the art book survey - Thomas Heneage Art Books

Transcription

Camille Pissaro
Luis Melendez
Albers and
Moholy-Nagy
Catalogue
raisonné
Old Masters
Modern Art
Constable
Exhibition
catalogues
THOMAS HENEAGE
Vol 44 MMVI
Summer 2006
THE ART BOOK SURVEY
The world’s most comprehensive review of new and forthcoming art books
contents
19th Century Painting
Ancient Glass
Antiquities
Architecture
Art and Artists from Picasso to Now
Botanical Illustration
British Art
Byzantine Art
Chinese Art
Clocks & Watches
Conservation
Current Exhibition Catalogues
Decorative Arts general
Drawings and Prints
European Ceramics
Fashion
Furniture
Gardens
Generalities on Art
Glass
Heraldry
Icons
India Tibet and South Asia
Interiors
Islamic Art
Ivories
Japanese Art
Jewels and Gems
Korean Art
Manuscripts and Book Arts
Medieval Art
Miniatures
Museology
Old Masters
Order Form
Pacific Art
Plaquettes and Medals
Russian Art
Sculpture
Silver
Stained Glass
Textiles
The Art Market
Women in the Arts
Works of Art
Wunnderkammer
Thomas Heneage Art Books
42 Duke Street St James’s
London SW1Y 6DJ England
Tel: +44 (0) 20 7930 9223
Fax: +44 (0) 20 7839 9223
[email protected]
www.heneage.com
Pillement
26309
11
25
25
17
2
16
14
23
27
22
19
28
22
13
21
21
19
17
16
22
21
22
26
18
26
24
27
20
27
24
23
16
16
6
32
27
24
22
24
20
23
20
16
14
25
24
£110.00
Furniture
Silver
Sculpture
Pacific Art
Georg Haupt
Brittania and
Muscovy
Der
Furienmeister
Art and Divinity in
Polynesia
2
THE ART BOOK SURVEY
Cornford and Cross. Where
is the Work? by John
Roberts and Rachel Withers
ART & ARTISTS FROM PICASSO TO NOW
Avigdor Arikha. From Life:
Drawings and Prints 19652005 by Duncan Thomson
and Stephen Coppel
2006. 144pp, with 115 colour
illustrations. Wrappers, 27x24cms
The Romanian-born artist trained in
Jerusalem and Paris, and from 1965
to 1973 devoted his time exclusively
to drawing, and though he returned
to painting, his work remained
uncompromisingly figurative. This
catalogue features the 100 works on
paper which he gave to the British
Museum in 2004.
85817
£20.00
Exhibition: London, Tate
Modern, 2006. 190pp with 180
illustrations. Boards, 27.8x24cms
Survey of two of Modernism’s
pioneers, both of whom were key
figures at the Bauhaus in
Germany and, following the rise
of the Nazi party, influential
exiles in American art and
culture. Including many seldom
seen works, this catalogue
concentrates on the years 1920 to
1950 and creates a posthumous
dialogue between the two artists.
85207
£35.00
Marina Abramovic. Balkan
Epic by Adelina von
Fürstenberg et al
Josel Albers. Formulation:
Articulation introduced by
T.G. Rosenthal
2006. 112pp with 40 colour and
43 monochrome illustrations.
Wrappers, 28x24cms
Considered to be one of the most
outstanding performance artists of
the contemporary art scene, this
book brings together a series of
video installations and performances
created between 1997 and 2005. Not
yet published, expected July 2006.
85933
£19.95
2006. 168pp with 2 gatefolds,
127 colour and 24 monochrome
illustrations. Cloth, 25x33cms
85485
£60.00
Albers and Moholy-Nagy.
From the Bauhaus to the
New World edited by Achim
Borchardt-Hume
Christo and Jean-Claude.
Revealing an Object by
Concealing It edited by
Rudy Chiappini
Cloth, 28x28cms
Reveals the couples artistic
evolution from 1958 to the present,
from Christo’s first ‘Packages and
Wrapped Objects’ of the late 1950s
to ‘The Gates, Central Park’ 19792005. Examines their role as
environmental artists, changing the
urban and rural environment into
new aesthetic realities. With essays,
preparatory drawings, collages,
scale models and photographs.
85459
£34.95
Against the Grain.
Contemporary Art from the
Edward R. Broida
Collection by John
Elderfield and Ann Temkin
2006. 120pp with 81 colour
illustrations. Cloth, 24x21.5cms
Accompanies the exhibition of the
paintings, sculptures, drawings
and prints from the Edward R.
Broida’s recent gift to the Museum
of 175 works from his collection.
Presents works by thirty-eight
European and American artists
dating from the 1960s to the
present. With an introduction and
interview with Edward Broida.
Includes works by Vija Celmins,
Philip Guston, Jennifer Bartlett,
Bruce Nauman, Richard Serra and
Jake Bethot amongst others. Not
85938
£24.95
Louise Bourgeois Aller Retour by Gerald Matt et al
Focussing on her work of the last
ten years where the artists creates
a dialogue between sculpture and
painting, the majority of which are
diary-like drawings in which text
and symbols frequently mix,
Bourgeois’s work is shown to reject
formal understanding in favour of
a more personal approach. Text in
English and German.
85916
£27.00
monochrome illustrations. Cloth,
28x23cms
Cornford and Cross have been
working together since 1987,
staging encounters, interventions
and installations in the UK, US,
Sweden, Norway and Thailand.
This survey examines the range of
their provocative work and the
viewers reaction, thereby
investigating the relationship
between presentation and
representation. Includes some of
their writings which provide insight
into their theoretical approach.
85692
£24.95
Arp Craig-Martin Arp.
Michael Craig-Martin by
Raimund Stecker and
Michael Craig-Martin
illustrations. Cloth, 29.5x23.5cms
Published to accompany the
exhibition at the Arp Museum,
Rolandseck which looks at the
work of this key figure of British
contemporary art, who played an
important role in the success of
the Young British Artists
generation. Text in English and
German.
85930
£20.00
Light Art. Targetti Light Art
Collection by Amnon Barzel
Using artificial light as its
primary expressive tool, light
art has become prominent in
contemporary art. Examines the
development of the use of light
in art after the invention of
artificial light with Lucio
Fontana, Dan Flavin and Mario
Merz. Looks at the relationship
between art and industry in
contemporary art with
interviews with James Turrell.
Descriptions are given of many
of the pieces in the Targetti
Light Art collection, and
considers works by Olafur
Eliasson, Gilberto Zorio and
Fabrizio Plessi amongst others.
Not yet published, expected July
2006.
85931
£24.00
Thomas Heneage
Art Books
42 Duke Street, St. James’s
London, SW1Y 6DJ U.K.
Tel: +44 (0)20 7930 9223
Fax: +44 (0)20 7839 9223
[email protected]
Jean-Marc Bustamante by
Jacinto Lageira et al
plates and 45 colour illustrations.
Cloth, 28x21cms
Working around the reciprocal
relationship between artist and
spectator, this study examines the
way in which Bustamante
believes that both parties engage
in the aesthetic definition of a
piece. Representing France in the
50th Venice Biennial in 2003,
Bustamante has also worked with
photographer and film-maker
William Klein.
85423
£25.00
Alexander Calder “The
Modernist” by Mark
Rosenthal
Exhibition: Zurich, Galerie
Gmurzynska, 2005. 88pp, with 24
colour and 21 monochrome
illustrations. Boards, 24.5x22.2cms
Alexander Calder invented the
mobile in 1932, and this
catalogue examines some of these
sculptures from the 1930s and
1940s, as well as his gouaches.
Includes photographs of Calder
in his studio by Herbert Matter.
85751
£23.00
Bonnard by Yves-Alain Bois
et al
Exhibition: Paris, Musée d’Art
Moderne, 2006. 360pp with 90
colour plates, 120 colour and 50
27x22cms
The development of the approach
to reoccurring themes in
Bonnard’s work, form nudes,
landscapes, terraces, windows
and self-portraits, show him to be
an artist contributing to a
‘modern’ conception of painting,
from his Nabi experiences to his
later work which verged on
abstraction. With interviews with
those who knew him and were
influenced by him, including
Cartier-Bresson and Dina Vierny,
his only nude model.
85297
£35.00
A REVIEW OF NEW AND FORTHCOMING ART BOOKS PUBLISHED WORLDWIDE 3
Max Ernst. Werke 19641969. Vol. 7 by Werner Spies
2006. c.785, and approx. 400
30x24cms.
Subscription price £200.00 for
orders received before 31 Oct
2006 then price rises to £250.00.
Text in German.
86031
£200.00
Foujita, entre Oriente y
Occidente
William Cumming, The
Image of Consequence by
Matthew Kangas
Exhibition: Seattle, Art Museum,
plates, 54 colour and 10
monochrome illustrations.
Flexibound, 28x21.7cms
Painter, correspondent, art and
music critic, educator and
memoirist, Cumming’s work and
life is both contradictory and
intriguing. Critic Matthew
Kangas examines 140 crucial
works, placing him in the cultural
context of his times, artistic,
social and political. With
chronology, exhibitions and
collections list.
85646
£29.95
Salvador Dalì: The
Empordà Triangle by
Sebastià Riog
2006. 232pp with illustrations
throughout. Cloth, 27x25cms
Unusual things happen at the
Empordà Triangle, like its
notorious sister the Bermuda
Triangle. Landscape photographs
of the Empordà Triangle give a tour
of Dalìnian experience, from his
house at Port Lligat - with the
stuffed bear at its entrance, to the
castle of Pùbol - where he lived in
his old age and where his wife is
buried, to the Dalì Theatre-Museum
in Figures, where he is buried.
85477
£30.00
Tacita Dean by JeanChristophe Royoux et al
Wrappers, 29x25cms
First monograph on the work of
this British born artist, looking at
the manner in which she
combines film, video, installation,
audio and drawing in her work.
85230
£24.95
Thomas Heneage
Art Books
Tel: +44 (0)20 7930 9223
Fax: +44 (0)20 7839 9223
[email protected]
Exhibition: Valencia, Centre
Cultural Bancaixa,, 2005. 276pp
with 115 colour and 59
29x21cms
Through both his drawings and
paintings, this exhibition
examines the relationship
between the East and West in the
work of this Japanese artist, who
played an important role in the
artistic movement in Paris. Text
in Spanish.
85417
£40.00
A Robert Gober Lexicon. 2
vols. by Brenda Richardson
2005. vol 1, 136pp with 131
monochrome illustrations. vol 2,
56pp with 50 colour plates.
Wrappers in a slipcase
The latest sculptural installation by
Robert Gober loosely follows the
floor-plan of a church and includes
many of his known sculptural
motifs. Explores the questions of
sexuality, religion, relationship,
nature and memory, all informed
by the current political climate in
his complex works.
85435
£35.00
Felix Gonzalez-Torres by
Julie Ault
2006. 400pp with colour
illustrations throughout. Cloth,
27.3x21cms
Examines the manner in which
Cuban born Gonzales-Torres
combined the principles of
conceptual art, minimalism,
political activism and poetic
beauty to create an individual art
which determined to ‘make this a
better place for everyone’. From
his public bill-boards, give-away
piles of candy or posters and
everyday objects including
clocks, mirrors, light-fixtures, this
insightful monograph includes
essays, exhibition statements,
transcripts from lectures,
personal correspondence and
writings that influenced
Gonzales-Torres and his work.
85433
£65.00
Hans Hartung by Maurizio
Calvesi
Exhibition: Milan, 2005. 112pp
28x24cms
A selection of over sixty paintings
produced between the 1960s and
his death in 1989 are brought
together, examining his painting
techniques and the materials he
used to apply the paint. Text in
Italian.
85242
£23.00
The Drawing Book. A Survey
of Drawing: The Primary
Means of Expression edited
by Tania Kovats
illustrations. Boards, 28.7x23.7cms
Versatile and immediate, drawing
has been used by creative persons
down the centuries to express
everything from first thoughts to
finely and elaborately wrought
works of art. Using examples the
old masters, but particularly from
the works of contemporary artists
like Louise Bourgeois, Robert
Smithson, Chris Ofili, Rachel
Whiteread, Ellen Gallagher and
others, the authors examine five
themes: measurement, nature, the
city, dreams, and the body.
85441
£34.95
John Himmerlfarb. A
Catalogue Raisonné
1967-2004 by Michael
Bonesteel and Linda
Kramer
Cloth, 28x28cms
Like his paintings and drawings,
American Abstract artist
Himmelfarb’s print oeuvre includes
landscapes, cityscapes, individuals,
groups, grid works, letterform
works, maps and bridges and the
narrative puzzle pieces. All these
forms challenge the viewer to
examine the variety of line, colour,
form and content while referencing
to music, literature and modernism.
85397
£30.00
Jasper Johns: A Retrospective
by Kirk Varnedoe and
Roberta Bernstein
and 207 monochrome
Paintings, drawings, sculptures
and prints are reproduced with a
chronology and extensive bibliography. Examines the influence of
his artistic predecessors on his
work and how his work is viewed
by other artists. Reprint in cloth
of the 1996 exhibition catalogue.
85374
£45.00
The Diary of Frida Kahlo.
An Intimate Self-Portrait by
Carlos Fuentes and Sarah
M. Lowe
Cloth, 23.5x15cms
Published in its entirety, these
diaries document the last ten
years of Frida Kahlo’s turbulent
life, revealing new dimensions to
her complex personality and
relationship with her husband
Diego Rivera. The diaries contain
thoughts, poems, dreams and 70
watercolour illustrations.
85259
£12.95
Eva Hesse Drawing edited
by Catherine de Zegher
and 25 monochrome illustrations.
Cloth, 25.4x21.5cms
This is the first book to explore
the drawing process from
drawings to painting and
sculpture in the career of this
highly experimental artist (19361970). Featuring recently
rediscovered ‘working drawings’
this book provides an intimate
look at at Hesse’s everyday
practice and methodology from
her wandering, tentative line
whilst studying at Yale in the
1950s to her work in the 1960s
which engaged with visual
vocabularies from geometry to
biomorphic abstraction.
85917
£30.00
Twentieth-Century Art of
Latin America by Jacqueline
Barnitz
2006. 416pp. Cloth
Leading figures of 20th century
Latin American art, such as
Wilfredo Lam, Roberto Matta,
Diego Rivera, Joaquin TorresGarcia, have received international
stature. This study seeks to reexamine this art form from the
point of view of its own critics and
artists, looking at the major
currents and art from Mexico, the
Caribbean and South America from
modernism and the break from 19th
century academic art to more
contemporary trends.
85775
£40.27
Martin Kippenberger by
Doris Krystof and Jessica
Morgan
Exhibition: London, Tate
Modern, 2006. 192pp with 130
illustrations. Wrappers,
24.5x20.5cms
Kippenberger’s primary concern
was to undermine the myth of the
artist and embrace controversy
and irreverence. For the first time
since his premature death in
1997, an attempt is made to deal
with the visual and conceptual
aspects of his work, and to
redress the critical reception
given to the artist whose personal
life has dominated all previous
studies of the man. Focusing on
his paintings from the 1980s, the
exhibition also covers his works
in other media, including
installations, prints, artists’ books
and photography.
85206
£16.99
Ernst Ludwig Kirchner.
Photographs by Roland
Scotti et al
illustrations. Cloth, 29.5x22cms
The first book to examine
Kirchner’s photographic work,
from his portraits, nudes, scenes
in his atelier, exhibition
documentation, landscapes,
installations and documentary
photographs. These images offer
greater insight into the bohemian
life of this Expressionist
alongside the archaic Alpine
world in which he lived. With a
detailed biography, illustrated
with the photographs.
85393
£40.00
The Complete Collection of
Blue Nudes by Henri
Matisse. 3vols. by Anne
Coron
2006. The 16 illustrations are in
pochoir, i.e. hand-made coloured
illustrations matched from
original colours of paper cut-outs
samples. Cloth in a slipcase
Text in English and French.
85776
£180.00
4
THE ART BOOK SURVEY
Chris Ofili. The Blue Rider
by Louis Antwi et al
Exhibition: Berlin, 2006. 112pp
with 43 colour illustrations.
Cloth, 32.5x24.5cms
Series of paintings and sculptures
by this contemporary British
artist, taking its name from the
seminal art publication by
Kandinsky and Franz Marc.
85777
£36.00
Brice Marden: Paintings on
Marble by Lisa Liebmann
Max Klinger introduced by
Barbara John
Exhibition: Birmingham, Ikon
Gallery, 2005. 80pp, with
Boards, 25x20.7cms
Essay on the life of the German
artist and sculptor (1857-1920),
whose most important project
was his statue of Beethoven at
Leipzig, followed by
reproductions of five of his series
of engravings, including A
Glove, Dramas and A Love.
85336
£15.00
Willem de Kooning. Late
Paintings 1981-1988 by Julie
Sylvester and David
Sylvester
Exhibition: St. Petersburg,
Hermitage, 2006. 80pp with 24
colour illustrations. Cloth,
34x24.5cms
As one of the first-generation
Abstract Expressionists, de
Koonig’s later work reveal a
quieter form of almost
conceptual quality that bridge
the gap to Minimalism. This
volume of his later paintings
accompanies a travelling
exhibition. Text in German and
English.
85461
£48.00
2005. 88pp with 30 colour plates.
Cloth, 22x23cms
Between 1981-1987 Marden
created 31 paintings on marble
which were inspired by the Greek
island of Hydra’s ancient marble
quarries. They are brought
together here for the first time
and explain his development from
his more minimal work of the
1960s and 70s to the calligraphic
work of the late 1980s.
85432
£20.00
Amedeo Modigliani. Una
Retrospetiva by Rudy
Chiappini
Exhibition: Rome, Complesso
del Vittoriano, 2006. 328pp with
Major catalogue of the work of
the Italian artist Modigliani
(1884-1920) whose success in
adapting Cubism and African art
to a language and palette that are
entirely his own places him at the
heart of the modern movement at
the start of the 20th century, but
whose posthumous fame has been
bedevilled by his perception as an
artiste maudit. Text in Italian.
85727
£39.95
Modigliani and His Models
by Emily Braun et al
Exhibition: London, Royal
Academy, 2006. 160pp, with
approximately 120 colour and
29x26cms
Re-evaluation of the Italian artist
Modigliani’s place in the
development of modern art and
the myths that surround him,
concentrating on his erotic nudes,
portraits and figures. Not yet
published, expected July 2006.
85866
£38.00
Claudio Parmiggiani.
L’Isola del Silenzio by
Jean-Luc Nancy and Elena
La Spina
Exhibition: Brussels, Chapelle
des Brigittines, 2006. 104pp,
Wrappers, 34x24cms
The Chapelle des Brigittines,
founded in 1663 by the Order of
St Saviour, is one of Brussels most
prestigious venues for
contemporary art, and Claudio
Parmiggiani’s installation ‘The
Island of Silence’ is displayed
there in place of the altar and
comprises a magnificent bronze
bell, placed on the floor in front of
a pyramid of books. The meaning
of the work, the relationship of the
installation to its space, and its
allegorical significance for the
artist are discussed. Text in
French and Flemish.
85947
£19.50
Exhibition: Paris, Grand Palais,
2006. 280pp. Wrappers, 28x24cms
Survey of Italian art in the early
20th century. Text in French.
85744
£36.00
Munch Revisited, Edward
Munch and the Art of Today
edited by Rosemarie E.
Pahlke
Cloth, 32x25cms
Catalogue of the important body
of sculpture by the 20th century
Spanish master. Text in French.
85764
£155.00
Special Heneage Price
2006. Limited edition boxed set.
41pp with 5 illustrations, with 32
separate unbound, loose tritones.
32x25cms
The German painter Sigmar
Polke has been taking and
printing photographs throughout
his career, and in the years
immediately after graduating
from the Dusseldorf
Kunstakademie when he had few
commissions he made thousand of
photographs instead.
85895
£44.50
Pollock Matters by Ellen
Landau et al
Cloth, 22x25.4cms
The discovery in 2005 of 32
Pollock paintings, gouache and
enamel drawings sparked a
controversy in the art world. This
book argues that these works are
authentic and place these works
within the context of his oeuvre.
With biographical material on his
relationship with his artist wife
Lee Krasner and testimony on the
physics of the ‘drips’, this book
accompanies a travelling
exhibition. Not yet published,
expected August 2006.
85258
£24.95
Italia Nova. Une Aventure
de l’Art Italien
Picasso Dora Maar. Regards
Croisés by Anne Baldassari
Joan Miro. Sculptures,
Catalogue Raisonné. 19281982 by Jacques Dupin et al
Sigmar Polke – Photographs
1969-1974 by Mariette
Althaus
Exhibition: Dortmund, Museum
für Kunst und Kulturgeschichte,
2005. 184pp, with around 120
colour and 65 b/w illustrations.
Boards, 28.6x21.5cms
The creative impulses which
made the Norwegian artist
Edvard Munch a key figure in the
Modernist movement and
continue to have influence on
international contemporary art
are examined, with his themes of
melancholy, loneliness, emptiness
and despair being of significance
for artists like Kippenberger,
Gober, Nan Goldin and Sam
Taylor-Wood.
84530
£23.00
Exhibition: Paris, Musée Picasso,
2006. 240pp with illustrations
throughout. Wrappers, 28x22cms
Retraces the relationship between
Picasso and his tragic muse,
Dora Maar. Examines their work
together and their influence on
each other. The photographs of
Dora Maar offer insight into their
lives together and their working
practices. Text in French.
85759
£28.00
Arnaldo Pomodoro. General
Catalogue of Sculptures. 2
vols. edited by Flaminio
Gualdoni
Cloth in a slipcase, 28x24cms
Spans over fifty years of this
Italian sculptor’s work from 1953
to the present day and covers the
full-range of his works with a
comprehensive bibliography and
introductory essays. Text in
English and Italian.
85420
£170.00
Picasso: Tradition and
Avant-Garde by CalvoSerraller et al
Exhibition: Madrid, Museo del
Prado, 2006. 400pp with 350
30x24cms
Surveying Picasso’s entire oeuvre,
this study sets his work within the
context of both the tradition of art
in Spain and within the movements
of his own time. Looks at his work
alongside other Spanish masters
including El Greco, Velázquez,
Zurburan, Ribera and Goya, and
other European masters such as
Dürer, Titian and Rubens. The
exhibition celebrates both the
return of Guernica and the 125th
anniversary of Picasso’s birth.
85701
£35.00
Marc Quinn edited by
Danilo Eccher
Exhibition: Rome, 2006. 80pp
Wrappers, 24x17cms
Surveys the entire work of this
Young British Artist, who came to
fame in 1991 with his piece Self.
Examines his fascination with the
body and looks at controversial
works like the sculpture of Alison
Lapper Pregnant in Trafalgar
Square. Text in English and
Italian.
85772
£19.99
UNA REVISTA DE LIVROS DE ARTE NOVOS E PRESTES A SER PUBLICADOS MUNDIALMENTE 5
Fiore Zaccarian. 2 vols. by
Nico Stringa and Mario
Guderzo
Jenny Saville edited by
Danilo Escher
Exhibition: Rome, Galleria
Nazionale d’Arte Moderna, 2005.
Flexibound, 24.5X17.5cms
Catalogue of recent work by this
Rome-based painter whose
depictions of the ugliness of flesh
and brilliant use of oil paint have
won her many admirers.
85255
£19.99
“Where are we going?”
Selections from the François
Pinault Collection by Alison
M. Gingeras and Jack
Bankowsky
Exhibition: Venice, Palazzo
Grassi, 2006. 272pp, with 200
28x24cms
To celebrate the reopening of the
Palazzo Grassi as the home of the
Pinault Collection after its
refurbishment by Tadao Ando this
catalogue presents a focussed
selection of post-1945 art from
artists of the New York School,
and the European movements of
Abstraction, Arte Povera,
Minimalism, Post-Minimalism,
Pop Art, has been made from the
collection, including works by
Rothko, Manzoni, Donald Judd,
Cindy Sherman, Maurizio
Cattelan, Damien Hirst, Urs
Fischer and Rudolf Stingel. Not
85841
£40.00
Gerhard Richter. Works on
Paper by Hubertus Butin
Eros und Schöpfung. Rodin
und Picasso
Series of ten works stemming
from Richter’s interest in
molecular and atomic structures
and with images taken with a
scanning electron microscope.
Documents his printmaking
collaboration with Mike
Karstens.
85401
£21.00
Exhibition: Basel, Fondation
Beyeler, 2006. 200pp, with 170 col.
Brings together a selection of the
erotic drawings and sculpture of
the great French sculptor Auguste
Rodin (1840-1917) with some of
the early erotic works of Pablo
Picasso (1881-1973) looking at
the influence that Rodin had on
Picasso and examining their
sources from Japanese prints to
the work of their contemporaries.
Text in German. Not yet
published, expected August 2006.
85945
£29.95
Mimmo Rotella edited by
Germano Celant
Ed Ruscha, Photographer
by Magrit Rowell
Exhibition: Paris, Jeu de Paume,
Known for his paintings and
drawings, this catalogue shows
how these and his prints and
photographs are all guided and
shaped by a single vision. His
photographic images are
neither purely documentary nor
purely artistic, and have drawn
critical interest since the
1960s.
85403
£20.00
2006. 512pp, with 400 colour and
Cloth, 28x24cms
First anthological monograph on
one of the most innovative Italian
artists of the 20th century who
worked at the same time as Lucio
Fontana, Manzoni and De
Chirico, and covering his 60 year
career and almost 350 works
from the late 1940s. Not yet
85888
£68.00
Download an order form on
www.heneage.com/
abs/orderdetails.pdf
Jeff Wall: Catalogue
Raisonne 1978-2004 by
Jeff Wall
2005
Describing his work as the
‘painting of modern life’, an
allusion to Baudelaire’s dictum
on Manet, Wall’s photographs
consist of large-format
transparencies, mounted in
aluminium boxes and lit from
behind. Contains 120 catalogue
entries and includes technical
data and descriptions and
commentaries by Wall himself.
85434
£65.00
Warhol’s World by George
Muir et al
Cindy Sherman by Régis
Durand et al
Exhibition: Paris, Jeu de Paume
and other venues, 2006. 288pp,
Cloth, 28.5x24.5cms
Comprehensive review of her
provocative and engaging
photographic work, starting with
her first photographs in 1977 and
including later series such as
‘Film Stills’, ‘History Portraits’,
‘Sex Pictures’, ‘Centrefolds’ and
‘Clowns’.
85785
£40.00
Exhibition: London, Hauser &
Wirth, 2006. 400pp with 500
25.5x25.5cms
The previously unpublished
photographic images from the
Andy Warhol Foundation,
taken by the artist, reveal the
world at Studio 54 and the
Factory, looking at the endless
parties and celebrities that
filled Warhol’s social life,
including Jean-Michel
Basquiat, Mick Jagger, Debbie
Harry, Diana Ross,
Rauschenberg, Jerry Hall,
Bianca Jagger, Grace Jones,
Demi Moore, Hockney amongst
many others.
85476
£21.00
Arpad Szenes. Catalogue
Raisonné. 2 vols. by Chiara
Calzetta Jaeger
and 3081 monochrome
The first catalogue raisonné
dedicated to this artist, showing
his paintings, gouaches and
drawings dating from 1905 to
1983. With biography of his life
and development as an artist. Text
in French.
85774
£170.00
Venice 1948-1986. The Art
Scene by Luca Massimo
Barberi
28.5x24.5cms
The photographs taken between
1948-1986 of the post-war
international art scene in
Venice featuring artist such as
Léger, Ernst, Picasso, Matisse,
Dali, Fontana, Beuys,
Oldenberg, Lichtenstein and
Rauschenberg, capture the
artistic climate and fervour of
the period, documenting the
historical phases of the wold’s
most prized international
contemporary art exhibition.
Not yet published, expected
July 2006.
85932
£36.00
Word into Art: Artists of the
Modern Middle East by
Venetia Porter
Frank Stella 1958 by Harry
Cooper and Megan Luke
Exhibition: Washington, Arthur
M. Sackler Gallery, 2006. 142pp
Wrappers, 26x22.3cms
In 1958 Frank Stella moved to
Manhattan and painted a series
of monumental canvases that
culminated in the first of his
famous ‘black paintings’. This
book focuses on the 30 works he
painted that year.
83388
£20.00
1,100 monochrome illustrations.
Wrappers in a slipcase,
30x24cms
Student of both Ettore Tito and
Alessandro Milesi, Fiore
Zaccarian was an important
20th century Venetian woman
artist who worked extensively
around Italy and especially in
Rome. This monograph brings
together 1,400 of her
paintings and drawings which
display her Venetian heritage
of colour and freshness. Text
in Italian.
85925
£52.00
Andy Warhol / Supernova.
Stars, Deaths, and Disasters,
1962-1964 by Douglas Fogle
et al
Exhibition: Minneapolis, Walker
Art Center, 2006. 112pp with 72
25x33cms
In the mid 1960s Warhol moved
from painting to the mechanical
photo silkscreen process,
observing America’s fascination
with both celebrities and
disasters of the mass media age.
This study juxtaposes his
silkscreen work of serial images
of Marilyn Monroe, Elizabeth
Taylor and Elvis Presley
alongside images of car crashes,
electrical chars and other
disasters taken from
photojournalism.
85479
£24.00
Exhibition: London, British
Museum, 2006. 144pp, with 120
27.6x21.9cms
Contemporary works of art
from the Arab World, North
Africa and Iran selected largely
from the collection at the
British Museum are published
here for the first time, whose
underlying theme is the artists’
engagement with Arabic as
script and language.
85783
£16.99
Thomas Heneage
Art Books
Tel: +44 (0)20 7930 9223
Fax: +44 (0)20 7839 9223
[email protected]
6
THE ART BOOK SURVEY
Secret Masterpieces. R&H
Batliner Art Foundation
Vaduz by Rudolf Koella and
Felix Billeter
The Avant-garde
Movements 1900-1919.
edited by Valerio
Terraroli
Series: Art of the Twentieth
Century, 1. 2006. 456pp, with
379 colour illustrations. Cloth,
28x21cms
First volume in new series
devoted to interdisciplinary
analysis and examination of
the development of modern art,
beginning with the 1900
Exposition Universelle in
Paris where technology
inspired modernistic and
contemporary artistic ideas as
an alternative to figurative art
and closing with the initial
phase of the Dada movement in
Zurich and the foundation of
the Bauhaus in Germany. Not
yet published, expected
September 2006.
85784
£34.00
Cloth, 30x24cms
Embracing paintings, drawings,
sculpture and ceramics, this volume
reproduces over 200 rarely seen
works by Monet, Matisse, Bacon,
Lichtenstein, Kokoschka, Picasso,
Klee, Chagall and Giacometti
amongst others. The chapters are
divided chronologically from
Impressionism to contemporary
art, via Fauvism, Expressionism,
the Russian Avant-Garde,
Bauhaus Artists, Surealism, and
much more. The foreword is a
conversation between Herbert
Batliner, Georg Baselitz and
Klaus Albrecht Schröder. Includes
artist biographies. Not yet
85939
£110.00
American Paintings in the
Brooklyn Museum: Artists
Born by 1876. 2 Vols. by
Teresa A Carbone
Cloth, 30.5x22.9cms
Catalogue of almost 700 works
by 350 American artists from the
Colonial Period to the early 20th
century in the Brooklyn Museum,
with major holdings of works by
Eakins, Albert Pinkham Ryder
and Sargent. Analytical
introduction considers the history
and development of the
collection, and each catalogue
entry includes technical
information by the conservation
department of the museum.
85734
£195.00
OLD MASTERS
The Société Anonyme.
Modernism for America by
Ruth L. Bohan et al
Exhibition: Los Angeles,
Hammer Museum, 2006. 230pp
31.5x25cms
Founded in 1920 by the artists
Katherine S Dreier, Marcel
Duchamp and Man Ray, this
catalogue illustrates the unique
history of the Société
Anonyme, Inc. The collection
of over one thousand artworks,
assembled by the group of
artists which chronicles the
rise of modernism, now
belongs to the Yale University
Art Gallery and features works
by over 100 artists including
Arp, Duchamp, Ernst,
Kandinsky, Klee, Lissitzky,
Mondrian, Ray Schwitters and
Joseph Stella.
85409
£35.00
www.heneage.com/
Series: Pelican History of Art.
200 b/w illustrations. Cloth,
28.5x21.5cms
Wide-ranging account of the
art and architectural history of
Central Europe in the last
decades of the AustroHungarian Empire, where the
simultaneous fear and
celebration of ethnic,
linguistic and cultural
diversity created nevertheless
an integrated and dynamic
artistic culture in the cities of
Vienna, Prague, Budapest,
Cracow and Zagreb.
85899
£50.00
2006. Together 1800pp. Cloth,
24x16cms
Includes all the painters,
sculptors, engravers, pastelists,
miniaturists and draughtsmen,
both known and unknown, who
exhibited during the 17th and
18th centuries in Paris,
Marseille, Dijon, Bordeaux,
Versailles and more, listing them
chronologically with the list of
the works they showed. Text in
French.
85770
£230.00
Leon Battista Alberti e
Firenze by Cristina Arcidini
Luchinat and Gabriele
Morolli
Thomas Heneage
Art Books
Tel: +44 (0)20 7930 9223
Fax: +44 (0)20 7839 9223
[email protected]
2005. 504pp with 45 monochrome
First translation to include the
original 12 biographies of artists
from the 1672 edition and the
subsequent 3 biographies
discovered in manuscript form
Dictionnaire des Artistes
Exposant dans les Salons
des XVII et XVIIIeme
siècles à Paris et en Province
(1673-1800). 3 Vols. by
Pierre Sanchez
Art, Design, and
Architecture in Central
Europe 1890-1920 by
Elizabeth Clegg
The Lives of the Modern
Painters, Sculptors, and
Architects by Giovan Pietro
Bellori
Modernism. Designing a
New World by Christopher
Wilk
Exhibition: London, Victoria &
Albert Museum, 2006. 496pp
Cloth, 28.7x24.5cms
Explores modernism and design
from an international
perspective, looking at all the
arts, revealing the fundamental
ways in which it has both shaped
the world and its visual culture.
Explores the history and
philosophies of modernism,
looking at the whole range of
arts from painting, sculpture,
film, photography, prints,
collage, architecture, interiors
and furniture to manufactured
products and graphic and fashion
design. Looking at modernism in
America, Europe and beyond to
Russia, Palestine and Japan.
84513
£45.00
Exhibition: Florence, Palazzo
Strozzi, 2006. 352pp with
150 colour and 100
Cloth, 29x24.5cms
Exhaustive study on the work
and times of Alberti in
Florence, looking at his
writings and manuscripts, his
role with both the Medici and
the Rucellai, the use of tradition
and innovation in his work, the
influences of the past and the
orient and much more. Text in
Italian.
85266
£36.00
and published in 1942 written by
the 17th-century antiquarian
Giovan Pietro Bellori. Artists
represented include: Annibale and
Agostino Carracci, Fontana,
Barocci, Caravaggio, Rubens, Van
Dyck, Du Quesnoy, Domenichino,
Lanfranco, Algardi, Poussin,
Guido Reni, Andrea Sacchi, and
Carlo Maratti.
83718
£75.00
Hans Baldung Grien
(1484/85-1545) Marienbilder
in der Reformation by
Sibylle Weber am Bach
2006. 224pp, 8 colour & 75 b/w
Text in German.
86028
£0.00
Federico Barocci: La
Bottega, la Scuola, i Seguaci
by Anna Maria Ambrosini
and Marina Cellini
.5x25.5cms
The phenomenon of “Baroccismo”,
through the work of both Federico
Fiori, known as ‘il Barocci’, and
his followers and school. Text in
Italian. Not yet published, expected
September 2006.
84780
£TBA
Gaspar Becerra y las Pinturas
de la Torre de la Reina en el
Palacio de El Pardo by
Carmen Garcia-Frias Checa
26.5x22cms
An important figure in the second
half of 16th century Spain,
Gaspar Becerra is considered to
have introduced Michelangelo in
Spanish Renaissance painting
and sculpture, using Italian fresco
techniques in his mural work as
in the Palacio de El Pardo. Text
in Spanish and English.
85414
£18.00
EEN OVERZICHT VAN DE NIEUWE EN NOG KOMENDE WERELDWIJD GEPUBLICEERDE KUNSTBOEKEN 7
Rethinking Boucher edited
by Melissa Hyde and Mark
Ledbury
Wrappers, 26x18cms
Having been so identified with the
French Rococo, this study places
Boucher as an individual artist in
his own right, looking at his
diverse talents and the variety of
visual and intellectual traditions
with which he worked. Explores
the social and cultural context in
which he worked, including the
commercial print market, the
theatres of Paris and the world
and use of the exotic. Not yet
85276
£35.00
Caravaggio: Art,
Knighthood and Malta by
Keith Sciberras and David
M. Stone
138pp, fully illustrated in colour.
Cloth, 24x17cms
Based upon archival research for
the important exhibition held in
2005, this book expands and
revises the authors’ essays
published in the catalogue of the
show with new research on
iconography, chronology and
technique and insights into the
tempestuous final years at
Valletta (1607-8) of this
controversial and influential
Baroque master.
85807
£30.50
Caravaggio. The Art of
Realism by John Varriano
Uncovers the studio principles
and practices, the intellect and
imagination, that guided
Caravaggio’s artistic output and
which made him produce some of
the most controversial paintings
in the history of art for their time.
Links his aggressive persona and
innovative methods to the
changes taking place throughout
17th century Europe.
85315
£45.00
Dictionary of Pastellists
before 1800 by Neil Jeffares
and 3000 monochrome
Records c. 20,000 pastels in
public collections or known from
exhibitions and auction
catalogues by anonymous artists
and 1250 named artists, more
than half of which are from the
French school, such as Vivien,
Nattier, La Tour, Perronneau,
Labille-Guiard and Vigée Le
Brun and those from Europe and
America including Copley,
Russell, Mengs, Carriera and
Liotard. Includes a list of
exhibitions from 1704-2005 as
well as livrets and contemporary
criticism for the major shows in
Paris, London and elsewhere
before 1800. With a survey
placing the major artists within
their historical context and
examining various pastel
techniques.
85634
£125.00
Caravaggio by Jürgen
Harten
Exhibition: Dusseldorf,
Kunst Palast, 2006. 228pp,
with 100 colour and 71 b/w
Monograph on the Italian Baroque
master (1571-1610) stressing the
use of light and shade in his
religious, erotic and other work,
and the influence that he had on
other masters of the 17th century
in his lifetime and later. Text in
German. Not yet published,
expected September 2006.
85910
£30.00
Agostino, Annibale e
Ludovico Carracci. Le
Stampe della Biblioteca
Palatina di Parma by
Roberta Cristofori
2005. 477pp with monochrome
illustrations. 28x22cms
The Palatina Library in Parma
holds a collection of engravings
by Agostino, Annibale and
Ludovico Caracci. This catalogue
brings together these works with
accompanying text. Text in
Italian.
85311
£33.00
Nel Palagio. Gli Affreschi
del Cinquecento nei Palazzi
Urbani by Francesco
Monicelli
Carpaccio by Peter Humfrey
2005. 144 pages, fully illustrated
throughout. Cloth, 29.2x24cms
Monograph on the Italian
Renaissance master by a leading
scholar.
85212
£25.00
Michel Corneille. Un Peintre
du Roi au Temps de
Mazarin by Emmanuel
Coquery
Exhibition: Orléans, Musée des
Beaux-Arts, 2006. 143pp, fully
illustrated in colour. Wrappers,
28x23cms
Complete catalogue of the French
master (c.1603-1664) who
trained in the studio of Simon
Vouet, the most celebrated
Parisian artist from the time of
Louis XIII. He produced
numerous altarpieces and other
works which were displayed in
the Orléans region before the
French Revolution. Examines his
paintings, drawings, engraving
and tapestry designs.
Accompanies monographic
exhibition. Text in French.
85636
£21.00
Joos van Craesbeeck (1606ca1660). Een Brabants
Genreschilder by Karolien
de Clippel
Series: Pictura Nova., XI. 2006.
600pp with 200 monochrome
Study of the Antwerp genre
painter, who began life as a baker
and trained under Adrien
Brouwer in the early 1630s, and
whose work shows a more
bourgeois tendency than that of
his master, but whose religious
pictures are influenced by
Rembrandt. Text in Dutch.
85674
£115.00
2005. 440pp with plates and
illustrations. Cloth in a slipcase,
34x28cms
Surveys the wealth of 16th
century frescoes in town houses
and palaces in the Veneto. Text in
Italian.
85767
£128.00
Carlo Martino Biucchi.
Pittore di Castro (17021772?) by Francesca Cecini
Strozzi and Giulio Foletti
Exhibition: Rancate,
Pinacoteca cantonale Giovanni
Zust, 2006. 80pp, with 30
24x17cms
Catalogue of the work of the
hitherto virtually unknown
eccentric and original painter
from the Valle di Blenio (today
in the Ticino, Switzerland),
whose works appear very
different from the international
Rococo style so popular in the
mid-18th century. Includes
catalogue of attributed works,
and documents and other
writings on the artist.
Bibliography. Text in Italian.
85978
£14.95
Louis-Nicolas Van
Blarenberghe à Versailles:
Les Gouaches Commandées
par Louis XVI by Xavier
Salmon
Adam Elsheimer 1578-1610
edited by Maek-Gérard
Exhibition: Versailles, Château de
Versailles, 2005. 64pp with 50
colour plates. Wrappers, 30x24cms
Presents the gouaches paintings
produced by Louis-Nicolas Van
Blarenberghe for Louis XVI. Text
in French.
85302
£19.00
Thomas Heneage
Art Books
Tel: +44 (0)20 7930 9223
Fax: +44 (0)20 7839 9223
[email protected]
Botticelli by Alessandro
Cecchi
2005. 382pp with colour plates
and illustrations throughout.
Lavishly illustrated monograph
on Botticelli, looking at his
development as an artist, his
workshop in via Nuova d’
Ognissanti, Florence, his work
for the Medicis, his artistic
success and his subsequent
spiritual and artistic crisis. With
bibliography, index and
documentary appendix. Text in
Italian. Also available in French.
84332
£109.00
Exhibition: Edinburgh, National
Gallery of Scotland, 2006. 246pp
The catalogue to the travelling
exhibition offers new research
into the life and work of this
important master, together with
colour plates and details of
paintings. Examines the influence
of artists such as Tintoretto,
Bassano and Altdorfer on his
work and his influence on masters
such as Rubens and Rembrandt.
Looks at his important role in
forging the new Baroque style
during his travels in Italy.
85703
£30.00
8
THE ART BOOK SURVEY
The Look of Van Dyck. The
Self-Portrait with a
Sunflower and the Vision of
the Painter by John Peacock
2006. 258pp with 4 colour and 72
24.5x17cms
The visual symbolism in Van
Dyck’s self-portrait with a
sunflower is discussed in
relationship to his art and
appointment of the time as
Principal Painter of the Caroline
Court. Not yet published,
85319
£55.00
Nicola da Guardiagrele by
Antonio Cadei
2006. 272pp with 205
illustrations. Boards, 28.5x24cms
Nicola da Guardiagrele is
considered the master goldsmith of
the turn of the 16th century.
Recorded by Vasari as a painter
and sculptor as well as a metalworker, this monograph examines
his work and the impact of Florence
and Ghiberti on his development as
an artist. Text in Italian.
85698
£25.00
Jan van der Heyden 16371712 by Peter C Sutton
Gentile da Fabriano by
Fabio Marcelli
Cloth, 33x25cms
The life and work of this
important artist of the
International Gothic (c.13701427) is examined from his
formation as an artist in Milan to
his success in Venice and later in
Rome and Florence. Compares
and contrasts his paintings
alongside those of his
contemporaries with
photographic details of his work
and descriptions of colour plates
and chronology in both Italian
and English. Text in Italian.
85832
£20.00
Exhibition: Greenwich CT, Bruce
First book in English on the
prominent Dutch painter of
cityscapes who in his lifetime was
actually more famous as an
inventor and engineer, having
invented firefighting equipment
that set the standard throughout
Europe for two centuries and
having perfected the street lamp.
This catalogue focusses on more
than 100 paintings, drawings and
prints. His innovative compositions, many of Amsterdam, but
also of Dutch, Flemish and
German cities, often had their
streetscapes and views of known
buildings rearranged to create
imaginary scenes. Not yet
published, expected October 2006.
85809
£40.00
Il Gentile Risorto: Il
“Polittico dell’
Intercessione’ di Gentile da
Fabriano: Studi e Restauro
by Marco Ciatti and Cecilia
Frosinini
and illustrations. Wrappers, 28cms
Follows the story of the
restoration of this important
polyptych by the most
accomplished painter of the
International Gothic (c.13701427). Text in Italian.
85826
£31.00
Corrado Giaquinto y
Espana
Exhibition: Madrid, Fundacion
Santander Central Hispano, 2006.
309pp with 75 colour
29x24cms
This catalogue presents the many
paintings produced by this
important Neapolitan artist
(1703-1765) during the ten years
he spent in the service of King
Fernando VI of Spain, and
placing his oeuvre in the context
of his time. The works displayed
are from the Prado, the Museo de
Capodimonte and museums and
private collections around
Europe. Text in Spanish.
85828
£45.00
Jean Étienne Liotard (17021789). Masterpieces from
the Musées d’Art et
d’Histoire de Genève and
Swiss Private Collections by
Colin B. Bailey and Kristel
Smentek
Exhibition: New York, Frick
Collection, 2006. 120pp, fully
illustrated in colour. Cloth,
29x23cms.
First American exhibition on the
18th century Swiss pastellist and
miniaturist, who was a
contemporary of Quentin de La
Tour and Chardin, focussing on
his society portraits, some of
which were deliberately
unflattering. He was greatly
influenced by his travels in Turkey
and was in much demand by the
European courts of the day. The
collection of his work from
Geneva is the most comprehensive
in the world and is supplemented
by those from private collections
in Switzerland. Introduction by
Marcel Roethlisberger.
86025
£24.00
Luis Melendez. Life and
Work with a Catalogue
Raisonné by Peter Cherry
and Manuela Mena
2006. 780pp, with 135 full page
colour plates and 315 other
illustrations. Cloth
A Casa di Andrea
Mantegna: Cultura Artistica
a Mantova nel Quattrocento
by Rodolfo Signorini
Mantegna e le Arti a Verona
by Sergio Marinelli and
Paola Marini
Exhibition: Verona, Palazzo della
Gran Guardia, 2006. 448pp, with
350 colour and monochrome
illustrations. Wrappers
Celebration of the work of the great
Italian Renaissance painter (14311506) and his work in Verona, and
the emerging personalities of his
contemporaries Francesco
Benaglio (c.1432-1492), Francesco
Bonsignori (c.1460-1519), Liberale
da Verona (1445-1526/9), Girolamo
Dai Libri (c.1452-c.1514) and
Domenico Morone (c1442-c.1518).
Text in Italian. Not yet published,
85859
£35.00
Exhibition: Mantua, Casa del
Mantegna, 2006. 544pp with 200
28x23cms
Held to commemorate the 500
years since Mantegna’s death,
this exhibition looks at his life
and work in Mantua and the life
and culture of the Court of
Gonzaga during the period.
Displays letters by Mantegna and
other artefacts of the period
including books, sculptures,
paintings from museums around
the world. The catalogue is
divided into specific sections on
the artist, the court, the music,
the literature, weaponry etc. With
bibliography. Text in Italian.
85846
£28.00
Il Pittore Domenico Mondo
nei quadri dell’ Annunziata
di Marcianise e di Altri Siti
del Casertano by Nicola
Tartaglione
Leonardo da Vinci.
Experience, Experiment and
Design by Martin Kemp
Pages of his notebooks, some
virtually unknown, are analysed,
providing ever deeper insight into
the workings of his visual mind
and the scale of his ideas. From
his observations and theories of
the motion of water, the operation
of heart valves, his flying
machine and giant cross-bow,
these drawings come from
collections in the V&A, the Royal
Library at Windsor, the British
Library and Museum, and the
Gates Collection. Not yet
published, expected September
2006.
85681
£35.00
Long-awaited study of the
paintings of the 18th century
Spanish still life painter, the
catalogue of 135 paintings
preceded by an extensive survey
and reassessment of his life and
career.
70156
£108.00
Andrea Mantegna.
‘Triumph Caesars: Ein
Meisterwerk der
Renaissance in Neuem Licht
by Thomas Arlt
Wrappers
Reassessment of the great cycle of
ten large tempera paintings in the
Royal Collection depicting the
Roman Triumph of Julius Caesar
which were originally painted for
a gallery at the palace of the
Gonzaga in Mantua and
subsequently sold to King
Charles I. Text in German.
85862
£25.00
2006. 64pp with 50colour and
Wrappers, 33x23cms
To celebrate the bicentenary of
his death, this catalogue
examines the work of this
Neapolitan artist (1723-1806), its
importance for the interiors at the
palace at Caserta and elsewhere,
and in the large churches of the
region. With list of works and
bibliography. Text in Italian.
85844
£25.00
www.heneage.com/
Piero di Cosimo. Visions
Beautiful and Strange by
Dennis Geronimus
Cloth, 29x24.8cms
The Florentine artist Piero di
Cosimo (1462-1522) had a highly
personal visual language, one
capable of generating images of
mesmerising oddity, inventiveness
and playfulness, yet very little ius
known about him. Not yet
85845
£45.00
Parmigianino by David
Ekserdjian
Cloth, 29x24.8cms
Catalogue of paintings, drawings
and prints by the Italian artist
(1503-1540). Also brings together
the new paintings and drawings
that have been discovered and
published in recent years and
discusses these works in the
context of the artist’s career and
development. Not yet published,
82296
£50.00
UNA RIVISTA INTERNAZIONALE DI LIBRI D’ARTE
Rembrandt as Printmaker
by Martin Royalton-Kisch
22x18cms
A selection of around 75 finest
prints by the great Dutch artist
(1606-1669) covering selfportraits, scenes from the Bible,
vignettes from everyday life and
character studies, drawn from the
great collection of his prints in
the British Museum.
85900
£14.95
Lorenzo Monaco. A Bridge
from Giotto’s Heritage to
the Renaissance by Angelo
Tartuferi
Exhibition: Florence, Galleria
dell’Accademia, 2006. 335pp with
91 colour plates and numerous
colour and monochrome
illustrations. Wrappers
The first exhibition dedicated to
this leading protagonist of the Late
Gothic, Monaco was both an artist
and monk. This catalogue shows
his importance in the development
of this period in art and examines
his miniatures and panel paintings,
their sophistication, alongside
works of those he influenced
including Masolino da Panicale
and Beato Angelico. Also
displayed are the illuminated folios
which show his other great
strength. Text in English.
85880
£35.00
The Rembrandt Book by
Gary Schwartz
2006. 384pp, with approximately
illustrations. Cloth,
32.5x24.5cms
85893
£40.00
Accessible introduction to
Rembrandt’s ten paintings
preserved in the Mauritshuis in
the Hague, including details of all
the paintings. Special atention is
given to three newly restores
masterpieces by the 17th century
master.
85661
£11.50
2005. 224pp, unillustrated.
Wrappers, 24x16cms
Monograph on Hyacinthe
Rigaud (Perpignan 1659 - Paris
1743) from Catalonia who
became the official painter of the
French court under Louis XIV
and Louis XV. The author
examines his life and all the
refinery and vanity he painted
which offers insight into the
society of the time. Text in
French.
84017
£20.00
2005. 64pp with 161
Wrappers, 29x21cms
First complete monograph on the
Neapolitan artist Giovan
Francesco de Rosa (1607-1656),
one of the most gifted students of
Massimo Stanzione, whose works
reflected the classicism of
Domenichino and Poussin, but
which lacked their invention and
relied almost entirely on models
of Stanzione in his final years.
Many attributions are reassessed.
With a bibliography and list of
paintings. Text in Italian.
85835
£15.00
Series: Corpus Rubenianum
Ludwig Burchard, Part XV. 2005.
448pp with 12 colour and 220
26.5x18.2cms
Rubens’s nine paintings on the
ceiling of Inigo Jones’s
astonishingly new classical style
Banqueting Hall in Whitehall,
London were commissioned by
King James I and his son, the
future Charles I, following the
destruction of the early Jacobean
hall. This catalogue provides a
history of the commission and a
study of the paintings within the
context of early Stuart England,
with emphasis on the themes of the
Union of the crowns of England
and Scotland, the pacific policies
of James I, and the determination
to impose absolute rule by his son.
The complex preparatory work is
unravelled and sketches discussed.
49472
£133.00
Cosimo Rosselli maestro di
una nuova generazione di
pittori fiorentini by Edith
Gabrielli
272pp 16 colour, 184 b/w
First systematic study of the life
and work of this 15th century
Florentine painter who painted
wall frescoes in the Sistine
Chapel in 1481-2. Text in Italian.
85829
£45.00
2005. 188 pp with 8 colour and
Cloth, 30x22cms
Rubens painted a series
mythological works between 1611
and 1618. This study examines
these pieces and their connections
with Italian art of the 16th and
17th century. Text in German.
84726
£35.00
Exhibition: Munich, Haus der
Kunst, 2006. 168pp with 50
Outlines the development of his
artistic career from Holland to
Brazil, with examples of over 30
paintings and 20 sketches,
borrowed from museums and
private collections in Europe and
abroad, many shown here for the
first time. Text in English,
German and Portuguese.
85995
£28.00
Exhibition: Lucerne,
Kunstmuseum, 2006. 184pp with
111 colour illustrations.
Wrappers, 24x17cms
Looks at the range of work
painted by this Swiss artist,
including his portrait, his
painting cycles for churches and
cloisters around Switzerland and
the work he produced in his later
years in Lucca and Rome. Text in
German.
85472
£20.00
The Ceiling Decoration of
the Banqueting Hall. 2 vols.
by Gregory Martin
Peter Paul Rubens’
Bildimplizite Kunsttheorie
in Ausgewählten
Mythologischen Historien
1611-1618 by Eveliina
Jununen
Frans Post. Painter of
Paradise Lost edited by Leon
Krempel
Josef Reinhard 1749-1824.
Trachten, Porträts,
Menschenbilder by
Christoph Lichtin
Pacecco de Rosa. Opera
completa by Achille della
Ragione
Rigaud: Un Peintre Catalan
à la Cour du Roi-Soleil by
Renada-Laura Portet
Rembrandt in the
Mauritshuis by Epco Runta
and Ariane van Suchtelen
Rubens and Brueghel: A
Working Friendship edited
by Anne Woollett
Pillement by Maria GordonSmith with introduction by
Alastair Laing
and monochrome illustrations.
First modern monograph to give
extended assessment of the full
range and quality of the works of
the 18th-century French artist
Jean Pillement (1728-1808), much
of whose career was spent
travelling around the European
courts working for the Ancien
Régime. Hugely in demand in his
lifetime, and widely influential
from the many prints issued of his
works that exemplify the Rococo
and Chinoiserie fantasies so
popular during the period.
Collected from London to Lisbon
and from Paris to St. Petersburg,
many of his designs were
reproduced on tapestries, silks
and fabrics and domestic objects
such as ceramics, silver and
enamel were decorated using his
works.
26309
£110.00
9
Exhibition: Los Angeles, Getty
Museum, 2006. 270pp with 75
24x20cms
First publication to examine in
depth the partnership between
Peter Paul Rubens (1577-1640)
and Jan Brueghel the Elder
(1568-1625) in the creation of
genuinely collaborative yet high
quality paintings, the result of a
close friendship. Includes
discussions on both men’s
collaborations with other artists
such as Frans Snyders and
Hendrick van Balen. Not yet
85245
£25.00
The Steenwick Family as
Masters of Perspective by
Jeremy Howarth
Series: Pictura Nova., XII. 2006.
First book devoted to the Flemish
family of artists, who were the first
artists to concentrate on making
use of the science of perspective to
paint architectural scenes and the
elegantly placed figures within
them. The family included
Hendrick the Elder (c.1550-1603),
his son Hendrick the Younger
(c.1580-c.1649), who spent 20
years working in England at the
Court of King Charles I and who
painted a number of backgrounds
in the portraits of Van Dyck.
Hendrick the Younger’s wife
Susanna Gaspoel. is also
discussed. Not yet published,
85675
£72.00
David Teniers and the
Theatre of Painting by
Margret Klinge et al
Exhibition: London, Courtauld
Institute, 2006. 120pp with 100
In 1660 the Flemish artist David
Teniers the Younger (1610-1690)
produced the magnificent
Theatrum Pictorium, the first
illustrated and printed collection
catalogue, that of the fine
collection of 243 Italian paintings
belonging to Archduke Leopold
Wilhelm, Governor of the
Hapsburg Netherlands. From 1656
Teniers produced small copies in
oils of each of the paintings
selected for the engravers to copy.
This book is a detailed account of
the project, includes the study of
Teniers’s copies, those located and
missing, the engravings after them,
the several editions of the
Theatrum, and the views of the
interiors of the Archduke’s picture
gallery. Not yet published,
85704
£30.00
10
THE ART BOOK SURVEY
Tiziano e il Ritratto di Corte
da Raffaello ai Carracci by
Nicola Spinosa
Exhibition: Naples, Museo di
Capodimonte, 2006. 368pp,
c.150 colour & 20 b&n
More than 30 court portraits by
the great Venetian Renaissance
painter (c.1487-1576), beginning
with those of Pope Paul III, are
exhibited alongside more than 30
works by his contemporaries
including Pontormo, Bronzino,
Parmigianino, Moroni and the
Carracci. Text in Italian.
85853
£45.00
Domenico Antonio Vaccaro:
Sintesi delle Arti by
Benedeto Gravagnuuolo and
Fiammetta Adriani
and illustrations. Cloth, 34cms
This volume examines the range
of work by this Neapolitan
painter (1678-1745), who, like his
father Lorenzo, was an
accomplished painter, architect
and sculptor. Looks at the
influence of Borromini and
Bernini, his work at Palazzo
Tarsia and at Santa Chiara, as
well as his artistic relationship
with Ferdinando Sanfelice. Text
in Italian.
85842
£70.00
De Herrera a Velazquez.
El Primer Naturalismo en
Sevilla
Wrappers, 30x23cms
Follows the use and development
of a more naturalistic painting
style in Seville, from the work of
Herrera to Velazquez. Text in
English and Spanish.
85693
£30.00
Vermeer by Christopher
Wright
plates, colour details and
29.1x23.8cms
Introduction and fully revised
catalogue of all the works of
17th-century Dutch master,
Johannes Vermeer, in the light of
recent scholarly developments
and discoveries.
85496
£20.00
Michael Willmann.
Barockmaler im Dienst der
Katholischen
Konfessionalisierung. Der
Grüssauer Josephszyklus by
Rüdiger Grimkowski
Between 1693 and 1695 the
German Baroque artist (16301706) created a fresco cycle in
the church dedicated to St Joseph
at the Cistercian monastery at
Grüssau in Silesia (now
Krzeszow, Poland) for the abbot
Bernardus Rosa (1660-1696), and
this is an analysis of the project
with an examination of the
iconographical and stylistic
problems of the frescoes. Text in
German.
85975
£90.00
Philips Wouwermans (16191668). The Horse Painter of
the Golden Age by Birgit
Schumacher
Series: Aetas Aurea:
Monographs on Dutch &
Flemish Painting, XX. 2005.
c600pp with 100 colour and 700
30.5x23cms
Detailed monograph of the 17thcentury Dutch artist, renowned
for his equestrian paintings.
With a catalogue raisonné of
over 800 examples divided into 4
sections: authenticated,
attributed, rejected works in
public collections, and lost
works. With documents, indexes
of past and present owners and
concordance. Not yet published,
expected July 2006.
82202
£340.00
Les Maîtres du Nord.
Peintures Flamandes,
Hollandaises et Allemandes
au Musée Calvert, Avignon
by Sylvain Boyer
Wrappers, 28x22cms
Systematic catalogue of the
Flemish, Dutch and German
paintings in the Musée Calvet in
Avignon. Published to accompany
an exhibition of 170 pictures from
these schools in the collection,
many of which have never been
studied before. Text in French.
85897
£TBA
Die Kunst des Betrachtens.
Holländische und andere
barocke Gemälde der
Stiftung Jakob Briner,
Museum Briner und Kern,
Winterthur by Peter
Wegmann
28x23cms
Catalogue of Flemish, Dutch,
Swiss and German baroque
pictures in the Stiftung Jakob
Briner collection in Winterthur,
including still-lifes, genre
paintings and, landscapes.
Includes works by Angelica
Kauffmann, Guilia Lama,
Christian Seybold and Anton
Graff amongst many others. Text
in German.
85471
£29.00
Dreaming of Italy by
Henk van Os
Prayers and Portraits.
Unfolding the Netherlandish
Diptych by John Oliver
Hand et al
Exhibition: Washington, National
Gallery of Art, 2006. 352pp, with
First book to examine diptych
format prevalent in Early
Netherlandish art, depicting
secular portraits, religious
personages and stories.
Approximately 40 paintings by
masters such as Jan van Eyck,
Rogier van der Weyden, Hans
Memling and Hugo van der Goes,
and reuniting a number of
diptychs that have long been
separated. Not yet published,
expected November 2006.
85818
£45.00
Alexander der Große in der
Nachantiken Bildenden
Kunst by Thomas Noll
2006. 74pp, with 35 colour plates
Cloth, 30x21.5cms
Alexander the Great (353-323
BC) has exerted a fascination
for artists down the centuries
and innumerable works of art
depict famous scenes from his
life. This book examines his life
as depicted in painting, whether
in fresco cycles or on canvas,
and the influence that his life
had on artists’ depictions of
kings, politicians and prelates.
Includes artists such as
Altdorfer, Sodoma, Charles Le
Brun, Bernini, Thorvaldsen,
Piloty and Daumier. Text in
German.
85726
£49.95
Ein Schau-Spiel der
Malkunst. Das Fensterbild
in der holländischen Malerei
des 17. und 18.
Jahrhunderts by Stephanie
Sonntag
Series: Kunstwissenschaftliche
Studien, Band 132. 2006. 352pp
Wrappers, 24x17cms
The Dutch genre painters of the
Baroque, like Gerrit Dou and
other artists from Leiden,
specialized in ‘Window pictures’,
where illusionism and reality
coincided. These usually
miniature pictures often have
traditional moralizing themes, but
also present the viewer with
layers of meaning within a
theatrical format. Text in
German.
85253
£36.00
German and Netherlandish
Paintings 1450-1600: The
Collections of the NelsonAtkins Museum of Art by
Burton L.; Molly Faries;
Dena Marie Woodall
Dunbar et al
Cloth, 28x21cms
This volume concerns works by
artists active during the fifteenth
and sixteenth centuries in the
transalpine lands of northern
Europe, which eventually became
Germany, Belgium, and the
Netherlands. The early Northern
pictures feature masterpieces by
Petrus Christus and Joachim
Wtewael, as well as examples by
other notable artists such as
Lucas Cranach the Elder,
Bernard van Orley, Jan Gossart,
and Hans Memling.
85295
£43.00
Ave Papa Ave Papabile. The
Sacchetti Family, Their Art
Patronage, and Political
Aspirations by Lilian H.
Zirpolo
2005. 252pp with 72
Wrappers, 24cms
Focuses on the relationship
between the Sacchetti family and
the artists who worked for them
during the 17th and 18th century
in Rome. Examines the role of
patronage and the carrying out of
commissions.
85373
£23.00
Princip in Posa. Ritratti del
Settecento alla Galleria
Nazionale di Parma. Nuove
Acquisizioni e Restauri by
Davide Gasparotto and
Mariangela Giusto
Exhibition: Parma, Galleria
Nazionale, 2006. 96pp with 50
colour illustrations. 24x17cms
The exhibition celebrates two new
acquisitions to the Galleria
Nazionale, Parma; a terracotta
bust by Jean-Bapstiste Lemoyne
II and a portrait by Laurent
Pécheux, both executed in the mid
18th century by French artists.
The portraits displayed in the
collection show the wealth and
international status of the
Borbone family during the
period. Text in Italian.
85638
£10.00
Exhibition: The Hague,
Mauritshuis, 2006. 128pp with
45 colour illustrations. Cloth,
26x20cms
Western artistic development seen
from the point of view of the
European fascination with the
landscape of Italy, its light,
warmth, as well as its art and
culture, is explored in an
examination of fifty small
masterpieces by Maarten van
Heemskerk, Claude, Poussin,
Corot, Turner, Feuerbach and
others.
85660
£18.95
The Virgin, Saints and
Angels. South American
Paintings 1600-1825 from
the Thoma Collection
by Suzanne L. StrattonPruitt et al
Exhibition: Stanford University,
Iris & B. Gerald Cantor Center
for Visual Arts, 2006. 288pp,
28x24cms
Catalogue of 56 paintings
produced under the Viceroyalty of
Peru and never previously
published. The initial impetus for
paintings in South America was
provided by artists from Italy,
Spain and Flanders, but they were
soon outnumbered by native artists
who had assimilated their styles
and techniques. The Cuzco School
is well-known, but this catalogue
shows the diversity of works from
vast regions of the Viceroyalty
which yielded Peru, Bolivia,
Ecuador, Colombia, Paraguay,
Uruguay and Argentina.
85889
£32.00
Atlante delle Pitture Murali
Bild und Berührung.
Funktion und Wirkung
Intermediärer Altarbilder in
der Italienischen
Frührennaissance by Iris
Wenderholm
2006. 208pp with 180colour
Divided into three sections on
mural painting, religious
architecture and civil and
military architecture, this volume
brings together some 300 images
from over one hundred different
locations in Italy, France and
Switzerland from the territories of
the Duke of Savoy. Text in Italian.
85240
£34.00
2006. 304pp with 8 colour plates
Examines the art of early Italian
Renaissance altar pieces that
combine both painting and
sculpture. Includes works by
Signorelli, Francesco di Giorgio
Martini, Filippino Lippi and
Antonio Rossellino amongst
others. Text in German.
85467
£42.00
ÜBERBLICK UND BESCHREIBUNG VON WELTWEITEN NEUEN UND IN KÜRZE ERSCHEINENDEN 11
Das Modell in der Bildenden
Kunst des Mittelsalters und
der Neuzeit. Festschrift für
Herbert Beck edited by
Peter C. Bol
Splendeur de Venise, 15001600. Peintures et Dessins
des Collections Publiques
Françaises by Michel
Laclotte et al
Exhibition: Bordeaux, Musée des
Beaux-Arts, 2005. 304pp, with
123 colour illustrations. Cloth
Scholarly catalogue of some of
the more important 16th century
Venetian paintings from French
provincial al museums, including
works by Giovanni Bellini,
Tintoretto, Veronese, Lambert
Sustris and Palma Giovane. Text
in French.
85891
£TBA
Cloth, 28x21cms
Essays on the model in art
from the Middle Ages to Today
written in celebration of the
65th Birthday of the former
director of the Städel and
Liebighaus in Frankfurt. Text
in German.
85902
£36.00
The Sale of the Late King’s
Goods: Charles I and his
Art Collection by Jerry
Brotton
Boards, 24x16cms
The formation and dispersal of
one of the most important art
collections ever formed in the
England is explored. After the
King’s execution in 1649 nearly
2000 paintings, tapestries, statues
and drawings were sold or given
away in an attempt to settle the
king’s debts and raise money for
Oliver Cromwell’s military forces,
many of the finest works ending
up in Paris, Madrid and Vienna.
The restoration of parts of the
collection after 1660 and the
impact on the nascent art market
is discussed.
85718
£25.00
-
Bellini, Giorgione, Titian,
and the Renaissance of
Venetian Painting by David
Alan Brown
Exhibition: Washington, National
Gallery of Art, 2006. 288pp with
Explores the interrelation of these
important Venetian artist and
their work from 1500 to 1530.
Examines the works thematically,
looking at the rise of secular
subjects as well as the
transformation of religious ones
in subject matter, style and
technique. Takes into
consideration the themes of
music, love and time. Not yet
85111
£40.00
Catalogue Raisonné des
Peintures Italiens du XVIIe
Siècle au Louvre: Florence,
Gêne, Lombardie, Naples,
Rome et Venise by Stéphane
Loire
415 monochrome illustrations
Systematic catalogue of the 17th
century Italian paintings in the
Louvre, including major works by
Caravaggio, Reni, and Giordano.
Text in French.
85802
£50.00
19TH CENTURY
The Oskar Reinhart
Collection ‘Am Römerholz’,
Winterthur: Complete
Catalogue by Mariantonia
Reinhart-Felice
Scholarly catalogue of the
collection of 207 Old Master and
Impressionist paintings,
drawings and sculptures on
display at the house museum in
the woods above Wintherhur in
Switzerland. Since the works of
art cannot be loaned to
exhibitions many have never
previously received scholarly
attention. The collection includes
11 Cezannes, 9 Corots, 20
Daumiers, 5 Van Goghs, 4
Picassos and 15 Renoirs. Not yet
published, expected August
2006.
85738
£65.00
www.heneage.com/
Paesaggio e veduta da
Poussin a Canaletto. Dipinti
da Palazzo Barberini by
Anna Lo Bianco and Angela
Negro
Exhibition: Turin, 2006. 192pp
Wrappers, 28x24cms
During the 17th and 18th
century, landscape painting
was created and accepted as a
genre in its own right. The
collection of Palazzo Barberini
in Rome shows the variety and
wealth of the treatment of the
landscape through the works of
classical painters Poussin and
Guercino, the romantics
Castiglione and Hubert Robert,
painters of ruins such as
Piranesi, Pannini, Ricci,
Guardi and vedutisti Van
Wittel, Canaletto and Bellotto.
Text in Italian.
85241
£19.00
Genova e l’ Europa
Mediterranea. Opere,
Artisti, Commiettenti,
Collezionisti by Piero
Boccardo and Clario Di
Fabio
2005. 312pp with 200
312x26cms
Looks at the cultural relationship
between Genoa and
Mediterranean Europe, with
fifteen chapters dealing with
different historical and artistic
aspects, from sculpture and
paintings to textiles, metalwork
and icons. This is the fourth
volume on Genoa’s relationship
with artistic Europe, the earlier
volumes covering Spain, France
and Central Europe. Text in
Italian.
85847
£35.00
Camille Pissarro. Critical
Catalogue of Paintings by
Joachim Pissarro, and
Claire Durand-Ruel
Snollaerts: 3 vols. 2005.
Vol.1: Essays, Chronology,
Bibliography and List of
Exhibitions, 436pp; Vol.2:
Prefaces, Catalogue 1852-1883,
498pp; Vol.3: Catalogue 18841903, Appendix, 464pp;
altogether 1321 colour and 1024
monochrome illustrations. Cloth
in a slipcase, 30x25cms.
In depth study of the life and work of
this French master, which draws
The Invisible Flaneuse?:
Gender, Public Space and
Visual Culture in
Nineteenth-century Paris
edited by Aruna D’Souza
2006. 186pp, with 40
25x17.5cms
Collection of essays
reassessing the long-held
belief that 19th-century
Parisian culture was divided
strictly according to gender
stereotypes, men in the public
space and women in the
domestic sphere, and
suggesting that Parisian life
was more subtle and nuanced
than has previously been
understood.
84429
£55.00
extensively on the 1939 catalogue
raisonné, but also includes some 200
previously unpublished pictures
(making a total of 1529 paintings)
and many documents. Looks at his
career which covered the second half
of the 19th century, and which
incorporated researches into the new
movements including Impressionism
and Divisionism. With detailed
catalogue description and analysis
of each entry, complete biography
with archival photographs,
bibliography and list of exhibitions.
64421
Special Heneage Price
£248.00 rrp £310.0
Anna Boch: 1848-1936
Catalogue Raisonné by
Thérèse Thomas et al
2006. 343pp with over 200
colour plates and b/w illustration.
Cloth, 30cms
With over 200 pieces produced in
colour, this represents the
catalogue raisonné of this Belgian
female artists work, with
biography and catalogue
descriptions. Text in French.
85358
£56.00
The Invention of the
Model. Artists and Models
in Paris, 1830-1870 by
Susan Waller
Nineteenth-Century Art in
the Norton Simon Museum.
Vol.1. by Richard R. Brettell
and Stephen F. Eisenman
Though the representation of the
human figure had been captured
since the Renaissance, it was
during 19th century France that
the artist’s model became
identified as a distinct social
type. This study looks at the
social history of the
professional model, the cultural
history of the model as a social
type and the representation of
the model in elite and popular
visual culture.
85318
£55.00
and 240 monochrome
First catalogue of 19th century
paintings and drawings in the
museum at Pasadena, featuring 138
works by French artists of the
Barbizon, Impressionist and Post
Impressionist movements, including
Corot, Courbet, Monet, Gauguin,
Cézanne and Van Gogh. Introduction
on Norton Simon as a collector in
the historical, intellectual and
economic context of his time. Not yet
85821
£60.00
12
THE ART BOOK SURVEY
Cézanne by John Rewald
2006. 288pp. 32x26cms
Reference monograph analysing
in detail the daily and artistic life
of Cézanne, from his youth in Aixen-Provence, to his studies and
time in Paris with his childhood
friend Emile Zola, examining his
time spent studying at the Louvre
and his friendships with artists
from the impressionist movement
including Manet, Renoir and
Pissarro. Looks at the range of his
works, from nudes, still-lifes and
landscapes, with photographs
displaying the exact areas in
which he painted. Text in French.
85757
£36.00
Courbet and the Modern
Landscape by Mary Morton
and Charlotte Eyerman
Exhibition: Los Angeles, Getty
As a landscape painter, Courbet
was both expressive and modern in
his approach. This exhibition
examines his landscape work in
relationship to his other genres, his
reputation, the impact of landscape
photography on his work and his
role in establishing a new pictorial
language for landscape painting.
85273
£30.00
Moonrise Over Europe. JC
Dahl and Romantic
Landscape by Paul SpencerLonghurst
Exhibition: Birmingham, Barber
Institute of Fine Arts, 2006.
Wrappers, 21x21cms
Concentrating on the Norwegian
artist Dahl and Caspar David
Friedrich, with whom he lived in
Dresden, this book examines the
use of and fascination with the
moon and moonlight in northern
European Romantic landscape
painting. Also includes works by
Carl Gustav Carus, Vernet,
Daumier, Millet, Wright of Derby,
Sandby, Turner and Palmer.
85351
£19.95
Winslow Homer. Poet of the
Sea by Eric Shanes et al
Géricault: La Folie d’un
Monde by Patrice Béghain
et al
Exhibition: Lyon, Musée des
Beaux-Arts, 2006. 239pp, fully
28x25cms
Three of the five portraits of
Monomaniacs that Géricault
painted in 1819-20 are reunited
and placed within the context of
more than 140 other paintings
and drawings by the great
Romantic artist (1791-1824)
along themes such as marginality,
poverty, desire, liberty and the
follies of war. Text in French.
85919
£27.00
After the Revolution: AntoineJean Gros, Painting and
Propaganda under Napoleon
by David O’Brien
b/w illustrations. Cloth, 30cms
Drawing on letters from the
artist to his mother and records
from the Archives Nationales, the
author gives a thorough account
of Gros’s career from its
beginnings in Paris in David’s
studio to its Napoleonic
successes and mysterious
suicide. Examines the
institutional machinery through
which Napoleon both
encouraged and regulated the
arts. Looks at such famed
paintings as the ‘Battlefield of
Eylau’ and ‘Napoleon Visiting
the Plague-Stricken in Jaffa’,
and analyses the mixing of fact
and fiction in these works.
85825
£40.00
Exhibition: London, Dulwich
Picture Gallery, 2006. 160pp with
100 colour plates. Wrappers,
28x22cms
While acknowledging Homer as
one of the premier painters of
American realism, the authors
also evaluate his work as
distinctly modern, setting him
apart from his contemporaries.
The sea-centred paintings in his
oeuvre are those that most
obviously show his abstraction
and his overriding concern with
man’s relationship with the sea.
85400
£28.50
Ingres 1780-1867 by Vincent
Pomarède et al
Exhibition: Paris, Musée du
Louvre, 2006. 408pp with 400
colour illustrations. Wrappers,
28.5x23.5cms
This retrospective displays his
independence as an artist and the
depth of his aesthetics thought. As
student of David, he soon moved
away from strict neoclassicism
and was to be an influence not
only on the Symbolists, but the
Impressionists and modern
masters Matisse and Picasso.
Includes CD-Rom bio-chronology
by Éric Bertin. Text in French.
85299
£30.00
Ingres, Regards Croisés by
Jean-Pierre Cuzin and
Dimitri Salmon
Wrappers, 28.8x24.5cms
Examination of the wide influence
which the French artist (17801867) had, not just on his pupils
and great 19th century artists like
Degas, Renoir and Seurat, but
also on academics like Gérôme,
as well as his 20th century
admirers including Picasso,
Matisse, Dali, Ernst, Magritte
and Duchamp, as well as
conceptual artists Broodthaers,
and Baldessari and
photographers like Cindy
Sherman, Jeff Wall and Araki.
Preceded by life and work of the
artist, reproducing most of his
major works. Text in French.
85948
£29.95
Winslow Homer in England
by Tony Harrison
The Revenge of Thomas
Eakins by Sidney D.
Kirkpatrick
23.5x15.5cms
In depth biography on the life and
work of this artist, drawing on a
wealth of family correspondence
and papers. Looks at the hidden
demons that tortured and drove
him, the manner in which he was
misunderstood in his life, and his
recent acclaim.
85406
£25.00
Cloth, 28.5x22cms
In March 1881 the American
artist Winslow Homer (18361910), who had already achieved
fame for his paintings,
watercolours, prints and
illustrations, travelled to England
in search of new subjects, finding
his way to the remote wind-swept
fishing village of Cullercoats in
Northumberland, and this is a
detailed examination of his
previously little studied 18
months in the north east.
85907
£24.95
www.heneage.com/
Menzel in Dresden by Petra
Kuhlmann-Hodick and
Tobias Burg
Exhibition: Dresden, 2006. 262pp
Menzel visited Dresden some
fourteen times over a fifty year
period in order to draw the city
and its treasures. These images of
both famous buildings and
exhibits held in the museums’
collections are brought together,
displaying both his interest in the
city and his accuracy of
observation. Likewise the city of
Dresden has acquired paintings
by the artist such as ‘Piazza
d’Erbe in Verona’ of 1884, as well
as preparatory drawings for the
painting. Text in German.
85464
£29.00
John Singer Sargent.
Figures and Landscapes,
1874-1882. Complete
Paintings. Vol 4. by Richard
Ormond and Elaine
Kilmurray
Cloth, 31x24.5cms
From 1874 to 1882, John
Singer Sargent (1856-1925)
produced more than 200
paintings and water-colors
aside from portraiture,
including figures in landscape
settings, architectural studies,
seascapes, subject paintings,
and studies after old masters.
From powerful studies of
models in Paris in the mid1870s to compelling paintings
set in Venice in the early 1880s,
the works published in this
volume show the variety of his
aesthetic responses. He worked
in the studio and en plein air,
travelling widely during the
eight years covered in this
volume and painting in Paris,
Brittany, Capri, Spain, North
Africa, and Venice. This is the
first time that Sargent’s early
work has been mapped so
comprehensively. Each
painting, including several that
have never been published, is
documented in depth with full
provenance, exhibition history,
and bibliography, and in many
cases new information. The
volume also reproduces a
wealth of Sargent’s preliminary
and related drawings and of
comparative works by other
artists. Not yet published,
expected October 2006.
85803
£50.00
Previous volumes are still
available:
John Singer Sargent. The
Early Portraits. The
Complete Paintings. Vol 1
plates and 179 colour and 93
31x24.8cms.
First volume of the definitive
catalogue raisonné of the works
in oil, watercolour and pastel
which includes c.600 portraits,
c.1600 subject pictures and
landscapes and 3 mural cycles.
Volume I catalogues portraits
from 1874-1889. A biographical
account of the sitter, detailed
provenance, exhibition history
and bibliography accompanies
each entry.
61762
£37.00
John Singer Sargent
Portraits of the 1890s:
Complete Paintings. Vol 2.
32x26cms.
Focuses on more than 150 finished
portraits and portrait sketches in
both oil and watercolour
completed between 1889 and
1900. A biographical account of
the sitter, detailed provenance,
exhibition history and
bibliography accompanies each
entry.
76194
£37.00
John Singer Sargeant: The
Later Portraits. Complete
Paintings. Vol 3
32x25.6cms.
Comprising over 200 portraits
and sketches in oil and
watercolour, painted between
1900 and the artist’s death. With
a section on undated portraits
and an appendix listing
previously unrecorded works.
77582
£37.00
KUNSTBÜCHERNUNE REVUE DES LIVRE D’ART NEUFS ET À PARAITRE AU NIVEAU MONDIAL
Maximilien Luce. Catalogue
de l’ Oeuvre Peint. Vol 3. by
Denise Bazetoux
Loving Art: The William &
Anna Singer Collection by
Helen Schretlen et al
plates and 1977 illustrations.
Cloth, 31.5x23.5cms
Third of four volumes to be
produced on this important
French painter, looking at his
work created before and following
World War I. Text in French.
84675
£120.00
28x23.5cms
With more than 3000 paintings,
works on paper, sculptures and
other works of art, now
distributed between the Singer
Museum in Laren, Villa Dalheim
in Noorse Olden, the West Noorse
Museum of Fine Arts, Bergen as
well as the Washington County
Museum of Fine Arts at
Hagerstown, USA, this is the first
detailed study of the collection of
two remarkable American
collectors who made their fortune
in industrial Pittsburgh. The
collection includes remarkable
works by Paul Gauguin, Max
Liebermann, Child Hassam,
Millet and Whistler. Not yet
85667
£29.95
Wilhelm von Kobell (17661853). Meister des Aquarells
by Claudia Valter
First monograph covering all
aspects of the work of the
German Romantic artist for 30
years, whose landscapes
reflected the classically-inspired
works of 17th century masters
and whose watercolours form a
highpoint in his career. Includes
illustrations of works by
colleagues and pupils from his
Munich studio in the first half of
the 19th century. Text in German.
85697
£20.00
Maximilien Luce. Catalogue
de l’ Oeuvre Peint. Vol 3. by
Denise Bazetoux
plates and 1977 illustrations.
Cloth, 31.5x23.5cms
Third of four volumes to be
produced on this important
French painter, looking at his
work created before and following
World War I. Text in French.
84675
£120.00
Alfred Stevens 1823-1906
introduction by Jacques
Foucart
Cloth, 28.8x24.2cms
To commemorate the centenary of
his death this is a study of the
prolific and much-admired
Belgian artist, abundantly
illustrated, and making use of his
correspondence with his animalpainter brother Joseph (18161892) and his critic-dealer
brother Arthur (1825-1890).
Includes contemporary
photographs, as well as
documentation of exhibitions and
sales. With chronology and
bibliography. Text in French.
85663
£49.95
The Animal Painter EugèneJoseph Verboeckhoven and
his Fellow Painters by
Herman de Vilder and Kris
van de Ven
illustrations. 29x23.5cms
The re-appreciation of 19th
century animal painting is
considered in the introduction in
view of the work of Belgian artist
Verboeckhoven (1798-1881).
Examines his work within the
context of animal painting
throughout the centuries. Looks
at both his antecedents and his
contemporaries. With
bibliography. Text in English,
French, Dutch.
85678
£TBA
Painting Summer in New
England by Trevor
Fairbrother and Dan L
Monroe
Exhibition: Salem, Peabody
Essex Museum, 2006. 136pp
28x25cms
Considers the many ways in which
artists have responded to the
summer beauty of New England,
the coastlines, mountains, lakes,
forests and villages as well as to its
social and cultural preoccupations
and characteristics. Includes works
by Sargent, Winslow Homer, Fitz
Henry Lane, Maurice Prendergast,
Marsden Hartley, Edward Hopper,
Hans Hofmann, Andrew Wyeth,
Alex Katz and Yvonne Jacquette.
85407
£25.00
Vienna 1900 and the Heroes
of Modernism by Christian
Brandstätter
Cloth, 24x16.5cms
85944
£24.95
American Impressionism:
The Beauty of Work by
Susan G. Larkin
Exhibition: Greenwich CT, Bruce
colour plates and 64
Wrappers, 30.7x24cms
The catalogue is divided by
subject category, examining the
way these artists approached
the city, countryside, waterfront,
industry and domestic life
within their art. Incudes works
by William Merritt Chase,
Childe Hassam, Edward
Potthast, Theodore Robinson
and Sargent amongst others.
Examines how American
impressionism differed in
approach to French
impressionism.
85649
£20.00
Luz de Gas. La Noche y sus
Fantasmas en la Pintura
Española 1880-1930
La Collection Phillips à
Paris by Jean-Louis Prat
Luxembourg, 2005. 166pp with
67 colour plates and 15
Wrappers, 28x24cms
Comprehensive examination of
the evolution of modern art as
seen in the celebrated collection
of Duncan Phillips in
Washington, which includes
major masterpieces by Delacroix,
Ingres, Courbet, Daumier, Degas,
Cézanne and Van Gogh, as well
as Renoir’s masterpiece
‘Luncheon of the Boating Party’.
Text in French.
85332
£28.00
Exhibition: Madrid, Fundacion
Culturel Mapfre Vida, 2005.
311pp with 203 colour and
26.5x22cms
This exhibition includes various
nocturnal scenes by Goya,
Picasso and Jose Jimenez
Aranda amongst others, which
are illuminated by gas lights.
From theatre performances to
cobblestone roads, these
paintings reflect the technical,
sociological and artistic
changes that occurred in Spain
at the turn of the 19th century as
a result of innovations like
electricity and gas lighting. Text
in Spanish.
85312
£40.00
13
Italia Romantica: English
Romantics and Italian
Freedom by Roderick
Cavaliero
El Legado Ramón de
Errazu: Fortuny, Madrazo y
Rico by Javier Barón
Exhibition: Madrid, Museo del
Prado, 2005. 188pp with 28
colour plates, 93 colour and 45
Wrappers, 28x23cms
100 years ago Errazu, the wealthy
landlord and art collector
bequeathed 20 oil paintings and 5
watercolours to the Prado which
include masterpieces from 1862
and 1895 by leading Spanish
artists of the period, including
Mariano Fortuny, Martín Rico
and Raimundo de Madrazo. These
artists were also friends of the
collector. The collection also
includes paintings by French
artists Ernest Meissonier and
Paul Baudry. Text in Spanish.
85292
£28.00
Dictionnaire des
Indépendants (1884-1914).
3 vols. by Dominique
Lobstein
2006. Together 1780pp. Cloth,
24x16cms
From its creation in 1884 to eve
of World War I, the Société des
Artistes Indépendants was the
exhibition space for many
important artists from
impressionists to cubists and not
just French artists like Bonnard,
Braque, Cézanne, Redon and
many more but also foreigners
like Brancussi, Chagall, Ensor,
Mondrian Vallotton and more.
The entries for the exhibition
catalogues are reproduced here in
the form of a dictionary with each
artist’s biography. Text in French.
85769
£230.00
2005. 256pp illustrated throughout
in colour. Cloth, 28x24cms
The English “milordi” who went
on the Grand Tour in the 18th
century elevated ancient Roman
culture to an artistic and cultural
ideal; during the early 19th
century English Romantics, led
by Byron, Keats and Shelley, saw
pre-unification Italy as struggling
to recover after its conquest by
Napoleon, and continued and
strengthened the English love
affair with Italian culture.
85119
£20.00
DRAWINGS &
PRINTS
Claude Lorrain: The
Painter as Draftsman.
Drawings from the British
Museum by Richard Rand
Exhibition: San Francisco, Asian
Art Museum++travelling, 2006.
176pp, with 110 colour and 40 b/w
Examines the role that the
medium of drawing played in the
work of the great 17th century
French landscape painter (16001682), with examples representing
all aspects of his style and subject
matter, many reproduced in colour
for the first time, including a
dramatic group from the Liber
Veritatis, Claude’s own record of
his compositions. Not yet
published, expected October
2006.
85813
£35.00
Ingres: Erotic Drawings by
Stéphane Guégan and José
Cabanis
Roger Marx. Un Critique
d’Art au côté de Gallé,
Monet, Rodin, Gauguin
Exhibition: Nancy, Musée des
Beaux-Arts + Musée de l’École
de Nancy, 2006. 320pp, with 300
colour illustrations. Wrappers,
30x23.5cms
Roger Marx (1859-1913) was an
audacious critic, passionate
collector and had a successful
career in arts administration in
France in the 19th and early 20th
centuries. This catalogue examines
his life and career and more than
70 avant-garde works by Gauguin,
Monet, Degas, Renoir, Emile Gallé
and Tiffany from the moment Marx
coined the phrase ‘Rien sans Art’
in the 1880s to his death in 1913.
Text in French.
85951
£32.00
2006. 96pp with 50 illustrations.
Cloth, 23x21.2cms
The French artist J.-A.-D. Ingres
was best known for his paintings
of classical odalisques, and this
book translates an essay by José
Cabanis from 1967 that
infamously accused Ingres of
exploring a range of erotic art in
these pictures. A new introduction
explores his fascination with
erotic prints of the 16th century
and the reason his work reflected
their influence.
85375
£14.95
Thomas Heneage
Art Books
Tel: +44 (0)20 7930 9223
Fax: +44 (0)20 7839 9223
[email protected]
14
THE ART BOOK SURVEY
Drawn Together, Two
Albums of Renaissance
Drawings by Girolamo da
Carpi by Gudrun Dauner
A Touch of the Divine.
Drawings by Federico
Barocci in British
Collections edited by David
Scrase
Exhibition: Cambridge,
Fitzwilliam Museum, 2006.
248pp, with 103 colour plates
and 15 colour illustrations.
Wrappers, 28x23cms
Masterpieces of drawing from the
career of the indefatigable 16thcentury artist from Urbino have
been gathered from the Royal
Collection, Chatsworth, the
British Museum, Courtauld
Institute and elsewhere, with
focus on the superb modello for
the commission by Pope Clement
VIII of the Institution of the
Eucharist acquired by the
Fitzwilliam in 2002.
85460
£19.95
Exhibition: Philadelphia,
Rosenbach Museum and Librar,
plates and 78 b/w illustrations.
With an introduction on Girolamo
Sellari, called da Cerpi’s life and
career as an artist, Vasari’s
writings on him, his travels and
commissions in Rome, his
fascination with the antique and
his return to Ferrara. The
catalogue presents both the recto
and versos of the albums with
detailed catalogue descriptions.
Text in English and Italian.
85647
£36.00
Dello Stile Naturale.
Zeichnungen des Giovanni
Lanfranco by Erich Schleier
Exhibition: Dusseldorf, Kunst
Palast, 2006. 192pp with 70 colour
Flexibound, 27x22cms
Examines the drawings in the
collection of the Kunst Palast,
Dusseldorf by this master of the
Italian Baroque. Text in German.
85466
£27.00
Gerhard Richter. Works on
Paper see Modern &
contemporary
Turner as Draughtsman see
British Art
The Drawings of
Michelangelo and His
Followers in the Ashmolean
Museum by Paul Joannides
2006. 600pp. Cloth
The Ashmolean Museum in
Oxford holds one of the most
comprehensive collection of
drawings by and after
Michelangelo. This catalogue
includes these alongside those of
his contemporaries, which reveal
his reputation and influence as an
artist during the 16th century.
The introduction surveys the
various types of drawing
techniques practiced by
Michelangelo and his
development as a draughtsman.
With a detailed appendix of the
provenance of the drawings, most
of which were owned by Sir
Thomas Lawrence. Not yet
84648
£125.00
www.heneage.com/
Daniel Dumonstier 15741646 by Daniel Lecoeur
Cloth, 33x25cms
Catalogue raisonné of the work
of the most important French
draughtsman from a family of
portraitists, whose work
includes King Louis XIII, Anne
of Austria, the Duke of
Buckingham and other figures
from the epoque, and whose
depictions comprise a vital step
in the development of the
portrait between Pourbus and
Philippe de Champaigne.
Published to coincide with an
exhibition of his work held at
the Musée Condé at Chantilly in
the Spring of 2006. Text in
French.
85652
£54.00
Certamen Equestre. Karl
XI’s Carousel for his
Contemporaries and for
Posterity. 2 vols. by Jonas
Nordin
2005. Volumes 1: Facsimile.
168pp. Volume 2: Commentary
256pp with 30 illustrations.
Boards in a slipcase, 31x39 and
30x17cms
Initiated by the court painter
David Klocker Ehrentrahl, the
series of 62 engravings provide
record of Karl XI accession in
1672, revealing details on the
ceremonial and festivities of the
Baroque courts. These are
produced alongside images of
costumes, written sources and
detailed original drawings. Text
in English and Swedish.
85352
£80.00
Les Mythes de Dürrenmatt.
Dessins et manuscrits.
Collection Charlotte Kerr
Dürremmatt by Charles
Méla et al
WOMEN IN THE
ARTS
2006. 208pp with 150
Wrappers, 30x21cms
The Swiss writer Friedrich
Dürrenmatt used themes from
Greek mythology, like the
Minotaur and King Midas as a
constant in his literary work,
and these were also present in
his less well-known activity as a
painter, draughtsman and
engraver. 160 graphic works are
examined in this exhibition
which uses commentary by his
wife. Includes unpublished
Dürrenmatt manuscript. Text in
French.
85756
£27.00
Anna Boch: Catalogue
Raisonné see 19th Century
Painting
Tacita Dean see Art &
Artists from Picasso to Now
Eva Hesse Drawing see Art
& Artists from Picasso to
Now
The Diary of Frida Kahlo.
An Intimate Self-Portrait
see Art & Artists from
Picasso to Now
Newlyn Flowers: The Floral
Art of Dod Procter see
British Art
Jenny Saville see Art &
Cindy Sherman see Art &
Religionsbilder der
Frühen Aufklärung.
Bernard Picarts Tafeln für
die ‘Cérémonies et
Coutumes Religieuses de
tous les Peuples du
Monde’ by Paola von
Wyss-Giacosa
Fiore Zaccarian. 2 vols. see
Art & Artists from Picasso
to Now
BRITISH ART
2006. 400pp with 190
27x22cms
Displays over 200 engravings
produced by Bernard Picard from
1723-27 for the folio volumes
created in Amsterdam looking at
the ceremonies and costumes of
the people of the world. Text in
German.
85473
£37.00
Pomp and Power: Drawing
from Versailles by Xavier
Salmon
Exhibition: London, Wallace
Collection, 2006. 120pp with 60
23x17cms
Fifty-two French drawings
from the 17th to early 19th
century from Versailles are
brought together for this
exhibition at the Wallace
collection. These drawings tell
the story of the major buildings
at Versailles, the gardens, the
court and the personalities
associated with the palace of
Louis XIV and later French
kings. Includes works by Le
Brun, Lemoine, Cochin,
Claude-Joseph, Horace Vernet,
David, Isabey and Delaroche.
September 2006.
85706
£20.00
The Drawing Book. A
Survey of Drawing: The
Primary Means of
Expression see Modern and
Contemporary
Designing the Décor. French
Drawings from the
Eighteenth Century see
Interiors
The Art of Satire. London in
Caricature by Mark Bills
Exhibition: London, Museum of
London, 2006. 240pp with 100
The story of visual satire in
London, a city in which
caricature flourished like no
other, is surveyed from the time of
Hogarth to the age of Victoria.
The significance of London as a
subject is followed by a
chronological survey of satirical
images, and placed in the wider
context of English satire as a
whole.
85729
£30.00
Morandi’s Legacy:
Influences on British Art by
Paul Coldwell
Exhibition: Kendal, Abbot Hall
Art Gallery, 2006. 80pp with 32
Exploration of the radical nature
of the influence of the Italian
artist Morandi’s paintings on
several generations of British
artists such as David Hockney,
Tony Cragg, Patrick Caulfield,
Ben Nicholson and Euan Uglow.
Works by these artists are
compared with pertinent
examples by Morandi.
85715
£19.95
William Holman Hunt: A
Catalogue Raisonné by
Judith Bronkhurst
Cloth, 28.5x24.5cms
Major work on Holman Hunt (18271910) the co-founder of the PreRaphaelite Brotherhood. Divided
into two chronological sections the
main catalogue deals with oils (all
161 of the artist’s recorded oil
paintings, plus several early
rediscovered works) and works on
paper. Each entry includes details of
provenance, exhibition history and
related literature. Section two
comprises Hunt’s works on paper,
429 drawings, including preliminary
sketches, watercolours and pen
drawings, in addition to 500 lesser
drawings. With appendices listing
his illustrated letters, etchings,
published illustrations, sculpture,
frames and furniture. Plus
introductory chapters outlining his
life, philosophies and artistic aims.
79831
£175.00
Southwold. An Earthly
Paradise. From Turner to
Damien Hirst by Geoffrey C.
Munn
The Suffolk seaside town of
Sothwold has been a magnet for
writers from Shakespeare to George
Orwell and artists from Turner to
Damien Hirst, and it inspired
William Morris to write his epic
poem ‘An Earthly Paradise’. The
evolution of the town from medieval
fishing community to unspoilt
holiday town is examined, and the
Battle of Sole Bay of 1672, fought
between the British and the Dutch,
that took place off its coast is
explored in contemporary paintings
and drawings. Turner also visited
the town, and the author has
identified a number of drawings of
Southwold by him for the first time.
85676
£29.50
The Dictionary of Artists in
Britain since 1945 (New
Edition). 2 Vols.. by David
Buckman
2006. Vol.1: A-L: 1056pp; Vol.2:
M-Z: 800pp. Cloth, 27x21cms
Fully updated comprehensive
biographical dictionary
concentrating on artists working in
Britain and Northern Ireland after
World War II, providing over
14,500 entries, 4000 of which are
entirely new, many contemporary
artists being included for the first
time. Painters, draughtsmen, printmakers, sculptors, mural painters
and performance, installation and
video artists are all included.
85952
£149.50
Thomas Heneage
Art Books
Tel: +44 (0)20 7930 9223
Fax: +44 (0)20 7839 9223
[email protected]
A Day in the Sun. Outdoor
Pursuits in the Art of the
1930s by Timothy Wilcox
Exhibition: Nottingham,
Djanogly Art Gallery, 2006.
The impact of the pursuit of leisure
on the world of fine art in Britain
is examined. Walking, camping
and sporting activities were
depicted by a small group of figure
painters, stylistically situated
between the avant-garde and the
traditions of Edwardian painting,
who looked for ways of being
modern and in touch with a wide
public. Their realist paintings have
long been in the shadow of similar
activities in German in the 1930s
where Freikörperkultur was put to
the service of a more sinister
ideology; but the British artists
were nevertheless influenced by it.
Paintings, prints, posters, press
photographs and printed ephemera
are all considered.
85716
£20.00
The Journal of William
Beckford in Portugal and
Spain 1787-1788 edited by
William Beckford and
Alexander Boyd
2006. 320pp. Wrappers,
23.5x15.6cms
After an improper affair with
a young man called Kitty
Courtenay, William Beckford
went into exile abroad. In
1787 he arrived in Lisbon on his
way to his Jamaican plantations
and decided to stay rather than
face further sea sickness.
Scandal followed him and he
moved to Spain. This is an
entertaining account of a great
collector’s time in the Iberian
peninsula.
85737
£18.00
British Pop by Marco
Livingstone
Exhibition: Bilbao, Museo de
Bellas Artes, 2006. 478pp
Comprehensive survey of
British Pop Art with works by
20 artists, including some 75
paintings and sculptures and
over 30 graphic workseditioned prints, collages and
drawings. Examines the themes
and imagery used and the
working processes. Text in
Spanish and English.
85327
£60.00
Models and Supermodel.
The Artist’s Model in
British Art and Culture by
Jane Desmarais et al
Cloth, 24x17cms
A collection of essays and
interviews discuss the persistent
mythology of the artist’s model
and the ambiguities involved in
depicting the body. Looks at the
profession of the model between
1840-1940, the Pre-Raphaelite
model and the lives of models
who became both famous and
infamous, the figurative tradition
from Sickert to Freud and
concludes with interviews with
the artists Peter Blake and his
life-model Susannah Gregory.
August 2006.
85885
£55.00
Visual Culture and
Decolonisation in Britain
edited by Simon Faulkner
and Amandi Ramamurthy
23.5x15x5cms
Examines the way in which
different visual genres - art, film,
advertising, photography, news
reports and ephemera contributed and represented the
social and political struggles over
Empire and decolonisation
between 1945 to 1970. Not yet
2006.
85766
£52.50
Lynn Chadwick Sculptor. With
a Complete Illustrated
Catalogue 1947-2005 by Dennis
Farr and Eva Chadwick
Doves and Dreams. The Art
of Frances Macdonald and
J. Herbert McNair edited by
Pamela Robertson
2006. 472pp with 965 b/w
Introductory essays draw on
interviews with the artist and look
at his development as a sculptor
and his sculptural techniques.
Includes a comprehensive list of
Chadwick’s exhibitions, public
collections he is represented in,
biography and fully illustrated
catalogue of his sculptures.
85765
£75.00
Exhibition: Glasgow, Huntarian
Art Gallery, 2006. 165pp with
Much has been discussed on
Charles Rennie Mackintosh and
Margaret Macdonald. This study
looks at the lives and careers of
the other two artists from the
Glasgow Four, Frances
Macdonald (1874-1921) and J.
Herbert MacNair (1868-1955)
and their achievements. McNair
was both an innovator and
inspirational teacher and
Macdonald produced remarkable
symbolist watercolours amongst
much else. Not yet published,
expected July 2006.
85760
£40.00
Constable: Impressions of
Land, Sea and Sky by Anne
Greay and John Gage
Exhibition: Canberra, National
Gallery of Australia, 2006.
376pp, with 270 colour
illustrations. Boards, 29x24cms
Catalogue of 108 paintings and
drawings by the English
landscape painter.
85722
£29.95
Constable. The Great
Landscapes edited by Anne
Lyles
Exhibition: London, Tate Britain,
24.5x28cms.
Between 1819 and 1825,
Constable painted a series of six
large-scale canvases featuring
the river Stour. The large size of
these paintings marked a turning
point in his career. This exhibition
brings this series together for the
first time, alongside their
compositional sketches which
display his working methods.
85093
£35.00
Newlyn Flowers: The Floral
Art of Dod Procter by Averil
King
22.8x21cms
Trained at Newlyn under Stanhope
Forbes, the artist (1892-1972)
spent most of her life in Cornwall.
She developed a technique for
painting flowers that was highly
expressive, and in this study her
works are compared with the
Bloomsbury artists Vanessa Bell
and Dora Carrington.
85714
£15.95
The New English. A History
of the New English Art Club
by Kenneth McConkey
26x19.5cms
The New English Art Club was
founded in 1886 in reaction to the
conservatism of the Royal
Academy of Arts. The Club based
its principles on Impressionism
and attracted the most advanced
British painters of the day and in
the early 20th century was a
dominant force in the fine arts.
This is the first time that the role
of the club has been placed within
the development of British Art.
September 2006.
85753
£TBA
Turner as Draughtsman
by Andrew Wilton
2006. 114pp with 50
25.2x18cms
Study of Turner’s drawings,
especially those of the human
figure which have not received
proper assessment for over 100
years. Argues that Turner was a
virtuoso draughtsman as well as
watercolourist, and that his
representation of human figure
was not incompetent but
developed as part of his
conception of landscape.
82588
£55.00
Allen Jones by Andrew
Lambirth
2005. 160pp with c140
Exploring the boundaries between
fine and commercial art, Jones has
remained true to his original 1960s
reputation as a Pop artist. Looks at
fine-art work as well as his work
for theatre, ballet and film.
85421
£29.95
Rex Whistler: The Triumph
of Fancy by Stephen
Calloway
Exhibition: Brighton, Museum
and Art Gallery, 2006. 96pp,.
Wrappers
85871
£17.99
16
THE ART BOOK SURVEY
GENERALITIES ON ART
Pictograms, Icons and
Signs. A Guide to
Information Graphics by
Rayan Abdullah and Roger
Hübner
THE ART
MARKET
MUSEOLOGY
2006. 244pp, with over 2000
30x21cms
85908
£16.95
Les Artistes Américains et
Le Louvre by Olivier Mesley
et al
Louvre, 2006
First exhibition held at the
Louvre dedicated to American
artists, presenting some thirty
works by artists from
Benjamin West to Edward
Hopper, exploring the artistic
dialogue and exchange
between the countries and
how much the Louvre was a
source of inspiration for the
artists. Text in English and
French.
85773
£23.00
Best in Show. The Dog in
Art from the Renaissance to
Today by Edgar Peters
Bowron et al
Exhibition: Greenwich CT,
Bruce Museum, 2006. 272pp
Cloth, 28x22.8cms
Featuring 60 works by artists
such as Francis Bacon, Courbet,
Dali, Lucien Freud,
Gainsborough, Manet, Warhol,
William Wegman and Andrew
Wyeth amongst others, this study
examines the many ways in which
dogs have been portrayed in art
from the 16th century to the
present day. Not yet published,
expected July 2006.
84994
£25.00
MINIATURES
The 1630s: Interdisciplinary
Essays on Culture and
Politics in the Caroline Era
edited by Ian Atherton and
Julie Sanders
Collection of essays on the most
important decade of Charles I’s
reign, that of his Personal Rule,
covering politics, religion,
literature, art history and court
culture, the King’s
correspondence, the role of the
Queen, and opposition to the king
in libel and satire and on the
stage.
85668
£55.00
Sacred Distance.
Representing the Virgin by
Rosemary Muir Wright
25.4x18cms
Discusses the development and
change in the representation of the
Virgin Mary in the Renaissance,
when with the introduction of
naturalism, a distinction needed to
be created between Mary as both
human mother of Christ and
doctrinal symbol. The author
discusses the role of the patrons,
artistic practice and operating
circumstances that was intended in
order to distinguish the Virgin
from the rest of humankind.
Discusses the changing
iconography of Mary through the
Middle Ages to the Renaissance,
and her role as Theotokos,
Annunciate, Queen of Heaven and
as Immaculate Conception.
83179
£50.00
Portrait Miniatures from
Scottish Private Collections
by Stephen Lloyd
Daily Life in Art by Beatrice
Fontane
plates. Boards, 29.8x24cms
Through the study of nearly 100
European and American
paintings dating from the Middles
Ages to the 20th century, the
author reveals how our domestic
lives have changed and therefore
how paintings can act as cultural
artefacts.
85260
£24.95
Joys Last. On the Spiritual
in Art by Sister Wendy
Beckett
Sister Wendy explores the nature
of religious and spiritual art
through fourteen works by artists
ranging from anonymous
medieval masters to Correggio,
Rubens, Millet and Cézanne. By
studying paintings by these artists
she explains why she finds El
Greco’s ‘Christ in the Cross’ so
compelling.
85271
£7.99
Exhibition: Edinburgh,
National Gallery of Scotland,
Miniatures by British and
European artists, some of which
are new discoveries, from
collections not normally on
public display, including the
collections of the Duke of
Buccleuth & Queensbury and
the Duke of Perth, including
images of members of the
Stuart family.
85946
£9.95
Thomas Heneage
Art Books
Tel: +44 (0)20 7930 9223
Fax: +44 (0)20 7839 9223
[email protected]
Cézanne to Picasso.
Ambroise Vollard, Patron of
the Avant-Garde by Rebecca
Rabinow et al
Exhibition: New York,
Metropolitan Museum++others,
Cloth, 30.4x22.8cms
Catalogue devoted to the
achievement of the French
dealer and collector Vollard
(1867-1939) who introduced
many of the leading modernist
artists of the early 20th century
to the public. 22 essays examine
his relationship with the art
market, with artists and
collectors, using a wealth of
unpublished material from the
newly available Vollard archive.
November 2006.
85830
£40.00
The Medici Conspiracy:
The Illicit Journey of
Looted Antiquities. From
Italy’s Tomb Raiders to the
World’s Greatest Museums
by Peter Watson and Cecilia
Todeschini
2006. 379pp 24 illustrations.
Cloth, 24.5x16cms
85801
£15.99
Collections et Marché de
l’Art en France 1789-1848
edited by Monica
Preti-Hamard and Philippe
Sénéchal
2005. 496pp, with 121
Wrappers
Conference papers from 2004 on
the subject of collections and the
market for art from the
Revolution to the July monarchy.
Text in French.
85890
£18.99
The Vendue Masters.
Tales from within the
Walls of America’s Oldest
Auction House by Roland
Arkell and Catherine
Saunders-Watson
22.5x28.5cms
Freeman’s is America’s oldest
auction house; this publication
marks its 200th anniversary,
telling its story with a complete
access to the archive.
85429
£19.99
Art and its Institutions.
Current Conflicts, Critique
and Collaborations by Nina
Möntmann
Wrappers, 22x16cms
Art institutions differ greatly and
so does their affect on artistic
practice and on the contemporary
art world. Topics discussed
include the decline of the welfare
state on art institutions and the
architecture chosen for art
institutions in the Nordic states
and Eastern Europe.
85755
£19.95
BOTANICAL
ILLUSTRATION
Florilegium Imperiale.
Botanical Illustrations for
Francis I of Austria by H.
Walter Lack
In 1791 the last Holy Roman
Emperor Francis I commissioned
1300 paintings from Matthia
Schmutzer of the flowers in the
imperial gardens in Vienna. This
book reproduces 120 of the most
outstanding and includes
descriptions of how the gardens
looked at the end of the 18th
century.
85041
£69.00
The Art of the Garden:
Collecting Antique
Botanical Prints by Denise
DeLaurentis and Hollie
Powers Holt
Recounts the lives and passions
of notable artists and patrons of
the 17th to early 20th century
including Basil Besler, Maria
Sybilla Merian, Mark Catesby,
Georg Ehert, George Brookshaw,
Robert John Thornton, Pierre
Joseph Redout. Examines the
technical advancements in
printmaking and the history and
cultural influences that shaped
the depiction of flowers, plants
and trees.
85934
£44.00
GARDENS
ARCHITECTURE
Industrial Design
Techniques and Materials by
Raymond Guidot
Palladio’s Venice.
Architecture and Society in
a Renaissance Republic by
Tracy Cooper
Theatrum Rosarum le Rose
Antiche e Moderne edited by
Elena Accati and Elena
Costa
2006. 334pp, fully illustrated in
colour with 96 extra colour and
monochrome figures in text.
Includes CD-Rom in separate
folder. Cloth in a slipcase,
35x25cms.
Major reference catalogue on 428
antique roses, preceded by
important essays including the
evolution of the rose from antiquity
to today, the impact of the rose on
gardens, the propagation of roses
and the diseases affecting them.
The CD-Rom describes and
illustrates 4885 modern roses. Text
in Italian.
85875
£105.00
Cloth, 29x24.8cms.
Andrea Palladio (1508-1580)
devoted a significant portion of
his career to the city of Venice
where he mainly designed
ecclesiastical architecture, from
San Giorgio Maggiore to Il
Redentore. This beautifully
illustrated book examines his
patronage by wealthy patrons
and his commissions for major
monuments, as well as his work
for charitable foundations,
convents, designs for triumphal
processions, and his part in
rebuilding the Ducal Palace.
82089
£40.00
Comprehensive guide to the
design materials of yesterday,
today and tomorrow, tracing the
history of design materials from
their mass production in the
Industrial Revolution to
contemporary uses of wood,
metals and synthetics. Includes
over 300 emblematic images by
leading names such as Philippe
Starck, Ron Arad and Ettore
Sottass.
85763
£24.95
Giardini. L’ Arte del Verde
Attraverso i Secoli by
Ippolito Pizzetti et al
28.5x26cms
With essays on the development
and change of gardens and
garden design from antiquity to
the present day, from Italy, Japan,
Africa and more. Text in Italian.
85635
£25.00
Isle of Wight by David
Lloyd and Nikolaus Pevsner
London. An Architectural
History by Anthony Sutcliffe
2006. 288pp. Cloth
Comprehensive overview of
London’s architectural
development, setting the buildings
in their historical context, and
discussing whether London
architecture has a distinct
character.
85247
£30.00
Der Natur und Kunst
Gewidmet. Der
Esterházysche Landschaftsga
rten in Eisenstadt by Franz
Prost et al
Cloth, 28.6x23.5cms
Nature and Art entwined. The
Esterhàzy gardens at
Eisenstadt are considered the
most beautiful landscape
gardens in Austria. A study of
its history and development
from the Middle Ages to the
present, illustrated with
contemporary prints, maps and
plans and photographs of
aspects of the garden at the
turn of the 20th century
compared with those taken
today. Text in German.
84774
£50.00
The Oxford Companion to
the Garden edited by Patrick
Taylor
Cloth, 27.6x22cms
Over 1,750 A-Z entries detailing
all aspects of gardens and
gardening from the ancient to the
avant-garde, illustrated with
photographs and historical
engravings. Gardens from all
over the world and the people
who created them are discussed.
85425
£40.00
Palladio’s Rome by Vaughan
Hart and Peter Hicks
Cloth, 22x12.8cms
Available for the first time in
English, this is the translation of
Andrea Palladio’s popular two
guides to the churches and
antiquities of Rome, written in
1554. With commentaries and
illustrations, the book also
includes translation of Raphael’s
famous letter to Pope Leo X on
the monuments of ancient Rome.
85023
£24.00
David Adjaye: Making
Public Buildings edited by
Peter Allison
2006. 224pp, 450 colour
24x20cms
85964
£18.95
Series: Pevsner Architectural
Guides - Buildings of England.
21.6x11.8cms
From Roman ruins and the
powerful medieval fortress of
Carisbrooke, and the
enigmatic Baroque mansion of
Appuldurcombe, to Queen
Victoria’s domestic Italianate
villa at Osborne and the
popular holiday resorts dotted
around the coastline, as well as
buildings of innovative modern
design, this volume explores
the breadth of architecture to be
found on the island. Not yet
published, expected
July 2006.
85799
£19.95
Thomas Heneage
Art Books
Tel: +44 (0)20 7930 9223
Fax: +44 (0)20 7839 9223
[email protected]
18
THE ART BOOK SURVEY
Ludwig Ferdinand Hesse
(1895-1876). Hofarchitekt
unter drei Preussischen
Königen by Andreas
Kitschke
Responsive Environments.
Architecture, Art and
Design by Lucy Bullivant
24x21cms
Fusing inventive design with
interactive media and
technologies, this study explores
the increasing use of
experimental interactive design in
todays living and working
environments. Not yet published,
expected July 2006.
85686
£24.99
The English House by John
Steel and Michael Wright
2006. 416pp, with over 500
30x23.7cms
Reviews the changes in the
English house from the Norman
Conquest to today, explaining
how rooms were used in the past
and the uses made by their
owners today.
85953
£TBA
The Destruction of
Memory: Architecture at
War by Robert Bevan
2006. 240pp with 67
24.2x16cms
The author argues that the damage
caused to architecture through
conflict over the last century is not
just ‘collateral damage’ but part of
cultural cleansing. Examines the
World War II area bombing, the
Holocaust, the Chinese destruction
of Tibetan Lhasa, Israel and
Palestine, the Soviet assault on
religious architecture, and the
Coalition’s invasion of Iraq.
85731
£19.95
Modern: The Modern
Movement in Britain by
Alan Powers
Carmarthenshire and
Ceredigion. by Thomas
Lloyd and Nikolaus Pevsner
Series: Pevsner Architectural
Guides - Buildings of Wales.
21.6x11.8cms
From prehistoric chambered
tombs to the high technology of
the world’s largest single-span
glasshouse, isolated churches to
the formal beauty of the late
Georgian town Aberaeron as
well as the sprawling settlement
of modern Aberystwyth, this
gives detailed accounts of all
the buildings in
Carmarthenshire and
Ceredigion (formerly
Cardiganshire). Not yet
2006.
85797
£19.95
www.heneage.com/
in colour. Cloth, 28.5x25cms
With architect-by-architect entries
arranged A-Z and specially
commissioned photographs
throughout of all the major extant
buildings, from private houses and
apartment blocks to schools and
factories Covers the work of such
internationally well-known
architects as Walter Gropius,
Marcel Breuer, Eric Mendelsohn
and Serge Chermayeff (all of whom
went on to work in the United
States), as well as such architects
as Maxwell Fry, Erno Goldfinger,
Oliver Hill, and Berthold Lubetkin.
85367
£35.00
Das Alte Dresden by Fritz
Löffler
Cloth, 27x20.5cms
Celebration of the art and
architecture of Dresden over an
800 year period with essays
focussing on the building of
Dresden in the 18th century, its
adopted names of ‘Florence on
the Elbe’ and the recent ten year
activity of rebuilding Dresden to
its former glory. Text in German.
85280
£20.00
Rick Mather Architects by
Robert Maxwell et al
Jagd- und Lustschlösser des
17. und 18. Jahrhunderts in
Thüringen by Heiko Laß
28x23cms
During the last 33 years Rick
Mather has worked on some 500
architectural projects including
the Dulwich Picture Gallery, and
the South Bank Centre and this
study is an exploration of his
response to the technical and
social requirements for many of
his projects involving structural
glass and sustainable design.
85748
£29.95
Cloth, 30x22cms
Hunting lodges and pleasure
villas were erected by many of the
aristocracy in Thüringia during
the 17th and 18th centuries. Not
all were of architectural
importance, but this book
catalogues 84 major buildings
and 53 less important ones
erected between 1600 and 1760.
Text in German.
85810
£58.00
28x21cms
Monograph on this pupil of
Schinkel, Ludwig Ferdinand
Hesse, who worked under 3
Prussian kings, including building
the Palace Building for Friedrich
Wilhelm IV. Text in German.
85462
£48.00
Die “Galleria Degli Antichi”
des Vespasiano Gonzaga in
Sabbioneta edited by
Hildegard Wulz and Hans
Schüller
30x22cms
In 1554 Vespasiano Gonzaga
erected a princely residence and
town at Sabbioneta on his estate
between the towns of Mantua and
Parma, in emulation of his father.
Erected as an ideal town, a
‘Roma Nuova’, it survives today
as the most complete complex of
its epoch. This book is a detailed
examination of the so-called
Antique Gallery built in 1583/84
to hold the collection of
antiquities collected by
Vespasiano. Text in German.
85906
£36.00
The Renaissance Home. Art
and Life in the Italian House
1400-1600 edited by Marta
Ajmar and Flora Dennis
The urban Italian house played
an important role in the
development of Renaissance art
and culture. From furniture and
kitchen utensils to popular prints,
jewellery and everyday dress, and
drawing on letters, treatises,
inventories, account-books, and
archeological and conservation
reports, this study offers insight
into the domestic world of the
Renaissance. Not yet published,
85682
£45.00
Gottfried Semper. Die
Moderne Renaissance der
Künste by Henrik Karge
Cloth, 24x17cms
Semper worked all over Europe,
in London, Paris, Vienna and
Hamburg. This monograph
focuses on his Dresden period
from 1834-1839, with
illustrations of theatre, picture
gallery and the Villa Rosa. Text in
German.
85465
£35.00
Höllenbrut und
Himmelswächter.
Mittelalterliche Wasserspeier
an Kirchen und Kathedralen
see Medieval
INTERIORS
Imagined Interiors.
Representing the Domestic
Interior since the
Renaissance edited by
Jeremy Aynsley and
Charlotte Grants
The domestic interior has greatly
changed over the last 500 years
in the Western world. BY looking
at depictions of homes through
paintings, novels, television, film,
diaries, sketches and
photographs, this book examines
the public and private attitudes
towards the domestic interior
from the grand decorative
schemes to homely cottages. Not
yet published, expected
October 2006.
85685
£45.00
The Classic Italian Interior.
Elegant Homes & Exquisite
Antiques by Roberto
Valeriani
plates. Cloth, 33.2x25.5cms
84165
£42.00
Inside the Renaissance
House by Elizabeth Currie
Taking the reader on a room by
room tour of the Renaissance
home as it would have been in
Florence and Venice, this book
shows how much care went into
the arrangements and furnishings.
85683
£14.99
Thomas Heneage
Art Books
Tel: +44 (0)20 7930 9223
Fax: +44 (0)20 7839 9223
[email protected]
Jansen by James Archer
Abbot
2006. 324pp, with numerous
31.2x26.5cms
The French firm of decorators
Maison Jansen was founded in
1880 by the Dutch entrepreneur
Jean-Henri Jansen, and
specialized in interiors that
blended 18th-century
neoclassical elegance with a
modern aesthetic suited to the
lifestyles of the wealthy and
important, like the Duke and
Duchess of Windsor, Hattie
Carnegie, Jayne and Charles
Wrightsman, as well as working
on interiors for royalty like King
Edward VII, the King of the
Belgians and the Shah of Iran.
Under the control of Stéphane
Boudin from 1936-1961, the
Jansen style combined regal
elegance with country house
subtleties with a soupçon of
1920s Hollywood, his most
famous project being the
complete redecoration of the
White House during the
Presidency of John F. Kennedy.
List of known Jansen projects.
Bibliography.
85721
£55.00
CONSERVATION
K.P.C. de Bazel (1869-1923).
Ontwerpen voor het
interieur by Yvonne
Brentjens and Titus M.
Eliëns
Exhibition: Hague, The,
Gemeentemuseum, 2006. 240pp,
The finely-crafted sets of furniture
by the Dutch designer De Bazel,
with its idiosyncratic blending of
Far-Eastern and Western styles,
is examined for the first time,
many having being commissions
from wealthy businessmen,
aspiring intellectuals, artists and
the Dutch Royal Family. Text in
Dutch.
85792
£22.00
Great Exhibitions. London,
Paris, New York,
Philadelphia 1851-1900 by
Jonathan Meyer
monochrome illustrations, and
contemporary engravings. Cloth,
27x25.8cms
In-depth look at the great
exhibitions held during the
19th century: London 1851,
1862; New York 1853; Paris
1855, 1867, 1878, 1889, 1900;
and Philadelphia 1876.
Examines the influence the
impact of the industrial
revolution on design and the
decorative arts through
changes in machinery,
scientific methods, and how the
new products were presented to
the public. Not yet published,
85955
£45.00
Capolavori di Pietro Piffetti
nella città di Bene
The National Trust Manual
of Housekeeping: The Care
of Collections in Historic
Houses Open to the Public
introduction by Sarah
Staniforth
2006. 942pp illustrated
throughout in colour.
Boards, 29x22cms
Greatly expanded edition of The
National Trust’s practical guide
on the theory and practice of the
care and maintenance of fragile
interiors and their decorative
fixtures, fittings and other objects.
85656
£49.99
2006. 136pp with colour and
31x21.5cms
The masterworks of this
important 18th century Italian
furniture maker are studied in
detail. Text in Italian.
85768
£35.00
FURNITURE
Designing the Décor. French
Drawings from the
Eighteenth Century by Peter
Fuhring
Villa Della Regina. The
Chinese Style in 18th
Century Residences in
Piedmont edited by Lucia
Caterina and Cristina
Mossetti
260 monochrome. Cloth,
30.5x21cms
The Royal Palace in Turin and 27
other royal or noble residences in
Piedmont all had rooms
decorated in the Chinese style in
the 18th century, when the
fashion for Chinoiserie spread
throughout Italy, and this book
examines the palace and eight of
these houses. These rooms were
often decorated with Oriental
lacquer or with hangings of
genuine Chinese fabric or
wallpaper, and sometimes with
western imitations. Rooms that no
longer exist, such as that at the
Palazzo Lascaris, and others
conserved in foreign museums are
also considered, with
iconographic and technical
information about each room.
85886
£70.00
Georg Haupt. Gustav III:s
Hovschatullmakare by Lars
Ljungström
Exhibition: Lisbon, Fundaçao
Calouste Gulbenkian, 2006.
Wrappers, 28x23cms
The French 18th century had a
passion for luxurious furnishings
and objets d’art, and this book
examines through drawings for
elaborate decorations,
recordings of original ideas,
notes of detail and completed
projects, the design and technical
processes involved from the
exploration of ideas to the
finished product
84824
£35.00
Exhibition: Stockholm, The
Royal Palace, 2006. 167pp, fully
29.5x25cms.
Comprehensive examination of
the craftsmanship of the most
famous Swedish cabinet maker
(1741-1784) based upon the
thirty pieces in the Swedish royal
collection. His importance
amongst the Neoclassical and
Rococo furniture makers of the
18th century, his influence on his
contemporaries, and his visits to
Amsterdam, Paris and London,
are discussed. Text in Swedish.
86004
£29.95
Household Gods. The
British and their Possessions
by Deborah Cohen
The Furniture Machine.
Furniture Since 1990 by
Gareth Williams
Cloth, 23.4x18.9cms
Account of the British middleclass preoccupation with their
homes, interior decoration and
personal possessions since 1830,
focussing on class, choice,
shopping and collecting and
stressing the rise of consumerism
in Victorian Britain. Not yet
2006.
85823
£25.00
The major trends and designers
of the last fifteen years are
examined, including Philippe
Starck, Ron Arad and Marc
Newson as well as Italian
manufactures Cappellini and
B&B Italia and the theoretical
proposals of Droog Design and
the commercial products of
Moooi. Not yet published,
85684
£35.00
Knoll Home & Office
Furniture by Nancy N. Schiffer
colour and monochrome. Cloth,
30.5x23.5cms
Although founded in 1938, the
American furniture company
Knoll International had its origins
in designs created at the Bauhaus
in Germany by Marcel Breuer,
Ludwig Mies van der Rohe and
others until its closure in 1933 by
the Nazis when many of its
modernist designers emigrated to
the United States. Timeline and
pictorial documentary inventory,
biographies of designers.
85750
£47.00
Arredi del Seicento. Mobili
Italiani dal Rinascimetno al
Fasto Barocco by Elisabetta
Barbolini Ferrari et al
colour. Cloth, 30x25cms
Like all the arts in Italy during the
17th century, domestic furniture
flourished. This study looks at the
artists and artisans involved, the
political and cultural climate of
the period that allowed for this
creative surge, examining each
region’s stylistic characteristics
and individuality. Text in Italian.
85357
£56.00
Stobwasser. Lackkunst aus
Braunschweig & Berlin. 2
vols. by Detlev Richter
2005. Together 453pp with 270
illustrations. Boards in a slipcase,
31.5x24cms
The history of the Stobwasser
family who manufactured lacquer
in both Brunswick and Berlin.
Volume one includes examples of
lacquer work in furniture, boxes,
candlesticks, trays, vases, objects
d’ arts, pottery of portraits,
landscapes and decorative
painting. Volume two includes the
biographies, chronology and
historical documents of the
family. Text in German.
85324
£65.00
Thomas Heneage
Art Books
Tel: +44 (0)20 7930 9223
Fax: +44 (0)20 7839 9223
[email protected]
20
THE ART BOOK SURVEY
JEWELS & GEMS
Mickaël Kra. Jewellery
Between Paris Glamour and
African Tradition by
Francine Vormese and
Annette Braun
From his New York beginnings to
the impact he created on the
Paris chic and his commitment to
Africa, this monograph looks at
the range of his work, examining
his working philosophies and the
various fashion houses he has
designed for including Yves, Saint
Laurent, Louis Féraud, Alphadi
and Katouchi.
85694
£35.00
Russian Silversmiths’
Hallmarks 1700 to 1917 by
Geoffrey Watts
2006. 256pp with coloured
24x17cms
Insight into the silver trade in
Russia. This book includes a
list of the major silversmiths
and their marks, a glossary of
terms, collective workers’
groups called Artels, the
Cyrillic alphabet, Assay Office
marks by symbol and by town,
and marks in Cyrillic and Latin
script.
85376
£24.95
The Russian Charka, The
Silver Vodka Cup of The
Romanov Era 1613-1917 by
K. Helenius
colour throughout. Boards,
17x22.2cms
A survey of 158 Charkas and
other Russian vodka cups in the
possession of the author,
arranged by period. Explanatory
glossary, hallmarks,
bibliography. Text in English,
Russian and Finnish.
85690
£30.00
Nicola da Guardiagrele see
Old Masters
Der Römische
Edelsteinschneider Giovanni
Pichler (1734-1791): Eine
Biographie. by Giovanni
Gherardo de Rossi
Tiffany Diamonds by John
Loring
Tells the history of the Tiffany
diamond; in 1848 Charles Lewis
Tiffany was crowned the ‘king of
diamonds’, and in 1887 attended
and purchased at the auction of
the French crown jewels. It also
explains how it was Tiffany who
introduced the engagement ring,
as we know it today. This volume
is filled with many anecdotes and
tales relating to diamonds and
Tiffany.
83977
£25.95
Jewels of the Romanovs.
Treasures of the Tsars by
HRH Prince Michael of
Greece and Denmark
Gemstones. Understanding
Identifying Buying by Keith
Wallis
2006. with colour illustrations
throughout. Cloth, 20x20cms
Guideline of the basic
identification of gemstones with
a comprehensive index and
descriptions of what constitutes
a gemstone, their history and
the myths and legends
surrounding them. Discusses
diamonds and 70 or so other
gems and organic gems like
ivory, shell and coral. With
information on what can be
found in various counties and
tips on good websites.
Appendices in four languages
cover the physical properties of
the gems and colours. Includes
a glossary of terms.
85428
£25.00
Fabergé and the Russian
Jewellers
Exhibition: London, Wartski,
2006. 116pp, illustrated
throughout in colour. Wrappers
Catalogue of over 300 items.
85914
£TBA
www.heneage.com/
2006. 192pp, with over 150 colour
Chronological history and
previously unpublished account
and photographic material of the
Romanovs as collectors of
jewellery told by the grandson of
Grand Duchess Olga
Constantinova of Russia, who
traces many of the most important
pieces of jewellery that were not
confiscated by the state after the
Russian Revolution in 1917 and
that was saved by members of the
Russian aristocracy who managed
to escape. Not yet published,
85754
£39.95
2005. 216pp, 38 monochrome
It was never Pichler’s intention to
earn his living as a forger of
engraved gems and cameos
despite the voracious appetite that
visitors on their Grand Tour had
for such things. One of the
greatest gem engravers in the 18th
century, whose portraits were up
to the standards of the finest of the
Hellenistic and Augustan stone
cutters was occasionally obliged
to do so to support himself. His
friend the art writer and poet
Giovanni Gherardo de Rossi
produced this biography in the
year following his death which is
reprinted, translated into German
and annotated by Christa and
Gert Wilhelm Trube.
85856
£TBA
SILVER
Exhibition: London, Somerset
House, The Gilbert Collection,
27.5x24.5cms
Essays chart the early years of
Tiffany from the New York store, the
transformation of the firm under
Louis Comfort Tiffany to its reestablishment as a great
international company after World
War II. Over 200 pieces dating from
the 1850s to the 1980s are illustrated
with full catalogue entries.
85107
£45.00
Central Asian Textiles and
Their Contexts in Early
Middle Ages edited by
Regula Schorta
Norwich Silver from
Earliest Times to the
Closure of the Assay in 1702
by Colin Ticktum
2006. 184pp with 61
monochrome illustrations
Discusses how the craft of
silver making fitted into the
local economy and social
structure in this area. Includes
facsimile of all known assays
and makers marks and
biographies of all the
goldsmiths with details of the
makers, new identifications, a
record of all the currently
ascribed secular pieces, style
marks and the most up to date
information of the location of
the Goldsmiths’ Hall, and
therefore the first Assay, which
opened in 1565.
85795
£24.95
Series: Riggisberger Berichte.
2006. Vol.9. Wrappers, 31x23cms
New perspectives on the textile
art of the Middle Ages from
Sogdia and the Tarim Basin, Tivet
and Central China, with reports
on new discoveries in China.
85090
£38.00
Don Quijote: Tapices
Españoles del Siglio XVIII
Exhibition: Toledo, Museo de
Santa Cruz, 2005. 304pp with
200 colour illustrations.
Wrappers
The exhibition displays the extent
of the influence of Cervantes’
character Don Quixote and his
universal image through
tapestries, paintings, sculptures
and other pieces of art from
across Europe. Text in Spanish
and English.
85235
£48.00
The Silver Wonder of the
East. Filigree Silver Objects
for the Tsars by Maria
Menshikova
Britannia and Muscovy.
English Silver at the Court
of the Tsars
Bejewelled by Tiffany 18371987 by Clare Phillips
TEXTILES
Exhibition: New Haven, Yale
Center for British Art, 2006.
28x24.8cms
The Moscow Kremlin Museums
houses one of the world’s greatest
groups of English 16th and 17th
century silver. Many of the pieces
from this period were melted down
during the Civil War, making the
Kremlin’s collection rare and
historically important. This silver
exemplifies the commercial and
diplomatic ties between Russia and
England. The exhibition sets these
pieces within the wider context of
portraits, engravings, books, maps,
objects by Russian craftsmen and
English firearms. Not yet
85171
£50.00
Exhibition: Amsterdam,
Hermitage, 2006. 128pp, with 80
24x17cms
Fine filigree silver from China,
India and Batavia (Jakarta)
started being exported to the
West in the 16th century and
was avidly collected by
European rulers like Louis XIV
of France and Frederick
William of Brandenburg, but
their collections have all
disappeared, and only that of
the Tsars of Russia has
survived. Amassed by Peter the
Great and Catherine the Great,
and including an important 32piece toilet set given to the
latter as a wedding present, this
is the first time the collection
has been examined and
displayed. Not yet published,
expected July 2006.
85791
£16.95
Maya Textiles from
Guatemala by Gitta Hassler
and Peter R. Gerber
Cloth, 30.4x22.8cms
Comprehensive survey of
traditional brilliantly-hued Maya
dress and the techniques used in
creating their textiles drawn from
the collection of the
Völkerkundemuseum in Zürich,
with a history of Mayan life and
culture.
85963
£45.00
UNA RIVISTA INTERNAZIONALE DI LIBRI D’ARTE
EUROPEAN
CERAMICS
Italian Maiolica of the
Renaissance by Timothy
Wilson
Glanz der Himmelssöhne:
Kaiserliche Teppiche aus
China 1400-1750 by Hans
König and Michael Franses
Exhibition: Cologne, Museum
für Ostasiatische Kunst, 2005.
228pp with 68 colour plates and
Cloth, 35x25.5cms
Chinese carpets from 1400 to
1750. Includes the following
chapters: Carpets in China before
1400; The Imperial Palace
Carpets; The designs of classical
Chinese carpets; and Classical
Chinese carpets in the West. Text
in German.
85081
£50.00
Embroidery of the Greek
Islands and Epirus Region
by Sumru Belger Krody
28x23cms
The relationship between textiles
and culture becomes very
apparent in this study of
embroidery in the Epirus region
of Greece and the islands of the
Aegean and Ionian Seas.
Examines the position of Greece
along the trade routes which
made the region open to Venetian,
Ottoman, and Italian influences
from the 17th to 19th centuries.
Looks at the range of designs and
the reasons for which they were
created.
85695
£19.95
Pillement see Old Masters
FASHION
1996. xxiv, 568pp with 271
Analysis of 200 exceptional
pieces of Italian Renaissance
majolica from the collection of
Paolo Sprovieri, with
comparative illustrations of
graphic sources and of pieces by
the same painters or workshops.
Examines works from Umbria,
Tuscany, Venice and Castelli.
With bibliography and index of
private collections. This book was
printed in 1996 but for legal
reasons was not able to be
released until now.
58754
£195.00
21
George Ohr: Art Potter. The
Apostle of Individuality by
Robert A. Ellison
Pioneering Art Ceramics in
Flanders. 1935-1970 by
Marc Heiremans
30.5x25.5cms
Working in relative isolation in
Biloxi, Mississippi, George Ohr
was one of the most
revolutionary potters of his
time, transforming symmetrical
wheel-thrown pots into
unprecedented abstract
configurations nearly 50 years
before the idea of Abstract
Expressionism took hold.
Known as the ‘Mad Potter of
Biloxi’ due to his eccentric
forms and flamboyant
personalities, this study looks at
his work and working methods
and his tie to the Arts & Crafts
movement. Not yet published,
expected July 2006.
85927
£35.00
Pioneering ceramicists in Belgium,
like Joost Maréchal and Jan
Cockx, began to experiment with
modern forms and new glazes.
Workshops were formed which still
remain important in Perignem and
Amphora by Rogier and Laurent
Vandeweghe. This book documents
ceramics in Belgium, examining
the high level of craftsmanship
achieved by the 1950s and beyond.
Text in English and German.
85470
£35.00
www.heneage.com/
HERALDRY
Roaring ’20s Fashions: Deco
by Susan Langley
in colour. Boards, 28.6x22.5cms
Using a combination of vintage
images, photographs, and period
artist’s illustrations, this book
presents a look at fashion from
1925 through 1929 including
evening wear, spot fashion, hats,
shoes, fans, purses and lingerie.
85252
£23.00
Embroidery. Italian Fashion
by Gianfranco Ferre et al
1,000 Hats. With Price
Guide by Norma Shepherd
2006. 240pp. Cloth,
31x21.5cms
From Ethno-folk to
Conceptual, from Eclecticism
to Deconstructivism, from
Romantic to Dark, embroidery
has been used in Italian fashion
in all its various forms. This
study considers the origins of
embroidery and how it has been
used and transformed by
designers as varied as Valentino,
Antonio Marras, Maurizio
Pecorro, Marni, Etro and
Cavalli, amongst many others.
Text in English and Italian.
85360
£60.00
2006. 240pp with 1,190 colour
Cloth, 32x22cms
A retrospective of the millinery
business with over 1,240 museum
quality hats reveal the milliner’s
ingenuity from the 1790s to the
1970s, including ascots, bourrelets,
bigonnets, chapeaux rouges and
nurses’hats and made from felts,
furs, feathers and adorn=red with
beads, flowers, sequins and more.
Includes hats by John B. Stetson,
Tress & Co., Eleanor Auld, Helen
Clovig, Nancy Hooper, Lama
Hawke Nichols and Anita Pineault.
With glossary and price index.
85482
£24.00
La Porcelaine de Sèvres du
XVIII Siècle. Catalogue de
la Collection by Nina
Birioukova and Natalia
Kazakevitch
colour and monochrome. Cloth,
27.5x22.8cms
The first complete catalogue of
the 18th-century Sèvres
porcelain collection in the
Hermitage describing in detail
1400 items including services,
vases, garnitures, and other
decorative items. Includes
reproductions of the marks on
each piece. Text in Russian and
French.
Like all books from
Russia, supply is neither easy
nor certain. We are trying very
hard to get the book and will sell
it on a strictly first come first
served basis.
85689
£TBA
World Orders of
Knighthood and Merit. 2
vols. edited by Guy StairSainty and Rafal HeydelMankoo
2006. 2100pp and 2700
The first section starts with
detailed histories of the
surviving confraternal orders,
beginning with the famous
Order of Malta. The second
section includes histories of all
the great European single class
Collar Orders, by date of
foundation, beginning with the
Order of the Garter (England)
and including the Orders from
Austria, Denmark, Germany,
Italy, Poland, Scotland, Spain
and Sweden. The third includes
histories of the most
prestigious Orders of Chivalry
(from Denmark, France, Japan,
Portugal, Spain and the UK),
and the remaining sections
include one devoted to royal
dynastic Orders, another to
ladies’ Orders and the largest
section: State Merit Orders.
Each Order’s purpose,
structure, investiture details,
officers and membership
requirements will be listed
along with details of the
insignia. Lavishly illustrated in
full colour, included are
illustrations of uniforms, robes
and insignia as well as
photographs and paintings of
related places and people,
diplomas, armorial bearings
and ceremonies of investiture.
September 2006.
85950
£195.00
22
THE ART BOOK SURVEY
CLOCKS &
WATCHES
The Cartier Collection:
Timepieces by Franco
Cologni and François
Chaille
Rathbone: China
Manufacturers, Tunstall,
Staffordshire 1808 to 1843
by Ian Harvey
25.6x21.2cms
Study of the hitherto little known
Staffordshire pottery created in
the town of Tunstall and run by
two brothers, John and Samuel
Rathbone. A history of the
Rathbone family precedes
valuable information about the
several partnerships that kept the
firm in existence, the potteries
and production records, and
above all, the attractive porcelain
and earthenware they produced,
comprising tea ware, breakfast
ware, mugs, jugs and
punchbowls. Marks and shapes
are discussed.
85779
£45.00
The Art of Glass. The
Toledo Museum of Art by
Stefano Carboni et al
2006. 224pp with c. 200
Presents over 100 masterpieces of
ancient, Islamic, European,
American and contemporary
studio glass from this renowned
collection. Artists’ sketches of
some of the pieces and
photographic details accompany
the analytical text on each pieces
by leading scholars.
85922
£35.00
2006. Cloth in a slipcase,
31.5x44.5cms
October 2006.
81555
£275.00
Omega Watches by John
Goldberger and Giampiero
Negretti
Over 250 examples of 20th
century Omega watches, with
their reference numbers,
movements, case and dial details
are reproduced, giving an
overview of the company and
watch production.
85359
£63.00
DECORATIVE
ARTS – GENERAL
Cloth, 33x24cms
With over 500 colour
photographs alongside period
catalogue images, this book
provides an insight into the
many shapes, styles and
intricate decor of glass scent
bottles made in Czechoslovakia
in the 1920 and 1930s. From
dangle bottles, filigree caged
bottles, hinged bottles, micro
bottles, intaglio designs,
figurals, multiple sets, atomizers
and more. With a review of cap
styles, information on copies
and current values.
85483
£44.00
Glass Barware: Deco &
Beyond by Walter T. Limiski
28x22cms
Displays the elegance of crystal
and colour through these art deco
pieces including cocktail shakers,
decanters, pitchers, glasses,
punch bowls, ice buckets, swizzle
sticks and much more. These
pieces are all produced by well
known glass companies including
Cambridge, Duncan Miller,
Fenton, Fostoria, Hazel-Atlas,
Heisey, Imperial, Indiana,
Morgantown, New Martinsville,
Paden City and Tiffin. With a
historical description of the
pieces, bibliography, index and
value captions.
85197
£19.00
J. & L. Lobmeyr: Between
Tradition and Innovation.
Nineteenth-Century
Glassware from the MAK
collection edited by Peter
Noever
Known for its translucency and
simplicity of design, the Lobmeyr
factory was one of the leading
glass producers of the late 19th
century. This volume catalogues
the collection at the Austrian
Museum of Applied Arts for the
first time.
85144
£30.00
Anzolo Fuga, Murano Glass
Artist, Designs for
A. V. E. M. 1955-1968 by
Rosa Barovier Mantasti
31.3x23.2cms
Early in the 20th century the
Venetian island of Murano reestablished itself as the centre of
Italian glass production, mixing
traditional craftsmanship with
innovations by contemporary
artists and sculptors. Fuga
played a prominent role in this
renaissance, his works from the
1950s and 1960s of such
chromatic and decorative impact
that they still appear fresh
today.
85720
£45.00
From the streets of Budapest
and Vienna, these 500
photographs show the many and
varied interpretations of Art
Nouveau forms in the ironwork
used in balustrades, balconies,
lanterns, gates, doorways,
elevator door facades and more.
Descriptions of the details and
decorative motifs are explained.
With bibliography. Not yet
2006.
85937
£28.00
Fountain Pens of the World
by Andreas Lambrou
Cloth, 30.9x22.5cms
Reprint of updated and expanded
authoritative previous
publication, ‘Fountain Pens,
Vintage and Modern’ covering
the USA, the UK, Germany,
France, Italy, the Netherlands
and Japan, with the pens
reproduced actual size.
85730
£78.00
RUSSIAN ART
The Wanderers and Critical
Realism in NineteenthCentury Russian Art by
David Jackson
GLASS
Perfume Bottles for Purse &
Dresser: from
Czechoslovakia, 1920s-1930s
by Verna J. Kocken
Art Nouveau Ironwork of
Austria and Hungary by
Frederico Santi and John
Gacher
Biedermeier. The Invention
of Simplicity by Hans
Ottomeyer et al
Exhibition: Milwaukee, Art
32.7x25.3cms
Examination of a group of
like-minded artists and designers
in Germany, Austria, Bohemia and
Denmark in the period 1800-1830,
bringing together 300 outstanding
examples of furniture, decorative
arts, works on paper and paintings
that document the truly innovative
character of the so-called
Biedermeier period, many of the
works having startling affinities
with designs of today. Includes
paintings by artists Caspar David
Friedrich, Karl Friedrich Schinkel,
Georg Friedrich Kersting and
Eduard Gaertner. Not yet
published, expected
September 2006.
85909
£36.00
www.heneage.com/
Cloth, 24x17cms
The Wanderers was Russia’s first
independent artistic movement
originating in the incipient
realism of nineteenth century
painting. This comprehensive
survey looks at the cultural role
of this school and the insight it
gives to the panorama of life and
thought in pre-revolutionary
Russia.
85884
£55.00
Suisse -Russie: des Siècles d’
Amour et d’ Oubli 16802006 seeWorks of Art
of the Tsars see Silver
Russian Silversmiths’
Hallmarks 1700 to 1917 see
Silver
The Russian Charka, The
Silver Vodka Cup of The
Romanov Era 1613-1917
see Silver
Jewels of the Romanovs.
Treasures of the Tsars see
Jewels & Gems
“Verbotene Bilder” Heiligenfiguren aus
Russland see Icons
ICONS
“Verbotene Bilder” Heiligenfiguren aus
Russland edited by
Marianne Stössl
27.7x23cms
This is the first documentation of
the existence of sculptures of holy
figures in Russia. The figures
span over a period between the
15th and 20th century. They
range from life-size Sakral
sculptures to small, massproduced wood sculptures. The
contributions of a group of
international academics deals
with the subject of: “Forbidden
Pictures” of the sculptures. Text
in German.
77754
£40.00
Icons and Saints of the
Eastern Orthodox Church
by Alfredo Tradigo
Series: Guide to Imagery. 2006.
From the most ancient icons at
the Monastery of Saint Catherine
in the Sinai to those from Greece,
Constantinople and Russia, this
book catalogues these images
according to iconographic type
and subject. Examines the role of
icons in the Orthodox liturgy and
on common iconic subjects.
85270
£16.00
Icons and Power. The
Mother of God in
Byzantium by V.Bissera
Pentcheva
Cloth, 26x20cms.
Overview of the development of
the cult of the Virgin in
Byzantium from the 5th to 13th
centuries. Discusses the use of
the image of the Virgin, the All
Holy Woman, as a symbol of
victory and imperial authority.
The author argues that the
devotion of Marian icons should
be considered a later
development than is generally
assumed, dating it to the 12th
and 13th centuries.
85316
£45.50
Thomas Heneage
Art Books
Tel: +44 (0)20 7930 9223
Fax: +44 (0)20 7839 9223
[email protected]
ÜBERBLICK UND BESCHREIBUNG VON WELTWEITEN NEUEN UND IN KÜRZE ERSCHEINENDEN 23
BYZANTINE ART
The Road to Byzantium.
Luxury Arts of Antiquity
edited by Frank Althaus and
Mark Sutcliffe
Exhibition: London, Somerset
House, The Hermitage Rooms,
20 b/w illustrations. 29.5x25cms
Spanning a period from 500 BC to
1000 AD, this book looks at the
luxury goods produced in the
Greek and Byzantium worlds,
produced from gold, silver and
ivory, from the Hermitage. The
development from Greek to Roman
to Byzantine art is studied not
through the traditional approach
of icon painting but through these
luxury items, which offers a
completely new perspective on this
development of classicism.
85237
£32.00
Byzantium, Faith and Power
(1261-1557). Perspectives on
Late Byzantine Art and
Culture by Sarah T. Brooks
2006. 208pp with 125
Critical issues of politics, trade,
religion and culture, that helped
shape the last centuries of the
empire as well as that of the early
modern age, are explored in these
series of essays. This study
expands on the exhibition held at
the Metropolitan in 2004
‘Byzantine; Faith and Power’.
August 2006.
85102
£18.00
Icons and Power. The
Mother of God in Byzantium
by Bissera V. Pentcheva
Cloth, 25x17cms
Overview of the development of the
cult of the Virgin in Byzantium from
the 5th to 13th centuries. Discusses
the use of the image of the Virgin,
the All Holy Woman, as a symbol of
victory and imperial authority. The
author argues that the devotion of
Marian icons should be considered
a later development than is
generally assumed, dating it to the
12th and 13th centuries.
85316
£34.00
MEDIEVAL ART
Sigismundus Rex et
Imperator. Kunst und
Kultur zur Zeit Sigismunds
von Luxemburg (1387-1437)
by Imre Takacs et al
Exhibition: Budapest, Museum
of Fine Arts, 2006. 731pp with
Exhibition on Sigismund 13681437, Emperor and King of
Hungary and the Holy Roman
Empire, displaying the art and
culture during his rule. Text in
German.
85323
£37.00
Höllenbrut und
Himmelswächter.
Mittelalterliche
Wasserspeier an Kirchen
und Kathedralen Regina
E.G. Schymiczek
Cloth, 27x21cms
The fantastic, grotesque and
demonic world of the gargoyle,
their function and meaning, as
carved on the German cathedrals
and churches of Cologne,
Regensburg, Freiburg im
Breisgau, Sieburg and Aachen, is
examined in this book. Text in
German.
85943
£22.00
Musée du Moyen Age Thermes et Hôtel de Cluny.
Oeuvres Nouvelles 19952005 by Elisabeth TaburetDelahaye
Exhibition: Paris, Musée de
Cluny, 2006. 128pp, with 160
In honour of the retirement of
Viviane Huchard, curator at the
museum from 1994 to 2005, this
is the catalogue of some of the
acquisitions made by her for the
museum, including ivories,
sculptures and enamels, many of
them published here for the first
time. Text in French.
85898
£14.00
Crosses of Ethiopia. The
Beauty of Faith by Mario Di
Salvo
Cloth, 28x24cms
With the aim of discerning a
common origin of the cross, this
volume examines the myriad
types produced in Ethiopia from
around 330 AD onwards and
their relationships to each
other. The author examines the
development of the iconography
of the cross over the centuries
from those used as liturgical
instruments in churches and
monasteries to those for
common devotion and daily life,
including crosses stamped on
the Aksumite coins, depicted in
architecture, illustrated in
ancient illuminated codices to
astylar, manual or pectoral
crosses. Not yet published,
85794
£38.00
2005. 848pp, 460 monochrome
illustrations. Cloth, 28X21cms.
Text in German.
86030 £85.00
L’art Roman au Louvre by
Jean Rene Gaborit et al
2005. 240pp with over 200 colour
With notes, glossary,
bibliography, chronology and
index, this study looks at
Romanesque art in the collection
of the Louvre. Text in French.
85650
£48.00
Canossa 1077. Erschütterung
der Welt: Geschichte, Kunst
und Kultur am Aufgang der
Romanik by Christoph
Stiegmann and Matthias
Wemhoff
Exhibition: Paderborn, Museum
in der Kaiserpfalz, 2006. 1500pp
Wrappers, 28x21cms
Exhibition celebrating the
momentous political and cultural
events surrounding the meeting of
the Holy Roman Emperor, Henry
IV and Pope Gregory VII in 1077.
Text in German.
84915
£50.00
Der Crac des Chevaliers.
Die Baugeschichte einer
Ordensburg der
Kreuzfahrerzeit edited by
Thomas Biller
2006. 396pp, 37 colour, 270
30.5x22.5cms.
Text in German.
86029
£60.00
The Creation of Gothic
Architecture an Illustrated
Thesaurus: The Ark of God.
The Evolution of Foliate
Capitals in the Paris Basin:
Archaic capitals prior to
1130. Vol 3. by John James
2006. 736pp with some 4,000
Comprehensive pictorial history
of the Early Gothic churches in
the limestone region of northern
France known as the Paris Basin.
It covers the crucial period when
Romanesque changed to Gothic.
In the third volume almost all the
capitals, dating from before
1130s, found in the churches are
presented, while defining an
accurate chronology of the
development of the Gothic style.
Introductory price of £349.00
until 30th of June 2006, after that
price will increase to £395.00.
85468
£349.00
Orgues: Le Choeur des
Anges by Jean Michel
Sanchez and Olivier Placet
Lions, Dragons, & Other
Beasts. Aquamanilia of the
Middle Ages by Peter Barnet
and Pete Dandridge
Sigismundus von
Luxemburg. Ein Kaiser in
Europa by Michel Pauly and
Francois Reinert
Boards, 29x25cms
The summit meeting of art
historians, held in Luxemburg
during the summer of 2005 brings
together the studies on the
Emperor Sigismund 1368-1437.
Text in German.
85322
£34.00
Triumphkreuze des
Mittelalters. Ein Beitrag zu
Typus und Genese im 12.
und 13. Jahrhundert by
Manuela Beer
Exhibition: New York, Bard
Graduate Center, 2006. 256pp
31x24cms
Created in appealing animal or
human forms, aquamaniles are
beautifully designed bronze
pouring vessels used in both
liturgical and secular contexts
for ceremonial hand washing.
They represent the first hollowcast pouring vessels in Western
Europe and a significant
development in the history of
technology. This study explores
the history, technique and
cultural significance of these
medieval pieces. Presents the
entire aquamanile collection held
at the Metropolitan Museum as
well as pieces from other
collections and other related
material. Not yet published,
expected July 2006.
85172
£50.00
Care for the Here and the
Hereafter. Memoria, Art
and Ritual in the Middle
Ages edited by T. van Bueren
Wrappers, 28x24cms
Series of essays discussing the
research into death, burial practices
and memoria in medieval society
and the methodological issues.
84869
£68.00
colour and monochrome. Boards,
29.5x23.8cms
No longer just a musical
instrument for use during the
liturgy, the organ is now seen as a
major piece of religious furniture,
and has become the object of
study by historians of
architecture, sculpture, ornament,
woodcarving and above all
music. This study concentrates on
the dynasties of organ-builders
whose creations are to be seen in
cathedrals and parish churches in
central France. Text in French.
85439
£30.00
STAINED GLASS
A History of the Stained
Glass of St George’s Chapel,
Windsor edited by Sarah
Browm
Created to be the architectural
backdrop to the religious
ceremonies of the Order of the
Garter, the pre-eminent chivalric
order of medieval England, the
stained glass of which has
remained largely unstudied. From
the 16th century to today, the
chapel has attracted some of the
leading artists and glaziers, and
in this volume nine scholars
explore the history of the chapel’s
stained glass in depth for the first
time.
85904
£30.00
Picturing the Celestial City:
The Medieval Stained Glass
of Beauvais Cathedral by
M. Cothren
Cloth, 28x24cms
84350
£55.00
24
THE ART BOOK SURVEY
MANUSCRIPTS
& BOOK ARTS
Les Trésors Manuscrits de
la Méditerranée
Panorama of the most precious
Mediterranean manuscripts
examining their influences from
the ancient world, Judaism,
Christianity and Islam. From
Egypt and Greece, from Armenia,
Turkey, and Arabia, thousands of
sacred, scientific, literary and
historic written texts crossed
lands, influencing each other. Text
in French.
85309
£103.00
Jean Wauquelin. De Mons à
la Cour de Bourgogne by
Marie-Claude de Crécy
Flemish Manuscript
Painting in Context by
Elizabeth Morrison and
Thomas Kren
and83 monochrome illustrations.
Wrappers, 27x20cms
Contains 13 selected papers
which were presented at the two
conferences held in conjunction
with the exhibition Illuminating
the Renaissance. With essays on
Rogier van der Weyden’s
illumination work, studies in to
the materials and methods of
illumination, and an added essay
on the role of dress in the
Burgundian court. With
biographies of Burgundian
scribes. Not yet published,
85275
£40.00
2006. 318pp, with 23
The medieval writer, translator
and illuminator Jean Wauquelin is
the subject of a number of
important essays by international
scholars, including his translation
of Geoffrey of Monmouth’s History
of the Kings of Britain, and his text
and illustrations to his ‘Roman
d’Alexandre’. Text in French.
85771
£46.00
SCULPTURE
The Christina Psalter. A
Study of the Images and
Texts in a French Early
Thirteenth-Century
Illuminated Manuscript by
Marina Vidas
21 monochrome plates. Boards,
25.4x17.7cms
Exquisitely decorated in the
13th-century this Parisian
manuscript once owned by
Christina of Norway (12341262), daughter of Haakon IV
and wife of Philip of Castile and
Leon is fully analysed and its
liturgical function discussed. The
stylistic and iconographic
similarities to other Parisian
manuscripts such as the threevolume Moralized Bibles is
discussed.
85288
£25.00
Inventario dos codices
iluminados Até 1500.
Vol 2 Distrito de Aveiro,
Beja, Braga, Bragança,
Coimbra, Evora, Leiria,
Portalegre, Porto, Setubal,
Viana do Castelo e Viseu.
Apendice - Distreto de
Lisboa. Vol 2. by Isabel
Vilares Cepeda et al
2001?6. 280pp with 543 colour
30x23cms
Illustrated inventory of 543
illuminated manuscripts pre-1500
held in public collections in the
regions around Portugal. With
several indices. Text in
Portuguese.
65901
£36.00
Der Löwe in der Kunst in
Deutschland. Skulptur vom
Mittelalter bis Heute by
Günter Kloss
2006. 336pp, with 785
illustrations. Boards,
24.5x17.5cms
More than 780 examples of the
lion have been recorded in
German sculpture from the
Middle Ages to today, on secular
and religious buildings, objets
d’art, reliquaries, lecterns,
choirstalls and elsewhere, as
symbols, attributes, or as
decoration. Index of artists and
locations. Text in German.
85857
£32.00
Rinascimento Scolpito.
Maestri del Legno tra
Marche e Umbria by
Raffaele Casciaro
Exhibition: Camerino, Convento
San Domenico, 2006. 192pp with
60 colour and 50 b/w illustrations.
Wrappers, 28x23cms
With fifty pieces brought together
from the region of the Marches,
this exhibition displays the range
of wood sculptures produced
during the Renaissance. There is a
section on the technical aspect of
the restoration of some of the
works including ‘Archangel
Raphael and Tobias’, sculpted by
Domenico Indivini,. Text in Italian.
85924
£20.00
Nationalgalerie Berlin. Das
19. Jahrhundert.
Bestandkatalog der
Skulpturen by Bernhard
Maaz
Giambologna: gli dei, gli
eroi. Genesi e fortuna di uno
stile europeo nella scultura
by Beatrice Paolozzi Strozzi
and Dimitrios Zikos
2006. 2 Vols. 480pp with 1500
illustrations. Wrappers++CDROM, 26.5x19cms
From its foundation in 1861 the
collection of 19th century
sculpture at the National Gallery
in Berlin has acquired major
works not only by native
sculptors like Gottfried Schadow,
Daniel Rauch, Reinhold Begas
and Adolf von Hildebrand, but
masterpieces by Canova,
Thorvaldsen, Rodin, David
d’Anger, Constantin Meunier and
Medardo Rosso. This is a
complete scholarly catalogue of
almost 1500 sculptures making it
a veritable history of sculpture in
the 19th century. Text in German.
85213
£44.00
Exhibition: Florence, Bargello,
2006. 384pp, numerous colour
illustrations and some textual
figures. Wrappers, 30.5x23.1cms
Major retrospective of works by the
16th-century sculptor
Giambologna and his followers,
examining their origins and their
influence on European sculpture.
Includes essays on Giambologna’s
style, models, authenticity, nudes,
equestrian monuments, and on
related subjects. Inventory of the
Bargello’s collection of the Flemish
sculptor’s works. Text in Italian.
85623
£35.00
Der Furienmeister see
Ivories
2006. 262pp, with 107
Monograph on the works which the
French sculptor of Baroque
Classicism (1628-1715) executed for
Louis XIV at Versailles and Paris,
including reassessments of his
famous sculptures of Apollo’s Bath
attended by Nymphs, The Abduction
of Prosperpine, and the equestrian
statue of the king in Place Vendome
that was destroyed during the
Revolution. Text in German.
85855
£40.00
Arnolfo alle origini del
Rinascimento Fiorentino
Exhibition: Florence, Museo
dell’Opera di Santa Maria del
Fiore, 2005. 567pp with colour
and monochrome plates and
illustrations. 31x24.5cms
Over 100 works presented in the
exhibition are discussed,
including some from the
collection which have been
recently restored and others from
collections around the world,
displaying Arnolfo’s work in
Rome and Umbria, from
monuments to sculptures.
Analyses the relationship between
architecture and sculpture in the
façade of Santa Maria del Fiore
and the link between the art of
Arnolfo and Giotto. Text in
Italian.
85622
£44.00
Divi Iacobi Eques.
Selbstdarstellung im Werk
des Florentiner Bildhauers
Baccio Bandinelli by Nicole
Hegener
Cloth, 28x21cms
For most of his life the
Florentine artist Baccio
Bandinelli (1493-1560) was in
the shadow of his great
contemporary Michelangelo. His
work included sculpture,
paintings and drawings and
architecture for the Medici, but
his work was compared
negatively by Vasari in his Lives.
This is an examination of
Bandinelli’s life and work, with
special reference to his selfportraiture. Text in German.
85996
£65.00
Rodin. His Art and
Inspiration by Catherine
Lampert and Antoinette
Romain et al.
Exhibition: London, Royal
Academy, 2006. 320pp, with
c.300 colour illustrations. Cloth,
32x27.5cms.
Survey of the work of the great
French sculptor Auguste Rodin
(1840-1917).
86040
£45.00
François Girardon.
Bildhauer in Königlichen
Diensten 1663-1700 by
Artemis Klidid
Ignacio Vergara y la
escultura de su tiempo en
Valencia by Ana Maria
Buchón Cuevas
2006. 535pp illustrated throughou,
mostly in colour. Boards, 29x25cms
Ignacio Vergara Ximeno 17151776, brother of the painter Jose
Vergara. Text in Spanish.
85780
£TBA
IVORIES
PLAQUETTES &
MEDALS
Catálogo de Medallas
Españolas by Marina Cano
Cuesta
plates and 293 monochrome
29x24.5cms
Catalogue of the Prado’s
collection of 246 Spanish medals
from the 16th to the early 20th
century. Includes medals
produced by foreign artists
working for the Spanish Court.
Text in Spanish.
85285
£55.00
Hans Schwarz. Ein
Augsburger Bildhauer und
Medailleur der Renaissance
by Richard Kastenholz
Series: Kunstwissenschaftliche
Studien, Band 126. 2006. 464pp
with 270 illustrations. Boards,
26.5x20.5cms
Monograph on this German
draftsman and metalworker
(1492-c.1521). Hans Schwarz
spent ten years training with his
uncle, Stephan Schwarz, to be a
sculptor. He then began making
portrait medals of Augsburg’s
leading citizens producing 149
medals and wooden models for
medals in his brief career, along
with about 137 bust-length
portrait drawings that served as
preparatory sketches. Text in
German.
82570
£50.00
WUNDERKAMMER
In Flagrante Collecto.
Caught in the Act of
Collecting by Marilynn
Gelfman Karp
Der Furienmeister by
Herbert Beck et al
Exhibition: Frankfurt,
Liebieghaus, 2006. 168pp, with
71 colour and 44 b/w illustrations.
Flexibound, 26.2x22cms
Examination of sculpture by the
anonymous early 17th century
ivory carver dubbed the ‘Fury
Master’, who created spectacular
sculptures and sculpture groups,
somewhat influenced by
Giambologna, characterized by
risky compositions, flattering
draperies and violent movements.
His works were prized in the
Wunderkammer of the Medici and
the Archbishops of Salzburg and
other collectors. Examples
borrowed from Austria, Italy,
Germany, the United Kingdom and
the United States. Text in German.
85812
£22.00
2006. 368pp with 1,000 colour
29.5x22.5cms
In this book, illustrated with lost
and found objects including
buttons, matchbooks, rubbers,
cigar rings and other humble
objects, the author declares that
collecting is a calling and
explains the ‘rapture of the
capture’.
85263
£34.95
Thomas Heneage
Art Books
Tel: +44 (0)20 7930 9223
Fax: +44 (0)20 7839 9223
[email protected]
KUNSTBÜCHERNUNE REVUE DES LIVRE D’ART NEUFS ET À PARAITRE AU NIVEAU MONDIAL
Splendeur de Dresde: La
cour de Saxe à Versailles by
Thomas W. Gaehtgens et al
Bernstein Kostbarkeiten
Europäischer
Kunstkammern: Amber.
Treasuries for European
Kunstkammer by Georg
Laue
colour. Boards, 28.5x23cms
Catalogue of 57 amber objets
d’art from the collection of
Georg Laue, including
crucifixes, mirror frames, boxes,
miniature cabinets, chess pieces,
beads, statuettes and other items,
including a fragment from the
original Amber Room in Russia
that has been otherwise missing
since 1945. Preceded by an
essays including one on the 18th
century workshops in
Königsberg of Master Georg
Schreiber. Text in English and
German.
85657
£55.00
Gedrehte
Kostbarkeiten/Turned
Treasuries by Georg Laue
and Christiane Zeiller
Catalogue of the machineturned ivory and boxwood
objets d’art, including boxes,
spheres, medallions, covered
cups and beakers, in the
collection of George Laue,
preceded by an essay on the
princely recreation of turning
on a lathe, and the neglect by
historians of this form of
sculpture in miniature. Text in
English and German.
85707
£24.00
From Wunderkammer to
Museum by Paul Grinke
2006. 112pp 24 monochrome
25.5x19.5cms
A revised and newly illustrated
edition of Quaritch’s catalogue of
early books on cabinets of
curiosities and collecting, with a
‘selective’ bibliography of some
300 books published between
1970 & 2005 on Wunderkammer
studies and the history of
collecting.
85430
£35.00
Scientifica by George Laue
and Christiane Zeiller
Catalogue of 106 scientific
instruments from the 16th to 19th
centuries in the collection of
Georg Laue, including
microscopes, telescopes,
automata, sundials of brass and
ivory, pocket globes, terrestrial
and celestial globes, sextants,
hydrostatic scales, solar rings
and other related sculptures and
paintings. Preceded by three
essays including one on portable
sundials and their usage and
another on portraits of scholars
with scientific instruments. Text in
English and German.
80578
£40.00
WORKS OF ART
Prisoners of War 1756-1816.
Hulk, Depot and Parole.
The Historical Background.
Arts, Crafts and
Occupations. 2 Vols. by
Clive Lloyd
Exhibition: Versailles, 2006.
304pp 304 colour illustrations.
Wrappers, 24x30cms
Augustus the Strong’s court at
Dresden was described by Voltaire
as equalling in brilliance that of
Louis XIV’s Versailles, and the
works of art collected by the
Elector were equally magnificent.
This catalogue, including
porcelain, pictures and works from
Dresden’s Green Vault, examines
the cultural cross-fertilization of
the two courts. Text in French.
85442
£TBA
Immagini Presziose in
Cornice. Cammei,
Montature e Castoni del
XVI secolo a Firenze by
Elisabetta Digiugno et al
2005. 208pp with 80 illustrations.
24x17cms
Catalogue of 16th century precious
objects, cameos, frames etc. Text in
Italian.
85637
£10.00
Cloth, 27x22cms
The focus of this exhibition is the
ancient Athenian cases that are made
by techniques other than the wellknown black- and red-figure styles.
These include vases executed in
bilingual, coral-red gloss, outline,
Kerch-style, white ground, and Six’s
technique as well as examples with
added clay and gilding, and plastic
vases and addition. With description
of over 100 vases from American and
European museums with discussions
on conservation techniques.
85274
£55.00
2006. 696pp, 226 colour and 15
monochrome illustrations. Cloth
in a slipcase, 30.4x24.1cms
Wide-ranging study of the history
of the prisoner of war and their
relics, as well as the numerous
forgotten artefacts created by
prisoners from the Seven Years’
War (1756-63) to the downfall of
Napoleon in 1816. Not yet
published, expected October
2006.
85954
£TBA
Suisse -Russie: des Siècles d’
Amour et d’ Oubli 16802006
Exhibition: Lausanne, Musée
Historique, 2006. 96pp with 50
colour illustrations. 29.4x22cms
Exhibition in celebration of one
hundred years of diplomatic
relations between Switzerland
and Russia, displaying military
works, Faberge, photographs,
paintings, clocks. Many
revolutionaries were students and
exiles in Geneva and Zurich,
Russian ballet, painters, all
influenced by time in Switzerland.
Text in French.
85474
£20.00
Who Owns Objects? The
Ethics and Politics of
Collectiong Cultural
Artefacts edited by Eleanor
Robson et al
Thesaurus Cultus et
Rituum Antiquorum. Cult
Places. Representations of
Cult Places. IV. by Ulrich
Sinn et al
The ethics and politics of
collecting is a topical and
sensitive subject that involves
many different opinions from
professions that would not usually
cross paths. This book, which
evolved from a series of lectures
and workshops held in Oxford in
2004, looks at the debate from the
perspective of archaeologists,
museum curators, antiquities
dealers, collectors and legislators.
85928
£24.00
36135Series: ThesCRA. 2006.
Fourth part of major reference
work on all known aspects of
Greek, Etruscan and Roman
cults and rituals from 1000BC to
AD400. This volume deals with
cult places and their depictions
in antiquity. Text in English,
French, German and Italian.
85278
£125.00
The Thames & Hudson
Dictionary of Ancient
Egypt by Toby Wilkinson
Cloth, 26x19.4cms
An illustrated single-volume
dictionary of ancient Egypt.
85381
£24.95
ANTIQUITIES
The Colors of Clay. Special
Techniques in Athenian
Vases by Beth Cohen
Die Antiken Skulpturen in
Castle Howard by Barbara
Borg et al
Series: Monumenta Artis
Romanae. 2005. 312pp,
illustrated. Cloth
Catalogue of all the Roman
sculptures collected by the Earls
of Carlisle and Howard family
now preserved at their Yorkshire
seat. Text in German.
85887
£70.00
www.heneage.com/
25
El Imperio Romano y el Oro
de los Astures by Santos
Garcia Mendez
2005. 312pp illustrated
throughout in colour. Wrappers,
28x24cms. Examines the mining
and use of gold during the Roman
Empire, where Spain alone
produced some 6,500 Kg per
year, as well as many other
precious metals. This study looks
at the mining techniques, the
tools used. Text in Spanish.
85063
£180.00
Thesaurus Cultus et Rituum
Antiquorum. Personnel Cult
Instruments by Stella
Georgoudi
38038Series: ThesCRA. V. 503pp
with 460 monochrome
Fifth part of major reference
work on all known aspects of
Greek, Etruscan and Roman cults
and rituals from 1000BC to
AD400. Text in English, French,
German and Italian.
85279
£125.00
The Medici Conspiracy:
The Illicit Journey of
Looted Antiquities. From
Italy’s Tomb Raiders to the
World’s Greatest Museums
by Peter Watson and Cecilia
Todeschini
2006. 379pp 24 illustrations.
Cloth, 24.5x16cms
85801
£15.99
ANCIENT
GLASS
Hatshepsut: From Queen to
Pharoah by Catharine H.
Roerig et al
Exhibition: San Francisco, M.H.
de Young Memorial Museum,
colour. Cloth, 28x22cms.
First in-depth treatment of the
female pharoah who reigned for
nearly 20 years during Egypt's
New Kingdom in the 15th Century
BC, who began by acting as regent
for her young nephew/stepson
Thutmose III, but soon exercised
full powers of the throne as senior
co-ruler. Often depicted in male
guise, after her death her
monuments were ruthless defaced
and her name struck from
historical accounts, but her reign
was one of great creative activity
and much has survived to enable
scholars to reassemble her history
and cultural achievements.
85974
£35.00
Egyptian Painting byIsabelle
Franco
illustrations. Cloth, 24x17cms.
Magical and religious, playing an
integral role in strengthening and
upholding society, Egyptian
painting was intricately bound to
its social context and this study
sheds critical light on rules and
artistic principles underlying the
cultural aspect of Egyptian art.
85133
£16.95
Les Verres Antiques du
Musée du Louvre.
Vaiselle et Contenants
du Ier Siècle au Début du
VIIe Siècle après J.C.
Catalogue Raisonné Tome II
by Veronique ArveillerDulong and MarieDomnique Nenna
Cloth, 29x25cms
Second volume of the catalogue
raisonné, documenting the
Louvre’s collection of ancient
glass, this volume records the
blown glass and displays how
the discovery of this technique
made glassware become
increasingly available and used
in everyday life. With a
multilingual glossary,
concordance and extensive
bibliography. Text in French
71922
£70.00
26
THE ART BOOK SURVEY
Arts et Sciences. Le Verre
dans l’Empire Romain by
Marco Beretta and Giovanni
Di Pasquale
Exhibition: Paris, Cité de la
Science et de l’Industrie, 2006.
360pp, with 327 colour and 30
Wrappers, 28x25cms
More than 400 pieces of Roman
glass, the majority from Pompeii
and the Naples museum, are
analysed in the light of
discoveries in Roman material
technology. Text in French.
85966
£29.95
ISLAMIC ART
Islamic Visual Culture,
1100-1800: Constructing the
Study of Islamic Art. Vol. 2.
84661
84844
Tel: +44 (0)20 7930 9223
Fax: +44 (0)20 7839 9223
[email protected]
Early Islamic Art, 650-1100
Volume 1: Constructing the
Study of Islamic Art. Vol 1.
Thomas Heneage
Art Books
£70.00
Islamic Art and Beyond.
Constructing the Study of
Islamic Art. Vol 3. by Oleg
Grabar
The V&A holds an exceptional
collection of Islamic art. This
study describes the history of the
gallery and the Islamic collection,
the curatorial processes that
contributed to the selection of
themes and objects for the redisplay. Not yet published,
85687
£35.00
£80.00
Islamic Art and Beyond.
Constructing the Study of
Islamic Art. Vol 3
Series: Constructing the Study of
Islamic Art. 2006. 362pp with 70
25.5x17.5cms
Third in a series of four volumes by
the scholar discussing Islamic art
and culture. This volume focuses on
how the study of Islamic art led the
author in two directions to further
understanding the arts. Through a
series of essays and articles
collected together the first question
asks how to define Islamic art and
what provided it with its own
particular forms and dynamic
growth. The second examines the
meanings given to forms like
domes, or to terms like symbols,
signs or aesthetic values in the arts
within the context of Islamic
examples.
84844
£70.00
Previous volumes are still
available:
The Making of the Jameel
Gallery of Islamic Art edited
by Tim Stanley and
Rosemary Crill
INDIA, TIBET & SOUTH ASIA
82659
£70.00
From Cordoba to
Samarqand: Masterpieces
from the New Islamic
Museum at Doha by Sabiha
El-Kemir et al
Exhibition: New York, Brooklyn
The thousands of artefacts and
works of art from the 7th century to
the present day in the collection of
the future Museum in Qatar is not
as yet displayed. This includes 42
works in ceramics, glass, metal,
paper, ivory, gold, emeralds, jade,
agate and silk from Spain, Egypt,
Syria, Iraq, Turkey Iran, India and
Central Asia from the 9th to 17th
century have been selected.
Includes a history of the collection.
September 2006.
85956
£29.00
Empowered Masters.
Tibetan Wall Paintings of
Mahasiddhas at Gyantse by
Ulrich von Schroeder
2006. 244pp, 91 colour plates.
Cloth, 28.6x24cms
Among the most important
Tibetan Buddhist monuments to
have survived the ravages of
recent history are the temples and
chapels at Gyantse in South
Tibet. In a chapel on the upper
floor of the Palkhor
Tsuglagkhang are superb wall
paintings of the legendary 84
Mahasiddhas - tantric adepts
who have attained perfection and
are endowed with extraordinary
powers. These 15th century
images are the most splendid
extant painted representations in
Tibet, yet they have never been
published as an entire cycle until
now, largely due to the difficult
task of identification. Each
Mahasiddha image is illustrated
in a full colour plate, with an
accompanying description on the
facing page. Their stories depict
unorthodox, existential lives that
encompass all of human
experience and provide insight
into a wide range of tantric
practice. Stylistic elements are
also described while the glossary,
bibliography and an important
concordance of names (with
Tibetan script) provide the tools
for a full understanding.
84756
£50.00
INDIA, TIBET &
SOUTH ASIA
Dictionary of Indian Art
and Artists by Pratima Sheh
Raqqa Revisited. Ceramics
of Ayyubid Syria by Marylin
Jenkins-Madina
Iznik Pottery by John
Carswell
2006. (Reprint of 1998 edition)
Concise introduction to the
history and evolution of Iznik
(ancient Nicaea) pottery from
the late 15th century onwards
which was supplied to the
Ottoman court and whose
designs combine purely Turkish
motifs with elements imported
from Chinese blue-and-white
porcelain. Not yet published,
60342
£10.99
175 b/w illustrations. 28x21.5cms.
Placing these beautiful wares in a
clear historical context, the
author examines their history,
from their discovery in Raqqa to
the emporiums of Paris and New
York, the drawing rooms and
great collectors and the
Metropolitan Museum.
85100
£33.00
www.heneage.com/
Cloth, 25.4x19cms
Focussing on the evolution and
context of Indian art, and the
movements, monuments and
institutions that represent the
creative force of Indian art, this
dictionary contains over 1,300
entries on paintings, drawings,
prints, sculptures, galleries,
institutions from Ajantra to Yantra.
With extensive bibliography. Not
85921
£40.00
A Passion for Asia: The
Rockefeller Family Collects
2005. with 100 colour and 75
monochrome illustrations
This volume celebrates the 50th
anniversary of the Asian Society
which was formed as a result of the
Rockefeller family’s deep passion for
Asia, its culture, politics, and arts.
Brings together archival
photographs of their travels,
philanthropic activities, and domestic
life with essays by members of the
family looking at the many-sided
mission of the Asia Society.
85926
£34.00
Indonesia; The Discovery
of the Past by Edi Sedyawati
et al
Exhibition: Jakarta, National
Museum, 2005. 208pp with
colour illustrations throughout.
Boards, 30.6x23cms
To celebrate Indonesian
heritage and to reflect on
colonial and post-colonial
relations between Indonesai and
the Netherlands, treasures from
the National Museum in Jakarta
and from the Museum of
Ethnography at Leiden have
been united for this touring
exhibtion. Highlights include six
large, wall-mounted sculptures
from the Singasari period (13th
century) and items from the
Wonoboyo gold treasure.
85640
£19.99
The Complete Taj Mahal
and the Riverfront Gardens
of Agra by Ebba Kock
Cloth, 28.5x22.8cms
85905
£39.95
Elephant Kingdom.
Sculptures from Indian
Architecture by Vikramjit
Ram
Traces the myriad stories,
symbolism and importance
behind India’s much loved
animal, the elephant, through
depictions and architectural
sculptures in centuries old
temples, monasteries, forts and
palaces. The photographs display
elephants flanking ceremonial
entrances, columns, capital,
forming balustrades, stairways or
as they stand as sentinels of vast
courtyards.
85941
£25.00
Asien – Kontinent der
Gegensätze edited by Roder
Hartmut
Cloth, 25x22cms
Accompanying the redisplay of
the permanent Asiatic collection
in the Übersee-Museum in
Bremen. Text in German.
85248
£26.00
Chinese Art in Detail by
Carol Michaelson and Jane
Portal
The rich variety of Chinese art
and culture is examined using
examples from the extensive
collections of the British
Museum. Not yet published,
85819
£14.99
Les Très Riches Heures de
la Cour de Chine: 16621796. Chefs-d’oeuvre de la
Peinture Impériale des Qing
by Marie-Catherine Rey
Exhibition: Paris, Musée Guimet,
28x22cms
Chinese paintings created under
Emperors Kangxi (1662-1722),
Yongzheng (1723-35) and
Qianlong (1736-1795) and which
are displayed in the Musée
Guimet in Paris are examined and
placed in the context of the history
of the Chinese pictorial tradition,
and their use on ceramics is
considered. Text in French.
85949
£29.95
Central Asian Textiles and
Their Contexts in Early
Middle Ages see Textiles
European Scenes on
Chinese Art
In Pursuit of Heavenly
Harmony: Paintings and
Calligraphy by Bada
Shanren from the Estate of
Wang Fangyu and Sum Wai
by Joseph Chang and
Qianshen Bai
2003. 202pp with 62 colour plates
Cloth, 28.5x23.5cms
Bada Shanren, the enigmatic,
eccentric monk-painter, created a
wealth of beautiful and important
paintings and calligraphy over the
course of his life (1626-1705). A
princely descendent of the Ming
dynasty (1368-1644) imperial
house, he developed a distinctive,
evolving individual style of
painting that had a profound and
lasting influence on other
calligraphers. Two prominent
collector-scholars, Wang Fangyu
and Sum Wai, were devoted to the
collection and study of Bada
Shanren’s oeuvre, and their gift to
the Freer Gallery of Art of 20
superb works by the artist and an
extensive research collection of
around 1900 items, together with a
further purchase of 13 works from
their collection, have made the
Freer the unrivalled centre for the
exhibition and study of Bada’s art.
85346
£39.00
KOREAN ART
Korean True-View
Landscape Paintings by
Chong Son (1676-1759) by
Pak Youngsook and
Roderick Whitfield eds.
Exhibition: London, Jorge Welsh,
Cloth, 30.5x21.5cms
70 pieces of works of Chinese art,
decorated with scenes of
European life, are brought
together for this exhibition. They
display the link between what was
being produced in porcelain with
other mediums such as plaster,
lacquer panels and oil on canvas.
These pieces demonstrate the
cultural interaction between
China, Japan and Europe from
the 17th to early 19th centuries.
85392
£60.00
Presents the work of this Samurai
painter and intellectual whose
impoverished upbringing and
tragic suicide reflect a turbulent
period in Japan’s history. With an
depth biography, looking at his
time as a famous artist, a
Confucian scholar, a student of
Western culture, a samurai and a
critic of the shogunate, illustrated
from his diaries and sketches.
85399
£16.00
plates and 89 monochrome
29.2x21.5cms
Revised and updated Englishlanguage edition of Kyomjae
Chong Son chingyong sansu
(The Art of Kyomjae Chong Son)
by Ch’oe Wan-su. It presents the
work of Chong Son (1676-1759),
a pioneer of Korean landscape
painting, who painted many
views of Korea’s famous scenic
spots such as the Han River, the
East Sea and the Diamond
Mountain.
84588
£44.95
Twentieth-Century Korean
Art by Kim YoungNa
CHINESE ART
Frog in the Wall. Portraits
of Japan by Watanbe
Kazan, 1793-1841 by Donald
Keene
24.5x18.5cms
Survey looking at the
development of Korean art from
the late 19th century to the
1990s and considering the
identity of Korean art and the
cultural ramifications of
Japanese colonialism. Essays
examine how both the external
influences and eagerness to
change within Korean society
itself created an artistic vitality
against the political, social and
cultural backdrop and how this
involved East Asia at large and
the West.
85923
£25.00
Collecting Japanese
Antiques by Alistair Seton
Promenade dans l’art
japonais. Netsuke Art magie
et medecine; Inro et
necessaires de fumeur magie
et medecine. Une étude basée
sur la collection Marco
Cuturi. 2 vols by Alain Ducros
2006. 352, 344pp c. 1200 colour
illustrations. Cloth in a slipcase,
32x23.5cms.
86034
£225.00
Provides background information
on Japanese aesthetics and
practical and cautionary advice
on evaluation, purchase,
restoration, and price trends.
With chapters on screens and
scrolls, prints and ukiyo-e,
sagemono, ceramics, furntiure,
textiles, lacquer, cloisonné, metal
and sculpture work, swords and
fittings, dolls, baskets, folkcraft,
with bibliography, glossary and
index.
80552
£33.00
PACIFIC ART
JAPANESE ART
for the Tsars see Silver
Thomas Heneage
Art Books
Tel: +44 (0)20 7930 9223
Fax: +44 (0)20 7839 9223
[email protected]
The Virginia Atchley
Collection of Japanese
Miniature Arts by Virginia
G. Atchely and
Neil K. Davey
Pacific Encounters. Art and
Divinity in Polynesia
1760-1860 by Steven Hooper
30x23.5cms
Details over 400 pieces in
Virginia Atchley’s collection of
netsuke, inro, pipe cases and
tobacco boxes in a wide range of
styles, techniques and materials
and with signatures.
85300
£90.00
Exhibition: Norwich, Sainsbury
Centre for Visual Arts,
University of East Anglia, 2006.
The many Polynesian objects
which were gathered during the
early period of contact with
European voyager, missionaries
and settlers including Wallis,
Cook and Vancouver are brought
together here for the first time.
The majority of the objects come
from collections held at the
British Museum and include
sculptures in wood and stone,
ornaments and valuables of ivory,
shell, bone and nephrite.
Discusses the role, meaning and
interpretation of Polynesian art
and material culture.
85267
£25.00
28
THE ART BOOK SURVEY
Peru: from Chavín to the
Incas edited by Patrick
Lemasson
Lincoln
Cathedral
Library
Exhibition: Paris, Petit Palais,
Cloth, 30x24cms
Examination of the many
civilisations preceding the
Incas, including the Paracas,
Nazca, recuay, SicánLambayeque, Moche-Sipán and
Chimú cultures as well as the
great Inca civilisation. The
historical and archaeological
context and discussed and each
chapter includes introduction
by a specialist Peruvian
scholar of each of the preColumbian cultures. Not yet
2006.
85786
£34.00
needs your help.
Objets de Pouvoir en
Nouvelle-Guinée. Catalogue
de la Donation Anne-Marie
et Pierre Pétrequin by AnneMarie Pétrequin and Pierre
Pétrequin
Exhibition: Saint-Germain-enLaye, Musée d’Archéologie
Nationale, 2006. 552pp, with 178
More than 1800 objects and
artefacts from New Guinea and
the Indonesia islands, collected
by two prehistorians of the
National Archaeological Museum
during seventeen research trips
from 1984 to 2002, are
catalogued. Text in French.
85965
£70.00
Described by Sir Roy Strong as “the most beautiful room in
England,” the 1676 Wren Library at Lincoln Cathedral is
named after its famous architect, Sir Christopher Wren. In the
Medieval Library are the original oak desks where
manuscripts dating back to the tenth century were once
chained.
The care of Lincoln Cathedral’s 260 medieval manuscripts,
100 incunabula, and 10,000 rare books relies on a small
endowment and no government funding. Access to
researchers, to exhibitions, lectures and concerts, is made
possible by a skeleton staff and a team of enthusiastic
volunteers. Your gift would make a big difference to this
small but historic library.
For further details, and information about the
Adopt a Book programme, please contact
The Librarian, Lincoln Cathedral Library,
Minster Yard, Lincoln LN2 1PX.
Telephone: 01522 561640
email: [email protected]
Current Exhibition Catalogues
AUSTRIA
Vienna
Giambologna: gli dei, gli
eroi. Genesi e fortuna di uno
stile europeo nella scultura.
Kunsthistoriches Museum until
17th September, previously
Bargello, Florence
384pp, numerous colour
illustrations and some textual
figures. Wrappers, 30.5x23.1cms.
Major retrospective of works by
the 16th-century sculptor
Giambologna and his followers,
examining their origins and their
influence on European sculpture.
Includes essays on Giambologna’s
style, models, authenticity, nudes,
equestrian monuments, and on
related subjects. Inventory of the
Bargello’s collection of the
Flemish sculptor’s works. Text in
Italian.
85623
£35.00
Biedermeier im Haus
Liechtenstein: Die Epoche
im Licht der Fürstlichen
Sammlungen
Liechtenstein Museum until 27
August 2006
Wrappers, 28x24cms.
German Romantic painting of the
Biedermeier period in the
collections of the Princes of
Liechtenstein is examined in this
book. Text in German.
84926
£21.00
FRANCE
Bordeaux
Splendeur de Venise, 15001600. Peintures et Dessins
des Collections Publiques
Françaises.
Musée des Beaux-Arts until 4th
July 2006
illustrations. Cloth.
Scholarly catalogue of some of
the more important 16th century
Venetian paintings from French
provincial al museums, including
works by Giovanni Bellini,
Tintoretto, Veronese, Lambert
Sustris and Palma Giovane. Text
in French.
85891
Giverny
Winslow Homer. Poet of the
Sea.
Musée d’Art Américain until
24th September 2006. Previously
London, Dulwich Picture Gallery
Wrappers, 28x22cms.
While acknowledging Homer as
one of the premier painters of
American realism, the authors
also evaluate his work as
distinctly modern, setting him
apart from his contemporaries.
The sea-centred paintings in his
oeuvre are those that most
obviously show his abstraction
and his overriding concern with
man’s relationship with the sea.
85400
£28.50
Orléans
Michel Corneille. Un
Peintre du Roi au Temps de
Mazarin
Musée des Beaux-Arts until 9th
July 2006.
Wrappers, 28x23cms.
Complete catalogue of the French
master (c.1603-1664) who trained
in the studio of Simon Vouet, the
most celebrated Parisian artist
from the time of Louis XIII. He
produced numerous altarpieces
and other works which were
displayed in the Orléans region
before the French Revolution.
Examines his paintings, drawings,
engraving and tapestry designs.
Accompanies monographic
exhibition. Text in French.
85636
£21.00
Paris
Cindy Sherman.
Jeu de Paume, until 3rd
September 2006, then travelling
28.5x24.5cms.
Comprehensive review of her
provocative and engaging
photographic work, starting with
her first photographs in 1977 and
including later series such as
‘Film Stills’, ‘History Portraits’,
‘Sex Pictures’, ‘Centrefolds’ and
‘Clowns’.
85785
£40.00
Italia Nova. Une Aventure
de l’Art Italien.
Grand Palais until 3rd July 2006.
illustrations.
Wrappers, 28x24cms.
Survey of Italian art in the early
20th century. Text in French.
85744
£38.00
Les Artistes Américains et
Le Louvre.
Musée du Louvre until 18th
September 2006.
First exhibition held at the
Louvre dedicated to American
artists, presenting some thirty
works by artists from Benjamin
West to Edward Hopper,
exploring the artistic dialogue
and exchange between the
countries and how much the
Louvre was a source of
inspiration for the artists. Text in
English and French.
85773
£23.00
Picasso Dora Maar. Regards
Croisés.
Musée Picasso until 8th October
2006.
240pp with illustrations
throughout. Wrappers,
28x22cms.
Retraces the relationship between
Picasso and his tragic muse,
Dora Maar. Examines their work
together and their influence on
each other. The photographs of
Dora Maar offer insight into their
lives together and their working
practices. Text in French.
85759
£28.00
Balenciaga Paris.
Musée de la Mode et du Textile,
from 6th July until 28th January
2007
illustrations. Cloth, 36.5x28cms.
Focussing on two main periods:
1937-1968, when Balenciaga
made his name during Paris’s
golden age of fashion, and 19961006 which looks at the
renaissance of the House of
Balenciaga under Nicolas
Ghesquière, this is the first major
study and retrospective of the
career of Cristobal Balenciaga.
With photos, press cuttings,
sketches and other archival
materials.
85793
£48.00
as a creative and innovative artist
of the 17th century Netherlands.
Text in German.
85175
£23.00
Peru: from Chavín to the
Incas.
Rembrandt’s Landscapes.
Petit Palais until 2nd July 2006.
30x24cms.
Examination of the many
civilisations preceding the Incas,
including the Paracas, Nazca,
recuay, Sicán-Lambayeque,
Moche-Sipán and Chimú cultures
as well as the great Inca
civilisation. The historical and
archaeological context and
discussed and each chapter
includes introduction by a
specialist Peruvian scholar of
each of the pre-Columbian
cultures.
85786
£34.00
GERMANY
Düsseldorf
Caravaggio.
Kunst Palast from 9th September
until 7th January 2007
28x23cms.
Monograph on the Italian
Baroque master (1571-1610)
stressing the use of light and
shade in his religious, erotic and
other work, and the influence that
he had on other masters of the
17th century in his lifetime and
later. Text in German.
85910
£30.00
Frankfurt
Der Furienmeister.
Liebieghaus until 9th July 2006.
Flexibound, 26.2x22cms.
Examination of sculpture by the
anonymous early 17th century
ivory carver dubbed the ‘Fury
Master’, who created spectacular
sculptures and sculpture groups,
somewhat influenced by
Giambologna, characterized by
risky compositions, flattering
draperies and violent movements.
His works were prized in the
Wunderkammer of the Medici and
the Archbishops of Salzburg and
other collectors. Examples
borrowed from Austria, Italy,
Germany, the United Kingdom
and the United States. Text in
German.
85812
£22.00
Hamburg
Pieter Lastman. In
Rembrandts Schatten?
Kunsthalle until 30th July 2006.
28.5x23.5cms.
The young Rembrandt studied
under Lastman, an Amsterdam
history painter, but he soon
absorbed all he had to teach and
eclipsed him. Lastman’s works
have only recently emerged from
Rembrandt’s shadow and this
catalogue renews his importance
ITALY
Rome
Marc Quinn.
Kassel
Schloss Wilhelmshöhe until 17th
September 2006
Rembrandt’s landscape paintings
were not directly painted from
nature; he used drawings of
many views and combined
elements from various sources,
completing the oils from his
imagination. This exhibition
looks at his landscape paintings,
drawings and etchings,
examining how he developed the
genre and how one can view his
landscapes within the context of
his entire oeuvre.
84723
£36.00
Munich
Black Paintings. Robert
Rauschenberg, Ad Reinhart,
Mark Rothko, Frank Stella.
Haus der Kunst from 16th
September until 15th January
2007
32x24.5cms.
Examination of the
monochromatic work of the most
famous American Abstract
Expressionist artists working in
the 1940s and their experimental
theoretical ideas of revolt, antiformality and improvisation
behind the creation of their
intensive so-called Black
Paintings.
86106
£34.00
Frans Post. Painter of
Paradise Lost.
Munich, Haus der Kunst until
17th September 2006
30x24cms.
Outlines the development of his
artistic career from Holland to
Brazil, with examples of over 30
paintings and 20 sketches,
borrowed from museums and
private collections in Europe
and abroad, many shown here
for the first time. Text in
English, German and
Portuguese.
85995
£28.00
Paderborn
Canossa 1077.
Erschütterung der Welt
Geschichte, Kunst und
Kultur am Aufgang der
Romanik.
Museum in der Kaiserpfalz from
21st Julky until 5th November
2006.
28x21cms.
Exhibition celebrating the
momentous political and cultural
events surrounding the meeting of
the Holy Roman Emperor, Henry
IV and Pope Gregory VII in 1077.
Text in German.
84915
£50.00
Museo d’Arte Contemporanea
Roma until 1st September 2006.
80pp with 40 colour illustrations.
Wrappers, 24x17cms.
Surveys the entire work of this
Young British Artist, who came to
fame in 1991 with his piece Self.
Examines his fascination with the
body and looks at controversial
works like the sculpture of Alison
Lapper Pregnant in Trafalgar
Square. Text in English and
Italian.
85772
£19.99
Venice
“Where are we going?”
Selections from the François
Pinault Collection.
Palazzo Grassi until 1st October
2006
To celebrate the reopening of the
Palazzo Grassi as the home of the
Pinault Collection after its
refurbishment by Tadao Ando this
catalogue presents a focussed
selection of post-1945 art from
artists of the New York School,
and the European movements of
Abstraction, Arte Povera,
Minimalism, Post-Minimalism,
Pop Art, has been made from the
collection, including works by
Rothko, Manzoni, Donald Judd,
Cindy Sherman, Maurizio
Cattelan, Damien Hirst, Urs
Fischer and Rudolf Stingel.
85841
£40.00
Brandenburg, but their collections
have all disappeared, and only
that of the Tsars of Russia has
survived. Amassed by Peter the
Great and Catherine the Great,
and including an important 32piece toilet set given to the latter
as a wedding present, this is the
first time the collection has been
examined and displayed.
85791
£16.95
Assen
K.P.C. de Bazel (1869-1923).
Ontwerpen voor het
interieur
Drents Museum from 4th July
until15 October 2006. Previously
The Gemeentemuseum, The
Hague
Wrappers, 29.7x23cms.
The finely-crafted sets of furniture
by the Dutch designer De Bazel,
with its idiosyncratic blending of
Far-Eastern and Western styles, is
examined for the first time, many
having being commissions from
wealthy businessmen, aspiring
intellectuals, artists and the Dutch
Royal Family. Text in Dutch.
85792
£22.00
The Hague
Theo van Rysselberghe
Retrospective
The Gemeentemuseum until 24th
September 2006. Previously
Palais des Beaux-Arts, Brussels
261pp Cloth, 30cms.
85628
£25.00
RUSSIA
Verona
St. Petersburg
Mantegna e le Arti a
Verona.
Willem de Kooning. Late
Paintings 1981-1988.
Palazzo della Gran Guardia until
14th January 2007.
448pp, with 350 colour and
Wrappers
Celebration of the work of the
great Italian Renaissance painter
(1431-1506) and his work in
Verona, and the emerging
personalities of his
contemporaries Francesco
Benaglio (c.1432-1492),
Francesco Bonsignori (c.14601519), Liberale da Verona (14451526/9), Girolamo Dai Libri
(c.1452-c.1514) and Domenico
Morone (c1442-c.1518). Text in
Italian.
85859
£35.00
THE NETHERLANDS
Amsterdam
for the Tsars.
Hermitage until 17th September
2006.
Fine filigree silver from China,
India and Batavia (Jakarta)
started being exported to the West
in the 16th century and was avidly
collected by European rulers like
Louis XIV of France and
Frederick William of
Hermitage from 4th July until
24th September 2006.
Cloth, 34x24.5cms.
As one of the first-generation
Abstract Expressionists, de
Koonig’s later work reveal a
quieter form of almost conceptual
quality that bridge the gap to
Minimalism. This volume of his
later paintings accompanies a
travelling exhibition. Text in
German and English.
85461
£48.00
SPAIN
Madrid
Corrado Giaquinto y
Espana
Fundacion Santander Central
Hispano until 25th June 2006.
Wrappers, 29x24cms.
This catalogue presents the many
paintings produced by this
important Neapolitan artist
(1703-1765) during the ten years
he spent in the service of King
Fernando VI of Spain, and
placing his oeuvre in the context
of his time. The works displayed
are from the Prado, the Museo de
Capodimonte and museums and
private collections around
Europe. Text in Spanish.
85828
£45.00
Picasso: Tradition and
Avant-Garde.
Museo del Prado until 3rd
September 2006, travelling to
Reiner Sophia
Surveying Picasso’s entire oeuvre,
this study sets his work within the
context of both the tradition of art
in Spain and within the movements
of his own time. Looks at his work
alongside other Spanish masters
including El Greco, Velázquez,
Zurburan, Ribera and Goya, and
other European masters such as
Dürer, Titian and Rubens. The
exhibition celebrates both the
return of Guernica and the 125th
anniversary of Picasso’s birth.
85701
£35.00
SWITZERLAND
Luxemburg
Sigismundus Rex et
Imperator. Kunst und
Kultur zur Zeit Sigismunds
von Luxemburg (1387-1437)
Musée National d’histoire et d’art
from 13th July until15th October.
Previously Budapest, Museum of
Fine Arts
28x24cms.
Exhibition on Sigismund 13681437, Emperor and King of
Hungary and the Holy Roman
Empire, displaying the art and
culture during his rule. Text in
German.
85323
£37.00
Basel
Hans Holbein the Younger.
The Years in Basel, 15151532.
Kunstmuseum until 9th July
2006.
28x23.5cms.
Scholarly catalogue focussing on
Holbein’s paintings, drawings
and prints from his productive
early years in Basel, Switzerland,
during which he painted the
Council Chamber and portraits of
leading citizens, including
Erasmus of Rotterdam.
85142
£35.00
Zurich
Ed Ruscha, Photographer.
Kunsthaus until 13th August
2006. Previously Paris, Jeu de
Paume
illustrations. 25.5x20.5cms.
Known for his paintings and
drawings, this catalogue shows
how these and his prints and
photographs are all guided and
shaped by a single vision. His
photographic images are neither
purely documentary nor purely
artistic, and have drawn critical
interest since the 1960s.
85403
£20.00
www.heneage.com/
30
THE ART BOOK SURVEY
UNITED KINGDOM
Brighton
Rex Whistler: The Triumph
of Fancy.
Brighton Museum and Art
Gallery until 3rd September
2006.
96pp,. Wrappers
85871
£17.99
Edinburgh
Van Gogh and Britain.
Pioneer Collectors.
Dean Gallery from 7th July until
24th September 2006.
Wrappers, 26.5x24.5cms.
Follows the fascinating story of
how Van Gogh’s work came to be
appreciated and collected in
Britain. In his lifetime, Van Gogh
sold only a single painting; in
focussing on the early taste for
his work in Britain, this book
uncovers important information
on both the collectors and the
interest in Van Gogh.
85178
£14.95
Glasgow
Doves and Dreams. The Art
of Frances Macdonald and
J. Herbert McNair.
Huntarian Art Gallery from 12th
August until 18th November
2006. Travelling to Liverpool,
Walker Art Gallery
26x22cms.
Much has been discussed on
Charles Rennie Mackintosh and
Margaret Macdonald. This study
looks at the lives and careers of
the other two artists from the
Glasgow Four, Frances
Macdonald (1874-1921) and J.
Herbert MacNair (1868-1955)
and their achievements. McNair
was both an innovator and
inspirational teacher and
Macdonald produced remarkable
symbolist watercolours amongst
much else.
85760
£40.00
London
Word into Art: Artists of the
Modern Middle East.
British Museum until 10th
September 2006.
27.6x21.9cms.
Contemporary works of art from
the Arab World, North Africa and
Iran selected largely from the
collection at the British Museum
are published here for the first
time, whose underlying theme is
the artists’ engagement with
Arabic as script and language.
85783
£16.99
David Teniers and the
Theatre of Painting
Courtauld Institute, 2006 from
19th October until 21St January
2007
120pp with 100 illustrations.
Cloth, 26x21.5cms.
In 1660 the Flemish artist David
Teniers the Younger (1610-1690)
produced the magnificent
Theatrum Pictorium, the first
illustrated and printed collection
catalogue, that of the fine
collection of 243 Italian paintings
belonging to Archduke Leopold
Wilhelm, Governor of the
Hapsburg Netherlands. From
1656 Teniers produced small
copies in oils of each of the
paintings selected for the
engravers to copy. This book is a
detailed account of the project,
includes the study of Teniers’s
copies, those located and missing,
the engravings after them, the
several editions of the Theatrum,
and the views of the interiors of
the Archduke’s picture gallery.
85704
£30.00
The Art of Satire. London in
Caricature
Museum of London until 3rd
September 2006.
25x21.5cms.
The story of visual satire in
London, a city in which
caricature flourished like no
other, is surveyed from the time of
Hogarth to the age of Victoria.
The significance of London as a
subject is followed by a
chronological survey of satirical
images, and placed in the wider
context of English satire as a
whole.
85729
£30.00
The Road to Byzantium.
Luxury Arts of Antiquity.
Somerset House, The Hermitage
Rooms, until 3rd Sepember 2006.
30x26cms.
Spanning a period from 500 BC
to 1000 AD, this book looks at the
luxury goods produced in the
Greek and Byzantium worlds,
produced from gold, silver and
ivory, from the Hermitage. The
development from Greek to
Roman to Byzantine art is studied
not through the traditional
approach of icon painting but
through these luxury items, which
offers a completely new
perspective on this development
of classicism.
85237
£35.00
Kandinsky 1902-1922
Tate Modern, until 24th
September 2006.
29x24.5cms.
Follows the fascinating
development in Kandinsky’s early
career from figurative painting to
abstraction, looking at the
manner in which he gradually
stripped away the descriptive
detail of his painting, hiding
visual imagery behind fields of
colour and strong lines. Includes
an account of his time in
revolutionary Russia, his
relationship with painter Gabriele
Münter and the profound
influence of music on his art.
85092
£35.00
Constable. The Great
Landscapes
Velázquez
National Gallery from 18
October until 21 January 2007
Dubbed by Manet ‘the painter’s
painter’ this catalogue surveys
the work of Velázquez (15991660) from Seville and Italy to
his final years working in
Madrid for Phillip IV and
explores the Spanish 17th
century master’s almost
universal popularity.
Chronology. Bibliography.
85822
£35.00
Rodin. His Art and
Inspiration
Royal Academy 23rd September
2006 until 1st January 2007.
320pp, c300 colour illustrations.
Cloth, 32x27.5cms.
86040
£45.00
Modigliani and His Models.
Royal Academy from 8th July
until 15 October 2006
160pp, with approximately
29x26cms.
Re-evaluation of the Italian artist
Modigliani’s place in the
development of modern art and
the myths that surround him,
concentrating on his erotic nudes,
portraits and figures.
85866
£38.00
Tate Britain until 28th August 2006.
24.5x28cms.
Between 1819 and 1825,
Constable painted a series of six
large-scale canvases featuring
the river Stour. The large size of
these paintings marked a turning
point in his career. This
exhibition brings this series
together for the first time,
alongside their compositional
sketches which display his
working methods.
85093
£35.00
Modernism. Designing a
New World.
Victoria & Albert Museum until
23rd July 2006.
28.7x24.5cms.
Explores modernism and
design from an international
perspective, looking at all the
arts, revealing the fundamental
ways in which it has both
shaped the world and its visual
culture. Explores the history
and philosophies of
modernism, looking at the
whole range of arts from
painting, sculpture, film,
photography, prints, collage,
architecture, interiors and
furniture to manufactured
products and graphic and
fashion design. Looking at
modernism in America, Europe
and beyond to Russia,
Palestine and Japan.
84513
£45.00
Howard Hodgkin.
Tate Britain, until 17th
September 2006
Wrappers, 29x24.5cms.
Accompanies the retrospective
touring exhibition on this foremost
British painter of his generation.
Offers a thorough survey of his
work to date with details of his
motivations and techniques.
85088
£24.99
Norwich
Pacific Encounters. Art and
Divinity in Polynesia 17601860.
Sainsbury Centre for Visual Arts,
University of East Anglia, until
13th August 2006. 272pp with
illustrations.
Wrappers, 27.5x22cms.
The many Polynesian objects
which were gathered during the
early period of contact with
European voyager, missionaries
and settlers including Wallis,
Cook and Vancouver are brought
together here for the first time.
The majority of the objects come
from collections held at the
British Museum and include
sculptures in wood and stone,
ornaments and valuables of
ivory, shell, bone and nephrite.
Discusses the role, meaning and
interpretation of Polynesian art
and material culture.
85267
£25.00
USA
Boston
Americans in Paris 1860-1900.
Museum of Fine Arts Boston
from 25th June to 24th
September. Travelling to New
York, Metropolitan October to
January 2007. Previously
London, National Gallery
288pp with 103 colour plates, 36
illustrations. Cloth, 29.325.2cms.
Series of essays on the role of
American artists in Paris from the
Salon de Réfusés, in 1863, to the
emergence of an American style
of painting. With biography for
each artist, an annotated list of
works, bibliography and index.
Artists represented include
Sargent, Whistler, Cassatt and
Winslow Homer.
83293
£37.00
Fort Worth
Hatshepsut: From Queen to
Pharoah.
Kimbell Museum from 24th
August until 31st December.
Previously at the Metropolitan,
New York and others.
Cloth, 28x22cms.
First in-depth treatment of the
female pharoah who reigned for
nearly 20 years during Egypt’s
New Kingdom in the 15th
Century BC, who began by
acting as regent for her young
nephew/stepson Thutmose III,
but soon exercised full powers
of the throne as senior co-ruler.
Often depicted in male guise,
after her death her monuments
were ruthless defaced and her
name struck from historical
accounts, but her reign was one
of great creative activity and
much has survived to enable
scholars to reassemble her
history and cultural
achievements.
85974
£45.00
Greenwich, CT
Jan van der Heyden 16371712.
Bruce Museum from 16th
2007. Travelling to Amsterdam,
the Rijksmuseum
25x30cms.
First book in English on the
prominent Dutch painter of
cityscapes who in his lifetime
was actually more famous as an
inventor and engineer, having
invented firefighting equipment
that set the standard throughout
Europe for two centuries and
having perfected the street lamp.
This catalogue focusses on more
than 100 paintings, drawings
and prints. His innovative
compositions, many of
Amsterdam, but also of Dutch,
Flemish and German cities,
often had their streetscapes and
views of known buildings
rearranged to create imaginary
scenes.
85809
£40.00
Best in Show. The Dog in
Art from the Renaissance to
Today.
Chicago
Elizabeth Catlett. In the
Image of the People.
Art Institute until 30th July 2006
36pp with 4 colour and 20 b/w
illustrations. Wrappers, 22x24cms.
Focussing on Catlett’s Negro
Women series of linoleum prints,
from 1946-1947, this study reveal
her commitment to social and
political issues. Examines her
important role in America’s
African-American and Mexico’s
revolutionary art communities.
85099
£5.95
Bruce Museum until 27th August
2006. Travelling to Houston
Museum of Fine Arts 1st October
until 1st January 2007
illustrations. Cloth, 28x22.8cms.
Featuring 60 works by artists
such as Francis Bacon, Courbet,
Dali, Lucien Freud,
Gainsborough, Manet, Warhol,
William Wegman and Andrew
Wyeth amongst others, this study
examines the many ways in which
dogs have been portrayed in art
from the 16th century to the
present day.
84994
£25.00
Hartford
New Haven
Samuel Colt. Arms, Art, and
Invention.
of the Tsars.
Wadsworth Atheneum from 20th
September until 4th March 2007
30.4x24.8cms.
In 1835 Samuel Colt patented his
‘Colt’ revolver, redefining the
architecture of handguns.
Through the collection of Colt
firearms held by the Wadsworth
Atheneum, this books details the
its evolution. Looks at the
aesthetic and artistic qualities of
the design and the use of artist
George Catlin to promote his
arms through his paintings.
84997
£45.00
Los Angeles
Rubens and Brueghel: A
Working Friendship.
Getty Museum from 5th July
until 24th September 2006.
Wrappers, 24x20cms.
First publication to examine in
depth the partnership between
Peter Paul Rubens (1577-1640)
and Jan Brueghel the Elder
(1568-1625) in the creation of
genuinely collaborative yet high
quality paintings, the result of a
close friendship. Includes
discussions on both men’s
collaborations with other artists
such as Frans Snyders and
Hendrick van Balen.
85245
£25.00
The Société Anonyme.
Modernism for America.
Hammer Museum until 13th
August 2006. Travelling to
Phillips Collection, Washington
and others until Spring 2008
31.5x25cms.
Founded in 1920 by the artists
Katherine S Dreier, Marcel
Duchamp and Man Ray, this
catalogue illustrates the unique
history of the Société Anonyme,
Inc. The collection of over one
thousand artworks, assembled by
the group of artists which
chronicles the rise of modernism,
now belongs to the Yale University
Art Gallery and features works by
over 100 artists including Arp,
Duchamp, Ernst, Kandinsky, Klee,
Lissitzky, Mondrian, Ray
Schwitters and Joseph Stella.
85409
£35.00
Minneapolis
The Surreal Calder.
Minneapolis Institute of Art until
10th September 2006
156pp with 45 colour plates, 35
illustrations. Boards, 31.2x26cms.
Places Calder back into the midst
of Surrealism in order to
understand his work better within
that context and includes works by
Miro, Max Ernst, Yves Tanguy and
René Magritte. Looks at Calder’s
wit, caricature and linear flights of
fancy, his constellations and
apparent views of celestial space
amongst other subjects.
84952
£26.00
Yale Center for British Art until
10th September 2006 Travels to
London, Gilbert Collection in
October
28x24.8cms.
The Moscow Kremlin Museums
houses one of the world’s greatest
groups of English 16th and 17th
century silver. Many of the pieces
from this period were melted
down during the Civil War,
making the Kremlin’s collection
rare and historically important.
This silver exemplifies the
commercial and diplomatic ties
between Russia and England. The
exhibition sets these pieces within
the wider context of portraits,
engravings, books, maps, objects
by Russian craftsmen and English
firearms.
85171
£50.00
New York
Lions, Dragons, & Other
Beasts. Aquamanilia of the
Middle Ages.
Bard Graduate Center from 12th
July until 15th October 2006.
31x24cms.
Created in appealing animal or
human forms, aquamaniles are
beautifully designed bronze
pouring vessels used in both
liturgical and secular contexts for
ceremonial hand washing. They
represent the first hollow-cast
pouring vessels in Western Europe
and a significant development in
the history of technology. This
study explores the history,
technique and cultural
significance of these medieval
pieces. Presents the entire
aquamanile collection held at the
Metropolitan Museum as well as
pieces from other collections and
other related material.
85172
£50.00
From Cordoba to
Samarqand: Masterpieces
from the New Islamic
Museum at Doha.
Brooklyn Museum, 2006.
224pp, with 90 illustrations.
Cloth, 28.5x23cms.
The thousands of artefacts and
works of art from the 7th century
to the present day in the
collection of the future Museum
in Qatar is not as yet displayed.
This includes 42 works in
ceramics, glass, metal, paper,
ivory, gold, emeralds, jade, agate
and silk from Spain, Egypt, Syria,
Iraq, Turkey Iran, India and
Central Asia from the 9th to 17th
century have been selected.
Includes a history of the
collection.
85956
£29.00
Étienne Liotard (17021789). Masterpieces from
the Musées d’Art et
d’Histoire de Genève and
Swiss Private Collections.
Frick Collection until 17th
September 2006.
Cloth, 29x23cms.
First American exhibition on the
18th century Swiss pastellist and
miniaturist, who was a
contemporary of Quentin de La
Tour and Chardin, focussing on
his society portraits, some of
which were deliberately
unflattering. He was greatly
influenced by his travels in Turkey
and was in much demand by the
European courts of the day. The
collection of his work from
Geneva is the most comprehensive
in the world and is supplemented
by those from private collections
in Switzerland. Introduction by
Marcel Roethlisberger.
86025
£24.00
Cézanne to Picasso.
Ambroise Vollard, Patron of
the Avant-Garde.
Metropolitan Museum from 13th
2007, travelling to Art Institute of
Chicago and Musée D’Orsay in
2007
30.4x22.8cms.
Catalogue devoted to the
achievement of the French
dealer and collector Vollard
(1867-1939) who introduced
many of the leading modernist
artists of the early 20th century
to the public. 22 essays examine
his relationship with the art
market, with artists and
collectors, using a wealth of
unpublished material from the
newly available Vollard archive.
85830
£40.00
Salem
Painting Summer in New
England.
Peabody Essex Museum until 4th
September 2006.
136pp with 80 colour and 10 b/w
illustrations. 28x25cms.
Considers the many ways in which
artists have responded to the
summer beauty of New England,
the coastlines, mountains, lakes,
forests and villages as well as to its
social and cultural preoccupations
and characteristics. Includes
works by Sargent, Winslow Homer,
Fitz Henry Lane, Maurice
Prendergast, Marsden Hartley,
Edward Hopper, Hans Hofmann,
Andrew Wyeth, Alex Katz and
Yvonne Jacquette.
85407
£25.00
San Francisco
Claude Lorrain: The
Painter as Draftsman.
Drawings from the British
Museum.
Asian Art Museum from 14th
October until 14th January 2007,
and travelling to Clark Art
Institute
27.5x24cms.
Examines the role that the
medium of drawing played in the
work of the great 17th century
French landscape painter (16001682), with examples
representing all aspects of his
style and subject matter, many
reproduced in colour for the first
time, including a dramatic group
from the Liber Veritatis,
Claude’s own record of his
compositions.
85813
£35.00
Approximately 40 paintings by
masters such as Jan van Eyck,
Rogier van der Weyden, Hans
Memling and Hugo van der Goes,
and reuniting a number of
diptychs that have long been
separated.
85818
£45.00
Bellini, Giorgione, Titian,
and the Renaissance of
Venetian Painting.
National Gallery of Art until 17th
September 2006. Travelling to
Vienna , Kunsthistorisches
Museum in October
28x23cms.
Explores the interrelation of these
important Venetian artist and
their work from 1500 to 1530.
Examines the works thematically,
looking at the rise of secular
subjects as well as the
transformation of religious ones
in subject matter, style and
technique. Takes into
consideration the themes of
music, love and time.
85111
£40.00
CANADA
Toronto
Andy Warhol / Supernova.
Stars, Deaths, and Disasters,
1962-1964.
Art gallery of Ontario from 1st
July until 1st October 2006.
In the mid 1960s Warhol moved
from painting to the mechanical
photo silkscreen process,
observing America’s fascination
with both celebrities and
disasters of the mass media age.
This study juxtaposes his
silkscreen work of serial images
of Marilyn Monroe, Elizabeth
Taylor and Elvis Presley
alongside images of car crashes,
electrical chars and other
disasters taken from
photojournalism.
85479
£24.00
Washington
Anglomania. Tradition and
Transgression in British
Fashion.
Metropolitan Museum until 4th
September 2006.
illustrations. Cloth, 30.4x24.1cms.
A spirited look at the phenomena of
Anglomania as manifested in 18th 21st century fashion, covering
aspects of English culture like class,
royalty, pageantry eccentricity, the
gentleman and the country garden.
85867
£18.50
Thomas Heneage
Art Books
Tel: +44 (0)20 7930 9223
Fax: +44 (0)20 7839 9223
[email protected]
Frank Stella 1958.
Arthur M. Sackler Gallery until
16th July 2006.
Wrappers, 26x22.3cms.
In 1958 Frank Stella moved to
Manhattan and painted a series
of monumental canvases that
culminated in the first of his
famous ‘black paintings’. This
book focuses on the 30 works he
painted that year.
83388
£20.00
Prayers and Portraits.
Unfolding the Netherlandish
Diptych.
National Gallery of Art from 12th
November until 4th February
2006, travelling to Antwerp,
Koninklijk Museum voor schone
Kunsten in 2007
28x24cms.
First book to examine diptych
format prevalent in Early
Netherlandish art, depicting
secular portraits, religious
personages and stories.
NEW ZEALAND
Wellington
Constable: Impressions of
Land, Sea and Sky.
Museum of New Zealand, Te
Papa Tongarewa, from 4th July
until 8th October 2006,
previously Canberra, National
Gallery of Australia
illustrations. Boards, 29x24cms.
Catalogue of 108 paintings and
drawings by the English
landscape painter.
85722
www.heneage.com/
32
THE ART BOOK SURVEY
Order Form
Code
Art Book Survey – Summer 2006
TO ORDER
Date:
Title
Price (£)
• By Telephone
+44 (0) 20 7930 9223
• By Fax
+44 (0) 20 7839 9223
• By Email
[email protected]
• By Post
Thomas Heneage Art Books
London SW1Y 6DJ England
Please quote the title and five figure
code which precedes the price.
Please quote the 5 digit code at the
end of the entry and select delivery
method. If no preference is given we
will ship by the most economical
method practicable. Mailing charges
are added to your bill.
Note: All prices should be correct at
time of going to press but are subject
to change without notice. Orders for
forthcoming titles are recorded and
sent on publication.
EU residents who order on their
headed stationery bearing their VAT
number will not be charged VAT on
VAT-able goods.
Please send by air / surface / courier (signed for) / hold for collection
(circle one)
The Art Book Survey
is published three times a year, Spring,
Summer and Winter with occasional
supplements and special editions.
Name
Address
Tel (day)
Fax
Email
Please charge my credit card (Visa / Mastercard / Maestro)
(postage & packing will be automatically added to your bill)
Card No
Expiry Date
Security Code (Last three digits on back of card)
EU resident’s VAT No
Sterling cheque & £Eurocheque / Foreign cheque drawn on a UK bank / US $ cheque accepted
Thomas Heneage
Art Books
Subscriptions
To obtain regular copies of
The Art Book Survey please
contact the address below or email:
[email protected]
London SW1Y 6DJ
England
Editorial & Advertising
Publishers are invited to contact the
editor for all details concerning the
inclusion of titles and advertising
Tel: +44 (0) 20 7930 9223
Fax: +44 (0) 20 7839 9223
The Art Book Survey Ltd.
[email protected]
[email protected]
© The Art Book Survey Ltd.

the art book survey - Thomas Heneage Art Books

Transcription

Similar documents

modern designs - Resene Paints

`Tyci Tavoli series of tables` product card

Palace of Justice

Half Price Half Price Half Price Half Price Half Price Half Price

Untitled - System 24

Geerings Print Brochure

Glass instructions

PDF

Fact sheet - Casuarina glauca / Swamp Oak

MARCELLO MALPIGHI