p.2 - Galerie Chantal Crousel

Galerie
Chantal Crousel
Christopher Mooney, «Pierre Huyghe», Art Review, October 2013, pp. 92-99.
Galerie
Chantal Crousel
Christopher Mooney, «Pierre Huyghe», Art Review, October 2013, pp. 92-99.
Galerie
Chantal Crousel
Christopher Mooney, «Pierre Huyghe», Art Review, October 2013, pp. 92-99.
Galerie
Chantal Crousel
Christopher Mooney, «Pierre Huyghe», Art Review, October 2013, pp. 92-99.
Galerie
Chantal Crousel
Christopher Mooney, «Pierre Huyghe», Art Review, October 2013, pp. 92-99.
Galerie
Chantal Crousel
Christopher Mooney, «Pierre Huyghe», Art Review, October 2013, pp. 92-99.
Galerie
Chantal Crousel
Christopher Mooney, «Pierre Huyghe», Art Review, October 2013, pp. 92-99.
Galerie
Chantal Crousel
Christopher Mooney, «Pierre Huyghe», Art Review, October 2013, pp. 92-99.
Galerie
Chantal Crousel
Frédéric Bonnet. «Des mondes en jachères», Le Journal des Arts, October 2013.
Galerie
Chantal Crousel
Nicola Ricciardi. «Pierre Huyghe at Centre Pompidou», Mousse Online, October 25, 2013.
http://moussemagazine.it/phuyghe-pompidou/
Galerie
Chantal Crousel
Nicola Ricciardi. «Pierre Huyghe at Centre Pompidou», Mousse Online, October 25, 2013.
http://moussemagazine.it/phuyghe-pompidou/
Galerie
Chantal Crousel
Nicola Ricciardi. «Pierre Huyghe at Centre Pompidou», Mousse Online, October 25, 2013.
http://moussemagazine.it/phuyghe-pompidou/
Galerie
Chantal Crousel
Nicola Ricciardi. «Pierre Huyghe at Centre Pompidou», Mousse Online, October 25, 2013.
http://moussemagazine.it/phuyghe-pompidou/
Galerie
Chantal Crousel
Nicola Ricciardi. «Pierre Huyghe at Centre Pompidou», Mousse Online, October 25, 2013.
http://moussemagazine.it/phuyghe-pompidou/
Galerie
Chantal Crousel
Nicola Ricciardi. «Pierre Huyghe at Centre Pompidou», Mousse Online, October 25, 2013.
http://moussemagazine.it/phuyghe-pompidou/
Galerie
Chantal Crousel
Nicola Ricciardi. «Pierre Huyghe at Centre Pompidou», Mousse Online, October 25, 2013.
http://moussemagazine.it/phuyghe-pompidou/
Galerie
Chantal Crousel
Nicola Ricciardi. «Pierre Huyghe at Centre Pompidou», Mousse Online, October 25, 2013.
http://moussemagazine.it/phuyghe-pompidou/
Charles Barachon. «Pierre Huyghe», Techinikart, October 2013.
Galerie
Chantal Crousel
Page(s) : 70-75
Rubrique : LA CULTURE
Diffusion : (39708)
Périodicité : Mensuel
Surface : 516 %
Tous droits de reproduction réservés
Charles Barachon. «Pierre Huyghe», Techinikart , October 2013.
Galerie
Chantal Crousel
Date : 01/10/2013
Pays : FRANCE
Page(s) : 70-75
Rubrique : LA CULTURE
Diffusion : (39708)
Périodicité : Mensuel
Surface : 516 %
Tous droits de reproduction réservés
Charles Barachon. «Pierre Huyghe», Techinikart, October 2013.
Galerie
Chantal Crousel
Page(s) : 70-75
Rubrique : LA CULTURE
Diffusion : (39708)
Périodicité : Mensuel
Surface : 516 %
Tous droits de reproduction réservés
Charles Barachon. «Pierre Huyghe», Techinikart, October 2013.
Galerie
Chantal Crousel
Page(s) : 70-75
Rubrique : LA CULTURE
Diffusion : (39708)
Périodicité : Mensuel
Surface : 516 %
Tous droits de reproduction réservés
Charles Barachon. «Pierre Huyghe», Techinikart, October 2013.
Galerie
Chantal Crousel
Rubrique : LA CULTURE
Diffusion : (39708)
Périodicité : Mensuel
Surface : 516 %
Tous droits de reproduction réservés
Charles Barachon. «Pierre Huyghe», Techinikart, October 2013.
Galerie
Chantal Crousel
Page(s) : 70-75
Rubrique : LA CULTURE
Diffusion : (39708)
Périodicité : Mensuel
Surface : 516 %
Tous droits de reproduction réservés
Roxana Azimi. «Pierre Huyghe and his rhizomes at the Centre Pompidou», The Art Daily, October 2, 2013.
WEEKLY EDITION
ISSUE 10 / WEDNESDAY OCTOBER 2ND 2013
PIERRE HUYGHE
AND HIS RHIZOMES
AT THE CENTRE POMPIDOU
p.5
Galerie
Chantal Crousel
* p.2 FRACS CELEBRATE
THEIR 30TH ANNIVERSARY
IN TOULOUSE
* p.4 INTERVIEW
WITH OLIVIER MICHELON
* p.6 GEORGES BRAQUE,
A FREE SPIRIT
AT THE GRAND PALAIS
IN PARIS
WWW.THE-ART-DAILY-NEWS.COM
€3
Roxana Azimi. «Pierre Huyghe and his rhizomes at the Centre Pompidou», The Art Daily, October 2, 2013.
EXHIBITION
PAGE
05
THE ART DAILY NEWS - WEEKLY EDITION / ISSUE 10 / WEDNESDAY OCTOBER 2ND 2013
Pierre Huyghe and his rhizomes
at the Centre Pompidou
Galerie
Chantal Crousel
BY ROXANA AZIMI
Other reverberations appear here
Living art that really is alive
and there, prominent with Gordon
including ants, a swarm of bees, a
Matta-Clark, subtler with Michael
scampering dog, spider crabs and
Asher. A completely unknown
silver fish…It is rare for an exhibition
film from 1986, named ‘À part,’
at the Centre Pompidou in Paris to
summarizes the repertoire of
be as mobile as this one devoted
images and concerns that torment
to Pierre Huyghe. It is clear that
the artist in subsequent decades.
mountains had to be moved in order
The idea of this retrospective is
to convince the health authorities
precisely to restore coherence to
and all sorts of committees. The
this complex work, to highlight
institution has never to this extent
the logic of organic thought, in
incorporated the world, the world
permanent progress, to quote the
of microorganisms, of performers
Installation view of "Pierre Huyghe"
at the Centre Pompidou. © Roxana Azimi.
title of one of his films, without
who mingle with the crowd, but
smoothing over the ellipses. “Each
also of the visitors themselves
work
is
reinterpreted,
and
we
see how the pieces develop into each
offered a prefabricated promenade. Rarely have exhibition
designs been so liberal, not succumbing to display typical other,” clarifies Emma Lavigne. The exhibition enables elusive
of the 1990s, or to the exaggeration common in the 2000s. pieces, that few people had wind of, to be discovered, like this
Despite its mythical status, the film Ann Lee is therefore pedestal bearing the footsteps of a dancer, a performance
simply projected on a small plasma screen, and not nobly in encouraged by Pierre Huyghe during the “Traffic” exhibition
a black box. An immortalising place par excellence, the South at the CAPC in Bordeaux in 1996.
The question of otherworldliness is very quickly raised,
Gallery has turned into a living, better, revitalized organism
like the compost in Kassel Park, the spirit of which infiltrates with this photo from 1995 where the artist has added a
the specifically tailored extension. In fact, the exercise of the junction to a path. Crossed by the Association des temps
retrospective itself does not determine Pierre Huyghe’s work libérés that disengages from the exhibition process and plays
or take shape in celebration, but is approached like a sequence on the notion of flow. Effusion that also misleads this pink
of situations or appearances. “Sophistication is not sought for, sand – an unexpected pictorialist element– that appears to
despite the extreme precision,” confides the exhibition curator escape from its clepsydra. The question of time and boredom
Emma Lavigne. “A mediocrity was chosen to return to the infuses the Toison d’Or (Golden Fleece), an act where idle
substance of the work.” And this substance is to be scratched teenagers have donned masks or, several years later, Extended
in terms of time and not space. To scratch is the correct word, Holidays, when Huyghe suggests that students go away on
since two works stir the stratigraphy of the Centre Pompidou. holiday again on their return to the classroom. The artist
Through a sanding process, Timekeeper exhumes the ghosts likes to strike out, or even stem reality, with Streamside Day,
of previous exhibitions like a geological cross-section, whilst celebrating the birth of a new town that is as artificial in
another abrasion revives the green in the “Tell Me” exhibition appearance as the set of the Truman Show. He also likes to
by Guy de Cointet. An opening cut in the cymatium reveals shake up the foundations, by rediscovering the history of
not only a work of art, but also a view of the technology room the Neue Nationalgalerie in Berlin, by revealing the broken
dreams of a better world with It’s not time for dreaming, or by
and behind the scenes of the institution.
While artists of his generation undermined the notion plunging into a crystal cave. In spite of the extreme freedom
of author, the “I” is invited through an autobiographical door offered to visitors and witnesses invited to forage or linger,
for the first time. What strikes us? A sort of archaic monolith one thing is clear: Pierre Huyghe is not a loafer or a gleaner.
in ruins. This concrete dolmen, a public commission entrusted Everything is thought-out or reflected upon. Everything
to Parvine Curie, was formerly in the Pierre de Coubertin corresponds through an interlocking network. Everything
secondary school in Chevreuse (Yvelines), attended by the is destined to last even when the last visitor’s steps cease
artist as a teenager. This surviving landmark from the past resonating within the Centre Pompidou. �
summons another, the soundtrack of conferences by Pontus PIERRE HUYGHE, until January 6th 2014, Centre Pompidou,
Hulten at the Institut des Hautes Études en Arts Plastiques, 75004 Paris, tel. +33 (0)1 44 78 12 33,
a structure that Huyghe revered like many of his peers. www.centrepompidou.fr