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lntroducing sound equipment
f,or musicians on the move.
we've taken the sound capabilities of stage and
recording equipment and compressed them into a
ccmpact-, portable and affordable system called the
Producer Series. With the Producer Series you produce
the scund you want, whether practrcing full-tilt in the
garage or in the wilderness-without disturbing others' Or
Ë-,i*i'ig the tracks on the song that's going to give you that
big bieak, The Producer Series helps you make your
nrlsic happen-whenever, wherever, and however
you choose,
The Producer series doesn't replace your present
setup-it adds to it This versatile and flexible equipment
fills such a basic need that the possibilities for its
application are virtually endless.
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-the pcssibilities
begin with the MAl0 Headphone
Amplif ier the MHl0 Lightweight stereo Headphones, the
MMI C Mic/Line Stereo Portable
*M ic rc-Mono phonic Synthesizer Mixer, and the CS01
AnC do'u,r,n the line, we're planning to expand the line,
adding equrcnrent that will make the Producer series
even rncre versatile and powerful creative tools.
we feel tf e Procucer series is the biggest litile break
to hit the musrc scene since the transistor. lt's made for
today's rnusic ancl today's musician. Because with the
Producer Seles vr,,hatever the musical need, you've
got it made
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Accepts standard phone plug from
guitar cord, synthesizer (or other
electric instrument) or a microphone.
E
ltHe oUT (L, R) RcA-rype iacks
Carry the same signal as the HEADPHONE jacks, but are not controlled by
HEADPHONE LEVEL. Use them to feed
a recorder or a hiJi amp (and
speakers)
E
vOlUlue control (input)
Adjusts the input sensitivity for different
mics, guitars, etc. When turned up, it
produces distortion, if desired, for that
"overdriven" sound.
E
aux tH (L, R) RcA-type iacks
Line level inputs for amplifying any
stereo or mono signal and blending it
with the mic or instrument connected to
the IVA10 INPUT jack. Typical sources
include the line or headphone output of
a portable stereo cassette player, a
transistor radio, or the Nl[/]10 N/iclL ne
Mixer. Fed to HEADPHONE and LINE
not the IVIONITOR OUT lacks.
OUI but
Ef uasren
voLUME conrror
Adjusts the level aïter the input
VOLUI\,4E control. With input VOLUIVIE
low (for cleaner sound), turn the N,4ASTER VOLUIVE up to qet the needed
level. Wirh rnout VOI UMt high (lor d:s
tortion e'fects). turn the MAS'ER VOL
UME down to avoid excessive levels.
E
nnoruron our (1,2) standard
phone iacks
feeding one or two
additional MA10 s waen p ayirg .r a
group, or for feeding to a power amp
and speakers. These mono phone jacks
broth carry the same amplified signal
f rom the INPUT jack, as modlf ed by
Llne level outputs
Tor
the input VOLUN/E, I\i ASTER VOLUN/E,
TREBLE and BASS controis. Not affected by the MA10's delay line or the
other inputs.
E rneeLe
& BAss tone controts
A two-band equalizer that lets you
boôst or cut the amount of treble (high
frequencies) and bass (low frequencies) for getting just the right timbre and
body to su I yournusical iasies
Ertaoruron
tN (1,2) standard
phone iacks
Lrne Level inputs for blending the
IVONITOR OUT of other lvlAl0's with the
INPUT jack signa . Because I\IONITOR
lN is processed by the delay line, "syn
thesized stereo" can be obtained when
plugging in the mono output of a TV
VCR, etc. Signal is fed to aLl N,4A10
outputs.
El xenopnonE
LEvEL conrror
Th s control comes after the IVASTER
VOLUME, AUX N and the IVONITOR lN
controls. lt simu taneously adjusts the
level fed to the HEADPHONE jacks from
all these inputs combined.
l[ reaopHonE
(1, 2) srereo
phone lacks
Each MA]0 accepts two pairs of lVlH10
stereo headphones so two peop e can
listen.
lâ uorunon
(1,2) tever controts
Adlust the leve of the corresponding
jacks.
I\IONITOR lN
When a stereo
source is connected to the monitor
inputs, both these controls must be
adjusted together.
lE powen
indicaror
Red LED turns ON whenever the l\4A10 s
power s ON.
l4 oc ltt power jack
Accepts 9V to 1 2V DC power from the
optional PA-1 AC adaptor.
lEl powen
(oFFloN) switch
Rocker switch turns power ON and OFE
whether from the bullt-in battery supply
or an external DC supply.
lE aux
tN tevet controt
Adlusts the level of both AUX lN (1, R)
jacks simultaneously.
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MAIO Headphone Amplifier and
MHIO Lightweight Stereo Headphones,
Just plug a microphone or an electric instrument into the MA10 Headphone Amplifier with one or two sets of N/H10 Stereo
Headphones and you re ready to make music-as loud or as soft as you like. The MA10 input doesn't load down a guitar pickup, so
highs (overtones)come through loud and clear. The VOLUME and MASTER VOLUN/E controls also let you dial in diétortion, if
desired. The MAl0lnput sensitivity is idealforguitars and basses, aswellas synthesrzers, otherelectric keyboards, and microphones.
The MA10 incorporates special analog delay circuitry that synthesizes the psycho-acoustic conditions required to perceive a
broader, more natural sound. You might expect to pay the modest cost of an MA10 just for its built-in
delay line, especially after you hear how fantastic it sounds.
Play in complete privacy-whether you're in a hotel room, a living room, the back seat of a car,
or on a picnic in the countryside-free to develop your musical ideas without inhibitions. When you
get together with other performers, you can all plug your MA10's together and make music as a
group, while each person still controls his own sound. You can even blend in recorded or broadcast
music (more details on subsequent pages).
The MA10 is powered by its built-in battery supply, the optional PA-1 AC adaptoç or any
suitable 9V to 12V DC power source.
The MHl0 Lightweight Stereo Headphones feature an adjustable headband and comfortable
open-air design earpieces. The excellent frequency response of the MH10 is especially optimized for
use with the MAl0 Headphone Amplifier And they are able to sustain very high volumé levels.
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gnearH coNTRoL sYsrEM
This is a new unlque Yamaha
synthesizer feature that lets you control
the CS01's VCO (Voltage Controlled
Oscillator) and VCF (Vo taqe Contro led
Fi ter) using your breath via the optiona
BC-1 BREATH CONTROLLER. When
used in conjunction with the VCO and
VCF controls at the lower left portion of
the panel, the BRFATH CONTROLLER
pernrts a broao 'arqe of erpressive
capability while eaving both hands free
for keyboaro ano contro ope'al on.
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BEND AND MoDULAnoN
WHEELS
Both the Pitch Bend and l\,4odulation
wheels let you a ter the CS01 sound
while playing the keyboard. Rol ing the
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Pitch Bend wheel up raises the
instrument's p tch. Rolling the
lvodulatron wheel up causes a
corresponding increase in the amount of
"depth' of LFO modulation applied to
the VCO or VCF
dol ars, the Glissando control creates a
step-wise (half tone steps) slide
between notes played on the keyboard.
- he posilior
ol rhis con'.ol deie'.nires
how long lt takes to slide from one note to
E tfo
E
prcn
E
reer
lLow-rrequency Oscillator)
The LFO can be used to modulate the
pitch or pu se width of the CS0l's VCO, as
we las the VCI cuto'l 'requency lo' an
incredibly broad range of sonic
possibilities. The LFO ôontro adjusts the
speed of the owjrequency oscillator,
while the l\4odulation whee controls the
amount of modulation.
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A unique feature previous y found only
on synthesizers costing thousands of
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Adlusts the overall CS01 pitch. Can be
used to tune the CS01 to other
instruments when playing with a group.
The Feet se ector determines the range
of the keyboard and g ves the CS01 a full
f ve-octave capabllity. 4 feet is the
h ghest keyboard range, whi e 32 feet is
the lowest. In the Bjeet positjon, for
example, each note on the keyboard is
one octave lower than it would be in the
4-feet position, and one octave higher
than jt wou d be in the l6jeet position.
Ewave
Determines the basic waveform or
"shape" of the srgnal generated by the
CS01's VCO a crltical parameter in
determ ning the flnal overall sound.
The tr angular (,/\) waveform, f or
example, creates a smooth, clean sound
that is great for synthesizing the sound
oT a Tlule. The sawtooth (N) waveforn.r
is perfect for brass and string
nsiruments, while the rectangular
(ru, L-l) waveform is great for imitating
wind instruments. A rectangular
waveform is also provided that permits
pulse width modu atlon.
îFFTF
GSOI Micro-Monophonic
q/ilhesizeft
The CS01 is a unique high performance, fully programmable micro-monophonic
synthesizer that offers an extensive range of voice parameters, a 32-note keyboard,
pitch and modulation wheels, plus severalfeatures that many sophisticated
synthesizers don't even provide. Yet this remarkable musical instrument is a mere 197+"
long by 63/a" wide.
And since the CS01 has an amplifier and speaker system built in, you don't need
any extra equipment to make the most of this remarkable little keyboard. lt runs with an
AC adaptor or batteries, so you can take the CS01 with you anywhere. Practice in the
park, play at parlies, or compose at your favorite campsite.
Using the CS01 in conJunction with other Producer Series components gives you
extra versatility for group performance or location recording. Despite its small size, the
CS01 still offers the fine overall sound quality necessary for professional performance.
Of course, if you've never used a synthesizer before, the CS0.1 is the perfect
rntroduction to the fascinating world of musical sound synthesis. Whether you're a
newcomerto music, or an accomplished multi-keyboardist, the CS01 can greatly
increase the scope of your musical world.
El PWm (Pulse Width Modutation)
Varies the "duty cycle" oT the rectangular
(fll) waveform. Using the PWM SPEED
to slowly modulate the pulse width of
the rectangular waveform can create
pleasant swirling "chorus" effects.
El vcr curorr
This funclion plays a rnajor role in
shaping the synthesized sound. By
adjusting the cutoTT frequency of the
voltage-controLled filter, certain
harmonics oT the original waveform
(determined by the WAVE control) are
eliniraled. drarnatical y alterirg the
quality o' lne sourd. Tl'e f ilter cutotl
frequency car also be ao,usted via lhe
Brealh Control systeTn or IVodulal on
wheel.
lO
ngsoruaruce
This f Jncliol emphastzes trequencres in
tl"e vic,nily of the VCF cutotl lreqJency.
This results in a sharper overall sound,
and "wildel'tonal variation when the
VCF culollf'equency is varieo eitner via
the Culoltconlrol, Breath Coniror system
or Modulation wheel.
l[
ec lenvetope cenerator)
Dete,rntnes lhe oeoree of eflecr the
CS01 envelooe geÀeraro' (ADSR
section) has on the VCF cut-ofT
kequency. allow:ng a wide range
ot tonal changes.
lE vca (Votrage conrroled
Amplilier)
Determines the depth of the volume
enverope eflect created by the ADSR
con trols.
l9 losn
(Attack, Decay, sustain,
Release)
I nese controls adiust the volume and
f lle, envelope of each nole. Attack
determines how fast the VCF cutoff
frequency and VCA reach maximum
var.atton once a kev is p.essed. Decay
seis the speed with wl-ich the ervelope
decays to iis sustain level after maximù.n
attack is reached. Sustain sets the
sustain level to be held once initial décay
has ended, aqd Release dere..niles
how long it takes for the envelope to
dimrnish entirely after a key is released.
Six Producer Series setups.
à
Live guitar and keyboard playing with recorded music. Each person hears both instruments, as
well as the tape. VOLUME and MASTER VOLUN/E atfect only the guitar; N/ONITOR 1 volume affects
only the keyboard and AUX volume affects only the tape The HEADPHONE LEVEL is an overa
adlustment for all three sound sources.
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Mixing four MA10's. Each performer adjusts his own levelwith his MAl0 VOLUN/E and MASTER
VOLUN/E controls. Each individual signal is fed from the MAl0 to a channel in the MM10, where the
four signals are mixed with PAN POTS set at Cl This signal is sent from the MM10 using splitters, or
Y-cordstoeachMAl0 N/ONITORIN-l adjuststhelevelôfthemixedprogramforeachpérformer.
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Two instrument players and vocalist using MAl0's. Each person hears himself, adjustable with
his own VOLUN/lE and MASTER VOLUN/E. The other two people's signals are adjustable by MON 1 & 2
volume controls, Each person's HEADPHONE LEVEL is his own overall adjustment. Performance is
recorded by connecting MAi0 R + L LINE OUTto portable stereo cassette deck R + L LINE lN
CH IN?U(
Mixing microphones and an instrument for location recording. The keyboard player hears
stereo mic mix from the MMl0 (adjusted by MONITOR lN 1 & 2 cohtrols) and his instrument from his
MA10. Keyboard s gnal is sent from the MAl0 to the MM10 The entire mix is then fed to the tape
recorder from the N/N/l0
Note: There is no feedback because the MAl0 sends only the keyboard's signal from MON OUT
& 2 (AUX lN 1 & 2 can be heard in headphones, but that signal is not fed to MON OUT)
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SOUND OFFECTS
66
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I'AN ALL CI1ÀNI\/âL' IÔ.(HE LEFT
Video post production. The MM10 mixes the recorded stereo music to mono (all pan pots to left)
and blends in two microphones plus a mono recorder (AUX lN). The MM10's output feeds the
M410, where it is mixed with the original video track. This mix, monitored from the MA10's
headphone jacks, is fed from the MA10 to the VCR's second audio track, where it is recorded in
perfect sync with the picture.
v,
Amplifying TV sound. By sending television's audio signal (audio line out or headphone out)to the
M410, you can listen to your TV privately and in synthesized stereo
N
Specifications*
MAlO
INPUT
'1 phone jack. -30
dB nominal level with 500,000
ohm actual irnpedance.
MONITOR IN
(1 and 2)
2 phone lacks. 20 dB nominal level with 10,000 ohm
actual lmpedance.
AUX IN
(L and R)
2 RCA{ype jacks. -20 dB nominal level with 10,000
MONITOR OUT
(1 and 2)
2 phone jacks. -10 dB nominal level with 560 ohm
actual impedance (for connection to 1 0,000 ohm or
higher impedance lnputs).
LINE OUT
(L and R)
2 RCA type jacks. -l0 dB nominal level with 560 ohm
actual impedance (for connection to 1 0,000 ohm
or higher impedance nputs).
Q.olrr5,o*.ou,
ohm actual impedance.
MHlO
TYPE
Dynamic, open-air stereo headphones.
INPUT
3 meter (9 foot) cable w/stereo phone plug;
40 ohms impedance.
SENSITMTY
POWER RATING
99 dB SPL with 1 mW input at 1 kHz.
FREQUENCY
100 mW (approx.
RANGE 20 H2to20,000
WEIGHT
1
20 dB SPL maximum level)
Hz.
40 grams (1-1l2 ounces).
73 grams with cord (2-ll2 ounces).
2 stereo phone jacks. -10 dB nominal leve , 40 mW
maxlmum per channel at I ohms. For I to 45 ohm
headphones.
GAIN
(at 1 kHz)
55 dB INPUT to MONITOR OUT: 0 dB AUX lN to
LINE OUT; 12 dB AUX lN to HEADPHONES.
POWER
REOUIREMENTS
9V DC f rom six AA penlighl (R6) batteries or 91o
12 V DC external input from PA 1 AC adaptor or
other battery.
DIMENSIONS
WEIGHT
2235mm Wx 129 5 mm
Wx5 Dx2
D x 52 mm H (8-718
H)
500 gm (1.1 lbs). less batterles
*ln these specifications, when dB represents a speciflc voltage, 0 dB is referenced to 0.775 V rms. All phone lacks, whether mono or stereo, are standard
1/4" (6.35 mm) size. RCA type jacks are also known as pin or phono jacks.
cs0r
KEYBOARD
LFO
32 keys, F2-C5
vco
Glissando S-L
PITCH--0-+
FEET 4',
8" 1 6', 32', NOISE
WAVE,\,
\,ru,n-i,
PWM
PWM Speed S-F
vcF
CUT OFF L-H
RESONANCE H/L
EG DEPTH O-1 O
t'.
vcA
EG DEPTH 0.1
EG
ATTACK TIME S-L
DECAY TIME S-L
SUSTAIN LEVELO-10
RELEASE TII\48 S-L
O
WHEELS
in MIC
4 phone jacks. Nominal level is -50 dB
.10,000
position or -20 dB in LINE position.
ohm
actual impedance (for use with 600 ohm or higher
impedance sources).
PITCH BEND
MODULATION
VCO/VCF
BREATH CONTROL
VCF O.1O
vcA 0-1 0
AUX IN
(L and R)
2 RCA-type jacks. -20 dB nominal level with 1 0,000
ohm actual impedance.
oFF-l0
PGM OUT
(L and R)
2 phone iacks. 10 dB nominal level (+8 dB marimum)
with 560 ohms aciual impedance (for connectron
to 10,000 ohm or higher impedance inpuls).
POWER SWITCH/
VOLUME
SIDE PANEL
LINE OUT
(L and R)
2 RCA-type jacks. -10 dB nominal level (+8 dB
maximum) with 560 ohms actual impedance (for
connection to 1 0,000 ohm or higher impedance inputs)
POWER/SOURCE
9 V DC from six AA penlight (R6) cells or 9 to
1 2 V DC AC Adaptor PA-1
VOLTAGE GAIN
40 dB maximum.
NOISE
-1
MMlO
ttry.T'
13 dB; Equivalent inpLJt noise.
-74 dB; Master volume and one channel volume
conlrol at maximum.
-90 dB; Master volume at maximum and all channel
volume contrcls at minimum.
FREOUENCY
20 Hz ro 20.000 Hz; +O, -2 dB-
LINE OUT 1OK O
PHONES 8,1 50 O
DC lN (use PA-l adaptor)
BREATH CONT IN BCl
POWER
No Output,550 mW
lvlaximum Output, 2700 mW
CONSUMPTION
DIMENSIONS (WxHxD) 489 x 36 x 1 60 mm (1 97+" x 1lz" x63/a")
WElGHT
1.5 kg (3 lbs. 5 oz.)
ACCESSORTES
Breath Controller BC-1
AC Adaptor PA-1
SoJt Case SC-01
Stereo Headphone lvlHl 0
RESPONSE
% THD at +4 dB output.
DISTOHTION
Less than
trOWER
REOUIREMEIITS
DC 9V battery (S-OOOP) or 9 to 12 V DC
externat inpul lrom PA-1 AC Adaptor or other
DIMENSIONS
223 5 mm W x 129.5 mm D x 52 mm H (8 7/8"
vI,EIGHT
500 gm (1.1 lbs). less batteries.
0-1
ballery
Wx5-Dx2'H)
'ln these specifications, when dB represents a specific voltage, 0 dB is referenced to 0.775 V rms. All phone jacks, whether mono or stereo, are standard
1/4" (6'35 mm) size. RCA:type iâcks are also known as pin or phono jacks.
All specifications subject
tci change
without notice or obtigation.
Optional Accessories
MAlO
cs01
o MSC-10 Soft Carrying Case
o BPC-1 Belt Pack Case
also available. (Not Pictured)
SC-01 Soft Case
o Convenient snap-down headphone strap
and cord pocket.
o The case strap can be detached and used
as a shoulder strap with the CS01.
e BC-1 soft case can be attached.
MMlO
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o BC-1 Breath Controller with soft case
o MSC-10 Soft Carrying Case
x
PA-1 AC Adaptor
for MA10, MM10 and
CS01
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For details please contact:
srNcEaB?
@YAMAHA
HAMAMAttr,--r2,.,
NTPPON GAKK' CO., LTD.