Press Package

PIANIST PHILIP CHIU WINS CANADA’S BIGGEST CLASSICAL MUSIC PRIZE FOR
EMERGING ARTIST- $125,000 PRIX GOYER 2015-2016
FOR IMMEDIATE RELEASE
Montréal, Québec, Sept. 17th, 2015
Montréal pianist Philip Chiu, heralded internationally for the brilliance of his playing and his infectious
personality, is the winner of the $125,000 Prix Goyer 2015-2016 for Extreme Emerging Artist. Prix Goyer
is the biggest prize in Canada and one of the largest in the world for an artist emerging in classical music.
The award is founded to honour Jean-Pierre Goyer and his contributions to music, arts and culture in
Montréal, Québec and Canada.
The prize will be presented to Philip, Saturday, Sept. 19th 2015 at 8 pm, Ensemble Caprice concert,
Bourgie Hall, Montréal Museum of Fine Arts, 1339 Sherbrooke Street West. Tickets can be purchased
online at Montreal Museum of Fine Arts.
About Philip Chiu
Philip Chiu has appeared in recitals with leading musicians of the world stage, including James Ehnes,
Raphael Wallfisch, Patrice Fontanarosa, Regis Pasquier, Matt Haimovitz, Radovan Vlatkovic, Stefan Dohr,
Philippe Bernold, Alex Klein, and Eugene Izotov. Philip performs regularly with principal members of
Canada’s leading orchestras and ensembles, including Toronto Symphony Orchestra
concertmaster Jonathan Crow, Orchestre Symphonique de Montréal concertmaster Andrew Wan, and
Pascale Giguère of Les Violons du Roy. Along with pianist Janelle Fung, Philip forms one of Canada’s
most exciting piano duos, the Fung-Chiu Duo. Philip has toured numerous times with premier touring
organizations, Jeunesses Musicales Canada, Prairie Debut, and Debut Atlantic.
Music by Philip Chiu
Philip Chiu - Prokofiev: III. Precipitato Sonata no.7
Philip Chiu - Ravel: Tombeau de Couperin I. Prélude
Philip Chiu - Poulenc: Badinage
For inquiries and bookings:
Matthias Maute
[email protected]
438 404-7886
Philip Chiu
[email protected]
514 947-6498
###
noncerto
[email protected]
Prix Goyer
Extreme Emerging Artist
Mécénat Musica
noncerto
Ensemble Caprice / Matthias Maute
Prix Goyer : $ 125,000
$ 125,000 2015 - 2016
$ 125,000 2017 - 2018
Confidential
This Award is founded to honor Jean-Pierre Goyer and his contributions to music, arts
and culture in Montréal, Québec and Canada.
Jean-Pierre Goyer has been involved in many Montreal cultural organizations, notably as
President of the “Conseil des arts de Montréal” and as Chairman of the board
of the “Orchestre Métropolotain”.
The amount is 125 000$:
 $50,000 Mécénat Musica : cash
 $50,000 noncerto : production, distribution and marketing of 18 classical music videos
 $13,500 Matthias Maute : new composition by Canadian Composer
 $11,500 Anonymous : business coaching
The award is advertised:
 The Extreme Emerging Artist Award is by invitation only as selected by the Worthiness Judges, similar
to the Gilmore Artist Award following a confidential non‐competitive selection process whereby
“… six‐member Artistic Advisory Committee appraises the nominees over a period of time and assesses
their musicianship and performing abilities through numerous performances under varying conditions.
Throughout the … process, candidates for the Award are unaware they are under consideration”.
Selection criteria and eligibility is determined by:
 Potential candidates are emerging artists who are classical musicians under the age of 33 1/3 years old
as of December 30th of the year prior to selection.
 Each candidate must show a broad diversity of successful musical collaborations with other musicians
and ensembles.
 Each candidate must have made performances with Canadian and internationally established artists.
 Each candidate must have already been recognized as one of Canada’s most promising musicians by a
number of other music organizations such as Jeunesses Musicales of Canada Emerging Artists, OSM
Manulife Competition, Montréal International Music Competition, Prix d’Europe, Canadian Music
Competition, Eckhardt‐Gramatté or Sylva Gelber Music Foundations, “Révélations de l’année de RadioCanada”, CBC’s 30 hot Canadian classical musicians under 30, or Canada Council for the Arts.
Philip Chiu
Pianist biography
More than a summation of technical and musical abilities, pianist Philip Chiu has become one of
Canada’s leading musicians through his infectious love of music and his passion for communication
and collaboration. Lauded for the brilliance, colour and sensitivity of his playing, he is particularly
noted for his ability to connect with audiences on and off­stage.
“...a pianist painter who turns every musical idea into a beautiful array of colors.”
La Presse (Montréal)
“Pianist Philip Chiu played with striking precision and subtle poetry.”
The Gazette (Montréal)
An exceedingly sociable pianist, Philip concertizes extensively as one of Canada's most sought­after
chamber musicians. He has appeared in recitals with leading musicians of the world stage, including
Régis Pasquier, James Ehnes, Raphael Wallfisch, Patrice Fontanarosa, Matt Haimovitz, Radovan
Vlatkovic, Stefan Dohr, Philippe Bernold, Alex Klein and Eugene Izotov.
He performs regularly with principal members of Canada’s leading orchestras and ensembles,
including Toronto Symphony Orchestra concertmaster Jonathan Crow (as part of the Crow­Chiu Duo),
and Orchestre Symphonique de Montréal concertmaster Andrew Wan. Along with pianist Janelle Fung,
he forms one of Canada’s most exciting piano duos, the Fung­Chiu Duo. He tours regularly with
premier touring organizations, Jeunesses Musicales du Canada, Debut Atlantic and Prairie Debut.
Dedicated to elevating the standard and art of collaborative piano, Philip Chiu is the creator and
director of the new Collaborative Piano Program at the Domaine Forget International Festival and
Academy.
Philip is the inaugural recipient of the Prix Goyer (2015­2016), one of Canada’s largest classical music
prizes, in recognition of his artistic achievements and contribution to Canadian classical music. He is
also extremely grateful for the support of Mécénat Musica, noncerto, the Sylva Gelber Music
Foundation, Canada Council for the Arts and Jeunesses Musicales du Canada. He can be heard/seen on
Classical 96.3 FM, Australia’s ABC Radio, CBC Radio and Radio­Canada, and has recorded for Analekta
and Espace XXI.
Philip is represented by Andrew Kwan Artists Management.
Philip Chiu
Extreme Emerging Artist
Philip Chiu, pianist, is an Extreme Emerging Artist. Why Extreme? Because of the diversity of successful
musical partnerships he has formed in a short time, his recognition by the Sylva Gelber Music
Foundation as one of Canada’s most promising musicians, and his recognition by internationally
established artists as a leading chamber musician.
Phil has partnered with emerging artists to win awards:
Artist
Video with Phil
Artist Awards won with Philip Chiu on piano
Janelle Fung
Piano Duo
Piano Duo
Jeunesses Musicales Emerging Artists
Prairie Debut
Ewald Cheung
Violin
Jeunesses Musicales Emerging Artists
McGill Golden Violin Award
Carissa Klopoushak
Violin
Eckhardt-Gramatté Competition (Grand Prize)
Canada Council for the Arts Musical Instrument Bank
Debut Atlantic
Wai Lau
Clarinet
Canadian National Music Competition (Grand Prize)
Nikki Chooi
Violin
Canada Council for the Arts Musical Instrument Bank
Stephen Waarts
Violin
Montreal International Musical Competition (2nd Prize)
Lara Deutsch
Emily Belvedere
Flute
Harp
McGill Classical Concerto Competition
Yolanda Bruno
Violin
OSM Standard Life Competition (Grand Prize)
Kerson Leong
Violin
OSM Standard Life Competition (1st Prize)
Phil has partnered with internationally renowned artists:
Artist
Performances with Philip Chiu
Andrew Wan
Violin
Grand Opening - Maison Symphonique de Montréal
Montreal Symphony Chamber Music
Jeunesses Musicales Emerging Artists
James Ehnes
Violin
Montreal Symphony Chamber Music
Raphael Wallfisch
Cello
Domaine Forget International Academy
Matt Haimovitz
Cello
Bourgie Hall Concerts
Régis Pasquier
Violin
Domaine Forget International Academy
Tokyo Opera City Concert Hall (2015)
Jonathan Crow
Violin
Album of Schubert’s Violin and Piano works
Stefan Dohr
Horn
McGill Schulich School of Music
Radovan Vlatković
Horn
Domaine Forget International Academy
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Phil Chiu videos
#
5
Ensemble/Artist
Fung-Chiu Duo
6
Fung-Chiu Duo
7
Fung-Chiu Duo
8
Cheung & Chiu
9
Cheung & Chiu
10
Cheung & Chiu
20
Leong & Chiu
22
Leong & Chiu
Location (Culture)
Description
Théâtre Rialto & Les Ateliers Jean-Brillant 1
Firebird
Oyster Shack on Bishop
Montréal 5 pianos publics
Théâtre Rialto & Les Ateliers Jean-Brillant 2
Gallerie Gora 1
Pianos Bolduc 1
Hôtel Mount Stephen 1
Salle Raoul-Jobin, Palais Montcalm, Québec 1
Salle Raoul-Jobin, Palais Montcalm, Québec 2
Salle Raoul-Jobin, Palais Montcalm, Québec 3
Gallerie Gora 1
Hôtel Mount Stephen 2
Hôtel Mount Stephen 3
Home Concert Brunch 1
Home Concert Brunch 2
Le Sanctuaire de Pianos
Lac Tremblant, La Fête de la Musique de Tremblant
Station Mont Tremblant, La Fête de la Musique de Tremblant
Sommet/summit Mont Tremblant, La Fête de la Musique de Tremblant
Festival de Musique de Lachine, L'Entrepôt 4
Festival de Musique de Lachine, L'Entrepôt 5
Festival de Musique de Lachine, L'Entrepôt 6
Musée McCord
Métro Guy Concordia
Métro Laurier
Christ Church Cathedral 1
Hôtel Mount Stephen 4
Gallerie Gora 2
Hôtel Mount Stephen 5
Gallerie Gora 3
Christ Church Cathedral 2
Fairy Tales
Video Name (Music)
5 Fung-Chiu Duo - Stravinsky: Firebird MusicVideo
Duration (mm:ss)
04:44
04:44
32
RR2 Phil Chiu
33
Phil Chiu
36
Total
Lara Deutsch & Phil Chiu
Nutcracker
Kreisler Favourites
Brahms
Showpieces
Klassics
RR2 Philharmonique
Phavorites
Masterworks
6.1
6.2
6.3
7.1
7.2
7.3
8.1
8.2
8.3
9.1
9.2
9.3
10.1
10.2
10.3
20.1
20.2
20.3
22.1
22.2
22.3
32.1
32.2
32.3
33.1
33.2
33.3
36.1
36.2
36.3
31
Fung-Chiu Duo - Tchaikovsky: Russian Dance Nutcracker III.Trépak
Fung-Chiu Duo - Ravel: Mother Goose III.Little Ugly Girl, Empress of the Pagodas.
Fung-Chiu Duo - Stravinsky: Firebird Making of the Music-Video
Fung-Chiu Duo - Tchaikovsky: March, Nutcracker
Fung-Chiu Duo - Tchaikovsky: Dance of the Sugar Plum Fairy, Nutcracker
Fung-Chiu Duo - Tchaikovsky: Waltz of the Flowers, Nutcracker
Cheung & Chiu - Kreisler: Liebesleid
Cheung & Chiu - Kreisler: Schön Rosmarin
Cheung & Chiu - Kreisler: Tambourin Chinois
Cheung & Chiu - Beethoven: I.Allegro Assai Violin Sonata no.8
Cheung & Chiu - Sarasate: 3. Gypsy Airs Zigeunerweisen, Un poco più lento
Cheung & Chiu - Sarasate: 4. Gypsy Airs Zigeunerweisen, Allegro molto vivace
Cheung & Chiu - Brahms: Bülow Violin Sonata no.3
Cheung & Chiu - Brahms: Rain Violin Sonata no.1
Cheung & Chiu - Brahms: Meistersinger Violin Sonata no.2
Leong & Chiu - Sarasate: 1 & 2 Gypsy Airs Zigeunerweisen, 1.Moderato 2.Lento
Leong & Chiu - Dompierre: Les Diableries III.Le Diable Gigueux
Leong & Chiu - Massenet: Thaïs Meditation
Leong & Chiu - Mozart: I.Largo Allegro Violin Sonata no.32.
Leong & Chiu - Mozart: II.Andante Violin Sonata no.32
Leong & Chiu - Brahms: II.Adagio Violin Sonata no.3
Phil Chiu - Maute: RR2 I.Gare Windsor, Noncerto Métro Philharmonique
Cheung & Chiu - Maute: RR2 II.Place-des-Arts, Noncerto Métro Philharmonique
Fung-Chiu Duo - Maute: RR2 III.Champ-de-Mars, Noncerto Métro Philharmonique
Phil Chiu - Ravel: Tombeau de Couperin I.Prelude
Phil Chiu - Poulenc: Badinage
Phil Chiu - Prokofiev: III.Precipitato Sonata no.7
Deutsch & Chiu - Prokofiev: Sonata Op.94 IV.Allegro con brio
Deutsch & Chiu - Gaubert: Sonata no.1 II.Lent
Deutsch & Chiu - Jolivet: Chant de Linos
01:26
01:29
03:15
02:16
01:58
03:47
01:53
01:40
03:01
02:15
02:38
02:07
02:44
02:47
04:15
03:06
01:34
02:49
02:09
03:14
02:23
03:15
03:36
03:11
02:57
02:18
03:33
02:55
02:54
04:07
1:26:16
06:10
08:01
18:55
06:34
07:00
09:46
23:20
07:29
07:46
15:15
10:02
08:48
18:50
09:56
09:56
1:26:16
1:26:16
Noncerto RR2 Métro Philharmonique©
© Matthias Maute 2014
Composition Notes
A Noncerto is a concerto that pushes the limits of classical music.
A Noncerto is typically without orchestra and features all types of instrumentations, ranging
from solo music, to chamber music for ensembles and to orchestral music with choir.
The Italian definition of Noncerto is "Hmmm…I am not sure".
This is the spirit in which Noncerto Compositions are intended.
Noncerto RR2 Métro Philharmonique reflects both life in a big city like Montréal and one of its
most spectacular aspects, the underground! A subway system is probably the biggest
construction site of any city and it is quite fascinating, that unlike towers and skyscrapers we
can’t really see its gigantic dimensions which are hidden in the dark. We have to experience it!
Noncerto RR2 Métro Philharmonique
Movements are named for Métro de Montréal and the inauguration of the new MPM10 trains:
I. Gare Windsor
II. Place-des-Arts
III. Champ-de-Mars
Piano
Piano et violon
Piano quatre mains
– Allegro
– Tranquillo
– Presto
I Gare Windsor
One of Montréal’s oldest train stations, and certainly its most beautiful, the name of this
majestic building serves as canvas for the chaos and ultimately completion of the huge project
that led up to the construction of the subway system for the World Expo in 1967. We hear the
chaos, the hammering of the machines, the noise until finally –and out of the dust! –In Noncerto
RR2 bar 27 the silhouette of a magnificent building emerges.
II Places-des-Arts
When the subway stops at Places-des-Arts, time stands still. The proximity of the Montréal
concert halls hangs like a promise in the air: musically speaking, all is possible and the
expectation carries us through the station. The movement has no flats or sharps -everything is
left open and the music resembles more a dream within ourselves rather than a piece of music
that we actually hear being played by someone. The beginning quotes the signal of the Montréal
subway that can be heard every single time the doors are closing at departure.
III Champ-de-Mars
Close to the old part of Montréal, the name of this subway station reflects the various conflicts
within a city like Montréal. Old and new co-exist and the ongoing struggle can be felt. The
movement begins with an old-fashioned fugue, but something seems wrong right from the
beginning. Indeed, the note « C » is hammering mercilessly a counterpoint throughout the
whole movement and manages to upset the fugue by calling upon the « new life », thunderous
intrusions of thick and rhythmic chords! This kind of competition ends without a winner, and the
palpable friction creates energy, just like closed systems like big cities do by bringing together on
a comparatively small space a mass of people and ideas. It is a special twist that at some point
the fugue evolves into a double fugue with the subway signal as a second subject.
Prix Goyer
Artiste émergent extrême / Extreme Emerging Artist
Commanditaires / Sponsors




Les Mécènes de Mécénat Musica / Patrons of Mécénat Musica
noncerto
Ensemble Caprice
Matthias Maute, Compositeur / Composer
Mécénat Musica La raison d’être du musicien La musique est un besoin fondamental pour la survie de l’être humain. La musique nous offre une manière de comprendre la vie, une manière par laquelle nous pouvons exprimer nos sentiments lorsque les mots nous manquent, une façon d’appréhender les choses avec le cœur là où l’esprit s’avère impuissant. La musique se glisse doucement sous le niveau de notre réalité consciente pour aller chercher ce qui se passe réellement à l’intérieur de nous‐mêmes, à la manière d’un bon thérapeute. En effet, le musicien est un genre de thérapeute de l’âme humaine, une sorte de version spirituelle du chiropraticien ou du physiothérapeute, un intervenant qui agit sur notre âme pour voir si tous ses éléments sont bien alignés, qui veut voir si nous sommes capables de résonner en harmonie avec nous‐mêmes, d’être heureux et en santé. ‐ Karl Paulnack The Purpose of a Musician Music is a basic need of human survival. Music is one of the ways we make sense of our lives, one of the ways in which we express feelings when we have no words, a way for us to understand things with our hearts when we can’t with our minds. Music can slip beneath our conscious reality to get at what’s really going on inside us the way a good therapist does. Musicians are a sort of therapist for the human soul, a spiritual version of a chiropractor, physical therapist, someone who works with our insides to see if they get things to line up, to see if we can come into harmony with ourselves and be healthy and happy and well. ‐ Karl Paulnack Mécénat Musica Les anniversaires en 2017 / Anniversaries in 2017 375e de Montréal, 150e du Canada & le 50e d’Expo67 ! Montréal 375th, Canada 150th, Expo67 50th! Mécénat Musica est une campagne de levée de fonds où les donateurs peuvent bénéficier d’un crédit d’impôt additionnel pour un don important en culture. Vous ne pouvez bénéficier de ce crédit d’impôt additionnel qu’une seule fois dans votre vie et ce, avant le 31 décembre 2017. Mécénat Musica is a fundraiser where an individual donor receives a new special tax credit for one large cultural donation. This can only be done once in a lifetime, prior to December 31, 2017. Mécénat Caprice Une contribution de 25 000 $ à Mécénat Caprice est allouée de la façon suivante :  20 000 $ à l’Ensemble Caprice  5 000 $ à un Artiste émergent extrême Le coût net d’une contribution de 25 000 $ après crédits d’impôt est de 6 750* $ et ce grâce au crédit d’impôt additionnel pour un don important en culture, crédit qui ne peut être utilisé qu’une seule fois dans la vie. Avec un don de 20 000 $ à l’Ensemble Caprice, le Conseil des arts et des lettres du Québec ajoute une subvention de contrepartie de 205% ou 41 000 $, et à cela s’ajoute, une subvention de contrepartie de 100% ou 20 000 $ de Patrimoine Canada. C’est une chance unique pour Caprice. Le total représente 81 000 $ soit 11 fois le coût réel de 6 750* $ après impôt! Cet argent est déposé dans le compte à perpétuité de Caprice auprès de la Fondation du Grand Montréal, ce qui assure une distribution minimum de 3,5% d’intérêt ou ~2 800 $ par année, chaque année et ce, à perpétuité. Vous aussi pouvez joindre Mécénat Caprice en remettant dès maintenant un chèque de 25 000 $ en date du 31 décembre 2015 à Ensemble Caprice. C’est une contribution sans pareil qui change l’avenir de Caprice aujourd’hui mais également pour les générations à venir. Merci infiniment ! * Le coût réel après impôt suppose que le résident du Québec a un revenu imposable suffisamment élevé pour absorber les crédits dʹimpôt de ce don. Voir le cahier de présentation Mécénat Musica pour plus de détails. A contribution of $25,000 to Mécénat Caprice is used as follows:  $20,000 to Ensemble Caprice  $ 5,000 to an Extreme Emerging Artist The net cost of a contribution of $25,000 after an individual’s personal tax credits is $6,750*, by using your once in a lifetime Revenue Quebec additional tax credit for a large cultural donation. With the $20,000 to Ensemble Caprice, the Conseil des arts et des lettres du Québec adds a matching grant of 205% or $41,000 and Heritage Canada adds a matching grant of 100% or $20,000. This is a unique chance for Caprice. The total represents ~$81,000 ‐ as high as 11 times the after tax cost of $6,750*! This money is deposited into the Ensemble Caprice endowment account with the Fondation du Grand Montréal, which ensures distributions for Caprice at a minimum rate of 3.5% or ~$ 2,800 per year, every year and forever. You too can join Mécénat Caprice! Please write a check to Ensemble Caprice today for $25,000 – date it December 31st, 2015. It is a gesture like no other that enhances the future of Caprice today and also for generations to come. Thank you very much! *After tax cost assumes Quebec resident has sufficient taxable income to absorb the donation tax credits. See Mécénat Musica presentation binder for further details. Mécénat Caprice Merci à nos donateurs ! Thank you to our donors! – Ensemble Caprice (25 000 $) A: Sophie Larivière B: Matthias Maute Anon (musicien/musician) Anon (homme d’affaires/businessman) Anon (scientifique/scientist) Anon (comptable/accountant) Anon & anon (retraités/retired) Anon (avocat/lawyer) Anon (ingénieur/engineer) Anon & anon (recruteur & travailleur social worker) Anon & anon (comptable/accountant & retraitée/retired) (Colombie‐Britannique/British Columbia) C: Hélène Le Bel en souvenir de D: Anon (psychologue/psychologist) Suzanne et Bernard Le Bel Anon (homme d’affaires/businessman) Anon (retraité(e)s/retired) Anon (ingénieur/engineer) Anon (infirmière & représentant) Daniel Brosseau Anon (musicienne/musician) Mark Schoenhals (Saskatchewan) Anon (musicien/musician) Dr. Michael Prytula ND (Ontario) Anon (avocat/lawyer) E: Disponible/Available Seriez‐vous intéressé à joindre Mécénat Caprice ? Interested in joining Mécénat Caprice? Information: Sophie Larivière [email protected] 514 523‐3611 Mécénat Masques Merci à nos donateurs ! Thank you to our donors! – Ensemble Masques (25 000 $) A: Anon (retraité/retired) Anon (médecin/doctor) B: Nicole Forbes Anon (Colombie‐Britannique/British Columbia) C: Peter Letko D: Barbara Lagueux (Ontario) & Daniel Brosseau anon (Colombie‐Britannique/British Columbia) Anon (retraité(e)s/retired) D: Disponible/Available Seriez‐vous intéressé à joindre Mécénat Masques ? Interested in joining Mécénat Masques? Information: [email protected] 514 483‐6000 Mécénat Flûte Merci à nos donateurs ! Thank you to our donors! – Autour de la Flûte (25 000 $) B: Mika Putterman Julien Saulgrain Anon (musicien/musician) C: Anon (psychologue/psychologist) Dr. Debbie Josephson C: Disponible/Available Seriez‐vous intéressé à joindre Mécénat Flûte ? Interested in joining Mécénat Flûte? Information: Mika Putterman [email protected] 514 909‐9037 Mécénat Musica
Mécénat Caprice / Mécénat Masques / Mécénat Flûte
Artistes & ensembles émergents / Emerging artists & ensembles
Merci à nos donateurs ! Thank you to our donors! – 250 000 $
Société d’investissement privée et familiale / Private family investment company
(don d’actions publics / donation of public company shares)
Conseil des arts et des lettres Québec CALQ Mécénat Placements Culture
Patrimoine canadien / Heritage Canada
Seriez-vous intéressé à joindre Mécénat Musica ? Interested in joining Mécénat Musica?
Information: [email protected] 514 483-6000
Prix Goyer
Artiste émergent extrême / Extreme Emerging Artist 2015-2016
Prix Goyer 125,000 $
Phil Chiu, piano
Ce prix, fondé en l’honneur de Jean-Pierre Goyer, souligne ses contributions à la
musique, les arts et la culture à Montréal, au Québec et au Canada.
This Award is founded to honour Jean-Pierre Goyer and his contributions to
music, the arts and culture in Montréal, Québec, and Canada.
Jean-Pierre Goyer était impliqué dans les institutions culturelles montréalaises,
notamment en tant que président du Conseil des arts de Montréal et comme
président du conseil d’administration de l’Orchestre Métropolitain.
noncerto
noncerto - la chaîne vidéo de musique classique
Ne manquez pas la sortie de vidéos d’ensembles remarquables et d’artistes émergents !
Veuillez envoyer votre courriel aujourd’hui à : [email protected]
noncerto - the classical music video channel
See new videos of exceptional ensembles & emerging artists!
Send your email address today to: [email protected]
www.noncerto
.tv
noncerto
Description
noncerto is a classical music video channel. noncerto hosts only original classical music videos created
for the noncerto channel.
noncerto’s non-profit mission is to assist emerging artists and exceptional ensembles via classical musicvideos.
noncerto videos are to convey a sense of culture (and not just videos of musicians performing). noncerto
locations are in streets, parks, shops, museums, cafes, concert halls, lakes, mountains … anywhere.
noncerto channel and musicians are looking for new audiences. To appeal to the 97% not currently
listening to classical music, noncerto makes music videos in an MTV and Much Music style.
In Italian, noncerto means "Hmmm…I am not sure". This is the spirit in which noncerto was founded.
CLICK www.noncerto.tv or www.noncerto.com for streaming!
Vimeo
LinkedIn
Facebook
Twitter
noncerto
noncerto noncerto
noncerto
@noncerto
barcode for smart phones & tablets
noncerto channel includes two types of classical music videos : Performances and Compositions:
1. Performances
1. Each noncerto (non-concerto) has three videos of ~three mins each, total ~nine mins.
2. Each of the three videos in a single noncerto is dramatically different in music, location
(culture) and story. The three videos together equal one “noncerto”.
3. Three different noncertos of the same ensemble/artist occur on noncerto channel for
nine videos of ~27 minutes.
4. Music is from albums previously recorded in sound studio.
2. Original Noncerto Compositions
1. A Noncerto composition (capital N) is a composition that pushes the limits of classical
music. A Noncerto composition is typically without orchestra and features all types of
instrumentations, ranging from solo music, to chamber music for ensembles and to
orchestral music with choir.
2. Each Noncerto Composition typically is three movements, ~three minutes per
movement, total ~nine minutes. Each Noncerto Composition has three videos, one
video of each movement.
3. Three different Noncertos (nine movements) composed by the same composer for nine
videos of ~27 minutes.
noncerto video objectives:
1.
Story
2.
Culture (excluding music)
3.
Video
4.
Music
:
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B
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An original
in early
/Ê",
Ê voice
Ê1-+1Ê
music
© photo: Michel Roy
½˜Ãi“LiÊ
>«ÀˆViÊÜÕÃʏ>Ê`ˆÀiV̈œ˜Ê>À̈Ã̈µÕiÊ`iÊ>Ì̅ˆ>ÃÊ>ÕÌiÊ
Under
the artistic direction of Matthias Maute and Sophie Larivière,
iÌÊ-œ«…ˆiÊ>ÀˆÛˆmÀi]ÊiÃÌÊÀiVœ˜˜ÕÊ«œÕÀʏ½iëÀˆÌʘœÛ>ÌiÕÀʵսˆÊˆ˜ÃÕvy
ÊiÊ of
Ensemble
Caprice is renowned for its innovative interpretations
>ÕÊÀj«iÀ̜ˆÀiÊL>ÀœµÕi°Êœ˜`jÊi˜Êi“>}˜iÊi˜Ê£™n™]ʏ½˜Ãi“LiÊiÃÌÊ
baroque
music. Originally formed in Germany in 1989. the ensemble has
“>ˆ˜Ìi˜>˜ÌÊLˆi˜ÊjÌ>LˆÊDʜ˜ÌÀj>°Ê"iÕÛÀ>˜ÌÊ`i«ÕˆÃÊ«ÀmÃÊ`iÊۈ˜}ÌÊ>˜ÃÊ
been
well established in Montreal for ten years. For 20 years Ensemble
Caprice
has received national and international acclaim for their
`>˜ÃʏiʓˆˆiÕÊ`iʏ>ʓÕȵÕiÊ>˜Vˆi˜˜i]ʏ½˜Ãi“LiÊ
>«ÀˆViÊVœ˜˜>ŠÌÊ՘Ê
performances
of early music.
À>ޜ˜˜i“i˜Ìʈ˜ÌiÀ˜>̈œ˜>Êˆ“«œÀÌ>˜Ì°ÊÊ«ÀjÃi˜ÌiÊvÀjµÕi““i˜ÌÊ`iÃÊ
The
ensemble
continues
to give concerts in Europe, and is regularly
Vœ˜ViÀÌÃÊi˜ÊÕÀœ«iÊqʏiÊiÃ̈Û>Ê`iÊÕȵÕiÊ>˜Vˆi˜˜iÊ`iÊÀÕ}iÃÊ
invited
to
participate
in
such
early music festivals as those in Bruges,
­i}ˆµÕi®]ʏiÊiÃ̈Û>Ê`iÊÕȵÕiÊ>˜Vˆi˜˜iÊ`½1ÌÀiV…ÌÊ­œ>˜`i®ÊiÌ]Ê
Belgium,
Utrecht
in
The
Netherlands,
and in Germany the Händel Festival
i˜Êi“>}˜i]ʏiÊiÃ̈Û>ÊB˜`iÊiÃÌëˆiiÊ`iÊ>i]ÊViÕˆÊ`iÊ
in Halle and the Recorder Festival in Stockstadt. In May of 2009 the
-̜VŽÃÌ>`Ì]ÊiÌʏiÃÊ,i˜Vœ˜ÌÀiÃÊ`iʓÕȵÕiÊ>˜Vˆi˜˜iÊ`iÊiˆ`iLiÀ}°Ê
ensemble performed at the Internationale Händel-Festspiele in
˜ÊÓääx]ʈ˜ÛˆÌjÊ`iʏ>Ê«ÀiÃ̈}ˆiÕÃiÊÃjÀˆiÊ`iÊVœ˜ViÀÌÃÊ`ÕʜÃ̜˜Ê>ÀÞÊ
Göttingen. They have also toured in Israel and Taiwan.
ÕÈVÊiÃ̈Û>]ʏ½˜Ãi“LiÊv>ˆÌÊ՘iÊi˜ÌÀjiÊÀi“>ÀµÕjiÊÃÕÀʏ>ÊÃVm˜iÊ
Subsequent to its acclaimed U.S. debut in the 2005 Boston Early Music
>“jÀˆV>ˆ˜i°Ê
œ˜ÃjµÕi““i˜Ì]ʈÊÀiXœˆÌÊ«ÕÈiÕÀÃʈ˜ÛˆÌ>̈œ˜ÃʵՈʏiÊ
Festival
concert series Ensemble Caprice has appeared in many parts of
“m˜iÀœ˜ÌÊDÊ«>ÀVœÕÀˆÀʏiÃÊÌ>ÌÇ1˜ˆÃ°Ê½˜Ãi“LiÊ>Êj}>i“i˜ÌÊ`œ˜˜jÊ
the
United States. In November 2009 The New York Times featured them
`iÃÊVœ˜ViÀÌÃÊi˜ÊÃÀ>lÊiÌÊDÊ/>‹Ü>˜°
in
a lengthy article, praising them as “imaginative, even powerful, and
ÕÊ
>˜>`>]ʏ½˜Ãi“LiÊ
>«ÀˆViÊiÃÌʏ½ˆ˜ÛˆÌjÊ`½jÛj˜i“i˜ÌÃʓÕÈV>ÕÝÊ
the
playing is top-flight”.
Closer
to home, the ensemble has its own concert series in Montreal and
ÌiÃʵÕiÊViÕÝÊ`Õʜ“>ˆ˜iʜÀ}iÌ]Ê`ÕÊiÃ̈Û>Êœ˜ÌÀj>ÊL>ÀœµÕiÊiÌÊ`ÕÊ
organizes
a festival as well as a competition for young professionals. In
iÃ̈Û>Êˆ˜ÌiÀ˜>̈œ˜>Ê`iʓÕȵÕiÊ`iÊV…>“LÀiÊ`½"ÌÌ>Ü>°Ê*ÕÃÊ«ÀmÃÊ`iÊ
Canada
Ensemble
Caprice is invited to perform at musical
events such
V…iâʏՈ]ʏ½˜Ãi“LiʜÀ}>˜ˆÃiʏiÊiÃ̈Û>ÊiÃʜÕÀ˜jiÃÊ`iʏ>Êy
Ê×ÌiÊDÊLiV]Ê
as
the
Ottawa
Chamber
Music
Festival,
the
Elora
Festival
and
the
iÊ
œ˜VœÕÀÃʈ˜ÌiÀ˜>̈œ˜>Ê`iÊyÊ×ÌiÊDÊLiVÊ`iʜ˜ÌÀj>Ê>ˆ˜ÃˆÊµÕ½Õ˜iÊÃjÀˆiÊ
Domaine Forget’s International Festival.
`iÊVœ˜ViÀÌÃÊDʏ>Ê->iÊ,i`«>̅Ê`iʏ½1˜ˆÛiÀÈÌjÊVˆ°ÊiÊ«ÕÃ]ʈÊ>ÊjÌjÊ
Ensemble Caprice’s CD, Gloria! Vivaldi’s Angels, on the Analekta label,
i˜Ê˜œ“ˆ˜>̈œ˜Ê«ÕÈiÕÀÃÊvœˆÃÊ`>˜ÃʏiÊV>`ÀiÊ`iÃÊ*ÀˆÝÊ"«ÕÃÊ`ÕÊ
œ˜ÃiˆÊ
won Canada’s prestigious 2009 JUNO award. Also in 2009, the ensemble
µÕjLjVœˆÃÊ`iʏ>ʓÕȵÕiÊ`>˜ÃʏiÃÊV>Ìj}œÀˆiÃÊ`iʓiˆiÕÀÃÊ`ˆÃµÕiÊiÌÊ
was nominated for the Conseil québécois de la musique's illustrious Prix
Vœ˜ViÀÌÊi˜Ê“ÕȵÕiÊ>˜Vˆi˜˜i°Ê˜ÊÕˆ˜ÊÓääÇ]ʏiÊ`ˆÃµÕiʏ>Ê/ÕÀV>ÊiÃÌÊ
Opus award in three different categories, including best early music
>˜Vj]Ê«Àœ«œÃ>˜ÌÊ`iÃʓÕȵÕiÃÊ`iÊ°°ÊÕÝ]Ê°Ê
>`>À>ÊiÌÊ
°°Ê>`ˆ>°Ê
concert
and CD. The ensemble’s CD Vivaldi and the Baroque Gypsies
iÕÀÊ«ÕÃÊÀjVi˜ÌÊ«ÀœiÌÊ`½i˜Ài}ˆÃÌÀi“i˜Ì]Ê6ˆÛ>`ˆÊiÌʏiÃÊ}ˆÌ>˜ÃÊL>ÀœµÕiÃ]Ê
(Analekta)
was nominated for a 2009 Echo Klassik award in Germany in
ÜÕÃÊj̈µÕiÌÌiʘ>iŽÌ>]Ê>ˆiʏ>ʓÕȵÕiÊ}ˆÌ>˜iÊ`iʏ½ÕÀœ«iÊVi˜ÌÀ>iÊ`ÕÊ
two
categories: Ensemble/Orchestra of the Year and Classics Without
8iÊÈmViÊDÊViiÊ`iÊ°Ê6ˆÛ>`ˆ°ÊÊ
Borders.
Ensemble Caprice’s most recent CD, Telemann and the
Baroque Gypsies, was just released in October 2009 on the Analekta
label.
>]c`\]ca
CONTACT
Ûbgaf\j]Û
info :(
MATTHIAS
MAUTE
Artistic Director
Ê*"
Ê}i˜ÌÊ`½>À̈ÃÌi
Tel.
!514 523-3611
/j°Ê­ÓäήÊnÇ{‡xx{n
4043 Marlowe Avenue, Montreal, Quebec H4A 3M3
£™nÊ7iÃÌÊ,ˆÛiÀÊ-Ì°]ʈvœÀ`]Ê
/ÊäÈ{Èä]ÊÌ>ÌÇ1˜ˆÃÊ
[email protected]
>“>˜`>«œ˜`Ji>À̅ˆ˜Ž°˜iÌÊÊÊÜÜÜ°i˜Ãi“LiV>«ÀˆVi°Vœ“
www.ensemblecaprice.com
SOPHIE LARIVIÈRE Co-Artistic Directo
-"*Ê,6,Ê
œ`ˆÀiVÌÀˆViÊ>À̈Ã̈µÕi
Tel. !514 523-3611
/j°Ê­x£{®ÊxÓ·ÎÈ££
4043 Marlowe Avenue, Montreal, Quebec H4A 3M3
{n{£]ÊÀÕiÊ>À˜ˆiÀ]ʜ˜ÌÀj>]Ê+ÕjLiV]ÊÓÊÎ-nÊ
[email protected]
ˆ˜vœJi˜Ãi“LiV>«ÀˆVi°Vœ“
www.ensemblecaprice.com
MPW]U`O^VWSaRSa[caWQWS\a
USICIANS’ BIOGRAPHIES
DYll`aYk ;OcbS
RECORDER, BAROQUE FLUTE, COMPOSER & CONDUCTOR
3/-/Ê/Ê
"*"-/1,
Matthias Maute has achieved an international reputation as one of the finest recorder and baroque
flute
players of his generation, as a composer and as director. His solo career has soared since winning
>Ì̅ˆ>ÃÊ>ÕÌiÊýiÃÌÊÌ>ˆjÊ՘iÊ܏ˆ`iÊÀj«ÕÌ>̈œ˜Êˆ˜ÌiÀ˜>̈œ˜>iÊi˜ÊÌ>˜Ìʵս՘Ê`iÃʓiˆiÕÀÃʈ˜ÌiÀ«ÀmÌiÃÊ`iÊÃ>Ê}j˜jÀ>̈œ˜]ÊDÊ
First
in the soloist category
at the renowned Early Music Competition in Bruges, Belgium in 1990.
>ÊyPrize
Ê×ÌiÊDÊLiVÊ>ˆ˜ÃˆÊµÕ½Dʏ>Êy
Ê×ÌiÊÌÀ>ÛiÀÈmÀiÊiÌÊVœ““iÊVœ“«œÃˆÌiÕÀ°Ê˜Ê£™™ä]ʈÊœL̈i˜ÌʏiÊ«Ài“ˆiÀÊ«ÀˆÝÊ`iʏ>ÊV>Ìj}œÀˆiÊ܏ˆÃÌiÊ
He`ÕÊ«ÀiÃ̈}ˆiÕÝÊ
œ˜VœÕÀÃÊ`iʓÕȵÕiÊ>˜Vˆi˜˜iÊ`iÊÀÕ}iÃÊ­i}ˆµÕi®°Ê°Ê>ÕÌiÊÃiÊ`ˆÃ̈˜}ÕiÊj}>i“i˜ÌÊ«>ÀÊܘÊÌÀ>Û>ˆÊDʏ>Ê
made his debut at Lincoln Center in New York in December 2008. In 2003 and 2005, he was the
featured
recorder soloist at the Boston Early Music Festival. Mr. Maute is also esteemed for his artistic
`ˆÀiV̈œ˜Ê>À̈Ã̈µÕiÊ`iʏ½˜Ãi“LiÊ
>«ÀˆVi]ʜÙʈÊVœ˜XœˆÌÊ>ÛiVʈ˜}j˜ˆœÃˆÌjÊ`iÃÊ«Àœ}À>““iÃʈ˜ÕÈÌjÃÊiÌÊV>«ÌˆÛ>˜Ìðʽ˜Ãi“LiÊ
direction of Ensemble Caprice, for whom he produces ingenious and fascinating programs. With this
ýiÃÌÊ«Àœ`ՈÌÊ`>˜ÃÊ«ÕÈiÕÀÃʏˆiÕÝÊ«ÀiÃ̈}ˆiÕÝÊi˜ÊÕÀœ«i]Êi˜Ê“jÀˆµÕiÊ`ÕÊ œÀ`]ÊDÊ/>‹Ü>˜ÊiÌÊi˜ÊÃÀ>l°Ê"ÕÌÀiÊܘÊÌÀ>Û>ˆÊ>ÛiVÊ
ensemble he regularly appears at major festivals world wide. In Canada he has performed at the Ottawa Chamber Music
½˜Ãi“LiÊ
>«ÀˆVi]Ê°Ê>ÕÌiÊiÃÌʏ½ˆ˜ÛˆÌjÊ`½ˆ“«œÀÌ>˜ÌÃÊiÃ̈Û>ÃÊiÌÊ`œ˜˜iÊvÀjµÕi““i˜ÌÊ`iÃÊVœ˜ViÀÌÃÊVœ““iÊ܏ˆÃÌiÊi˜ÊÕÀœ«i]Ê>ÕÝÊÌ>ÌÇ1˜ˆÃÊiÌÊ>ÕÊÃiˆ˜Ê
Festival, Festival international du Domaine Forget and Elora Festival among others. To these achievements Mr. Maute has
`iʏ½˜Ãi“LiÊ,iLi°Ê˜ÊÓääÎÊiÌÊÓääx]ʈÊjÌ>ˆÌʏiÊy
added
choir and orchestra direction, Ê×̈ÃÌiÊ܏ˆÃÌiʈ˜ÛˆÌjÊ«>ÀʏiʜÃ̜˜Ê>ÀÞÊÕÈVÊiÃ̈Û>Ê>ÕÊVžÌjÊ`ÕÊۈœœ˜ˆÃÌiʈՏˆ>˜œÊ
>À“ˆ}˜œ>°Ê°Ê>ÕÌiÊ
to which he has dedicated a large portion of his time in the past several years. In this
iÃÌÊj}>i“i˜ÌÊ܏ˆÃÌiʈ˜ÛˆÌjÊ>ÕÊ«ÀiÃ̈}ˆiÕÝʈ˜Vœ˜Ê
i˜ÌiÀÊ>ÕÝÊÌ>ÌÇ1˜ˆÃ°Ê-iÃÊVœ“«œÃˆÌˆœ˜ÃʍœÕi˜ÌÊ՘ÊÀžiʈ“«œÀÌ>˜ÌÊ`>˜Ãʏiʓœ˜`iÊ`iʏ>Êy
Ê×ÌiÊDÊLiVÊiÌÊ
regard
he has focussed more and more on large scale projects, directing among others such works as Bach’s
B Minor
ܘÌÊ«ÕLˆjiÃÊV…iâÊÀiˆÌŽœ«vÊEÊBÀÌi]ʓ>`iÕÃ]ʜiVŽÊiÌÊ
>ÀÕðÊ>Ì̅ˆ>ÃÊ>ÕÌiÊi˜Ãiˆ}˜iÊDʏ½1˜ˆÛiÀÈÌjÊVˆÊDʜ˜ÌÀj>°Ê->Ê`ˆÃVœ}À>«…ˆiÊVœ“«ÌiÊ՘iÊ
Mass,
G. F. Haendel’s Music for the Royal Fireworks and J. D. Zelenka’s Miserere. Under his direction Ensemble Caprice was
ۈ˜}Ì>ˆ˜iÊ`½i˜Ài}ˆÃÌÀi“i˜ÌÃÊÜÕÃÊj̈µÕiÌÌiÃʘ>iŽÌ>]Ê6>˜}Õ>À`Ê
>ÃÈVÃ]Êi>ÊÕÈV>]ʜÀˆ>˜]ÊÀˆ`}iÊiÌÊ̓>Ê
>ÃȵÕi°Ê
awarded
the prestigious 2009 JUNO Award for Best Classical Album of the Year: Vocal or Choral performance for its CD
Gloria! Vivaldi’s Angels on the Analekta label. Matthias Maute’s compositions hold an important place in the world of
contemporary recorder music and are published by Breitkopf & Härtel, Amadeus, Moeck and Carus. Mr. Maute has made
some twenty recordings on the Analekta, Vanguard Classics, Bella Musica, Dorian, Bridge and Atma Classique labels. He is
a professor at McGill University in Montreal.
Jgh`a]Û:O`WdW|`S
3/-/Ê
RECORDER
& BAROQUE
FLUTE
-œ«…ˆiÊ >ÀˆÛˆmÀiÊ ÌÀ>Û>ˆiÊ >V̈Ûi“i˜ÌÊ >ÛiVÊ ½˜Ãi“LiÊ >«ÀˆViÊ `œ˜ÌÊ iiÊ iÃÌÊ >Ê Vœ`ˆÀiVÌÀˆViÊ
>À̈Ã̈µÕiÊ
`i«ÕˆÃÊ £™™Ç°Ê
Ê ViÊ ÌˆÌÀi]Ê iiÊ Vœ˜ÌÀˆLÕiÊ DÊ i˜ÀˆV…ˆÀÊ iÊ «>ÀVœÕÀÃÊ œÀˆ}ˆ˜>Ê `iÊ ½˜Ãi“LiÊ ˆ˜ÛˆÌ>˜ÌÊ DÊ `iÃÊ `jVœÕÛiÀÌiÃÊ “ÕÈV>iÃÊ µÕˆÊ “>Àˆi˜ÌÊ
Sophie Larivière is a member of Ensemble Caprice and has been its Artistic Co-Director since 1997. In
ۈÀÌ՜ÈÌjÊiÌÊiÝ«ÀiÃÈۈÌj°ÊÛiVʏ½˜Ãi“LiÊ
>«ÀˆVi]ʏ>ÊyÊ×̈ÃÌiÊ>Ê`œ˜˜jÊ`iʘœ“LÀiÕÝÊVœ˜ViÀÌÃʘœÌ>““i˜ÌÊi˜ÊÃÀ>lÊDÊ/iÊۈÛÊ
this
capacity, she helps to enrich the creative direction of the ensemble in its quest for musical
iÌÊ>ÕÊi`ˆÌiÀÀ>˜i>˜ÊÀÌÃÊiÃ̈Û>]Êi˜ÊÕÀœ«iÊDÊ6ˆi˜˜i]ÊiÀˆ˜ÊiÌÊ-ÌÕÌÌ}>ÀÌ]Ê>ÕÝÊÌ>ÌÇ1˜ˆÃÊDʜÃʘ}iiÃÊiÌÊ
…ˆV>}œ]Ê>ˆ˜ÃˆÊ
discoveries
that blend virtuosity with expressivity. With Ensemble Caprice, Ms. Larivière has appeared in
µÕ½>ÕʜÃ̜˜Ê>ÀÞÊÕÈVÊiÃ̈Û>]ÊiÌÊ>ÕÊ
>˜>`>ÊDÊ`“œ˜Ìœ˜]ÊÀ>˜`iÊ*À>ˆÀˆiÊiÌÊ«œÕÀÊjLÕÌÊ>̏>˜ÌˆµÕi°ÊʘÌiÀ«ÀmÌiÊÜիi]Ê
numerous
concerts, in particular in Israel (Tel Aviv and the Mediterranean Arts Festival), Europe (Vienna,
yÊi݈LiÊ
iÌÊ iÝ«ÀiÃÈÛi]Ê
-œ«…ˆiÊ
Àj}ՏˆmÀi“i˜ÌÊ
ˆ˜ÛˆÌjiÊ
«ÕÈiÕÀÃÊ
i˜Ãi“LiÃÊ
`iÊ “ÕȵÕiÊ
"˜Ê >Ê «ÕÊand
½i˜Ìi˜`ÀiÊ DÊ œ˜ÌÀj>Ê >ÛiVÊ
Berlin,
and
Stuttgart),
the >ÀˆÛˆmÀiÊ
United iÃÌÊ
States
(Chicago,
Los «>ÀÊ
Angeles
and
the Boston
Early >˜Vˆi˜˜i°Ê
Music Festival)
½˜Ãi“LiÊ
Àˆœ˜]Ê ½"«jÀ>Ê
`iÊ œ˜ÌÀj>]Ê
-ÌÕ`ˆœÊ
`iÊ ÕȵÕiÊ
>˜Vˆi˜˜iÊ
œÕÛiiÊ -ˆ˜vœ˜ˆi]Ê
iÊ /…i>ÌÀiÊ
Canada
(Edmonton,
Grande
PrairieiÊ
and
a Debut
Atlantic
tour). `iÊ
Anœ˜ÌÀj>]Ê
eloquent>Êperformer,
Ms. Larivière
is œvÊ >ÀÞÊ ÕÈV]Ê ,iLiÊ
regularly
invited
to appear
with early
music
ensembles,
including
Arion,-«ˆÀˆÌÕiÊ
the Opéra
de >ÊMontréal,!
Le Studio
de
musique
­ i܇9œÀŽ®]Ê
iÃÊ 6ˆœœ˜ÃÊ
`ÕÊ ,œÞÊ ­+ÕjLiV®]Ê
iÊ iÜÊ
9œÀŽÊ œi}ˆÕ“Ê
ÕÈVՓÊ
iÌÊ iÊ œ˜ViÀÌÊ
­*>ÀˆÃ®°Ê iÊ
i˜Ài}ˆÃÌÀjÊ ÃœÕÃÊ
j̈µÕiÌÌiÃÊ
˜>iŽÌ>]Ê
ancienne
de
Montréal,
La
Nouvele
Sinfonie,
the
Theatre
of
Early
Music,
Rebel
(New
York),
Les
Violons
du
Roy
(Quebec),
the
6ˆÀ}ˆ˜Ê
>ÃÈVÃ]Ê̓>Ê
>ÃȵÕi]ʘÌiÃÊ`ˆÌˆœ˜ÊiÌʘÌiÀ`ˆÃV°Ê
New York Collegium Musicum and Le Concert Spirituel (Paris). Ms. Larivière has made recordings on the Analekta, Virgin
Classics, Atma Classique, Antes Edition and Interdisc labels.
Jmka]Û<O^^S`
-/Ê/Ê6"" -/
VIOLA DA GAMBA & VIOLONCELLO
-ÕÈiÊ >««iÀÊ >Ê jÌjÊ …œ˜œÀjiÊ `ÕÊ *ÀˆÝÊ "«ÕÃÊ ÓääÓÊ «œÕÀÊ >Ê Ê *iÀܘ˜>ˆÌjÊ `iÊ ½>˜˜jiÊ ‚Ê >ÕÊ +ÕjLiV°Ê iÊ iÃÌÊ >Ê vœ˜`>ÌÀˆViÊ
Susie Napper was awarded Quebec's “Personality of the Year” Prix Opus in 2002. She is the founder
iÌÊ `ˆÀiVÌÀˆViÊ >À̈Ã̈µÕiÊ `ÕÊ iÃ̈Û>Ê œ˜ÌÀj>Ê L>ÀœµÕi°Ê «ÀmÃÊ >ۜˆÀÊ ÛjVÕÊ Ãœ˜Ê i˜v>˜ViÊ `>˜ÃÊ Õ˜Ê “ˆˆiÕÊ >À̈Ã̈µÕiÊ DÊ œ˜`ÀiÃ]Ê
and Artistic Director of the Montreal Baroque Festival. Having grown up in an artistic milieu in London,
iiÊ >Ê jÌÕ`ˆjÊ DÊ Õˆ>À`Ê DÊ iÜÊ 9œÀŽ]Ê «ÕˆÃÊ >ÕÊ œ˜ÃiÀÛ>̜ˆÀiÊ `iÊ *>ÀˆÃ°Ê i«ÕˆÃ]Ê iiÊ ÌÀ>Û>ˆiÊ >ÛiVÊ iÃÊ }ÀœÕ«iÃÊ iÃÊ «ÕÃÊ ˆ“«œÀÌ>˜ÌÃ
she then studied at the Juilliard School in New York and later at the Paris Conservatory. Since then,
`ÕÊ “œ˜`iÊ
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Susie
has appeared
several
internationally-known
early music
ensembles,
as`iÊthe
“ÕȵÕiÊ>˜Vˆi˜˜iÊ`iʜ˜ÌÀj>]ʏiÊ/Àˆ˜ˆÌÞÊ
œ˜ÃœÀÌÊDÊ*œÀ̏>˜`]ʏ½˜Ãi“LiÊ/>vi“ÕȎ]ʏ½˜Ãi“LiÊ
>«ÀˆViÊiÌʏiÊ`՜Ê`iÊۈœiÃÊ`iÊ}>“LiÊiÃÊ6œˆÝÊՓ>ˆ˜iðÊ
Philharmonia Baroque Orchestra, Stradivaria in France, the Studio de musique ancienne de Montréal,
-iÃÊ̜ÕÀ˜jiÃÊ`iÊVœ˜ViÀÌÃʏ½œ˜Ìʓi˜jiÊ>Õ̜ÕÀÊ`Õʓœ˜`iÆÊi˜Ê
…ˆ˜i]Ê>ÕÊ>«œ˜]Êi˜Ê
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the Trinity Consort of Portland, Tafelmusik, Ensemble
Caprice and the viola da gamba duo Les Voix
“jÀˆµÕiðÊ"˜Ê«iÕÌÊi˜Ìi˜`ÀiÊÃiÃʘœ“LÀiÕÝÊi˜Ài}ˆÃÌÀi“i˜ÌÃ]ʵՈʈ˜VÕi˜ÌÊ՘iÊ}À>˜`iÊ«>À̈iÊ`ÕÊÀj«iÀ̜ˆÀiÊ«œÕÀÊ`iÕÝÊۈœiÃ]ÊÜÕÃÊj̈µÕiÌÌiÃÊ>À“œ˜ˆ>Ê
Humaines.
Her concert tours have taken her as far afield as China, Japan, New Zealand, India, the Middle East, Europe and
North
America. Susie’s recordings, which
include most of the known repertoire for two viols, can be heard on the Harmonia
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Mundi, EMI, Erato, ADDA, CBC Records, Naxos, Analekta and ATMA Classique labels.
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HARPSICHORD
Erin Helyard graduated from the Sydney Conservatorium of Music with first class honors and
>̈vÊ `½ÕÃÌÀ>ˆi]Ê Àˆ˜Ê iÞ>À`Ê iÃÌÊ `ˆ«ž“jÊ `ÕÊ œ˜ÃiÀÛ>̜ˆÀiÊ `iÊ “ÕȵÕiÊ `iÊ -Þ`˜iÞÊ iÌÊ `iÊ ½1˜ˆÛiÀÈÌjÊ VˆÊ DÊ œ˜ÌÀj>°ÊÊ
completed his Masters at the Schulich School of Music at McGill University in Montreal. Earlier in his
*ÕÃÊ̞ÌÊ`>˜ÃÊÃ>ÊV>ÀÀˆmÀi]Ê°ÊiÞ>À`Ê>ÃÃÕÀ>ˆÌʏiÊ«œÃÌiÊ`iÊV>ÛiVˆ˜ˆÃÌiÊ>ÕÊÃiˆ˜Ê`iʏ½"ÀV…iÃÌÀiÊ`iÊV…>“LÀiÊ>ÕÃÌÀ>ˆi˜ÊiÌÊViÕˆÊ
career, Mr. Helyard was co-conductor of the Australian Chamber Orchestra and assistant music
`½>ÃÈÃÌ>˜ÌÊ>ÕÊ`ˆÀiVÌiÕÀʓÕÈV>Ê`iʏ½j`ˆÌˆœ˜ÊÓää£Ê`ÕÊiÃ̈Û>ÊDÊ-Þ`˜iްʏÊiÃÌÊ՘ʓi“LÀiÊvœ˜`>ÌiÕÀÊiÌÊVœ`ˆÀiVÌiÕÀÊ>À̈Ã̈µÕiÊ
director
for the 2001 Sydney Festival. He is also a founder and co-artistic director of Pinchgut Opera
`ÕÊ*ˆ˜V…}ÕÌÊ"«iÀ>ÊiÌʓi“LÀiÊvœ˜`>ÌiÕÀÊ`iʏ½"ÀV…iÃÌÀiÊ`iÃʘ̈«œ`iÃÊ­-Þ`˜iÞ]ÊÕÃÌÀ>ˆi®°Êi«ÕˆÃʵսˆÊiÃÌÊjÌ>LˆÊDʜ˜ÌÀj>]Ê
and
a founding member of the Orchestra of the Antipodes. Since moving to Montreal in 2004, Mr.
Àˆ˜ÊiÞ>À`ÊýiÃÌÊÀ>«ˆ`i“i˜ÌÊÌ>ˆjÊ՘iÊ«>ViÊ`iÊV…œˆÝÊ`>˜ÃʏiʓˆˆiÕÊ`iʏ>ʓÕȵÕiÊ>˜Vˆi˜˜iʵÕjLjVœˆÃiÊiÌʍœÕiÊi˜ÊVœ˜ViÀÌÊ>ÛiVÊiÃÊ6ˆœœ˜ÃÊ`ÕÊ,œÞ]Ê
Helyard
has becomean active member of Quebec's early music community and has appeared with Les Violons du Roy,
/…i>ÌiÀʜvÊ>ÀÞÊÕÈV]ʏ½˜Ãi“LiÊÀˆœ˜]ʏiÊiÃ̈Û>ÊL>ÀœµÕiÊ`iʜ˜ÌÀj>Ê>ˆ˜ÃˆÊµÕiʏ½˜Ãi“LiÊ
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Ê
Daniel
Taylor's Theatre of Early Music, the Arion Ensemble, at the Montreal Baroque Festival and with Ensemble Caprice.
Mr.
Helyard has recorded for the BIS, ABC Classics, Artworks and Analekta labels.
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Nomination 2009 - Album : Gloria!
Vivaldi’s Angels
Nomination 2005 - Album : Mit Freude
Nomination 2009 - Concert : The Splendour of France
Nomination 2005 - Concert : Barocambolesque
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THE NEW YORK TIMES – United States
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«>ÃÃ>}iÃÊiÝÌÀk“i“i˜ÌÊÀ>«ˆ`iÃÊi˜Ê«Ài˜>˜ÌÊDÊ
THE NEW YORK TIMES – United States
«iˆ˜iʏiÊÌi“«ÃÊ`iÊÀiëˆÀiÀ°ÊÛiVÊÃ>Ê«Àœvœ˜`iÕÀÊ
1˜ÊÛÀ>ˆÊ՘ˆÛiÀÃÊ`iÊ}iÃÌiÃÊiÝ«ÀiÃÈvÃ]Ê`iÊVœÕiÕÀÃÊ
`½iÝ«ÀiÃȜ˜]Ê>ÕÌiÊýiÃÌÊÀjÛjjÊVœ““iÊjÌ>˜ÌÊ՘Ê
iÌÊ`½œÀ˜i“i˜ÌÃÊ`jˆV>ÌðÊiÊ«>ˆÃˆÀÊ`iÃÊVœ˜ÌÀ>ÃÌiÃÊ
`iÃʓiˆiÕÀÃÊy
Ê×̈ÃÌiÃÊ>VÌÕiÃ°°°Ê‚
>˜ÃʏiÃÊVœ˜ViÀ̜ÃÊ`iÊ6ˆÛ>`ˆ]Ê>Ì̅ˆ>ÃÊ>ÕÌiÊ>Ê
The
music making by Ensemble Caprice was
`iÊ`ޘ>“ˆµÕiÃÊÃiÊv>ˆÌÊLˆi˜Êi˜Ìi˜`Ài°Ê‚
v>ˆÌÊ«ÀiÕÛiÊ`½Õ˜iÊÀ>ÀiÊۈÀÌ՜ÈÌj°ÊÛiVÊ՘iÊ
7- /" Ê*"-/ÊqÊÌ>ÌÇ1˜ˆÃ
first
rate.”
ܘœÀˆÌjÊ«ÕÀiÊiÌÊ̜ÕÌiÊi˜ÊÀœ˜`iÕÀ]ʈÊ>ʍœÕjÊ`iÃÊ
--Ê1/ʇʏi“>}˜i
«>ÃÃ>}iÃÊiÝÌÀk“i“i˜ÌÊÀ>«ˆ`iÃÊi˜Ê«Ài˜>˜ÌÊDÊ
THE NEW YORK TIMES – United States
«iˆ˜iʏiÊÌi“«ÃÊ`iÊÀiëˆÀiÀ°ÊÛiVÊÃ>Ê«Àœvœ˜`iÕÀÊ
`½iÝ«ÀiÃȜ˜]Ê>ÕÌiÊýiÃÌÊÀjÛjjÊVœ““iÊjÌ>˜ÌÊ՘Ê
1˜ÊÛÀ>ˆÊ՘ˆÛiÀÃÊ`iÊ}iÃÌiÃÊiÝ«ÀiÃÈvÃ]Ê`iÊVœÕiÕÀÃÊ
`iÃʓiˆiÕÀÃÊy
Ê×̈ÃÌiÃÊ>VÌÕiÃ°°°Ê‚
-7/Ê"
iÌÊ`½œÀ˜i“i˜ÌÃÊ`jˆV>ÌðÊiÊ«>ˆÃˆÀÊ`iÃÊVœ˜ÌÀ>ÃÌiÃÊ
VIVALDI’S
ANGELS
`iÊ`ޘ>“ˆµÕiÃÊÃiÊv>ˆÌÊLˆi˜Êi˜Ìi˜`Ài°Ê‚
7- /" Ê*"-/ÊqÊÌ>ÌÇ1˜ˆÃ
"Ո]ÊViÊÀjVˆÌ>Ê«œÀÌiÊLˆi˜Êܘʘœ“Ê\ÊV½iÃÌÊ՘iÊ
>˜ÃʏiÃÊVœ˜ViÀ̜ÃÊ`iÊ6ˆÛ>`ˆ]Ê>Ì̅ˆ>ÃÊ>ÕÌiÊ>Ê
`œÕViÊvœˆiʵՈÊÃiÊ`j}>}iÊ`iÊViÌÌiÊv>ÃVˆ˜>˜ÌiÊ
--Ê1/ʇʏi“>}˜i
v>ˆÌÊ«ÀiÕÛiÊ`½Õ˜iÊÀ>ÀiÊۈÀÌ՜ÈÌj°ÊÛiVÊ՘iÊ
The
performers around Matthias
Maute give
Vœ˜vÀœ˜Ì>̈œ˜Êi˜ÌÀiʓÕȵÕiÃÊ>˜Vˆi˜˜iÃÊiÌʏiÃÊ
ܘœÀˆÌjÊ«ÕÀiÊiÌÊ̜ÕÌiÊi˜ÊÀœ˜`iÕÀ]ʈÊ>ʍœÕjÊ`iÃÊ
their
usual, and that is the best, to resurrect this
ÕÛÀiÃÊjVÀˆÌiÃÊViÃÊ`iÀ˜ˆmÀiÃÊ>˜˜jiÃÊ«>ÀÊ>Ì̅ˆ>ÃÊ
«>ÃÃ>}iÃÊiÝÌÀk“i“i˜ÌÊÀ>«ˆ`iÃÊi˜Ê«Ài˜>˜ÌÊDÊ
atmosphere,
and they succeed splendidly. This
1˜ÊÛÀ>ˆÊ՘ˆÛiÀÃÊ`iÊ}iÃÌiÃÊiÝ«ÀiÃÈvÃ]Ê`iÊVœÕiÕÀÃÊ
>ÕÌi°ÊjV>«>˜ÌÊtʂÊ
is «iˆ˜iʏiÊÌi“«ÃÊ`iÊÀiëˆÀiÀ°ÊÛiVÊÃ>Ê«Àœvœ˜`iÕÀÊ
particularly due to the gripping, sleek and
iÌÊ`½œÀ˜i“i˜ÌÃÊ`jˆV>ÌðÊiÊ«>ˆÃˆÀÊ`iÃÊVœ˜ÌÀ>ÃÌiÃÊ
-7/Ê"
--
ʇÊÀ>˜Vi
`½iÝ«ÀiÃȜ˜]Ê>ÕÌiÊýiÃÌÊÀjÛjjÊVœ““iÊjÌ>˜ÌÊ՘Ê
pulsing
interpretation that holds the
listener in its
`iÊ`ޘ>“ˆµÕiÃÊÃiÊv>ˆÌÊLˆi˜Êi˜Ìi˜`Ài°Ê‚
"Ո]ÊViÊÀjVˆÌ>Ê«œÀÌiÊLˆi˜Êܘʘœ“Ê\ÊV½iÃÌÊ՘iÊ
`iÃʓiˆiÕÀÃÊy
Ê×̈ÃÌiÃÊ>VÌÕiÃ°°°Ê‚
spell
from the beginning.”
--Ê1/ʇʏi“>}˜i
`œÕViÊvœˆiʵՈÊÃiÊ`j}>}iÊ`iÊViÌÌiÊv>ÃVˆ˜>˜ÌiÊ
7- /" Ê*"-/ÊqÊÌ>ÌÇ1˜ˆÃ
TOCCATA - Germany
Vœ˜vÀœ˜Ì>̈œ˜Êi˜ÌÀiʓÕȵÕiÃÊ>˜Vˆi˜˜iÃÊiÌʏiÃÊ
ÕÛÀiÃÊjVÀˆÌiÃÊViÃÊ`iÀ˜ˆmÀiÃÊ>˜˜jiÃÊ«>ÀÊ>Ì̅ˆ>ÃÊ
iÊVœ˜ViÀ̜Êi˜Ê“ˆÊ“ˆ˜iÕÀÊ`½˜Ìœ˜ˆœÊ6ˆÛ>`ˆ°°°Ê
>ÕÌi°ÊjV>«>˜ÌÊtʂÊ
>ÊjÌjʈ˜ÌiÀ«ÀjÌjÊ>ÛiVÊiÝÕLjÀ>˜Vi]Ê«>˜>V…iÊiÌÊ՘iÊ
>˜ÃʏiÃÊVœ˜ViÀ̜ÃÊ`iÊ6ˆÛ>`ˆ]Ê>Ì̅ˆ>ÃÊ>ÕÌiÊ>Ê
-7/Ê"
ۈÀÌ՜ÈÌjÊj«œÕÃ̜Õy
Ê>˜ÌiÊ«>Àʏ½j̜˜˜>˜ÌÊ
Av>ˆÌÊ«ÀiÕÛiÊ`½Õ˜iÊÀ>ÀiÊۈÀÌ՜ÈÌj°ÊÛiVÊ՘iÊ
true world of expressive
gestures,
colors and
--
ʇÊÀ>˜Vi
1˜ÊÛÀ>ˆÊ՘ˆÛiÀÃÊ`iÊ}iÃÌiÃÊiÝ«ÀiÃÈvÃ]Ê`iÊVœÕiÕÀÃÊ
"Ո]ÊViÊÀjVˆÌ>Ê«œÀÌiÊLˆi˜Êܘʘœ“Ê\ÊV½iÃÌÊ՘iÊ
>Ì̅ˆ>ÃÊ>ÕÌiʵՈÊiÃÌʘiÌÌi“i˜ÌÊi˜ÊÌÀ>ˆ˜Ê`iÊ
delicate
ornaments.
The
pleasure
of
contrasting
iÌÊ`½œÀ˜i“i˜ÌÃÊ`jˆV>ÌðÊiÊ«>ˆÃˆÀÊ`iÃÊVœ˜ÌÀ>ÃÌiÃÊ
ܘœÀˆÌjÊ«ÕÀiÊiÌÊ̜ÕÌiÊi˜ÊÀœ˜`iÕÀ]ʈÊ>ʍœÕjÊ`iÃÊ
`œÕViÊvœˆiʵՈÊÃiÊ`j}>}iÊ`iÊViÌÌiÊv>ÃVˆ˜>˜ÌiÊ
«iÀViÀÊVœ““iʏ>Ê«ÀœV…>ˆ˜iÊÃÕ«iÀÃÌ>ÀÊ`iʏ>Ê
dynamics
can
be
heard
clearly.”
`iÊ`ޘ>“ˆµÕiÃÊÃiÊv>ˆÌÊLˆi˜Êi˜Ìi˜`Ài°Ê‚
«>ÃÃ>}iÃÊiÝÌÀk“i“i˜ÌÊÀ>«ˆ`iÃÊi˜Ê«Ài˜>˜ÌÊDÊ
Vœ˜vÀœ˜Ì>̈œ˜Êi˜ÌÀiʓÕȵÕiÃÊ>˜Vˆi˜˜iÃÊiÌʏiÃÊ
“ÕȵÕiÊ>˜Vˆi˜˜i°Ê‚
--Ê1/ʇʏi“>}˜i
«iˆ˜iʏiÊÌi“«ÃÊ`iÊÀiëˆÀiÀ°ÊÛiVÊÃ>Ê«Àœvœ˜`iÕÀÊ
KLASSIK
HEUTE – Germany
ÕÛÀiÃÊjVÀˆÌiÃÊViÃÊ`iÀ˜ˆmÀiÃÊ>˜˜jiÃÊ«>ÀÊ>Ì̅ˆ>ÃÊ
iÊVœ˜ViÀ̜Êi˜Ê“ˆÊ“ˆ˜iÕÀÊ`½˜Ìœ˜ˆœÊ6ˆÛ>`ˆ°°°Ê
/Ê --Ê
/9Ê-/,ÊqÊÌ>ÌÇ1˜ˆÃÊ
`½iÝ«ÀiÃȜ˜]Ê>ÕÌiÊýiÃÌÊÀjÛjjÊVœ““iÊjÌ>˜ÌÊ՘Ê
>ÕÌi°ÊjV>«>˜ÌÊtʂÊ
>ÊjÌjʈ˜ÌiÀ«ÀjÌjÊ>ÛiVÊiÝÕLjÀ>˜Vi]Ê«>˜>V…iÊiÌÊ՘iÊ
`iÃʓiˆiÕÀÃÊy
Ê×̈ÃÌiÃÊ>VÌÕiÃ°°°Ê‚
ۈÀÌ՜ÈÌjÊj«œÕÃ̜ÕyÊ>˜ÌiÊ«>Àʏ½j̜˜˜>˜ÌÊ
--
ʇÊÀ>˜Vi
7- /" Ê*"-/ÊqÊÌ>ÌÇ1˜ˆÃ
>Ì̅ˆ>ÃÊ>ÕÌiʵՈÊiÃÌʘiÌÌi“i˜ÌÊi˜ÊÌÀ>ˆ˜Ê`iÊ
-7/Ê"
«iÀViÀÊVœ““iʏ>Ê«ÀœV…>ˆ˜iÊÃÕ«iÀÃÌ>ÀÊ`iʏ>Ê
"Ո]ÊViÊÀjVˆÌ>Ê«œÀÌiÊLˆi˜Êܘʘœ“Ê\ÊV½iÃÌÊ՘iÊ
“ÕȵÕiÊ>˜Vˆi˜˜i°Ê‚
`œÕViÊvœˆiʵՈÊÃiÊ`j}>}iÊ`iÊViÌÌiÊv>ÃVˆ˜>˜ÌiÊ
iÊVœ˜ViÀ̜Êi˜Ê“ˆÊ“ˆ˜iÕÀÊ`½˜Ìœ˜ˆœÊ6ˆÛ>`ˆ°°°Ê
/Ê --Ê
/9Ê-/,ÊqÊÌ>ÌÇ1˜ˆÃÊ
Vœ˜vÀœ˜Ì>̈œ˜Êi˜ÌÀiʓÕȵÕiÃÊ>˜Vˆi˜˜iÃÊiÌʏiÃÊ
1˜ÊÛÀ>ˆÊ՘ˆÛiÀÃÊ`iÊ}iÃÌiÃÊiÝ«ÀiÃÈvÃ]Ê`iÊVœÕiÕÀÃÊ
Ê*" Ê}i˜ÌÊ`½>À̈ÃÌi
>]c`\]ca
>ÊjÌjʈ˜ÌiÀ«ÀjÌjÊ>ÛiVÊiÝÕLjÀ>˜Vi]Ê«>˜>V…iÊiÌÊ՘iÊ
Michel
Roy
CRÉDITS iÌÊ`½œÀ˜i“i˜ÌÃÊ`jˆV>ÌðÊiÊ«>ˆÃˆÀÊ`iÃÊVœ˜ÌÀ>ÃÌiÃÊ
ÕÛÀiÃÊjVÀˆÌiÃÊViÃÊ`iÀ˜ˆmÀiÃÊ>˜˜jiÃÊ«>ÀÊ>Ì̅ˆ>ÃÊ
/j°Ê­ÓäήÊnÇ{‡xx{n
ۈÀÌ՜ÈÌjÊj«œÕÃ̜Õy
Ê>˜ÌiÊ«>Àʏ½j̜˜˜>˜ÌÊ
( £™nÊ7iÃÌÊ,ˆÛiÀÊ-Ì°]ʈvœÀ`]Ê
/ÊäÈ{Èä]ÊÌ>ÌÇ1˜ˆÃÊ
>ÕÌi°ÊjV>«>˜ÌÊtʂÊ
&
`iÊ`ޘ>“ˆµÕiÃÊÃiÊv>ˆÌÊLˆi˜Êi˜Ìi˜`Ài°Ê‚
>Ì̅ˆ>ÃÊ>ÕÌiʵՈÊiÃÌʘiÌÌi“i˜ÌÊi˜ÊÌÀ>ˆ˜Ê`iÊ
>“>˜`>«œ˜`Ji>À̅ˆ˜Ž°˜iÌÊÊÊÜÜÜ°i˜Ãi“LiV>«ÀˆVi°Vœ“
--
ʇÊÀ>˜Vi
--Ê1/ʇʏi“>}˜i
Tobias
Haynes
«iÀViÀÊVœ““iʏ>Ê«ÀœV…>ˆ˜iÊÃÕ«iÀÃÌ>ÀÊ`iʏ>Ê
°°°ÊiÊyÊ×̈ÃÌiÊۈÀÌ՜Ãi
Ê×̈ÃÌiÊۈÀÌ՜ÃiÊ>Ì̅ˆ>ÃÊ>ÕÌi]ʘœÕÃÊ>Ê
Together
they offered an extremely vibrant and
œvviÀÌÊ՘iʈ˜ÌiÀ«ÀjÌ>̈œ˜ÊVœ˜ÌÀ>ÃÌjiÊ`iÃÊVœ˜ViÀ̜ÃÊ
nuanced
interpretation of this seminal work (the
`iÊ/ii“>˜˜ÊiÌÊ6ˆÛ>`ˆ]ʏiÃʍœÕ>˜ÌÊ>ÛiVÊ՘iÊۈÌ>ˆÌjÊ
Mass
in B minor of J. S. Bach). In short, we
«j̈>˜ÌiÊiÌÊ՘iÊÛjœVˆÌjʈ˜VÀœÞ>Li°Ê‚
witnessed
a thorough dusting off.”
Q`
3\aS[PZ
"13*$&
"-/" Ê"ÊqÊÌ>ÌÇ1˜ˆÃ
LE SOLEIL
DE QUÉBEC - Canada
Q`WbW_cSaSbRWaQ]U`O^VWS
°°°ÊiÊyÊ×̈ÃÌiÊۈÀÌ՜Ãi
Ê×̈ÃÌiÊۈÀÌ՜ÃiÊ>Ì̅ˆ>ÃÊ>ÕÌi]ʘœÕÃÊ>Ê
œvviÀÌÊ՘iʈ˜ÌiÀ«ÀjÌ>̈œ˜ÊVœ˜ÌÀ>ÃÌjiÊ`iÃÊVœ˜ViÀ̜ÃÊ
>˜ÃʏiÃÊVœ˜ViÀ̜ÃÊ`iÊ6ˆÛ>`ˆ]Ê>Ì̅ˆ>ÃÊ>ÕÌiÊ>Ê
Matthias
Maute and his musicians conveyed the
iʍiÕÊ`ÕÊ܏ˆÃÌiʈ˜ÛˆÌjÊ>Ì̅ˆ>ÃÊ>ÕÌi]ÊjÌ>ˆÌÊ՘Ê
`iÊ/ii“>˜˜ÊiÌÊ6ˆÛ>`ˆ]ʏiÃʍœÕ>˜ÌÊ>ÛiVÊ՘iÊۈÌ>ˆÌjÊ
v>ˆÌÊ«ÀiÕÛiÊ`½Õ˜iÊÀ>ÀiÊۈÀÌ՜ÈÌj°ÊÛiVÊ՘iÊ
divine
sounds
of Bach with an original
“œ`miÊ`½jj}>˜ViÊiÌÊ`iÊV>À>VÌmÀi]Ê`œÕjÊ`½Õ˜Ê
«j̈>˜ÌiÊiÌÊ՘iÊÛjœVˆÌjʈ˜VÀœÞ>Li°Ê‚
ܘœÀˆÌjÊ«ÕÀiÊiÌÊ̜ÕÌiÊi˜ÊÀœ˜`iÕÀ]ʈÊ>ʍœÕjÊ`iÃÊ
interpretation,
reaching moments of sublime
y
Ê>ˆÀʈ˜VÀœÞ>LiÊ«œÕÀʏ>ÊۈÀÌ՜ÈÌj°Ê‚
"-/" Ê"ÊqÊÌ>ÌÇ1˜ˆÃ
«>ÃÃ>}iÃÊiÝÌÀk“i“i˜ÌÊÀ>«ˆ`iÃÊi˜Ê«Ài˜>˜ÌÊDÊ
beauty.”
"-Ê -Ê/-ÊqÊÌ>ÌÇ1˜ˆÃ
«iˆ˜iʏiÊÌi“«ÃÊ`iÊÀiëˆÀiÀ°ÊÛiVÊÃ>Ê«Àœvœ˜`iÕÀÊ
Q`WbW_cSaSbRWaQ]U`O^VWS
°°°ÊiÊyÊ×̈ÃÌiÊۈÀÌ՜Ãi
Ê×̈ÃÌiÊۈÀÌ՜ÃiÊ>Ì̅ˆ>ÃÊ>ÕÌi]ʘœÕÃÊ>Ê
LA SCENA MUSICALE – Canada
`½iÝ«ÀiÃȜ˜]Ê>ÕÌiÊýiÃÌÊÀjÛjjÊVœ““iÊjÌ>˜ÌÊ՘Ê
œvviÀÌÊ՘iʈ˜ÌiÀ«ÀjÌ>̈œ˜ÊVœ˜ÌÀ>ÃÌjiÊ`iÃÊVœ˜ViÀ̜ÃÊ
`iÃʓiˆiÕÀÃÊyÊ×̈ÃÌiÃÊ>VÌÕiÃ°°°Ê‚
`iÊ/ii“>˜˜ÊiÌÊ6ˆÛ>`ˆ]ʏiÃʍœÕ>˜ÌÊ>ÛiVÊ՘iÊۈÌ>ˆÌjÊ
iʍiÕÊ`ÕÊ܏ˆÃÌiʈ˜ÛˆÌjÊ>Ì̅ˆ>ÃÊ>ÕÌi]ÊjÌ>ˆÌÊ՘Ê
VIVALDI
AND THE BAROQUE
GYPSIES
7-
/" Ê*"-/ÊqÊÌ>ÌÇ1˜ˆÃ
«j̈>˜ÌiÊiÌÊ՘iÊÛjœVˆÌjʈ˜VÀœÞ>Li°Ê‚
"˜Êۜ>ˆÌÊ`>˜ÃʏiÃʅ>ÕÌiÃÊë…mÀið°°Ê‚Ê
“œ`miÊ`½jj}>˜ViÊiÌÊ`iÊV>À>VÌmÀi]Ê`œÕjÊ`½Õ˜Ê
>˜ÃʏiÃÊVœ˜ViÀ̜ÃÊ`iÊ6ˆÛ>`ˆ]Ê>Ì̅ˆ>ÃÊ>ÕÌiÊ>Ê
Here
a masterpiece of Early
music
has been
yÊ>ˆÀʈ˜VÀœÞ>LiÊ«œÕÀʏ>ÊۈÀÌ՜ÈÌj°Ê‚
"-/"
Ê"ÊqÊÌ>ÌÇ1˜ˆÃ
Ê*,--ʇÊ
>˜>`>Ê
v>ˆÌÊ«ÀiÕÛiÊ`½Õ˜iÊÀ>ÀiÊۈÀÌ՜ÈÌj°ÊÛiVÊ՘iÊ
created.
Ensemble Caprice,
as well as Matthias
"-Ê -Ê/-ÊqÊÌ>ÌÇ1˜ˆÃ
ܘœÀˆÌjÊ«ÕÀiÊiÌÊ̜ÕÌiÊi˜ÊÀœ˜`iÕÀ]ʈÊ>ʍœÕjÊ`iÃÊ
Maute
and Sophie Larivière, play themselves
1˜ÊÛÀ>ˆÊ՘ˆÛiÀÃÊ`iÊ}iÃÌiÃÊiÝ«ÀiÃÈvÃ]Ê`iÊVœÕiÕÀÃÊ
«>ÃÃ>}iÃÊiÝÌÀk“i“i˜ÌÊÀ>«ˆ`iÃÊi˜Ê«Ài˜>˜ÌÊDÊ
into
a veritable high of sound. Vivaldi begins to
°°°ÊiÊy
Ê×̈ÃÌiÊۈÀÌ՜ÃiÊ>Ì̅ˆ>ÃÊ>ÕÌi]ʘœÕÃÊ>Ê
Ê×̈ÃÌiÊۈÀÌ՜Ãi
iÌÊ`½œÀ˜i“i˜ÌÃÊ`jˆV>ÌðÊiÊ«>ˆÃˆÀÊ`iÃÊVœ˜ÌÀ>ÃÌiÃÊ
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dance,
to whirl, and the skirts and wigs fly – this
iʍiÕÊ`ÕÊ܏ˆÃÌiʈ˜ÛˆÌjÊ>Ì̅ˆ>ÃÊ>ÕÌi]ÊjÌ>ˆÌÊ՘Ê
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has
strength, joy of life, inspiration, depth. This is
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՘iʓˆÃiÊi˜ÊvœÀ“iÊ>À̈Ã̈µÕiÊiÝVii˜Ìi°Ê‚
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music!!
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Germany
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SWEET FOLIA
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Yes, this recital wears its title well; it is a sweet folly
v>ˆÌÊ«ÀiÕÛiÊ`½Õ˜iÊÀ>ÀiÊۈÀÌ՜ÈÌj°ÊÛiVÊ՘iÊ
that emerges out of this fascinating encounter
ܘœÀˆÌjÊ«ÕÀiÊiÌÊ̜ÕÌiÊi˜ÊÀœ˜`iÕÀ]ʈÊ>ʍœÕjÊ`iÃÊ
between early music and works composed by
«>ÃÃ>}iÃÊiÝÌÀk“i“i˜ÌÊÀ>«ˆ`iÃÊi˜Ê«Ài˜>˜ÌÊDÊ
Matthias Maute. Striking!”!!
«iˆ˜iʏiÊÌi“«ÃÊ`iÊÀiëˆÀiÀ°ÊÛiVÊÃ>Ê«Àœvœ˜`iÕÀÊ
CLASSICA – France
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Brilliantly played and excellently interpreted.” œvviÀÌÊ՘iʈ˜ÌiÀ«ÀjÌ>̈œ˜ÊVœ˜ÌÀ>ÃÌjiÊ`iÃÊVœ˜ViÀ̜ÃÊ
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STUTTGARTER ZEITUNG – Germany
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Such dazzling virtuosity on the recorder leaves
you in staggering daze! We wonder by which
diabolical trick the flautists manage to
articulate at such speed, with so much breath
and energy.”
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LE DEVOIR – Canada
“
The playing of the musicians was expressive, the
dynamics pliable as putty, the plasticity of their
phrasing warm and extravagant, and their
virtuosity brilliant.”
THE CHRONICLE HERALD – Canada
© photo: Tobias Haynes
©
Matthias Maute
Biography
JUNO Award winning conductor Matthias Maute has achieved an international
reputation. Impressed by his artistic approach The New York Times called the orchestra,
which he conducts, Ensemble Caprice “an ensemble that encourages the listener to
rehear the world”. He regularly appears at major festivals worldwide. In Canada he has
performed at the Ottawa Chamber Music Festival, the Festival international du
Domaine Forget and the Elora Festival among others.
Known as conductor, composer and soloist (recorder and flute) the diversity of his
activities shows the depth of his musicianship. In the realm of orchestra and choir
direction Matthias Maute has focussed more and more on large scale projects. His
versions of Bach’s B Minor Mass, Arvo Pärt's and J. S. Bach’s Magnificat and J. D.
Zelenka’s Miserere were broadcast nationwide by CBC Radio 2 and Radio
Canada/Espace Musique. He has recorded G. F. Handel’s Music for the Royal Fireworks
on CD, and under his direction Ensemble Caprice was awarded the prestigious 2009
JUNO Award for Best Classical Album of the Year (Vocal or Choral Performance) for its
CD Gloria! Vivaldi’s Angels on the Analekta label. In September 2012 Ensemble Caprice
directed by Matthias Maute released a double CD on Analekta featuring Bach’s
Brandenburg Concertos juxtaposed with Preludes from Shostakovich's Op. 87 which was
hailed by The New Yorker (Alex Ross) as a recording, which “stands out for its fleet,
characterful approach” and “its fresh, vibrant colors”.
His solo career has soared since winning First Prize in the soloist category at the
renowned Early Music Competition in Bruges, Belgium in 1990. He made his debut as
soloist at Lincoln Center in New York in December 2008. In 2003 and 2005, he was the
featured recorder soloist at the Boston Early Music Festival. Since 1991 he is the
recorder and flute soloist of REBEL (New York).
Matthias Maute’s compositions are published by Breitkopf & Härtel, Amadeus, Moeck
and Carus. His compositions are featured on numerous videos on the noncerto website.
Maute’s 1st violin concert was performed with Mark Fewer as soloist and the St. John’s
Symphony as well as with I Musici de Montréal in 2014 and 2015.
Mr. Maute has made some twenty recordings on the Analekta, Vanguard Classics, Bella
Musica, Dorian, Bridge and Atma Classique labels. He teaches at Université de Montréal
and at McGill University in Montreal.
3
Matthias Maute
2
Matthias Maute
Performances of Compositions
2014/2015
31 concerts in 8 Canadian provinces
13 janvier 2014
St.John, Terre-Neuve
Concerto pour violon et orchestre
Symphony
15 mars 2014
Kaleidoskop
Sackville, Nova Scotia
19 mars 2014
Kaleidoskop
Happy Valley, Nova Scotia
22 mars 2014
Kaleidoskop
Dartmouth, Nova Scotia
23 mars 2014
Kaleidoskop
Lunenburg, Nova Scotia
29 mars 2014
Kaleidoskop
Antigonish, Nova Scotia
14 juin 2014
Montréal,Québec
Noncerto Notre-Dame-de-Grâce RR3 RR1
18
Mark Fewer, violon//St.John’s
Flûte Alors!
Flûte Alors!
Flûte Alors!
Flûte Alors!
Flûte Alors!
Mark Djokic, Marjolaine Lambert,
Marie-Ève Poupart, Caroline Chéhadé,
Ewald Cheung – violon
7 août 2014
Ottawa, Ontario
Noncerto Notre-Dame-de-Grâce RR3 RR1
Mark Djokic
5 octobre 2014
Lacombe, Alberta
Noncerto Philharmonique RR2
Phil Chiu, Janelle Fung-piano
7 octobre 2014
Snow Lake, Manitoba
Noncerto Philharmonique RR2
Phil Chiu, Janelle Fung-piano
1 novembre 2014
Yorkton, Saskatchewan
Noncerto Philharmonique RR2
Phil Chiu, Janelle Fung-piano
3 novembre 2014
Estevan, Saskatchewan
Noncerto Philharmonique RR2
Phil Chiu, Janelle Fung-piano
5 novembre 2014
Shaunavon, Saskatchewan
Noncerto Philharmonique RR2
Phil Chiu, Janelle Fung-piano
6 novembre 2014
Watrous, Saskatchewan
Noncerto Philharmonique RR2
Phil Chiu, Janelle Fung-piano
7 novembre 2014
Rosthern, Saskatchewan
Noncerto Philharmonique RR2
Phil Chiu, Janelle Fung-piano
8 novembre 2014
Biggar, Saskatchewan
Noncerto Philharmonique RR2
Phil Chiu, Janelle Fung-piano
19
9 novembre 2014
Regina, Saskatchewan
Noncerto Philharmonique RR2
Phil Chiu, Janelle Fung-piano
10 novembre 2014
Carman, Manitoba
Noncerto Philharmonique RR2
Phil Chiu, Janelle Fung-piano
14 novembre 2014
Kingston, Ontario
Four seasons and a melting iceberg
Vincent Lauzer, flûte à bec
15 novembre 14
Whitehorse, Yukon
Noncerto Philharmonique RR2
Phil Chiu, Janelle Fung-piano
8 janvier 2015
Fort Saskatchewan, Alberta
Noncerto Philharmonique RR2
Phil Chiu, Janelle Fung-piano
9 janvier 2015
Westlock, Alberta
Noncerto Philharmonique RR2
Phil Chiu, Janelle Fung-piano
10 janvier 2015
Camrose, Alberta
Noncerto Philharmonique RR2
Phil Chiu, Janelle Fung-piano
19 janvier 2015
A Due
Ensemble Caprice
Montréal, Québec
10 février 2015
Montréal, Québec
Noncerto de la Neige RR1
collectif9
20 mars 2015
A Due
Ensemble Caprice
Dorval, Québec
7 mai 2015
Montréal, Québec
Concerto pour violon et orchestre
Mark Fewer, violon // I Musici
8 mai 2015
Montréal, Québec 11h
Concerto pour violon et orchestre
Mark Fewer, violon // I Musici
8 mai 2015
Montréal, Québec 17h45
Concerto pour violon et orchestre
Mark Fewer, violon // I Musici
9 mai 2015
Montréal, Québec
Concerto pour violon et orchestre
Mark Fewer, violon // I Musici
10 mai 2015
Montréal, Québec
Concerto pour violon et orchestre
Mark Fewer, violon // I Musici
Matthias Maute
Composition Videos
noncerto channel
4.1
4.2
4.3
17.1
17.2
17.3
17.4
17.5
17.0
32.1
32.2
32.3
collectif9 - Maute: RR1 I.Poudre de Champagne, Noncerto de la Neige
collectif9 - Maute: RR1 II.Graupel, Noncerto de la Neige
collectif9 - Maute: RR1 III.Avalanche, Noncerto de la Neige
Marc Djokic - Maute: RR3 I.Sparkle, Noncerto Notre-Dame-de-Grâce (Greque)
Marjolaine Lambert - Maute: RR3 II.Chopin, Noncerto Notre-Dame-de-Grâce (Polonais)
Marie-Ève Poupart - Maute: RR3 III.Quartier Perse, Noncerto Notre-Dame-de-Grâce (Iranien)
Caroline Chéhadé - Maute: RR3 IV.Chantal,Noncerto Notre-Dame-de-Grâce (Québécoise)
Ewald Cheung - Maute: RR3 V. Casareccia, Noncerto Notre-Dame-de-Grâce (Italiano)
Matthias Maute - Maute: RR3 Making of Noncerto Notre-Dame-de-Grâce
Phil Chiu - Maute: RR2 I.Gare Windsor, Noncerto Métro Philharmonique
Cheung & Chiu - Maute: RR2 II.Place-des-Arts, Noncerto Métro Philharmonique
Fung-Chiu Duo - Maute: RR2 III.Champ-de-Mars, Noncerto Métro Philharmonique
50.0
50.1
50.2
50.3
50.4
Matthias Maute - Maute: RR6 Making of Noncerto de la Montagne
Samantha Louis-Jean - Maute: RR6 I.Mont Royal, Noncerto de la Montagne
Suzanna Rigden - Maute: RR6 II.Outremont, Noncerto de la Montagne
Janna Miller - Maute: RR6 III.Westmount, Noncerto de la Montagne
Dawn Bailey - Maute: RR6 IV.Montagne de la Croix, Noncerto de la Montagne
70.0
70.1
70.2
70.3
70.4
Matthias Maute - Maute: RR5 Making of Noncerto de la Nage
Chloé Dominguez - Maute: RR5 I.Papillon (Butterfly), Noncerto de la Nage
Camille Paquette-Roy - Maute: RR5 II.Dos (Back), Noncerto de la Nage
Vanessa Rusell - Maute: RR5 III.Brasse (Breast), Noncerto de la Nage
Elinor Frey - Maute: RR5 IV.Libre (Free), Noncerto de la Nage
74.1 Deutsch, Belvedere & Chiu - Maute: RR9 I.St.Jean /La terre, Noncerto Montgolfières
74.2 Lara Deutsch - Maute: RR9 II.Richelieu/La rivière, Noncerto Montgolfières
74.3 Deutsch & Belvedere - Maute: RR9 III.Montgolfières/L’air, Noncerto Montgolfières
75.1 Pronto Musica - Maute: I.Place Jacques Cartier, Noncerto Vieux Montréal
75.2 Pronto Musica - Maute: II.Le Viuex Port, Noncerto Vieux Montréal
75.3 Pronto Musica - Maute: III.3. Cathédrale Notre-Dame, Noncerto Vieux Montréal
https://vimeo.com/groups/mattthiasmautecomposer
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Matthias Maute
Reviews
« The performers around conductor Matthias Maute give their usual, and that is the best, to resurrect this
atmosphere, and they succeed splendidly. This is particularly due to the gripping, sleek and pulsing
interpretation that holds the listener in its spell from the beginning.»
Toccata - Allemagne
« A true world of expressive gestures, colors and delicate ornaments. The pleasure of contrasting dynamics
can be heard clearly. »
Klassik Heute – Germany
« The ensemble has established itself as an immensely thoughtful and progressive force on the musical
scene. A group that encourages the world to rehear the world…. »
New York Times – United States
«Matthias Maute and Ensemble Caprice gave an extremely vibrant and nuanced performance of this
seminal work (the Mass in B minor by J. S. Bach). In short, we witnessed a sweeping away of the dust and
cobwebs. »
Le Soleil de Québec – Canada
« …the way in which Maute has conceived and structured these recordings makes use of Baroque
symbolism to create the maximum effect. Groups like Ensemble Caprice are shedding new light on the
masterpieces Vivaldi wrote. »
Early Music America Magazin
“…spiritual and intense”
The Whole Note-Canada
“…ecstatically and beautiful…”
The Huffington Post-Canada
« Matthias Maute and his musicians conveyed the divine sounds of Bach with an original interpretation,
reaching moments of sublime beauty. »
La Scena Musicale – Canada
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