30 1/2” x 47 1/2” x 20”
$8,000–10,000
$2,000–3,000
124
125
1 6 4 9 : P H I L I P L a V E R N E (1908 - 1988)
K E L V I N L A V E R N E (b. 1936)
1 6 5 0 : P H I L I P L a V E R N E (1908 - 1988)
Chan coffee table, New York, 1960s
Etched, patinated, and polychromed bronze, pewter
Raised signature
17 3/4” x 47” dia.
Publication: Philip and Kelvin LaVerne: Sculpture III
(studio catalog), p. 17
Literature:
Festival console table, New York, 1960s
Raised signature and paper label
26” x 56” x 20”
$8,000–10,000
$4,000–6,000
126
127
1651:
P H I L I P L a V E R N E (1908 - 1988)
Kuan Su side table, New York, 1960s
Etched and patinated bronze, pewter
Unmarked
16” x 18” sq.
Publication: The Art of Philip LaVerne (studio catalog), p. 17
$1,800–2,400
1 6 5 2 : P H I L I P L a V E R N E (1908 - 1988)
Pompadour Floral side table, New York, 1960s
Raised and etched signatures
17 1/2” x 24” x 15 3/4”
Publication: Philip and Kelvin LaVerne: Sculpture III (studio catalog), p. 20
$1,800–2,400
1 6 5 3 : P H I L I P L a V E R N E (1908 - 1988)
Romanesque coffee table, New York, 1960s
Etched and patinated bronze, pewter, enamel
Raised signature
17” x 60” x 23 1/2”
Publication: Philip and Kelvin LaVerne: Sculpture III (studio catalog), p. 9
$7,500–9,500
128
129
1 6 5 4 : P H I L I P L a V E R N E (1908 - 1988)
1 6 5 5 : T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Fine armoire, New York, 1950s
79” x 51 1/4” x 20 1/2”
Provenance: Rago, 4/21/2007, lot 100
Note: One of five known, this was the showroom model
made exactly to Parzinger’s specifications
Chan coffee table, New York, 1960s
Raised signature
17 3/4” x 47 1/4” dia.
Publication: Philip and Kelvin LaVerne: Sculpture III (studio
catalog), p. 17
$4,000–6,000
$10,000–15,000
130
131
1 6 5 6 : T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Lacquered wood, brass
Branded
32” x 68 1/2” x 17 1/2”
$8,000–10,000
132
133
1 6 5 7 : T O M M I P A R Z I N G E R (1903 - 1981)
CHARAK MODERN
1 6 5 8 : T O M M I P A R Z I N G E R (1903 - 1981)
PARZINGER ORIGINALS
Console table, USA, 1950s
Lacquered and silvered wood, nickeled brass
Manufacturer and retailer labels
36” x 32” x 11”
$3,500–4,500
Pair of sconces, New York, 1950s
Brass, enameled aluminum, parchment, double sockets
Unmarked
30 1/2” x 14” dia. x 17 1/4”
$1,800–2,400
CLARE GRAHAM
My wife and I first saw Clare Graham’s work while we were exhibitors at the Los Angeles Modernism
show back in the 1980s. Each year there would be an installation of his latest furniture designs,
incorporating both found and everyday objects such as Scrabble sets (boards and tiles) and paintby-number paintings completed by countless, anonymous amateur artists. These designs were
compelling both for their whimsical reinterpretation of the commonplace, and an undeniably high
quality of craftsmanship. The two cabinets in this sale were recently exhibited in Graham’s one-man
show at the Los Angeles Folk Art Museum, which was accompanied by a monograph on Graham,
and, along with his other works in this sale, are brought to auction for the first time.
-David Rago
1 6 5 9 : T O M M I P A R Z I N G E R (1903 - 1981)
SALTERINI
Three-piece sectional sofa, lounge chair, two-piece nesting tables, and coffee table,
New York, 1950s
Enameled iron, upholstery, glass
Unmarked
Sofa corner pieces: 27 1/4” x 30 1/2” x 32”, sofa middle: 27 1/4” x 22 1/4” x 32”,
chair: 30” x 26” x 35”,
larger nesting table: 24 1/2” x 24” sq., coffee table: 16” x 47 1/2” x 24”
$3,000–4,000
photo by Jody Miller
134
135
1 6 6 0 : C L A R E G R A H A M (b. 1949)
“Pixilated Paint By Numbers” cabinet, Los Angeles, CA, 2000s
Tiles of paint-by-number paintings, glass shelves
Unmarked
90 1/2” x 36” x 20 1/2”
Provenance: Collection of the artist
$3,500–4,500
136
137
1661:
C L A R E G R A H A M (b. 1949)
“Roadkill” cabinet, Los Angeles, CA, 2000s
Found metal parts, polychromed wood, holographic image
Unmarked
90 1/2” x 36” x 20 1/2”
$3,500–4,500
138
139
1 6 6 2 : C L A R E G R A H A M (b. 1949)
1 6 6 3 : C L A R E G R A H A M (b. 1949)
“Pop Top” tête-à-tête, Los Angeles, CA, 2000s
Tin can tabs over metal frames
Unmarked
31” x 62” x 27”
Double-sided yardstick bench, Los Angeles, CA, 2000s
Unmarked
36” x 36” x 36”
$2,000–3,000
$2,500–3,500
140
141
Doug Snower photo
East Hotel, Hamburg
JORDAN MOZER
My wife and I have admired Jordan Mozer’s work long before we became friends, and
have collected his art for decades. His earliest, memorable restaurant designs, from
Vivare and Scuzzi in Chicago, and Iridium, across from Lincoln Center in New York,
established his studio as one of the top hands-on commercial architectural firms in
the world. Everything, from chairs and lamps, to door handles and ventilation grates,
was, and remains, a handcrafted, personal creation. We are delighted to offer here,
as part of our Contemporary Designer series, a selection of furniture and lighting,
including one-offs and prototypes, never before brought to auction.
1 6 6 4 : C L A R E G R A H A M (b. 1949)
1 6 6 5 : C L A R E G R A H A M (b. 1949)
Teddy Bear Tower, Los Angeles, CA, 2000s
Shrink-wrapped teddy bears, rope, enameled steel
Unmarked
99” x 11” dia.
Spindles sculpture, Los Angeles, CA, 2000s
Buttons, enameled steel
Unmarked
73” x 19” dia.
$1,800–2,400
142
Doug Snower photo
-David Rago
$1,800–2,400
Americas, Houston
143
1 6 6 6 : J O R D A N M O Z E R (b. 1958)
JORDAN MOZER AND ASSOCIATES
1 6 6 7 : J O R D A N M O Z E R (b. 1958)
Prototype Potato Chip Chair, Chicago, IL, 1994
Stained maple, mohair
Unmarked
45” x 40 1/2” x 37 1/2”
Prototype Fairbanks Sofa, Chicago, IL, 1994
Acid-washed magnesium aluminum alloy, mohair, vinyl
Unmarked
32” x 71” x 30”
Note: Designed for a Lake Michigan beachfront residence.
Note: Designed for the Sands Hollywood Casino
Fairbanks Café, Illinois.
$3,000–5,000
$4,000–6,000
144
145
1 6 6 8 : J O R D A N M O Z E R (b. 1958)
1 6 6 9 : J O R D A N M O Z E R (b. 1958)
1671:
J O R D A N M O Z E R (b. 1958)
1672:
J O R D A N M O Z E R (b. 1958)
Eliza’s Dark Little Question Light, Chicago, IL, 2000s
Acid-washed magnesium-aluminum alloy, single socket
Base stamped, MOZER
12” x 10” x 5 1/2”
GooseGuss table mirror, Chicago, IL, ca. 2004
Acid-washed magnesium-aluminum alloy, mirrored glass
Unmarked
25” x 11” x 12”
Prototype Hotel 57 Boudoir Lamp, Chicago, IL, ca. 2008
Patinated rose-bronze, blown glass, double sockets
Unmarked
20 1/2” x 5 1/4”
Clawfoot table (unique), Chicago, IL, 1998
Acid-washed magnesium-aluminum alloy, mahogany
Unmarked
29 1/2” x 28” x 21 1/2”
Provenance: Collection of the artist.
Note: Named for the artist’s curious first child, designed as
part of the interior of the Herzblut St. Pauli,
Hamburg, Germany
$1,500–2,000
Note: Designed for the Hotel 57, New York
$1,500–2,000
$2,000–3,000
$2,000–3,000
1 6 7 0 : J O R D A N M O Z E R (b. 1958)
Three Thumbs Bowl (unique), Chicago, IL, 2001
Blown glass, polished magnesium-aluminum alloy
Unmarked
8 3/4” x 14 1/2”
Provenance: Collection of the artist (and inspired by his
own, very flexible thumbs)
$1,500–2,000
146
147
1 6 7 3 : J O R D A N M O Z E R (b. 1958)
1 6 7 4 : J O R D A N M O Z E R (b. 1958)
1 6 7 5 : J O R D A N M O Z E R (b. 1958)
1 6 7 6 : J O R D A N M O Z E R (b. 1958)
Prototype Bowlegged Armchair, Chicago, IL, 1999
Acid-washed magnesium-aluminum alloy, stained maple,
upholstery
Unmarked
36” x 28” x 23”
Limited-edition Creature Table, Chicago, IL, 2012
Acid-washed and polished magnesium-aluminum alloy
Unmarked
25 1/2” x 17 1/2” x 12 1/2”
Occasional table (unique), Chicago, IL, 1996
Magnesium-aluminum alloy, granite
Unmarked
26” x 28” dia.
Prototype Nick Meet Fred Chair, Chicago, IL, 1999
Acid-washed magnesium-aluminum alloy, stained maple,
upholstery
Unmarked
36” x 20” x 27”
Note: A variation of the table from d’Alba House, Glencoe, IL
Note: One of three prototypes of an armchair created for
the Nevada Nick Steakhouse in Las Vegas, the chair is a
portrait of the owner, a stocky and bowlegged ex-football
player.
Note: A variation on the Barney’s New York chair created
for the lounge seats at the Nevada Nick Steakhouse in Las
Vegas.
$2,500–3,500
Note: Created for Americas Restaurant in Houston, TX, this
table is inspired by pre-Columbian Inca gold sculptures and
contemporary graffiti from Rio de Janeiro.
$2,500–3,500
$1,500–2,000
$1,800–2,400
148
149
1677:
C H R I S T O P H E R P O E H L M A N N (b. 1964)
CP LIGHTING
New Growth chandelier, Philadelphia, PA, 2015
Brushed aluminum, eleven sockets
Impressed with artist and manufacturer name, date, and cipher,
manufacturer label to ceiling cap
12” x 84”
$3,000–4,000
1 6 7 8 : C H R I S T O P H E R P O E H L M A N N (b. 1964)
CP LIGHTING
CP LIGHTING
1681:
C H R I S T O P H E R P O E H L M A N N (b. 1964)
CP LIGHTING
New Growth Antler pendant, Philadelphia, PA, 2012
Painted aluminum, four sockets
Impressed with manufacturer name and date, manufacturer
label to ceiling cap
23” x 17” x 14”
Pair of New Growth sconces, Philadelphia, PA, 2012
Blackened aluminum, single sockets, fabric shades
Signed and dated
Overall: 41” x 7 1/4” x 11”, fixture only: 31” x 4 1/2” x 9 1/2”
$1,000–1,500
New Growth chandelier, Philadelphia, PA, 2014
Brushed aluminum, gilder’s paste finish, five sockets
Impressed with manufacturer name, date, and cipher,
manufacturer label to ceiling cap
24” x 34”
$2,500–3,500
$1,000–1,500
New Growth Folly chair Philadelphia, PA, 2015
Welded and patinated aluminum, print-laminated plywood
Signed and dated
39” x 33” x 79 1/2”
$2,000–3,000
Two New Growth chairs, Philadelphia, PA, 2015
Welded and patinated aluminum, print-laminated plywood
Signed and dated
32” x 26” x 27”, 32” x 24” x 26 1/2”
$2,500–3,500
150
151
1 6 8 3 : J A M E S B E A R D E N (b. 1964)
1 6 8 4 : J A M E S B E A R D E N (B. 1964)
“Moon Pool” wall cabinet, Des Moines, IA, 2015
Steel, bronze wash, fused bronze, copper, glass enamel
Signed
37” x 37 1/2” x 17”
$3,000–4,000
Three giraffe sculptures, Des Moines, IA, 2015
Steel, welded copper, bronze
All signed
Tallest: 36” x 7” x 11”
$1,500–2,000
1 6 8 5 : J A M E S B E A R D E N (b. 1964)
1 6 8 6 : J A M E S B E A R D E N (b. 1964)
1 6 8 7 : J A M E S B E A R D E N (b. 1964)
“Burr” coffee table, Des Moines, IA, 2015
Steel, bronze wash, fused bronze, glass
Signed
16 1/2” x 58” x 30”
$2,000–3,000
“Labyrinthine Cabinet,” Cathedral Series, Des Moines, IA,
2015
Blackened and textured steel, fused bronze, enamel, glass
Signed
63” x 29” x 19 1/2”
$4,000–6,000
152
“Mystical Galaxy Chimes,” Cathedral Series, Des Moines, IA,
2015
Torch-cut and blackened steel, fused bronze, glass
Signed
89” x 12” sq.
$1,500–2,000
153
1 6 8 8 : R O B E R T K O C H (b. 1962)
1 6 8 9 : S E A N C A L Y E R (b. 1967)
Large freestanding sculpture, Jersey City, NJ, 2008
Steel rods, melt steel
Unmarked
55” x 55” x 12”
Sculptural chair, Kingston, NY, 2001
Steel, stainless steel, bronze, leather
Unmarked
55” x 45 1/2” x 52”
$3,000–5,000
$3,000–5,000
1689A: DOUG AYERS
1 6 9 0 : G E N E M O N T E Z F L O R E S (b. 1935)
S U S A N F L O R E S (b. 1940)
Two sculptures, Mendocino, CA, ca. 1983
Stained and carved teak, enameled metal
Unmarked
57” x 12” x 8”, 43” x 8” x 8”
Pair of folding doors/gates, Plainfield, MA, ca. 1998
Patinated silica bronze, sand-cast bronze
Unmarked
Each gate: 78 1/2” x 30” x 3 1/2”
Provenance: Original owner, purchased from the artist.
$2,500–3,500
$3,000–5,000
154
155
1691:
S I M O N B E N E T T O N (b. 1933)
LABORATORIO ARTISTICO
Sculptural screen, Italy
Wrought and enameled iron, fractured resin
Signed Laboratorio Artistico S. Benetton Treviso Italia
80” x 33 1/2” x 14”
$2,000–3,000
1 6 9 2 : B E R T F U R N A R I (b. 1968)
1 6 9 4 : B E R T F U R N A R I (b. 1968)
Wall-hanging cabinet, “Cabinet #1,” Easton, PA, 2014
Patterned and powder-coated aluminum
Signed and dated
54 1/2” x 34” x 14 1/2”
Mirror and console table, Easton, PA, 2015
Patterned and powder-coated aluminum, mirrored glass
Both signed and dated
Mirror: 48” x 51 1/2” x 2”, console: 9” x 65 1/2” x 21”
$1,800–2,400
$1,800–2,400
1 6 9 5 : B E R T F U R N A R I (b. 1968)
Large coffee table, “Mesa Table #2,” Easton, PA, 2015
Signed and dated
17 1/2” x 86” x 40 1/2”
$2,000–3,000
1 6 9 3 : B E R T F U R N A R I (b. 1968)
Pair of side tables, Easton, PA, 2015
Signed and dated
20 1/2” x 21 1/2” x 19 1/2”
$1,800–2,400
156
157
1 6 9 6 : J O H N N Y S W I N G (b. 1961)
Nickel bowl, Brookline, VT, 2000s
Unmarked
5” x 15 1/2” dia.
Note: Complete with Johnny Swing catalogue,
picturing the bowl
$1,500–2,000
1 6 9 9 : J E F F R E Y G R E E N E (b. 1943)
Dining table and eight tall back dining chairs, New Hope,
PA, 1980s
Mixed exotic hardwoods, enameled wood, upholstery, glass
Upholstery label to one chair, table unmarked
Table (overall): 30” x 59” x 83”,
base only: 29 1/2” x 32 1/2” sq., chairs: 48” x 18 1/2” x 21”
$3,000–4,000
1 7 0 0 : A R T H U R E S P E N E T C A R P E N T E R (1920 - 2006)
Coffee table, Bolinas, CA, 1960s
American black walnut, ebony, glass
Signed, AE 7247
15 1/2” x 35 1/2” sq.
Provenance: Original owner
$3,000–4,000
T R I P P C A R P E N T E R (b. 1955)
Turned wood bowl and two platters, along with one bowl by
Tripp Carpenter, Bolinas, CA, ca. 1950
Claro walnut, walnut, primavera, Siamese teak
All inscribed with artist signature, number, and wood
identification, one dated 1950
Largest platter: 16 1/2” dia.
Jewelry box, Bolinas, CA, 1970s
Burlwood
Signed Espenet 7136
72 1/2” x 4 1/2” x 5 1/4”
$4,000–6,000
$1,800–2,400
158
159
1701:
D O N A L D J U D D (1928 - 1994)
LEHNI
Table/Shelf (#49), USA/Switzerland, 1980s/2008
Enameled aluminum
Stamped Donald Judd trademark, Swiss made by Lehni
4/2008 100 with copyright
29 1/2” x 19 3/4” x 19 3/4”
Provenance: Private collection, purchased directly from
Judd Furniture
$3,000–4,000
1 7 0 3 : P E D R O F R I E D E B E R G (b. 1937)
Butterfly chair, Mexico, 1983
Carved, gilt, and painted mahogany
Unmarked
38 1/4” x 22 1/2” x 19”
Provenance: Wright, 3/28/2013, lot 277
$3,000–5,000
1 7 0 4 : P E D R O F R I E D E B E R G (b. 1937)
1 7 0 2 : W E N D E L L C A S T L E (b. 1932)
Molar settee in rare chartreuse color, Scottsville, NY,
ca. 1969
Gel-coated fiberglass, rubber
Unmarked
26” x 36” x 31”
Hand Foot occasional table, Mexico, 1960s
Painted wood, glass
Unmarked
21 1/2” x 25 1/2” dia.
$12,000–18,000
$2,500–3,500
160
161
1705: MARIO DAL FABBRO
(1913 - 1990)
(1913 - 1990)
1707:
MARIO DAL FABBRO
(1913 - 1990)
Sculpture, “Duality,” Fairfield, CT,
1968
Mahogany
Signed, titled, and dated
28” x 15” x 12”
Large sculpture, “Construction in
Black,” Fairfield, CT, 1979
Painted and bent wood
Signed, dated, and titled
31 1/2” x 22” x 18”
$3,000–4,000
Untitled sculpture, Fairfield, CT,
1969
Mahogany, oak
Signed and dated
27” x 6 1/2” dia.
$1,800–2,400
(1913 - 1990)
1710:
MARIO DAL FABBRO
(1913 - 1990)
Two sculptures, Fairfield, CT, 1969: “Boy With Hat” and
“Agony”
Mahogany, walnut
Both signed and titled, one dated
Taller: 21 1/2” x 6 1/2” x 7 1/2”
Large sculpture, “Helix,” Fairfield, CT, 1974
Stained mahogany, painted wood
Signed and dated, paper label with title
21” x 25” x 23”
$3,000–4,000
$1,500–2,000
$1,400–1,800
(1913 - 1990)
Wall hanging sculpture, Fairfield, CT
Cedar
Signed
9 1/2” x 9” x 46”
$2,000–3,000
1711:
MARIO DAL FABBRO
(1913 - 1990)
1712:
MARIO DAL FABBRO
(1913 - 1990)
Wall hanging sculpture, “Dimensions,” Fairfield, CT
Stained mahogany
Signed and titled
18” x 20” x 20 1/2”
Large sculpture, “Three Squares,” Fairfield, CT, 1971
Various woods
Signed, dated, and titled, remnant of paper label
21 1/2” x 18” x 5 1/2”
$2,000–3,000
162
$2,000–3,000
163
1714:
1713:
A L B E R T P A L E Y (b. 1944)
Fine ring with steep oval cabochon, Philadelphia, PA, 1969
14k gold, Madagascar labradorite
Stamped, PALEY 14K
Size 5
Necklace, New York, 1950s
Sterling silver, labradorite
Stamped, HURST KINGSBURY/STERLING
8 1/2” x 5 1/2”
Literature: Marbeth Schon, Modernist Jewelry 1930-1960
(Schiffer 2004)
$3,500–5,000
JOAN HURST
JILL KINGSBURY
1717:
H A R R Y B E R T O I A (1915 - 1978)
Sculpture Screen from a set of ten
executed for the First National Bank
of Miami, Pennsylvania, 1959
Melt-coated brass over steel
Unmarked
137” x 52” x 30”
Exhibited: Bertoia: A Celebration
of Sound and Motion, Sotheby’s,
2/11/14-3/9/14
$2,000–3,000
$85,000–125,000
1715:
D O N A L D C O L F L E S H (b. 1932)
GORHAM
Four-piece tea/coffee service on associated Gorham tray,
1960s
Gold-plated silver, ebony, laminated plastic (tray)
Service stamped Gorham/STERLING with numbers and
hallmarks, 1461-1464, tray stamped Gorham 1080
Coffee pot: 12” x 7”, tray: 16” dia.
1716:
H E N R Y S H A W A H (1920 - 2009)
Ring with steep oval cabochon, Cambridge, MA, ca. 1970
18k gold, aquamarine
Stamped with artist cipher/18k and other illegible signature
Size 8
$800–1,200
$5,000–7,000
164
165
1718:
K L A U S I H L E N F E L D (b. 1934)
1719:
K L A U S I H L E N F E L D (b. 1934)
1721:
H A R R Y B E R T O I A (1915 - 1978)
1722:
VAL BERTOIA
Three sculptures, “Sun-Dew Plants,” “Land for Sale,” and
“Prehistoric Plants,” Berks County, PA, 2014
Oxidized phosphor bronze
All stamped KI
Largest: 9” x 10” x 6”
Three sculptures, “Small Planet,” “Espalier,” and “A Creature
from the Barrier Reef,” Berks County, PA, 1970s
Oxidized phosphor bronze
All stamped KI
Tallest: 10 1/2” x 7 1/2” x 3”
Prototype Diamond chair, Pennsylvania, 1950s
Hand-formed enameled steel wire
Unmarked
23 1/2” x 34 1/2” x 30”
$1,200–1,700
Note: Complete with certificate of authenticty from
Val Bertoia
Sonambient scuplture (B1885),
Pennsylvania
Beryllium copper, brass
Stamped B1885
47” x 12” x 4 1/2”
$3,000–5,000
$1,800–2,400
$6,000–8,000
1720: C. JERE
ARTISAN HOUSE
1723:
H A R R Y B E R T O I A (1915 - 1978)
1 7 2 4 : H A R R Y B E R T O I A (1915 - 1978)
Sculptural study, Pennsylvania, 1960s
Melt brass over steel
Unmarked
18” x 8 1/4”
Untitled monoprint on rice paper, Pennsylvania
Framed
Penciled numbered 59
Sheet: 10” x 8”
Note: Complete with limited edition book, Harry Bertoia:
Fifty Drawings (A. Colish Inc., 1980), numbered 233/500
Wall-hanging sculpture, “Raindrops,” Los Angeles, CA, 1975
Chromed and patinated metal
Signed and dated
8” x 60” x 25”
$3,000–5,000
$1,500–2,500
$800–1,000
166
167
1 7 2 8 : A N D R E W S Z O E K E (1916 - 1999)
Nightstand, clock, and table lamp, USA, 1940s
Mixed veneers, brass, copper, double sockets
Unmarked
Nightstand: 25” x 20” x 19”,
lamp: 35” x 22” dia.,
clock: 10 1/2” x 10” x 6 1/2”
$1,500–2,000
1725:
L O U I S W . R I C E (1840 - 1909)
BERNARD RICE’S SONS
1726:
L U R E L L E G U I L D (1898 - 1985)
INTERNATIONAL STERLING
“Skyscraper” cocktail shaker from the Apollo Studio line,
New York, 1920s
Silver-plated brass
Base stamped, SKYSCRAPER/DES. PAT.PENDING/APOLLO
E.P.N.S./MADE IN U.S.A. BY BERNARD RICE’S SONS,
INC/5257, body inscribed, Presented by Class 29A
11” x 7 1/4” x 4”
Cocktail shaker and eight cups, Meriden, CT, ca. 1927
Silver plated and lacquered metal
All stamped with designer’s facsimile signature and
manufacturer mark, stopper stamped, PAT’D JAN 11-1927
Shaker: 15 3/4” x 3 1/2”,
cups: 3 1/4” x 1 1/2”
$3,000–5,000
$1,500–2,000
1727:
P A U L F R A N K L (1886 - 1958)
1729:
AFTER WILLIAM HUNT DIEDERICH
Mirror from the tower at Mar-A-Lago
(Palm Beach, FL), USA, ca. 1927
Silver leaf over wood, beveled
mirrored glass
Unmarked
28 3/4” x 4 1/2”
Ice Skaters weathervane/architectural
element, New York, 1928
Patinated bronze, enameled steel stand
Stamped NEW YORK 1928
On stand: 30 1/4” x 22” x 8”
Sotheby’s, Important 20th Century
Design, 12/18/2004
$5,000–7,500
$3,000–4,000
168
169
1732:
K.E.M. WEBER
LLOYD MANUFACTURING COMPANY
LC-52 tall back lounge chair, Menominee, MI, 1930s
Chromed steel, oil cloth, walnut
Remnants of decal and paper label
31” x 27 1/4” x 39”
$10,000–15,000
1730: EUROPEAN ART DECO
Twelve-arm chandelier, 1940s
Aluminum, nickeled brass, frosted glass
Unmarked
To canopy: 24 1/2” x 35 1/2” dia.
$4,000–6,000
1731:
K.E.M. WEBER
LLOYD MANUFACTURING COMPANY
Pair of low lounge chairs, Menominee, MI, 1930s
Chromed steel, oil cloth, walnut
Remnants of decal labels to both
28” x 28 3/4” x 32”
$3,000–4,000
170
171
1 7 3 3 : A N D R E W S Z O E K E (1916 - 1999)
Fine illuminated bar cabinet, USA, 1940s
Walnut, mahogany, mixed exotic wood inlays, bronzed metal
Unmarked
55 1/4” x 68 3/4” x 19”
$4,000–6,000
1 7 3 4 : A R N E J A C O B S E N (1902 - 1971)
VALENTINE-SEAVER CO.
1 7 3 5 : P A U L F R A N K L (1886 - 1958)
FRANKL GALLERIES
1 7 3 6 : P A U L F R A N K L (1886 - 1958)
JOHNSON FURNITURE CO.
Sofa from the tower at Mar-A-Lago (Palm Beach, FL),
New York, ca. 1927
Silvered and lacquered wood, upholstery
Brass manufacturer label
27” x 77 1/2” x 38”
Sotheby’s, Important 20th Century Design, 12/18/2004, lot
701
Christie’s, 12/10/1993-12/11/1193, lot 561
Published: Christopher Long, Paul T. Frankl and American
Modern Design (2007), p. 85
Mirror and two dressers, USA, 1930s
Walnut, matte-chromed steel, acrylic, mirrored glass
Manufacturer metal labels to dressers
Taller: 52” x 30” x 20”, shorter: 28” x 42” x 20”,
mirror: 30” dia.
$2,500–2,500
Amoeba coffee table (no. 5028), Grand Rapids, MI, 1940s
Enameled cork, stained and lacquered mahogany
Stenciled model number
14” x 72” x 36”
$5,000–7,000
$6,000–8,000
172
173
1737:
NAKASHIMA STUDIOS
Minguren II dining table, New Hope, PA, 1980
East Indian laurel, walnut
Signed with client name and George Nakashima, Sept 1980
28 1/2” x 47” x 84”
$20,000–30,000
174
175
NAKASHIMA STUDIOS
Six Conoid chairs, New Hope, PA, 1980
Walnut, hickory
Six signed with client name, four signed, George Nakashima,
Sept 1980
35 1/2” x 20” x 22”
$20,000–30,000
176
177
NAKASHIMA STUDIOS
NAKASHIMA STUDIOS
Single pedestal desk, New Hope, PA, 1957
Sap walnut
Unmarked
28 1/2” x 54” x 27”
Single Pedestal Desk, New Hope, PA, 1965
Walnut
Unmarked
28 1/4” x 54 1/4” x 26 1/4”
Provenance available: Copy of original order card and letter of
authentication from Mira Nakashima
$9,500–12,500
$8,000–10,000
178
179
1741:
NAKASHIMA STUDIOS
Trestle dining table, New Hope, PA
Cherry
Unmarked
29” x 72” x 36”, two leaves: 15 1/2”
$6,000–8,000
NAKASHIMA STUDIOS
Six Captain’s chairs, New Hope, PA
Cherry
Unmarked
29” x 24 1/2” x 20 1/2”
$6,000–8,000
180
181
NAKASHIMA STUDIOS
NAKASHIMA STUDIOS
Double dresser, New Hope, PA, 1966
Walnut
32” x 60” x 21 1/2”
Sliding Door Cabinet, New Hope, PA, 1975
Walnut
32” x 88” x 22”
Provenance available: Copy of original order card and letter
of authentication from Mira Nakashima
$7,000–9,000
$9,000–12,000
182
183
1 7 4 5 :
NAKASHIMA STUDIOS
NAKASHIMA STUDIOS
Coffee table, New Hope, PA, 1957
Cherry, rosewood
14” x 67” x 24 1/2”
Coffee table, New Hope, PA, 1961
English walnut
Unmarked
12 1/2” x 79” x 32”
and invoice
$7,500–10,000
$15,000–20,000
184
185
1747:
M I R A N A K A S H I M A (b. 1942)
1 7 4 8 : M I R A N A K A S H I M A (b. 1942)
Minguren II dining table, New Hope, PA, 1998
Walnut, rosewood, hickory
Signed and dated
28 1/2” x 108” x 40 3/4”
$9,000–12,000
186
Massive coffee table, New Hope, PA, 1998
Figured walnut, rosewood
Signed and dated, signed with client name
14” x 73” x 61”
$7,000–9,000
187
1 7 4 9 : M I R A N A K A S H I M A (b. 1942)
NAKASHIMA STUDIOS
1 7 5 0 : P A U L E V A N S (1931 - 1987)
PAUL EVANS STUDIO
Rare and early revolving cabinet, New Hope, PA, 1960s
Welded and polychromed steel, wood
Unmarked
74” x 20”
Fine king-size headboard, New Hope, PA, 2007
Myrtle, rosewood, walnut
Signed Mira Nakashima April 30. 2007 and client name
58” x 104 1/2” x 3 1/4”
$7,000–9,000
$25,000–35,000
188
189
1751:
P A U L E V A N S (1931 - 1987)
PAUL EVANS STUDIO
1752:
P A U L E V A N S (1931 - 1987)
DIRECTIONAL
“Upside Down Loop” coffee table, New Hope, PA, 1960s
Torch-cut, welded, and polychromed steel, marble
Unmarked
16” x 38” dia.
Sculptured Metal Disc bar (PE 122), USA, 1973
Bronze, composite, laminate
Signed and dated, PE 73
72” dia. x 16 1/2”
Note: Possibly the only version of this rare table with a
custom-ordered marble top
$17,000–20,000
$12,000–16,000
190
191
1 7 5 3 : P A U L E V A N S (1931 - 1987)
P H I L P O W E L L (1919 - 2008)
1 7 5 4 : P A U L E V A N S (1931 - 1987)
PAUL EVANS STUDIO
Rare spray sculpture, New Hope, PA, 1960s
Copper rod, gold-painted walnut
28” x 24”
$20,000–30,000
$10,000–15,000
192
Fine Argente sculpture, New Hope, PA, 1970s
Welded and dye-painted aluminum
Unmarked
29” x 12 1/2” x 8 1/2”
193
1755:
P A U L E V A N S (1931 - 1987)
DIRECTIONAL
Deep Relief cabinet, USA, 1971
Welded, patinated, and polychromed steel, cleft slate,
polychromed wood
Welded signature, Paul Evans 71
31 1/2” x 72” x 18 1/2”
$25,000–35,000
194
195
1 7 5 6 : P A U L E V A N S (1931 - 1987)
DIRECTIONAL
Pair of Cityscape cabinets, USA, 1970s
Chromed steel, brass
Etched signature to both
26 1/2” x 24” x 16 1/2”
$4,000–6,000
1757:
P A U L E V A N S (1931 - 1987)
DIRECTIONAL
Cityscape bar cabinet, USA, 1970s
Etched signature
35 1/2” x 36” x 18 1/2”
$3,000–4,000
1 7 5 8 : P A U L E V A N S (1931 - 1987)
DIRECTIONAL
Cityscape cabinet, USA, 1970s
Etched signature
32” x 90 1/2” x 23”
$9,000–12,000
196
197
1 7 5 9 : P A U L E V A N S (1931 - 1987)
DIRECTIONAL
1 7 6 0 : P A U L E V A N S (1931 - 1987)
DIRECTIONAL
Dining table, USA, 1977
Welded and polychromed steel, glass
Welded signature, Paul Evans 77
29” x 42” x 96”
$6,000–8,000
198
Cityscape cabinet, USA, 1970s
Etched signature
32 1/2” x 72” x 21”
$5,000–7,000
199
1761:
P A U L E V A N S (1931 - 1987)
DIRECTIONAL
1762:
P A U L E V A N S (1931 - 1987)
PAUL EVANS STUDIO
Cityscape four-poster bed (PE 203), USA, 1970s
Chromed steel
Etched signature
84 1/2” x 72” x 92”
Argente side table (PE 28), New Hope, PA, 1970s
Painted aluminum, silver leaf on wood, cleft slate
Underside of slate marked, PE 28 or 29
19 1/2”
$7,000–9,000
200
$7,000–9,000
201
1 7 6 3 : P A U L E V A N S (1931 - 1987)
PAUL EVANS STUDIO
1 7 6 4 : H A N S W E G N E R (1914 - 2007)
A.P. STOLEN
Lighting fixture, New Hope, PA, 1960s
Torch-cut, welded, polychromed, bronzed, and
gilt steel, six sockets, silk shade
Unmarked
94” x 106” x 12”
Papa Bear chair and ottoman, Denmark, 1960s
Teak, upholstery
Unmarked
Chair: 39” x 36” x 38”, ottoman: 15 1/4” x 27 1/2” x 16 1/2”
$7,000–9,000
$8,000–10,000
202
203
1765: SEVERIN HANSEN JR.
HASLEV MØBELSNEDKERI
1766: FRITZ HANSEN
Sofa and lounge chair (nos. 1594 and 1595),
Denmark, 1940s
Stained beech, upholstery
Sofa has original label wth model number
Sofa: 31” x 70” x 33”, chair: 31” x 30” x 33”
Fritz Hansen Production Catalog 4202 (1942), p. 7
Floor lamp, Denmark, 1960s
Stained beech, brass, single socket, linen shade
Unmarked
63” x 18” x 18”
$2,000–3,000
$5,000–7,000
1767:
F I N N J U H L (1912 - 1989)
NIELS VODDER
Set of four Egyptian chairs, Denmark, 1950s
Teak, upholstery
All chairs branded
35” x 21 1/2” x 23”
Provenance available: Copy of original
receipt from Den Permanente,
Copenhagen, Denmark
$8,000–10,000
204
205
1 7 6 8 : F I N N J U H L (1912 - 1989)
FRANCE & SONS
1 7 6 9 : F I N N J U H L (1912 - 1989)
FRANCE & SONS
1770:
P I E R R E F O R S E L L (b. 1925)
SKULTUNA
1771:
F I N N J U H L (1912 - 1989)
BAKER
Set of sixteen wall-mounting candle holders, Sweden, 1970s
Brass
All stamped SKULTANA 1607 Sweden with artist signature
19 1/4” x 2” x 3 1/4”
Set of six dining chairs, two arm-, four side-, Denmark/USA,
1950s
Walnut, leather
Unmarked
Armchairs: 32” x 27 1/2” x 20”, side chairs
31 1/2” x 22” x 21”
Japanese loveseat, Denmark, des. 1953
Teak, brass, upholstery
Metal manufacturer label
29” x 50” x 28”
$2,500–3,500
Japanese sofa, Denmark, des. 1953
Teak, brass, upholstery
Metal manufacturer label
29” x 74” x 28”
$3,000–4,000
$1,500–2,000
$5,000–7,000
Finn Juhl’s Japanese line of seating was inspired by the majestic gate to
the Itsukushima Shinto shrine, Japan.
206
207
1772:
FRITZ HANSEN
1773:
SLAGELSE MØBELVAERK
Open-arm lounge chair (no. 1590), Denmark, 1940s
Stained beech, upholstery
Unmarked
31” x 28 1/2” x 32”
Tall Back lounge chair, Denmark, 1950s
Stained beech, lambswool, leather
Unmarked
40” x 34” x 39”
Literature : Fritz Hansen Production Catalog 4202 (1942),
p. 6
$2,500–3,500
1775:
H A N S O L S E N (1919 - 1992)
FREM-ROJLE
Ten armchairs, Denmark, 1970s
Teak, vinyl
All branded
31 1/2” x 25” x 24”
$4,000–6,000
$2,000–3,000
1774:
DK FURNITURE
Pair of lounge chairs, Denmark, 1950s
Stained beech, lambswool, leather
Unmarked
31” x 34” x 36”
1776:
B J O R N W I I N B L A D (1918 - 2006)
ROSENTHAL
Dining table and six chairs, “The Four Cardinal
Points,” Denmark, 1970s
Lacquered wood and acrylic, upholstery
Table and chairs signed and numbered 72/300
Table: 29” x 57 1/2” dia., chairs: 43 1/2” x 17” x 20”
$3,000–5,000
$5,000–7,000
208
209
1777:
H A N S - A G N E J A K O B S S O N (b. 1919)
HANS-AGNE JAKOBSSON A/B
1778:
H A N S - A G N E J A K O B S S O N (b. 1919)
HANS-AGNE JAKOBSSON A/B
Table lamp, Markaryd, Sweden, 1960s
Teak, enameled metal, brass, single socket
Base stamped, HAJ MARKARYD B54, paper Bergbom
label (S)
24” x 8 1/2” x 22 1/2”
Table lamp, Markaryd, Sweden, 1960s
Teak, enameled metal, brass, single socket
Paper designer label to base
24” x 8 1/2” x 22 1/2”
$2,000–3,000
$2,000–3,000
1779:
A R N E J A C O B S E N (1902 - 1971)
J.L. MØLLERS
SKOVBY
Dining table (Skovby) and seven dining chairs (Møllers),
two-arm, five side-, Denmark, 1970s
Rosewood, upholstery
Manufacturer label to table, chairs branded
Table: 28 1/2” x 71” x 40”, two leaves: 27 1/2” each, armchair: 31” x 22 1/2” x 21”,
side chair: 31” x 20” x 20”
1781:
I B K O F O D - L A R S E N (1921 - 2003)
SELIG
King David desk and King Solomon chair from The Megiddo Collection of Israel,
Denmark/Israel, ca. 1972
Wenge, hammered and patinated brass, leather, vinyl upholstery
Unmarked
Desk: 30” x 71” x 36”, chair: 45 1/2” x 30” x 32”
Note: For The Megiddo Collection, Mendell Selig sent IB Kofod-Larsen to Israel
to study archaeological artifacts. Kofod-Larsen collaborated with Israeli artisans
and other designers, applying the ancient motifs he found there to original
modern designs.
Literature: The Pittsburgh Press, Solomon’s Carpenter Creates Modern Israeli
Furniture 7/20/1972.
1780: SEVERIN HANSEN JR.
HASLEV MØBELSNEDKERI
Floor lamp, Denmark, 1960s
Stained beech, brass, single socket,
linen shade
Unmarked
63” x 19 1/2” x 21”
$5,000–7,000
$2,000–3,000
$2,500–3,500
210
211
1 7 8 6 : A R N E J A C O B S E N (1902 - 1971)
FRITZ HANSEN
Rare four-seat sofa (no. 3304),
Denmark, 1950s
Matte-chromed steel, upholstery
Unmarked
28” x 92” 32”
$3,000–5,000
1 7 8 2 : G U S T A V P E D E R S E N (1895 - 1972)
GEORG JENSEN
1 7 8 3 : E R I K M A G N U S S E N (1884 - 1961)
GORHAM
Sterling silver vase, Denmark, 1930s
Stamped DESSIN GP 925S STERLING DENMARK 763 with
oval GEORG JENSEN mark
7 1/2” x 5 1/2”
$2,000–3,000
Footed coupe with falcons, Providence, RI, 1930s
Sterling silver, carnelian
Stamped GORHAM A 14015 STERLING with hallmarks and
artist cipher, monogrammed M.G.K
3 1/4” x 5”
$2,000–3,000
1787:
A R N E V O D D E R (1926 - 2009)
SIBAST MØBLER
Desk with drop-leaf top, Denmark,
1960s
Teak, oak, laminate, brass
Manufacturer label
Fully extended: 28 1/2” x 85” x 35 1/2”
$2,000–3,000
1 7 8 4 : C A R L H A R R Y S T A L H A N E (1920 - 1990)
RORSTRAND
Large glazed and incised stoneware vase, Sweden,
mid-20th C.
Signed
7 1/2” x 12 1/2” x 10”
1 7 8 5 : C A M I L L E F A U R E (1874 - 1956)
1788: AKSEL KJERSGAARD
Enameled brass vase with roses and ribbons, Limoges,
France, second half 20th c.
Signed C. FAURE Limoges.FRANCE
5 1/2” x 5”
$2,000–3,000
Desk, Denmark, 1960s
Rosewood
Inked stamped markings
29” x 57” x 29”
$2,500–3,500
$800–1,200
212
213
1 7 8 9 : T . H . R O B S J O H N - G I B B I N G S (1905 - 1976)
WIDDICOMB
Mesa coffee table, Grand Rapids, MI, 1950s
Walnut
Manufacturer label, stenciled markings
17” x 73 1/2” x 49”
$30,000–50,000
214
215
1 7 9 0 : J O H N V E S E Y (1924 - 1992)
Console table, New York, 1950s
Aluminum, brass, glass
Unmarked
27 1/4” x 60” x 24”
$4,000–6,000
WIDDICOMB
1 7 9 4 : E D W A R D D U R E L L S T O N E (1902 - 1978)
FULBRIGHT INDUSTRIES
Pair of side/lamp tables, Grand Rapids, MI, 1950s
Walnut
Decal labels and stenciled numbers
22” x 30 1/2” sq.
$2,500–3,500
1791:
J O H N V E S E Y (1924 - 1992)
JOHN VESEY INC.
Hexagonal occasional table (V-39),
New York, 1960s
Aluminum, brass, glass
Unmarked
21 1/2” x 30 1/2” x 35 1/2”
Literature: John Vesey Inc. studio
catalogue (unpaginated)
Pair of stools, Fayetteville, AR, 1940s
White oak
Unmarked
14” x 20 1/2” x 18”
$3,000–4,000
$3,000–4,000
1792:
T.H. ROBSJOHN-GIBBINGS
(1905 - 1976)
WIDDICOMB
Coffee table (no. 1784),
Grand Rapids, MI, 1950s
Bleached walnut, brass
Decal label, stenciled numbers
15 1/2” x 42” dia.
$2,500–3,500
216
WIDDICOMB
Double dresser and mirror,
Grand Rapids, MI, 1950s
Walnut, mirrored glass
Fabric manufacturer label
Dresser: 28 1/2” x 67 1/2” x 20 3/4”,
mirror: 43” x 67 1/2”
$3,000–4,000
217
1797:
J A M E S M O N T (1904 - 1974)
JAMES MONT DESIGN
1 7 9 8 : J A M E S M O N T (1904 - 1974)
JAMES MONT DESIGN
Pair of table lamps, New York,
1950s
Chromed metal, lacquered plaster,
two sockets each, parchment
shades
Unmarked
Overall: 43” x 18” dia., base: 24”
Cabinet, New York, 1960s
Cerused and silvered wood,
silvered metal
Branded, James Mont Design
80” x 96” x 17”
$4,000–6,000
$4,500–6,500
1 7 9 6 : J A M E S M O N T (1904 - 1974)
JAMES MONT DESIGN
Room divider/folding screen, New York, 1950s
Verre eglomise, silvered wood
Unmarked
73” x 84” x 1 1/2”
$7,000–9,000
218
219
1 7 9 9 : E D W A R D W O R M L E Y (1907 - 1995)
DUNBAR
Occasional table (no. 5425), Berne, IN, 1950s
Rosewood, brass, Murano glass tiles
Brass label
21 1/4” x 25 3/4” x 23”
$3,000–4,000
1 8 0 0 : E D W A R D W O R M L E Y (1907 - 1995)
DUNBAR
Coffee table (no. 5309), Berne, IN, 1950s
Patinated brass, rosewood, glass
Unmarked
16 1/2” x 57 1/4” x 31 1/4”
$6,000–8,000
1 8 0 1 : E D W A R D W O R M L E Y (1907 - 1995)
DUNBAR
Sofa, Berne, IN, 1950s
Walnut, upholstery
Unmarked
28” x 109” x 32”
$6,000–8,000
220
221
1 8 0 2 : A R N E J A C O B S E N (1902 - 1971)
DUNBAR
Executive desk, Berne, IN, 1960s
Rosewood, matte-chromed steel
Unmarked
29 1/2” x 84” x 38”
$2,500–3,500
1 8 0 3 : H A R V E Y P R O B B E R (1922 - 2003)
HARVEY PROBBER INC.
Six-section modular sofa, Glen Falls, MA, 1970s
Leather, aluminum
Upholstery labels
Each section: 24 1/2” x 33” x 33”
$4,000–6,000
1 8 0 4 : V L A D I M I R K A G A N (b. 1927)
VLADIMIR KAGAN DESIGNS INC.
Contour loveseat, New York, 1970s
Sculpted walnut, upholstery
Unmarked
35” x 57” x 37”
$6,000–8,000
222
223
1 8 0 5 : V L A D I M I R K A G A N (b. 1927)
DIRECTIONAL
Serpentine sofa, USA, 1970s
Mohair upholstery, acrylic
Unmarked
29” x 94” x 40”
$4,000–6,000
1 8 0 6 : V L A D I M I R K A G A N (b. 1927)
DIRECTIONAL
Serpentine sofa, USA, 1970s
Mohair upholstery, acrylic
Unmarked
29” x 94” x 40”
$4,000–6,000
224
225
1 8 0 7 : V L A D I M I R K A G A N (b. 1927)
1 8 0 8 : V L A D I M I R K A G A N (b. 1927)
Wing lounge chair (no. 503), USA, 1970s
Sculpted walnut, wool
Unmarked
42” x 31” x 33”
Crescent coffee table, New York, 1950s
Venetian glass tiles, bronze, sculpted walnut
Unmarked
14 1/2” x 55” x 34”
$5,000–7,000
$5,000–7,000
226
227
1 8 0 9 : V L A D I M I R K A G A N (b. 1927)
Library steps, New York, 1970s
Sculpted walnut
Unmarked
30 1/2” x 22 1/2” x 22 1/2”
$4,000–6,000
1 8 1 0 : V L A D I M I R K A G A N (b. 1927)
VLADIMIR KAGAN COUTURE
Sloane 2 sofa, New York, 2000s
Painted wood, mohair
Metal label
29” x 144” x 49”, seat depth: 23”
$6,000–8,000
1811:
V L A D I M I R K A G A N (b. 1927)
Pair of stools, New York, 1970s
Enameled steel, Jack Lenor Larsen “Samarkand” upholstery
Unmarked
15 1/2” x 21” x 20”
$3,000–4,000
228
229
1812:
V L A D I M I R K A G A N (b. 1927)
RALPH PUCCI
Sofa, New York, 1990s
Upholstery, walnut
Unmarked
31 1/2” x 128” x 38”, depth of curve: 55”
$6,000–8,000
1813:
BERGER, PEDUZZI-RIVA, ULRICH
DE SEDE
DS 600 Organic sofa with twenty-one
segments, Switzerland, 1990s
Leather, upholstery
Several Stendig labels (retailer)
As shown: 28” x 39” x 152” dia.
$8,000–10,000
230
231
1814:
CY MANN
1815:
CY MANN
Pair of lounge chairs, USA, 1970s
Chromed steel, upholstery
Unmarked
29” x 29 1/2” x 33”
Pair of lounge chairs, USA, 1970s
Chromed steel, upholstery
Unmarked
29” x 30 1/2” x 30”
$2,000–3,000
$2,000–3,000
1818:
JACCO MARIS
BEN QUAEDVLIEG
1819:
K A R L S P R I N G E R (1931 - 1991)
KARL SPRINGER LTD.
Chandelier, “Ode 1647,” The Netherlands, des. 2008
Silver plated and braided copper, UV coating
Unmarked
36” x 43” dia.
Console table, New York, 1980s
Stainless steel, mirrored glass
Unmarked
28” x 48” x 20”
$4,000–6,000
1816:
C E D R I C H A R T M A N (b. 1929)
Pair of side tables, Omaha, NE, 1990s
Brass, marble
Stamped signature to both
23 1/4” x 20” dia.
$3,000–5,000
1817:
M I L O B A U G H M A N (1923 - 2003)
THAYER COGGIN
Pair of tilt swivel lounge chairs, High Point, NC, 1970s
Stained walnut, upholstery
Unmarked
26” x 28” x 29”
$3,000–4,000
$2,000–3,000
232
233
1 8 2 0 : K A R L S P R I N G E R (1931 - 1991)
KARL SPRINGER LTD.
1821:
Pair of floor lamps, New York, 1980s
Frosted acrylic, brass, single sockets
Unmarked
74” x 26” dia.
K A R L S P R I N G E R (1931 - 1991)
KARL SPRINGER LTD.
Six bar stools, New York, 1980s
Leather, brass
Unmarked
40 1/2” x 25 1/2” x 21”
$2,000–3,000
$4,000–6,000
1 8 2 2 : K A R L S P R I N G E R (1931 - 1991)
1 8 2 3 : K A R L S P R I N G E R (1931 - 1991)
KARL SPRINGER INC.
Coffee table, New York, 1980s
Snakeskin, brass
Unmarked
18 1/2” x 36” sq.
$2,500–3,500
1824:PACE
1825:PACE
Executive double pedestal desk, New York, 1970s
Polished steel, walnut burl
Unmarked
29” x 77 1/2” x 38”
$5,000–7,000
Polished steel, walnut burl
Unmarked
30 1/2” x 83 1/2” x 19”
$4,000–6,000
Game table (checkers/chess/backgammon), New York, 1983
Printed and painted leather, felt, brass
Signed and dated
29” x 28” sq.
$2,500–3,500
234
235
1828:CONTEMPORARY
Wall sculpture, USA, second half 20th c.
Enameled wood and masonite, salvaged
architectural moldings
Unmarked
95 1/2” x 74 1/2” x 4”
$3,000–4,000
1826: JANET SCHWIETZER
PACE COLLECTION
1 8 2 7 : G E O R G E M U L H A U S E R (1922 - 2002)
PLYCRAFT
1 8 2 9 : G E O R G E N E L S O N (1908 - 1986)
HERMAN MILLER
Illuminating Orba wall unit, New York, 1970s
Polished aluminum, glass
Unmarked
72” x 121” x 12 1/2”
$3,500–4,500
Four Sultana armchairs, USA, 1960s
Bent and enameled walnut, enameled metal, upholstery,
plastic
Unmarked
28” x 23” x 25”
$4,500–6,500
236
Marshmallow sofa, Zeeland, MI, 1950s
Matte-chromed steel, enameled steel,
aluminum, upholstery
Unmarked
32” x 52 1/2” x 31”
$8,000–10,000
237
1 8 3 0 : C H A R L E S E A M E S (1907 - 1978)
R A Y E A M E S (1912 - 1988)
HERMAN MILLER
Lounge chair and ottoman (nos. 670 and 671), Zeeland, MI,
1960s
Rosewood, leather, enameled aluminum, enameled steel,
rubber
Manufacturer labels to chair, ottoman unmarked
Chair: 31 1/2” x 32 1/2” x 35”, ottoman: 17” x 26” x 21 1/2”
$2,500–3,500
1832: GEORGE NELSON & ASSOCIATES
HOWARD MILLER CLOCK COMPANY
1 8 3 3 : I S A M U N O G U C H I (1904 - 1988)
STEVENSON MFG. CO./MEASURED TIME INC.
Sunflower wall clock (no. 2261), USA, 1950s
Laminated walnut, birch, brass, enameled aluminum
Manufacturer decal
29 1/2” dia. x 2 3/4”
$1,800–2,400
Kitchen timer, La Porte, IN, ca. 1932
Bakelite, glass, printed paper
Metal manufacturer patent label to back, face printed,
HAWKEYE MEASURED TIME/MEASURED TIME INC LA
PORTE, IN
6” x 5 1/4” x 3 1/4”
$3,000–5,000
1831:
C H A R L E S E A M E S (1907 - 1978)
R A Y E A M E S (1912 - 1988)
HERMAN MILLER
1 8 3 4 : C H A R L E S E A M E S (1907 - 1978)
R A Y E A M E S (1912 - 1988)
HERMAN MILLER
ESU 200, Zeeland, MI, 1950s
Zinc-plated steel, laminated plywood, painted masonite
Unmarked
32 3/4” x 47” x 16”
$4,000–6,000
238
ESU 200, Zeeland, MI, 1950s
Zinc-plated steel, laminated plywood, painted masonite
Unmarked
32 3/4” x 47” x 16”
$4,000–6,000
239
1 8 3 5 : G E O R G E N E L S O N (1908 - 1986)
VITRA
1 8 3 6 : A L E K S E I M I H A I L O V I C H I S A E V (1908 - 1971)
Pair of Coconut chairs, Germany, 2000s
Chromed steel, enameled fiberglass, leather
Manufacturer labels to each chair
33” x 41 1/2” x 32”
$3,500–4,500
Liquid-propellant rocket engine, Russia, ca. 1965
Steel
Various components stamped with serial numbers
45” x 20 1/2” x 20 1/2”
1 8 3 8 : C H A R L E S E A M E S (1907 - 1978)
R A Y E A M E S (1912 - 1988)
HERMAN MILLER
Note: this engine powered the S-75 “Dwina” rocket missiles
$2,500–3,500
ESU desk (D-20-N), Zeeland, MI, 1950s
Zinc-plated metal, birch, enameled wood and masonite
Decal label
29” x 60” x 24 1/2”
$3,500–4,500
1 8 3 9 : C H A R L E S E A M E S (1907 - 1978)
R A Y E A M E S (1912 - 1988)
HERMAN MILLER
ESU (200N), Zeeland, MI, 1960s
Chromed and enameled steel, birch, birch plywood, enameled masonite
Remnants of manufacturer decal
32 1/4” x 47” x 16 1/2”
$5,000–7,000
1 8 3 7 : E E R O S A A R I N E N (1910 - 1961)
KNOLL
Tulip dining table and eight Tulip dining chairs (50th
Anniversary edition), USA, 2000s
Enameled fiberglass and metal, upholstery
Metal label to table, metal and fabric labels to all chairs
Table: 29” x 78” x 47 1/2”, chairs: 32” x 19 1/2” x 23”
$5,000–7,000
240
241
MODERN CERAMICS AND GLASS
Sunday, October 18, 2015
2pm
1 8 4 0 : F L O R E N C E K N O L L (b. 1917)
KNOLL ASSOCIATES
Chromed steel, rosewood, marble
Unmarked
25 1/2” x 74 1/2” x 18”
$4,000–6,000
242
2 0 0 0 : W A Y L A N D E G R E G O R Y (1905 - 1971)
Female Electron with Lightning Bolt from the Fountain of the Atom, ca. 1938
Glazed earthenware
Unmarked
46 1/2” x 30” x 20”
Provenance: Private Collection, New York.
Estate of the artist.
Exhibited: New York World’s Fair 1939-40
Anderson and Perry,” The Diversions of Keramos, American Clay Sculpture 1925-1950,”
Everson Museum of Art, Syracuse, NY, September 9- November 27, 1983, and traveling to the
New Jersey State Museum, Trenton, February 18- April 15, 1984
Illustrated: World’s Fair, Surprise! Surprise! Surprise! They Will Lurk at Every Turn. These Little
Savages are Electrons. Life Magazine, no. 11 (March 13, 1939), p. 37
The Octet Theory of the Atom in Terra Cotta: The Fountain of the Atom at the New York World’s
Fair, Illustrated London News, April 29, 1939, p. 719
$6,000–9,000
245
Glazed terra cotta study for the sculpture, “Grains,”
ca. 1938
Signed WAYLANDE GREGORY
20” x 15”
Provenance: Collection of Standish Forde Hansell.
Note: Study for the large, multi-part sculpture
“Exports Benefit the American Worker and the
American Farmer” that Gregory designed for the
1939 World’s Fair and was displayed in the General
Motors Building.
Literature: Folk, Waylande Gregory: Art Deco
Ceramics and the Atomic Impulse, University of
Richmond Museums, 2013, pp. 94-97, illus. p. 94
Massive glazed ceramic charger of Adam and Eve
Signed
23” dia.
$4,000–6,000
$8,000–12,000
Unique sculpture, “Bacchante and Satyr,” late 1960s
Hammered metal, wood
Signed and titled
32” x 20” x 8”
Rare stained glass window, ca. 1965
Framed
Unmarked
30 1/2” x 31 1/2”
Provenance: Estate of the artist
Provenance: Estate of the artist
Literature: Folk, Waylande Gregory - Fusing Earth and Sand,
American Craft council e-article, February 11, 2013
Folk, Waylande Gregory: Art Deco Ceramics and the Atomic
Impulse, University of Richmond Museums, 2013, p. 161
$1,500–2,000
$2,000–3,000
246
247
2005: GLEN LUKENS
Handbuilt earthenware bowl, turquoise with pooled clear
glaze, Los Angeles, CA, mid-20th C.
Signed GLEN LUKENS
2” x 10” sq.
2 0 0 5 A : M A R G U E R I T E W I L D E N H A I N (1896 - 1985)
POND FARM
$1,500–2,000
Glazed earthenware tile incised with fruiting branch,
California, ca. 1950
Incised POND FARM
6 3/4” x 9”
$1,000–1,500
2 0 0 8 : G E R T R U D N A T Z L E R (1908 - 1971)
O T T O N A T Z L E R (1908 - 2007)
Conical bowl, Verdigris Crater glaze, Los Angeles, CA, 1974
Signed NATZLER, original paper label 0237
3 1/2” x 8 1/2”
$2,500–3,500
2 0 0 6 : M A R G U E R I T E W I L D E N H A I N (1896 - 1985)
POND FARM
Glazed and incised earthenware flaring vase, California,
ca. 1950
Incised POND FARM
8” x 6”
2007: ANTONIO PRIETO
2 0 0 9 : G E R T R U D N A T Z L E R (1908 - 1971)
O T T O N A T Z L E R (1908 - 2007)
Glazed stoneware vase, California, 1950s
Signed PRIETO
11 3/4” x 7”
$800–1,200
Folded bowl, chartreuse glaze, Los Angeles, CA
Signed NATZLER
3 3/4” x 7” x 4 1/2”
$2,000–3,000
$1,000–1,500
248
249
2 0 1 0 : H A R R I S O N M c I N T O S H (b. 1914)
2011:
H A R R I S O N M c I N T O S H (b. 1914)
Fine large glazed and incised stoneware lidded jar,
Claremont, CA
Script signature and original paper label
13 1/4” x 7 1/2”
Fine large glazed stoneware lidded jar, Claremont, CA
Stamped HM with original paper label
11 1/2” x 6 1/2”
$1,500–2,000
$1,500–2,000
2 0 1 2 : H A R R I S O N M c I N T O S H (b. 1914)
2 0 1 3 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
Large glazed stoneware footed bowl, Claremont, CA
Stamped HM with original paper label
5” x 15”
$800–1,200
Large glazed earthenware coupe with figures, New Hampshire,
1967
Signed and dated
12 3/4” x 9 1/2”
$3,000–4,000
250
251
2 0 1 4 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
Large early charger with figures,
New Hampshire, ca. 1950
Signed Scheier
1 1/2” x 15 1/4”
$2,000–3,000
2 0 1 5 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
2 0 1 6 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
Large early charger with figures,
Signed Scheier
1 1/2” x 15 1/2”
$2,000–3,000
252
Large early glazed earthenware bowl with figures, New Hampshire,
1960s
Signed
7” x 13”
$3,000–4,000
253
2 0 1 7 : E D W I N S C H E I E R (1910 - 2008)
Watercolor, New Hampshire, 1960s
Matted and framed
Unmarked
Sight: 20 1/2” x 16”
$1,000–1,500
2 0 2 0 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
2 0 2 1 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
Large glazed earthenware charger with Adam and Eve,
purple and blue glaze, Green Valley, AZ, 1991
Signed and dated
1 1/2” x 16 1/2”
$1,250–1,750
Glazed earthenware wall-hanging charger with hunting
scene, gunmetal and blue glaze, Green Valley, AZ, 1990
Signed and dated
1 1/2” x 14 1/2”
$1,000–1,500
Lots 2020–2023 are from The Estate of Edwin and Mary Scheier and are
being sold by the the Currier Museum of Art to benefit future acquisitions.
2 0 1 8 : E D W I N S C H E I E R (1910 - 2008)
2 0 1 9 : E D W I N S C H E I E R (1910 - 2008)
Encaustic and sand painting, framed by the artist,
Mexico, 1975
Signed ES 75
Sight: 22 3/4” x 17”
$1,000–1,500
Encaustic and sand painting, framed by the artist,
Mexico, 1975
Signed ES 75
Sight: 22 1/2” x 17”
2 0 2 2 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
2 0 2 3 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
$1,000–1,500
Large glazed earthenware footed bowl with female figures,
gunmetal and verdigris glaze, Green Valley, AZ, 1997
Signed and dated
7” x 14 1/4”
$1,500–2,000
254
Large glazed earthenware footed bowl with stylized figures,
variegated purple glaze, Green Valley, AZ, 1997
Signed and dated
8 3/4” x 14 1/4”
$2,000–3,000
255
2 0 2 4 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
2 0 2 6 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
Large glazed earthenware vase with
stylized figures, variegated blue glaze,
Green Valley, AZ, 1993
Signed and dated
13” x 14”
Provenance: The Estate of Edwin
and Mary Scheier, sold by the Currier
Museum of Art to benefit future
acquisitions.
Large early glazed earthenware
lamp with figures, New Hampshire,
1940s/50s
No visible markings
Ceramic only: 23 3/4” x 7”,
total: 38” x 20”
$1,000–1,500
2 0 2 5 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
$3,000–4,000
Early vase with incised decoration,
Signed Scheier
8” x 3 1/4”
$1,500–2,000
2 0 2 7 : E D W I N S C H E I E R (1910 - 2008)
M A R Y S C H E I E R (1908 - 2007)
Large glazed earthenware coupe with
stylized figures, variegated purple
glaze, Green Valley, AZ, 1993
Signed and dated
14 1/2” x 10 1/2”
Provenance: The Estate of Edwin
and Mary Scheier, sold by the Currier
Museum of Art to benefit future
acquisitions.
$3,000–4,000
256
257
2 0 2 8 : W A Y N E H I G B Y (b. 1943)
2 0 2 9 : E R I K G R O N B O R G (b. 1931)
2 0 3 2 : D A V I D G I L H O O L Y (1943 - 2013)
2 0 3 3 : D A V I D G I L H O O L Y (1943 - 2013)
Raku-fired wall-hanging charger from the Landscape series,
Alfred, NY, 1980s
Chop mark
2 1/4” x 17”
$1,000–1,500
Small hand-built glazed, raku-fired charger with female
nude figure, California
Artist stamp
2” x 12”
$800–1,200
Glazed earthenware lidded frog vessel from the Frog World
series, California
Unmarked
10” x 6 1/2”
$2,500–3,500
Small glazed ceramic sculpture from the Frog Food series,
California, 1970s
Unmarked
1 1/4” x 2 1/2” x 1 3/4”
$400–600
2 0 3 0 : E R I K G R O N B O R G (b. 1931)
2 0 3 1 : R O B E R T A R N E S O N (1930 - 1992)
2 0 3 4 : D A V I D G I L H O O L Y (1943 - 2013)
Large hand-built glazed, raku-fired charger with mask and
license plates, California
Artist stamp
4” x 16”
Watercolor, “The Palace at 9AM,” California, 1960s
Framed; Signed
Sight: 17” x 24 1/2”
$800–1,200
$800–1,200
258
Two glazed earthenware sculptures, one from the Frog Food
series, California, 1975
Both signed and dated
Larger: 5” x 14” x 4 1/2”
$3,000–4,000
259
2 0 3 5 : C L A U D E C O N O V E R (1907 - 1994)
2 0 3 6 : R I C H A R D D e V O R E (1933 - 2006)
Glazed stoneware vessel with engobe
decoration, “Pepetec,” Ohio, 1970s
Signed and titled
10 1/2” x 15 1/2”
$2,500–3,500
Fine and large glazed earthenware bowl with
hollow base, Colorado
Unmarked
8” x 15”
$4,000–6,000
2 0 3 7 : P E T E R V O U L K O S (1924 - 2002)
Early abstract bronze sculpture, California, 1960
Signed and dated
7” x 11” x 4”
$5,000–7,500
260
261
2 0 3 8 : T O S H I K O T A K A E Z U (1922 - 2011)
2 0 3 9 : T O S H I K O T A K A E Z U (1922 - 2011)
Three glazed stoneware and porcelain vessels, Clinton, NJ
All signed TT
Largest: 2 3/4” x 15 1/2”
$1,000–1,500
Glazed porcelain Moonpot with rattle, Clinton, NJ
Signed TT
5 1/2” x 6 1/2”
$1,250–1,750
2 0 4 2 : J A C K E A R L (b. 1934)
Painted ceramic sculpture, “Ohio,” Lakeview, OH, 1981
26 1/2” x 9”
Provenance: Rago Auctions, Modern Design, April
2009, lot 86
Theo Portnoy Gallery
$4,000–6,000
2 0 4 0 : R O B E R T T U R N E R (1913 - 2005)
2 0 4 1 : K A R E N K A R N E S (b. 1925)
Winged vessel, sprayed copper matte glaze, Morgan, VT,
1980s/90s
Chop mark
8” x 22”
Provenance: Rago Auctions, Modern Design, October 2007,
lot 208
Reduction-fired lidded stoneware vessel, Alfred, NY
Signed Turner
12 1/2” x 12”
$1,000–1,500
$1,250–1,750
262
263
2 0 4 3 : R U T H D U C K W O R T H (1919 - 2009)
2043A: R O N A R T M A N
Glazed porcelain sculpture, Chicago
Base signed R71
8 1/2” x 10” x 4”
$1,000–1,500
Massive glazed ceramic vessel, “Selatan,” Hebron, MD,
ca. 2005
Signed 611
24” x 24” x 6”
$800–1,200
2 0 4 4 : P A U L S O L D N E R (1921 - 2011)
2 0 4 5 : A V I T A L S H E F F E R (b. 1954)
2046: ANNE GOLDMAN
2 0 4 7 : C L I F F L E E (b. 1951)
2 0 4 8 : C L I F F L E E (b. 1951)
Large raku-fired vessel, USA
Stamped chop mark
18” x 11” x 7”
$1,500–2,000
Tall glazed ceramic vessel, “Seter I,”
Australia, 2006
Unmarked
29” x 8” x 5”
$1,500–2,000
“Coastal Rock” floor vase, California,
1990s
Carved and sculpted stoneware with
porcelain slip and iron oxide
No visible signature
33” x 14”
Porcelain Prickly Melon vase, Imperial Yellow glaze,
Stevens, PA, 2007
Signed and dated
14” x 6”
$3,000–5,000
Porcelain Prickly Melon vase, Imperial Yellow glaze,
Stevens, PA, 2011
Signed and dated
10 3/4” x 6 1/2”
$3,000–5,000
$2,000–3,000
264
265
2 0 4 9 : B E N N E T T B E A N (b. 1941)
2 0 5 0 : B R O T H E R T H O M A S B E Z A N S O N (1929 - 2007)
Two-part sculptural vessel on base, Blairstown, NJ, 1997
Pit-fired, painted, and gilded earthenware
Impressed bean cypher/base marked 125
9” x 10” x 7 1/2”
Provenance: Duane Reed Gallery
Early hand-built vase, Copper Red glaze, Weston, VT, 1950s
Signed Benedictine Monks Weston Vermont BT
12 1/4” x 7” x 4”
$3,000–5,000
$1,000–1,500
2 0 5 1 : M I C H A E L C A R D E W (1901 - 1983)
2 0 5 2 : N A N C Y J U R S C A S T L E (b. 1941)
2 0 5 3 : K U R T W E I S E R (b. 1950)
Glazed ceramic sculpture, “Valentina,” Scottsville, NY, 1983
Signed and dated
16 3/4” x 18” x 8 1/4”
Provenance: The Sara Roby Collection
Two fine and large jars, “Covered Jar with Boy and Ferret”
and “Covered Jar with Woman and Snake,” Tempe, AZ, 1996
China painted porcelain
Both signed
Larger: 19 1/2” x 11 1/2” x 6”
Provenance: Garth Clark Gallery, Santa Fe, NM
Fine stoneware teapot with sgraffito decoration, tenmoku
glaze
Artist chop mark
8” x 9”
$1,000–1,500
$800–1,200
$9,000–12,000
266
267
2 0 5 4 : M I C H A E L L U C E R O (b. 1953)
2 0 5 5 : M I C H A E L L U C E R O (b. 1953)
Massive sculpture from The Cast series, “Kangaroo,”
New York, 2003
Hand-built earthenware, applied wool, acrylic yarn
Signed Lucero
38” x 24 1/2” x 18”
Unique bronze sculpture, “Atlantis Dreamer,” New York,
1984
Unmarked
22 1/2” x 38” x 23”
$14,000–19,000
$9,000–12,000
268
269
2 0 5 7 : J A S O N W A L K E R (b. 1973)
2 0 5 8 : J A S O N W A L K E R (b. 1973)
Porcelain sculpture decorated in sgraffito, “Fish Plug,”
Bellingham, WA, 2003
Incised “WARNING: Seductive area - to avoid ill affects (sic)
eat nothing in or from the river”
17” x 7”
$2,000–3,000
Porcelain vessel decorated in sgraffito, “Water Mark,”
Bellingham, WA, 2003
Lid incised “Caution: Please spin lid until cosmic forces are
in harmony - like ebony & ivory,” vase incised “WARNING:
Natural sticky area. Vision may be obstructed. To avoid
capture roll into a ball and play dead,” vase incised
“ATTENTION: Please have jar placed on point in the center
of web. Failure to do so may allow for the capture of some
poor helpless innocent passer by who wants nothing to
do with it - this includes you or the ones you hold dear.
However, capture by the web seems to be inevitable due to
blindness”
18” x 6”
$2,000–3,000
2 0 5 6 : M I C H A E L L U C E R O (b. 1953)
2 0 5 9 : S T E V E T O B I N (b. 1957)
2 0 6 0 : W I L L I A M W Y M A N (1922 - 1980
Sculpture from the Pre-Colombus series, “Lady with Ohr
Hairdo,” New York, 1991
Glazed and painted earthenware
Signed
18” x 11”
$7,000–10,000
270
Bronze sculpture from the Toy Bronze series,
Quakertown, PA, 1994
On painted wood base
Signed
Bronze only: 7 1/2” x 5 1/4” x 4 1/2”
Early glazed stoneware vase, Massachusetts, 1956
Signed and dated
10 1/4” x 9 1/2” x 4 1/2”
$1,000–2,000
$2,000–3,000
271
2 1 0 0 : D A L E C H I H U L Y (b. 1941)
Massive Jerusalem 2000 Cylinder #125, Seattle, WA, 1999
Blown glass, applied glass crystals
Unmarked
35” x 16”
$15,000–20,000
272
273
2101:
D A L E C H I H U L Y (b. 1941)
2 1 0 2 : D A L E C H I H U L Y (b. 1941)
Seven-piece Sky Blue Basket Set with Black Lip Wrap, Seattle, WA, 2001
One piece signed and dated
Largest: 5” x 18”
$6,000–9,000
274
Large blown glass Blanket Cylinder, Seattle, WA, 1984
Signed and dated
12 3/4” x 10”
$7,500–9,500
275
2 1 0 3 : D A L E C H I H U L Y (b. 1941)
2 1 0 4 : D A L E C H I H U L Y (b. 1941)
Eight-piece Crushed Grape Persian Set with Yellow Lip Wrap,
Seattle, WA, 2000
Largest: 11” x 21” x 16”
$8,000–12,000
276
Massive eight-piece Terra Rosa Persian Set with Carbon Lip Wrap,
Seattle, WA, 2002
Smallest piece signed and dated
Largest: 14” x 29” x 31”
$10,000–15,000
277
2 1 0 5 : D A L E C H I H U L Y (b. 1941)
2 1 0 6 : D A L E C H I H U L Y (b. 1941)
Three-piece Manganese Blue Seaform set with Yellow Lip Wrap,
Seattle, WA, 1993
Smallest piece signed and dated
Largest piece: 6” x 13” x 12”
$7,000–9,000
Eight-piece Dark Ocean Persian Set with Teal Lip Wrap,
Seattle, WA, 2000
Largest: 9” x 25” x 25”
$4,000–6,000
278
279
2 1 0 7 : D A L E C H I H U L Y (b. 1941)
2 1 0 8 : D A L E C H I H U L Y (b. 1941)
Large Macchia with Black Lip Wrap, Seattle, WA, 1984
Signed and dated
7 1/2” x 14”
$4,000–6,000
280
Massive Blue Macchia with Yellow Lip Wrap, Seattle, WA, 1996
Signed and dated
18 1/2” x 38” x 35”
$10,000–15,000
281
2 1 0 9 : D A L E C H I H U L Y (b. 1941)
2110:
D A L E C H I H U L Y (b. 1941)
Untitled three-panel painting, Seattle, WA
Acrylic with metallic paint on paper
Signed
Frame: 49” x 98 3/4”, each panel: 41” x 29 1/4”
Untitled three-panel painting, Seattle, WA
Acrylic with metallic paint on paper
Signed
Frame: 51” x 100 1/2”, each panel: 41” x 29 1/4”
$6,000–9,000
282
$6,000–9,000
283
2111:
D A L E C H I H U L Y (b. 1941)
PORTLAND PRESS
2112:
Coral Basket with Black Lip Wrap, Seattle, WA, 1998
Signed and numbered PP98
9” x 8”
$2,000–3,000
D A L E C H I H U L Y (b. 1941)
PORTLAND PRESS
2115:
D A L E C H I H U L Y (b. 1941)
Bright Red Seaform with Blue Lip Wrap,
Seattle, WA, 1995
Signed and dated
7” x 16” x 9”
Cinnamon Macchia with Ruby Lip Wrap, Seattle, WA, 2001
7” x 8”
$2,000–3,000
$2,500–3,500
2113:
D A L E C H I H U L Y (b. 1941)
2114:
D A L E C H I H U L Y (b. 1941)
Small Basket, Seattle, WA, 1992
Signed and dated
5 1/2” x 6”
Small blown glass sculpture, Pilchuck 25th Anniversary
Aerial Edition, Seattle, WA
Signed Chihuly Pilchuck XXV 87/400
5 1/2” x 7”
$2,000–3,000
2116:
D A L E C H I H U L Y (b. 1941)
PORTLAND PRESS
Ruby Macchia with Green Lip Wrap,
Seattle, WA, 2001
10” x 12”
$1,000–1,500
$3,500–5,000
284
285
2117:
D A L E C H I H U L Y (b. 1941)
Painting, “Venice,” Seattle, WA
Acrylic and gouache on paper
Signed
Frame: 46 ¾” x 34 ¾”, sheet: 41” x 29 ¼”
$2,000–3,000
2118:
D A L E C H I H U L Y (b. 1941)
PORTLAND PRESS
2119:
Two-piece Imperial Iris Persian Set with Chartreuse
Lip Wrap,
Seattle, WA, 1999
Smaller piece signed Chihuly PP99
Larger: 8 1/2” x 15” x 10 1/2”
D A L E C H I H U L Y (b. 1941)
PORTLAND PRESS
2 1 2 0 : Y O I C H I O H I R A (b. 1946)
Exceptional and large Casta Diva vase, Murano, Italy, 2006
Blown glass with murrine and powder inserts, faceted, ground, and polished surface
Executed by Maestro Andrea Zilio and Maestro Giacomo Barbini
Etched Mo. A. Zilio and Mo. G. Barbini 1/1 unico Friday 27-10-2006 murano with artist cipher
8 3/4” x 8 1/2” x 7 1/2”
Published: Rosa Barovier Mentasti, Yoichi Ohira, Neues Glass/New Glass, Spring 2010, p. 29
Two-piece Tiger Lily Seaform Pair with Blue Lip Wrap,
Seattle, WA, 2002
Smaller piece signed and numbered PP02
Larger piece: 5” x 9” x 8”
$3,000–5,000
$2,500–3,500
286
$15,000–20,000
287
288
2121:
Y O I C H I O H I R A (b. 1946)
2 1 2 2 : Y O I C H I O H I R A (b. 1946)
Pozzo d’Africa vase, Murano, Italy, 2000
Blown glass, powder inserts, partial battuto surface
Executed by Maestro Livio Serena and Maestro Giacomo Barbini
Etched Yoichi Ohira Mo. L. Serena Mo. G. Barbini 1/1 unico Thursday 9
Nov. 2000 Murano with artist cipher
6 1/2” x 6”
Polvere con Murrine vase, Murano, Italy, 1998
Blown glass with murrine and powder inserts
Executed by Maestro Livio Serena
Etched Yoichi Ohira - Mo. L. Serena 1/1 unico 07.04.1998 Murano with
artist cipher
7” x 6 1/4”
Exhibited: Barry Friedman Ltd., New York, 2001
Published: Yoichi Ohira: A Phenomenon in Glass, Barry Friedman Ltd.,
New York, 2002, p. 218
Published: Yoichi Ohira: A Phenomenon in Glass, Barry Friedman Ltd.,
New York, 2002, p. 96
$7,000–9,000
$7,000–9,000
289
2 1 2 3 : Y O I C H I O H I R A (b. 1946)
2 1 2 4 : Y O I C H I O H I R A (b. 1946)
Gioco Cromatico vase, Murano, Italy, 2000
Blown glass canes, battuto surface, polished
Executed by Maestro Livio Serena and Maestro Giacomo Barbini
Etched Yoichi Ohira Mo. L. Serena Mo. G. Barbini 1/1 unico
Friday 09-06-2000 murano with artist cipher
6 3/4” x 5 1/2”
Mosaico con Incalmo vase, Murano, Italy, 1997
Blown glass with murrine and powder inserts
Etched Yoichi Ohira Mo. L. Serena 1/1 unico 6-11-1997 murano
with artist cipher
6 1/2” x 5 1/2”
Literature: Yoichi Ohira: A Phenomenon in Glass, Barry Friedman
Ltd., New York, 2002, p. 220
Published: Yoichi Ohira: A Phenomenon in Glass, Barry Friedman
Ltd., New York, 2002, p. 106
$7,000–9,000
$7,000–9,000
290
291
2 1 2 5 : Y O I C H I O H I R A (b. 1946)
2 1 2 6 : L I N O T A G L I A P I E T R A (b. 1934)
Legno vase, Murano, Italy, 1997
Blown glass with murrine, ground surface
Etched Yoichi Ohira M. L. Serena 1/1 unico 1997 Murano with
artist cipher
5 3/4” x 5 1/2”
Sculptural vessel, “Bilbao,” Murano, Italy, 2001
Signed and dated
13 3/4” x 9” x 2 1/2”
$10,000–15,000
Published: Yoichi Ohira: A Phenomenon in Glass, Barry Friedman
Ltd., New York, 2002, p. 126
$5,000–7,000
292
293
2127:
L I N O T A G L I A P I E T R A (b. 1934)
Sculptural vessel, “Tholtico,” Murano, Italy, 2000
Blown and inciso glass
9 1/2” x 11 1/2”
$9,000–14,000
294
Sculptural blown glass vessel, Murano, Italy, 1999
Signed and dated
16 1/2” x 10”
$7,000–9,000
295
EFFETRE INTERNATIONALE
Blown glass sculpture, “Saturno,” Murano, Italy, 1987
Signed, dated, and numbered 3/250
8 1/2” x 21”
$1,000–1,500
T H O M A S B U E C H N E R (1926 - 2010)
Blown glass bowl, Corning, NY, 1989
Signed and dated
6 1/4” x 9”
$1,000–1,500
2131:
L I N O T A G L I A P I E T R A (b. 1934)
R U D I G R I T S C H (b. 1959)
Kilnformed iridescent glass panel, Portland, OR, 1993
Signed and dated
2 1/2” x 16 1/2” x 17”
$7,000–9,000
296
297
2 1 3 6 : S T A N I S L A V L I B E N S K Y (1921 - 2002)
Y A R O S L A V A B R Y C H T O V A (b. 1924)
Sculpture, “Little Arcus,” Czech Republic, 1990
Cast glass
Signed and dated
8 1/2” x 7 1/2”
$9,500–14,500
Vase with swirling cane interior, Murano, Italy, 1986
Blown glass
Signed, dated, and numbered 44/100
12” x 12”
MARINA ANGELIN
$2,000–3,000
Three incalmo glass vases with murrine, Murano, Italy,
1984/85
All signed, dated, and numbered with original Oggetti labels
Tallest: 14 1/4” x 4 3/4” sq.
$2,000–3,000
LA MURRINA
Centerpiece, Murano, Italy, 1970s
Blown glass, murrine
Original La Murrina label
4 1/4” x 22” x 13”
Note: Lino was co-founder and chief maestro at La Murrina
from 1968-76.
2 1 3 5 : P A O L O C R E P A X (b. 1950)
Large blown glass charger, “La Filigrana,” Murano, Italy, 1987
On original metal and glass stand
On stand: 32 1/2” x 26”
$800–1,200
$1,000–1,500
298
299
2137:
V L A D I M I R P R O C H A Z K A (b. 1947)
2 1 3 8 : F R A N T I S E K V I Z N E R (1936 - 2011)
Sculpture, “Unfinished in Red,” Czech Republic, 2006
Cast glass
Signed and dated
7 1/2” x 13”
$6,500–8,500
300
Purple bowl, Czech Republic, 2010
Cast glass
Signed and dated
5” x 12 1/4”
$8,500–12,500
301
2 1 4 3 : W I L L I A M M O R R I S (b. 1947)
Glass sculpture, “Reliquary Vessel,”
Washington, 1998
Signed and dated
17” x 14” x 4”
Provenance: R. Duane Reed Gallery,
St. Louis, MO, 2001. Copy of original
appraisal and receipt available.
$15,000–20,000
2 1 3 9 : T O M A S H L A V I C K A (b. 1950)
Laminated glass object with gold leaf, Czech Republic, 2006
Signed and dated
5 1/2” x 3 3/4” x 3 1/4”
2 1 4 0 : P A V E L H L A V A (1924 - 2003)
UNKNOWN ARTIST
$1,000–1,500
Two blown glass vases, one (shorter) by Pavel Hlava,
Czech Republic, undated/71
Both signed, taller dated
Taller: 20” x 7”
$1,500–2,000
2141:
L A U R A D E S A N T I L L A N A (b. 1955)
VENINI
Charger from the Quattro Stagioni series, “Inverno,” Murano,
Italy, 1997
Blown and battuto incalmo glass, murrina
Etched venini Laura 1997/18 with original VENINI MURANO
MADE IN ITALY decal
1 1/2” x 14 1/4”
2 1 4 2 : W I L L I A M M O R R I S (b. 1957)
Small Red Shard vessel, Pilchuck Glass School, Stanwood,
WA, 1980
Signed, dated, and numbered 5
6” x 7” x 2 1/2”
$1,500–2,000
Provenance: Certificate of authenticity signed by the artist
$800–1,200
302
303
2 1 4 4 : W I L L I A M M O R R I S (b. 1957)
2 1 4 5 : W I L L I A M M O R R I S (b. 1947)
Sculpture, “Urn,” Washington, 2000
Blown glass, rope base
Signed and dated
13” x 7 1/2”
Provenance: R. Duane Reed Gallery, St. Louis, MO, 2000.
Copy of original appraisal and receipt available.
Massive glass sculpture, “Standing
Stone,” Washington, 1984
Signed and dated
33” x 18” x 5 1/2”
$5,000–7,000
$10,000–15,000
304
305
2 1 4 6 : L A U R A D E S A N T I L L A N A (b. 1955)
2 1 4 7 : L A U R A D E S A N T I L L A N A (b. 1955)
A3, Murano, Italy, 2001
Hand-blown and shaped glass, silver leaf
Unmarked
14 1/2” x 17” x 2”
Sculpture, “Untitled (warm grey monochrome),” Murano, Italy, 2001
Hand-blown and shaped glass
Signed and dated
16 1/4” x 14 3/4” x 2”
Provenance: Barry Friedman Ltd., New York, 2001
Exhibited: “Laura de Santillana: Works,” Museo Correr, Venice, Italy,
March 31 - April 26, 2001, illustrated in exhibition catalog p 65
Provenance: Gifted to the artist’s aunt, Laura Venini (daughter of
Paolo Venini), on her 80th birthday
$5,000–7,000
$6,000–8,000
306
307
2 1 4 8 : J O N K U H N (b. 1949)
2 1 4 9 : J O N K U H N (b. 1949)
Rotating sculpture, “Spring Creation,” Winston-Salem, NC, 2009
Internally decorated laminated glass
Base signed, dated, and titled
21 1/2” x 5 1/2”
Rotating sculpture, “Frosty Mist,” Winston-Salem, NC, 2008
Internally decorated laminated glass
Base signed, dated, and titled
26” x 6 1/2”
Provenance: Sandra Ainsley Gallery, Toronto, ON
Provenance: Sandra Ainsley Gallery, Toronto, ON
$6,000–8,000
308
$8,000–12,000
309
2 1 5 0 : B E R T I L V A L L I E N (b. 1938)
2151:
S T E P H E N R O L F E P O W E L L (b. 1951)
Massive tri-lobe murrine glass vessel from
the Teasers series, “Austere Dripping Smith,”
Kentucky, 1997
Signed and dated
37 1/2” x 18”
Cast glass sculpture with figures and unicorns, Sweden
Signed B. Vallien
7 1/2” x 7 1/2” x 6”
$4,000–6,000
$10,000–15,000
310
311
2 1 5 2 : M A R Y A N N “ T O O T S ” Z Y N S K Y (b. 1951)
Massive Filet-de-Verre bowl, “Disputing
Chaos,” USA, 1996
Signed Z
11 1/2” x 23 1/2” x 15 1/2”
$14,000–19,000
312
Filet-de-Verre bowl, “Impetuosa Chaos,” USA,
1999
Signed Z
4 3/4” x 9” x 5”
Massive Filet-de-Verre bowl, “Azzure Grande
Chaos,” USA, 1994
Unmarked
12” x 23 3/4” x 16 3/4”
Provenance: Habatat Gallery
Filet-de-Verre bowl, “Religious Chaos I,” USA,
1994
Signed Z
6” x 10 3/4” x 6 1/4”
$8,000–12,000
$5,000–7,000
$14,000–19,000
313
2 1 5 6 : R I C H A R D M A R Q U I S (b. 1945)
2157:
R I C H A R D M A R Q U I S (b. 1945)
Sculpture, “Granulare Teapot with Battuto,” Washington State, 2001
Blown, granulare, and battuto glass
Signed and dated with copyright
10 3/4” x 7 1/2”
Exhibited: Richard Marquis, Glasmuseet Ebeltoft, Denmark, November 30, 2002
– April 6, 2003 and illustrated in the unpaginated exhibition catalog, a copy of
which accompanies this lot.
Tall sculpture, “First Trophy (Coffee Pot),”
Washington State, 1986
Blown glass, murrine, zanfirico glass
19” x 8”
$3,000–5,000
$5,000–7,000
314
315
2161:
R I C H A R D M A R Q U I S (b. 1945)
Sculpture, “Oculare Teapot,” Washington State,
2003
Blown and zanfirico glass
5” x 6”
Sculpture, “Teapot Goblet,” Washington State,
1990
Blown and zanfirico glass, murrina
8 1/2” x 4 1/2”
Exhibited: Elliott Brown Gallery, Seattle, WA
$2,000–3,000
Sculpture, “Candycorn Teapot,”
Washington State, ca. 2000
Blown and granulare glass, murrine
Signed with copyright
6” x 5 1/2”
$4,000–6,000
Small sculpture, “Teapot,” Washington State,
1978
Blown a canne glass
Signed and dated with copyright and dedication
“For Mom 9/22/78”
4” x 5 1/2”
$2,000–3,000
316
$3,000–4,000
317
2 1 6 2 : B E N J A M I N M O O R E (b. 1952)
WALTER WHITE
2 1 6 5 : B E N J A M I N M O O R E (b. 1952)
Hornet lamp, Seattle, WA, 1986
Blown glass, metal, rubber, copper, single socket
Signed Walter White 1986 60 in MAX with copyright
Lamp only: 22” x 18”
Large Selenium Red Interior Fold vessel, Seattle, WA, 1996
6” x 26”
$2,000–3,000
$1,500–2,000
2 1 6 3 : B E N J A M I N M O O R E (b. 1952)
2 1 6 4 : S O N J A B L O M D A H L (b. 1952)
2 1 6 6 : B E N J A M I N M O O R E (b. 1952)
Green Interior Fold vase, Seattle, WA
Signed
10” x 12 1/2”
$700–900
318
Large incalmo glass vessel, Seattle, WA, 1992
Etched Sonja B4892
15” x 11 1/2”
$1,500–2,000
Large amethyst Interior Fold vessel, Seattle, WA, 1988
4 1/2” x 21”
$1,500–2,000
319
2167:
K A R L A T R I N K L E Y (b. 1956)
2 1 6 8 : K A R L A T R I N K L E Y (b. 1956)
Large vessel, “Blue Tower,” USA, 1991
Pâte-de-verre
Unmarked
19” x 13” x 10 1/2”
$6,000–9,000
320
Vessel, “Lilac and Jade Bowl,” USA, 1992
Pâte-de-verre
Unmarked
7 1/2” x 10”
$3,000–5,000
321
2 1 6 9 : R U T H B R O C K M A N N (1955 - 2013)
2 1 7 0 : R U T H B R O C K M A N N (1955 - 2013)
Sculpture, “Coyote Bearing Gifts,” Vancouver, WA, 1993
Cast glass, stone base
18 1/2” x 8” x 6”
$800–1,200
Sculpture, “Journey,” Vancouver, WA, 1991
Cast glass, stone base
17” x 19” x 5 1/2”
2173:
G I L L E S C H A B R I E R (b. 1959)
STEUBEN
Sculpture, “Head,” Corning, NY
Sandblasted Steuben crystal,
metal stand
18” x 24” x 13”
$800–1,200
$2,000–3,000
2 1 7 4 : M A R Y V A N C L I N E (b. 1954)
Sculpture, “Torso with Gold Leaves,”
Seattle, WA, 2004
Selenium gold pâte-de-verre, gold leaf
Signed and dated
13” x 17” x 6”
$2,000–4,000
2171:
DAN ROTHENFELD
2172:
R O B I N G R E B E (b. 1957)
Tall figural glass sculpture, Cleveland, OH, 1980s
Laminated plate glass
Unmarked
30” x 9” x 5”
Tall figural sculpture, Newton, MA, 1991
Pâte-de-verre, enamels, composite, wood
Signed and dated
24” x 8” x 6 1/2”
$2,500–3,500
322
$1,500–2,000
323
2175:
T H E R M A N S T A T O M (b. 1953)
2177:
D A V I D H U C H T H A U S E N (b. 1951)
Untitled sculpture, Omaha, NE
Mixed media, glass, paint
Unmarked
26 1/2” x 20 1/2” x 3 3/4”
Sculpture, “Leitungs Scherbe,” USA, 1988
Fractured, laminated and optically polished
neodymium plate glass with projected light
and vitriolite
Etched signature 88D/DRH
13” x 18” x 11”
$2,000–3,000
$3,000–5,000
2176:
S T E P H E N H O D D E R (b. 1951)
Sculpture, “A Sense of Time,” USA, 1990
Blown, sandblasted, slumped, and carved
glass
16” x 16”
2178: JULIE MIHALISIN
PHILIP WALLING
Three decorative glass plaques, “Shattered Image,” “Horizontal Cells in Blue
and Yellow,” and “Organic Green Weave,” USA, ca. 2001
Glass, metal, and concrete
All signed
3” x 17” sq.
Provenance: R. Duane Reed Gallery, St. Louis, MO, 2001. Copy of original
appraisal and receipt available.
$1,000–2,000
$3,000–5,000
324
325
2179:
J U D Y J E N S E N (b. 1953)
2181:
C A P P Y T H O M P S O N (b. 1952)
Large sculpture, “Equinox,” Austin, TX, 1991
Reverse-painted glass, gold leaf
Unmarked
49” x 33 1/2” x 3”
Large tripartite vessel, “Water Carriers,” Seattle, WA, 1994
Reverse-painted blown glass with vitreous enamels
25” x 14”
$2,000–3,000
2 1 8 0 : J U D Y J E N S E N (b. 1953)
2 1 8 2 : J U D Y J E N S E N (b. 1953)
Sculpture, “Falling from the Sea,” Austin, TX, 1992
Unmarked
41” x 34” x 3”
$2,000–3,000
326
$1,000–1,500
Sculpture, “On the Road,” Austin, TX, 1993
Unmarked
34” x 31” x 3”
$2,000–3,000
327
2 1 8 3 : D A V I D H O P P E R (b. 1946)
Tall figural sculpture, California, 1992
Blown, sandblasted, cased, enameled, and gilded glass
Signed and dated
20” x 11”
2 1 8 4 : S T E V E N W E I N B E R G (b. 1954)
2 1 8 7 : M I C H A E L C O H N (b. 1949)
Sculpture, “Sphere #2,” Rhode Island, 1996
Polished cast glass, wood base
On base: 12” x 9”
Space Cup sculpture, Berkeley, CA, 1988
Blown glass, sculpted dichroic glass
Signed, dated, and numbered SC115
11” x 17” x 9”
$1,000–1,500
$1,000–1,500
$2,000–3,000
2 1 8 5 : R I C H A R D R I T T E R (b. 1940)
2 1 8 6 : J O H N N Y G R E N (b. 1940)
2 1 8 8 : M A R V I N L I P O F S K Y (b. 1938)
Glass sculpture with colored murrine and figural canes,
Bakersville, NC, ca. 1990
Signed Richard Ritter YC1092R
6 3/4” x 5”
$1,000–1,500
Vase with landscape, 1988
Blown and lampworked glass
Signed, dated, and numbered 3472
8 1/4” x 3”
$800–1,200
Small sculpture, “END ALL WAR,” California, ca. 1967
In original lucite box
Blown and flocked glass, metal
Incised title to metal
Sculpture: 4” x 6” x 7”, box: 5 1/4” x 9” sq.
$1,000–2,000
328
329
2 1 8 9 : L O R E D A N O R O S I N (1936 - 1992)
Three figural glass sculptures, Murano, Italy
All signed
Largest: 16 1/2” x 6” x 11”
$1,000–1,500
2 1 9 0 : L I V I O S E G U S O (b. 1930)
2191:
L I V I O S E G U S O (b. 1930)
2 1 9 2 : P A U L S T A N K A R D (b. 1943)
Glass sculpture of a female torso, Murano, Italy
Signed
20” x 10” x 7”
Sommerso crystal sculpture, “Embryo,” Italy, ca. 1975
Signed Livio Seguso Murano with Seguso Murano decal
label
13” x 7”
$1,000–1,500
$1,000–1,500
330
Tall lampworked glass Botanical paperweight with flowers, berries,
and root people, Millville, NJ, 1986
Signed, dated, and numbered C19
5” x 2 3/4” x 2 1/4”
$4,000–6,000
331
2 1 9 3 : M I C H E L E B U R A T O (b. 1957)
2 1 9 4 : M I C H E L E B U R A T O (b. 1957)
Blown glass vase, Murano, Italy, 2002
Signed and dated
13 1/2” x 14 1/2”
$800–1,200
Gourd-shaped blown glass vase, Murano, Italy, 2001
Signed and dated
18 1/2” x 10”
D A V I D E S A L V A D O R E (b. 1953)
I V A N C A M P A G N O L (b. 1950s)
2 1 9 8 : D A V I D E S A L V A D O R E (b. 1953)
Vase, Murano, Italy
Blown and battuto glass
Signed
24 1/2” x 7 1/2”
$800–1,200
2 1 9 5 : M A S S I M I L I A N O S C H I A V O N (b. 1971)
2 1 9 6 : M A S S I M I L I A N O S C H I A V O N (b. 1971)
Vase, Murano, Italy
Signed
19 1/2” x 7 1/2”
2197:
Blown glass vase with controlled air bubbles, Murano, Italy
Signed
14 1/2” x 6 1/2”
$1,500–2,000
$900–1,400
$900–1,400
$900–1,400
Vase, Murano, Italy, 1990s
Signed
17 1/2” x 8”
$1,300–1,700
332
Early large vase, Murano, Italy
Signed
20 1/2” x 10”
Vase, Murano, Italy, 1990s
Signed
17” x 6 3/4”
$1,400–1,800
333
TERMS OF SALE
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[email protected]
Rago Arts and Auction Center (Hereafter referred to as “the Auction
House”). 609-397-9374 (p) / 609-397-9377 (f)
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All items in our Unreserved Auctions are “As-Is, Where-Is.”
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The thirty (30) day warranty shall commence on the date of sale and
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exclude any bidder from the premises and e) otherwise regulate the
bidders, the bidding and its increments.
3. Buyer’s Premium, Purchase Price, Taxes, and Billing
For purchases made in the room or by phone or by absentee bid
and paid for by check, cash, money order or wire transfer: A buyer’s
premium will be applied to the hammer price of each lot equal to 25%
on the first $200,000; 20% between $200,000 and $3 million.
For purchases made in the room or by phone or by absentee bid and
paid for by Visa, MasterCard, Discover or PayPal: A 2% surcharge
will be added to the total invoice (hammer price, buyer’s premium as
above, any applicable taxes).
For purchases made through any online bidding platform, regardless
of means of payment: A buyer’s premium will be applied to the
hammer price of each lot equal to 28% on the first $200,000; 23%
between $200,000 and $3 million.
Taxes: If you are shipping to a New Jersey address or if you pick up
the lots you have won at our New Jersey location, you must pay the
State’s 7% sales tax. The only exception is for those who hold a valid
resale license and file the completed New Jersey State Sales Tax
Form (New Jersey Seller’s Certificate Form ST3 or Non New Jersey
Seller’s Certificate Form ST-3NR) with Rago at time of payment. No
New Jersey sales tax is charged for purchases shipped out of state.
Billing: All successful bidders will be sent invoices by e-mail or mail
(if we do not have an email address on file) within the two business
days that follow the auction.
4. Methods of Payment and Fees
Cash. Check. Wire Transfers. Money Order. Visa. MasterCard. Discover.
PayPal. (NOTE: A 2% surcharge will be added for payments made by
Visa, MasterCard, Discover or PayPal. See Terms of Sale paragraph
3.)
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All payments are due immediately upon receipt of invoice. We
reserve the right to hold all goods paid for by check until payment
has cleared.
If payment is not received within fifteen (15) days, the Auction
House reserves the right to impose from the date of sale a late
charge of 1 1/2% a month of the total purchase price.
5. Payment, Collection, and Shipping Responsibilities of Buyer
Buyer Obligations: On the fall of the auctioneer’s hammer, title to
the property immediately transfers to the successful bidder who,
in turn, becomes the buyer of the Property. The buyer immediately
assumes full risk and responsibility for the purchased Property,
including all costs and expenses of handling, shipping, insurance,
taxes, export, and otherwise, and is liable for the full purchase price,
plus the buyer’s premium, applicable taxes, and any other associated
expenses.
Collection of Property and Storage Charges: The buyer will pay for the
purchased Property immediately and remove it from the premises of
the Auction House within fourteen (14) days of the sale. We are not
responsible for any damage or loss on property purchased but not
removed from premises. If the purchased Property is not removed
within thirty (30) days of the sale, the buyer will thereafter be
assessed a $10 per lot storage charge per day. The Auction House
may, at its discretion, remove the purchased Property to public
storage at the buyer’s risk and expense. All associated charges will
be added to the total invoice and must be paid in full before the
Property will be released.
Those who choose to pick up their property from the Auction House
following the sale must call 24 hours in advance to arrange pick-up.
Regular hours for pick up are Monday – Friday, from 9:00 a.m. – 11:30
a.m. and from 1:30 p.m. to 5:00 p.m. Please bring your own packing
materials. The Auction House is closed on Federal holidays and on
Mondays following full auction weekends. Weekend pick-ups are
made by special arrangement and/or by appointment only. Note: New
Jersey sales tax of 7% must be added to your invoice when picking up
merchandise unless you have a valid resale number on file.
The buyer is responsible for the shipment of all purchased property.
We will work with any shipper of your choosing. If you have any
shipping preference for any reason, please make sure your shipper
carries insurance. We are not responsible for any damage or loss
that occurs while your objects are in another’s care. We will also not
be responsible for any damage or loss that occurs if you choose a
shipping method that we have advised against and we will require a
waiver from you acknowledging this.
As a convenience to the buyer, the Auction House will, if requested,
give your property to a third party shipper. This company will pack
and ship or arrange shipment for you via UPS, FedEx or other carrier,
fully insured, for a fee payable in advance by credit card. Shipments
are made within a few days after payment has been received.
All international customs, duties, and other tariffs are the
responsibility of the Buyer. The Auction House and all third party
shippers will declare the selling price as the value in all cases.
Shipping larger items: Larger items are objects such as furniture,
andirons, floor vases, or any other item whose safe packing will
exceed the limits of common carriers. The Auction House can arrange
delivery by freight almost anywhere in the United States, fully
insured, for a fee. The delivery of large, heavy, or expensive objects
is not an inexpensive proposition and we urge you to consider this
before bidding.
Firearms: Rago sells only antique firearms as defined by the U.S.
Bureau of Alcohol, Tobacco and Firearms. Due to New Jersey firearms
regulations, all handguns, pistols, and revolvers will only be shipped
via Federal Express and will only be delivered to a person who holds
a Federal Firearms License or a Curios and Relics License. Handguns,
pistols, and revolvers can only be picked up at Auction House by
a person who holds a Federal Firearms License or the proper New
Jersey handgun permits, which must be shown and logged. There are
no exceptions. No firearms will be sold or shipped internationally.
Property purchased and left at the auction house for 90 days will be
sold or donated for you.
6. Buyer Default
Remedies: If any of the Terms of Sale are not fully complied with by
the buyer, the buyer will be in default without need of notice by the
Auction House. The buyer shall be liable to the Auction House and
the consignor for the total purchase price, including all premiums,
charges, and expenses specified in the Terms of Sale. Interest shall
accrue at the rate of 18% per annum commencing with the date of
the auction. In addition to other remedies available to the Auction
House by law, the Auction House may, at its option, a) cancel the
sale of the lot(s) on which the buyer defaulted and of any other lots
sold to the defaulting buyer at the same or any other auction(s) and
retain as liquidated damages all payments made by the buyer, b)
resell the purchased Property, whether at public auction or private
sale, or c) pursue any combination of a) and b) above. In event of
default, the buyer will be responsible to the Auction House and
the consignor for any deficiency, any and all costs and expenses,
including reasonable attorneys’ fees, collection fees and expenses,
late charges, and other damages. The Auction House may, at its
discretion, apply any proceeds of sale otherwise due to the buyer or
monies of the buyer in the Auction House’s possession to reduce or
satisfy the buyer’s obligations.
Security Interest: As security for full payment to the Auction
House and the consignor of all amounts due, the buyer grants the
Auction House the right to retain a security interest in the Property
purchased at auction and in any other property or money of buyer
in the Auction House’s possession or coming the Auction House’s
possession (collectively, ’collateral’). The Auction House shall
have the rights of a secured creditor as provided by the Uniform
Commercial Code and other applicable law. Such security interest
in the Property or other collateral will cease when the Property is
physically delivered to the buyer or the buyer’s agent.
7. Warranties and Guarantees
All items are served “As-Is, Where-Is,” except as expressly stated
otherwise in the following paragraph:
All information in the catalogue concerning authenticity is
guaranteed for a period of thirty (30) days from the date of sale.
In that time, prior to payment to the consignor of the work, the
Auction House will allow the buyer to submit, at his own expense,
an opinion in writing from a recognized expert, pre-approved by
the Auction House and the purchaser, regarding authenticity. In
the event the work is judged inauthentic by the expert, the work
may be returned in the same condition as at time of sale and the
buyer’s full purchase price will be refunded. Refunds shall not include
costs of transportation, insurance, or other expenses that may have
been incurred by the buyer. It is the buyer’s responsibility to make
payment in a timely fashion such that the property can be released
and inspected within this thirty (30) day time frame. Should the
buyer not do so, or should the buyer request the auction house to
delay shipment, should he give an incorrect shipping address, or
be unavailable to receive shipment, the thirty (30) day warranty
shall still apply. If the Auction House has paid the consignor the
amounts due consignor as a result of the sale, the Auction House
will (i) refund to the buyer the amount of the buyer’s premium and
applicable taxes received from the buyer, and (ii) make written
demand upon the consignor for the payment of the balance of the
purchase price. If the consignor fails to honor the written demand for
a refund of the balance of the purchase price, the Auction House will
furnish buyer the name and address of the consignor, and assign to
buyer all of the Auction House’s rights for the return of the balance
of the purchase price of the affected lot. Upon this disclosure and
assignment, the Auction House will have no further liability to
buyer or responsibility to pursue the buyer’s claim. The Auction
House will extend reasonable cooperation to buyer, provided that
such cooperation does not require out-of-pocket expenditures by
the Auction House. This limited right of rescission is available only
to the original buyer and may not be relied upon by any heir, agent,
transferee, assign, or other third party or assigned to any subsequent
transferee of the Property which gives rise to the claim.
This Warranty does not cover any description that states there is
a conflict of specialist opinion; any description that states (or is
bracketed in a section described as) “as-is“ or “not guaranteed.”
This Warranty does not cover any typographical errors. This Warranty
does not cover wear on furniture. This Warranty does not cover
flakes, surface scratches, or manufacturing flaws in glass or ceramics.
The description of clocks and lighting devices, whether in catalogues
or condition reports, may be incomplete and not identify every
mechanical replacement, repair, or defect. The absence of reference
to the condition of a clock or lighting device does not imply it to
be in working condition or without defects, repairs, restorations, or
replacement parts.
The description of jewelry, whether in catalogues, condition reports,
or any other form, is rendered as opinion, including, but not limited
to, specialist opinion as to authenticity, the enhancement or
treatment of gemstones, the weight of gemstones, the country of
origin, the authorship or origin (manufacture) of an item, its period
(or c.) or the authenticity of its marks.
No warranty is made that any watch is in working condition or
without defects, restorations, or working parts.
Buyers are advised to check watch works prior to auction.
All measurements are approximate.
This disclaimer of liability on our part applies whether the
information is included in the catalogue, advertisements,
announcements, or communicated through our representatives, bills
of sale, or elsewhere, and whether written or oral.
No Warranty of Reproduction: Neither the consignor nor we make any
warranty or representation, express or implied, as to whether a buyer
will acquire any reproduction rights, copyrights or other intellectual
property rights in, or with respect to, the Property.
The Auction House makes no warranties, express or implied, as to the
merchantability or fitness for purpose except as otherwise expressly
stated in these Terms of Sale.
8. Qualifying to Bid
As a security measure for our consignors and our company,
all bidders must establish credit. You will be asked to furnish
identification and a valid credit card number, credit references and/
or (for absentee, phone and online bidders) an initial deposit in the
form of a pre-authorization hold equal to 10% of the low estimate
of the total number of lots on which you are bidding. First time and
international buyers bidding on Asian lots with a total low estimate
of $5,000 or greater will be asked to a) furnish an initial deposit
in the form of a pre-authorization hold equal to 30% and b) grant
the Auction House the right to charge your credit card 30% of the
selling price on the day of sale. If you are acting as another’s agent
or principal, we may request a letter of authorization. If you are
successful and do not remit payment as specified, the amount owed
will be charged to your credit card together with such charges set
forth in these terms of sale. If you have any questions, contact Eliane
Talec, ext. 118.
Bidding Numbers: All bidders must register and receive a bidding
number from the Auction House prior to bidding at the auction.
9. Bidding Increments
All unreserved bidding starts at 50% of the low estimate unless
there are two or more competing absentee bids in excess of this
figure. The auctioneer has the sole and exclusive power, discretion,
and authority to regulate the bidding and its increments.
Increments
• $10 until $100 is reached
• $25 until $500 is reached
• $50 until $1,000 is reached
• $1,000 until $30,000 is reached
• $10,000 over $100,000
10. Absentee Bids
Absentee bids are requested by no later than 6:00 p.m. on the
business day before the auction. We accept absentee bids by
phone, by mail, in person, or by fax. Absentee bidders are emailed
bid confirmations – If you do not receive a bid confirmation by the
afternoon prior to the auction, please call us. When you do receive a
bid confirmation, please double check for accuracy.
All absentee bidding is handled as though you are in attendance. We
buy all designated lots for you one bidding increment above where
competition stops. Please check and comply with these increments.
In case of failure to comply, we will reduce each off-increment bid to
the next lower figure.
“Plus” bids: Because of our structured bidding increments, it is more
likely that several people will leave identical bids. Since an earlier bid
left with the auction house wins in the event of a tie, a later bid with
an added “plus” bid to the next increment would win the piece.
Absentee bids left with third party online bidding platforms are sent
to the auction house as the lot comes up for auction and not before.
There is no time advantage to absentee bids left with third party
online bidding platforms.
All absentee bidder names and bids are held in strictest confidence,
disclosed only in the event of a question after the sale.
Absentee bidding is a convenience offered to our customers and,
while we will make every effort to execute your instructions, the
Auction House is not liable or responsible for any errors or failure
to do so. If you place absentee bids with the Auction House, then
choose to attend in person, bid by phone or any other means, it is
solely your responsibility to cancel any or all absentee bids prior to
the start of the auction.
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11. Telephone Bids
Rago guarantees you a line and a phone agent for bidding until 4 PM
on the day prior to an auction. After that time, we will gladly accept
your absentee bids, even during the auction (up to 30 minutes before
a lot goes on the block). Changes to bid lists left with us prior to the
deadline will always be accommodated as best we can, as will followup phone bids for those who attend/must leave the auction and
other exceptional cases.
If you need condition reports, please request and review them prior
to reserving phone lines.
Telephone bidders are emailed bid confirmations – If you do not
receive a bid confirmation by the afternoon prior to the auction,
please call us. When you do receive a bid confirmation, please double
check for accuracy.
We can call you at two phone numbers ONLY during the auction. If
you are unsure of where you or your agent will be during the sale, we
recommend you leave absentee bids.
Please do not change your phone number after your phone lines have
been confirmed; if you do, the Auction House will not be responsible
for any breakdown in communications. Overseas phone numbers only
will be confirmed the day before the auction.
We do not have the capacity to assign phone agents to clients who
want to listen only or who will not bid the minimum selling price.
Therefore, if you bid by phone, you must be willing to open bidding
and bid to within 2/3 of the low estimate should the bidding go that
far. You may, however, leave absentee bids for any amount.
Bids are placed on the telephone at the discretion of the Auction
House and at the caller’s risk. Telephone bidding is a convenience
offered to our customers and, while we will make every effort
to execute your instructions, the Auction House is not liable or
responsible for any errors or failure to do so.
If you place absentee bids with the Auction House or Live
Auctioneers and also bid in person, by phone or any other means, it
is solely your responsibility to cancel any or all absentee bids prior to
the start of the auction. If you do not or cannot, regardless of reason,
you will be held responsible for the property’s purchase.
12. Internet Bids
The Auction House has also engaged the services of third party
online bidding platforms called Bidsquare and Live Auctioneers.
Please proceed to these sites for all necessary information on how
to bid and buy online using this system. The user of Bidsquare
and/or Live Auctioneers indemnifies and holds the Auction House
and its consignors harmless against any claim arising out of or
resulting from your use of the Bidsquare and/or Live Auctioneers
sites, including all losses, damages, liabilities, and all fees (including
attorney’s fees), costs, and expenses incurred in connection with
any claim. Under no circumstances, including, but not limited to,
negligence, shall the Auction House and its consignors be liable for
lost profits or any special, incidental, or consequential damages that
result from the use of, or the inability to use, this site.
If you place absentee bids with the Auction House and/or a third
party site and also bid in person, by phone or any other means, it is
solely your responsibility to cancel these absentee bids prior to the
start of the auction. If you do not or cannot, regardless of reason, you
will be held responsible for the property’s purchase.
Absentee bids left with third party online bidding platforms are
released to the Auction House when a lot comes up for sale. The
Auction House cannot distinguish these from bids made in real time.
They have no timed advantage.
13. Condition Reports
Condition reports are rendered as specialist opinion by the staff
of the Auction House and/or independent consultants and not as
statements of fact. We do not guarantee the content of written or
verbal condition reports.
Up-to-date condition reports can be accessed online at ragoarts.com.
If you would like additional information, please call (609) 397-9374,
fax condition report requests to (609) 397-9377 or e-mail them
to [email protected]. Our specialists will respond to requests as
quickly as possible.
Please be patient. We get many requests and we make every effort to
respond to all of them in a timely fashion. The Auction House is not
liable or responsible for any errors or failure to do so.
14. Reserves
A reserve is the confidential minimum price established by the
Auction House and the consignor. The reserve will never exceed the
low estimate of the lot. The Auction House prohibits consignors from
bidding on their own property, but may implement the reserve by
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bidding on behalf of the consignor at the auction up to the reserve.
15. Estimates
The estimates provided in this catalogue are our opinion of the
price that a willing buyer would pay for the property at auction,
based, where possible, on prices paid for comparable items sold in
the past. They are neither a representation nor a prediction of the
actual selling price that will be realized at auction, post-auction
sale, or upon resale, which may be substantially different from these
estimates. We shall not be liable in any way for such a difference.
16. Withdrawal of Property from Sale
The Auction House reserves the right to withdraw property from
the sale for any reason and with no liability whatsoever for such
withdrawal.
17. Rescission by Buyer
All items are served “As-Is, Where-Is,” except as expressly stated
otherwise in Paragraph 7. Buyer acknowledges and expressly agrees
that the provisions of this Paragraph state the sole and exclusive
remedy available to a buyer in the event of non-conformity in
Property purchased. The buyer understands and agrees that the
exclusive remedy for any breach of the warranty shall be a rescission
of the sale and a refund of the original purchase price (bid plus
buyer’s premium), as well as any applicable taxes paid. Neither the
Auction House nor its Consignor shall be liable for damages beyond
the remedy expressly provided for herein, such as, but not limited
to, direct, indirect, special, incidental, punitive, or consequential,
including the loss of profit or revenue, cost of obtaining alternative
property, claims of customers of the buyer or otherwise.
18. Rescission by the Auction House
In the event the Auction House receives notice of an adverse claim
with respect to purchased Property, the Auction House shall have the
right (but not the obligation), in its sole and absolute discretion, to
rescind the sale to the buyer, upon written notice to the buyer. Upon
such notice, the buyer will promptly return the purchased property
to the Auction House’s premises in the same condition as when
purchased.
The Auction House will then promptly refund the purchase price,
including the buyer’s premium and applicable taxes paid. Buyer will
have no further recourse against the Auction House or the consignor,
and the Auction House and the consignor shall not be liable for any
damages of any nature suffered by the buyer.
19. Governing Law and Forum for Disputes
The laws of New Jersey shall govern the auctions of the Auction
House. Any disputes that may arise in connection with the auction
and/or any auction purchase, and all of the terms and conditions set
forth herein above, shall be governed by and construed in accordance
with New Jersey law. Anyone who participates in the auction and/or
makes auction purchases agrees to submit to the jurisdiction of the
courts of the State of New Jersey with respect to any dispute arising
in connection with the auction and/or any auction purchases. In the
event that the Auction House needs to bring an action to enforce the
terms and conditions herein and/or to collect any sum due and owing
to it the Auction House shall be entitled in addition to collect its
reasonable attorney’s fees, collection agency fees, and cost of suit.
20. Limitations of Liability
The Auction House acts only as the agent for the consignor and in no
event will be liable for any breach or default by the consignor.
21. Severability and Waiver
If any provision of portion of these Terms of Sale shall be deemed
unlawful, void, or unenforceable under applicable law, that provision
or portion shall be stricken and severed from the remaining
provisions, which shall remain in full force and effect. Failure to
enforce any of the provisions in these Terms of Sale shall not be
deemed a waiver of the right to enforce any other provisions of these
Terms of Sale.
22. No Assignment
Unless the Auction House consents in writing, buyers may not assign
their rights or any of their obligations related to an auction or other
sale by the Auction House.
23. No Modifications
These Terms of Sale may not be changed unless the Auction House
and buyer have agreed to do so in a written agreement signed by
both parties.
24. Export or Import - Endangered/Threatened/Prohibited Species
The State of New Jersey prohibits the import, sale, purchase,
barter, or possession with intent to sell of any ivory, ivory product,
rhinoceros horn, or rhinoceros horn product with exceptions that are
irrelevant to commercial sale. As used in this act “Ivory” means tooth
or tusk from any animal, including, but not limited to an elephant,
hippopotamus, mammoth, narwhal, walrus, or whale, or any piece
thereof, whether raw ivory or worked ivory, or made into, or part of,
an ivory product. As concerns worked products made of species legal
to sell under current Federal guidelines, it is the sole responsibility
of buyers to familiarize themselves with International and U.S.
state laws or requirements for import and export; to identify and
obtain any necessary export, import, endangered species or other
permit prior to bidding; and to abide by International and U.S. laws
and requirements. The Auction House and the Consignor make
no representations or warranties as to whether any lot is or is not
subject to export or import restrictions or any embargoes and will
have no responsibility with regard to these matters. a) International:
Several countries do not allow the importation of lots containing
materials made from endangered species. This includes, but is not
limited to coral and tortoiseshell. An export license may be required
for the export of certain materials, as well. b) State of California:
California Penal Code sections 653o - 653r make it illegal to import
into California for commercial purposes, to possess with intent to
sell, or to sell within the state, the dead body, or any part or product
thereof, of any polar bear, leopard, ocelot, tiger, cheetah, jaguar, sable
antelope, wolf (Canis lupus), zebra, whale, cobra, python, sea turtle,
colobus monkey, kangaroo, vicuna, sea otter, free-roaming feral
horse, dolphin or porpoise (Delphinidae), Spanish lynx, or elephant.
Starting in 2015, it will be unlawful to import into this state for
commercial purposes, to possess with intent to sell, or to sell within
the state, the dead body, or any part or product thereof, of any
crocodile or alligator. Should a buyer in California state an intent to
sell the certain animal parts named in California Penal Code sections
653o - 653r, the Auction House reserves the right to reject bids and
refuse to ship.
Brazilian rosewood (Dalbergia nigra) has been listed in in the most
restrictive category of endangered species, CITES Appendix I, since
June 11, 1992. Brazilian rosewood demonstrably acquired before June
11, 1992, and any product made from such wood, is considered to be
pre-Convention under CITES. The United States currently issues a
pre-Convention certificate under CITES for international trade. The
E.U. includes Brazilian rosewood in Annex A, which means that preConvention specimens generally may not be imported into the E.U.
for commercial purposes unless accompanied by an import permit
proving acquisition before March 1, 1947. Other nations have their
own import requirements. As a result, the Auction House will sell
property made from Brazilian rosewood, in whole or part, only to
buyers residing in the United States. The Auction House will ship
only to addresses in the United States. Inquiries from international
buyers prior to sale will be handled on a case-by-case basis.
25. Firearms
Rago sells only antique firearms as defined by the U.S. Bureau of
Alcohol, Tobacco and Firearms. All Firearms will be sold in accordance
with State of New Jersey and Federal firearms laws and any relevant
State of New Jersey and Federal laws. It is the sole responsibility
of buyers to familiarize themselves with their local laws and
requirements for the possession of firearms; to identify and obtain
any necessary license or permit prior to bidding; and to abide by
all Federal, State and local laws and requirements. The Auction
House and the Consignor make no representations or warranties as
to whether any lot is or is not subject to such restrictions and will
have no responsibility with regard to these matters. Rago sells only
antique firearms as defined by the U.S. Bureau of Alcohol, Tobacco
and Firearms. Due to New Jersey firearms regulations, all handguns,
pistols, and revolvers will only be shipped via Federal Express and will
only be delivered to a person who holds a Federal Firearms License
or a Curios and Relics License. Handguns, pistols, and revolvers can
only be picked up at Auction House by a person who holds a Federal
Firearms License or the proper New Jersey handgun permits, which
must be shown and logged. There are no exceptions. No firearms will
be sold or shipped internationally.
Paragraph Headings: Paragraph and subheadings are included in
these Terms of Sale for ease of reference and should not be used to
interpret the meaning of the substantive provisions.
ADDENDUM TO TERMS OF SALE: JEWELRY
For centuries, natural gemstones have been enhanced in a variety of
ways, including heating, oiling and other methods. These treatments
are accepted by the international jewelry and gemstone trade. The
Auction House makes no representations or warranties, express or
implied, as to whether natural stones have been treated or enhanced,
whether specifically referenced or not.
All stones have been identified by standard gemological field tests
as the mounting permits and the Auction House will make available
to prospective buyers any gemological certificates in its possession.
It will not always be feasible to obtain a qualified lab report on every
stone offered through the Auction House. Buyers wishing to have
a grading or gemological report from an independent recognized
laboratory such as the Gemological Institute of America, the
European
Gemological Laboratories or the American Gemological Institute may
request one at their own expense or hire an independent adviser of
their choosing.
Weights given are based solely on measurements and known
gemological formulae; they are approximate, not exact. Weight may
differ once a stone is removed from its setting. Buyers are advised to
verify weight estimates prior to auction
ADDENDUM TO TERMS OF SALE: COINS AND CURRENCY
Grading is a not an exact science. It is a matter of opinion as
to condition and other attributes. Because of this, grading can
and will differ among third party grading services (even though
consensus grading is employed by most), independent experts,
dealers, collectors and auction houses, including our own. Due to the
subjectivity of coin and currency grading, a given piece evaluated
twice by the same expert may be assigned a different grade each
time. Opinion as to the grading, condition or other attributes of any
property may have a material effect on value.
Therefore all coins and currency are served “As-Is, Where-Is,” by
the Auction House except as to authenticity, as expressly stated in
the Terms of Sale. They are sold without any additional express or
implied warranty, including, but not limited to, grade. This includes
all coins and currency, including, but not limited to, those:
• Referencing the opinion of a third-party grading service;
• With no reference to the opinion of a third-party grading
service;
• With reference to the opinion of Auction House as to grading;
• Subsequently submitted to a third-party grading service for
determination or certification;
• Encapsulated and therefore unable to be physically examined.
The Auction House reserves the right to differ with the grades
assigned to property, by certificate or otherwise, regardless of the
grading service and will not be bound by any prior or subsequent
opinion, determination or certification by third-party grading
services including, but not limited to, National Guaranty Company
(NGC), Professional Coin Grading Service (PCGS), Paper Money
Guaranty (PMG) and Currency Grading and Authentication (CGA)
or any other any grading service, third party organization or dealer.
There is no guarantee or warranty implied or expressed that the
grading standards utilized by the Auction House will meet the
standards of any grading service at any time in the future.
The Auction House has graded uncertified coins and currency with
reference to the current interpretation of the American Numismatic
Association’s standards at the time of grading.
The Auction House reserves the right to re-grade property reconsigned for any reasons, including, but not limited to a change of
grading standards, differences in opinion, mishandling over time.
The Auction House will not be liable for any patent or latent defect
or controversy pertaining to or arising from any encapsulated coins
or currency. In any such instance, purchaser’s remedy, if any, shall be
solely against the service certifying.
Please note:
• Certain types of plastic may react with a coin’s metal or
transfer plasticizer to notes, causing damage. Avoid storage in
materials that are not inert.
• Catalog illustrations may not be to scale or reflect the
depicted property’s actual size.
26. Miscellaneous
Private Sales: These Terms of Sale shall apply to both auction and
private sales of property.
337
RAGO 20TH CENTURY DEPARTMENT
Auction Management: David Rago, Jerry Cohen, Suzanne Perrault
Modern Specialist: Jad Attal
Junior Specialists: Sarah Dziamba, Kimberly Sørensen
RAGO ARTS AND AUCTION CENTER
Partners-in-Charge: David Rago, Suzanne Perrault, Miriam Tucker
SHIPPING/RECEIPT OF PURCHASED PROPERTY
A bid is a contract to buy. So on the fall of the auctioneer’s hammer,
the successful bidder becomes the owner and assumes full
responsibility for the purchased property. This includes all costs and
the expenses of any handling, shipping, insurance, taxes, or export.
When the Auction Center receives and processes your payment, your
property is released - for shipping, delivery by freight, or pick-up.
Please allow up to three weeks.
NOTE: Some property in this sale may require specialized shipping.
Please call us for our recommendations.
S H I P P I N G S M A L L I T E M S B Y C O M M O N C A R R I E R (UPS,
FedEx, DHL or USPS):
Chief Operating Officer: Michael Ingham
Chief Administrative Officer: Eliane M. Talec
Director, Estate Services: Sebastian Clarke
Director, Appraisal Services: Laurel Porcelli
Art Director: Anthony Barnes
Photography Studio Director: Lynnette Mager Wynn
Photographer: Jared Kramer
We have engaged shippers to pick up several times a week from
the auction house. Our recommended shippers for small items are
Masterpiece Shipping and The Flemington UPS Store. Once we
receive your payment and the completed shipping form authorizing
the release of your property to the shipper, we will add your lot(s) to
the list for the next pick up. You will receive a shipping quote for your
approval within 48 hours after the shipper has picked up your lot(s).
If for any reason the quote is not acceptable to you, your property
will be returned to the auction house so that you can make alternate
arrangements.
Masterpiece Shipping
David and Vicki Child, Owners-Operators
Buckingham Green
4950-C Old York Road
Buckingham, PA 18912-2000
T: 215-794-1199 • F: 215-794-1177
Client Services Manager: Karen Davies
Client Services: Martine Webber
Foreman of Operations: Croix Leadem
Art Handlers and Movers:
Charles Chamberlin, Casey Kochis, Jason Kwon, Sean Leslie, Richard
Palleschi, Justin Thomas
Display by: Arlen Sam Brown
Controller: Lisa Kolva
The UPS Store #1752
203 Main Street
Flemington, NJ 08822
T: 908-806-4842 • F: 908-806-4843
SHIPPING LARGER ITEMS BY FREIGHT:
(for example: furniture, bulky or odd shaped items) that exceed
allowable dimensions or weight restrictions of UPS, Fed Ex and
similar carriers. The auction house can provide assistance in
arranging for delivery by freight. Depending on the location, we can
recommend a variety of third party shippers. We are also happy to
work with the freight company of your choosing. Please keep in mind
that delivery of these types of items can be an expensive proposition
and we urge you to consider this before bidding. Please remember
that it is your responsibility to pay for all deliveries.
Marketing Associate: Adrienne Lieberman
PICK UP AT RAGO’S:
Public Relations/Marketing Assistant: Robin Harris
Auction Administration: Rebecca Schild
Administrative Staff: Kathy Buscavage, Guy Benthin
Our thanks to the entire auction staff.
338
Hours for pick up are Monday – Friday, from 9:00 a.m. – 11:30 a.m.
and from 1:30 p.m. to 5:00 p.m. The shipping department closes
each day from 11:30 – 1:30. The Auction House is closed on Federal
holidays and on Mondays following two and three day auctions. We
require 24 hours’ notice in advance of pick up. Please bring your own
packing materials.
IMPORTANT NOTES:
• Weekend pick ups are made by special arrangement and/or by
appointment only.
• New Jersey sales tax of 7% must be added to your invoice when
picking up merchandise unless you have a valid resale number
on file.
• All property must be paid for and removed from Rago Arts &
Auction Center within 15 business days of the auction. Unless
special arrangements are agreed upon in writing before the sale.
Storage fees are charged beginning on day 16. For more details
see our Terms of Sale.
P O S T- W A R A N D C O N T E M P O R A R Y A R T
November 5
catalogue online October 20 – ragoarts.com
RAGO
CONDITION REPORT FORM
phone: 609.397.9374
fax: 609.397.9377
We are happy to provide you with condition reports on all lots as requested. We are neither professional restorers nor conservators
and specialist opinions are subjective and not a statement of fact. Therefore, we do not guarantee the content of the written or verbal
condition report. Not withstanding this report, all lots are offered and sold in accordance with the Terms of Sale listed in print and online
at ragoarts.com.
Lot#
Description
Specific Questions
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Name ______________________________________________________________________________________________________
Telephone _________________________________________________________________________________________________
E-mail _____________________________________________________________________________________________________
A new online bidding site with real goods you won’t find anywhere else.
Where what you see is what you get, from leading auctioneers you know and trust.
Live and timed auctions. New property added daily. Easy to navigate. Reliable. Private. Secure.
I N T E R N A L U S E O N LY
Bid live online for all Rago Auctions. Register Today.
Check Condition Online
Print Initials:_______________________
Add to/confirm in AuctionFlex
Date _______________________________________________________________
BIDDING FORM
RAGO
Buyer Number
ABSENTEE BID
PHONE BID
phone: 609.397.9374
fax: 609.397.9377
e-mail: [email protected]
Name ______________________________________________________________________
Business Name ___________________________________________________
Address ___________________________________________________________________________________________________
City _________________________________________________
State _____________________________________________
Zip Code ____________________________________________
E-mail ____________________________________________
Telephone __________________________________________
Fax ________________________________________________
CC # (Visa/MC/Disc.) ______________________________________________
If using Resale ID, a copy must accompany this form.
Exp. Date ______________
Country ____________________
CSV code (from back) ________________
Resale ID Number ______________________________________
Lot#
Description
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State __________________
Absentee/Contigency Phone
PLEASE ADHERE TO
THE BIDDING INCREMENTS
$10 until $100 is reached
$25 until $500 is reached
$50 until $1,000 is reached
$1,000 until $30,000 is reached
$10,000 over $100,000
Rago’s guarantees you a line
and a phone agent for bidding
until 4 PM on the day prior to
an auction. After that time,
we will gladly accept your
absentee bids, even during the
auction and will do our best to
accomodate before the lot goes
on the block.
T E L E P H O N E B I D P H O N E N U M B E R – D AY O F S A L E :
1).
________________________________________________________________________
2).
________________________________________________________________________
C H E C K , S I G N A N D D AT E B E L O W O R B I D S W I L L N O T B E E X E C U T E D
I
I
I
I
am bound by Terms of Sale
I have read the condition report(s) online / requested all needed information
am responsible to contact Rago if bid confirmation is not received by 5pm on the day prior to the auction
am responsible for canceling Absentee Bid if I choose to bid in person/by phone
understand the buyer’s premium (see below)
The buyer’s premium for each lot purchased is 25% on the first $200,000 of the hammer price, 20% on the portion from $200,000 through $3,000,000
Signature _____________________________________________________________
Date _____________________________________________________________
I N T E R N A L U S E O N LY
Check Boxes Above
Absentee/Plus
Print Initials:_______________________
New/Hold
AF: confirm contact info/check notes
Date/Time _________________________________________________________
Addendum
Increments
RAGO ARTS AND AUCTION CENTER
333 NORTH MAIN STREET • LAMBERTVILLE, NJ 08530
[email protected] • RAGOARTS.COM • 609.397.9374

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