If Zack de la Rocha were a twelve-tone serialist composer

Transcription

If Zack de la Rocha were a twelve-tone serialist composer
TRANSPOSING SCORE
If Zack de la Rocha were a twelve-tone serialist composer
Written some time in the afternoon of Tuesday 12 January 2010, at 155 The Terrace, Wellington
 

Robbie Ellis
Tempo di rap rock
q=80
Clarinet in Eb
1st Clarinet in Bb







    
       
 





 

Bass Clarinet in Bb
  

3
Eb

 
  
        

   
   


mp


Bass

  
     








  


fff
 
      








  
fff
sffp
10
     



     










vibrato gets wider



 




      
fff
Bb2

angry shout
Uh!
fff
Bb1

Uh!
mp
2nd Clarinet in Bb



angry shout







© Robbie Ellis 2010
fff



2


5
Eb
Bb1


ff



       
      


  
ff
Bb2
Bass


  
 

             
 


 



9


   


 
ff
 


sffp








           
       
ffff



Bb2





 

Bb1
Bass
fff mp
ff
ff
Eb
  

   

   

 

Play like the guitar solo in Killing in the Name
           

ffff
  

ffff




 

 
ffff

 


 




 




1st Clarinet in Bb
If Zack de la Rocha were a twelve-tone serialist composer
Written some time in the afternoon of Tuesday 12 January 2010, at 155 The Terrace, Wellington
Robbie Ellis
Tempo di rap rock
q=80




        
     


  

mp
4



fff



        








  

ff
8




           




  

(6)

© Robbie Ellis 2010






       

ffff
2nd Clarinet in Bb
If Zack de la Rocha were a twelve-tone serialist composer
Written some time in the afternoon of Tuesday 12 January 2010, at 155 The Terrace, Wellington


 
       

 

     

mp
4

Robbie Ellis
Tempo di rap rock
q=80


 
       

 

     

fff
 
        

 

     



ff
8



(6)



        

ffff
© Robbie Ellis 2010


Clarinet in Eb
If Zack de la Rocha were a twelve-tone serialist composer
Written some time in the afternoon of Tuesday 12 January 2010, at 155 The Terrace, Wellington
Robbie Ellis
!
"!
4
"
9
"
Tempo di rap rock
q=80
#
vibrato gets wider
/ 0 1111
""""" ####
sffp
+1111
ff
fff
%
1111
.+- %
$
%
& ') ,+* !
( fff
angry shout
- /- ,
,
,
.-
Uh!
10
111
111111 /+""""""
* - ,- - /-,+
% ,- % ,* %
- ,+
Play like the guitar solo in Killing in the Name
#
$
+ 1111""""####
0
ff
sffp
ffff
fff mp
,- - 2 - - 2 - - 2 - +- %
( ( ( ( ( ( ( (
© Robbie Ellis 2010
Bass Clarinet in Bb
If Zack de la Rocha were a twelve-tone serialist composer
Written some time in the afternoon of Tuesday 12 January 2010, at 155 The Terrace, Wellington


Robbie Ellis
Tempo di rap rock
q=80


 

angry shout

Uh!
 
       

 
      

fff
4


  


ff
8



 

 

  
(6)




   
    
   
ffff
© Robbie Ellis 2010
